#[art] facial composites

[junkiemale]

what did he see

[ismyteadoneyet]

As my dash gets more and more filled up with "this post contains filtered content: 'oathbound' and 'oathbound spoilers'", I have once again turned to practicing my drawing skills for the inevitable STACK of ideas I will have as soon as I actually crack Oathbound open, so I can do them justice right away jdjdjs 😔😔🤙🤙

I'm still in the middle of my BM reread, and am annotating LB still, but man, I forgot how absolutely insane Tracy went with the fkn Graveyard Scene in Legendborn and it has lived in my head rent-free since I re-read it 💀💀💀💀

[apuff]

day 2

[boris-shuster]

@lantern-lost

[ilovecatfr]

things to script for you dr

beauty edition

(None of these are my work) these are some of the acc on tt I got them from and I recommend: @ theunknownshifter / @cattleya_ley / @reality_traveler_ / @irenesrealiity /@shiftingwithmily /@kiintsugiis

To others,there something about me unreal and and divinely beautiful,something that's from another world.

I'm bewitchingly and overwhelming beautifu.l

Im insanely seductive and charming to any gender.

My eyes have a jewel like effects that when light hits them, they light up with many different colours, like a gem would.

My beauty is like unspoken beautiful things in life and such brung to bring life in colours.I make everything seems much more colourful around me.

Just by my presence everything seems better and more colourful and brighter.

My movements are effortless, as il I glide through the world with an ethereal lightness. My posture is naturally poised, landing an air of regality to mine presence. The softness of mine skin invites gentle caresses, and mine touch is as gentle as a feather's kiss.

I hold an insane amount of pure femininity-a natural and exquisite state of perfect beauty.I am the best example of one of earths finest creations, the universe took its time perfecting every inch of me, down to the smallest flawless details. a sublime figure, graced with a certain magnificent aura to match.

My aura is a manifestation of my inner beauty, an ethereal glow that surround the l exudes a sense of purity, goodness, and an irresistible magnetism that draws people towards me. My presence is calming, as if I carry a piece of heaven within them. It is a palpable energy that radiates from my being, capturing the hearts and minds of all who encounter me.

Im what most people would see as a beauty fit for royalty, the kind of beauty that would capture the attention of a king or emprior, and send all men and women to their feet

it's not a burden to gift me expensive things it's only a reward for their hard efforts to provide for a beautiful princess

People constantly feel the need to re-visit where they last saw me for a dopamine spike.

My voice sounds like it was straight out of heaven itself, people beg for me to speak just to hear my voice.

My hair is always perfectly in place and sits perfectly, my hair has a beautiful shine to it as if the moon is being reflected on it.

My presence and gaze itself makes others begin to see the world through different lenses, and notice the beauty of being alive; my very being can drive others to tears, my beauty is unable to be comprehended by the human mind, im unreal.

My existence itself baffles anyone who sees me, as if im testament to the idea that life itself was a work of art. I'm a composition of countless perfect melodic notes, each one contributing to the symphony of existence.

My presence is overwhelming and exceedingly strong. it holds so much pure soul and life, all while being centered around someone so mystically beautiful as me is chilling and intimidating.

My beauty transcends the ordinary and is ethereal, evoking a sense of being from another world. It is unlike any other and has a mesmerizing quality that captivates those who lay eyes on me.

My distinctiveness sets me apart from the rest, making me an exceptional individual who cannot be replicated or duplicate.

it's not just my delicately carved facial features that are enchanting, but also my impeccable sense of style and graceful demeanor that radiate an undeniable charm.

My beauty cant be put in any category; it is unable to be defined by preexisting 'types', setting a new standard of unobtainable perfection. some cold and sharp features, some soft and whimsical, I am the perfect balance of beauty. an equal amount of each and every kind of look you could imagine; bringing it all together and forming something brilliant.

My eyes are magical almost brainwashing. People lose their focus on anything but my hypnotizing eyes when having eye contact with me.

I am the kind of beautiful people never recover from. There is something so devastating about the way I exist-like I was sculpted not just to be admired, but to be longed for. My presence doesn't just enter a room-it lingers, curling into the corners of people's minds and refusing to leave. I don't just catch eyes-I hold them hostage. They don't just want me-they ache for me. I am the addiction no one wants to quit.

[randomishnickname]

@urcadelimabean !!!!

Today's a personal Black Sails Anniversary for me, so posting this drawing of my faves from my fave show as a tiny celebration

[estera-shirin]

Plaque of female figure—Nimrud, Mesopotamia, 9th to 8th century BCE

According to the Met: "This piece was found in a storeroom at Fort Shalmaneser, a royal building at Nimrud that was probably used to store tribute and booty collected by the Assyrians while on military campaign. The fragmentary, rectangular plaque depicts a female figure with her head in profile facing right. She stands wearing a pleated, ankle-length garment that is fringed at the edges. Although her left arm is abraded, a floral stalk can still be seen held against her chest and may have originally extended in front of or over her left shoulder. The upper background behind the figure’s head does not survive. A circular hole drilled through the bottom of the robe suggests that the plaque was originally attached to a frame by means of a dowel and set into a piece of wooden furniture. The reverse has been roughened, probably to help glue join the surface of the plaque to the frame. Certain Egyptian features characteristic of Phoenician ivories, including the pleated garment and long, curly wig, are combined with facial features commonly found on North Syrian ivories such as the hooked nose, large eye, small mouth, full cheek, and receding chin. Because of this mixture of styles, this plaque has been classified as South Syrian, a style that occupies an intermediate place between the two.

Built by the Assyrian king Ashurnasirpal II, the palaces and storerooms of Nimrud housed thousands of pieces of carved ivory. Most of the ivories served as furniture inlays or small precious objects such as boxes. While some of them were carved in the same style as the large Assyrian reliefs lining the walls of the Northwest Palace, the majority of the ivories display images and styles related to the arts of North Syria and the Phoenician city-states. Phoenician style ivories are distinguished by their use of imagery related to Egyptian art, such as sphinxes and figures wearing pharaonic crowns, and the use of elaborate carving techniques such as openwork and colored glass inlay. North Syrian style ivories tend to depict stockier figures in more dynamic compositions, carved as solid plaques with fewer added decorative elements. However, some pieces do not fit easily into any of these three styles. Most of the ivories were probably collected by the Assyrian kings as tribute from vassal states, and as booty from conquered enemies, while some may have been manufactured in workshops at Nimrud. The ivory tusks that provided the raw material for these objects were almost certainly from African elephants, imported from lands south of Egypt, although elephants did inhabit several river valleys in Syria until they were hunted to extinction by the end of the eighth century B.C."

[mychemicalraymance]

Things I have found on the street / got for $0.00 in Philadelphia over the course of 7 years

1. Sex Shop Amsterdam lighter. My pride and joy. Sidewalk find.

2.Dracula on vhs , Twin Peaks box set, The lords of Salem DVD. All came from weird circumstances, but lords of Salem was found on an especially drunk and especially long walk home.

3. Plaster cast of a skull with facial details. Stole it. (Justified).

4. 2005 calendar where all the pictures are dogs made of vegetables. I switch the picture occasionally. Left in my lobby.

5. Wonk ass wooden car. Left in my lobby.

6. Dracula mask (from spirit Halloween. I still think it rocks). Sidewalk.

7. Portrait of an officer. Left in my lobby. He lives in my kitchen (<- theming!)

8. 12 AEROSOL CANS, my favorite. Found it just exactly like this perfectly in the middle of the sidewalk my first year there. The most hilarious, self-evident work of art i wish I made. Someone tore a perfect rectangle cardboard flap off of their new box of 12 aerosol cans. Do a little test. Perfect little composition. Throw it away. I love her.

[cbge]

upd: 7 slots available

opening proper commissions...

all prices are per character, 10 slots available. to claim a slot, reach out on discord (@/gondonuebok) or via email ffc1cb@gmail.com

tos + process details under cut

rough lines + monochrome: a rough drawing in a lighter color that i tidy up with a darker color on the same layer. provided "as is", i.e with no additional clean up

lines + color: self-explanatory. always full body unless requested otherwise

lasso + lines: a mixed technique drawing. i take full creative liberty with colors, anatomy, composition, background etc. you will essentially be paying me to have fun.

what i draw:

canon, fanon, oc x canon

ocs

stylized furries, sonic, robots, aliens

what i don't draw:

real people

excessive gore (blood & bruises are ok)

incest / underage

how i work:

we discuss your commission idea in order for me to determine whether i can / want to draw it;

you send me reference image(s) of the character(s) you want me to draw. please provide clear images that make it easy to discern the character's design (i.e body type, facial features, etc). please note that, depending on the specifics of your request, if you lack clear references i may refuse your commission altogether;

i draw the initial sketch and ask for feedback. major edits are possible at this stage;

after your approval, i request the full payment to be made; i accept payments through hipolink only. after you pay, i continue working on your commission.

when the commission is finished, i will first send it to you for approval. only minor edits are possible at this stage. anything major will only be done for additional pay. if everything is to your liking, i will provide the hd image via email;

i reserve the right to post your commission on my social media and use it as an example in my future commission posts. i usually ask, but please notify me beforehand if you'd rather i keep it private.

the art i draw is for personal, non-commercial use only. no refunds.

i will be working on these at my own pace throughout the next several months; i expect to be done with everything by the end of the summer. if there is a deadline you need me to meet, please notify me beforehand.

for more examples of my work, feel free to peruse the #cbge art tag. thank you!

[rosieofcorona]

FAVORITE ART REFERENCES

Hi angels!! I've had a couple folks ask, so I threw together a little list of some of my favorite free art tutorials for anyone interested. These are primarily geared toward traditional media, but almost all of the techniques discussed can be applied to digital drawing/ painting as well. Under the cut for length and grouped accordingly (but let me know if you're looking for something specific)!

Basics: Mapping basic anatomy How to map facial planes How to shade anything Tips on composition Painting light

Portraiture: Color and value mixing for portraiture (inspired by Old Masters) Color mixing/ theory for skin tones (and determining value/ hue/ chroma) Color mixing for dark skin tones Painting soft features/ lighting Skin rendering Painting realistic portraits Fabric: How to draw drapery folds Every type of clothing fold Drawing clothes from imagination

Hair: Anatomy tips for hair How to paint realistic hair Fur: Painting long fur Wolf fur (Had to put this one in. You know why.)

[boris-shuster]

tag dump

he boris on my shuster until i case files

[kozachenko]

[Click for better quality]

Ok yay I'm back from my vacation yipeeeeeee. I started this drawing of Keiki before I left and I was half considering just giving up on it.... until I did a short study of facial planes and then got motivated to work on this again! I'm glad I didn't give up on it though, as I'm actually really happy with this one!

Artist's Notes;

So as I mentioned in my last post about Touhou 17, I wanted to finish this by the game's five year anniversary but with how progress was going I didn't want to rush this so I decided to take a long break from it. Mainly because of the face. For a while now I was kind of feeling like I was stagnating with my drawings, not really in the clothing but in the bodies. There was something about the way I was rendering them that I just wasn't happy with, and after talking with someone else about this issue, I realized that the reason I felt this way was because the faces were too flat and didn't match the rest of the drawing and that I needed to find a way to make the rendering of the face feel consistent with everything else. So after doing a short study of the plains of the face (I used this 3D head model from art station as a reference for my short study, please go give this person some love as they are a lifesaver) I went back into this drawing and applied what I learned here. It was only after that that I finally became motivated to finish the piece, and while it started off as just a simple character sketch like Saki and Yachie's were, the moment I added in Keiki's little fire dragon I knew I had gotten in too deep and now here we are with a full on background. OK it's not super crazy or anything, but it gets the job done and it's better than there just being an empty void behind her. It's rare moments like this when I use brushes other than the Clip Studio Default Charcoal Brush and use the Clip Studio Default Paint Brushes as well (god bless the oil paint and dry gouache clip studio brushes, they were amazing). I don't know why but painting fire has always been really fun for me, there's something oddly satisfying about it y'know? I do think that another reason for this problem was because I was drawing faces like I would in my more sketchy style that didn't mesh well with my lineless style, so I'm glad I've started remedying that.

After adding in the fire dragon I had an idea to kinda make it feel like splash art in the way the composition works... probably because I have been playing Reverse 1999 again and it has taken over my brain. I do feel like Keiki's tools get a little lost in the composition, and I didn't fully render the metal parts of them mainly because I didn't feel like they needed it, but that's just something for me to improve on later down the line.

If you guys are wondering where I went for my vacation, I went to New York and got to go to the MET and the Museum of Natural History. In both places I found Kofun period stuff and I was so happy to see it you have no idea. I remember one of the Haniwa I saw had some neat face paint under the eyes that I tried to replicate with the makeup under Keiki's eyes in my drawing, though I think I'll gave to figure out how to draw makeup on characters because this reads more like blush to me than anything. While drawing this I also looked up some references of Kofun period jewelry and really liked the stuff I found, which also meant that now she has proper Kofun earrings instead of earrings shaped like Kofun tombs. I put some of the things I referenced with a closeup of Keiki's face as well down below. I made her outfit more reminiscent of the outfit I gave her at the beginning of the year with the buttons and all, though I do want to try and draw her in some more period accurate clothing like the Haniwa I took a picture of at the Museum of Natural History. I wish I could find a way to make her handercheif look better though as I wish I made it a little bit bigger, though I think I'm saying this because I've looked at this drawing for too long lmao. Once again something to work on for when I next draw her. Also want to get better at rendering hair, as some details (like the little strands in front of her ears) kinda got unreadable due to the similarities in colour lol.

Now you may have also noticed the little cracks I added onto Keiki's face, and that's because I have fallen in love with the idea of Keiki's body being made from ceramic and that she crafted her body herself. While they aren't very visible I also tried to add some doll joints to her body, which is an idea I played around with in the past but never went to far with. I also want to get better at rendering cracks in ceramic, porcelain, etc, as I'm not sure how those read in the drawing. I also have a headcanon where the cracks in Keiki's face show up because of heightened emotions, and while Keiki is aware of this and does her best to make sure her face doesn't break off.... she will still end up with at least a few cracks during any given day, and she can often forget to repair her own body quite frequently so Mayumi has to remind her quite a lot. Mayumi even taught herself some basic sculpting techniques to help repair parts of her body that are so badly damaged to the point where Keiki can't repair them herself, i.e. if both her arms broke off, Mayumi would put them back together for her so Keiki can at least have something to repair herself with rather than nothing. I also like to imagine that if Keiki created her own body, if you took a look at Keiki from the beginning of her life she would look completely different compared to now.

BTW If you guys are wondering what a very very angry Keiki looks like....ok in order for this to make sense have any of you read volume 11 of Land of The Lustrous? Am I bringing back some memories for those of you that have? Ok good, glad we all got that mental image brewing in our minds, I'll probably draw a version of Keiki that is somewhat inspired by that one day as it's an idea I've had for a little while now. And to those who haven't gotten to that volume yet and are confused.... don't worry about it, just keep reading :)

[wardensantoineandevka]

Kind of similar to what you're talking about with the writing, but I'm shocked at the lack of praise Veilguard gets for it's cinematography and direction. I'm no film expert, but I was absolutely blown away by it.

The devs are taking advantage of camera angles, composition, lighting, improved facial animations, etc, etc, to make very cinematic and striking images to go along with the writing and voice acting in ways the technology just wasn't able to in the first three games.

One of my favorite scenes is the first scene with Solas in the dream sequence, where you talk one on one for the first time. The point where Solas yells, "They said they were gods!" (Didn't look up quote, might not be exact), and then the ledge Rook is standing on crumbles so they are no longer on even ground with Solas. The camera gives us a wideshot to emphasize Solas standing above Rook, pacing back and forth, and lecturing Rook about the "blighted, tyrannical gods."

They put an amazing amount of insight into Solas' character in that one shot.

Anyway, all that to say, what's your favorite Veilguard cinematic sequence?

Same! I'm surprised there isn't more discussion about its cinematography and direction too! But then again, I wonder if that's the case because people get really stuck on its art direction and dislike the more vibrant style, decision not to do the more "realistic" (emphasis on the quotes) color palettes or the darker visual palette, and on insisting that the characters don't look good (let's not get into that, but it's ridiculous).

I agree that the team was very much taking advantage of how good the game looks, and that there's a lot of really strong images and cinematic shots. The example you pulled is a very good one—and exactly for the reason you cited! And an early strong one. Every time they pull to a wide shot too of that chasm between Rook and Solas in those conversations is always very good too.

My personal top favorite genuinely is the sequence leading into the regret prison. The quick flash of Varric over Lucanis. Solas stalking behind Rook, but vanishing every time something obscures him. Rook falling into the Fade, Solas standing over them as they struggle to hold both their regrets and the dagger. Great use of blocking in that sequence, the way that things shift and change when you, or Rook, stops looking at them. Very aware of the camera and the visuals there. Genuinely an incredibly effective sequence.

I also do think the visuals in the scene where Emmrich becomes a lich, the portion in the Necropolis, is also very strong in terms of cinematography and image-making. Generally, I do think that Emmrich's questline is one of the best in terms of direction and cinematography of the companion quests. It's certainly, for me, the most consistently striking in its compositions and visual framing. The image-making in that quest is justttttttt so good.

I do have to shoutout Siege of Weisshaupt as an out-of-cinematic-scene entry for this because it also has strong direction and cinematic framing. I know it and the sequence into the regret prison might feel cliched as favorites, but they genuinely are just SO strong in terms of visuals, direction, and cinematic framing.

[literaryvein-reblogs]

Writing Notes: Analyzing Photographs

Description, reflection, and formal analysis are methods of visual analysis. These methods provide a structure for viewing, analyzing, and writing about photographs.

1. Description

The first step in visual analysis is description.

Describing an image is a useful technique for looking closely at an image and absorbing its details.

Descriptions should remain objective, discussing what can be seen without drawing conclusions about a photograph's meaning.

For Example: when looking at Lincoln on Battlefield of Antietam, Maryland, it would be appropriate to say, "The tall man in the middle is wearing a black suit," but it would be inappropriate to say "The tall man in the middle is dressed as if going to a funeral." This sort of subjective comment should be reserved for the reflection section.

A description can begin anywhere, but generally it is easiest to begin by discussing the subject matter.

Example: a description of this image might begin with the basic statement, "In this image, three men stand in front of a tent."

Once you have stated the subject matter, simply elaborate on what you can see: "The man in the middle is the tallest and is posed with his hands down at his sides, wearing a formal black suit with a bowtie and a tall stovepipe hat. The man to the left is wearing a worn dark suit and a bowler hat. The man to the right is dressed in a military uniform with bright buttons and epaulets. The tent is pitched on a grassy clearing with trees in the background."

2. Reflection

This section should focus on the emotions and interpretations that an image evokes for the viewer.

Different viewers will react to the same image in different ways, so there are no wrong responses.

Knowing the historical context for an image can be very important for constructing reflective responses.

For this image, it is important to know that the Battle of Antietam was one of the most bloody and brutal battles of the Civil War.

Appropriate comments for this type of analysis include the following: "The tone of Lincoln on Battlefield of Antietam, Maryland seems very bleak. The somber facial expressions of the men, coupled with the barren grass and sparse trees give an overall impression of death and dying. There is also a sense of loneliness about the figure of President Lincoln. Although standing next to two men, he seems totally isolated. He is unresponsive to the camera; rather than making eye contact, he stares distantly off into space, increasing the sense of isolation."

3. Formal Analysis

After looking carefully at an image and considering its emotional and interpretive properties, formal analysis is the next step.

Be familiar with the elements and principles of art, which can be used as a guide in your formal analysis.

The "elements of art" are the building blocks for achieving the "principles of art."

A very good place to start formal analysis is by deciding which elements are most strongly represented.

Example: In the Lincoln picture, the very distinct lines and geometric shapes are immediately apparent.

Upon closer inspection, it is clear that these lines and shapes function to frame and to move the viewer's eye towards the central subject, President Lincoln.

For Example, note the way that all of the lines in the image draw the eye toward the figure of the president. The tent forms an inverted "V" shape directly behind Lincoln, while the vertical tent post and tree trunk in the background further elongate Lincoln's already tall figure, clearly emphasizing Lincoln's figure in the composition.

There are other strongly represented elements as well.

Consider the use of contrast in this image: there is a stark contrast between the white of Lincoln's shirt and his black suit, which further draws our attention towards the president's face.

There is also a sense of balance, with the figures standing to either side of the president in similar poses, like mirror images.

Writing Notes & References

[mrs-gauche]

So, I *think* I've calmed down enough to form coherent sentences about this trailer now, after watching this about a gazillion times. 😂 There is just SO much in this and I still can't believe it's all real.. I feel like people have already dissected every single frame anyway, so here are just my poor two cents (that's a lie, it's an essay lol), I'm sure 90% of this has probably already been said lol, but I just had to write my thoughts down, so there you go. 🫠

But first, can I just ask you guys this.. Does anyone else feel SO friggin overwhelmed every time something huge like this drops? 😂😭 Like, I LOVE the collective excitement and freaking out over all this with the fandom together in real time, and maybe it's because I'm not a native English speaker, but I'm watching the trailer live and within like fifteen minutes there are already a bazillion notifications, messages, people have already made hundreds of theory posts, edits, fanart and shitposts, meanwhile I'm sitting here still looking at the FIRST FRAME and trying to process what I'm even looking at. lmaoo Like, it takes me SO long to take it fully in, calm down and look at ALL of it in detail, while I go radio silent for like two hours, making people think I just died watching the trailer, I guess. lmaooo So.. sorry if it takes me forever until I even go on here and look at everything you guys are posting. 💀 <3

Anyway, so first of all, I'd like to just generally say... Everything about this blew. me. away.

Look. After like 20 years of watching BioWare's entire animation catalogue of the same 25 movements in every cutscene, that it would make you jump every time a character but even slightly moved differently than everyone else, we're now getting a game that is SO INCREDIBLY CINEMATIC, SO SMOOTH, unlike any BioWare game before. A game where everyone just moves and expresses emotions like their own person, making everything a hundred times more immersive and impactful!!

Not only that but there's a BioWare game now with PHENOMENAL LOOKING HAIR and REALISTIC HAIR PHYSICS. Guys, do you understand this is HISTORY??? lmao We've been asking for this for YEARS and it's happening!! 😭

And the cinematography? THE CINEMATOGRAPHY?? Just looking at that very FIRST LOCATION SHOT alone. The camerawork, the composition, the fluidity of movement, the shift of focus, the lighting, the use of MoCap, the facial expressions... As someone who spent a *LOT* of time using the flycam to make cinematic gifsets of DAI, where - with all respect to the devs - 90% of the camerawork basically consisted of "zoom in/zoom out"... this. blew. my. fucking mind.

Like, they did it. They mastered the Frostbite engine on all fronts. And it truly hurts my heart seeing people compare this to Fortnite or whatever, when in my opinion this time they actually managed to find a perfect mix between stylized and realism, in favor of making the characters even more expressive and this coupled with the use of MoCap and the incredible cinematography will make these emotional scenes hit SO hard and.. ugh, I just love it so much. 🥹❤️❤️

With this being said, let's dive into it!

Okay, so I know this is super random, but it was literally the first thing I noticed about this trailer. lol Did you noticed that it said "BioWare" *before* "Electronic Arts" in the beginning, unlike that first... controversial reveal trailer, where it was the other way around? 😂 Not reading anything into this of course (or do I? lol), but.. Idk, I thought it was.. interesting. 👀

So we start off with the first of many amazing tracking shots, with the camera orbiting around Rook in this place devoid of color or life. The note at the bottom made me chuckle "Game engine footage with some costum camera angles", I was like "Oh, so they used the flycam to make this?". lol So some shots of these will look different in the final version (what kind of spoilers are they hiding?? 👀👀).

I do hope that next shot DOES end up in the game though, because holy SHIT, that FIRST wide shot already blew. me. away.

Look at the COMPOSITION of this.

Actually, you could probably take every single location/wide shot of this trailer and hang it on your wall. lol But seriously, the way this place just looks... dead. It makes me think of "void" rather than Fade.. like an ancient graveyard. The raw Fade looks generally creepy, but this is haunting even for that. There's no life, no color, no motion. It's all broken and crumbled. Almost like it reflects Solas' feelings. People are speculating if this place might change depending on Solas' state of mind.. This is the Fade after all, but Solas is here physically and this being the place that was supposed to be the new prison for the gods.. It's probably different from the rest of it.

We also see all seven statues of the pantheon from the ritual site again. Solas "I have the high ground", *literally* talking down to Rook, while standing on two separate cliffs (how did Rook even get there, I wonder? lol), like there is quite literally a rift between them (for now..!) and Solas is keeping a distance, as always. We still don't know how that connection between the two even works, I assume Rook can only contact him while asleep? But to think that this is the place where he is trapped now, where he is even more isolated than ever before, is making me so emotional. ;-;

I love how it's just black and white though. It gives the scene a destinct atmosphere that might be important, if this is where we get to see Solas doing a lot of introspection. In the art of filmmaking, the absence of color is often used to force the audience to focus on the contrast, textures, and tones present in the image, which can evoke a deep sense of emotion.

And speaking of emotions...

"You have no idea what you have done."

We had already heard that line before, but something about that booming, echoing effect they used on his voice sent a shiver down my spine!

"The blighted elven gods walk free. And all because you disrupted my ritual."

To me, he *sounds* much more frustrated here than he *looks* when saying that. lol He looks incredibly worried though, and just so tired. A moment ago, he was SO close to achieving his goal after hundreds of years of preparation and then he failed again... and now there is this completely clueless stranger who got him in this situation, but who he has to rely on now to stop these gods, when he's unable to trust anyone, and yet he can't even yell at them too much, because he *needs* them. He must be so exhausted.

And yes, it is kinda funny how they put "elven gods" in quotation marks. lol

Thank god he still has his freckles though. ❤️ We're actually seeing a lot more texture on his face here than in the gameplay showcase. And yes, not only did he get his eyebrows microbladed but apparently he's also sporting eyeliner and lipstick now. 😌✨✨ The only downside to the lack of colors here is that his super purple eyes are not poppin' anymore. lol

"You battle against gods. They will not rest until you are on your knees. Fearful. Cowering. Helpless in the face of such power."

I love how they play this line so early on in the trailer, that it makes you go "WAIT... IS THAT- NO WAY" and not until the end do we get the confirmation with the most amazing entrance ever.

We then get a shot of what I think has to be Treviso in flames and Ghilan'nain symbolically coiling her tentacles around a crow statue's head, as she's probably about to take over the city. 👀 *falls on my knees the second I meet her in the game* lol

Then there's the shot of this horrifying Blight.. lump.. growth thing that has completely devoured an elf (and several other bodies it seems) with a hair style that has everyone wondering if this could be Felassan! 🥺🥺🥺 As much as I would LOVE for Felassan to make an appearance.. I kinda hope this *isn't* him.. because good god, whatever happened to this persom here must be pretty traumatizing (are they even still alive?) and also, how do we get them out of there? lol Either way, seeing as there are Harding, Bellara and Neve accompanying Rook here, this might be earlier in the game (and this is them dicovering that the Blight is already spreading rapidly?) and yet it already shows us that this Blight is on a whole other level than anything we've seen before, and it's taking every living thing.

Then we see another snowy place (or might this be within the same area?) that's also in huge parts taken over by the Blight. You can also see a dead(?) dragon lying on the ground at the bottom right corner? 🥺

Then Elgar'nan literally pops up right next to Ghilan'nain, and btw, I love how I can't even tell where her body begins or where it ends in this shot. lmao What ARE you, Ghili?? 💀

It looks to me like maybe she was struck by a bolt/spear from a ballista or something? The Grey Wardens tried to take her out maybe? Looks like the power of Elgar'nan's mere presence blows the Wardens away then lol, like they're just insects to him.. and in the blast we can see a person that looks like Evka?? <3333 (please don't die here though 😭)

Then we're getting a first glimpse of a dragon that shows up multiple times in this trailer. Also, to me, it looks so much like the dragon from the Golden City vinyl cover, which has me like 👀👀👀👀

Next there are a few scenes from the prologue we've already seen in the gameplay showcase, but it's coupled with new lines from Varric, that have me super worried. :(

"Rook, you've got this. I've seen your work. You're clever, adaptable. And you don't know when to quit.

My first reaction to this was "Oh god no, that sounds so much like a "passing the torch" kind of dialogue to me" as in Varric either dies (PLEASE NO but it IS super suspicious how he's not seen or mentioned in any other scene so far) or retires his role as the leader of this group and hands it over to Rook. And he just sounds... weary. 🥺 I wonder what he means by "your work" though? Is he talking about things Rook has done before Varric recruited them? Or is it maybe later down the line, after Rook has already proven themselves to be a great leader? 🤔

Then we get another shot of that one dragon and our first look at Harding with the bruised face (whoever did this, come fight me!) and some poor person tangled in.. something, I'm not sure. lol

Then there's a super quick shot of the floating building in Minrathous, followed by Rook opening a gate Aragorn style, which leads me to believe that this is actually somethere IN that floating building maybe?

But the fact that Rook and everyone else seems to be wearing casual clothes in the following shots, plus the architecture in the background has me wondering if they might be at the Lighthouse actually? 👀

Especially because in the very next shot we see Rook, Bellara, Neve and Harding all in casual clothes again in front of a giant eluvian and I wonder if that's the mirror that we've read about in the Game Informer article. The special eluvian at the Lighthouse that can take you anywhere? :o

Speaking of the Game Informer article, it also told us that Rook, Harding and Neve went back to the ritual site after what happened in the beginning, which is probably what we're seeing here!

"You want allies to go after the elven gods. I've got places to look."

Well, good thing we have a clever detective on the team that apparently knows people who would willingly fight some gods. lol Notice how Harding's face is still injured in this scene. 👀 So I assume whatever happened to her must've happened at the ritual site? Btw, I love how the trailer makes it look like they're all in casual clothes and the second they're stepping through the eluvian, they're in full gear? 😂 (I'm sure those two scenes take place at different times though.) It's crazy how much different the Arlathan Forest looks now, without the cataclysmic storm and all. I love the lighting, the colors and the soft rain! :3

Then we get another gorgeous location shot to hang on the wall. <3 My guess here is definitely Anderfels, given the landscape and those "pillar ring" things we've seen before (I still have no idea what those are, the funniest guess is still griffon training flight path 😂 But something tells me those things will be important.).

"I'll be damned! A griffon!"

Davrin and Assan!! <33333 And the dialogue makes it sound like this might be the first time they meet each other?? 🥹🥹 Followed by a scene of Davrin taking care of business and what might be the return of children in DA?? 😭 Seeing that little girl made me so happy, because that was actually one of the few things on my wishlist for DA4, because I always felt like children make the world feel SO much more real and immersive and besides Kieran, children were completely absent in DAI.

Am I trippin or does it look like this child is smiling here, while running away from a horde of darkspawn?? 😶 Kids in the Anderfels are build different, I guess. lol

"In war, victory."

CHILLS!!

Then we see Assan again, who is pinning down a.. thing I can't identify. lol I'm very curious about all those cages in the background though.. 🤔

We then get one of the shots that made me freak out the most, because it's a flippin *underwater* shot of elven ruins??? 😱😱

We know it's elven because if you look very very closely, you can see a Halla statue in the distance, to the left side. I'm immediately reminded of the stories about Arlathan having sunken to the ocean floor! There's also still all that mention of Ghilan'nain's grey "goop" that smells like the ocean and another shot later on of a dragon (Elgar'nan?) emerging from the ocean! 👀👀👀

And aside from all that, it's just such a sick level design!! 😍 What do these ruins look like if you enter them in the game? How do we get there?? There's an eluvian in the middle of the ocean on the newest map that's included in the Collector's Edition! 👀👀 If that one flippin theory of mine actually turns out to be true and there are somehow two parts of Arlathan, one on the ocean floor and another in the center of the Fade/the Black City, I'll do a triple backflip. lmaoo

Then Lucanis jumps in with some incredibly smooth fighting moves against the Venatori... and PURPLE WINGS!! So we were right with our speculation about the reveal trailer! Why does he have them? Is it some connection to a pride demon that revived him? 😂 I don't know, but it looks SO cool!! And after showing off, we hear his first line "I'm ready" with that sweet sweet accent, which is just the cherry on top!! <333

What the heck is up with the sky in this one?? My first thought was the Lighthouse?? 😍😍 Because if you look closely, there are a few wolf head ornaments on the walls? 👀 And this could be in the Crossroads and just like a real Lighthouse, there's a light on the top..? 🥹

Then there's Bellara using some magical device, that looks super similar to the things that were next to the big eluvian in that other scene!

Which makes me think that this might be where we help Bellara find this artifact in order to get the eluvian at the Lighthouse to work properly (since it doesn't seem to work right without Solas, according to the Game Informer article).

"I've never seen this before. There's something kind of exciting about it!"

Not gonna lie, that line and that weird looking device gave me Peebee flashbacks from Andromeda, which I honestly wasn't the biggest fan of. 😂 But Ghil Dirthalen (member of the community council) responded to me a few weeks back on twitter and confirmed that Bellara is nothing like Peebee at all. lol So that's a relief. 😂 I'm really looking forward to learn more about her and every time I see her magical gauntlet, I'm reminded that we're *definitely* not in Ferelden anymore. lol

Anyway, we then get a few shots of the Deep Roads?? Kal-Sharok??? 👀👀 And of course, there's Harding's big reveal of her new magical powers! The animation on this looks sooo amazing!!

Like many suspect, the Titans' awakening might have something to do with this! I totally agree with what Ghil Dirthalen said on twitter recently and, rather than this being Harding having Solas' petrification powers, it's actually Solas who has the powers of the Titans/stone sense/whatever Sandal did to those ogres back then lol. (I need Sandal to return and be her "teacher" or something 🙏❤️) We know of Solas' orb, which was likely created by obtaining the heart of a Titan. And if the Titans are connected to the Forgotten Ones, Fen'Harel was once considered their ally in Dalish legends. 👀

Also, if you look closely, you can see that the moment her powers are triggered, we see the blue glowy effect all over her body, like glowy lyrium veins almost?

And that in turn could hint at something in connection to her blood? So that big injury we see on her (which is still visible in this scene btw!) was maybe the moment her blood came in contact with something that awakened these powers? (We need Valta back to explain! lol)

"What is happening to me?"

That delivery gave me chills again... She is frightened. Ali Hillis is so good. 🥺🥺🥺

Next up is the Grand Necropolis and people have already pointed out that the ceiling we see at that entrance hall or something looks like a GIANT rip cage?? 💀 (What kind of creature would be THIS big???)

First look of Emmrich in-game!!! And he's wearing a fancy new outfit!! And I paused at the perfect moment to catch Rook already falling in love with him, clearly. lmao

There are two characters next to the gate that could be anybody, really. Myrna from Tevinter Nights or Joanna from the short story "The Flame Eternal"? The guy on the right is actually giving me Executor vibes?? 👀👀👀

Then there's Giant Skeleton Monster (Manfred's mom?), and don't even ask me what this could possibly be. 😂 I just hope we don't have to fight THAT (we totally will 💀). I got flashbacks of the Human Reaper endboss in ME2. 😭😭

"Let the Fade draw close!"

There's something kinda... posh about the way he says this? ��� Like, he's not really intimidated by Giant Skeleton Monster and it's just another Tuesday in the Grand Necropolis and Professor Volkarin is just doing his every day job. lol

Then there are two shots of what I think is somewhere in the Anderfels but snowy again, like that area in the beginning where Elgar'nan and Ghili showed up? And a destroyed watchtower that is occupied by the Wardens. Then we get a *third* and final shot of this beauty again.

"Draw the dragon out into the open. Then attack."

I assume that's Taash?? Sadly, that shot of her drawing her weapon is all we got from her in this trailer, but she looks awesome!! <333 We're gonna be Lord of Fortune buddies, even though we might disagree on the matter of dragon hunting lol (look, I don't want to *fight* dragons, I want to be *friends* with them 🫠😂❤️ I want to see them live their best lifes.. for the most part (I get to the Elgar'nan dragon and the blighted "twin dragons" in a second lol))

We see the docks of Minrathous for a split second and then a first glimpse at a romance scene between Rook and Neve? 👀 At the Lighthouse maybe?

"You and me Rook. Maybe that's what scares me."

What does she mean by that exactly? Does Neve have commitment issues? lol Or is this more like a "We're a dangerous match, Rook. We'll be too powerful of a couple. Like Bonnie and Clyde." kinda statement? 😂

And THEN... Well, then we get probably THE most badass looking introduction/entrance of any character in DA yet. lol And YES, I freaked out SO hard.

SHE'S BACK. Returning like the QUEEN that she is. 🙏 And of course, she has to come down a flight of "stairs" again. lol (And no, Claudia Black did not lie, she just wasn't contacted at the time. 😁) Gosh, that transformation is so SMOOTH. I could watch that forever, it's so darn beautiful. 😍 Again, the way this is done, cinematically.. just *chef's kiss*.

In retrospect, it seems almost like a given that she would be back because.. well, everything about the way DAI ended. lol Flemeth wanted her to inherit her "godhood", and she looks more than ever like her mother now. Remember the designer notes on that last scene in DAI.

Flemeth intends to let Solas have the power, so long as she can pass the essence of her godhood onto Morrigan, a gift Flemeth had always planned for her daughter yet one Morrigan misunderstood as hostile possession.

So, what exactly is she now? Did she receive whatever Flemeth sent through the eluvian at the end of DAI? Does she carry Mythal now?? If so, does Solas know (I NEED a conversation between those two technically "half-siblings", because Flemeth/Mythal is both their "Mother"? 😂)?? Remember when I said that this one dragon that appears multiple times here reminds me a lot of the dragon on the vinyl cover with the Golden City, which is very likely Mythal? So my very first thought was that the dragon is actually Morrigan?? lol Just throwing that out there.

It seems to me that she is with the Dalish/Veil Jumpers in the Arlathan Forest now? (Btw, if you look closely, you can see elven mosaics in COLOR in the background? :O)

"These are the times in which legends are born or slain."

That line goes so HARD aHhhh. Also, speaking of slain, that new outfit is slaying too. <33 Her return also means that the Well decision and potential consequences are back on the table, which will definitely keep me up at night again. 💀

That moment right there. She is everthing. ❤️❤️❤️ I wonder if we're gonna see Kieran again?? 🥺🥺

We then get the most impressive tracking shot and choreography of what I think is Teia and Viago fighting some Venatori?? <333333 Like, seriously, the way the camera is following his movements in this shot without a single cut, makes me think of something like flippin Games of Thrones' Battle of the Bastards. 😱 And those hair physics on Teia as she's swinging around?? Absolutely amazing.

Followed by Lucanis and.. is that Zara Renata (the character with the best name ever lol)?? Fighting over an ominous glowing staff. lol We know these two still had unfinished business with each other after the Wigmaker Job in TN.

Then we get our first in-game look of my man MANFRED (🎉🎉🎉🎉), proving yet again to be the most fashionable character in the whole game, using his pelvis effectively. lol I love him so much.

Then there's another terrifying shot of Giant Skeleton Monster, which almost looks like it's in command over the crowd of people here, like they're possessed or something? Uhg.. As if this thing wasn't scary enough. 💀

"Our gods are back. Our gods! How do we stand up against that?"

Again, CHILLLLS!! Chills all over. It's gonna be so interesting to hear what the Dalish, Bellara or Davrin think about all these revelations!

Then we see the Wardens again, confronting one of the super duper blighted "twin dragons" we see at the end (more on that later).

We see Neve using a barrier or something against a guy who wears the same armor as her, so maybe the Shadow Dragons are corrupted, too?

Then we see Rook dramatically tossing a sword on a table at Weisshaupt? And holy moly, Davrin in that new armor here looks FINE. 😍

Back in Treviso, we see a cool finishing move from Rook, obliterating a poor Venatori guy. That bow on Rook's back though (I need it)! :O

"I believe in all of us. So let's get it done."

That little pep talk from Rook certainly worked for me. lol Like, whatever it is we're doing here, I'm so pumped, let's gooooo!

Then we get literally a millisecond of a frame, where you can see Ghili lying on the floor.. with the lyrium dagger stuck IN HER CHEST??

EXCUSE ME?? They wouldn't just spoil her death like that, right?? lmao Also, that adds another billion questions about this damn flippin dagger and at this point the list of questions is getting so long that I've completely given up speculating. 😂💀 We see how Rook tries to retrieve(?) the dagger but the power it emanates pushes them back?? What the heeellll.

And then I died. No, really. lmaoo

What can I say.

I cried. I screamed. My soul left my body. It happened. We FINALLY saw him. The Dreaded Wolf, He Who Hunts Alone, Roamer of the Beyond, God of Rebellion. The one everyone's been talking about since flippin 2009. And by GOD, he lives up to his NAME.

He's dreadful, he's horrifying. He's a monster, a nightmare. He's perfect. And just like Solas, he's just a Little Guy and bald. 😭😭😭

...At least in comparison to this dragon!! Look at that friggin SIZE DIFFERENCE. Someone measured the size by comparing them to Rook, who we see for a split second before Fenny leaps in. So, make no mistake, Fen'Harel IS the size of a high dragon, like he was described in Tevinter Nights... It's just that this blighted dragon is HUMONGOUS. lol That dragon, let's call him Elgar'nan, because we all KNOW, right?? Who else could it POSSIBLY be?? He's got the horns, he's the dragon on the vinyl cover with the Blighted Black City, he's ENORMOUS!! I've been saying this forever. Fen'Harel vs Elgar'nan, Battle of Gods was all I ever wished to see and FUCK, I CAN'T BELIEVE THAT WISH CAME TRUE. 😭😭😭

And look WHERE they are fighting!! It's Minrathous, you can clearly see the floating building in the background!! Which means the Dread Wolf is OUT. He's no longer trapped, or in the Fade. Remember Sandal's prophecy "When he rises, everyone will see". And he HAS RISEN. lmao And look at the lighting!! It's the same dim, gloomy RED we've seen at the end of the reveal trailer with the eclipse. "AN ECLIPSE AS FEN'HAREL STIRRED". IT'S HAPPENING. Remember the 2020 teaser MURAL.

Is this the Black City or is it the floating building?? Either way, it's BLIGHTED. In the trailer, Minrathous has clearly been completely taken over by the Blight. "All the world will soon share the peace and comfort of my reign", that's what Elgar'nan said at the end of the 2023 teaser, and what better way to take over the world than to start with the biggest capital in Thedas, a nation which built their own empire over the ruins of Elvhenan, ruled by the most powerful mages!

And I am SO scared. You can see Elgar'nan snapping Fenny. The dragon is blighted, and maybe so is Fen'Harel. He's also clearly been through so much. "The Wolf chews his leg off to escape the trap.", is what Cole said in Trespasser. I don't think he always looked like that. In the murals and the 2022 cinematic, he has a lot more fur. And I can't help but think about the devs saying that Solas wasn't always bald either. lmao How are they connected.. are they one and the same.. are they bound to each other.. we still don't know. But I'm SO. F*CKING EXCITED. TO FIND OUT.

Those few seconds of this scene were breathtaking and whoever made this trailer knew exactly what they were doing, because the editing is so perfect as Fen'Harel charges at Elgar'nan in slow-motion and the music cuts out completely while that beautiful wolf howl can be heard and you can almost HEAR everyone's jaw dropping on the floor. lmao THAT's. how. you. do it. *standing ovation* *sobbing*

Okay. Breathe. Moving on. We gotta get to the end. lol

The very next shot is SO funny to me, because we literally just got to see Elgar'nan, the biggest flippin dragon we've ever seen in DA and it's followed by a shot in which Elgar'nan looks SO tiny next to Ghilan'nain. lmaooo

His ego doesn't allow to appear small though, I guess, so he f*cking levitates to top her in height. lmao These two ancient clowns are already killing me.

What's interesting though is that this is the exact same angle from which we left off in the gameplay showcase. And Solas is nowhere to be seen, so... did he literally just "poof" away right there into that Fade prison?? lmao

We get a quick montage of all the lovely monsters we will face. Like I mentioned, there's the Elgar'nan dragon taking a swim in the ocean, I guess? (I hope he drowns. lol) And a shot of what I think is Irelin (from TN and The Missing) doing.. something with some magical device. Someone fighting a magical "automaton" in the Arlathan Forest. lol Harding doing her THING again, acting like Toph from Avatar, literally bending the flippin earth, like a true Child of the Stone!!

And right before the end, there's one of my personal favorite shots, Rook basically bitch slapping a Pride demon into full K.O.?? lmao

The trailer ends with a final beautiful shot of Pokemon Ruby & Sapphire. lol No, seriously. A SUPER blighted pair of angry dragons, seemingly at the same snowy place that Elgar'nan and Ghilan'nain popped up earlier in the trailer. 👀👀👀

So, they might have something to do with this? There was a dead dragon lying on the ground in an earlier shot, so maybe the elven gods revived them? If I see Blue and Red, I'm of course immediately reminded of lyrium.. whatever that means. Or, given that they seem to be attacking Grey Wardens in this place... maybe we are looking at an altered form of Archdemons?? Or something similar to Corypheus' dragon? 👀 There is an interesting theory floating around that Ghilan'nain might look like *that* because she somehow merged with her lover Andruil. As I mentioned in the beginning, Ghilan'nain seemed to have been struck by a spear or something.. and in this shot, you can see that the red dragon is pulling a spear out of its body! Sooo... maybe that actually IS her?? And she somehow transformed into two different blighted dragons, representing herself and Andruil??? The tinfoil hat is strong with this one. lol

ANYWAY. The release date is revealed to be 31st of October, making this the best Halloween of all time!! Not only is it perfect because of its origin, Samhain, the thinning of the Veil between the living and spirits.. But also because we all get a chance to dress up as Manfred, walk into the store, buy the game and then go Trick or Treat (but mostly trick) in the name of Fen'Harel, the Trickster God. 😂😂💜💜💜

And that's it!! Now we only have to wait two months before we can all lose our collective shi— NO WAIT, OF COURSE WE'RE NOT DONE YET.

WHAT THE HELL

IS THIS

EXCUSE ME, how do you throw this in there in the background at the very last second, HELLO??? A rocky object, split in half. HUH, WHERE HAVE WE SEEN THAT BEFORE.

Oh, you sneaky sneaky people. The mural depicting a Titan's death.... Remember the description of this place in DAI's files.

"A final eluvian is situated in a beautiful bolt-hole where Solas has painted murals. Fen'Harel was here and wanted to make sure nobody ever found what the other gods were doing. This place was the breaking point for him that turned him against the gods."

Whatever this is... I think it might be the very reason why all of this is even happening. The Evanuris mined the Titans' blood and "something else" before they collapsed and sealed the Deep Roads with stone and magic.

"Terror, heart-pounding, ice-cold, as the last of the spells is cast."

"What the Evanuris in their greed could unleash would end us all. Let this place be forgotten. Let no one wake its anger. The People must rise before their false gods destroy them all."

I'll leave it at that. I'm so so so flippin excited. I want to thank all the devs involved, I'm so full of joy and can't wait to finally return back to Thedas in October. 🥹🥹🥹 (And if anyone wants to get me that "Rook's coffer" collectibles thing for my birthday two days after release, my address is— naah just kidding!! ..or AM I?? 👀😂😂)!! 💜💜💜💜💜

[gayaest]

heyo again:3 how r u? do you have other mutuals/people you look up to when its about art & disability representation? would love to know more artists who have their own disabled characters! or maybe someone you take inspiration from when drawing? (may be the style, or anything else!) that's all, have a good day:3

Hello, again! 🩷

I’ll be honest, I’m really terrible at talking and reaching out to other artists and mutuals, but I do have a few artists that I absolutely adore their works!

Saszor ( @saszor ) — another disabled artist who has AMAZING disabled oc’s and is one of the only artists i’ve seen that accurately portrays facial differences!

Caleb ( @littlestpersimmon / @/sethpuertoluna on Twitter) — An amazing autistic indigenous south-east asian artist! His work is always so gorgeous to look at and the composition work is phenomenal.

Prompto & Co ( @katetorias ) — an autistic system! Pri has some great artwork with a variety of different styles! Prin has drawn disabled people and mobility aids, and seeing people be open about their disorders always makes me happy to see!

PURIPRADO ( @/puripradoo on twitter ) — a Gyaru Gal who draws amazing gals, as well as wheelchair gals! Genuinely makes me so happy to see!

Dave ( @/benthicmidas on twitter ) — an autistic disabled artist. He draws great mobility aids and combines disability with fandom really well!

Sorrelkeys ( @/sorrelkeys on twitter ) — a great artist who works really well with color and their unique style! We talked in DM’s about a coffin-type wheelchair design! Super fun oc’s who are also disabled!

Miel ( @tarteaumiel ) — An autistic artist I greatly admire! Their character design skills are TOP TIER and they have an amazing and unique art style! Every time I see their art I get excited and inspired!

Incza ( @inioli ) — I’ve commissioned him before and he’s an amazing artist! I love their use of color and their rendering style, and the way they draw bodies, especially plus size! Their art reminds me of candy and sunshine!

Ei ( @heartboiled-egg ) — I really absolutely love the way this artist designs characters and outfits, it’s always so cohesive and inspired!

Love ( @hereloveblooms ) — This artist is GREAT! We’ve traded art a couple times and their work blows me away each time! I love their designs as well as their clean linework!

Lyon ( @lyokeke on twitter ) — I LOVE this artists style and line work. Their involvement of J-fashion into their works makes it extremely eye-catching and my personal favorite type of art!

Sasha ( @samairuart ) — I really adore this artists OC’s and incorporating their culture into every piece. The amazing outfits and rendering always blows me away and makes me want to zoom in and stare!

PokkiOkki ( @Okki_Happy on twitter) — this artists character design is GREAT! I love the way they draw body types, especially plus size designs. All their adoptables are AMAZING!

There are MANY many other artists I absolutely adore their works and designs, I just can’t find their socials right now 🌷

IF ANYONE HAS ANY OTHER DISABLED ARTISTS THEY KNOW, PLEASE COMMENT / SHARE !