#(to some extent)

[kinerxy]

The Molar Horse, they're similar to IRL horses but alot bigger and with a bulkier neck... beside the obvious frontal tusks used for defense against predators and in intraspecific competition.

Due to their aggressive and fearless nature aswell as gigantic size theyre an excellent war mount, even if their domestication isnt for the weak.

when their lips are relaxed they cover all the teeth, this is to protect their integrity and also to avoid infections, this tissue is hardy but flexible enough to be pulled all the way back to show the hidden upward incisives and the rest of the teeth, baring their teeth can be out of distress or as a threat.

(the silly)

In a previous ask I explained how these animals can eat, in short I didn't want to add some type of trunk nor modify the appearance of the tusks especially the big frontal one so the easiest option to go is to have a large tounge strong enough to help it eat in a similar fashion to a giraffe.

But I was thinking that in my setting the general landescape is very desertic and there aren't many trees around, this opens an issue since the tounge was based on a giraffe tounge which is made to grab tree branches and pull the leaves into their mouths, so maybe these tounges could have spiky cavities similar to a feline tounge but much more exaggerated, this to be able to have a stronger hold on the dry grass and other types of dry food that probably would be on the ground.

TW: (fictional) Animal abuse

In my story there are many important factions and in general they aren't benevolent specially since the war is a common occassion and each one have to do what it needs to success and maintain territory and resources, this faction, the Altan Empire (which hopefully i will show more of them in a future) is one of the few important nations that have managed to domesticate the dangerous Molar Horses, but to conceive this they had to do some evil shit

The lips of a molar horse are a very sensitive part of their body, these have many nerve conections to be able to move them and show different types of expressions, emotions and give indications to other Molar horses.

The removal of these lips greatly vaffects their behavior, making them docier and easier to handle aswell as opening a entrance to put the mouthpiece and colocate the bridle without having problems with the vast tissue, this is called marking.

A marked molar horse is alot less unstable than its wild counterpart, making them an excellent mount to be used in the loud and unpredictable battles between factions, it also improves their intimidation factor

But beside their obvious degradation in appearance, these animals become incapable of communicating normally with other molar horses.

Another problem are the infections, is common to see marked molar horses with infected pimples, scars or without some back teeth that fell off or had to be removed.

on the bright side, in recent times and due to the domestication of the marked molar horses, meaning that newborns are more docile withouth having to mark them aswell as improvements in the design of the bridle, said newborns are commonly left with their intact lips.

[leoleolovesdc]

I feel like i’ve said this before but koncass would be fire if the transfem-kon pitch wasn’t rejeted and we could see both of them explore their gender + sexuality as a sapphic relationship

[pinkflames]

They're married

[amimuu]

VTA AU LESHY AND MIYU (YELLOW CAT) DESIGNS! (+ DOODLES)

Boy oh boy!!! Leshycat be upon ye!!! While Narilamb is the focus of this au there WILL be a couple side-stories that focus on the little adventures of different characters, Leshy and Miyu being one of those cases.

But omg! Look at them!!!

(Pssss their color palettes compliment each other—WHO SAID THAT)

Ya’ll already know who Leshy is so I will be skipping his introduction, so meet Miyu! Likely the Cult’s best farmer who definitely doesn’t sleep a healthy amount of hours every night and totally not works overtime at the farm to avoid said activity! They were rescued along with their two little siblings after the farm they lived in was attacked by heretics, fanatics of a certain ex-god of chaos, which got Miyu to grow quite scared and resentful towards said god. The problem? They interact with him everyday…oh but don’t worry, it’s not like they know it’s him, so it should be fine, right?

*laughs in plot convenience*

Anyways DOODLE TIME!! (Under the cut)

(Leshycat mini-comic #1: First meeting)

Fellas is it gay to stick around a random farmer cat because their smell reminds you of home and safety and warmth and they have a nice voice. Is it gay to think all that

(Leshycat mini-comic #2: overtime)

They make me ILL. AND IM THE ONE CREATING THEIR STORYLINE SO LIKE. I need to throw them into the sun.

Anyways! Side plots will likely have little comics like this ones to go over the shenanigans of the side characters and silly stuff like that…I’m very excited to cover the fun lore I have planned for these two!!!

Until then :]

(He’s got that absolutely unhinged rizz)

[froggos-are-superior]

I like when a character's true intentions are revealed and it's like hm. well that is actually contrary to everything you claim to stand for. are you aware of this.

[mchib]

‘We need more bipolar characters’ 

YOU COULDBNT EVEN HANDLE HIM

first of all i think this is common knowledge but he exhibits a complex and erratic personality which i think could potentially be interpreted as symptom of bipolar disorder - bipolar is a characterized by extreme mood swings that include emotional highs (mania) and lows (depression) - throughout the series and manga (i think the manga shows this better) mellos behavior fluctuates dramatically displaying periods of intense energy impulsivity and irritability which align with manic episodes,,. - in the manga mellos depicted as ambitious driven and sometimes reckless in his pursuit of catching Kira. he has a chronic case of impulsive decision making such as kidnapping poeple and hijacking a character showcases a lack of regard for consequences which is a hallmark trait of manic behavior - i also think mellos extreme emotional responses ranging from fits of rage to moments of despair mirror the intense mood swings characteristic of bipolar disorder. he also struggles with self esteem and identity also point towards bipolar disorder... individuals with bipolar disorder often experience fluctuations in self esteem oscillating between grandiosity during manic episodes and profound self doubt during depressive episodes - mellos constant comparison to near (who he he and only he sees as his rival) and his need to prove himself could stem from underlying insecurities exacerbated by his mood swings

him developing bipolar could totally be a normal trauma response from literally a lot of abuse that he has faced, most of the main characters from wammys house show no signs of like rebellion or outlandish behavior like he does but that doesnt necessarily mean that nothing happened and i think the author gave characters such as near and the other orphans way too much mental fortitude. bipolar can be developed at any age and its especially common between ages 15-19. not to mention other than it being genetic, theres a huge link between bipolar and childhood trauma. like imagine being groomed your whole childhood into this competitive environment with other 4 year olds to be the smartest toddler so u can substitute this crazy genius when he dies. and think of it like come on theres no chance all of these kids desperately wanted to be detectives when they grew up there was definitely like some sort of foul play. L is an exception obviously since the orphanage became abusive after he came and he was treated like a king basically while the other orphans mental state was completely disregarded because they were only brought in from several corners of the world solely to be his successor. in fact the first generation orphans were literally expected to kill themselves because of the pressure and A killing himself literally was not a shock at all to the orphanage in fact i suspect that a lot of the first generation orphans made to succeed L had a horrible mental state and also killed themselves which if you think about it B (which stood for backup) losing his mind was completely normal even if the way he went about challenging L was not. not to mention how he had to live with shinigami eyes but thats for another post lolol.,,, anyways yeah mello's behavior is actually justified when you think about how much of an abusive household he lived in even if its kind of obvious that the author disregarded coming up with an explanation for the orphans mental wellbeing and how it would have affected their adolescence except from the character of mello and even when they show mello they basically make him seem insane and watari like an angel . reading the la bb murder cases from mello's perspective really opened my eyes to like how it actually was in wammys house u can really understand it from his tone and stuff also with that one page hold on lemme find it

'but what if they could copy him? what if they could make a backup? that was us. L's children, gathered from all corners of the world. children gathered together, never told each other's names. but even for a genuis like watari, creating a fake L was easier said than done. even for near and i, who were said to be the closest to L... the more we tried to be like him, the closer we got, the farther away he was, like chasing a mirage. so i hardly need to tell you what it was like when wammy's house was first founded, when he was still experimenting. the first child, A, was unable to handle the pressure of living up to L and took his own life, and the second child, beyond birthday, was brilliand and deviant. B stood for Backup.'

'L was the goal of everyone in wammys house. everyone one of us wanted to surpass him. to step over him. to step on him. M did, N did and B did. M as a challenger, N as a successor. B as a criminal.'

sorry for my complete lack of spelling punctuation and grammar but i think i got my point across and also big thanks to @monards who helped me finish this draft by giving me the energy to continue and also encouraging my crippling death note addiction by feeding into it with questions and remarks like 'woah!' and 'eureka!'

[asteroid-fruitcup]

copying the way you type is my love language

[jovialknave]

There's something very interesting and very sad to me about the leadup to the cactus ring fight. Like, the way Scar's the one who gets nervous when he realizes Grians still yellow, the way Grian follows this by basically going "hey guys you should let me kill you both" and then tries the appeal to team loyalty when it doesnt work and, okay honestly I feel like the no kill pass thing could be a whole post of its own (undeniably still a betrayal no matter how you look at it but the choice of leaving it up to chance basically is interesting) but what it comes down to, I think, is that like.

In that moment, even if JUST for that moment, the partnership kind of falls apart, right? Like yeah, they come back together after. Bdubs dies, Scar lowers his sword and Grian says I cant kill you. They beg for a double victory and then insist on calling it that even when they have to fight anyway.

But even so there's that moment before. That moment where Scar gets nervous, where Grian tries to talk his way to winning, where Scar throws down the pass and then kills him.

The thing about the cactus ring fight is that it's still kind of a victory, at least as much as you can get in this situation. They go home together. They build the ring together, near Pizzas grave like Scar wanted. They remove their weapons and armor to make it as fair a fight as possible, and they declare it a double victory in spirit. They fight each other to the death, but they do it as friends, as partners.

In contrast, in that leadup with Bdubs, for a moment the partnership just, doesn't matter. It doesn't matter that when Scar first went red, the only thing he wanted was for Grian to stay. It doesn't matter that Grian stayed even after he died. It doesn't matter that they spent the entire game together up to that point.

In that moment, the only thing that matters to Scar is that Grian still has an extra life, and it makes him dangerous. The only thing that matters to Grian is that Scar has backup, and it makes him dangerous.

[akirayuri]

Himeno and himeaki: a rant

I've noticed a lot of people don't really like Himeno and one of the reasons being her apparent romantic attraction to Aki ( and also other than the fact that she almost slept with Denji ) and lmao I do get the hate to some degree but sometimes it feels lowkey forced. And that's why the relationship she shares with Aki kinda gets misinterpreted or it get's watered down to a 'oh he is hot I want to fuck him'

So I just kinda wanna yap my interpretation of their relationship cuz it's not just a typical one sided hetero relationship, it has a lot of layers to it.

For one, I do think what Himeno feels for Aki is more of a personification of her idea of being remembered and mourned. Until Aki came Himeno had a number of partners and subordinates simply dying on her, and it's a very prominent part of her character; watching the people she worked with die. As Kishibe says, Public safety devil hunters have to have a few screws loose and as I say it, you got to have thick skin. The idea of having a 'few screws loose ' including lacking empathy over time which means you don't mourn the death of your comrades.

But Himeno is normal. A country mouse sticking to the city mouse ( Aki ) for his company when she would rather live in the quiet countryside instead. Here there is a lot of parallel between Angel devil and Himeno as they both longed to stay by Aki's side which inevitably brought their doom.

And back to the topic of mourning, I think the idea of being forgotten, so replaceable and discarded into the past had scared Himeno. Deep down she was scared of being consumed by the oblivion that is the apathetic and replaceable management system of public safety. No one would remember her, no one would cry for her. When she probably cried over her drink late at night.

But then Aki happened.

What she loved was his empathy and the ability to feel so profoundly for other people. She wanted that. She carved that. He wore his heart on his sleeves and she was Hungry to take a bite of it. It is selfish, kind of twisted and so uncharacteristically none sexual of Himeno.

She loves Aki but I think it's more of a, "cry me a river and I will gladly hang myself for you" kind. Her tendency to have sex with anything that moves has no effect on her relationship with Aki nor the feelings she feels for him. It's beyond that.

Though I do think her habit of having sex with almost everyone is more of a bad coping mechanism than anything. Just like Aki, she didn't get to process her grief correctly. And unlike Aki, she can't cry.

Here is a bit of parallel she has with Denji of all people with their hypersexuality and the questionable methods of having and viewing sex. Also in that scene when she makes a deal with Denji with the, "you take Makima and I take Aki". For both of them, their person of affection was someone untenable and unreachable, someone who probably didn't return their feelings.

But what Himeno was wrong about Aki not Loving her back.

Yeah maybe he doesn't love her like the way she wanted him to love. He never viewed her as a lover or someone he can have sex with ( I do have a doubt they must've hooked up at some point or Himeno at least tried something very dubious consent with Aki at some point. ). But Aki cared. And He cared deeply. So much so Himeno basically starts to haunt the narrative from this point on lol.

I don't really hate Himeno, far from it. She's so interesting I would love to put her under a microscope and analysis from where that wrecky thought process of her comes from. She's my yaoi girl. What a little freak.

Their relationship is so Yuri coded I don't even count them as a straight ship lmao

But besides anything, my favourite genre of himeaki is bisexual disaster Himeno × gay/asexual Aki queer platonic partners from hell.

[chickenburgergmod]

watch out for that overhead

[angelheartzz]

HAPPY BLACK HISTORY MONTH!!

Wishing all of my fellow black peoples a happy BHM and a very happy year! Erasure is futile <3

[bokudara5777]

toji fushiguro my favorite stuffed animal who's eyes I clear of fuzz >.<

[annonnex]

I forgat how hard it is to draw Zim's head from the back but hey he isnt torturing her with nonstop talking...atleast for now

Also this is from the last post cause some of yall were worried that my gurl needs help welll nuh uh buster shes okaaaaay😒

[daydreamalley]

The fact that there’s only one time in Chuuya’s life that Corruption was activated (outside of the lab) where Dazai wasn’t there in the aftermath and that was when Chuuya was just 7 years old and left in the crater of the explosion he created, in so much pain and with gravity probably still fluctuating around him. Nothing but complete destruction, hell on earth, and suffering for a seven-year-old child.

Chuuya is never in good shape after he uses Corruption, and I imagine he wasn’t in good shape after he used the full force of Arahabaki (and by used I mean when it was forced out of him due to Rimbaud). And like, we’ve seen Chuuya close Verlaine’s gate when he defeated the Beast of Guivre, and it left Verlaine close to death (though I also imagine that’s in part due to the fact Verlaine isn’t really human), and we also saw earlier on in Storm Bringer when Verlaine opened Corruption for only a second and then closed the gate that Chuuya was in agony, left to suffer in the hell of what was left of the street he’d been on. 

That scene of Chuuya lying on the ground in what used to be an alleyway in excruciating pain is already hard to read, and he’s 16 then (still so young) but at least Dazai still comes (even though he doesn’t technically have to) and nullifies the aftershocks of Chuuya’s ability that are causing him so much pain. Causing him to suffer.

But imagine Chuuya at 7 years old, imagine how small that is, probably in nothing more than a hospital gown, lying in the rubble of the giant crater that will one day become Suribachi city, experiencing all that suffering and probably more. He’s completely alone in the hell of his own ability’s destruction, in unimaginable pain. His frail body that’s been in a lab for so long probably spasming with the pain as he feels the sun for the first time in who knows how long. And there was no one to hold him or catch him or for him to fall into. No one’s lap to rest his head on. No one to hoist him onto their shoulders and carry him away from the carnage. No one to nullify the pain he was in. No one to comfort him or remind him who he was.

What did he probably have to do when he woke up? Wait until he had enough strength to sit up, wait until the dizziness abated enough for him to stand, and through the disorientation walk on his own two feet despite the pain. He’d been through plenty of it after all, even if he couldn’t remember why, his body remembered.

He’d have to piece together any scraps of memory he had. His name probably came first. Then the horrific feeling of the power inside him and that he was probably responsible for the hellscape he was trying to navigate, cutting and scraping his bare feet in the crater of what was.  

Find the corpse of some military personnel that’d been killed in the explosion Arahabaki had caused, far enough away he hadn’t been completely obliterated, and at least steal some of his uniform to wear, though it was much too big for his skinny 7-year-old frame. And the shoes wouldn’t do him any good, they’d just fall off, the jacket already kept slipping off his shoulder.

And then, in that moment, he was perhaps the loneliest person in the world. Not later, when he was 16 and had someone to catch him and someone had just attempted to sacrifice himself for Chuuya. No, then he had a semblance of a family. But when he was 7, that was when he was just alone, and in pain, with no one to reassure him that everything was alright, that nothing was his fault. That his destructive power didn’t make him less human. If anything, he was probably lucky no one with bad intentions found him. 

And then who knows how long later, he’d wandered far enough away from the wreckage, under a bridge where a couple of other kids around his age found him. Still without shoes and in a military uniform far too large for him. Filthy and starving, but having the strength, having the courage to ask a kid “what’s that square thing?” “Tell me what that square thing is in your hand. Right now.” Last ditch effort of demanding, because somehow he still had a strong will. And the kid was just holding a slice of bread. Chuuya just wanted to know if he could eat it. 

Like, can we just talk about the tragedy of that? How truly sad it is that when Chuuya asked “what’s that square thing” and the answer was just bread. Shirase just explaining“I was holding a slice of bread,” and then having to show him that it was edible. Like, my god. And then Chuuya just… faints, on the spot “like he was out of batteries,” as Shirase describes. Finally all his energy and willpower to survive depleted in this moment of hopeful safety. Shirase also says Chuuya looked half dead he was so skinny.

But at least Chuuya had finally found some people who’d given him some food and water. At least Shirase decided to take him to some shelter, even if it was in the sewers. He finally had people, even if they weren’t well off, they had something. Finally he wasn’t alone. And when he learned he had something to offer them in return in the form of his ability? Well, of course he was going to use it to help them.

Also, just, his first memory was of being alone and in pain. Where he is now may not be perfect, but thank god he’s come such a long way and has people and a home and food and luxuries. But like, he just has to live with that every day.

Oh, and mind you, all this was happening to Chuuya close to the end/in the aftermath of the war, which was already a bad time for people, as Murase talks about. He says “But it was the end of the war, and there were supply shortages everywhere you went. Some kids from the Settlement appeared out of nowhere and tried to sneak inside to steal some food.” So on top of Chuuya’s personal struggles, there were shortages of supplies everywhere, bad enough that kids were trying to sneak into military facilities for food. 

So, yeah, this actually massively got away from me, into the territory of hcs and back out again. But like, every time we see Chuuya use Corruption Dazai is around, because he really has to be. And I love that. But just thinking about the one time where Dazai wasn’t around after the full effects of Chuuya’s ability and how that was probably the worst time and Chuuya was only 7 and alone and woke up in the middle of essentially hell on earth with like no memories. It makes me want to scream, and that’s why I wrote this. And then I reread the part in SB where Shirase explains how he met Chuuya and just got even sadder. Fun times fun times.

[ceescedasticity]

Following my recent name-related musing, I think my current name-related headcanons are:

Findis's mother-name is Aranel, meaning "princess"; she was the first daughter of a king in Aman, but it's still kind of cringe.

The Nolofinwëan mother-names are extremely bland — not necessarily exactly Yondo/Háno/Yeldë/Vinimo, but about that quality. They're bland enough to be kind of embarrassing, but not embarrassing enough to make fun of as anything more than 'your mother sucks at naming kids'. So they just never get mentioned.

Fingon got "Astaldo" as an epessë early on due to childhood Shenanigans; it slowly became less of a joke.

Irissë picked the Sindarin name Aredhel in honor of the recently deceased Arakáno.

Galadriel's father-name would have been Nirtaráta or Nirtarátië ("feminine noble/nobility") except Arafinwë decided those sounded stupid. Eärwen was originally thinking Nírwen but nírë has different connotations than its Telerin cognate nída — just "force" rather than "vigorous purpose, strength of will" — so she went with Nerwen instead. As a kid she was sometimes affectionately called Nídaráta by her brothers/Telerin cousins. As a young adult she got called Nírwen as an insult — saying she's bossy, pushy — which kind of soured her on nírë/nída nicknames and even Nerwen, and she went exclusively by Artanis until she decided Rodeth/Rodnîth/Rodwen all sounded bad and she'd just use Galadriel.

Celebrimbor is Telperinquar Curufinwë — Curufinwë is his mother-name. Curufin wasn't opposed to it but it was not his idea.

Orodreth's mother-name is Telerin Orotrátho, meaning mountain-climber. (His mother Eldalótë/Edhellos is Noldor but she followed the 'other parent's language' thing.)

Finduilas is a father-name; her mother-name is Artasíma ("noble mind/imagination"), in Quenya despite her mother being Sindar. (She was Mithrim Sindar, a translator, and of the strong opinion that Thingol was not the boss of her.)

Gil-galad: Son of Orodreth. Father-name Finellach, which he didn't like much because despite being an Arafinwëan he was not blond. Mother-name is Artanáro, which he liked fine except he did not like the Sindarin version Rodnor. Ereinion was a nickname starting in childhood because he didn't want to be called Finellach or Rodnor; Gil-galad came a bit later.

Ingwë's son did in fact get the personal name Ingwion — actually Ingwion Ing[something else]. In fact at least four generations of Vanyar firstborn princes are named Ingwion Ing[something]. All of them use Ingwion as a patronymic.

[univemma]

I watched Terrifier 3 last night, and there is ONE thing you can say about Sienna Shaw as a final girl.

She will fucking FIGHT for it good GOD