eucanthos

[eucanthos]

eucanthos

Calypso

John Baldessari Raised Eyebrows _ Furrowed Foreheads, 2009 [top]

Grace Kelly by Clarence Sinclair Bull, 1956 [eyes and nose]

Jean Harlow [sm lips]

Judy O’Day pin-up [from artsandbabes]

Bunny Yeager self portrait verso stamp and notes [50s]

Jacob van Hulsdonck, Roses in a Glass Vase, 1640-45 [red]

Thomas Gainsborough, The Hon. Frances Duncombe c. 1777 [blue dress]

Henri Lehmann - Calypso 1869 [seascape]

Aleksandra Żygo with lemons by Dorota Górecka - dorota-gorecka.tumblr

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https://giphy.com/samcannon

self-portrait?

Los GIF animados de Sam Cannon como expresión artística.

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Lee Friedlander (American, b. 1934, Aberdeen, WA, USA) - San Juan, Puerto Rico, 1979, from Letters from the People, Photography

[eucanthos]

YOU CAN’T HAVE IT ALL

But you can have the fig tree and its fat leaves like clown hands gloved with green. You can have the touch of a single eleven-year-old finger on your cheek, waking you at one a.m. to say the hamster is back. You can have the purr of the cat and the soulful look of the black dog, the look that says, If I could I would bite every sorrow until it fled, and when it is August, you can have August and abundantly so. You can have love, though often it will be mysterious, like the white foam that bubbles up at the top of the bean pot over the red kidneys until you realize foam’s twin is blood. You can have the skin at the center between a man’s legs, so solid, so doll-like. You can have the life of the mind, glowing occasionally in priestly vestments, never admitting pettiness, never stooping to bribe the sullen guard who’ll tell you all roads narrow at the border. You can speak a foreign language, sometimes, and it can mean something. You can visit the marker on the grave where your father wept openly. You can’t bring back the dead, but you can have the words forgive and forget hold hands as if they meant to spend a lifetime together. And you can be grateful for makeup, the way it kisses your face, half spice, half amnesia, grateful for Mozart, his many notes racing one another towards joy, for towels sucking up the drops on your clean skin, and for deeper thirsts, for passion fruit, for saliva. You can have the dream, the dream of Egypt, the horses of Egypt and you riding in the hot sand. You can have your grandfather sitting on the side of your bed, at least for a while, you can have clouds and letters, the leaping of distances, and Indian food with yellow sauce like sunrise. You can’t count on grace to pick you out of a crowd but here is your friend to teach you how to high jump, how to throw yourself over the bar, backwards, until you learn about love, about sweet surrender, and here are periwinkles, buses that kneel, farms in the mind as real as Africa. And when adulthood fails you, you can still summon the memory of the black swan on the pond of your childhood, the rye bread with peanut butter and bananas your grandmother gave you while the rest of the family slept. There is the voice you can still summon at will, like your mother’s, it will always whisper, you can’t have it all, but there is this.

“You Can’t Have It All” by Barbara Ras, from her 1998 poetry collection Bite Every Sorrow

https://www.themarginalian.org/2019/02/07/you-cant-have-it-all-barbara-ras-emily-levine/?mc_cid=e441ceaa52

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eucanthos

Björk, 1994, by Stéphane Sednaoui – pop-life-my-life 12 h clocks

[eucanthos]

George Maciunas (Lithuania, Kaunas, Nov 8, 1931 - 1978, Boston, US)

Untitled Screenprint in black and red on photo paper with safety pins thnx my-corrupted-pixels

Sulaitis - Fluxus the legacy of George Maciunas:

https://www.johnvalentino.com/Teaching/Art390/Projects/390Proj3/Maciunas/Maciunasobserved.html

https://www.mutualart.com/Artwork/Untitled/C1C0ADD2CE732936

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Arnulf Rainer (Austria, Dec 8, 1929)

Frühlingskreuz", 1990/91, drypoint etching on wove, 50 x 40 cm, sheet size 65 x 51 cm

Glutkreuz", 1999-2001, drypoint etching in colour on vellum, plate size 49.5 x 32.5 cm, sheet size 49.7 x 67.4 cm

Braun Kreuz", 1989/1990, drypoint etching in colour on BFK Rives, plate size 41.5 x 29.8 cm, sheet size 65.3 x 50 cm, (RAC)

https://www.dorotheum.com/de/l/8774990/

https://www.dorotheum.com/it/l/8356439/

https://www.dorotheum.com/en/l/7580231/

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eucanthos

East-West unanimity

Ingres: The Valpinçon Bather, 1808

Merete Rasmussen: Twisted-Blue, moebius strip sculpture

Venus Callipyge [Aphrodite Kallipygos] (beautiful buttocks) w/o Carlo Albacini’s 18th c. restored lost bust

bdsm tumblr find

Christopher Wool, ASSASSIN, Black Book, 1998

elemental traces no.15 ∈ 42 / anasyrma revisited

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Sofia Loren: 'anything you see, I owe to spaghetti', 1963 - reddit

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Franca Rame (Lombardy, Parabiago, 18 Jul 18, 1929 - 2013, Milan)

F. Rame wearing a pearl necklace, circa 1955. (Photo by Keystone Features/Hulton Archive/Getty Images)

Italian actress, playwright and militant leftwing politician, wife and professional partner of Dario Fo

In 1968, as the movement of dissent in Paris and the US spread to Italy, the pair abandoned the commercial theatre, preferring to form a new co-operative group that played to enthusiastic audiences of mainly workers and students...

In 1973 Rame was kidnapped and raped by fascists. Ten years later, she used the experience for a monologue, Lo Stupro (The Rape), which featured in a 1983 workshop she did at the Riverside Studios in London. She gave a surprise performance of the monologue on a popular family TV program.

Through the organisation Soccorso Rosso (Red Aid), Rame raised funds to help the families of political prisoners, who were being mistreated in Italian jails. She said in 1984: "I'm not defending prisoners because I think they're poor helpless beings who have been maltreated by an evil society. I just want to defend their right to dignified human treatment."

In the 90s, Jacopo (son) helped his parents adapt his book Zen and the Art of Fucking as a monologue for Rame, who called it "a comic lesson in love and sexual education". The title was changed to "Sex? Yes please, my pleasure" to appease eventual bigots who anyway tried unsuccessfully to stop its performances at the Milan Piccolo Teatro...

https://www.theguardian.com/stage/2013/may/29/franca-rame

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Arnulf Rainer (Austria, Dec 8, 1929)

Untitled, 1977 Indian ink on photo, 50 x 60.4 cm Exhibition Arnulf Rainer Körperkunst 22. August 2014 to 21. September 2014 Galerie Breckner, Altestadt 7, 40213 Düsseldorf

La Source + Araki association

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[Russian, lives in Italy]

https://www.instagram.com/nina.barnini/

Nina Barnini.

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Peter Beard (NY, Jan 22, 1938 - 2020, NY)

Elephant reaching for the last branch on a tree, June 1960 'End-Game' trip through Tsavo unique oversized gelatin silver print, with blood artwork and inscriptions, in original frame, printed 1997

hi res img courtesy Cristie's

https://www.christies.com/en/lot/lot-5670450

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Eric Stefanski (Chicago, 1987)

2024, enamel on fabric on canvas [artist's frame]

hi res: https://sunvalleyart.com/art/it-feels-good-to-be-alive-by-eric-stefanski

It feels good to be alive

Eric Stefanski

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Arena Homme + Anatomy of a Murder Spring/Summer 2011

https://models.com/work/arena-homme--anatomy-of-a-murder

Steven Klein

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Osamu Fujita (JP, Yokosuka, 1953)

story, 2008 Image size: 42×29.5cm Sheet size: 54×39.5cm Yokosuka Museum of Art, Tokyo Opera City Art Gallery, Machida International Print Museum, Collection

thnx sesiondemadrugada

https://gshirakawa.theshop.jp/items/36377785

http://fujitaosamu.com/fujitaosamu/Welcome.html

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Sébastien Coutheillas (FR, Paris, 1983)

Automatism and free-association to uncover a form of truth through the act of painting...

(34 x 27 cm)