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I wish is our love letter towards the Worlds. Whoever reads this, where ever you are, wish you all the best things in life and peace in your mind.

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Pixel art tutorial: https://saint11.art/blog/pixel-art-tutorials/

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Introducing our newsletter! More updates about future projects, especially this mystery tale will be shared with you in the future!

Portal to the unknown!

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Hello my dear friends after nine years of promising myself I would make another Twine game some day: I have done this. You can play it here.

you have created a monster is a tiny interactive fiction game about love, fear, (mutual?) destruction, and monsters. Not necessarily in that order. Reasons to play it:

there are monsters

there are 17 different endings and more ways to reach them than I can do the maths for

it's the result of me spending slightly too long thinking about Frankenstein

it's very short so it's like microdosing horror

my mum really liked it

it's ✨free✨

you can play it in your browser

it is very possible to die horribly

it is also very possible to live horribly

it is additionally very possible to get several other thematically compelling endings

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Essays and Meta on Interactive Fiction Design

2025.5.20: Updated original list with more resources. I've also fixed the links.

Structure

Standard Patterns in Choice-Based Games

Design Patterns in Choose Your Own Adventures

Small-Scale Structures in CYOA

By the Numbers: How to Write a Long Interactive Novel That Doesn't Suck

Adventures in Text: Innovating in Interactive Fiction

Structuring IF Side Plots

Narrative Graph Models

Beyond Branching: Quality-Based, Salience-Based, and Waypoint Narrative Structures

Puzzle Dependency Charts

What does your narrative system need to do?

Narrative Logics

Design Decisions: Stats

Loose, Tight, Flat, and Bumpy Stats in ChoiceScript Games

7 Rules for Designing Great Stats

Think Before You Stat

Set, Check, or Gate? A problem in personality stats

Design Decisions: Choice

Mailbag: Moments of Non-Choice

Should Games Have Meaningful Choices?

Creating Choices in Interactive Writing

A Bestiary of Player Agency

Making Interactive Fiction: Branching Choices

Successful Reflective Choices in Interactive Narrative

Design Decisions: Other

Writing in Collaboration with the System

Story vs. Game: The Battle of Interactive Fiction

Narrative States

How to write a branching narrative and won't lose your mind

Storygame Genre

Narrative Mechanics, Narrative Dynamics

That Darn Conundrum

Writing Advice and Opinions

The Seven Deadly Sins of Writing Interactive Fiction

Three Solutions to Three Problems in Interactive Fiction

Writing Interactive Fiction in Six Steps

Writing IF

Game Analysis

CYOA Structures: Tween Romance

These Maps Reveal the Hidden Structures of 'Choose Your Own Adventure' Books

Playing With Words: The remarkable Firewatch is part of a new generation of games taking cues from the text adventures of the 1980s

7 works of interactive fiction that every developer should study

The Illusion of Free Will: On "Bandersnatch" and Interactive Fiction

Scarlet Sails (and a discussion about game size

Musings on IF

Interactive Fiction as Literature

Riddle Machines: The History and Nature of Interactive Fiction

Toward a Theory of Interactive Fiction

Interactive Fiction for the Modern Game Designer

The Joy of Text: the fall and rise of interactive Fiction

Going Interactive or: How I Learned to Relax and Let the Reader Take Control

In the Beginning Was The Word

An Alternative Taxonomy for Interactive Stories

Misc

Ethically Designing Unethical Worlds

Break the Loop

Game Taxonomies: A High Level Framework for Game Analysis and Design

An in-depth look at what otome players wants

Mailbag: Self-Training in Narrative Design

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I have a document linking all free resource I could find in one place for comic and art in general! Hope you can find something helpful! You can check them out here:

👉 Free Comic Resource 👈

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Goodnight.

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UPDATED COMMISSIONS

Since government decided to lower my scholarship lol Reblogs, sharing around is highly appreciated!! :D

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Note to Self - Speaking without Words with Word Balloons

Word gallons are for more than just words. They can be used to emphasis and even add emotions and to a scene

Feeling dizzy? About to pass out?

A lilting playful swirl (Time and Time Again by Deo I)

The white and black of the text has been replaced with a sinister black and the words are off tilter (Sword Interval by Benjamin Fleuter)

The voice is coming from a place deeper and more unsettling and the text is uneven and handwritten

A dismissive comment literally (metaphorically) stabs someone (Marionetta by Míriam Bonastre Tur)

Being interrupted before finishing what is being said

A withering and icy reply (The Secrets of Soulford by the Quincil)

Wobbly uncertain bubbles that even break apart in some parts from dizziness (The Blind Prince by cozycroww)

Pain almost appears to be breaking the usually round bubble into uneven and broken balloons. The little smaller balloons around it are reminiscent of sweat or tears (Heir’s Game by suspu)

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There are many web hosting companies to choose from if you're taking the plunge into making your own website with a comic content management system (CMS) like ComicControl or Grawlix, a Wordpress comic theme like Toocheke or ComicPress, or a HTML template to cut/paste code like Rarebit. While these solutions are generally free, finding a home for them is... generally not. It can be hard to choose what's best for your webcomic AND your budget!

We took a look at a few of the top hosting services used by webcomics creators using webcomic CMSes, and we put out a poll to ask your feedback about your hosts!

This post may be updated as time goes on as new services enter the hosting arena, or other important updates come to light.

Questions:

💻 I can get a free account with Wix/Squarespace/Carrd, could I just use those for my comic? - Web hosts like this may have gallery functions that could be adapted to display a series of pages, but they are very basic and not intended for webcomics.

📚 Wait, I host on Webtoon, Tapas, Comic Fury, or some other comic website, why are they not here? - Those are comic platforms! We'll get into those in a future post!

🕵️‍♀️Why does it say "shared hosting"? Who am I sharing with? - "Shared hosting" refers to sharing the server space with other customers. They will not have access to your files or anything, so it is perfectly fine to use for most comic CMSes. You may experience slowing if there is too much activity on a server, so if you're planning to host large files or more than 10 comics, you may want to upgrade to a more robust plan in the future.

Web Host List

Neocities

Basic plan pricing: Free or $5/month. Free plan has more restrictions (1 GB space, no custom domain, and slower bandwidth, among other things)

Notes: Neocities does not have database support for paid or free accounts, and most comic CMS solutions require this (ComicCtrl, Grawlix, Wordpress). You will need to work with HTML/CSS files directly to make a website and post each page.

Hostinger

Basic plan pricing: $11.99/month or $7.99/month with four year commitment (monthly, 1, 2, and 4 year plans available).

Notes: Free domain for the 1st year. Free SSL Certifications. Weekly backups.

KnownHost

Basic plan pricing: $8.95/month or $7.99/month with four year commitment (monthly, 1, 2, and 4 year plans available).

Notes: Free DDOS protection. Free SSL Certifications.

InMotion Hosting

Basic plan pricing: $12.99/month or $9.99/month with three year commitment (monthly, 1, and 3 year plans available).

Notes:  Free SSL Certifications, free domain names for 1 and 3 year plans. 24/7 live customer service and 90-day money-back guarantee. Inmotion also advertises eco-friendly policies: We are the first-ever Green Data Center in Los Angeles. We cut cooling costs by nearly 70 percent and reduce our carbon output by more than 2,000 tons per year.

Reviews:

👍“I can't remember it ever going down.”

👍“InMotion has a pretty extensive library full of various guides on setting up and managing websites, servers, domains, etc. Customer service is also fairly quick on responding to inquiries.” 👎“I wish it was a bit faster with loading pages.”

Ionos Hosting

Basic plan pricing: $8/month or $6/month with three year commitment (monthly, 1, 2 and 3 year plans available).

Notes: Free domain for the first year, free SSL Certification, Daily backup and recovery is included. Site Scan and Repair is free for the first 30 days and then is $6/month.

Reviews:

👍“Very fast and simple” 👎“Customer service is mediocre and I can't upload large files”

Bluehost

Basic plan pricing: $15.99/month or $4.95/month with three year commitment (monthly, 1, 3 year plans available).

Notes: Free domain and SSL certificates (for first year only). 24/7 Customer Service. Built to handle higher traffic websites. Although they specialize in Wordpress websites and provide updates automatically, that's almost a bad thing for webcomic plugins because they will often break your site. Their cloud hosting services are currently in early access with not much additional information available.

Reviews:

👎"The fees keep going up. Like I could drop $100 to cover a whole year, but now I'm paying nearly $100 for just three months. It's really upsetting."

👎"I have previously used Bluehost’s Wordpress hosting service and have had negative experiences with the service, so please consider with a grain of salt. I can confirm at least that their 24/7 customer service was great, although needed FAR too often."

Dreamhost

Basic plan pricing: $7.99/month or $5.99/month with three year commitment (monthly, 1, 3 year plans available).

Notes: Free SSL Certificates, 24/7 support with all plans, 97-day moneyback guarantee. Not recommended for ComicCtrl CMS

Reviews:

👍“They've automatically patched 2 security holes I created/allowed by mistake.” 👍“Prices are very reasonable” 👎 “back end kind of annoying to use” 👎 “wordpress has some issues” 👎 “it's not as customizable as some might want“

GoDaddy

Basic plan pricing: $11.99/month or $9.99/month with three year commitment (monthly, 1, 2, and 3 year plans available).

Notes: Free 24/7 Customer service with all plans, Free SSL Certificates for 1 year, free domain and site migration.

Reviews:

👍Reasonable intro prices for their Economy hosting, which has 25GB of storage 👍Migrated email hosting service from cPanel to Microsoft Office, which has greater support but may not be useful for most webcomic creators. 👎 Many site issues and then being upsold during customer service attempts. 👎 Server quality found lacking in reviews 👎 Marketing scandals in the past with a reputation for making ads in poor taste. Have been attempting to clean up that image in recent years. 👎 “GoDaddy is the McDonald's of web hosting. Maybe the Wal-Mart of hosting would be better. If your website was an object you would need a shelf to put it on. You go to Wal-Mart and buy a shelf. It's not great. It's not fancy. It can only hold that one thing. And if we're being honest - if the shelf broke and your website died it wouldn't be the end of the world.The issue comes when you don't realize GoDaddy is the Wal-Mart of hosting. You go and try to do things you could do with a quality shelf. Like, move it. Or add more things to it.” MyWorkAccountThisIs on Reddit*

Things to consider for any host:

💸 Introductory/promotional pricing - Many hosting companies offer free or inexpensive deals to get you in the door, and then raise the cost for these features after the first year or when you renew. The prices in this post are the base prices that you can expect to pay after the promotional prices end, but may get outdated, so you are encouraged to do your own research as well.

💻 Wordpress hosting - Many of the companies below will have a separate offering for Wordpress-optimized hosting that will keep you updated with the latest Wordpress releases. This is usually not necessary for webcomic creators, and can be the source of many site-breaking headaches when comic plugins have not caught up to the latest Wordpress releases.

Any basic hosting plan on this list will be fine with Wordpress, but expect to stop or revert Wordpress versions if you go with this as your CMS.

🤝 You don't have to go it alone - While free hosts may be more limited, paid hosting on a web server will generally allow you to create different subdomains, or attach additional purchased domains to any folders you make. If you have other comic-making friends you know and trust, you can share your server space and split the cost!

Want to share your experience?

Feel free to contribute your hosting pros, cons, and quirks on our survey! We will be updating our list periodically with your feedback!

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Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

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Webtoon's new age rating standards say that a comic can't be rated All Ages if it includes "Fully censored profanity (e.g., #$%^) in a few episodes". Literally more restrictive than 1950s newspaper funnies!

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✦Cake Brush set with Cheesecake, Cupcake, and Pancake!✦

For Clip Studio Paint.

Free for 7 days.

Personal and commercial use.

No redistribution, repost, resell my asset. Creating physical/ digital merchandise for commercial with only my brush is prohibited (e.g, use my brush to make cake keychain/digital sticker sheet).

Credit is welcome @reveriemonster

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really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:

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Let's give the spot to someone who's got cake to show off,,,

Redraw of that one Julian CG! But, with Lucio✨

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UPDATED COMMISSIONS

Since government decided to lower my scholarship lol Reblogs, sharing around is highly appreciated!! :D

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Do you have any tips for making gif comic pages? Whenever I make them the file is so huge and different than the other pages...

I was wondering bc I really like the Kochab pages and they maintain their quality!

yeah, it's just hard to make them without a huge file size :') some things I do to lessen it a little:

I make gifs in Photoshop and save them by going to File > Export > Save for web (legacy), lowering the amount of colors as far as possible without losing too much quality, same with dithering, and try to keep the image size under 1000px wide or tall at most, if possible. you can play around with the settings in those panels to see how they affect the file size, and make changes.

keep the animations to about 20-25ish frames. less frames = smaller files I think

after I'm done in PS, use https://compressor.io/ to lower the file size a bit more. I do that for big illustration jpgs, or illustration gifs, as well as comic page gifs ✨