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Chinese hanfu.

窄袖褙子：喷绘真丝双绉（单层） 吊带背心：真丝双绉（外层）、弹力丝绵雪纺（衬里） 六片裙：真丝双绉（外层）、真丝电力纺（内衬） 腰带：真丝双绉

双玉瓯

(via 【孤品样衣】数玉蜓·徵 【遇江南】 双玉瓯.女装 汉服 褙子套装-淘宝网)

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[Hanfu · 漢服] China Five Dynasties And Ten Kingdoms Period--Min Kingdom (闽国) Traditional Clothing Hanfu Photoshoots

【Historical Artifacts Reference 】:

Based On Five Dynasties and Ten Kingdoms Period: Female Figures from the Tomb of the Empress of Min Kingdom (闽国）

🌸 Four-Butterfly Silver Hairpin (Buyao)

Unearthed from the Tomb of Lady Tang, Southern Tang, Five Dynasties Period

This exquisite silver hair ornament was excavated from the Tomb of Lady Tang located in Daxinggong, Nanjing, Jiangsu Province, dating back to the 10th century CE, during the Southern Tang regime of the Five Dynasties and Ten Kingdoms period.The butterfly ornaments are suspended by fine silver chains, swaying as the wearer walks—hence the name “buyao” (步摇, literally "step-shake")

🌸 Gold-Inlaid Jade Hairpin (Buyao)

Unearthed from the Tomb of Lady Tang, Southern Tang, Five Dynasties Period

This elegant gold-inlaid jade hair ornament was unearthed from the tomb of Lady Tang in Daxinggong, Nanjing, Jiangsu Province, dating to the Southern Tang state (10th century CE) during the Five Dynasties and Ten Kingdoms period.

Court Ladies Wearing Flowered Headdresses (《簪花仕女图》）

Although the Court Ladies Wearing Flowered Headdresses (《簪花仕女图》) is often mistakenly attributed to the Tang dynasty, art historical evidence indicates it was actually created during the late Tang to Five Dynasties and Ten Kingdoms period (9th–10th century CE).

The painting’s stylistic elements—such as the full-faced court ladies, elaborate hairstyles, floral hairpins (zanhua), and luxurious clothing—align closely with depictions of Southern aristocratic women in the Five Dynasties period, particularly those seen in Southern Tang tomb artifacts. These features reflect the refined elegance and cultural taste of that transitional era, rather than the earlier Tang high period.

🖼️Auction items suspected to be paintings from the Five Dynasties period

Although sometimes associated with Ming dynasty art, many Chinese scholars believe this painting better reflects the style of the Five Dynasties and Ten Kingdoms period. The figure’s proportions, attire, and Daoist elements resemble those seen in late Tang to Southern Tang artworks.

However, the painting’s exact date remains uncertain, and there is ongoing debate due to inconsistent seals and mixed stylistic features.

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Photo :@大喵来了

Model：@是小芥末w

Stylist：@赵常月

Xiaohongshu app:https://www.xiaohongshu.com/discovery/item/6834368f00000000230013dc?

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