#<-is that a good name

[gingerale13]

Familiar feeling

Boom. 1850's Mercinaries.

I get that these guys are actual historical characters, but I would rather blatantly ignore that and start theorizing about them.

Davey Crockett ? I think you mean Nick Bundy.

Billy the kid? No, that's Jacob, silly!!

Although their lives are very mirrored, in some ways. Reincarnated if you will

Anyway that's all.. might expand on the other 1850s Mercs if I find the motivation, but for now it's just these losers!

(Part 2)

+ ugly sketches under cut

[yuttikkele]

hey gamers I’ve started watching star trek does anyone else see the romantic tension between captain kirk and mr. spock

[tawnysoup]

Found my fav Slay the Princess route recently. Dragon my beloved. Your horrifying beak mouth was an impossible-to-refuse lip syncing challenge 💖

Shoutouts to @blacktabbygames for making such a cool game!

[wishfulsketching]

I know you’re probably super busy but I HAVE to share this with someone. I found this absolutely insane shirt at my job (thrift store) and it’s been killing me to imagine Silco in it

You can't drop something like this to my askbox and not expect me to draw something

Moms usually drop the kids off to their playdate, time for the dads to meet.

[chloesimaginationthings]

The fall of MCM and the rise of Fazbear entertainment..

[mintybagels]

damn these canadians

[glitter-stained]

Random goon: Hey boss, were you the one to pick that name as an alias? And why this one?

Red Hood : I used to have another name, before... A long time ago. But that person is dead now. I get to choose for myself now, they can't take that from me. I won't let them.

Goon: Huh.

***

Random Goon: Say boss, why do you never take off your shirt in front of us?

Red Hood: Well uh, I actually have that really fucked scar on my chest and I'm not comfortable with...

Random Goon: Don't worry boss, we get it, you don't have to explain yourself to us.

***

Red Hood, high on some toxin: God, I wish my family...

Random Goon (on boss-sitting duty): why not try reaching out to them?

Red Hood: They would never accept me as I am now... They wouldn't agree with my so-called "life choices". Besides, they don't miss me, they miss the person they think I used to be... I wasn't even a man when I last saw them.

Random Goon: Damn boss, that sucks.

***

And then the goons throw the Red Hood a party on trans visibility day and Jason is so confused he straight up cries.

[illusioncanthurtme--art]

So... how's outpatient therapy at the mystery shack going?? :')

[nyehhehhehs]

cool leg activities

[orions-aether]

eastern european haunted emily axford pc, transfem daughter of libertarians ally beardsley pc, spot on pub representation grizzled old british lady siobhan thompson pc, nasty old gun guy zac oyama pc, posh boy brian murphy pc, famous explorer with a book series that really falls off lou wilson pc we're fucking eating this season my god

[iwasbored777]

I HATE HOW HARD I LAUGHED

[lavender-rroses]

this is the vibe i think

[dimeadozencows]

My personal understanding of the situation

[hopeless-eccentric]

going wild thinking about the use of Rocky Road to Dublin in Sinners. It’s a really tight microcosm of a lot of the film’s themes just by itself. Credentials: I’m a retired Irish dancer, I went to worlds and the whole bit. My family is appalachian and I grew up on bluegrass

It’s played on a banjo, an instrument with origins in West Africa formally invented in the US by enslaved people (and then popularized in Irish music through Irish American immigrants, largely in the South and Appalachia). Even the instrument telegraphs an attempt at cultural exchange morphing into theft and exploitation, especially because the history of the banjo has been purposefully obscured by white people

It’s got a strong down beat, making it the musical opposite of the swung blues sound (emphasis on 1/3 as opposed to 2/4). The scene is clearly meant to evoke klan imagery, and giving it this marching feel ABSOLUTELY contributes

It’s in 9/8 meter (with some mixed—it’s a uniquely weird song), making it, traditionally, a slip jig. Historically, this is a light shoe dance for women only (he’s dancing hard shoe in the movie) meaning that Remmick’s attempt to reclaim his own culture has been botched, obscured, and lost as he’s been alienated from it and co-opted into the symbolic hive of American whiteness/cultural orphanage/cultural patricide.

The song itself is about a guy cutting a shillelagh (a walking stick/club with a folkloric purpose of warding off evil spirits) to protect himself on his journey to Dublin, but winding up using it against a few Englishmen mocking him for his Irish accent. It’s a parallel to exactly what Remmick was not able to do—protect himself from monsters, and protect himself from colonization. It also highlights that this number is being used to threaten violence against the leads

It’s such a clever combination of inverting swing/jazz sounds and showing ways Remmick is missing the point. Since he sold his soul for power, comfort, and conformity, he’s only able to access a shadow of his culture, while misunderstanding and misrepresenting major pieces of his own traditions. Even his attempts to culturally “share” through the banjo is plowed over by his use of it and Black bodies and voices for his own individual pleasure and as a threat of further violence. It’s such a smart pick

[deminshi]

the comfort (and sad) hug we could have had 🫂❤️‍🩹

(final ver. I finally had some free time hehehe, the next illustration coming is of them too, and happier)