||Call me Ceph //23//Trans-man/personal,fandom, & shitposting blog ||
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Pride month vest project, a patch a day #14: All Pride is Kink to Bigots
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This is cheaper than journaling when you think about it
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the reason "robot racism" is often a really stupid metaphor is the same reason that like. discrimination against demons or vampires or whatever doesn't work, is because there's often a pretty justified reasons humans are scared of vampires or robots or whatever, in a way that doesn't apply to real life minorities, like a fantasy author will be like "the reason vampires are discriminated against is because most of them and kill and eat people for fun and pleasure, and so humans respond by trying to kill them, isn't that so sad" and like no that's a perfectly fine reason to not trust vampires i think.
#so many discrimination metaphors want to give a reason for why the discrimination exists#i think because otherwise it feels shallow#but real discrimination IS shallow#insinuating there's a reasonable historical justification for it is honestly insidious
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More Shadows of Rose thoughts after watching through the whole thing.
1. I really want to know if Duke is aware of his consciousness being reconstructed there. It's my understanding/assumption that he's in there because he's alive and has an active link to the Mold, otherwise he would be a really random character for Miranda to reassurect, especially in Lady Dimitrescu's house? It's the only way it makes sense to me. So does he feel it? Does he know?
2. Related to that, I REALLY want to know if any of The Masked Duke's thoughts are real or if he's just sort of an empty body for Miranda to puppet around. He says he has this inexplicable urge to inflict pain, and I'm really curious if it comes from the real Duke. Because I could see it. I highly doubt he'd ever hurt Rose, but there's really no telling what his actual desires and motivations are in general.
3. I REALLY want Duke and Rose to meet someday, if only for the reason that he's one of the only other people who knew Ethan and is a major reason she's alive at all. BUT it would unavoidably be the most horrifying, traumatic experience for her after SoR. This poor fucking girl, I'm banging my head against the wall.
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Well shit, the Republicans brought a certain anti-online porn bill back to the table.
The Interstate Obscenity Definition Act.
This should alarm you guys.


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*walks across your dashboard*
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reading fanfiction and realizing lots of people don't know how bodies work
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spin this wheel of all the pokemon. you now have to fight this pokemon. just you and it, bare-knuckle
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Much better
Considering also The Duke and Lady D shipping specifically because I think it would be funny.
Arguments for:
- They're the only people in the village even remotely the same size
- They do have a working relationship of some kind (I assume he sells her things but it's not technically confirmed what their deal is)
- They both appreciate fine things in a similar way, and are seemingly the only people that do
- He does think she's hot (but I mean, duh)
Arguments against:
- She's probably a lesbian. Not even just for headcanoning purposes, it just makes sense for her archetype too
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Just because I like ✨ visuals ✨ I like the idea of Ethan getting moldier the more his body falls apart
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Bless facebook marketplace. If you have nothing else you always have game consoles ❤️
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Something so profoundly fucked up between the inverse ratio of shrinking middle class and ever increasing aggression of advertisement
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Everyone is so fucking stupid. I wasn’t gonna get rage baited so I’m complaining here
Stumbled upon people with the take that theater etiquette is a bunch of stupid rules made up by rich people bc they’re no fun.
Not being rude is for rich people??
This reminds me of when you troglodytes were getting your panties in a twist over turning your phone off at the movies.
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a few great films that are free on the internet archive
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roag
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. rené laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity (1944) dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
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