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A 29 y/o that still believes in Santa btw

ma'am i understand he's your baby but he is 29 years old that is a grown ass man

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No, I’m pretty sure you’re thinking of Nintendo. Narcolepsy is a manga-turned anime made by Masashi Kishimoto about a boy with an inner demon who lives in a ninja village that got a sequel series and a spin off about his son

“Covid game me narcolepsy” no you fucking pervert it didn’t. You’re just a weirdo with a gross fetish. Covid didn’t make you suddenly want to fuck dead people. Keep that shit to yourself you gods damned weirdo

I have type 2 Narcolepsy. Studies have shown that serious viral infections can cause people to develop Narcolepsy if they are already genetically susceptible to having it. This includes covid. That is what happened to me.

You on the other hand might want to google the difference between Narcolepsy and Necrophilia….

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char aznable died for our sins

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RAHHHH WHEN WILL IT BE MY TURN RAHHHH

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Char really saw those old ass skeletons just making horrible decisions all around and it fueled his death wish even harder. He really said "I CANNOT experience twink death"

just watched chars counterattack in theatres a few days ago and im obsessed with the fact that Char had to be a politician for two (2) days on earth and decided that actually everyone has to go.

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Literally everyone after meeting Char Aznable once

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This interaction becomes even funnier when you remember that Alex Casey probably hates dark and weird books cause of Wake and his writing about Casey.

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I know how the story begins. I know how the story ends. Now to fill in the middle.

*muffled screaming*

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I get that this is kinda joking but like that’s literally what Saga does. Calls him on his bs for “needing to” drag other people into his work and help write a satisfying conclusion that fits the confines of the genre

I feel what Alan really needs in order to emerge from the spiral victorious is a good editor.

Just someone holding up a sign for him as a reminder.

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I really love redrawing memes.

Reference:

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Leonard from Doghouse 2

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I love that the fandom has pretty much collectively hc that despite knowing vamp is bisexual, Snake has no idea what the rest of the labels in the LGBTQ community are.

Me: im trans

Snake: Hrm... trans huh? give me a moment

Snake goes into a box and calls up his husband

Snake: Otacon, this lady dropped a piece of intel in regards to herself, do you know what "trans" means

Otacon: Snake, that's short for the term "transgender" a phrase used for those who's identity doesn't align with their asigned sex, some use hormones or surgery to better fit their lifestyle

Snake: Chemical and Surgical modification huh? they're like supersoldiers but they choose to change to fight for their own spirits rather than a nation...

Otacon: Remember snake, being "trans" is an umbrella label, many in the community identify beyond our common gender binary, including traditional cultural gender roles or wholly new ones

Snake: A wide variety of genders, such diversity not only make them unpredictable but increases practical versatility, impressive stuff

Otacon: oh this is just like Lily Hoshikawa from my Japanese animes

Snake leaves the box

Snake: You're pretty good huh? this trans stuff sounds intense, you have my support as a fellow soldier

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Since we keep getting "live action" CGI remakes of already perfectly adequate animated movies, and because people need to understand that animation is a medium and not a genre, I have prepared this primer about the importance of Visual Language for Conveying Information.

Can you tell what the personalities of these two mice are?

Can you tell now?

Which of these two tigers feels safer to be around?

Which of these three dogs is the funniest one?

If you can answer these questions, then you already have experience with the idea of visual language and stylistic choices being used to impart narrative meaning. If you can understand why these choices were made to impart meaning, then you can understand why animation is a medium for telling stories that has its own inherent value, and is not merely a "placeholder" for the eventual implementation of photorealistic presentation (aka "Live Action" CGI). Animation does not need to be "corrected" or "legitimized" by remaking it into the most representational simulation of observable reality.