#(giving characters backstories characterisation and relationships that feel interesting and obvious)

[antagonisht]

ik it's pretty common to read giorno as trans but ppl usually have him be transmasc, which i do understand the reasoning behind...it's fun, there's the name change, and there's the idea that he already used gold experience to change his body before VA starts. i guess i just tend to find trans hcs more interesting when they're at-odds with the character's canonical gender most of the time. there's more meat to it. and to me, giorno's arc is fundamentally about his failure to escape the pull of destiny: in the end all he's able to do is gain power within a system, rather than destroy it - he becomes an agent of fate, rather than someone who can only watch as other people are condemned. he thematically grows to resemble his father and his last moments show his acceptance of his reality, his hesitation before he's forced to witness his friends realisation that their victory didn't save bruno, and his emotionless taking of the throne of passione.

i guess for me the idea of him transitioning within a sort of post-canon context where he's able to become more aware of and reject the boundaries of the power he's accepted is just more compelling! i like the idea of giorno later being able to understand and overcome not just the institutions of authority in italy, but also the power of the arrow and also the masculinity he's been forced into by the narrative and his birth - of a giorno who reaches a point of despair at how much of himself he's having to cram inside the definitions of gender, power and ambition, and is able to pass through it and become a more liberated and happy person. one of the most frustating things about jjba (at least in the first universe) is how much blood and birth defines a person. giorno has to be the "morally grey" jojo bc he's dio's son, jolyne and josuke both have arcs about learning to love and accept their shitty fathers without the chance to reject them or have a more complicated relationship, and the whole story resolves around the idea of good joestar blood tainted by a parasite attempting to steal the family's fortune and power. when it comes to fic, it's just more fun for me to write characters rejecting the status of their birth and their narrative bc of how little opportunity they have to do that in canon

it's becoming increasingly obvious to me that the giorno i'm writing is transfem but idk if she'll realise or want to talk about it at any point in the actual story so i'm just like. well i'm he/himing her in the story but i kind of dont want to do that in the a/n so maybe i'll just say it there lmao

[quidfree]

now that your big brain takes have been canonized i gotta ask... are you a dabi apologist

i swear i get more asks about the manga that, let me repeat this once more, i do not read, than almost anything else

also not entirely sure what takes of mine have been confirmed in canon if you mean the latest update leaks, but happy to accept the validation in a fit of ego

now that’s out of the way: being asked if i’m a dabi apologist is the funniest thing that’s happened to me all month. i almost don’t want to answer this so i can preserve this ask in its purest form. i appreciate the L you took to send this though so i’ll try and give a semi-serious answer, which is a qualified no.

i think it’s pretty obvious that i’m not a ‘dabi apologist’ if you read how i write dabi. i think it’s equally obvious that i also don’t think he’s evil incarnate, which comes down to how much we know about his past; my feelings on endeavour could take up a whole series of posts. child abuse is just one of those things i can’t abide, no matter the subsequent twists and turns, and i will never side with an abuser over a victim of abuse, despite what stunts the narrative pulls to ‘redeem’ the abuser. in bnha i have a lot of qualms with how adult-child relationships are framed and with how endeavour (and his relationship with his children) is portrayed. so in terms of character motivations and backstories, i think dabi is an extremely understandable, tragic, and sympathetic character, and a very interesting addition to both the todoroki family melodrama and the fabric of hero/villain society, for sure, and i don’t at all begrudge him his repeat attempts on endeavour’s life. (actually this would be hypocritical of me considering i try to nerf endeavour regularly in my fic). however...

my issue with ‘apologists’ is just that i think they’re (somewhat bull-headedly) only looking at half the picture, and i feel like latest updates have really exemplified this. dabi’s motivations make sense, and depending on your stance on endeavour they can be both sympathetic and even something you cheer on. but the problem is that his vendetta isn’t just against his father, or even ~hero society~; he’s a literal mass murderer who we know has little regard for any human life- he takes real pleasure in trying to kill the 1-a kids, and is indifferent at best to the leagues’ various attacks on the public at large. the way he treats shouto is the sort of glaring elephant in the room when it comes to fanon characterisation; i’m not sure how fans/apologists rationalize it away. yes, there are complex familial ties involved, but shouto is a literal child, years younger than him, and a similar victim of the exact same mistreatment he suffered; dabi consistently treats him with gleeful cruelty, just like he treats all the bnha kids.

my summary thoughts on dabi are that in a perfect world i would like him to have some kind of long-term, strenuous, complex semi-redemption, mostly because of the dynamic i think this would add to the flawed hero society bnha (sort of) establishes, and because i think it’d be a cool narrative contrast to his brother. but this 1) won’t happen and 2) would require serious acknowledgment that dabi’s wrongs extend far beyond having a cool baddie aesthetic and hating his piece of shit dad- he’s not a good person of his own rights either. and that doesn’t mean i hate him, but i sure don’t see him as an emo softboi king. he is extremely cute w white hair though (pretty boy fam, thank rei for the genes).

tldr: just read TLAAO for my dabi/shouto/todorokis (+absentee comatose endeavour still shit-stirring from the hospital bed) thoughts because i have many

[normal-thoughts-official]

Thoughts on rizzy 👀

jdndkdndidndidn ok so if u wanted a rizzy-positive answer...... avert ur eyes

the one thing positive (?) i can say about rizzy is that it really brought us some of the softest raphael moments, but i also lowkey hate that cuz wow, we really got him to talk about his sister, his past, see some of his interests, his softness, his pains, his smiles because of rizzy... so it's all related to rizzy 💀 which is why you might see some gifsets from rizzy scenes in my blog, i think this might have been what brought this on. i enjoy those scenes as scenes that establish raphael's character, but not as rizzy

and shoutout to sh as usual for only bothering with giving a coc depth, backstory, desires and etc when they were someone's love interest and then dropping them like a hot potato. like bro imagine if they had at least bothered with keeping raphael's characterisation consistent? id be over the moon already. if they had actually made him a person like when rizzy was a thing for the whole show on top of that?? fuck i think id explode in happiness

other than that..... i hate everything about it. and like, it being based on addiction aside (which is already, like, bad, but i could maybe ship them in an alternate reality where the addiction wasn't a thing and they were fine if it was only that), the whole thing was literally Izzy Treats Raphael Like Shit And Then Raphael Is Villainized For It

im not even gonna get into the whole "raphael is blamed for the yin fen thing for some fucking reason when that was not his fucking fault and no one questions this" thing because ive done it before and i might explode with rage if i do, lol. that fucking plotline would have never been handled like that if raphael wasn't latino and therefore a predator drug dealer stereotype. but ANYWAY

those are the two things that i see anti rizzy shippers talking about the most, but those are actually not what bothers me the most. what really drives me up the wall and is just vomiting emoji is the way izzy treats raphael. that's the dealbreaker for me and something that never gets acknowledged

like, for starters, raphael was once again shown to be one of the most caring and selfless characters in this piece of shit stupid show, when he saved izzy's life when she was stupid enough to actually go to a vampire den. she had done nothing but be shitty to him and the vampires up to that point, mind you (which some ppl in this fandom treat as like #GirlPower or something) but he still saved her life for no reason other than that was the right thing to do

and then she immediately, the same second, tried to trigger him into drinking her blood. and he kept telling her no and pushing her away and she was literally GRABBING him and slitting her wrist and then he caved, at great personal cost, which she didn't care about

fine

then we get her going after him again, and raphael, again, being the caring and selfless bastard that he is, does something so monumentally kind and dangerous that it still blows me away: he tells her about his addiction

and i know that ppl in this fandom love to act as if every single thing raphael did for the sake of other characters, particularly the shadowhunters and simon, is just, like, expected and no big deal. but raphael didn't owe izzy that. he didn't have to tell izzy that. hell, he didn't even have to save izzy's life when she went to the den, for all he knew it was all a trick or something. and telling her, someone he doesn't even know, a shadowhunter, not only one of his greatest secrets, not only one of his greatest vulnerabilities, but the single hardest and most painful moment of his life, a whole can of worms about his past that he just bared to her just like that, was just. so much. it was such a huge thing that he did for her, okay. and let's not forget that raphael is a private person, both for survival and because he just is

he basically opened up his biggest wound and showed it to her only because it could bring her some sort of comfort. it wouldn't even help her greatly. it wouldn't even change anything about her situation. it would bring just maybe a little bit of comfort and advice, at great personal cost, way greater than the good it would bring her. and he still did it, because raphael cares, especially when he sees someone going through something he went through as well. just so he could tell her that it gets better, that she's not alone. that he understands

and she fucking!! immediately!!!! uses that against him!!!!!! and continues to try to trigger his addiction again and again and again and again!!!! may i just say, WHAT THE FUCK

EVERY SINGLE TIME she tries to get him to drink her blood, it's not consensual, it's forced. he always hesitates, always tries to push her away, always turns his head. and she just pushes him anyway. even after she knows that he's been through this before. that it almost destroyed him. she knows exactly what she's triggering and bringing on, and she! does! it! anyway!!

watching some of the rizzy scenes, particularly the one where they are cooking together, makes me want to cry for him, because it's so obvious that what he's looking for is a deeper connection, someone to trust, to love, and what she's looking for is someone to satisfy her need. and look, i know addiction is terrible. but he's ALSO addicted. and again, i've met plenty of ppl who struggled with addiction, and they were able of, you know, not treating others like this

it drives me crazy! raphael lets her into his home, teaches her how to cook, opens up about the SINGLE SECRET ABOUT HIM THAT NO ONE KNOWS ABOUT EXCEPT FOR MAGNUS, and generally tries to have a good time with her, and not only does she immediately make his attempt at having a meaningful bonding time about him drinking her blood, but does it RIGHT AFTER HE TELLS HER ABOUT HIS SISTER??? it literally goes "here is my deepest most important secret that pains me greatly and is destroying me inside. oh, i said too much. i should have kept my mouth shut" "i'd rather you didn't *slits own wrist and makes him drink her blood*". like, girl, at least a word of comfort first??? a "you can tell me whatever you like"? an "i'm fucking sorry for your loss" maybe???????????? SHE TREATED HIM LIKE AN OBJECT

and also SHOUT THE FUCK OUT to "i didn't take you for a community service kind of guy", which granted is a minor thing to be upset about in the middle of this shitstorm, but still makes me want to rip my hair off. girl!! he's been doing nothing ever since you first met but helping you selflessly and getting only PAIN in return. like is she for real??? he went out of his way SO many times to help her, when he had NO reason to, not a single one. and she's still like "oh wow raphael cares about others?? im shocked" UDBDIDNDKSMSOSNSOSNSISBSUSBDUDBDIDNDIDNDI ARE YOU SERIOUSSSS

it's really such a revealing moment to me because it really shows that she didn't give any thought about everything he'd done for her. all the endless kindness and care, in the literal sense of TAKING CARE OF, that he offered her without a second thought. she never stopped to think about what it cost him. the fact that he didn't OWE IT TO HER, and thus it says something about his CHARACTER, because he CHOSE to help her. over and over and over again!!! AFTER SHE BETRAYED HIM MORE THAN ONCE. it never even crossed her mind! she just took it for granted, like it's what he was supposed to do, or something

and then!!!!!!! even after they go their separate ways!! and raphael is STILL caring for her and making sure she's okay! she decides to betray him one last time and have simon threaten his sister!!! and ill be honest i dont remember the reason for this, but i do remember that it wasn't fucking life and death, so like!!! it was just unnecessarily cruel and shitty of her and the biggest FUCK YOU to him and his trust. AND IT WASN'T NECESSARY AT ALL. like. AAAAAAAAAAAAAAAAAAAAAAAA

and at this point izzy was recovering so it's just like. i get that before that we were literally seeing izzy at her ugliest, she even fought alec and said some shit that she definitely didn't mean at all and that was shitty and hurtful. so like obviously we were seeing izzy in her darkest, worst, most selfish, most hurt. which is why i can maybe cut her some slack for some shit (also i just realized i literally forgot that she straight up THREATENED HIM WITH A KNIFE god there is really So Much To Unpack Here), but at that point? at that point she had no excuse. she was recovering. this didn't even have anything to do with her addiction anyway. she was just proving that raphael's trust, his care, his fucking feelings, they meant nothing to her

like seriously! she could at least have the decency to go, after raphael was very obviously kind and considerate to me, maybe i should not conspire against him and bring forward his most important secret? i don't think i'm asking her for much here

and it also ends a circle of raphael opening up to her and trusting her and she betraying that trust EVERY SINGLE TIME! the literal single only thing he told her that she didn't use against him was his asexuality. which look, thank god, cuz that would have been way too ugly and uncalled for, but the bar is low here

(ok, maybe rizzy gets a shoutout for having raphael's asexuality be treated so naturally. especially coming from such an overtly sexual character like izzy. it was nice to have that. i also think that her whole line about how for the first time sex wasn't a big part of a relationship for her could have been explored in so many interesting ways. like it is obvious that izzy uses her sexuality as a way to gain confidence and prove her value and it would be cool to see that being addressed beyond throwaway lines, maybe talk a bit about hypersexualization of woc. but this is shadowhunters we're talking about so of course nah)

so like okay izzy gets a Not An Aphobe But Still Shitty badge for basically using raphael like he existed to provide her. and in short this is why i can't get into rizzy, not even in a very very alternate reality where it all went different and the way they met had nothing to do with addiction. because she really didn't care enough about him and he deserves so much better than this

and again, i know that izzy was at her damn lowest in that point, but i think that even if she weren't, ultimately their incompatibility still lies there - raphael is too selfless and izzy is not attuned to that. she would take what he offered and not really spare it a thought, even if she didn't mean to like, Use Him (cuz i dont think izzy meant to use him even in canon), like it was just expected. and he wouldn't point that out. and it would be. ugh

and yeah i think that summarizes my thoughts dudndjdn im sorry for the angry very long rant, i just started talking and it all was pouring out suddenly. i promise im not mad, i just...... have strong feelings about this whole thing

[multifandomaddictedfangirl]

The Vampire Diaries Thoughts & Opinions (rewatch)

S1 :

OMG I completely forgot how cheap was this show! The dialogues in s1 feels so forced and fake 🤮 Not to blame the actors, but sometimes it feels really unnatural, like you know you’re in a fantasy young adult tv show. It doesn’t feel like real life, like what real people would do/say. It’s too obnoxious and dramatic and... overly intense ?? 😕 Rewatching it, it might be the biggest flaw of the early seasons 🤷‍♀️

They all look SO YOUNG tough 😳

Mmmm... Stefan acts like a total creep in s1, it’s really giving me Twilight vibes 😅 like if I was Elena/Bella, I would be terrified of Stefan/Edward ! 😰 They’re creepy and stalky and weirdly intense / edgy about ordinary stuff... Their entire personality screams : “I AM A VAMPIRE AND I CANNOT CONTROL MYSELF AROUND YOU” which... #yikes 🤔

Caroline Forbes is my favorite character of the entire show, I love her SO much ❤️ “I’m never the one” is still one of the most powerful lines, for me, and I loved her characterisation throughout the show

Matt has been irrelevant since s1 🙄, honestly he was maybe funny/quirky in the double-date episode and regarding his relationship with Caroline (while not having moved on from Elena)...? But that was like a couple of episodes and apart from that he was just useless. I do not understand why he stayed alive that long

Jeremy.... oh Jeremy 😔 He was... such a cliché! He was what adults see as the “typical” rebellious edgy teenager who does nothing of his life except smoking weed. And no, I don’t like that caricature. His relationship with Vicky... 🤷‍♀️ I mean, sure, it was sweet that he cared for her that way and that he saw more in her than just the “stoned-ass trashy girl” 💁🏻‍♀️ that she was supposed to embody. But Jeremy really acted like “The Nice Guy”and it seemed like he was expecting something for being nice with Vicky. He acted like if Vicky owed him something, while she never asked for him to interfere in her problems 🙅‍♀️ I don’t know, I guess he was just supposed to be a lost teen, damaged by trauma, and I get that.

OK, so if I was Elena, seeing Katherine’s picture would FREAK. ME. OUT 😱 I would run away. So far away. I would tell everyone I love to run away 👀 I would just completely shut down. I would never want to see the guy ever again (who clearly has a fetish and an unhealthy obsession!!). I mean, talk about being clinched to your ex

Damon and Caroline’s relationship was SO TOXIC in s1 !! 💥 And the show never really acknowledged that!! I mean, sure, they did, but I don’t think Damon realised the pain he caused her: he manipulated her, fed on her, hurt her, compelled her, used her to get what he wanted, abused her, put her life in danger, over and over again 🤢🤬😡

LEXIIIIIIIIII 💖💖💖 Finally! I remember I liked her a lot, but she’s just one of the best, purest character! I’m so happy Stefan can AT LEAST count on her 💕

WHAT?! 😱 SHE DIED SO SOON IN THE SHOW??!?? 💔😭 I didn’t remember that at all! I think my mind erased that fact from my mind because it hurt too much!

Ugh, Logan 😑

I hate what they did with Bonnie 😡 In s1 she’s this incredibly judgy character who ruins every single plan by having ridiculously high moral standards (for this fictional universe, at least), ugh. I love her but they used her to create unnecessary conflict in the show and she didn’t deserve that. Also she didn’t deserve all the pain, the deaths & the misery. She’s one of the (many) characters who have suffered SO MUCH throughout the seasons and they really did her dirty and i’m so mad about that !!

The flashbacks from 1864 were quite well done. I always found it interesting to learn more about Katherine’s past and the Salvatore brothers’ tragic origin story.

*sighs* John Gilbert... urrffffgh 🙄

Isobel being Elena’s biological mother AND Alaric’s ex wife was... so weird 🤨

Overall, I don’t have a lot of opinions for that season because I was bored half of the time 🤷‍♀️ I just really wasn’t interested about the plot and/or the characters because it was all so cliché and cheap. This season was really bad. It’s not working at all, for me at least.

S2 :

Katherine is a GREAT character and you can’t fight me on that 💁🏻‍♀️👠👑

The addition of the werewolves was quite a good idea, though it was predictable so far. Werewolves and vampires often come together in fantasy 🤷‍♀️ Tyler’s storyline was interesting though 🤔 The whole idea of a curse that you activate when you become responsible for someone’s death, no matter your intentions, was good.

CAROLINE BECOMING A VAMPIRE WAS ONE OF THE BEST THING HAPPENING TO THIS SHOW : YES ! 👏 She was such a better person as a vampire. She was arguably the best vampire of them all, the one who truly succeeded the most at adapting at her new life 💕

I DO NOT understand WHY Damon would ask for troubles to Mason, a werewolf, whose bite is DEADLY to him 🙄

Elijah was so different in s2 than I remembered. So uptight, and yet so evil ?? I remembered him as the nice brother in the Michaelson family. But the way he relentlessly targets Rose and her family and friends... yikes 😣🥺

Klaus was so HYPED by the show. Even Katherine herself was terrified of him 😱 And when you think about it, he might be one of the most dangerous creature of TVD’s lore... 🧐 But compared to other vilains, he was quite friendly.

Bonnie and Jeremy... mmm.... sure. You know what, it doesn’t scream “soulmate” but it doesn’t have to be. It can be just a messy, complicated, unexplainable crush. It can just be two people liking each other and enjoying each other’s company without trying to look for a deeper thing. Plus the situation is so awkward, with Jeremy being Bonnie’s best friend’s little baby brother, that it was fun to watch! 😄

My heart still feels for Jenna 💔 She had just learnt the truth about vampires and she had JUST figured out why everyone in her life was acting so weird... and then she died. And idk she was a lovely, messy, funny, pure heartface, completely lost gardian... 💕 and I’m gonna miss her. I would have liked to see her react to what happened next on the show (and how she could have supported Elena & Jeremy through all of this, etc.) 🥺

OF COURSE STEFAN WOULD MAKE A DEAL WITH KLAUS TO GET A CURE FOR HIS BROTHER! Is this Supernatural?

So, yeah, same thing here: most of the storylines developed in this season didn’t interest me whatsoever. So I don’t have a lot of things to say about this season, but just bear with me pls 🐻

S3 :

I absolutely adore Stefan as a ripper in s3. Especially regarding his complicated relationship with Klaus... I think his dependency / addiction to blood is really interesting 🤔 Stefan can’t be a regular vampire, drinking blood from humans then erasing their memories / drinking from blood blags. He can’t because he feels so guilty for the lives he takes / the pain he inflicts on other. So he’s like all or nothing 🤷‍♀️ A human blood-free diet guy. Or a merciless killer.

Regarding of the whole delena / stelena ship war... *sighs* 😔 I honestly don’t know 🤷‍♀️ Both relationships seem hella toxic (for different reasons, but still). I do believe Elena loved them both (maybe not at the same time, though). So, I don’t know who she should have ended up with... I remember shipping her with Damon on my first watch, but now I realise that was purely for the bad boy vibes (i.e bad boy, who, deep down, isn’t so bad because turns out he can change and blah blah blah... ugh what a cliché i know 🙄). So anyway, I’m not gonna defend Delena, it’s as messed up as Stelena if you ask me. But that’s where my heart went on the first watch and that’s who she canonically ends up with, so I’m not gonna fight it and try to make a case of whether she should have ended up with another person (or alone?). In my head, she’s with Damon 🙃 Just cause’ it’s easier, more convinient, and I’m lazy that way 😅 But I understand people who ship/prefer Stelena over Delena. I’m just not THAT invested in this freaking love triangle anymore ✋

The show really took off when they introduced the original vampires if you ask me 🧛‍♂️ Their backstory is so tragic, and after that, it makes more sense why Elijah, Rebekah and Klaus are so close, trust each other so much and manage to forgive the worst of each other💖

Rebekah, that poor girl who only ever wanted to have a human normal life and to BOND with people (whether they were family, friends or more than friends...) 💕has been betrayed by EVERYONE 🔪She was daggered more times than I can even count, and I’m surprised she hasn’t killed everyone out of pure revenge yet!

Yeeeeep. Still ships Klaroline. ❤️

My God, what would I give to see Caroline explore this world and enjoy the perks of her vampire life with Klaus...🥰 She wanted that. She secretly dreamed of that. And frankly, she deserved that. She deserved to feel happy and fulfilled and excited about her future! She deserved more than the life she got in Mystic Falls ✨ More than Tyler! More than Jessy. More than Damon. And more than Stefan too, even if she did seem happy with him in the end. I think I liked Klaus as a romantic option for the same reasons I liked Damon back then. For the challenge. For the way they always push their girlfriends further, and make them want more of life than what they’ve got. For the way they make them ambitious.

I think the reason this season feels so useless is because they try to find a way to eliminate the Original family... only to find out that if they do that, EVERY VAMPIRE EVER WILL ALSO DIE 👏

I despised the whole evil alter ego trope that they did with Alaric 😪😴 I liked the idea of the ring having real bad consequences. But here, Alaric can’t take responsibility for wanting to cheat on death precisely because he has a second personality that he cannot control. The blame is just put on somebody else, an entire other person that just cohabits in Alaric’s body. I never really liked the whole Dr Jekill & Mr Hide trope 🤷‍♀️ And I don’t think it was bringing anything to the table, honestly. It’s boring (because SO obvious and predictable) and it takes forever to deal with (ugh) 😑

NOOOOOOOOOO RICK 😭💔 He was one of my favorite character. I really loved his relationship with Elena and Jeremy + his friendship with Damon. I’m gonna miss him really hard. The scene with Damon on his grave was really sweet 🥺

S4:

Elena being a vampire : YES! 👏 We’ve been waiting for this for so long, the show really needed this to go on (realistically the show would have had trouble to move on if Elena would have stayed human for a lot longer). So I’m really glad about that being the premise for s4 ☺️ Plus her transition is well handled, with her memories coming back + her emotions being heightened (the scene where she bursts into laugh and cannot stop was really funny and somehow relatable 😂).

The scene in the car with Stefan, Matt & Elena VS Stefan, Elena & her father was really well done! 👏 I loved the parallel where she wants Stefan to save Matt first, just like her father wanted him to save Elena first. So touching 💕 It’s a tough choice and Stefan will have to live with both consequences for the rest of his life, which will NOT be easy with Damon blaming him for Elena’s death. But, really, Damon kinda has a point : "in what world are you [Matt] the one that gets to live?”. Matt has been saved so many times on the show and it’s legit to ask yourself : WHY? Why him? 🤷‍♀️He’s so irrelevant and useless. But I get that’s the whole point. Human life is irrelevant and useless (in the great scheme of things). And yet, we fight for it ✊ Because somehow it matters.

S4 helped me remember what I didn’t like about Stefan, regarding his relationship with Elena. He really had a big problem with her being a vampire, and he spent half of his time trying to “control” / “fix” her 🙄 He’s got such high standards for Elena when she turns into a vampire. It’s like he expects her to not make the same mistakes as he - or any other vampire in the history of vampirism - did. He desperately wants her to be a “good” vampire right away and avoid the “killer without humanity” phase 🤔 Which is understandable. He doesn’t want her to become a bad vampire who doesn’t care about human life, as he was during his ripper phase (or like Damon).

Damon truly accepted her, the new her, vampire! Elena 👐 You can argue that it’s because he’s selfish and he wants people to act as bad and carelessly as him (that’s why he tried to manipulate Stefan into drinking human blood again in s1 : he doesn’t want to be alone and he needs someone else to party with)... But he isn’t selfish when it comes to Elena 🤷‍♀️ The show proved us that. He wanted her to have a human normal life, to be happy, to grow old and have children. He wanted to give her that, and that’s why he would have saved her over Matt on the bridge. He’s not happy that she is a vampire. That’s not what he wanted. Never. But now that she is, and that there’s nothing they can do about it (that they know of), Damon tries to make the best out of it

Anyway, Caroline is such a better teacher then Damon or Stefan 😅 Drop the Salvatore brothers and get educated on the vampire life with your bff, Elena !

Elena being sired by Damon, OMMGG! 😮😮😮 So much drama, I really loved it. It was smart to use that as a way to postpone Delena for a little bit - playing on the general doubt that Elena might not truly love Damon and she might just be under the influence of the sire bond. Which, let’s be honest, was a legit consideration to have. So, yeah... REALLY GLAD that, in the end, the sire bond didn’t create those feelings out of nowhere, it only heightened and amplified what was already there beforehand. Otherwise, it would have been really problematic, especially regarding consent issues 😕

I love that Damon makes the right choice again with Elena and “sets her free”. He doesn’t want their relationship to be fake. And so he uses the sire bond to send her away, to be herself, to live her life without worrying about what makes him happy. You can say everything you want about Damon, at least he gets it right by her ☝️Just like when he confessed his feelings to her, but compelled her to forget because she’s in love with Stefan and he doesn’t want to mess it up. He was not selfish when it came to her.

It was really heartbreaking to see Jeremy becoming a hunter and having the sudden urges to kill his own sister and basically everybody else in his life 😢

Poor Carol Lockwood! 💔 She didn’t deserve to die. She tried so hard to help for Tyler, even when she learnt he was a werewolf, she cared so much for him...😭

Their inability to communicate with each other is INSANE. At some point in s4, they all know Shane is practicing a magic called “Expression”. Damon and Stefan also know that kind of magic is incredibly dark and dangerous (from their little trip to New Orleans when they tried to find a way to deactivate the sire bond and the witch there told them she wasn’t practicing this kind of magic). But NO ONE has still put two and two together. And so, Bonnie keeps blindly trusting Shane and hanging out with him 🤦‍♀️

The whole search for the cure was quite interesting and entertaining to watch! Each one of them wanted it for a different reason : destroy it, use it, share it, give it away, save it for later... Which really well portrayed how people can react to the idea of mortality. The fact that there’s only one dose was really genius! That makes it even more interesting to see who’s gonna fight for it (i.e. Rebekah, Stefan), who’s gonna just drop it because turns out they didn’t really want it to begin with (i.e. Damon, Caroline), who’s gonna exchange/bargain it and for what (i.e Katherine, maybe), who’s gonna get it the end and what will they do with it. Will it all be worth it? 🧐

Jeremyyyyy 💔😭 R.I.P 💀

Honestly, even though I still think Matt is irrelevant to the show, let’s remember he also has lost every single person in his life (his dad and his mom are basically gone, Vicky is dead, Tyler left town again, his goddamn history teacher died too) - and now he can add Jeremy, his best friend, to the list 😭 He’s handling it all WAY better than anyone else. I mean you don’t see him burning down the house he grew up in for instance! However, I agree that Elena have lost more people in her family than him (her adoptive parents, Jenna, Alaric, Jeremy, even John... and Isobel is basically gone too). But it’s not like you can compare their lost, anyway. They boty suffered a lot, but I just wanted to say... I liked that the show acknowledged Matt lost someone important for him too 💕

No humanity! Elena, OOMMMGGG!! 🤯 I was so mad when it happened, because Damon could have just used the sire bond to make her deal with her brother’s death, he could have just helped through the grief and tell her it was going to be okay. He didn’t need to make her turn off her humanity 🙄 Real dumb move here!

I kinda liked the friendship between Elena without humanity and Rebecca! Their little trip starting off in NY was fun!

Katherine is, and will always be, the baddest bitch in town! ❤️ I was quite surprised to see her kill Jeremy so heartlessly, but I guess it fits the character. She’ll always be looking out for herself and the opportunity to take the cure and be one step ahead of everyone was obviously too good to leave out. She always had to fight for her own survival, in a world that’s always been dangerous and ruthless against her, so it makes sense she became who she is 🤷‍♀️

Of all the things that could have triggered Elena’s humanity flip switch, really? Matt Donovan? 🤨😑 I mean, it makes sense since Elena seems to value his life over everything else, including her own. But from what we’ve seen so far, she wasn’t really happy when she was dating Matt 😕 They used to fight a lot, they didn’t want the same thing out of life, they just were really different people. And that’s fine, they didn’t work out as a couple, but they can stay friend... Except you don’t really see them interract THAT much as friends. I mean it’s a lot of "say" and not enough "show", for me 🧐 You don’t feel the bond that two best friends should have... between them. You don’t see inside jokes, common interests, similar hobbies, laughters and tears, serious conversations that last for hours, or small talks over the phone... Anyway, from what we were shown so far, she shouldn’t feel that close to Matt. Not more than, idk, Bonnie, Caroline, Damon or Stefan for instance! So the fact that she cares SO MUCH about him is kinda strange 🤔

“He was your first love, I intend to be your last. However long that takes” LOOK WHO’S BAAAACK 👀 My favorite hybrid! Awww of course he was gonna come back for Caroline ❤️

Btw the ceremony was very cute 💕 It’s the end of high school! The end of an era! And they all graduated 🍾🎊🎉

Awwwwww, when Bonnie dropped the veil and everyone got to see their dead friends and family again! Stefan & Lexi, Damon and Alaric, Elena & Jeremy 💖

BONNIIIIIE, OH NOOOO, WHYYY 😭💔 oh no no no no no no no, she wants to keep her death a secret from everyone, that is such a bad idea!!! 😣

OMG SILAS IS A DOPPELGÄNGER OF STEFAN !!! 🤯 POOR STEFAN IS STUCK IN THE BOTTOM OF THE LAKE AND NO ONE KNOWS, NOOOOOO 💔😭

S5 :

The whole college experience with Caroline and Elena was so fun to rewatch😁 I wish Bonnie could have been there though, even if she kinda was.

It feels good to watch Elena and Damon being happily in love together and enjoying the summer ❤️☀️ But when you think about Stefan drowning over and over in that lake... it feels so bad :(

Katherine as a human is devastatingly entertaining! "I’m the freaking moonstone" 🤣 So iconic that she, of all people, took the cure! I loved that twist.

I loved the complicated and messy love triangle between Quetsiya, Amara and Silas. I want to empathise with Quetsiya and support her, because Silas screwed her over in such a supernatural, mystical way... he cheated on her and tricked her. He manipulated her to get what he wanted. So yeah, I’m all team Quetsiya ✊ but then again, she is sort of over-paranoid and obssesive? 🤷‍♀️ And being screwed over by a guy doesn’t exactly justify her quest for vengeance. So... I guess the only one who’s okay is Amara?? We don’t see a lot of her but I respect her wish to die after thousands of year in pain, as the anchor of the other side (which, btw, was BRILLIANT! 🤯 Quetsiya’s a genius! o.O)

"You are my life" ❤️ GOD, Damon always finding the right words!

I hate the travelers storyline 🙅‍♀️ I find it incredibly boring and I’m not that attached to Nadia. The only thing I liked about her was her relationship with her mom, Katherine. But apart from that, I don’t really like them as villains, nor as their storyline with Silas 😑😕

Stefan loosing his memory is okay-ish. It’s such a cliché as a trope, but it sort of works because Paul Wesley does such a great work at portraying different Stefans 👍 and it’s always entertaining to watch. And even though I usually ship Delena, I have to admit Elena recreating some moments with Stefan was very cute! 💕So it works but I’m not a big fan.

What I am a big fan of is the evolving relationship between Damon and Jeremy! 🥰 I mean, you can see that he didn’t really care about him, that he was mostly protecting him as a way to please Elena... But then, something changed 🤔He started caring for him for real, kinda like a big brother would:)

"You’re Katherine Pierce. Suck it up" hell yes 💪 keep fightingt, love !

Awwwwwww Bonnie 💔 Why do you always have to sacrifice yourself and put everyone else’s happiness before your own?? It’s really sad to see her becoming the anchor of the other side, feeling literally every single death of all the supernatural beings out there :’(

The Augustine vampire storyline!! 😮I’ve had completely forgotten about that! I love how they connected Damon with that institution, and how they introduced Enzo as Damon’s old mate. Well done👍

Katherine in Elena’s body: OMG! Love it! She’s such a survivor ❤️ That’s gonna mess things up so bad xD (btw the fact NO ONE notices anything is kinda weird and if I was Elena, I would be offended)

Nooooooo, don’t break up with Damon as Elena !!! 😱😱 Uuuughhh!!! Whyyy 😭

OMGOMGOMGOMGOMGOMGOMG CAROLINE SLEPT WITH KLAUS !!! ❤️HELL YAS B**CH!!! SHE FINALLY ADMITTED HER FEELINGS FOR HIM !!! THEY KISSED !!! IT’S OFFICIAL !!! (i know klaus will never come back to TVD ever again buuuut... i’m still so so SO happy about that Klaroline reunion!)

Awwwww my baby Liv ❤️ I’ve missed her, she was so precious in season 5 !

Katherine AGRESSIVELY flirting with Stefan, while pretending to be Elena, was... both fun and hard to watch 😅Katherine was soooo pushy! And the fact that Stefan still doesn’t see she’s not Elena was infuriating! Like there’s just no way Elena would ever act like that!

"You’re never gonna as interesting as the next guy she wants to sleep with” poor Nadia 😭 that’s so true though :/ she didn’t deserve to die, I was really sad for her. She deserved a better life than the one she’s got 💔💔💔

FINALLY! 🙌 Finally they put two and two together and figured out Katherine is inside Elena’s body! Thank God 🙏 Caroline made me laugh so much with her "it’s Elena, we would have noticed something" speech. I was like YES. MY POINT EXACTLY 👏 I loved when they figured out all the little details that have been wrong ever since the beginning of this whole mess, like : Katherine was the reason that Tyler knew Caroline slept with Klaus. And Caroline’s like : oooohhh it all makes sense now. Wow. Congrats for figuring this out just now! 🙄

R.I.P Katherine ❤️ Weirdly, she will be missed. She did deserve better.

Jeremy was kind of a jerk with Bonnie in s5 ? I mean he was okay in the first few episodes i guess but then he completely ignored her... not cool bro, not cool 👎

The whole "Why do people seem to expect more of me?" speech of Caroline felt very relatable 👏 Just because she’s kind, because she’s trying to do good, doesn’t mean it’s easier for her! 😤 Plus, why do people keep slut-shaming her for having sex with Klaus when she’s not the first, nor the last, to have had one night stands with - arguably - bad people! ✋

Damon and Elena breaking up : lol 😆 As if. We know they’re endgame. Please. It’s only a matter of episodes until they find their way back to each other, which is why they are kinda cute as a couple.

Ugh 😑 Markos 🤦‍♀️ I just can’t ✋

Bonniiiiiiiiiiie !! Stop lying to everybody!! I hated how she was pretending she had a spell to escape the Other Side collapsing! Haven’t you learnt anything by now? Talk to your friend, figure out a plan together and if not, at leat say your goodbyes and enjoy your last moments with them!

Did I already say I hate the travelers storyline? Well, I do. I hate it 🤬

Season 5 finale was PEFRECT, I loved it. Bonnie resurrecting everyone, Liv doing the spell, Silas helping them just to be destroyed in the end (a fitting ending), Damon and Elena driving through the Grill to kill all the travelers, Alaric coming back, Markos dying... BUT. But, but, but, I was so upset about Damon!! It was just a matter of time and if they would have just kept going with the spell for a few seconds (damn you, Luke!), he would have been able to come through! And Lexi, omg 😭 at least she found peace❤️

Btw, that’s exactly what I meant about Bonnie’s character. Throughout the seasons she never stops sacrificing herself for other people (sometimes those people don’t even deserve it). She keeps lying to everyone. She lied when she died the day of graduation. She didn’t say how much it hurt her to be the anchor. She lied when she said they had a way to bring her back from the Other Side when it was collapsing. She kept minimising her (big-ass) problems. She kept putting other people before herself. And she’s one of the characters who suffered the most. Her storyline revolves around pain. The show doesn’t allow her to be fully happy. And btw, no one truly cares about her happiness (except maybe Jeremy and then Enzo), at least not when somebody else’s safety or comfort is at play. She’s never number 1 on the priority list. If somebody needs her to do a spell or whatever, they will use her. No matter how much danger she puts herself in 🤬

"Please don’t leave me” 😭😭😭 I felt that... It crushed my heart 💔

S6 :

I loved the way everybody coped with Bonnie and Damon’s deaths 💕 Elena got addicted to some magical herbs that made her hallucinate Damon again because she couldn’t deal with his death. Jeremy left a tone of angry voicemails to Bonnie’s old phone - which he paid for. Caroline got dragged into work and research in order to find a way to get back in Mystical Falls. Stefan moved on completely and started off a new life. It’s just... a nice way to show grief 😊

Ooohh I smell some Steroline moments!! Poor Caroline. To me, she deserved better than Stefan! He was such a jerk to her, especially in the beginning 😤😡

NOOOOOOOOOOOO 💔 ELENA DON’T ERASE YOUR MEMORIES! WHAT! WILL! YOU! DO! WHEN! DAMON! INEVITABLY! COMES! BACK! Elenaaaaa 😤 You have to learn how to deal with grief for real !

The fact she trusts Rick completely to do that was so beautiful though... They’re family and it was nice to see their bond.

Bonnie and Damon were kinda cute ! Like I don’t ship them, per say. But I get why some people do 🤷‍♀️ They had chemistry and they worked as an enemies to lovers trope. Anyway, I personally liked their friendship, how they both learnt how to support each other, how to function as a team, how they helped each other through the worst! In the end, Damon truly cared about her, and that’s why he was ready to do anything in order to save her 💪

Kaaaaaaiiiiii 🙈 i’m so conflicted about ya

I totally ship Jalaric ! ❤️ I loved how Elena tried to fix them up together! They’re really cute together. They both have complicated pasts and a messy family. They understand each other :) And Jo is such a confident woman! She knows what she wants, she’s not afraid of speaking her mind, she’s kinda fierce!

The fact that Elena wanted her memories back JUST when Alaric became human again was just... aaarrghh 🤬

"I think I deserve better than that” YES 👏 YOU 👏 DO 👏 CAROLINE! Stefan treated you like shit and you’re right to protect yourself, sweatheart 💕 I really didn’t like how he tried so hard to make amends... without acknowledging how much he hurt her, how he abandoned everyone, how he behaved like a jerk. I liked that Caroline took some distances for her own good 💖 #SelfRespectIsReal

The Gemini coven was really interesting. This idea of such a dysfunctional family, with a psychopath brother who killed half his siblings to merge with his twin sister in order to get leadership for the coven... it was all very compelling! Loved it ❤️

I think I have a thing for storylines about supernatural families in TVD : the Salvatores, the Mikealsons, the Parkers !

Liv and Tyler... mmm... don’t care 🤷‍♀️

You’re telling me that Damon got out of the prison world, even KAI got out, and BONNIE still gets stuck over there!! 🤬 Wtf ?? Why does this show hate this character so much? Why is she always the one who gets screwed in the end?? I just hate the way they treated her!! 😱

There was literally no good outcome to that whole twin-merging-together mess. If Liv merged with Luke, one of them would die and that’s not an option! If Kai merged with Jo, there was a huge chance he would win, which is simply not acceptable at all. Anyway, what a mess!

Kai literally sucking all the magic from the travelers’ spell, finally breaking it, allowing vampires to come back to Mystic Falls, was just... wOw! o.O

Luke merging with Kai 😭 R.I.P 💔

The ONLY good thing about that merge was watching Kai trying to deal with his feelings like ??? what’s going on??? 🧐🧐Why do i... feel??... stuff ?? 🤨🤨

"So I googled how to process emotional pain", i mean i hear you my boy, let’s not pretend that’s not my usual monday 👩🏻‍💻 "so i start writing and this water literally started pouring in my eyes ?? does that ever happen to you ??”, again same 😂

Jeremy going to art school... meh, it was okay. Clearly they didn’t know what to do with him anymore, so yeah, why not art school? 🤷‍♀️ The going-away party was nice :) Damon giving a joint to Jeremy was sort of sweet, Elena smoking it with him was also cool and quite funny!

Ugh 😑 Enzo & Sarah Salvatore... 🙄 this storyline was so boring, i just didn’t care

First Steroline kiss! 😳😮 Okay, that was kinda cute, I have to admit. But still, I don’t like the fondation of this ship, I think that Stefan hurt her too bad and, most importantly, didn’t respect her enough to get to come back and kiss her.

Sheriff Forbes being sick was KILLING me 😭😭😭 She didn’t deserve that at all, she was the sweatest, kindest, purest, most compassionate woman on this show... and she passed it on to Caroline...

The scene with the bike and little Caroline was so touching ❤️❤️😭 RIP Liz’!

OMGOMGOMG!!! Caroline flipped her humanity switch! 😱 "I just need the pain to be gone" 😭 I get why she did it, and I also thought Elena was being a little bit condescending with her. She had the right to turn it all out. Everyone else did. I get why she thought it was unfair :/

BONNIE’S BACK Y’ALL ❤️❤️❤️

I do not understand why people on this show just won’t accept people turning off their humanity switch 🤷‍♀️ I mean, Stefan, Damon, Elena,... they all did it! And every single time, the others tried really hard to fix that. And I’m like : why? I’m not sure it’s the smartest move here 🧐 Because they usually end up making things worse 😑 Look at Elena : she just wanted to not feel the pain of her brother’s death for a while. She even tried to make a deal with Stefan and Damon : leave me alone, let me do my things and I’ll behave. But of course, they refused 🙄🤦‍♀️ Because they couldn’t accept the fact that their precious Elena would ever be bad and do bad thing 😒🙄 And then Elena became ruthless! Who would have thought? 🙄 Same for Caroline! The poor girl lost her mother. She just wanted to get waisted, sing some karaoke songs, and live her vampire life without any care in the world. She even erased Liam’s memories when she fed on him. Her first instinct was to buy new clothes to start over and come back to her dorm to keep leaving her old college life! She kinda had it under control 🤷‍♀️ And then, she suggested a deal, kind of like the one Elena tried to make with Stefan and Damon :☝️ one year without humanity, and she behaves and doesn’t kill anyone. That’s a good deal if you ask me 🤷‍♀️ Why not let her have that? Why not agree with that deal? Caroline without humanity is still Caroline (sort of) : she’s functional, and to quote Caroline herself : she is not an idiot. She doesn’t want to feel so she’s ready to do anything to not be bothered. I think she would have respected her end of the deal. If you take a good look at it, in both cases, it’s when other people tried to bring them back, when they broke the deal, that Elena/Caroline became killers.

Stefan shutting off his humanity was so dumb 🤦‍♀️🙄 Elena was going to find Sarah, he still had time! And even if she didn’t, and Liam killed Sarah, it’d be one ☝️ dead body. But by turning off his humanity, Stefan practically ensured that there’d be more dead bodies after that!

Damon’s mom... urf, yeah? sure. I guess I should care? 🤷‍♀️ Honestly, even when I first watched the show, I found that storyline super boring. She didn’t inspire me anything whatsoever. Anyway, using her as Stefan’s emotional trigger was sort of smart, but kinda reckless. I mean, they had no idea if it was gonna work or not, and still they still risked it, I-... urf 🤦‍♀️

I liked Stefan’s little revenge 😈😈 He’s like : no, no, no, Caroline, you don’t get to have an elaborate system that protects you from feeling guilt whenever you’ll decide to turn your humanity back on. I’m gonna make your life a living-hell. I’m gonna break you. You don’t get to ruin MY life and keep being the same control-freak, organised, college girl 💁‍♀️

Alaric&Jo thinking about baby names 🥰

The cure is BACK??? Hell no 😤 I mean, sure, it was interesting the first time, don’t get me wrong. But we’ve already watched that storyline. So 🤷‍♀️

Btw, I hate how suddenly, everybody’s like "omg poor Elena will NEVER get the life that she truly wants, she’s condamned to an eternity as a vampire, without ever having the possibility of settling down and starting a family" 😱 like i don’t know Elena’s been FINE about her vampirism for like 4 seasons. She seems happy, she seems to have found a way to make the best out of it. But sure, NOW that the cure is back, she feels like her life is unbearable - how convenient🙄

"For the first time, I’m putting ME first" HELL YES, BONNIE ✊🏿 I wish she could do that more often though.

Awwww Caroline getting her humanity back was really sad and emotional 💕💕The LETTER 😭 The fucking letter 😭 "I’m sorry Stefan, I ruined everything" 😭

Are we gonna address Matt, Tyler and Alaric’s alcoholism or are we simply gonna pretend they don’t have a drinking problem and their behaviour is totally socially-acceptable ?? 🤷‍♀️🤷‍♀️🤷‍♀️

I know it was her choice and it was probably for the best, but I think Elena taking the cure was a big mistake 😕 The show was way more entertaining when she was a vampire, and they basically erased every possibility of a "happy" ending for my favorite characters 💔 Elena will loose everyone she ever cared about, including Stefan and Caroline. She will have to move out of Mystic Falls and isolate herself from all her former friends. Damon is taking the cure with her so he will have to say goodbye to his own brother, the only family he has left. All of that... for a human life ?? A meaningless job?? Bills to pay?? School?? Money issues?? A house to maintain?? Misery and despair?? Children?? In that messed up world?? With that economy??? And the environment crisis we’re living?? Nope, I don’t get it 🤷‍♀️ I just don’t.

Secretly, I had always dreamed of Elena, Stefan, Damon and Caroline all being vampires and spending eternity together. And double date forever, I guess 😅

NOOOOOOOOO 😭😭😭 R.I.P Jo 💔

LIV !!!! 💔 NO, NO, NO, NO! Whyyyy 😭

AND THAT BASTARD GETS TO LIVE!!! What did do you do Lily? Oh my freaking God, why would you turn Kai into an heretic? He was already such a pain in the ass and now he’s even more powerful! Thanks to you, he has killed his entire family and he gets to live!! 🤬🤬

I ABSOLUTELY HATE WHAT THEY DID WITH BONNIE AND ELENA!! That whole "I linked your life with Elena’s" 😡 Cause it’s like : OF COURSE, we want to pick the main character. Of course we want Elena to come back to life. Of course we would be ready to sacrifice Bonnie if it means that Elena gets to live in the present with her friends and family. BUT BONNIE DOESN’T DESERVE THAT! She deserves to be the one, as Caroline used to say, to be picked upon everybody else. She deserves to live as much as Elena, even more (after everything she has done, everything she has sacrificed for her friends). She deserves to be happy! But now, everyone resents her for being alive, because if she’s alive then that means she is taking "Elena’s place". Now she feels guilty for being alive and breathing. For. Fucking. Being. Alive. Think about that. Again, I’m sorry if I repeat myself but : WHY THE HELL DID THIS SHOW HATE BONNIE’S CHARACTER SO MUCH?? 🤬🤬🤬

I’m just gonna say it once : The show is just not the same without Elena 🤷‍♀️

Btw, I KNOW Kai specifically said not to try anything to undo the spell he casted - otherwise Elena and Bonnie would BOTH die... But I’m surprised they didn’t even try to search for a loophole 🤔 I mean, let’s be real, when has Damon ever listened to anyone trying to reason with him? When did any of them? 🤷‍♀️ Bonnie would NEVER stop looking for a magical loophole to save her best friend. Caroline would read an entire library of mystical books to find a clue. Stefan and Damon would travelled the whole world to meet with different witches, trying to find some kind of magic that could undo the spell. No one would ever listen to Kai and just do nothing! I mean, he could be bluffing for all they know 😵 He could be saying that in order to mess with them. Were they really gonna take his word for granted? 🤔 I’m not saying "try the first anti-spell you find and roll the dices", but at least try and look for something!

S7 :

Anyway, AT LEAST, we get to see some good sweet Bamon scenes ! I love how Damon seemed to genuinely care about Bonnie. He didn’t want her to die, even if it meant he would see Elena again 💕

"You’re my best friend" awwwwww ❤️

I... liked the Heretics!😳 They were a fun new, even if they reminded me of Pearl and her vampire friends (in the "we are trying to coexist with humans but some of us don’t want to" trope). And again, I kinda have a thing for supernatural dysfunctional family, so... 🤷‍♀️ Valerie was very relatable as a depressed immortal being, Beau was so loyal it was really sweet, Malcom was boring but he died pretty quickly so he wasn’t in the show for long, Mary Louise and Nora were... the absolute cutest couple ❤️

How many times can they evacuate Mystic Falls without people realizing something’s wrong? 🤔 How many stories about gaz leak can they come up with?? 🤦‍♀️ Where are all the humans going? They’re moving away because they’re all compelled, sure, but to go where? like how can that many people find new homes in new cities, especially considering this crappy housing market? It just seems pretty unlikely that these people would just start over so easily, find new jobs, new homes for their families🧐

Stefan & Valerie was basically Steferine all over again 🤷‍♀️ I don’t have anything against Valerie herself. I think she’s probably the nicest one amongst the heretics. I even liked her chemistry with Stefan but it’s the same storyline recycled all over again, so I don’t really care much. Plus, I liked the idea that Katherine was Stefan’s first love (💕). First of all, Katherine being Stefan’s first love makes their story... EPIC. We, as an audience, care deeply about Katherine (whether we like her or not). She’s a regular and important character. We want her to have a compelling story, one that fits the legend that was Katherine Pierce. Valerie, as nice and interesting as she can be, only appears in the two last season. Plus, if Stefan had already been in love with Valerie and had already had his heart broken BEFORE knowing Katherine, then he should have acted differently when he met her 💡 He should have been way more suspiciously towards her 🧐 he wouldn’t have so easily trusted another woman, coming at his door with a pity story... if he had already been betrayed and abandoned by THE FIRST WOMAN he ever loved, the one who took his "v-card", his first love.

Hello Oscar... Goodbye Oscar 👋

Are you kidding me ? Bonnie is in pain yet again, because of some mystical element AGAIN, and nobody cares AGAIN. People keep using her, lying to her, manipulating her to get what they want and I- 🤬 Btw HOW is she okay with this? How would Bonnie ever agree to help raise people from the dead? What about her values and morals? What about everything she believes in??

These "Three Years from Now" scenes were just TERRIBLE 🤦‍♀️ Epic failure. I simply don’t care about whatever happens in the "future”. I’ll make my own headcanons, thank you ✋

JULIAN... UGH 🤢🤮 Could you be even more despicable?? Beating up a pregnant woman to the point of loosing her baby?? Poor Valerie, she didn’t feel like she could tell her own mother about that cause’ she knew Lily wouldn’t believe her 😢

Awwwwwww Ric bringing ""Jo"" back from the dead 😭💖 I felt bad for that poor vampire who just woke up in somebody else’s body, after years being trapped in some hell... And It was really heartbreaking to watch him get his hopes up and then realise she wasn’t his wife :’(

OMG CAROLINE’S PREGNANT??? 🤰WITH RIC’S BABIES??? 😱 I... I don’t even know what to think of that. I don’t really know how to react... Good for the twins? I guess? Yay, they’re alive? But... I don’t know, seems kinda rapy to put someone else’s babies inside a woman’s body without her consent ?? 🧐

The fact that Valerie HAD to confess her very traumatic story, to multiple people, MULTIPLE TIMES... because it was convenient to the plot was disgusting! 🤮🤬 She was merely used as a reason to try to kill Julian... Valerie was beaten by Julian to the point she lost her baby! She never said anything because she was afraid no one would believe her/people would judge her/people would hurt her - which is completely understandable considering how traumatic this must have been for her! But then she comes back to MF and Stefan keeps asking her to justify herself like she owes him a goddamn explanation for not having returned earlier as she had promised... um? I get that Stefan had his heart broken back then, but aren’t you mature enough NOW to understand something wrong must have happened?? And that maybe she just doesn’t want to talk about it because it still hurts?? It’s HER life and she is entitled to live it however the hell she wants?? EVEN if she just changed her mind and decided not to come back for an entirely different reason, it’s her choice! Having sex with someone ONCE doesn’t mean you OWE them anything! 🤦‍♀️🤬 Promises were made, sure, but they were both very young and things can change! ANYWAY... And when they need allies to kill Julian, she is almost forced to tell her story again, just to make people feel pity and sympathy... She’s not a damn tool, for God’s sake, respect the poor girl! 😤

While rewatching the show, I kind of like that they addressed Lily’s romantic patterns and how she had a tendency to chose violent, controlling, abusing husbands (first Giuseppe, and then Julian...) 🧐 It was touching to hear her story, and to understand that she only stayed with Giuseppe back then to protect her sons, Damon & Stefan. She had a plan to run away, she wanted to escape because she knew she was in danger with him, she was well aware he wasn’t treating her right. But sometimes you can’t just go away. Sometimes things are more complicated. 🤷‍♀️🤷‍♀️🤷‍♀️ I liked that she realised her own pattern and that she tried to stand up for herself against Julian after that... even though it didn’t end well (which... seriously? 🤦‍♀️ She killed herself? Is that the message you wanna send to all the people stuck in abusive/violent relationship? 🤮)

Poor Lily 😭😭😭 R.I.P. 💔

Damon burning Elena’s coffin... 🔥🔥 Yeah. Sure. As if 🙄 Honestly, even on my first watch, I wasn’t believing it. The show without Elena is such a catastrophic mess! If she had died in her sleep, it would have been devastating. I don’t think the show would have survived that. I think it would have been cancelled before s8, or something like that.

Stefan was... surprisingly not reacting a lot to Caroline being PREGNANT🤰?? I mean... I don’t know... I was expecting some kind of big talk about it. Like "hey Caroline, how are you feeling about all this? What are your thoughts about having Ric’s babies? Do you even want to pursue the pregnancy (cause you DON’T have to carry someone else’s babies!)? What does this pregnancy mean to you? What will happen once the babies are born? Would you consider having shared custody with Ric? Or if you don’t want to be involved at all, would you like the twins not to know you were the one who carried them? Did you ever or would you ever want to be a mom? Would you want to have children of your own in the future? Do you ever think of that?” 🤷‍♀️ And those are just EXAMPLES. He didn’t have to ask all of these questions all at once! But you know, I wish they could have at least discussed some of these points together. Instead, he just let her "handle her things", because good old organised Caroline has every figured it out, of course! 🙄🙄 sure, she can take care of everything on her own 🤦‍♀️

I didn’t like the idea of putting Damon & Stefan in the Phoenix Stone... if it was all JUST to do THAT in the end. They tried to add some PTSD, pain and remorse but failed at making it compelling to the audience. Wooow, Stefan must let go of his toxic relationship with his brother in order to save himself... How obnoxious can you be, TVD? And oooohh, Damon must get rid off his toxic masculinity to face the fact that he loved and misses his mother... how original!! 🙄 I just feel like TVD was trying hard to be deeper than they were, and it didn’t work (for me)

FINALLY JULIAN IS DEAD 🙌🙏🎉

The Huntress was, like, a JOKE, okay? She’s supposed to have killed a thousands of vampires. Even heretics feared her. Stefan & Damon should already have been dead by now! What is she doing? How are we supposed to be afraid of her? She’s not doing anything, she is barely a threat 🤦‍♀️

Am I the only one who kinda saw great chemistry between Nora and Bonnie?💕

I LOVE how Klaus just IMMEDIATELY understood that Caroline was NEVER gonna let go of these kids 😍 I just love how he ultimately gets her, how he’s able to predict exactly what’s she’s going to do because he just knows her that well. Their phone talk was VERY cute ❤️ I love how he teased her with her own words : how she said she couldn’t possibly allow herself to be with him because she was "in college, building a life for herself” and he just wasn’t in the picture... and then turns out... she had kids! 😅 He sounded surprised but not completely shocked and I love how he was very understanding and sweet with her, she needed that 💕

Btw this season is just desperately LONG!

Awwww... Caroline... 😬 I understand why she wanted to stay in Dallas, and why she asked Stefan to consider moving here... but she should have been honest with him right away, the minute he picked up the phone. She should have told him she wanted to be involved in these kids’ life. I know that she was afraid Stefan wouldn’t want to “settle down" with her and take care of the twins... but she could have asked him. Directly. Clearly. Maybe he wouldn’t have minded living with her and raising the twins in some kind of shared custody 🤷‍♀️ Family comes in all shapes and sizes (💖), and as long as they told the truth to the twins, it wouldn’t have been a problem. And if Stefan didn’t want that at all, or wasn’t ready, or whatever, then they could have ended their relationship in a healthy way. By acknowledging they both wanted different things and that it just didn’t work out, as it often happens in life. But here, they’re just stuck in the middle... and it’s awkward 😳😐 Clearly, Caroline wants to live near the girls. She wants to be their mom, and clearly Stefan doesn’t seem THAT into it. But no one is saying anything and it’s just weird! 😤

I understand why Damon would make the choice of dessiccating in a coffin until Elena came back 🙂 He didn’t do it just for love. Not just because he missed her. Not because life was unbearable without her. That would have been really lame btw 😒 He did it because he didn’t want to directly or indirectly hurt people around him. And you know what, for once that was kind of the best, most reasonable - and most noble - decision to make. I was proud of him. The letter he gave Alaric was pretty sweet, but I’m glad Bonnie got to catch him before he left 💕

Bonnie saying "I’m not okay with that”😭 I was soooo glad that FOR ONCE she said what she was really thinking ! 👐Damon is her best friend, and I truly believe learning he left in a letter would have been devastating for her 😞 His choice means she will most likely NEVER see him again, ever, in her entire life 💔 I can totally understand her asking sincerly "are we friends?" cause if one my friends dared to do that, I would be pretty upset. I liked that she asked him to be honest. No joke. No deflecting mecanism. No sarcasm. No insults. Just the truth. ❤️

I REALLY REALLY don’t care about what happens "three years from now" 🤷‍♀️ Ugh I hate this season, things are so slow and boring, the storyline isn’t interesting at all, and frankly... i wanna die💀

NOOOOO MARY-LOUISE AND NORA DIDN’T DESERVE THAT 💔😭😭

Ugh 😑 The whole idea of the vampire souls trapped in the Phoenix’s stone being reunited with the wrong bodies was just lame and boring 😒

I genuinely felt bad for Valerie 😞 you can see she truly loved Stefan and it must have hurt to see he didn’t feel the same, despite having spent basically three years together :/ Again, that’s kind of my general problem with Stefan: he’s so afraid he’s gonna hurt people that he’s never fully honest with anyone! 🙄 Same shit with Caroline. He just abandoned her because he couldn’t deal with this situation. What Stefan fails to realise is that he does hurt people by keeping things from them, by always running away. I’m sorry but women around him deserve better 🤷‍♀️

Bonenzo... I remember shipping it back then, but now, I just don’t feel it 🤷‍♀️ i get why people do, sure they both care deeply about each other and you can clearly see that (the guitar scenes were very cute 💕)... but it’s mostly flashbacks and that doesn’t have the same effect on me. Because I wasn’t there to see them developing a special bond over time. I still think they’re cute and I’m happy to see Bonnie finally fall in love with someone who truly loves her back ❤️

OF COURSE BONNIE IS THREATENED BY SOME MAGICAL ELEMENT THAT IS SORT OF CONVENIENT FOR THE STORY. OF COURSE. 🤬😡 I’m so mad, I’m so fucking mad at the show for treating her this way. She’s always the one in danger. She can never be happy for more than two episodes!!

Ooooohhh nooooo Bonnie’s the new Huntress 😭😭😭 She’s gonna want to kill everyone: Damon, Stefan, Caroline, even Enzo!! Nooooo 💔

OH THANK GOD, SHE DIDN’T KILL ENZO 🙏🙏🙏 I was so afraid. For Enzo but most of all for Bonnie! She would have been devastated if she’d killed him!

“You changed my life” awwww I feel bad for Ric, the same way I felt really sad for Valerie... They both hoped the moments of pure happiness they shared with their partner would turn out to be something more. They both dreamed of starting new with their loved one, to have their own perfect little happy life... 💕 even though they knew deep down the other one didn’t love them back. Not the way they wanted to be loved. And that’s sad 😭

Damon & Enzo being manipulated and brainwashed by that thing in that vault, at the end of s7 🙄 seriously? Who would have seen that coming ? 🙋‍♀️

Ugh, s7 was PAINFUL to watch 😑

S8 :

Yiiiiikes 🤢🥴 whatever that thing is, it’s not friendly! That scene where Damon and Enzo feed it was kinda freaky!

Ric running the armory makes sense actually! I’m quite happy about that :) he’s been wanting real hard to get back to his Indiana-Jones type of life ✊ He would have never been happy with a perfect little family life... even with Jo, I believe 🤷‍♀️ He truly loved her but at the end of the day, he has just seen too much. He knows too much to just stop fighting at all. That’s what makes him Ric.

A SIREN !!!! Cool ! Now we’re talking 😎

I understand why Damon would submit completely to Sybil : he has always hated himself for all the terrible things he’d done, he has always thought he wasn’t worthy of redemption, and now Sybil provided him a proof of that, a vision of literal Hell, of eternal torture... 👺😈 plus she erased all memories of Elena 😭 he has no reason not to work for Sybil. She’s the only one who can provide a way out of Hell. Who wouldn’t take that deal? If I suddenly found out no matter what you do, you’re damned to an eternity of pain and misery and loneliness, and the only way to escape that is to work for Satan, aka Cade, I would probably do it too 🤷‍♀️

The way Enzo resisted Sybil’s mind control for Bonnie was really sweet 💕 I felt bad when he had to shut down his humanity to save her life 😭

Honestly, I know I should care about Tyler’s death but he was never my favorite character and he’s been so... in and out of the show that I kinda stopped caring about him at all (since he wasn’t exactly a regular character) 😕 But he surely didn’t deserve to be collateral damage in that mess :( Also, I thought Caroline would react a bit strongly. I mean, Tyler was important for her and she barely said something? Weird 🤷‍♀️

CAROLINE AND STEFAN ARE GONNA GET MARRIED !! 💍 She said YES! OMG! Tbh I might not ship them (because I think Stefan got away with the pain he caused her a little bit too fast) but I’m happy for Caroline: she finally got to have her June Wedding!! 💛🎉 (though I’d prefer she married Klaus of course!)

I really liked the whole mythology of the sirens 🧜‍♀️ the story about the village girl and the island girl becoming sisters, having to kill and eat people in order to survive, was heartbreaking! But I was so sure Sybil was the “nice” one 🥺 Poor girl

Noooooo, poor Georgie 😭💔 knowing she is going straight to Hell is horrible, considering she’s seen and experienced it before and she knows what awaits her :(

Sebine played her game very well, no one suspected her to be Sybil’s sister 🤔 she’s really creepy and I’m so so so afraid for the girls 😱 she clearly has an evil plan for them and I’m so anxious 😱

"I’m your brother and I love you. Please come home with me” awww Stefan ❤️

Awwwwww Enzo and Bonnie ❤️ “I’m never leaving you” okay now I remember why I shipped them! They’re adorable! She chose him over her own best friend. She picked Enzo because no one else did. Ever. And she thought he deserved a chance, because deep down he is such a sweet, loving, caring person. He might not look like it, but he’s maybe the one who cares the most and who’s actually ready to do anything for his loved ones. I think Enzo might be the big love of her life. And I’m so happy she got to have that. I’m so happy she got to meet him, to enjoy his company for a little while, to appreciate every happy moments ❤️

AAAAAH SELINE TOOK THE GIRLS!! 😱

Caroline finally doing the healthy thing and prioritising her daughters over everything else 💖💖💖 Take that ring back, Stefan. At least for now. Caroline took the right decision. She cannot make compromises when it comes to the girls. She cannot allow herself to add any more variables to this already messy situation. Yes, it’s selfish but she has to be.

WHAT? I seriously hope you’re kidding Ric! HOW DARE YOU telling Caroline she isn’t the girls’ mother? 🤬😡 She carried them, she agreed to pursue the pregnancy and give birth to kids who weren’t even “her own”, she raised them, she put food on their table, she tucked them in at night, she loved and cared for them more than anyone could have ever askef her, she basically had to let go of her entire life in order to live with them as a family... She IS their mother. She will ALWAYS be ❤️

Damon and Stefan’s deal with Cade to take the twins’ place !! 😱😱🔥 I really hope they find a way to get out of this one, but I don’t see how, right now... And Stefan is heading to a dark place :/ I hope Damon will be able to bring him back!✊

Speaking of Damon, I am SO glad he got to free himself from Sybil’s influence! 🙏 Stefan, on the other hand... meh? 😒 I’m not so sure I’m a fan of the old ripper storyline, I mean we already watched it once and we KNOW it’s not gonna last for long cause they have to wrap it up eventually, and I feel like this is just here as a cheap way to create drama between him and Caroline and idk that was kinda unnecessary 🤷‍♀️

ENZOOOOOOOOOOO!!!!!!!!!!!!!!! 😭😭💔 NONONONONONONONONOOOOOO!!!!! Poor Bonnie 😭 She was finally gonna get the happiness she deserved! RIP Enzo ☠️

OMGGG STEFAN’S HUMAN 🤯🤯🤯 Wow I wonder how he’s gonna take it, I mean on one hand being a vampire brought him a lot of pain, but on the other, it’s all he has known for centuries... rethinking your entire life, the basis of your existence, after all that time... ouch!

Kai is BACK ? Seriously ? Again ? I mean I like him, but let’s just say there are other people I would like to see again (#enzo❤️)

Btw I’m really conflicted about Bonnie trying to bring Enzo back : I want her to do it, of course, I want Enzo back, but I don’t want her to loose herself in the process 😱😭 I’m so scared for her :(

Stefan literally killing the Devil like 😎😎 “oh yeah bitch, bet you weren’t expecting that uh” ☝️ I am so so PROUD of my babyface :) also I’m really glad they got rid off Cade (ugh, I was so done with him)

Ahah, Kai’s in another prison world 🤣

OF 👏 COURSE 👏 KATHERINE 👏 IS 👏 THE 👏 QUEEN 👏 OF 👏 HELL 👏

Aaawwww I really really loved when Damon gave Elena’s necklace to Caroline 💕 their little chat was very cute: he knew she was quite sad because her wedding was being rushed and used as an excuse to drag out Katherine; she was going to walk down the aisle without her mother; Bonnie wasn’t gonna come; Elena wouldn’t be there; Alaric didn’t want to come... the MOST important day of her life was basically ruined 👰 and... idk he was being very sweet and compassionate with her :)

OOOOHH THEY’RE ACTUALLY GETTING MARRIED FOR REAL THOUGH! And Bonnie’s here!! Soooo cute 💖 I love how Damon insisted on the “does anybody want to object against this wedding?” part, like “really? No one?”

NOOOOOOOO THE GIRLS 😱😱🔥🤬

Omg they’re fine, I’m so relieved 🙏

Awww Bonnie saying goodbye to Enzo for real... that was so... bittersweet 😭 But he’s right: she’s gotta live her life. She cannot spend her entire life thinking about the people she could have spent more time with: Enzo, Elena, for instance. She has to focus on herself. On being happy. And I’m really glad for her ❤️

Katherine is literally gonna blow up the WHOLE TOWN !! Seems a bit extreme but I’m really not surprised xD such a Katherin-y thing to do, if you think about it

OMG FINAL EPISODE 😱😱😱

Okay, first I was like “I don’t understand why is everybody so obsessed with the idea of saving Mystic Falls”. 🤷‍♀️ Sure it’s their home, their childhood town, full of memories and all... but since Matt helped evacuate the entire town, there was no immediate danger for the population of MF. And at the end of the day, it’s JUST a town 🏙 It’s just buildings and roads and objects that can be replaced. It can be rebuilt over time. So Bonnie, Caroline, Damon, Stefan... they could have all just run far way from MF and then everything would have been just FINE 👍

But THEN Katherine captured Elena and trapped her in the high school 😈 NO WAY the Salvatore brothers would have just sacrificed Elena in hellfire 🔥🙅‍♀️

NOOOOOO I don’t want Damon to die 😭 But I also don’t want Stefan to die! Why do their plans always include one of them dying? Sounds like Supernatural 😅

THANK GOD 🙏 Bonnie’s here to save the day 💖 Damn, what would they ever do without her?? I liked how she fought for herself till the very end :) “it’s not my time” YOU BET YOUR ASS IT’S NOT 👏

OOOOMMMMGGG STEFAN’S DEAD 💀😱🔥 HE CAME BACK!!! HE CAME BACK FOR HIS BROTHER!! HE SAVED DAMON!! HE SACRIFICED HIMSELF!!! HE LEGIT DESTROYED HELL!! AND HE KILLED KATHERINE WITH IT!! 🤯

AND DAMON IS HUMAN!!! 🤯🤯🤯

AWWWWW LEXI IS THERE!! 🥰 I’m so happy to see her! I’ve missed her! Awww he found peace with his best friend 💕 I’m so glad for him! He deserves that!

“I was feeling epic” 😭😭😭😭😭😭

Honestly, it felt kinda cheap and too easy that Bonnie would just suddenly realise she had enough power to do ANYTHING, including breaking the spell that she wasn’t supposed to interfere with in ANY way, because she would be risking Elena’s life (and probably her own). Like, ok, she destroyed hell and that boosted her confidence enough that she decided she would just try it ? 🤷‍♀️ mmm... seems too easy... like why didn’t she do that earlier then ? Why did this entire season even happen then ? What was the point? What was the point of Bonnie realising she was worth living her life and that she didn’t have to feel guilty about Elena? Why would the show erase that wonderful character growth??? I- 🤷‍♀️

“We’ll see him again” ❤️ awwww I really love how they decide to develop Damon and Caroline’s relationship in the end... They both really acted like brother / sister in law. And that was genuinely cute. They both lost someone they loved and cared about deeply. I like that they know they can count on each other.

Awwwww Stefan got Caroline’s message, that’s really cute :) I hope it will help her move on, knowing he heard her, and he will love her forever too 💕

BONNIE’S HAPPY!!! SHE’S ALONE BUT SHE IS FINE BECAUSE SHE DOESN’T NEED SOMEBODY ELSE TO BE HAPPY! SHE LOVES HERSELF AND SHE LOVES LIFE AND SHE’S GONNA ENJOY HER LIFE TO THE FULLEST AND TRAVEL THE WORLD!! YAY! 🌈🎊🎉

The Salvatore boarding school : so it’s basically Hogwarts? Okay why not 🤷‍♀️ It’s not the big ending I was expecting for Caroline and tbh I’m a bit disappointed (but I guess her story doesn’t stop there and it’s more of a To Be Continued kind of ending) but it makes perfect sense for Alaric 🤔 Jo seing her daughters 💖 And Jeremy is a teacher there LMAO 😆

Awwwwww my Klaroline feels ❤️❤️❤️ “however long it takes” I CANNOT BELIEVE THE SHOW GAVE US A “MAYBE” FOR THAT SHIP. Honestly it’s more than I ever wished I would get! I’ll make my own headcanons, it’s perfect!

“I owe it all to Stefan” awww, true :’)

So what I got from Elena’s monologue: she had a great life, she was happy, she became a doctor, she grew old in Mystic Falls, she married Damon (funny how she doesn’t mention having kids? It was one of her biggest dreams, so idk 🤷‍♀️), then I guess SHE died before Damon did (-> what makes me think that is the scene where she holds his hands and says something along the lines of “I know peace exists and I know he will find it someday even though he doubts it” and then he disappears and she finds herself in the after life), and then she found peace and got reunited with her family in death 🧐 So bittersweet, I liked it! 💕 Even if I think it would have deserved to be a bit longer, a bit more explained, a bit more developed than just a “here’s what happened” 🤷‍♀️ It did feel rushed :/

“Hello brother” WAS THE LAST LINE OF THE SHOW! HOW. EPIC. IS. THAT.

[wren--bee]

There's a joke I saw from a neurodivergent person about how they realised they were apparently incapable of making neurotypical characters and... yyyeah! Basically my default is for my characters to be a-spec, because I'm aroace and it's just... my default experience! So when I actually think about it most of my characters are a-spec in some way. (I have two characters for each game but not all of them are a-spec.)

Theron Mahariel - asexual, demiromantic. I actively decided that with how I'd been developing Theron it made sense for him to be ace/demiro. He romances Zevran because they actually connect and is vaguely confused about Zevran hitting on him, and turns down his offers of sleeping together until very, very late in the game. He's fine with sex, just... not that into it. It's sort of like giving a partner a massage- it's a thing to do for a partner that involves intimacy, but isn't something he's interested in doing for his own sake. (He's somewhat manipulative, cares deeply for those he sees as "his people" and not very much for anyone outside that group, and is a blood mage- making Merrill later being cast out of their clan for being a blood mage quite funny to me!) (My other Warden I don't think is a-spec so much as she's impacted by circumstances. But she might maybe be on the aro spectrum? Need to think about that more.)

Derin Hawke - greysexual, gay. Hawke was one of my characters I looked back on when realising I'm aroace and realising that my experiences as an ace person had infiltrated his characterisation to the point where he was not allosexual. I don't think he's ace or demi, he probably experiences sexual attraction occasionally? But really not often. He's a spirit healer/force mage with a deep connection to the Fade and spirits, and is also trained in melee combat, using his staff as a polearm to stay under cover. Romances Fenris (friendship route) and is blue/red personalities, somewhat dour and serious. (My other Hawke is a lesbian, 100% allo.)

Kaaras Adaar - bisexual, aromantic (also non-binary) Another "oh I've accidentally written them aspec"! Adaar's experience of romance is similar to mine- "yay intimacy, but why do I have to define it a specific way? Why can't I just love when it happens?" They do romance Dorian though, they just have a different experience of it than what most might assume. (They also go by he/him specifically with Inquisition stuff, to them being gendered is tied to the role- Inquisitor Adaar is male, but Kaaras is not.) Mage, knight-enchanter built around using the Sword of Tidarion (the two-handed mage sword). Comes to believe in the Maker and that they were chosen, but also sees a reflection of what their parents fled in the Qun in how they're treated as an object as a result. So aware of how they're perceived as a Vashoth mage that they've obsessively focused on being a Very Nice Guy (gender neutral).

Dubheasa (Duv) Lavellan - Greysexual/greyromantic? Maybe? I hadn't really thought about it before? But yeah, in hindsight, she definitely isn't allosexual or alloromantic. I can also see her being taken by surprise by romantic interest, her backstory has one very important romantic relationship and otherwise kind of a lack of interest. So yeah. Dalish mage with a past of being... shall we say... not exactly defying some of the negative assumptions about the Dalish. She's better by the time of Inquisition but definitely still manipulative and distant. Falls in love with Cullen and spends a long time having extremely mixed feelings about it (for obvious reasons!) and just spends the entire game extremely paranoid about when things will go wrong for her and just generally Has A Bad Time.

Esha "Rook" Aldwir - aroace (non-binary) Rook has the closest to my own views on sex and romance, although it wasn't intentional. (Not identical to me! Just closer than other characters.) Romance is great because yay intimacy, they love to feel wanted, but they don't actually expect relationships to be lasting and definitely doesn't get the whole idea of exclusivity- to them everyone should love as much as happens. Sex is good for intimacy and feeling close to someone. They romance both Bellara and Lucanis and it's all about finding a place of comfort and connection to them. They put forward a front of being cheerful and Totally Fine All The Time, but are actually a bit angry, wracked by self-doubt and far more cynical than they want to be. (My other Rook is a lesbian transwoman, allo.) Thank you for giving me a reason to talk about my characters a bit! I should talk about them a lot more than I do. (Also I need more screenshots...)

Shoutout to anyone with a Dragon Age OC who is aro and/or ace by the way!

In fact, feel free to reblog with a screenshot so others know they're not alone!

Here's my asexual Lavellan:

[feuilly-cakes]

Twilight - review

I'm now revealing myself to be twilight trash, but let's talk about it! In this review you'll find the good, the bad, and the ugly (in list form even!) I know this story like the back of my hand, and this is a reread, so although I've only read this particular book once before, I can't be unbiased here. I am a more critical reader now than I was at 14 though, so hopefully this review counts for something. There will be a warning before the section with the spoilers if you haven't yet given in to the curiosity.

I loved it. I gave it 4*. I also found certain parts offensive. Some parts were very funny, and others just as dramatic as you'd expect from a book published for teens in 2005. The love story was, dare I say it, good. It's an enemies to friends to lovers, with a very quick progression on those last two. Both Bella and Edward acted just like regular teens around each other, and if there wasn't a vampire aspect involved it wouldn't have been criticised too heavily on the relationship front. I pretty much sped through the book, even with life getting in the way and pausing every 5 minutes to stick annotation tabs in. We are given a good amount of information about vampires, the history of the characters, and also the kinds of people these characters are. Aside from the offensive/insensitive parts, the entirety of which I will be listing below as I picked up on them, there are only a few moments of genuine real life creepiness not related to the Port Angeles scene right up until the epilogue, which made me very uncomfortable for reasons I shall be explaining. As a random note, I noticed 9 obvious instances of foreshadowing. She must have known where she was going with this series, or else that was a strange coincidence. The rest of this review will contain spoilers Let's begin with how this differs from the movie, since pretty much everyone has seen the movie. First and foremost, there are the characters - Bella and Edward specifically. Bella in this book is a typical teenager with a strong personality. As a child she had tantrums over going to Forks, saying she 'hadn't made a secret of [her] distaste for Forks.' She has a fierce temper, but she is also kind, frowning upon Jessica Stanley's judgement of Esme for adopting kids because she can't have any biologically. She's not vain but she cares about her looks, fussing over her skin being paler once she got to Forks - 'My skin could be pretty' 'I had no color here.' Sarcasm is her thing, and she despairs that none of her new classmates seem to get her sense of humour. She's friendly though an introvert, smiling and waving at everyone who greets her after a week of school while not knowing all of their names. She loves girls nights, and finds being around other girls 'invigorating'. She's independent and won't let Edward question that: "No, she did not send me here. I sent myself." However, she notices she has a very strong crush on Edward that is almost obsessive and finds it 'pitiful' and 'pathetic'. At least she's self aware. 

Bella is very funny at times, especially when referencing her clumsiness (I won't spoil this because humour should never be spoiled). Bella is very smart and resourceful, but not in the obvious way. Schoolwork is a breeze for her because she's done most of it at her old school, but she's smart in other ways. It's Bella who figures out about Edward's mind reading abilities and questions him about it, and who flirts with Jacob Black to get information about the Cullens and why they aren't allowed on the reservation. It's Bella who tells Edward that men and women should be equal or as close to equal as they can, each saving each other the same amount of times. It's also Bella who feels that Mike Newton understands her, because they both were new in Forks at one point, and both lived in sunny places and probably both experienced the chain link fences and metal detectors that Bella was shocked were not at Forks High School. (Personally that threw me for a loop too, that schools could have metal detectors.) Edward is closer to the movie characterisation, but acts more like a typical teenage boy. He's moody but charming, awkward at times but also mischievous. At one point he cuts Bella off in the school car park and then deliberately stops his car to wait for his siblings, causing a queue behind them and giving Tyler Crowley the opportunity to ask her to the dance. He does all this to anger Bella, and it was absolutely hilarious. He flip flops between cheerful and broody, and finds Bella utterly fascinating. He is constantly relearning boundaries and ways to make Bella and himself feel more comfortable. An interesting aspect of his character that was definitely unintentional and handled poorly was the way he was coded as demi-sexual. He states that he has never wanted anyone before Bella, and his adoptive mother Esme thought there was something missing in him. As this is offensive I'll be bringing it up again later. Back to some positives, he likes to sing under his breath in a very fast speed that looks like his lips are trembling, and finds the heat of Bella's hands very pleasant. I thought this was cute, and I had to tab it for future reference. A not so cute thing is how he can 'dazzle' Bella by being close to her face and breathing on her. She describes this as her mind going blank, after which we see her agree to whatever he says while she is in this state. It's a bit creepy but he doesn't take advantage of it at first after being made aware of it, he only does so towards the end, which we shall get into later. He also hears the minds of others as a background hum that he can then focus in on, which I found interesting. Now, onto actual plot things that differed, we have Bella never buying that book on Quileute legends, instead simply flirting with a 15 year old Jacob to get his information and then combining that with a google search, and coming to her conclusions that way. Next, we have the Volturi being mentioned but not by name, firstly on vampires a-z in the section: 'Stregoni benefici: An Italian vampire, said to be on the side of goodness, and a mortal enemy of all evil vampires.' and then in a scene that wasn't a part of the film at all, wherein Edward and Bella are in Carlisle's office, talking about his history, and they are brought up simply as Carlisle's artistic friends from Italy. They are named but the word Volturi is nowhere in this book. In a similar vein, several backstories are revealed in this book that we didn't really get to see until later in the series. Bella gets some meaningful interactions with Jasper, who actually sits next to her and touches her to calm her down in the hotel. It's also implied somewhere in those chapters that Alice possibly knew about Bella planning to sneak off and let her go anyway. Finally, Bella is awake after the venom gets sucked out. This is important because she tells them that the venom is gone and thanks Edward before passing out. She was awake and aware the whole time, though in incredible pain. Another difference happens but I'll be discussing that with the other creepy things. Next, I would like to discuss a few things we learn about Vampires. Did you know that despite their physical perfection, a hungry vampire looks like they are recovering from a nose job? The bruises are very prominent, and likely not pretty to look at. Did you also know that they a venomous in the true sense of the word? Alice tells Bella that the venom is to incapacitate victims with the pain, and becoming a vampire is just a side effect, not the true function of the venom. The pain is there for a reason, and that reason is to torture victims with the burning sensation so they can't get away. These vampires may sparkle, but they aren't cute. I will never get the image of snake fangs out of my mind in conjunction to twilight vampires. Am I the only one who didn't realise the inherent creepiness of that because there's no mention of it in the films? Alright, now onto the offensive/ creepy stuff. I'll be bullet pointing these with elaboration where needed. -Bella refers to herself as an albino simply because she is pale. This one just didn't sit right with me, for reasons I can't explain. Stick with me here, it gets worse. -A casual comment about suicide: 'I guess he considered me old enough now not to shoot myself by accident, and not depressed enough to shoot myself on purpose.' This one is tricky, because everyone has made jokes like that, but it made me personally uncomfortable and didn't need to be in there considering the tone of the rest of the book. -Upon Edward talking to her again after the car park incident, Bella says this: "Do you have multiple personality disorder?" This needs no elaboration. Buckle up, it gets worse. -Jacob. He tells Bella his people's legends after she flirts with him, all the while telling her he didn't believe them himself. Then he asks her: "So do you believe we're a bunch of superstitious natives or what?" As someone who is not native american, I can't give a personal perspective here, but I don't believe this is something she should have had a native character say. Stephenie Meyer is a white woman and had no place essentially calling the people she culturally appropriated a bunch of superstitious natives. It was jarring to read that line knowing that it's not her culture and she has no right to say that, only someone from the culture has the right to say that. As I said, I'm not native american and I haven't looked deeply into what exactly she stole and changed, but I know she did it, so that can of course be a pretty major offence to many people. -She compares her clumsiness to being 'almost disabled'. Gross. -The watching her while she sleeps thing. Let's talk about it. She guesses he's been spying on her when he knows where the key is after the meadow date, and he says he's been watching her sleep. It's undoubtedly creepy, but Bella isn't concerned about that. Oh no, she's concerned about what he heard while she was sleep talking. She actually seems unbothered by the stalking aspect, which is why I think these actions flew under the radar for so many people. If Bella thinks it's fine then it must be fine, right? This should have been handled differently. -The Aphobia. Edward tells Bella that Esme was 'afraid that there was something missing from [his] essential makeup'. This is really harmful, but it wasn't intentional. I have no doubt that Stephenie Meyer had no clue and perhaps still has no clue that asexuality is a thing and that she accidentally made Edward demisexual, by simple fact of him being interested in no one before Bella. Nonetheless, it needs to be warned for. -There are heavy implications of p*dophilia here, by choice of language. Regarding Bella's class, full of people her age. Edward calls them a 'class full of children' then on the next page calls Bella 'an insignificant little girl' and then a few chapters down he calls jacob a 'child' to which Bella responds that he is not much younger than she is and Edward cheerfully replies that he knows. It's beyond creepy and I wish it wasn't there, because if it had gone the opposite way of Edward making old man jokes it could have been funny and not horrifying to think about. -Lastly though not leastly, the epilogue. All throughout the book Bella has under no circumstances wanted to go to prom. She is tricked into going to prom. Alice sees the future, Edward reads minds, they knew she wouldn't want to go but bamboozled her into going anyway, and when she starts shouting and crying, Edwards tells her "Don't be difficult". This is creepy and horrifying, that they are taking away her agency and treating her like a child when she tries to refuse. Although she goes and has a goodish time, it still wasn't right to force her into that position. Thus concludes this review, and I leave you with the knowledge that if you read this you get to see the part where Charlie Swan tells Bella that Carlisle Cullen is very attractive. Good day.

[raquellmurillo]

I feel like it was within character for Nairobi to ask the Professor to father her child, but it felt so out of place him actually agreeing - and so quickly as well! He didn’t even think to mention it to Raquel which is such a horrible move. Also, with what happened to Nairobi, there’s no continuous plot with the scene, except for it to cause problems with Sergio and Raquel which I do not want :( Also we better get more Raquel next season because she did not get enough screen time in this part

See... not for a moment did I believe Nairobi forgot about her original son. Wasn’t that such a big part of her character and her backstory? Her wanting to get money to finally be able to care for her kid? She was one of the very few characters whose background stories we got in detail... what was the point of that? Wasn’t her goal #1 to get her kid back? 

I think they decided to scrap that part of her character because it would have been greatly inconvenient,  - screen time - meaning time would be taken away from the ‘action’ in order to deal with a very grey area situation; the kid and mother coming to terms with a very difficult past. Having to actually write a coherent relationship between the two, (a lot of ups and downs), also, meaning that Nairobi’s decision to take part  in heist #2 wouldn’t have been so obvious as she’d want to finally settle down with her kid and not risk his life....

They simply didn’t want to carry the baggage of s1&2 producers and someone out there was like “let’s scrap the kid, still make her child orientated... why not give her a new kid? She’ll be happy, and we won’t have to deal with writing a ‘controversial’ scenario of Nairobi trying to explain to her kid why it got taken away by social services, and why she has decided to kidnap him back.”

But I do think you’re right; it would’ve been just about within her character to ask, had they dealt with her other kid. It really wouldn’t have taken much either. Say the scene with Tokyo - as simple as Nairobi saying something along the lines of “my kid is in a really good family, he has siblings, I sent him and the family a lot of money”, fuck, or even a “I went to meet my son, I offered him to come with me but he wanted to stay with his siblings, go to normal school... so I decided it was his choice, and I’m always going to be there for him in case anything happens.” But NO...

... Not only did they deprive her of getting her kid back, or shutting that chapter of her life (which could’ve been shut with one fucking sentence); ladies and gentlemen, they only picked up on that story line in order to shoot her. Now that is doing her so dirty. 

I fully believe Nairobi as a ‘brave’ character, and even though dealing with the kid part of her life would have been hideously difficult, I am certain it would have been her #1 priority to sort it out. 

So, not out of character, but out of character for the given circumstances.

Now, my dear, you’re going to regret getting me started on the whole Sergio thing lmao...

First of all, the whole scene and concept of this thing is, to me, so weird and random.

It seemed so out of character for Sergio. He’s the mastermind, the thinker, the ‘I don’t do emotional or personal but factual’. His first and utmost reason to deny her would be his family’s illness factor. This, I think would be actually anyone's reaction. Even before having a kid with your actual partner - if you know that there is a history of genetic illness in your family, it is, believe me or not world, actually a very important subject to talk about.

When Sergio gets intimidated, pushed over into uncomfortable territory, he always resorts to knowledge. In this case, he should be doing so not only because Nairobi has moved the conversation into uncomfortable territory, but because of the necessity to explain he was a bedridden child.

It is a fundamental part of his character; he decided to do the heist to honor his dad. His brother and his mother both had the disease he spent years traveling over Europe to find a cure for. Illness has been something which has made his life hell. Deep down, the kid inside him, probably believes that his dad would be alive if he didn’t have to pay his hospital bill. His illness is responsible for the loss of his parents, brother... its a serious and fundamentally traumatic part of his character.

Money heist is, at heart, a bedridden kid trying to fulfill the dream of his father, who couldn’t do it himself, because he lost his life trying to cure his son’s illness.

Idkkk how much the characters know about each other, but the story of Sergio and his family has definitely gone around by now - as its probably the most traumatic part of his life and character. (and imo was one of the major things which got Raquel to let him go - the lie detector scene was powerful)

If Nairobi, or anyone, would have walked in, asking him that, I honestly believe he would have snapped. Obvs, its asking about a very honorable thing to do, but it seems to be ignorant of Sergio’s emotions, trauma and past sufferings. There’s one thing of asking someone if you have no clue. But being fully aware of it... we are on the border of a very serious ethical issue.

Even if wanting Sergio as the father of her kid might just about be in character with Nairobi’s personal interests and desires, I think in the context of Sergio’s past, it wouldn’t be exactly realistic for her to ask such a thing of him. She always has been the most woke character out there, serving some lines - to Berlin, Palermo; the whole lot of them - and seeing right through people. Tokyo is capable of such emotional ignorance, Nairobi isn't. 

... that being the evaluation of just the first part of the whole issue, not even mentioning the whole not telling Raquel part (which I will mention in another ask, lol as people share your opinion my dear.)

Definitely not enough screen time for Raquel, although, with the writing of this season, perhaps less screen time is a blessing lol I guess quality over quantity, but I’m not sure I can even stand with quality at this point. She should be leading the heist... from the control room! I’m shitting myself for having her inside the bank, as once again it’s stripping her of her characterisation (she knows police protocols, she’s the negotiator; not a babysitter!!) and putting her there solely to cause DrAMa 

[luthienebonyx]

I haven’t been reading a whole lot lately, so there are bound to be lots of great stories that I haven’t had time to catch up with yet, but here are a few that I’ve enjoyed recently:

From This Day Until the End of My Days by @dreadwulf​  Note: This story is currently being updated on AO3, but the full five chapters can be found on the author’s tumblr here.

Author's summary: Jaime Lannister should have returned to King's Landing weeks and weeks ago. Instead he brought an injured Brienne to the Quiet Isle and somehow ended up married to her. Now he's riding for the Vale with a strange assortment of companions on an impossible search for Sansa Stark, and Brienne won't even look at him anymore, and why does that bother him so much? Why is he even here? He should just go home. He'll do it any day now.

This entire story is fabulous but the stand-out aspect of it for me is the Jaime POV. It's such a perfect book canon Jaime voice, both in the dialogue and internally, that I think I just grinned the whole way through reading every chapter. And, you know, there's the whole accidental marriage trope thing going on, which is executed perfectly. I particularly love the final chapter, where climaxes are reached in more ways than one.

I Do Like to be Beside the Seaside by Roccolinde aka @firesign23​   

Author's summary: Nanny Brienne Tarth joins her employer for a week at the English seaside, complete with minigolf, fish and chips, the ghost of Lady Stoneheart, and one very aggravating Jaime Lannister.

I love the humour of this modern AU, with all the little and not quite so little shout-outs to canon that kept me cackling all the way through, and I love the utter, ridiculous Englishness of its setting. But what makes it all the better is that it also has a more serious edge which comes out in the way in which the emotions and characterisation are written, and that keeps it from crossing the line into silliness. The characterisations are particularly interesting, because they make sense of the characters in this setting: what aspects of their personalities turn out differently when certain important canon events don't happen to them, and when they live in a world that gives them a lot more options in terms of what they do with their lives and how they deal with traumas of various kinds.

I really enjoyed this story a lot. It’s fun but gives me the characterisation hit that I want, too, and that can be a difficult thing to pull off successfully.

Note: This is the first story in a series. Jaime and Brienne are not together at the end of this story, but they will be by the time the series is complete.

Inkstains by Lady_in_Red aka @ladyinredfics​

Author's summary: Three years ago, grad student Brienne walked away from her friend and crush, but she never forgot about him. Jaime never forgot her either.

This is a modern AU where Brienne and Jaime meet up unexpectedly (or maybe not quite that unexpectedly, since Brienne goes to an exhibition knowing that it's exactly the sort of thing likely to appeal to Jaime) and then the backstory weaves around the events of the present, and we find out exactly how they got to where they are now. The inkstains are literal, in that Jaime used to draw on Brienne's skin, and practical, in that they gave him an excuse to touch her, but also symbolic, particularly in terms of what Brienne has done in response.

This is just a short one-shot, but it's a really deftly put together one with lots of tension and atmosphere.

Tell me another beautiful lie. Tell me everything I want to hear by angel_deux aka @angel-deux-writes​

Author's summary: Brienne Tarth has been a spy for too long to fall for the obvious machinations of her hot new neighbor, Jaime. She's not sure who he works for or why they want her watched, but clearly he works for SOMEONE. Why else would he be so relentless in trying to befriend her?

I really love this particular twist on the spy AU, where Brienne is so very self-assured and competent in some ways - just like canon Brienne - while also sure that a man who looks like that could never really be interested in her - also very like canon Brienne - so obviously he must have some other reason for wanting to get to know her.

The author says in the header notes that she was aiming for silly and funny with this story but it wound up long and angsty instead, but I think she's actually achieved all those things. It makes for a really interesting mix of emotions and reactions, for both the characters and the reader.

though our paths diverge (I travel with you) by robotsdance

Author's summary: For a moment it's almost like Jaime is Brienne, out in the wilderness, on her horse with Podrick beside her. It must have been his imagination, he rationalizes as he opens his eyes where he lies soundly in his own bed. He had been thinking of Brienne and had been almost asleep. He must have dozed off and dreamed of her. That’s all. It was nothing. Nothing at all.

Jaime puts it from his mind. But it happens again.

Intermittent Body Swapping/ Freaky Friday AU

I love a good body swap fic, and this is a very good one. At its most basic level, it's about creating intimacy and understanding between two people, a little bit at a time. Most of that intimacy occurs in small - and only occasionally embarrassing - moments, though the story also slowly builds their ability to understand both each other and the way each other's body works in preparation for a very large moment indeed.

I love robotsdance's writing style, the intensity of feeling that is somehow conveyed with such spare and concentrated language. It's the slow building of everything - the intensity of emotion, the knowledge of each other, the understanding of each other, the care for each other - that really makes this love story work so beautifully.

We Make the Rules by Sameboots aka @agirlnamedkeith​

Author's summary: Brienne Tarth is tired of being Brienne the Virgin. Brienne is also awkward, shy, has no time for dating, and doesn't want to figure out how to broach the topic of virginity if she ever does date again. Enter Jaime Lannister: her handsome colleague who is also perpetually single, much to Brienne's confusion. But as tends to happen, the perfectly reasonable solution to a perfectly ridiculous problem gets a little more complicated.

A story with this sort of summary could turn out to be a pretty generic modern AU, but this one is the absolute opposite of generic. Sameboots has a style that's very… not quite concentrated, but sort of magnified, so that all the events of the story seem to occur very up close, and that goes double for the emotions. Although this story starts with the beginning of a sexual relationship, the emotional side of things is much more of a slow burn, and both the sexual relationship and the emotional relationship feel very real. This is my favourite of sameboots' stories, and I think it's her best.

Note: This is the only WIP in this list. The story is almost done, with only an epilogue still to come.

~

Banner by @ao3commentoftheday​

[aqvarius]

If the MC from rmd was more mature and if rmd wasn't a love choice story with less episodes, would it be better? Or is there more stuff that needs changes?

yeah i do think so! so i think they tried to emulate hlitf (and mpd maybe? i’m not familiar enough with mpd to be able to say). in thinking about rmd and its future (in response to another ask which i’m still working on bc i lost my whole essay the other day lmao), i kind of theorise that they wanted rmd to be the next Big Title with a full lineup of “ensemble cast” type characters, instructor-student type dynamic (which can then ‘progress’ to colleague level), lots of lore/backstory, potential for lots of substories. the backlash against love choice has been strong in both japanese and international fandom as far as i know so i really think that was a big hindrance in terms of drumming up success for a title that is set up to have a LOT of content. hlitf has always had a leg up bc from the start, it rode off the success of msb and the demand for more public safety content, which is why right from the very start, they tried to push crossovers with hlitf/mpd. the very first rmd substory is a takado/kirisawa crossover, and then they had that extremely gratuitous cameo in ayumu (aka voltage’s king) season 3 in both the ms AND his pov. they keep pushing these crossovers, like with the vip room event which just came to love 365. 

ANYWAY, the more i think about it, the more i’m convinced that they’re trying to emulate some of the successes of hlitf, so i find it a pretty useful point of comparison to see the things which i find are lacking in rmd. 

so yes i definitely think that i wish the rmd mc was more vulnerable and maybe more romantically inclined and just generally more emotionally mature? i’ve said i wish she made more mistakes but i when i think about it more, i do see some parallels between dr mc and hlitf season 1 mc in that they go into a new learning environment with a certain set of values that get challenged. so i am willing to acquiesce on that point i’ve made before about her errors, since i do think that her values and the choices she makes because of those values get called into question (coming off the back of reading matsunaga’s routes, i do see this happen). also i’ve said this before but just to reiterate, i do also think that there’s a tone shift in the translation that to my perception (re-?)characterises the mc as being blase which i feel comes at the expense of genuine emotional connection between the reader and the heroine. however, i do also think that this tone perception thing is very subjective bc it reads as being quite american to me which is something that (1) is foreign to me as a non-american and (2) gives me a feeling of incongruence bc i’m very aware that this is japanese media. either way, i think in a long form title, there is potential for her to grow/develop when it comes to emotional maturity and romantic development, which leads me to my second point...

ANYWAY, the biggest (writing) issue that i find with rmd is its lack of romance FOR SUCH A LONG ROUTE. generally the main point of otome games is the romantic aspect, which i find to be super lacking in a game where romance is literally right there in the title. so one of my favourite things about hlitf is that we have the whole “meeting him” route before the “falling in love” route, and that generally each season is split into two halves in which the first half feels complete as a route on its own, but its strengths in setting up plot and character/relationship development become highlighted in the second half of the season (i know i talk about this a lot but kaga’s season 2 is the PRIME example of this). hlitf’s “meeting him” stories all tend to have abysmal ratings (which.... i pretend i do not see it) because of people not getting that they’re just introducing the characters and setting up their dynamic first. because of this, we essentially get a (relatively) slow burn romance that takes 20 chapters (or in tsugaru’s case.... 60 chapters lmao, or we’ll say 30 bc he has shorter chapters) to get to fruition. 

so romance md has 30 chapters to get the job done, which SHOULD mean that there should be better pacing to get to the relationship stage, right? rmd does a similar thing to hlitf’s split routes where there’s generally one “introductory” case which introduces a moral dilemma, which then ties into a second case. in hlitf, the introductory case in ms1 serves to introduce us to the love interest’s personality and way of working as well as helping the two characters become closer by spending more time together. then it links to ms2 in that it tends to lead into wider criminal activity that may or may not be related to the love interest’s primary negative characteristics, and most importantly, the mc is instrumental in helping the LI overcome that issue (e.g. goto’s paranoia about losing colleagues/partners, kaga’s problems with internal corruption within the NPA, soma’s trust issues and devaluing of those around him, ayumu’s unrequited love). so let’s say that a full rmd route is equivalent to ms1+ms2 in hlitf. 

rmd does a very similar thing in terms of plot structure with the main difference being that the medical cases tend to align explicitly with the LIs’ traumatic pasts, where in hlitf it’s a bit more indirect (only goto and soma have had their primary vengeance arcs complete). so why does the pacing feel so off? i think that the reason for that is that there is just so little energy put into romantic development. one thing to note is that the mc has already fallen by episode 10 of ms1, i.e. halfway through the ‘full’ route. the only rmd route that i’ve read where the mc has already caught feelings at that point is hosho’s route, where she realises in chapter 15 (which is why i did write in my review that i thought the pacing was better). secondly, it’s a LOT harder in rmd to see not just the mc’s feelings developing, but the progression of the love interest’s feelings. imo this is because they basically treat her uhhhh the same from start to finish??? she runs her mouth from day one and even during very intimate conversations, so i feel like there is no sense of increasing emotional closeness - it’s more just that we (the third person reader) get to know more about the love interest’s past and i guess we see them becoming friends? rather than seeing two people growing closer with romantic attraction. contrast this with hlitf, where they were never ‘friendly’ and the relationship that starts blossoming between them was always overtly special and romantic relationship and the way in which the love interest softens for his mc is already evident by the end of ms1. this means that we get a whole 10 more chapters for this development to really take its time to get to where it needs to go. this also means that we actually see obvious burgeoning attraction (or special treatment) before we get to any sort of climax confession scene. i feel like the mc’s lack of manners/impertinence familiarity with the LIs from the very start means that it’s a lot harder to see the dynamic between the two of them changing. just compare the way that dr mc and takado talk to each other in ch1 and ch29 vs the way that hlitf mc and kaga talk to each other in ms1 ch 1 and ms2 ch 8. i would argue that the action scene in the collapsing building in takado’s chapter TWENTY SEVEN is about equivalent to the action climax scenes that happen in hlitf ms1 chapter NINE.

(oh and i also think that the whole talking about how physically beautifully they are to their faces from day one also hinders the sense of growing mutual attraction.)

another GIANT hindrance is that a lot of the key bonding moments are actually paywalled behind heart scenes so you really don’t get anything if you don’t dish out THANKS LOVE CHOICE. 

anyway, long story short is that romance md spends waaay too long and focusses way too much on plot stuff and character backstory (if you can even unlock it lmao) and leaves maybe 5% at the very end for romance rather than having a romantic element integrated throughout the story. if i were to try and compare it to hlitf again, i would say that to me, rmd routes feel like if hlitf ms1 was as it is but then there was one extra chapter at the end where it just goes straight to confession without the entirety of ms2′s development. but also like at least 2x longer. like imagine if we had ms1 and ms2 but there was no romantic engagement or indication of any romantic interest from the love interest in 20 whole chapters except you suddenly get one confession but only in the happy ending. actually matsunaga’s doctor ending literally FLOORED me like ???????? it’s literally like imagine if you only got through namba’s ms1 and half of ms2 (to that scene outside the dorms when you know what happens) and THAT’S WHERE IT ENDS LASKDJFLKSJ they finally had some early emotional awareness on the part of the mc and then they had to go and make it ENTIRELY one sided with not just zero but actually NEGATIVE romantic intention from the love interest i’m screaming 

tl;dr: my biggest problem with romance md is that it’s literally SO LONG but there’s no romance 

[langernameohnebedeutung]

why is David 8 such a fascinating character

I mean…any answer to this is bound to be subjective especially because it’s about an evil robot but imo it has a lot to do with the writing and the amount of work that went into the character and the complexity of the problems he faces (and addresses in the worst way robot-ly possible). He’s never build up as an antagonist who just exists to be defeated (in fact, he gets away with his bullshit on more than one occasion). A villain who just exists for that purposes usually poses directly or indirectly a problem the hero can solve, but…there is no hero to solve David’s problems because…it’s the Alien-franchise and the main-characters are usually too busy not getting eaten by whatever Alien the evil megacorp is currently chasing. There are many ways to write a good villain - a compelling backstory, some noble intentions etc. - but it still takes thought and creativity and good story-telling and I think the films did a good job of those. 

Maybe it’s mean-spirited of me to give negative examples, but for me, Thanos has become the pinnacle of lazily executed (except by Thor) villains at this point so I’ve got a space bus to push him under and I think it helps illustrate what I mean. With Thanos, the writers go through every step of making him an interesting villain but fail horrifically. They make him commit atrocities film after film after film, then had him look sad about killing his daughter in Infinity War and add something about his dead planet and then the director stepped into an interview telling us he was being very thought-provoking there. But it’s almost impossible to get invested in him as a character because we know nothing about Thanos as a character and have no reason to care about him. His relationship to Gamora isn’t interesting, we never actually know what his life on his planet was like, his methods are ridiculous and some of his worst traits are actually framed as redeeming qualities. And even the things he says or does just exist to be dramatic and have no actual influence on the plot - his co-stars don’t even need to know what the current scene they’re in with him is about. 

And a lot of the things that went wrong with writing Thanos imo actually went right when the Alien-guys wrote David, and it starts by actually making the actual story-telling meaningful and deliberate which becomes obvious when you look for example at earlier scripts or earlier promo material where you realise that they were actually very calculating about how to characterise and present this character. (There is an excellent reconstruction of the changes made to his character over the earlier scripts of Alien: Covenant, which really highlights how deliberate David’s characterisation in the final product was (x).)  There are things we don’t find out or don’t see (especially of the things that happen between the final scene of Prometheus and David’s first appearance in Covenant), but Ridley Scott and the team were very clear about it that they have a very strict concept of what happened off-stage and one of the aspects I really like is that sometimes in interviews or old scripts, you find traces of the events that didn’t make it into the films and you can find out if your assumptions were right or wrong.

The Alien-prequels have often been criticised for being too wordy, but I think especially Prometheus gave us quite a few interesting characters and what makes them interesting is that every time they talk or are talked about or react to something you actually learn something about that person. There is a lot of storytelling happening through small details which means the film gets to tell a lot of stuff about its characters without someone literally spelling it out in a script. This - paired with the decision not to make David the villain of the first film he’s in - gives us a lot of screen-time to learn more about David before we actually start rooting against him. 

He has genuine reasons to feel uncomfortable among humans and unable to connect to them, but at the same time he grew up among humans, he was socialised by them - and one script even implied he never met another android before Walter. But he also meets two people who are actually sympathetic to his problems - Elizabeth and Daniels - and he still turns on them. He has Weyland programming his thoughts and forcing him to do be complicit in his crimes in Prometheus, but at the same time, it was his decision to poison Holloway  - Weyland only asked him to ‘try harder’ and David took the opportunity. He even seems delighted when he found out that a ship full of weapons of mass-destruction had its course set for Earth. There aren’t easy solutions to the problems he faces (why couldn’t Thanos simply double the resources?) but the films never use that to excuse his actions - but to explain them. It’s not presented as an easy morality tale from either side. 

It’s neither ‘technologies is evil and robots will kill us all’ nor ‘humans are all evil and mean one sad robot only tried to defend himself’. David is genuinely hurt by the way humans treat him and kills Holloway over it - but he’s also more than willing to kill aliens who have nothing to do with that or Elizabeth, who he describes as the kindest human he ever encountered. In that scene that shows him being activated, it’s very clear that he was not born (programmed? designed?) evil - his first priority is for Weyland to acknowledge him as his son rather than a ‘perfect being’ and he only starts becoming resentful when Weyland delegates him to being his servant for all eternity (considering that Weyland wants immortality and David has immortality that equals: Forever and ever and ever). But although we know that he comes from a dysfunctional background which definitely impacted him, he’s also presented as psychologically independent enough to be able to mentally separate himself from Weyland’s treatment of him- He choses to adopt his philosophy (which he hadn’t been eager to embrace when he was first activated). 

We know David is evil and would stop at nothing, but the audience is given a lot of liberty to decide for themselves where it all went wrong and why David is the way he is and when he became a monster and why. Is it because he’s a robot? (Vickers is a human and also grew up with Weyland’s A++ parenting but actually turns out to be a decent enough person) Or is it because he’s “too human”? I know MightyMayhem makes a pretty good argument that it’s neither and that David has emotion but is unable to experience empathy, but then, the only time we see him completely out of his mind with pain and anguish is when someone shoots one of his neomorphs - which even blows his cover in front of Oram. So I’d argue he feels empathy for the Alien.

There is never just one answer to why David is the way he is, but the things we do learn about him aren’t contradictory either - they are deliberate choices and I think that what makes him interesting. Instead of telling us who David is, the films tell us what he does and feels and thinks (and that he’s a hypocritical asshole) and the audience gets to figure out for themselves who he actually is (other than a hypocritical asshole). 

[pass-the-bechdel]

Marvel Cinematic Universe: Guardians of the Galaxy (2014)

Does it pass the Bechdel Test?

No.

How many female characters (with names and lines) are there?

Six (31.57% of cast).

How many male characters (with names and lines) are there?

Thirteen.

Positive Content Rating:

Three.

General Film Quality:

Entertaining, but overrated.

MORE INFO (and potential spoilers) UNDER THE CUT:

Passing the Bechdel:

Though Nebula and Gamora trade a couple of lines on a few occasions, they invariably speak about either Thanos, or Ronan. 

Female characters:

Meredith Quill.

Bereet.

Nebula.

Gamora.

Carina.

Nova Prime.

Male characters:

Mr Quill.

Peter Quill.

Yondu Udonta.

Ronan.

Korath.

Rocket.

Groot.

The Broker.

Drax.

Thanos.

The Collector.

Denarian Saal.

Denarian Dey.

OTHER NOTES:

Seatbelts on spaceships should really be mandatory.

Aahahahaha Peter has a woman on his ship whose name he can’t remember and whom he forgot was even there! Oh, it’s so funny and charming! What a classic misogynistic cliche intro! Garbage.

Rocket chastises Groot to ‘learn genders’, and I don’t think the irony of a raccoon (a species with almost no visually-evident sexual dimorphism) saying that to a tree-person (whose species - if sexually dimorphic at all - certainly has no reason to adhere to the humanoid/mammalian model) is deliberate. The other alien higher-life-forms they encounter in the film are pretty uniformly human in appearance (not much effort going on in the ‘alien’ department besides just painting people in bright colours), but lack of imagination from the creative team doesn’t mean that the binary gender system we’re accustomed to on Earth has any broad bearing on the galaxy at large. 

Aaahh, and now Peter is explaining his scars to Drax, with lovely stories of women he cheated on in the past because he’s ~such a stud~.

Thanos tells Ronan off for his dull political raging and whiny behaviour, but he’s sitting on a shiny floating throne himself, so I’m not sure he’s earned the right to criticise what other people have got going on.

Rocket suggests that Gamora trade sexual favours to get things from other prisoners, because we’re being Like That with this movie.

The Collector keeps female slave ‘assistants’, whom he evidently treats so nicely that Carina commits suicide by infinity stone at the first opportunity in order to escape him. We’re just doing so well for the ladies in this film.

As a great comedic beat, Drax calls Gamora a “green whore”. It’s both a shitty line, and nonsensical, since Drax isn’t supposed to comprehend metaphors and he has no reason to believe Gamora is a literal ‘whore’ (nor is he likely to use such a colloquial term, considering the calibre of his standard vocabulary). Basically, it’s a rubbish line from every angle, and all in service of a misogynistic joke. 

This film is a terrible waste of Djimon Hounsou.

Ronan is very theatrically over-the-top in his pronouncements, but Lee Pace does his damnedest to make it work on delivery.

Why does Ronan’s flashy purple infinity stone weapon not kill people when he shoots them with its energy blast? Obviously it would be terribly inconvenient to the story if he just casually killed all the good guys, but honestly. It doesn’t make much sense. They coulda at least pretended there was a reason.

The part of me that is susceptible to acts of heroism is affected by the guardians all joining hands to share the stone’s power. Not enough to feel that the film or the character relationships actually connected on an emotional level, but enough that this ending doesn’t feel totally unearned.

Drax patting Rocket’s head while he’s crying over Groot is a lovely touch. THAT is the strongest character interaction of the film.

So. I’ll be honest: I don’t like this movie. I don’t think it works. I think it’s essentially just a string of gimmicks, loosely attached, entertaining enough on the surface but with no meaningful depth to hold in the mind or keep the audience engaged once the credits kick in (it’s also much heavier on the sexist tropes than any other MCU film previous). I don’t hate it, but it doesn’t give me anything that I value in a viewing experience, it just happens and then ends and that’s it. And the reason it doesn’t work is, frankly, the writing is lazy as shit. It makes a sub-par effort at establishing character and thus relies heavily on cliches, it rarely bothers to incorporate relevant plot and motivations and such into the story at early points in order to generate narrative pay-off, and the world-building is hazy at best and, like the characterisation, trades predominantly on expectation of stereotypes rather than actually creating anything original.

Let’s start in the obvious place: with our lead character. I’m tempted to just say ‘Peter Quill is garbage’ and then move on, because it’s true and also, he’s just not complex or interesting at all, which is ridiculous because he’s got that whole ‘alien abduction’ origin story and there should be like, literally any layers at all to his story instead of him just being an obnoxious Lothario who makes pop culture references like that counts as having a personality. But, here we are. I’m not familiar with the comics so I don’t know if this is a common complaint from fans who can’t believe their boy got all his nuances deleted in favour of such an inane cliche, but if this is exactly what Quill is like in the comics too? That’s no excuse. Part of the magic of adaptation is the opportunity to improve upon things the source material did wrongly or badly. The Quill we’ve got here in this movie is such a bland template he’s almost functionally useless; he barely impacts the story at all, especially in any way that is relevant to his personality or skills and necessitates his presence (the dance-off distraction is the only good Quill moment, and it’s also one of the few inspired choices in the whole film). At the end of the day, Quill exists so that the story has a Main Guy, being a straight white American male (and making sure we all, excessively, know about it), because God forbid we be expected to identify with anyone else. I have heard people sing the praises of the film for ‘subverting cliche’ by not having Quill and Gamora actively hook up by the end, as if that somehow makes it better that every single other aspect of that tedious forced romance plot is still squarely in place and set to play out in future films (pro tip: if the main guy still ‘gets the girl’, only it doesn’t happen in the first film, that’s not subversive. That’s still playing the trope dead-straight). Quill not immediately being shown to be rewarded with sex is not some incredible feat of original storytelling, and it certainly doesn’t absolve him of being a dime-a-dozen pig of a character. If that’s the most ‘unexpected’ character element you can cite, you’re in dire straits. 

Now, I’m not gonna talk about every character individually, because in most cases there’s not much to talk about; Drax is the big warrior guy with the Fridged Family backstory we’ve seen so many times before it elicits zero (0) emotions now; Groot - though an interesting idea on paper - is basically just a Deus Ex Machina of whatever ability is most useful at any given moment, too ill-defined to have boundaries to his powers and conveniently not using his full potential whenever it would allow the characters to win too easily; and Rocket, well, Rocket is actually the only one of the leads who manages any meaningful nuance, which is unfortunate because most of the time he’s just used for sarcastic comic relief. The other character I am going to talk about is Gamora, and it’s because she’s a prime example of how this movie fails to establish things so that they feel like they actually matter or the character’s motivations are understandable, etc. We are introduced to Gamora when she overrides Ronan’s order for Nebula to retrieve the orb from Xandar; as it turns out, Gamora’s introductory moment (literally the first time we see her or hear her speak) is also her act of rebellion when she puts into action her plan to escape Thanos’ clutches and go her own way. The problem, obviously, is this is her introduction. We’ve never seen this character before, we’ve only just met Ronan and Nebula as well, Thanos is barely more than a concept, as is the planet Xandar and the politics around it. Nothing has been established yet about the life that Gamora occupies, so her ploy to escape it? Meaningless. We don’t even find out that Gamora was not planning to retrieve the orb for Ronan until she tells us so after she’s been arrested, and we have literally no reason to believe her because we don’t know her yet because her character has not been established at all. The traditional way to do this would be to show her in her old life, doing as she’s told and/or witnessing terrible things being done by her compatriots, and showing the audience that she has clear misgivings so that when she turns, we understand the context and can believe that’s a logical character decision based on established personality and morals (think of Finn’s introduction in The Force Awakens for a textbook example). Because no time or effort is ever invested in establishing who or how Gamora is, everything we know is delivered to us directly in dialogue, all tell, no show, and what could easily have been the film’s most dynamic character is instead hampered by having her development choked off to avoid spending time on letting her origins matter (despite the fact that those origins are essential to the plot).

On which note, lets talk bad guys. Thanos first, because there’s not much to say, and that’s not a good thing: Thanos is actually pointless to this film, the only reason he’s there is so that the MCU can use him to actual purpose in later films and his relation to Gamora and Nebula and the hunt for the Infinity Stones needs to be established first, but as with everything else this movie is terrible at establishing things effectively. Consequently, Thanos...just floats around on a chair, and then Ronan tells him to piss off and we don’t see or hear from him again in the rest of the film, and there’s no real effort made to integrate Thanos into the story so that he seems like anything other than a dead-end subplot cluttering up the movie for no reason. The closest Thanos gets to anything notable is when he chides Ronan for his boring politics, but even that is symptomatic of the wider problem with this movie’s lazy writing: Ronan’s whole character is essentially just another dull archetype - in this case, the extremist villain - and a solid nothing at all is done to establish his politics or what they mean, other than death for the people we’re told are the innocents. This is a problem with the world-building of the film as a whole, because none of the galaxy’s politics is fleshed out, there’s no context to why the Kree have a problem with Xandar or why we should care, and Xandar kinda gets treated like the centre of the universe but it also seems that’s just for convenience sake so that the plot can return to a previous location for the final act. Hell, I haven’t the faintest fucking idea where Earth is supposed to fit in to all of this, other characters talk about it so it’s clearly a known quantity to the rest of the galaxy, and yet no one knows any details about it and Quill never bothered to go back there for reasons which really SHOULD be explored and yet are not even mentioned (that would seem like some of that characterisation he doesn’t have), so I don’t know what we’re supposed to interpret from that. I’m not confident that the creative powers bothered to think about it, considering how much they didn’t think about anything else. This is a movie where ‘human, but painted’ passes for ‘alien’ and society apparently functions exactly like Earth, tedious misogyny and all, despite the absence of cultural sharing to explain the Earthlike similarities (and boy oh boy do I HATE the laziness of science fiction where everything being identical to Western culture on Earth is treated like it’s ‘just the natural order’ that should be expected to develop in any sentient species, instead of a complex system shaped by unique and varied influences over thousands of years and dependent upon environment, religion, philosophy, and a myriad of other factors not replicated in these poorly-drawn ‘alien’ cultures. I get that you’ve gotta employ at least some shorthand in order to get on and tell your story within time constraints, but come on. If you’re not gonna think about world-building at all, don’t set the story on an alien planet). Above all else, we know that Ronan is the villain because he’s painted (literally) as one; he’s the bad guy through visually-indicated othering, because we all know good guys don’t look like that (whereas most of Ronan’s enemies on Xandar are just regular-looking white folks. Curious...). Sure, Ronan is also introduced spouting rhetoric and then smashing a dude with a hammer, and that seems like villain behaviour, but that only reinforces the point: Ronan’s role is made unmistakable through age-old tropes, and it’s never explored or subverted or made dynamic from there. Like Quill as the ‘hero’, Ronan is a dime-a-dozen cliche.

So anyway. Lets talk plot. This one goes like so: Quill collects the orb from Morag, where he coincidentally runs into Korath and company who just-so-happen to be after the orb at the same time (how it is that multiple interested parties only just found out that one of the most powerful destructive forces in the universe is just chillin’ on this abandoned planet, they don’t bother to explain). Quill runs into both Gamora, and Rocket and Groot, the other parties happening to be after him for different reasons and coincidentally converging on Xandar at the same point. Everyone gets arrested and sent to prison, where they meet Drax and promptly escape and fly to Knowhere so that The Collector can exposition-dump about Infinity Stones. Drax calls Ronan up, just literally straight-up calls the bad guy to come and find them because I guess figuring out a normal plot reason for the villain to catch up with the good guys was too hard, so we had to go for extreme stupidity instead. Ronan gets the orb and goes back to Xandar to destroy it, and our main characters figure they should stop that, so they do. Roll credits. Now, you can make pretty much any story sound basic and stupid by breaking it down into its component pieces, but the important thing to note about this layout is how many convenient or just plain stupid aspects there are. There are almost no character meetings or story developments that come about logically through the sensible development of plot driven by character’s motivations springing from established narrative, etc, and part of that problem is absolutely because there’s so little established character/world-building to begin with, but it’s also because whatever there is tends to apparate when it is needed without any sign of existing beforehand; that is, very little of the story is seeded early on so that it can come to fruition later in a narratively satisfying fashion. The Nova Corps sentence the characters to the Kyln prison as if it’s a big scary concept, but we’ve never heard of it before so we have no reason to consider it trouble. Drax appears and other characters literally tell us why we should pay attention to him, instead of him being, say, pre-established (SUCH AS by having his family tragedy shown on screen as a dual-establishing event for him and Ronan, or something to which Gamora was privy in some way in order to intro her misgivings as discussed above, or even just having someone reference the legend of Drax the Destroyer BEFORE getting to the Kyln (you could also, y’know, establish the Kyln itself in talking about how Drax was sent there. Just saying)). Intro the idea of Knowhere and/or The Collector BEFORE heading there so that it’s less convenient for Gamora to just-happen to have a buyer already set up for the item we didn’t even know she had planned to steal as part of the escape plot we didn’t know she was hatching. For the love of everything, establish some actual REASON for Ronan to follow our characters to Knowhere, instead of just ‘Drax got drunk and called him’. Link the pieces of your story together with concepts and developments that build upon each other in a narrative progression. That’s the difference between having a plot, and having a string of chronological set pieces (some of which - like Morag and the Kyln - don’t even have a purpose anyway beyond providing some action-scene opportunities). 

Before I close this out, I just want to run through a little exercise to demonstrate something that you never, ever want to happen in a story. You never want to have a lead character who can be deleted from the plot without leaving a hole too big to be easily filled by the rest of the cast. But what happens if Peter Quill is removed from this story? Well, pretty much all of the misogyny disappears, so that’s a plus. Someone else is gonna have to retrieve the orb from Morag, but we could easily send Rocket and Groot to do that. Gamora can still fight with them on Xandar exactly as it happens in the actual movie, only this time it’s not just pure coincidence that they conflict. We saved vital time that the film spent on Quill’s inconsequential childhood abduction (and we could save more on trimming the pointless action on Morag), which is time that could be better spent on all that other establishing crap I was talking about earlier, tightening up the narrative. Quill doesn’t serve any important purpose in the Kyln, so we can remove him from that no problem, nor does he matter on Knowhere other than a frankly stupid and ultimately pointless moment when he saves Gamora (definitely unnecessary when we’re removing the romantic subplot bullshit along with Quill). And then what? The characters agree that not letting Ronan destroy the galaxy is probably a good call (not Quill-relevant), they head back to Xandar, fight some bad guys, hold hands, win the day. We lose Quill’s only good moment in the form of the dance-off, but it’s an acceptable loss in order to strengthen the entire rest of the film by deleting the most meaningless character: the lead. We also arguably lose the Ravagers in the process, but as much fun as Yondu is, the plot can also survive completely intact without him (the only time the Ravagers matter is for the previously-identified useless damsel contrivance with Quill saving Gamora, and then they do help out on Xandar in the end, but they aren’t necessary for that - the Nova Corps could have been expanded just a smidge and taken care of everything). On the other hand, if you remove Gamora, you lose the connection to Ronan/Thanos as well as the moral compass of the Guardians; some other character would have to be significantly altered to fill the gap. You lose major Deus Ex Machina skills without Groot, and without Rocket someone else’s narrative has to change in order for Groot to have a buddy (plus you need a new mastermind for various plans, though that’s an easier hole to fill). You skip Drax and you do lose a major plot development in the form of him drunk-dialling Ronan, but admittedly that’s one of the worst things in this whole dumb waste of a movie, so maybe it’s not such a loss. You could ditch Drax. But, that’s not important, because Drax isn’t packaged as the leading man: Quill is. If you delete Drax, you don’t really streamline or improve the story (you could fix the one big flaw in his character very easily, he doesn’t have to disappear for that). You delete Quill...I know, comic book adaptation, dropping the main character is not considered an acceptable alteration when you’re improving the story for the screen. But come on. The least they could do is make him actually matter, not just be a perfunctory inclusion for the sake of sticking this ‘weird sci-fi’ as firmly in the centre of over-done cliche as a lazy gimmick story ever could be. There are a few chuckles to be had with this film, and it’s not entirely boring, but it’s not half as endearing nor even an eighth as inspired as it thinks it is. I’m not impressed by any of it.

[officialmaleclibrary]

This month we’re showcasing an author in the fandom who has written popular works such as Fall Without Wings and Celebrity!Magnus AU. Lu is on ao3 as vulturemonem and on tumblr as @notcrypticbutcoy, and we’d like to thank her once again for taking part in the OML author showcase! 

1) When did you start writing fics? Tell us a little of your journey as a fic writer.

WELL. The first fandom I was ever a part of was the HP fandom, a solid 7+ years ago now, and I found my feet in this tiny little niche part of it in the most obscure place. That was where I began, where I learnt about what fanfiction was, and it was honestly a journey from there. I’ve been part of some very questionable fandoms and writing communities (if you want the details you’ll have to hit me up lol). I found the TMI fandom in maybe 2012? It was right before the CoB film came out, and I’d been totally obsessed with the books, because there were actual LGBT+ characters??? Like what?? (Alec and Magnus were the first gay/bi characters I’d ever seen in a YA book. I was enamoured immediately. Forgive me.) And then the show came out, and was everything I’d hoped for and so much more, and the rest is history, as they say! 

2) What fic of yours are you most proud of and why?

The obvious answer here is to say Fall Without Wings, which has been more successful than I could ever have hoped for. I’ve put my heart and soul into that fic, and seeing other people loving it honestly means the world to me. The other fic I’d say I’m really proud of is the fic I wrote for Malec Week 2016, Day 3: AU Settings Day. You know when you sit down and write, and everything just spurts out and you read over it and you’re like, damn, did I actually write this?  ¯\_(ツ)_/¯ That fic in a nutshell. I don’t know where it came from.

3) Who is your favorite character to write and why? Which character do you find the most challenging to write? 

Magnus and Alec are definitely my favourite characters to write, but for entirely conflicting reasons. Alec, because I relate to Alec on pretty much every level, and so I find him very easy to write, and it comes naturally, most of the time. And Magnus because he’s also, to answer the second part of the question, such a challenging character to get right. He’s centuries old, there are a million facets to his character, and there are so many things to consider when writing him. He’s experienced more than I could possibly imagine. He’s also in my top 5 favourite characters in anything, ever, so I’m especially driven to do him justice! 

Having said that, though, I think the hardest characters to write are those we’ve got less source material for, because I’m never totally sure whether I’ve got their characterisation right. Also, Clary, because she frequently frustrates me in canon, so I often find myself writing her a little differently in my fics. (Admittedly, she’s annoyed me less as the show has gone on. I have high hopes for season 3!)

4) What is the hardest part about being a fic author? The easiest?

Honestly, I think there are lots of hard things about being a fic author. One of the hardest things imo isn’t unique to fic writing, but is probably true of writing in general. When you put everything into writing something that you care about, it can be really hard to see it get torn down by hate comments - even just a couple. Consciously, you know that people who come into your inbox on anon spouting bullshit are just cowards, and that you shouldn’t take their words to heart, but sometimes people manage to hit you where it hurts. Some hate comments are just plain hilarious, but some of them can run around in your mind for a while.

The other hard thing is staring at your WIP wondering why the hell you can’t just write this damn thing already.

The easiest thing is definitely generating ideas! I get far too many to ever write! It’s hard to finish a fic, and it’s hard to stick to an update schedule, but it’s much too easy to come up with the ideas! 

5) What inspires you? Where do you find your muse?

Literally everything and anything. Songs are often a big inspiration to me, or random little things I see on TV, or chatting to other people in fandoms about headcanons or such. And even just life anecdotes. 

I’m a bit of a biology nerd, so I always think it’s really interesting to read about where creativity actually comes from. There’s science behind why I always get my best ideas in the shower or walking to the tube station on my morning commute – Google “brain idling” and have a read, if you’re interested! 

6) Do you write original content as well as fic? 

Absolutely! I haven’t shared any of it online, but I do, yes. Recently, I’ve had my free time slashed in half, so I’ve had to prioritise a little, but I do still write original things when I get the opportunity. At some point, when the time feels right and I’m satisfied with what I’ve written, I’d love to get something published, but I’m not in a hurry at the moment. My life needs to settle down a little bit first, but watch this space ;)

7) Do you have a favorite fic from another author?

Several!

- and my heart is set on you by ohprongs is definitely a tick-all-the-boxes fic for me, and is impossibly sweet with just the right amount of light angst dotted in - Traveler by bumblebeeskness is absolutely heartbreaking and hilarious in places and overall so beautiful it’ll make you cry - Set Me In Motion by lemonoclefox is another great one, with a perfect mix of angst and fluff, as well as some great tension, pining, and some brilliant cooking anecdotes - Also anything by Lecrit – yes please!!

8) What’s something you’re looking forward to in the upcoming season of Shadowhunters?

We’ve had hints that we might get to see some domestic malec, so that, of course! I’m also totally here for the Garrobane development we got last season, so more of that would be wonderful. And Sizzy?? If this Simon/Izzy slow burn is going to continue, sign me up. I think Em and Alberto are doing a great job with their relationship! (Although I am surprisingly conflicted, because I’ve enjoyed Simon/Maia more than I expected to, considering I was fairly apathetic to their relationship pre-show…)

9) Can you give us a sneak peek to what you’re writing next? Or at least any hints to what’s to come?

I’m currently continuing Fall Without Wings as my main project, and I go back to dabble in my celeb!Magnus&cop!Alec AU now and then. Once I’ve finished FWW, I’ve got a super-secret (I’m kidding) multi-chap WIP that I started and have abandoned, so I’m hoping to finish that. I’ve also got two multi-chap AUs planned as full-time projects to start after FWW is done. (See, ideas?? Too many!!)

10) Do you have advice for anyone who might be interested in writing fan fiction?

Honestly, just go for it. If you want to start writing in the hope of someday getting published, fanfic is a great place to start. If you want to write fanfic just because, then there’s nothing stopping you! There are two things I always recommend to people who want to write, in any way, and that’s 1) read as much and as widely as you possibly can, and 2) practise until your fingers fall off! (Not literally, but you know what I mean!)

11) Do you prefer to write in AU verse or canon verse? Why?

I’ve got to be honest, I prefer AU verses, both writing and reading. There’s much more freedom in an AU. You don’t get people in the comments picking apart little details you’ve changed, and you don’t have stupid plot lines/silly world rules you didn’t like in canon that you’re supposed to take note of. I find there’s more fun to be had in a good AU. Even if you’re just tweaking things a little bit here and there to change the backstory, I prefer it to writing in strict canon.

[sometipsygnostalgic]

JUST FINISHED GRAVITY FALLS

weirdmageddon was amazing! FAR better than most finales tend to be.

i wanted to know what the zodiac thing was all about though... i’d never seen it before but it was obviously important to the fans who had theorised about it.... couldnt we at least see what it would have done???? it didn’t have to be the final conflict!

ANYWAY i dont have as much to say about gravity falls as adventure time for obvious reasons so im going to rank it... Without further ado, it’s time to heavily overthink about cartoons!!!

Animation: 5 out of 5 hats - this is one of the most BRILLIANTLY ANIMATED childrens cartoon shows ive seen. there’s no weird inbetweens, the lighting for each scene is absolutely spot-on, it looks and feels amazing! honestly gravity falls looks like one of the strongest arguments for using script-driven shows instead of storyboard-driven shows, because cartoon network has never in its life produced something that looks this good.  When it used 3D CGI it was implemented smoothly. The characters had no absence of body language and cues either, it was never boring to look at. Disney does it again!!!

Humor: 4 out of 5 hats - While I dont think this show is the literal funniest thing I’ve ever watched, it is consistently entertaining throughout the entire series which is more than I can say for the two cartoons (AT and SU) that i’m unfairly comparing it to. Humor is one of GF’s strongpoints, because the jokes it throws at you out of complete nowhere will always have you on ground. I laughed SO hard during this marathon, and the jokes are obscure enough that I’ll probably do the same thing on a rewatch. The animation helps significantly too. The character designs alone, especially Mabel and her sweaters, allow for plenty of visual humor. Soos is the sort of character that you dont know what hes going to do next. Grunkle Stan conning people got some of the hardest laughs out of me. Wendy is just.... Wendy reminds me so hard of early Marceline, except she will occasionally do something really cool cos shes from a family of lumberjacks. Let’s not forget Waddles, the MVP in the humor department.

Story: 3 out of 5 hats - If I made this post yesterday, I’d have ranked it 2 out of 5 hats. I never felt that there was any “story” to gravity falls, only some kind of ARG that added nothing to the experience because none of the questions were solvable until the answers had been revealed. But the second half of season 2 ups the ante on story by focusing on the Pines family and their relationships to each other, and you can feel tension rise especially when Dipper starts to hang aound Ford a little too much and you sense that poor Mabel is gonna be left in the dust just like Stan before her. Weirdmageddon also was way more entertaining than I expected! And how it ENDED? Oh jesus! The show’s final scenes were heartbreaking, if I’d been following for longer I might have started crying.

Characterisation: 4 out of 5 hats- holy crap, it’s just so much fun seeing the Pines family play off of each other. Each group has an entertaining dynamic, whether it’s playful like Mabel, Soos, and Wendy’s shenanigans, or more serious like Stan and Ford’s conflict. There was barely any time throughout the entire series that I was annoyed by how someone was acting, or thought that it was out of place and agitating. I think I might be giving this point a rather generous score because of how feelgood it was, rather than complex or deep, which in many areas it wasnt. For example earlier in the show the conflicts felt dumb, like the Jurassic Park episode where everyone was acting vaguely out of character to cause a sense of drama? idk. But later on it got more heartfelt, if predictable. Where else do I think it can do better?

Worldbuilding: 2 out of 5 hats - Yep, the area where I think Gravity Falls does the worst is worldbuilding. For 2 big reasons: The wasted potential of Gravity Falls itself, and the way its inhabitants were used. Maybe I’m just spoilt by the AMAZING job Adventure Time and Steven Universe do with this, but the land of Gravity Falls fails to be as interesting as Ooo or as realistic as Beach City. Idk, i think it’s more ENTERTAINING than Beach City but more because I get more laughs out of the show than recent SU. The issue with Gravity Falls’ civilians is that unless you’re a Pines, youre a straight up Cartoon Character. That rules your characterisation and your purpose for existence. This is fine and yes there are some memorable characters but they never have those hilarious moments of humanity, like the episode Root Beer Guy where the title character gets into conflict with his wife cos she thinks hes too involved with his actual realistic mystery novels, or the Graybles ep where Starchy ran away from the candy kingdom to get rid of a tracker in his tooth cos he knows  PB was spying on him, and he runs a little club conspiring against her like some kind of real life political group. His club and Kim Kil Whan having King of Ooo memorabilia lmao. I’m getting too into this but its moments like that which make Adventure Time feel great. 

As for GRAVITY FALLS ITSELF, yeah because the world doesn’t feel as real as it could be I never wanted to see what it had to offer next, and there’s never explanation for all of this. The journals play a much smaller role in the series than Dipper’s reactions over them would have you think. The closest thing to an explanation is the pondering over whether a spaceship caused the weirdness in GF or was drawn to the area because of this weirdness. But is it magic? Is it science? Is it different dimensions? Fuck knows! Is there any hint about the truth? I’m not sure! Yeah, not all things need to have answers, but it helps fire off the thinkpan. In Adventure Time the Land of Ooo’s weirdness is linked to an apocalypse that helped bring magic back to the land. The hint is that the magic potential was always there, because there were magical societies around millenia before humanity. Did magic disappear because of a comet hitting the planet? Is magic actually based on scientific principles? Like GF, not all these questions have direct answers, but unlike GF, you have enough incentive and evidence to construct your own theories. It lets you get absorbed in the lore of Ooo, of the characters inhibiting it. This is my own perspective anyway. 

I think the most amazing mysteries I ever saw unwravel were Simon and Marcy’s adventures, and more relevant to my own experiences, PB’s age. Like there was puzzle pieces and hints around indicating Peebles had been around way longer than 18 years or whatever but we finally got confirmation in Season 5.2 where we saw consecutive episodes showing her in the past. The theory was that she was younger than 1000, but could be any age older than about 50. The Vault was a shock origin story for not just Finn having had a past life as a girl without an arm (THE ARM BEING ANOTHER ADVENTURE TIME THING THAT EVENTUALLY GOT some really back and forth PAYOFF), it was an origin story for peebles and the candy kingdom! but why would she make it?? ? yeah this was all stuff we were able to construct theories for, and accurate theories, because the evidence was there and more significantly the Writers were putting it together at the same time. It almost felt like we were having an INPUT in the story because of this natural way it evolved over time. That’s why AT’s mysteries are far more engaging than those of Gravity Falls, at least for me.... but maybe the same thing happened to GF fans????? Because I wasn’t there to put the pieces together, to study the Pines family or the Bill Zodiac which.... was almost as much a copout as Finn’s arm but its ok cos the stan deleting his memories shit was a decent end anyway. I just dont know why theyd  put a mystery like that IN there if it was always going to be a red herring???

To conclude this description which..... ended up being another reason to talk about Adventure Time again, I want you to know that I REALLY enjoyed Gravity Falls. It reminded me of Over the Garden Wall in how it’s told, the characters it has, but much larger and grander than OtgW ever was. 

My favourite characters were Stan and Mabel. Yeah, Dipper and Ford were very interesting characters too, but while they’re among the top of their trope, they still feel like an overdone trope to me.... especially dipper and his Issues,,, Stan meanwhile I liked that he was a runaway fuckup nobody as a child who became a professional conman after his parents kicked him out. That was an interesting backstory.  

Gravity Falls, all in All, gets 3.5 out of 5 hats. To keep it real. Spend them wisely.

[sarcastic-doodle]

When the antis for KC come calling...

So, @morleybell got an ask on the above topic, and I wanted to reply to it,but it got too long so I thought I’d make it into its own post. So the question was what to reply to antis who claim Klaroline is abusive.

Here goes :

Not even in the fandom since s5(never in tumblr!tvd fandom like ever) but I do skim the tag every once in a while. Came across your post, loved the general gist of it, but would like to add some and clear up some stuff you passionately stated in bulk😆, if you don’t mind. I’ve been wanting to get this out for a long time.

I think the crux of this whole matter is an element which is called a ‘morally grey character’ ; you know the ones - not entirely a villian but too twisted to be a traditional hero. Obviously there are naysayers who say Klaus doesn’t fit into the mold of someone w/ grey morality, hey haters gonna hate but the jury’s still out on that one apparently even though it’s obvious. Moving On. More on this later.

• agree with the SC part. If one looks at the whole picture from the start, Caroline got shitted upon and shoved to side by the writers and her supposed ‘friends’ right from the start in favour of Elena even by stefan. The afterthought. The girl every new male addition to the cast(not all but close) hooked up with. The secondary character whose romantic plot usually has their fan going “uhmmm not exactly the one I’d choose for her. This is just settling” because hey!one needs to fill up the episode, right? Who cares if she was a second choice?

For me, Klaroline came in at that part of the plot, where I was just about tearing my hair apart because the MF gang were really pissing me off. Caroline was never a priority, everyone was willing to let her be collateral damage in this ever revolving war against elena, she was just supposed to accept that her best friend is dating her assaulter. I mean I get that she is the cornucopia of giving, but thats what friends are for! To make these givers realise that enough is enough, now think about yourself, make yourself a priority. The Caroline I fell in love with initially, the one with the big dreams, the one who wanted to live live to the fullest, explore the entire world because yes embracing vampirism gave her that opportunity….That Girl was entirely diminished by the end. There’s growing up and having responsibilities and then there’s having to grow up because of not-their-doing responsibilities. Klaus had come in a AT THAT CRUCIAL POINT. I remember thinking ‘yesss, she’s a priority for once’ also ‘idc if this relationship works out or not, but this one can be her ticket and reason to move out of that soul-sucking selfish town and friends’

• IT’S A SUPERNATURAL SHOW. This. Funny and irritating why people forget this. The show depicts them as these all encompassing, good in combat and strategy, well versed in lore of the centuries, sensual, blood-drinking vampires…I’m afraid that goes hand in hand with blood and sex and murder and deceit. If you want a century old virgin goody two shoes, I believe you’re in the wrong franchise. For this show, its not about who is good and who is bad, it’s about who is evil and who is more evil, and that too is relative on how you define evil/what you consider evil. Also what’s blatant in this fandom, is the hypocrisy. This is what I wanted to especially expound upon :

So what irritates me about the fans the most is their hypocrisy. Also the puritan fanaticism some have embraced and loudly preached. I wont even include DE and Damon in my arguments, i think they’ve been discussed at length by all (like it deserves to be) this is better explained with Stefan. When people say Klaus is a mass murderer and has killed soooo many people over the years, ergo klaus is evil but stefan is my innocent bae(not verbatim but the intent is obvious)…. conveniently forgetting the fact that stefan killed so many people too, went ripper twice, in his 300(?) yrs…had he lived as long as klaus lived…who know whether the number would have risen or not (hint : it will)Imagine living on and on for so many years, the world around you changing, civilisations changing,people you loved dying, but you’re set in stone. Immortality has been romanticised like all get go, but realistically I can’t imagine someone not going absolute nutters every once in a while whether or not you have a reason to keep living on. The show has shown only the positive sides of Stefan and his dealing with vampirism which in turn makes him appealing, but I can’t imagine someone with Stefan’s characterisation - the broodiness and the guilt - would live a long innocent life. Psychologically, something will always make him crack. I know I’m coming across as someone who hates Stefan which is simply not true. S1-3 Stefan and S1-4 Caroline were my absolute faves. Believe me, I only watched the show until then for these two. But I realised we do excuse his murders w/ - he didn’t want to, he feels guilty, he repented, it’s out of his control. But ultimately clinically speaking(with my inner stefan fan supressed)…There were dead bodies. Families mourned. Lives were taken. Stefan regretted it yes, but it doesn’t give them their life back. None of these vampire’s victims (Salvatore’s, Mikaelsons’,Forbes’) are coming back. Why do we not still hate stefan or any 'good side’ vampires for that, but love to do it to the Mikaelsons?

Second thing I mentioned was puritanism. Simply put, this goes in the good box ; this goes in the baaaad box. Some people differentiate characters like - this is a good person(can do no wrong) and this is a bad person(be suspicious of this one’s dealings ) from the initial interactions and context of the show. Characters on the 'Good’ side in the start, are reveled for doing 'a thing’ ; but if a potentially grey character from the 'Bad’ side does the same 'thing’ they are jeered upon for doing it. Am I saying don’t point out and jeer evil wrongdoings of evil characters? NO. I’m not trying to be apologist for villains, most deserve what we throw at them. BUT But but, in this case, on this show, is the line differentiating them really that clear? Are these 'good’ and 'bad’ characters exclusively on those sides? Like you mentioned, Kol is killed, Klaus retaliates. Had a sibling from the 'good ’ side been killed by the Mikaelsons, pretty sure they’d have retaliated the same way. We cheer one but jeer the other? Why? The deed is the same, cruel and inhuman on both accounts, yet we celebrate one and mourn other?

What people instantly think when I say this, 'you’re probably a person who excuses abuse in real life too’'you believe this…you must be horrid in real life’….*shrugging* A. There is a clear divide between fiction and reality. one I have to actually live in and the other is entertainment. Damn sure I can differentiate between them. B. There is an actual sense is not automatically trusting the NiceGuy, everyone has flaws if you look hard enough, they’re gonna come out eventually I’d rather not be lulled in a false sense of security. I’m not saying The Mikaelsons are good people and they just need some lurrvvve and understanding. What I’m saying is the Mikaelsons are shitty. But so are the Salvatores. So is Elena. And sometimes so is Caroline. If its just fiction, isn’t it hypocritical thay we only hold few accountable, but excuse the behaviour of the rest?

When people say KC is 'abusive’ I always take in with the idea that it’s because Klaus is heartless mass murderer. Which he is. There’s no going around that. He IS NOT a good guy. That stabbing didn’t really make sense to me…why did he do it? But tyler’s mum yeah…if you can excuse the council for their behaviour, don’t be a hypocrite please when the favor is returned. On a completely different but still related note, this is similar to the bullying topic in HP. When it comes to being bullies for whatever reason, people easily excuse the marauders because ultimately they were on the 'light’ side. But draco is held accountable even though he was technically younger than james. But back on the topic at hand.

But KC? Like you provided the lines and to anyone who watched the show….Caroline was not impressed by him. Attracted to him?Sure. But she never acted on it at all until 5×11. She kept questioning his motives, was suspicious of his moves, never defended his actions, brought up his misdeeds to him when he tried to pretend to be a good guy, tried to sneakily gain favours from him utilising his interest in her, it goes on and on. You never hear a single praise for him from her lips (as far as I can remember) All she did was that she gave him a benefit of doubt. Try to understand his motives rather than just IDENTIFY. EVIL. KILL. Try to understand that someone who has lived this long, what goes on thay ancient head, did he ever want to be human? , how does he justify his misdeeds? But Was it enough? Well canonically, apparatently not.

And I get it. I’m not saying excuse the murders by the Mikaelson’s too. NO. I’m saying hold all of them responsible. Caroline. Stefan. Damon. Klaus. And then critic the characters after that. Don’t claim some sort of moral high ground when there isn’t any.

This show, these writers…when given enough screen time, they could redeem an irredeemable villain of their choosing. Seriously, for real. (Damon gets it but Katherine or Kai(this one would need toooo much work) doesnt) and people lap it up. Basically, it’s on the writers on who they choose to get to be the GoodGuy, which villian gets forgiveness for the misdeeds even though the other villains did the same thing. I don’t watch TO but I’m sure they gave 'reasons’ and 'backstory’ on why Klaus behaves the way he does. I mean if you think in a critical analysis sort of way, that is how a redemption arc works. You get to know the inner workings and history of the protag and what experiences made them the person they are, then it’s upto the audience whether or not they forgive them.

But I digress. What is the main point of this entirely too long rant, is that saying KC is abusive is just absurd. Not on this show, not in this context. If its klaus that is your problem, you better have a problem w/ the rest of the lot too. Also he is the one guy who was the only one who asked Caroline whether she would like the cure instead, didn’t use her solely to get to elena, prioritised her, didn’t think Caroline’s love to plan and shop and everything that does not scream stereotypical intelligent girl as shallow and superficial, gave her plenty opportunities to make something more out of her life if she wanted with or WITHOUT HIM. If she wanted to fly free alone for a decade or even a century or two, go for it as long she came back to him when she’s had her fill. Yeah, that just screams abusive and controlling to me😒

Bottom line anti kcs, I’m sorry you wanted this to be a black and white clear issue so you justify your hate. But it’s simply not. I’m not saying KC IS an angelic done-no-evil ship, but when ships all around are pirates, what’s another one,eh.

Also, might as well reiterate, I haven’t seen the show after 4×22, just kept up w/ the show from a lot of different shipper’s (SE, KC and SC shippers too unfortunately) blogs and my sister who watches the show, so I might be off w/ some of the facts. If any of them are blatantly obvious and it’s because I missed something crucial in the remaining seasons I’m tagging the people I’ve seen answering KC qs or were active in their KC defense so this post is refined @my-ownfairytale @klarolinedrabbles @jonsnowbitch

[harrisonkitteridge-blog]

Sherlock Season 4 – TL;DR: The Fanfiction is Better

SPOILERS AND PALATE-CLEANSING FIC RECS FOLLOW

Season 4 of Sherlock was always going to be a tough sell for me, because the moment they revealed “she’s a secret assassin!” I stopped buying the Mary Watson character. It’s what film critic, Mark Kermode, calls the “Meg Ryan is a helicopter pilot/Keanu Reeves is an architect” problem. Amanda Abbington was just not believable to me as a spec ops assassin, and she wasn’t equipped to perform the action convincingly. And all that was before the problems with the story were even revealed. After Mary shot Sherlock, every time she turned up on the screen, my stomach clenched, because, as presented, she was capable of anything – demonstrating profoundly antisocial tendencies: lying, manipulation, self-serving extreme violence, and disregard for human life. Her total rehabilitation was simply not plausible to me and probably wouldn’t have been even if its foundation hadn’t been the unbelievably ludicrous, glib assertion: “That was surgery.” (Not how guns and bullets work!) Watching her subsequent chumminess with Sherlock, whom she shot in the chest and killed (he flatlined), made me feel like I was being gaslighted. In my mind, it wasn’t good enough for her to say, “I only hurt Sherlock because I love John so much I can’t lose him!” Go down to any battered women’s shelter and you’ll hear similar stories of abusers’ rationalisations for beating up the person their property dared to smile at in the grocery store parking lot. Watching Mary joke and laugh with the people she’d victimised so horribly while continuing to marginalise John made much of The Six Thatchers almost unwatchable for me.

I understand that the undercurrent of intimate partner abuse in the Watson family was wholly unintentional, and it reminds me of the criticisms of 50 Shades of Gray. In both cases, two-dimensional characters (“Action Barbie” and “Sexy Troubled Billionaire”) there solely to serve the plot – not function as decision-making protagonists in their own lives – were the problem. (Yes, I just compared Sherlock to 50 Shades of Gray. At least 50 Shades of Gray had the excuse of a novice writer wrangling with the knottiness of a BDSM relationship as an excuse. Moftiss should know better.) Nevertheless, as much as I disliked the Mary Watson character, as much side eye as I gave her and John’s frankly dubious “love story”, I was appalled by Moftiss icing her so Sherlock could figure out he needs to check his ego. She was just there to sacrifice herself for Sherlock after his douchery got a bullet fired at him and to give John something to shake and sob about. The entire storyline of their “strong female character” was essentially a morality play aimed at teaching Sherlock about the dangers of hubris and a fulcrum to lever up the man-tear quotient. Then they turned their BAMF assassin into the benevolent spirit providing emotional instruction via DVD from beyond the veil. *vomiting emoji*

The Lying Detective at least provided relief from all the incoherent punching and shooting and rappelling of The Six Thatchers, even if it brought with it the lazy construct of the hallucinated spouse as an expression of grief (for real, though, the handling of the Mary Watson character and storyline is a masterclass in what not to do – so incredibly misjudged). One of the major issues I have with Moftiss’s writing is their careless, insensitive handling of serious mental health issues. Using auditory and visual hallucinations as shortcuts to say “I’m devastated by the loss of my wife” really rubbed me the wrong way. John wasn’t just talking to Mary in his head or forgetting she was dead, which happens to many people who lose a loved one suddenly. He was seeing her, hearing her – he couldn’t separate her spectre from reality. Those are not manifestations of grief; they are signs of profound psychological disturbance and distress that require urgent medical intervention, maybe even hospitalisation. They could have tied John’s extreme symptoms to sleep-deprivation from having to deal with Rosie at all hours of the night. The sleep-deprivation could have been exacerbated by insomnia brought on by feelings of guilt. But, no. They did it because real grief, presented the way a well-adjusted, middle-aged adult would experience it just wasn’t sexy enough. 

I never found the “high-functioning sociopath” line funny, but thought they might take it to an interesting place. What is sociopathy? How does it manifest itself? How would it manifest itself in Sherlock Holmes? Why does Sherlock label himself this way? Was he misdiagnosed (he’s obviously not a sociopath)? Was he self-diagnosed? I don’t think Moftiss ever genuinely considered how having a personality disorder would affect a character’s behaviour outside of giving him funny quirks and making him a bit rude. “High-functioning sociopath” was just there as a clapback to Anderson then as something gangster to say before Sherlock shot Magnusson in the face. They never thought it all the way through. By way of comparison, Arthur Conan Doyle described Sherlock Holmes as a law unto himself, as the final arbiter. He was also called “masterful” – able to impose his will on others. When he chose, he had “an ingratiating quality” and could easily earn people’s trust. He was also an accomplished actor and master of disguise, who was able to fool even his dear Watson. There is a grandiose, manipulative psychology at work there that is knitted together with a deep sense of fair play and commitment to justice. While sometimes churlish and short-tempered, he could be profoundly empathetic. He also had nervous breakdowns, what we call major depressive episodes today, and used hard drugs to self-medicate. Sherlock Holmes’s psychology is full of fascinating contradictions. Everything Moftiss needed was in the original text, but they never got beneath the surface. So, while they’ve hit on some of these traits, they’ve never been fully integrated into a complete character because I just don’t think they’ve made the effort to understand mental illness and related drug abuse. There’s actually an interview of Steven Moffat describing Sherlock as “clinically insane”. The fundamental misunderstanding of what that means is why The Final Problem ultimately failed.

The appearance of the evil, secret sister telegraphed that we were heading into telenovela territory, and I wasn’t surprised by the contrivance of the Maze of Moral Abyss, all those macabre labours for Sherlock, John and Mycroft to perform – a steroidal re-hash of The Great Game. It was like something out of a 90s action film – The Rock meets Die Hard With a Vengeance, and I watched it as such. I half expected Bruce Willis or some other 90s throwback to come bounding in, armed to the teeth, start flinging grenades and just command them to shoot their way out. Even so, The Final Problem was the best of the three episodes this season – at least them spending nearly the entire episode at Sherrinford meant that it was cohesive tonally. I still don’t quite know what to make of them choosing to ground the entire plot – all those games, all those deaths – in Eurus’s cry for help. It is possible to humanise a psychopath within the constraints of their diagnosis. They have inner lives that aren’t limited to the monstrous, but they’re not like us – the emo play is always a loser – you can only out-manipulate them. They have an internally consistent view of the world, and once you understand the rules they follow, you can predict their behaviour and outflank them (it’s the basis of criminal profiling), but you have to empathise with them. Do you see how understanding all that not only helps with characterisation but buttresses the plotting and would have avoided the anti-climax of the ending? Answering the question: “What does Eurus really want?” then having Sherlock, John and Mycroft connive a way to give it to her would have been much more interesting.

The obvious pop cultural point of connection with The Final Problem is The Silence of the Lambs. We all were drawn to Hannibal Lecter – we couldn’t help liking him and felt conflicted about it. At the end of the film when Clarice says she knows he won’t come after her because he would consider it “rude” – now that’s interesting. What is Eurus’s “That would be rude”? My inability to answer that question gets to the heart of my problem with Sherlock – I don’t feel like I understand any of the characters or what is motivating them. Superimposing the tropes of storytelling onto the episodes and trying to read between the lines is the only way to make sense of them. They’ve been building to this Eurus confrontation for literally half a decade, and it still fell flat. They gave her whole backstory, and I still don’t understand her. By way of comparison, The Silence of the Lambs is 2 hours and 18 minutes long, and Anthony Hopkins appears on screen for only fifteen minutes, yet we all understood exactly who Hannibal Lecter was, what he was capable of, what he wanted and why. I’ll grant that The Silence of the Lambs is an unfairly high bar, but it provided a clear blueprint for the complex, charismatic, psychopathic serial killer pulling the strings. At the end of The Final Problem, Moftiss asks us to believe that the answer to Eurus’s “problem” was the love of her family. She obviously coveted Sherlock’s attention enough to murder poor Victor Trevor and set her elaborate stage, but anyone who understands even the basic contours of her psychology knows her shaking and crying in a burnt out house and needing a hug from her brother isn’t how that story ends.

I seriously wonder how much better Sherlock would have turned out if at some point in the last 5 years Moftiss had just googled Cluster B Personality Disorders and spent a few days boning up. They wouldn’t have made such a hash of Mary, and Eurus wouldn’t have been “Female Moriarty Who Lost Her Bottle in the End” – utterly anticlimactic. Or did they do the research, but they just couldn’t give a woman the minerals to be a proper villain?

To be clear: I wouldn’t have many of the complaints I’ve laid out if I hadn’t constantly been told Sherlock is the cleverest show on television. It’s not. It never was. The plotting of the first two seasons got it pretty close to being included in that conversation, but it’s no The Sopranos, no The Wire, no Mad Men. At this point, I’d say any workmanlike police procedural has it beat, hands down. Remember all those arguments about which was the better show, Elementary or Sherlock? Well, Elementary won. And that unsexy police procedural structure is why. The show has an identity, a solid foundation – it’s consistent. Moftiss can’t seem to decide what Sherlock is about, and that’s why so much of Season 4 felt like lurching in and out of a Jason Statham film, a Masterpiece Theatre offering and a Lifetime movie. At least The Final Problem managed to break that pattern. It was essentially the Sherlock Holmes origin story, and it took us back to the ancestral home, back to the first tragedy. Even just visually, we were clearly in Skyfall, which shows that Ralph Jones picked up exactly what Moftiss were putting down when he called them out on the “James Bonding” of Sherlock. (The literary beef that ensued was entertaining, and Jones bodied Gatiss with “The Second Letter” – the cipher in the cipher was the mortal wound.)

The argument about the Bonding of the franchise was really about a lack of depth – the flash of fight sequences over the substance of watching a precise but troubled mind at work – and Jones clearly made a valid point. Gatiss shooting back that Sherlock being a BAMF is canon didn’t address the heart of the criticism. I think the Daniel Craig Bond films are much better than anything on offer in post-Season 2 Sherlock. Even with all the camp, sneering baddies and always slightly ridiculous plots, they never got anywhere near anything as radioactively, intergalactically idiotic as “That was surgery.” In a Bond film, when someone is shot in the chest at close range, it’s TO SHOOT THEM IN THE CHEST SO THEY STOP EXISTING. If they manage to survive, it’s a bit of a turn-up. Guns and bullets don’t magically become surgical implements. Yet Sherlock used this physics-defying rebuke of basic human anatomy to convince intelligent, educated people to go along with the rehabilitation of Mary Watson (why they chose to make her silly storyline so important is baffling). They then doubled down on that narrative in The Six Thatchers, piling on a barrage of action that was essentially extraneous to the story. All to get us to the moment in the aquarium where Mary dives in front of a bullet to save Sherlock, who for some unfathomable reason decided to talk over any attempts to pacify Norbury and all but commanded her to shoot him. Then Mary was kind of a ghost but not really. Then they introduced a long-lost evil sister and an island prison. Do all that if you want; just don’t insult my intelligence by smugly telling me it’s clever then hide behind Arthur Conan Doyle’s skirts when you get called out on it. If from the beginning Moftiss had just owned up to having wanted to write a glossy, slightly absurd, mainstream actioner with soliloquizing villains, I would have gladly gone along with it. But I’ve continuously been told I’m watching The Usual Suspects or some other complex thriller with a sense of humour when it’s clear I’m watching Bad Boys 2 with British accents. Again: that’s fine in the name of pure entertainment; just know that insisting it’s clever feels like a straight-up troll. At some point all the cognitive dissonance had to become too much to bear.

So what’s the result of all this?

The fanfiction is better.

Even relatively inexperienced fanfic writers with a limited set of tools at least attempted to flesh out the characters and give them backstories and lives, fully formed personalities. It didn’t always work, but the effort was appreciated. The superstars of the genre used the hiatus to write stories that surpassed anything Moftiss gave us in Season 4, particularly in terms of character development. When characters’ motivations drive the plot, the story is not only more cohesive narratively, it’s more engaging and lasting because all the shocks and gasps are earned and move beyond cheap manipulation for the sake of entertainment. At the heart of the narrative success of the top-tier fanfiction is empathy. The writers got inside the characters’ heads and asked, “Who are these people? Where are they from? What experiences shaped them? What do they want? What are they afraid of? Whom do they love?” Moftiss seemed to reverse engineer everyone’s behaviour and emotional reactions by working backwards from the plot – everyone is just there to be manipulated, to be made to speak or act because the plot demands it, so those questions can’t really be answered. That labyrinth Eurus runs Sherlock, John and Mycroft through is a microcosm of the entire franchise. If I didn’t read fanfiction, maybe I could have gone along for the ride with Moftiss, but I knew there were fully realised characters out there whose hurt wasn’t manufactured, whose choices mattered beyond setting up a gag or a plot twist, who were protagonists in their own lives no matter how small their roles were.

Not even Sherlock escapes this poor treatment.

Here’s what exactly none of the plot-driven, post-Season 3 Sherlock fanfiction I’ve read failed to consider: Sherlock dealing with the fallout of having been captured and tortured in Serbia then being shot by Mary. Do you know why they all went there? Because being the victim of that kind of brutal violence tends to affect people psychologically, and those effects ripple into the lives of their friends and family. But in Moftiss Land, Sherlock being chained and beaten at the opening of the third season was just there so we could watch Mycroft crack wise while wearing a fur hat. Mary shooting him was meant to “Red Wedding” us, nothing more. There were no lingering physical or psychological effects from Sherlock having been tortured. It’s never come up again, not even as an aside. Really think about that and what it means about the quality of the writing, about the depth of the characterisation, about the empathy being deployed towards the eponymous hero. Sherlock is obviously the character Moftiss hold in the highest esteem, but Season 3 proved Sherlock is just a prop to them – their most beloved prop but still just a thing, a toy. The only real narrative through lines in Sherlock are the twists, and they’re the only elements that aren’t played right on the surface. Everything else is meant to be taken at face value. There is no subtlety, no subtext. There are Easter eggs and other markers laid down mostly for plot payoffs – a puzzle to solve – but no emotional depth, no narrative consistency. Sherlock is and always has been elementary – there were just too few episodes for most of us to suss it out sooner.

A few people saw through all the flash of Sherlock from the very beginning, and I tip my hat to them for being far more perceptive than I. (If they’re running around being insufferable and shouting, “I told you so!” they’ve more than earned the right.) The first two seasons were a fresh, shiny new take on the somewhat musty image of the great detective, and we all got to watch Benedict Cumberbatch take command and come into his own. But the real reason those early episodes were of such a higher quality was the low budgets: they handcuffed Moftiss. They couldn’t get all the helicopters, Aston Martins and rappelling super soldiers on their juvenile wish list, so the plot twists actually had to be interesting not just turned up to eleven. We all mistakenly assumed that character development that would match the level of the plotting would come later. What those early critics of Sherlock understood (and what has come to pass) was that the reverse would happen: the plotting would sink to meet the level of the poor characterisation. What most of us took for slight faux pas we could overlook, they realised were portents of the slide in quality we’ve all witnessed. They knew Moftiss weren’t to be trusted to dock the ship, and they were absolutely right. Once Moftiss were truly given free rein, the true heart of Sherlock was revealed, and it’s just confused but lacks the self-awareness to realise or do anything about it.

Being “the smart kids” is part of the hardcore Sherlock fandom’s identity, and I don’t see many of them being able to admit that Moftiss bamboozled them. (We all got took, guys.) The capricious characterisation, careening plot and disjointed editing have thus far been interpreted as intentional, as Moftiss hiding the ball, as further evidence of their diabolical cleverness – all the incoherence taken as a collection of hidden clues to be thoroughly investigated. Even though Season 3 made it clear the story was spinning out of control and Season 4 has seen it hurl itself off a cliff (but only just miss smashing its head on the rocks), much of the earnest analysis will likely continue. Many of the casuals are in it for the slick deductions and probably embraced all the high-octane thrills. (There will be an inevitable backlash, though – you can’t fool all the people all the time.) The excellent ratings of Season 4 mean the bean counters will want a Season 5, or at the very least more Christmas Specials. Enough of the audience is probably still on board to justify it financially. I can only hope Benedict Cumberbatch and Martin Freeman have enough sense to withhold their participation. The Final Problem wasn’t the unmitigated disaster I was expecting, but everything from Season 3 onwards has made it clear the show can’t live up to its early potential and that the problems with the storytelling are baked in. So, it’s best this latest Sherlock Holmes incarnation just come to a close before it becomes a career-devouring black hole.

Thank goodness the fanfiction provides someplace the characters can live on.

  Fics to Cleanse the Palate

TRUTH MAY VARY by @amalnahurriyeh

Seven years after Sherlock's death, John's life is normal.

And then it isn't.

I don’t usually rec incomplete work, but this is close enough to being done to be satisfying. If Season 3 onward had shown even a fraction of the emotional maturity of this story, we would be in a very different place.

Read on AO3.

 STRAIGHT BOY PAIN by @glenmoresparks

Sherlock is in pain. Billy Kinkaid, the Camden garrotter and best man Sherlock knows, diagnoses it. Ademar Silver, a male prostitute in south London, attempts to treat it. Lestrade, kindly Detective Inspector of New Scotland Yard, doesn’t notice it. Eventually, John Watson, healer and registered medical doctor, cures it.

And a beautician called Penny paints Sherlock’s toenails.

Read on AO3.

 FAN MAIL by @scullyseviltwin

“WatsonChick143 has been rather maniacal in her commenting as of late... she’s left comments on everything you’ve posted John, something so obvious can’t have escaped even your attention."

A fan of John’s blog graduates into stalking.

Read on AO3.

 THE YELLOW POPPIES by @silentauroriamthereal

Sherlock is threatened and assaulted in the hospital immediately after having been shot in the heart, first by Mary, then by Magnussen. As he recovers at Baker Street with John and plans the attack on Appledore with Mycroft, he fights to work through the trauma caused by these two visits. Set during His Last Vow.

Read on AO3.

And in an act of shameless self-promotion:

BEFORE HOLMES MET WATSON by Meeeeeeeeeeeeee!

What does it mean to be a detective with no cases to solve? Sherlock Holmes tries not to ponder this question as he distracts himself from his professional failings with bare-knuckle boxing at an underground fight club and vials of cocaine and morphine. John Watson spends his days in an operating theatre on an Army base in Afghanistan, doing his best to patch up the wounded and failing more often than he'd like. The dark, violent worlds in which both men choose to live complicate their romantic lives and cause them terrible suffering but set them on paths that are destined to cross.

Read on Wattpad or Tablo OR download the Ebook on my website.

I’m always looking for recs, so PLEASE ADD A FIC YOU THINK ISN’T GETTING ENOUGH LOVE.