#2D Animation Studio in Toronto

[theomeganerd]

Scott Pilgrim EX Announced – New Brawler from Tribute Games Hits PC & Consoles

Join Scott Pilgrim, Ramona Flowers and more in an epic Brawling Adventure across space, time and the streets of Toronto

Tribute Games, in collaboration with Universal Products & Experiences and Scott Pilgrim creator Bryan Lee O’Malley, revealed today an all-new, action-packed video game entry into the Scott Pilgrim universe, Scott Pilgrim EX. Fusing retro-inspired pixel art with chaotic four-player co-op combat, the game sends players on a wild, time-warped brawling adventure across a reimagined Toronto. Scott Pilgrim EX is expected to launch for PC and consoles in early 2026. Wishlist now at: https://store.steampowered.com/app/2640950/Scott_Pilgrim_EX

Watch the reveal trailer: https://youtu.be/fY3RgEkSfNk

Scott Pilgrim EX reimagines the fan-favorite universe with a modern approach to traditional brawlers. Players take on the role of Scott Pilgrim, Ramona Flowers and more of the all-star crew to battle a variety of enemies in a warped version of Toronto overrun by demons, vegan henchmen and robots in an epic quest to save the city.

With hard-hitting combat and explosive art, Scott Pilgrim EX reinvents classic 2D brawling for a new era, blending high-energy action with fun character progression. Each of the seven playable characters features a full move set from the start, but players can customize their experience through upgradeable stats, and equippable special items making every fighter feel truly personal. Players will be able to dive into a brand-new storyline, co-written by Bryan Lee O’Malley and the team at Tribute Games. They can also unleash creative combos, wield wild weapons, and brawl through co-op action—set to all-new music by Anamanaguchi —as Scott Pilgrim EX delivers a bold new chapter for longtime fans and newcomers alike.

Reuniting key talent from across the Scott Pilgrim multiverse and timeline, the Scott Pilgrim EX creative team is bringing the band back together and includes:

●    Bryan Lee O'Malley, the creator of Scott Pilgrim, is deeply involved in the project as a creative consultant. Working closely with Tribute’s narrative and design teams, O’Malley is helping to shape an all-new original story that expands the Scott Pilgrim universe in bold, unexpected ways—infusing every frame, character arc, and twist with his signature voice and humor.

●    Known for their explosive blend of 8-bit and hyper-melodic rock, Anamanaguchi returns to their roots after scoring the hit 2010 game, Scott Pilgrim vs. The World: The Game. This score will include several all-new tracks specially designed and curated for this Toronto-hopping adventure.

●    Iconic pixel artist Paul Robertson collaborates with Tribute’s in-house team on character animations.

●    BenDavid Grabinski, director and showrunner of Scott Pilgrim Takes Off, joins as creative consultant.

“Scott Pilgrim EX is the culmination of years of experience working on brawlers combined with our intimate knowledge of Scott Pilgrim," said Jonathan Lavigne, game director at Tribute Games. “It’s a full-circle moment for us. The original founders of Tribute Games all worked on the first video game incarnation of Scott Pilgrim before launching the studio in 2011. Coming back to this world feels like the most natural thing ever. This game is about friendship, our love of video games, music, and hitting robots in the face with a volleyball. It’s full of lore, references, easter eggs and passion. It’s the Scott Pilgrim game fans have been waiting for.”

“Working on a game like this is a dream come true, especially with this team of old friends and new collaborators. Scott Pilgrim fans won’t know what hit them in the slightest! EX-pect the un-EX-pected!” said Scott Pilgrim creator Bryan Lee O’Malley.

“As longtime supporters and fans of all things Scott Pilgrim, we are excited for the return of the franchise to video games,” said Bill Kispert, SVP & General Manager, Games & Digital Platforms at Universal Products & Experiences. “These undeniably unique characters kick a** in the interactive format, and we are thrilled to partner with this amazing group of creatives to bring a new chapter of Scott Pilgrim to life.”

Keep up with the latest from Tribute Games and Scott Pilgrim EX at https://linktr.ee/tributegames

[mjbarrosart]

Do you have any tips to get into storyboarding? Such as studies or art programs. Your stuff is very cool!

Hey, thanks for the kind words. How to get into SB? you have two challenges:

First the technical/skill one, for that there is no a fixed route, you can study a 2D animation or a concept art program or learn by yourself. Anyway it is good to learn not only how to draw, but a lot about cinematography, acting, storytelling, timing, etc. A good complement to formal studies is to do "film studies", take a scene of a movie or show that you like, and analyze it shot by shot, where are the characters? what the composition and lighting are trying to say? how the staging is affecting the narrative? how movement is working? etc. There is a really good YT channel called "Every frame a painting" that has really cool videos about cinematography if you want to start looking.

The second challenge is networking. Depending where in the world you live, this could be easier or harder. I needed to move from South America to Canada in order to properly get into the animation industry, because back home jobs will depend on local small studios, passion projects, or freelancing, and I wanted something more stable. If you are in USA, Canada, or in an EU country, its a easier to you to access to industries like the ones in Vancouver, Toronto, LA, NY, France, London, Spain, etc. But again, it's relative.

Try to practice your craft, open your mind to study cinematography not only from animation, but also live action, and try to put your name out, go to job fairs and animation festivals, meet the local industry of where you live, etc.

Right now the animation industry is going trough a hard phase, but that doesn't mean you can not try!

Hopes this answer your question,

Good luck!

MJ

[animatedvideoss]

What Is 2D Animation? A Beginner’s Guide to This Classic Art Form

In the fast-paced world of digital content, visual storytelling has emerged as a powerful tool for brands and creators alike. Among the various animation techniques, 2D animation continues to be one of the most popular and accessible forms. But what is 2D animation, and why is it still relevant today?

This article explores the basics of 2D animation, the unique appeal of 2D cel animation, the benefits of professional 2D animation services, and how industries are leveraging it—especially through solutions like explainer videos Toronto companies offer.

What Is 2D Animation?

At its core, 2D animation is a type of animation created in a two-dimensional space. It involves moving characters, backgrounds, and objects in a flat plane, typically using height and width dimensions. Unlike 3D animation, which gives depth to characters and objects, 2D animation maintains a traditional, flat look.

The process involves drawing individual frames that, when played in sequence, create the illusion of movement. Originally done by hand, modern 2D animation often incorporates digital tools to speed up production and enhance precision. Still, the essence remains the same—it's all about breathing life into static images.

The Legacy of 2D Cel Animation

One of the earliest and most influential forms of animation is 2D cel animation. This traditional method uses transparent sheets called "cels," where each character or element is hand-drawn and painted. These cels are then layered over static backgrounds and photographed frame by frame to produce animated sequences.

Though time-consuming, 2D cel animation laid the foundation for the animation industry. Iconic films like Snow White and the Seven Dwarfs and TV shows like The Flintstones were created using this technique. Today, cel animation is less common due to digital advancements, but its aesthetic remains widely admired and continues to influence modern 2D animation styles.

Why 2D Animation Still Matters

So, why is 2D animation still so important in 2025? The answer lies in its versatility, affordability, and timeless appeal. Unlike 3D animation, which requires complex modeling and rendering, 2D animation is often more cost-effective and faster to produce, making it ideal for startups, educators, and marketers.

Moreover, 2D animation is highly effective for storytelling. It allows creators to emphasize emotions, deliver abstract concepts, and stylize visuals in ways that resonate with diverse audiences. Whether it's a fun explainer video or an emotional narrative, 2D animation provides a flexible platform to engage viewers.

Professional 2D Animation Services: Why They Matter

For brands looking to stand out, investing in professional 2D animation services can make all the difference. These services typically include everything from concept development and scriptwriting to storyboarding, animation, and post-production.

Working with experts ensures high-quality visuals, smooth transitions, and compelling narratives tailored to your goals. Whether you’re launching a product, educating your audience, or building brand awareness, professional animators can help you tell your story in a captivating way.

Additionally, many 2D animation services offer style customization, so your video can align with your branding—be it playful, corporate, educational, or artistic.

The Rise of Explainer Videos Toronto Businesses Use

One area where 2D animation is thriving is in the creation of explainer videos. These are short, engaging videos that explain a concept, product, or service in a simple and effective way. In particular, explainer videos Toronto companies are producing have gained traction due to their polished storytelling and clean animation styles.

In a city known for its creative industries, animation studios in Toronto have mastered the art of using 2D animation to deliver impactful messages. From tech startups to healthcare providers, businesses across sectors are leveraging explainer videos to increase engagement, improve retention, and drive conversions.

Using 2D animation in these videos offers a friendly and approachable tone, helping viewers understand complex ideas quickly. Whether it’s a how-to guide, product demo, or educational content, 2D animated explainer videos make information digestible and memorable.

Benefits of Using 2D Animation for Your Brand

Here are some compelling reasons to consider 2D animation services for your next project:

Cost-Effective: Compared to 3D or live-action video, 2D animation generally requires fewer resources, making it a budget-friendly option.

Time-Efficient: With modern software, animations can be created quickly without sacrificing quality.

Visually Appealing: 2D animation has a unique charm that resonates across age groups and cultures.

Highly Customizable: You can create characters and environments that perfectly align with your brand identity.

Effective Communication: Especially useful for explainer videos, 2D animation helps break down complicated ideas into simple visual stories.

Key Industries Benefiting from 2D Animation

Many industries are embracing 2D animation to enhance their communication strategies. Here are a few examples:

Education: Teachers and e-learning platforms use 2D animated videos to make lessons more engaging and easier to understand.

Healthcare: Medical concepts are complex, but animation simplifies information for patients and staff.

Finance: Animated explainer videos help demystify financial products and services.

Technology: Tech companies often use 2D animation to demonstrate how software or apps work.

Marketing: From social media ads to landing page videos, animation boosts campaign effectiveness.

Final Thoughts

Understanding what is 2D animation is the first step toward appreciating its impact on modern communication. With roots in traditional 2D cel animation and growth through digital innovation, this art form continues to shape the way we tell stories and share ideas.

Whether you're a business owner in need of explainer videos Toronto professionals can create, or a marketer exploring cost-effective content strategies, 2D animation services offer a versatile and compelling solution. It’s more than just moving images—it's a gateway to engaging your audience, clarifying your message, and standing out in a crowded digital space.

[krupa192]

Top Countries Leading the Animation Industry: A Global Perspective

The animation industry has grown into a massive global force, with countries around the world making significant contributions to its evolution. From 2D hand-drawn animation to the most advanced 3D models and VFX, animation has become a crucial part of entertainment, education, and technology. But one common question that pops up is: Which country is the best in animation?

While it's difficult to pinpoint a single leader, several nations stand out for their contributions, technological innovations, and cultural influence. In this article, we will explore the top countries in the animation world—the United States, Japan, Canada, South Korea, and France—and how Boston Institute of Analytics’ Best Animation Course can equip you with the skills to thrive in this fast-paced industry.

The United States: The Animation Giant

The United States is a dominant force in the animation industry, especially in feature films and TV series. Home to some of the most influential animation studios—such as Walt Disney Animation Studios, Pixar, DreamWorks Animation, and Blue Sky Studios—the U.S. has produced iconic animated films like The Lion King, Toy Story, Shrek, and Frozen.

1. Hollywood’s Animation Influence

Hollywood has always been the epicenter of the entertainment industry, and animation is no exception. The U.S. has led the way in animation innovation, from the early days of Walt Disney to the revolutionary CGI work by Pixar. American animation studios have consistently set global standards for storytelling and visual quality.

2. Cutting-Edge Technology

The U.S. also leads in the development of animation technologies. American studios have pioneered software and tools for 3D animation, motion capture, and VFX, which are now widely used across the globe. Companies like Autodesk, Adobe, and NVIDIA are based in the U.S. and provide the essential resources that animators use to create breathtaking visuals.

3. Global Reach

American animation has a far-reaching impact worldwide. Hollywood’s animated films enjoy global popularity, and U.S. studios often collaborate with international teams to create content for a worldwide audience. The influence of American animation can be seen in franchises like Marvel Studios and Pixar, which have become household names.

Japan: The Epicenter of Anime

While the U.S. is a leader in mainstream animation, Japan has carved out its niche as the global hub of anime. Japanese animation is known for its distinctive style, compelling storytelling, and broad range of genres. The country’s contribution to the animation world is undeniable.

1. The Rise of Anime

Anime has become a worldwide phenomenon, with shows like Naruto, Dragon Ball, One Piece, and Attack on Titan captivating millions of fans globally. Japan’s animation style, which blends artistic visuals with deep storytelling, has influenced the animation industry worldwide.

2. Studio Ghibli: A Global Icon

Few studios are as well-regarded as Studio Ghibli, founded by legendary directors Hayao Miyazaki and Isao Takahata. Films like Spirited Away, My Neighbor Totoro, and Princess Mononoke have won numerous accolades, including an Academy Award for Best Animated Feature. Studio Ghibli’s unique approach to animation has inspired countless artists and filmmakers around the world.

3. Cultural Impact

Japanese animation has deeply influenced global pop culture, from fashion to art and even video games. Anime’s distinct aesthetic and storytelling techniques have left a lasting mark on animation worldwide, and it continues to shape trends in the industry.

Canada: A Growing Animation Powerhouse

Canada has quickly become a major player in the animation field, particularly in cities like Vancouver, Montreal, and Toronto. The country’s animation sector is thriving, fueled by a talented workforce, favorable government incentives, and close ties to the U.S. entertainment industry.

1. Government Support

The Canadian government has played a significant role in the growth of the animation industry by offering tax credits and funding programs for animation studios. These initiatives have made Canada an attractive destination for both local and international animation projects.

2. International Collaborations

Canada is home to renowned animation studios such as Nelvana, DHX Media, and Mainframe Studios. These studios have worked on major international projects, often collaborating with U.S. companies to produce animated films and TV shows. This cross-border cooperation has helped Canada establish itself as a global animation hub.

3. Talent Pool

Canadian animators are known for their technical expertise and creativity. Many Canadian animators have worked on high-profile Hollywood productions, and the country continues to produce top talent in the animation industry. With strong educational programs and collaborative opportunities, Canada remains a key player in animation.

South Korea: The Rising Animation Hub

South Korea has rapidly emerged as a powerful force in the animation industry, especially in 2D animation and VFX. The country’s animation studios are known for their high-quality work and attention to detail.

1. Outsourcing and Production

Many major animation studios in the U.S. and Japan outsource animation work to South Korea due to the country’s skilled workforce and cost-effective production capabilities. South Korean animators have contributed to several well-known animated series, including The Simpsons and Teenage Mutant Ninja Turtles.

2. Domestic Animation Growth

In addition to being a hub for outsourced animation, South Korea has developed its own domestic animation industry. Korean animation studios are now producing original content, with a focus on both 2D and 3D animation. The growth of the domestic industry has further cemented South Korea’s position in the global animation landscape.

France: Europe’s Animation Leader

France has long been a leader in European animation, with a rich history of both traditional and digital animation. The country is home to some of the most innovative animation studios in Europe and has a vibrant animation culture that is recognized worldwide.

1. French Animation Studios

France is home to several influential animation studios, such as Les Films du Carrosse, Studio Folimage, and Mac Guff Ligne. These studios have produced critically acclaimed films like The Triplets of Belleville and Ernest & Celestine, which have garnered international recognition.

2. Cultural Influence

French animation is known for its unique artistic approach and storytelling. French animated films often explore more mature themes and showcase a distinctive European flair, setting them apart from Hollywood productions. This unique approach has earned French animation a respected place on the global stage.

How Boston Institute of Analytics’ Best Animation Institute Can Help You Succeed

If you’re passionate about animation and want to break into this exciting industry, Boston Institute of Analytics’ Best Animation Course is the perfect place to start. Whether you’re interested in 2D animation, 3D modeling, or VFX, the institute provides comprehensive programs designed to equip you with the skills and knowledge needed to succeed.

At Boston Institute of Analytics, you will:

Learn the fundamentals of animation, including storyboarding, character design, and visual effects.

Gain hands-on experience with industry-standard software like Autodesk Maya, Blender, and Adobe After Effects.

Build a strong portfolio that showcases your animation skills.

Receive guidance from industry professionals who have worked with top animation studios.

By joining Boston Institute of Analytics, you’ll be well on your way to becoming a skilled animator ready to work with leading studios around the world.

Conclusion

While there is no single "best" country in animation, the United States, Japan, Canada, South Korea, and France all play significant roles in shaping the global animation industry. Each country brings its unique strengths to the table, from Hollywood’s technological innovations to Japan’s anime culture and France’s artistic approach. No matter where you choose to pursue your animation career, the future of this dynamic industry looks bright.

For those looking to build a career in animation, Boston Institute of Analytics’ Best Animation Course offers the perfect training and resources to help you succeed. With the right education, you can become a part of the next generation of animators who will continue to shape the future of this exciting field.

[videoproductioncomapny]

Top 3D Animation Services in Toronto | Creative Visual Solutions

Get engaging and impactful 3D animation services in Toronto with VCM Interactive. We specialize in creating visual experiences for your brand.

[nehalsalah]

Motion Graphics Companies, Motion Graphics Designers, and Motion Graphics Videos

Motion graphics have become an essential tool for businesses and individuals alike to communicate their messages effectively through visually engaging videos. Here are some motion graphics companies, designers, and examples of motion graphics videos:

Motion Graphics Companies: شركات موشن جرافيك

Blinkink: Blinkink is a renowned animation studio based in London, UK. They specialize in creating captivating motion graphics videos for advertising, music videos, and short films. Their portfolio includes a wide range of styles and techniques, from 2D animation to stop-motion and mixed media.

Giant Ant: Giant Ant is a creative studio based in Vancouver, Canada, known for its innovative approach to motion graphics and animation. They work with clients worldwide to produce visually stunning videos that tell compelling stories and drive engagement. Giant Ant's work often features bold colors, fluid animations, and intricate details.

Oddfellows: Oddfellows is a design and animation studio based in San Francisco, USA. They specialize in creating unique motion graphics videos for brands, agencies, and entertainment companies. With a focus on storytelling and craftsmanship, Oddfellows' work combines creativity, humor, and imagination to leave a lasting impression on viewers.

Motion Graphics Designers:مصمم موشن جرافيك

Sara Drake: Sara Drake is a freelance motion graphics designer based in New York City, USA. With years of experience in the industry, Sara specializes in creating dynamic and engaging motion graphics videos for a wide range of clients, including brands, agencies, and filmmakers. Her work often features sleek designs, smooth animations, and attention-grabbing visuals.

Maxim Goudin: Maxim Goudin is a motion graphics designer and animator based in Moscow, Russia. Known for his creative flair and technical expertise, Maxim has worked on numerous projects ranging from commercials and promotional videos to film titles and visual effects. His portfolio showcases a diverse range of styles and aesthetics, from minimalist designs to elaborate compositions.

Lola Landekic: Lola Landekic is a motion graphics designer and art director based in Toronto, Canada. With a background in graphic design and animation, Lola brings a unique perspective to her work, combining typography, illustration, and motion to create visually stunning videos. Her portfolio includes projects for clients in various industries, including technology, entertainment, and fashion.

Motion Graphics Videos:فيديو موشن جرافيك

Nike "Dream Crazy": This motion graphics video, created by the animation studio Buck for Nike's "Dream Crazy" campaign, features dynamic typography, bold colors, and energetic animations to inspire viewers to pursue their dreams and break barriers.

Google "Year in Search": Google's "Year in Search" motion graphics videos summarize the year's most significant events and trends using a combination of data visualization, animation, and storytelling. These videos resonate with viewers by capturing the essence of each year's defining moments in a visually compelling format.

TED-Ed "The History of Earth in 24 Hours": TED-Ed's motion graphics video presents the history of Earth in a concise and engaging format, using colorful illustrations, smooth animations, and clear narration to explain complex scientific concepts in an accessible way.

In conclusion, motion graphics companies, designers, and videos play a vital role in creating visually compelling content that captivates audiences and communicates messages effectively. Whether it's for advertising, education, or entertainment, motion graphics videos have the power to inform, inspire, and entertain viewers around the world.

[your-visual-connections]

Build your Business Brand with Animated Video

Brand Identity is the crucial part of any business, maintaining with strong authoritative brand is important to stay in competition in an online marketplace dominated by large brands.

The best ways that brands can compete is by inspiring loyalty among their most ardent customers.

 All marketers are subject to the 80/20 rule of marketing or the Pareto Principle. The Pareto principle states:  80% of your revenue will come from 20% of your customers.

This principle can be applied to almost every aspect of your marketing research. Consider that keeping an existing customer is 5x more cost-effective than acquiring a new one.

The first step to inspiring brand loyalty is to establish a brand identity and maintain consistency.

Having a strong brand identity leads to brand stickiness, which offers some residual marketing benefits in and of itself. Brand stickiness can lead to increased media coverage, word-of-mouth advertising, and greater customer loyalty.

One of the best ways to create and maintain your brand identity is through the use of animated marketing videos. Most online users demand videos in their day-to-day consumption and animation offers brands the ability to be creative without burning a hole in their pocket.

 Whether you choose to outsource your animated video production or host it in-house, here are some principles to keep in mind when creating your brand identity with an animated marketing video.

 Apply Your Brand Aesthetic

Animation offers attractive and familiar aesthetics that users and customers can identify with. When creating an animated video, it’s important to brand your videos, much like you would an info graphic, photo, or written piece of content on your site.

 Remember to incorporate these brand essentials into your animated video to maintain consistency:

 Company logo

Color scheme

Typography

In addition, you can incorporate your own personal touches into an animated video using motion graphics and your own personal photography. If you use illustrations, like we do, for any of your web pages then you can even incorporate your own team’s characters into a video!

 The key here is to maintain consistency by leveraging the existing elements of your brand and applying them to the animation medium. This way customers can become more familiar with your brand, making it more memorable.

 Animate Your Audience

The key to creating a successful brand is to define and understand your audience well.

In order to understand your audience better, you’ll need to create a buyer persona or customer avatar.

Your customer persona could include well-defined boundaries or characteristics that you discover through audience research, using tools such as Facebook and Google Ads. Your brand could be far more relevant to your audience, if you could also define how your ideal customers think, what they like to do, what they like to buy and any other psychographic information. You would tailor all your marketing communication to the persona/s you create.

You can also leverage demographic information to help target your ideal customers.

 Demographics (Physical and Economic Characteristics)

Age

Race

Gender

Income level

Geographic region

Family size

For example, think about whether your target market is primarily male or female and how old they might be. Create a character of that persona! When people are able to identify with characters in your story, they will connect with your brands and products, helping build brand affinity.

 Tell Your Brand Story

In today’s world, customers demand stories from advertisers and marketers alike. What better story do you have to tell, then the one about your brand?

Animated videos are fun and engaging and serve as the perfect medium to communicate valuable company news or milestones. These videos are also a great option if your business leaders prefer not to be on camera but still want to stay authentic to the brand.

 Find the Right Medium to Represent Your Brand

Finally, it’s important to find the right medium for your story. If you choose to invest in an animated marketing video, then you need to decide what video format best suits your needs. Options for animated marketing videos include:

 Explainer videos

Whiteboard animation

How-to videos

Product demos

Choose the medium that best represents your brand and the story you want to tell. Don’t forget to include the elements we listed above to maintain brand consistency and stickiness. For an animation company that will properly represent your brand and deliver high-quality videos that engage and educate customers, contact Visual Connections today!

[blue-staple]

TIFF

Well the TIFF premiere of "The Breadwinner" has come and gone and I couldn't be happier with how it turned out :) really an amazing experience working with Cartoon Saloon and Guru Studio over the last year and a bit. I hope you all get to see it this winter when it hits theaters! (at Toronto, Ontario)

[spotlight-on-black-women]

Black Women in the Animating World

In a previous blog, Black Women Animate, founded by Taylor Shaw, was discussed and upon revisiting the field of animation, this blog will be taking shorter previews of various Black women in the animating world. By no means an autobiography of these individuals, this blog will act as a means of bringing to light multiple talented animators and artists, bringing attention to their work and ventures in animation, but condensed into short snippets.

Pilar Newton is the CEO and founder of PilarToons, LLC, a production company that specializes in animation, illustration, and design based in Brooklyn, New York. Newton graduated with a degree from Rhode Island School of Design and has worked on a number of projects, from Cartoon Network’s Courage the Cowardly Dog to MTV’s Daria, and is currently pursuing a master’s degree at the School of Visual Arts. Her company has worked with companies such as Homer Learning, Sirius Thinking, Nickelodeon, Ted-Ed, Search Films, Story Corp, as well as others.

Mia Lee is a Chicago-based artist who has had work featured on Adult Swim and whose portfolio includes designs for Nike, Kith, and Timberland. She has met with multiple executives in animation and production making sure to meet with those who want to hear from young people of color. She is a newcomer to the animating world but is already making waves through her artistry and networking talent, landing her jobs and even allowing herself to pursue successful passion projects picked up by famous networks.

Monique Henry-Hudson was born and raised in Queens, New York, and has used her community as inspiration for her work. After being asked to create the “Black in Animation” panel for Blerd City Con in Brooklyn in 2018, she became the founder of DiverseToons, an organization that highlights women of color in multi-media. DiverseToons works at emphasizing the importance of diversity in the animation industry and provides a platform for Black artists and people of color to share their passions and career experiences while also giving resources to their communities. DiverseToons has also partnered with Women in Animation’s Student Branch in 2018, connected even more women and non-binary people of color in animation.

Sonya Carey has cemented herself in technical animation and is considered the only Black woman to do so. Her past credits include Disney’s The Princess and the Frog,” “The Proud Family,” and “Winnie the Pooh,” and she is positioned as the leader of her team as Head of Studio Operations at Portfolio Entertainment in Toronto. After high school, she moved to Los Angeles then got married when she finished college. After getting married, couldn’t work for a year and during that year, she got a computer and did desktop animations for fun, unknowingly catapulting her career in the industry. These desktop animations resulted in her taking classes at UCLA and ultimately getting a job at MetroLight Studios working on “Ren and Stimpy,” the beginning of her famous career. She then ran the digital side of the company Toon Boom for ten years then moved onto 3D animation for ToonBox before going back to 2D at Portfolio Entertainment. She also ran her own studio for some time called Make a Scene.

Carole Holliday works as a storyboard artist, director, and is the founder of Crowded Metro Films. She attended the California Institute of the Arts and graduated with a BFA in animation, pursuing storyboarding with her degree. She has worked on films “Oliver and Company” (1988) and “The Little Mermaid” (1989) as an animation assistant before starting her career in storyboarding with “A Goofy Movie” (1995) while also being a story artist for “The Pince of Egypt” (1998) and “Tarzan” (1999). She has also worked as a character design supervisor and moved up to directing an animated short for DisneyToon Studio’s “Mickey’s Twice Upon a Christmas.” More recently, she has done storyboard revisions on Disney’s “Sofia the First,” and has been working on storybooks. She even has her own profile on the official Walt Disney website for all of the work she has done with them.

Lisette Titre-Montgomery is a video game artist and designer who graduated with a degree in computer animation from Miami International University of Art and Design in 2000. She was inspired to study computer animation after watching “Toy Story” (1995) and decided to go to school for it. Her first animation job was working as a character model for the game Freekstyle which helped her land a job as a senior character and special effects artist at EA Games in around 2005. She then worked on games like Tiger Woods PGA Tour 2007 and helped developed The Simpsons Game, The Godfather II, and Dante’s Inferno. She ultimately left EA Games in 2011 and went on to become the lead artist at Blackbone Entertainment where she worked on Zombie Apocalypse: Never Die Alone and Midway Arcade Origins. Titre-Montgomery later returned to EA Games in 2013 to work on games like Dance Central 3 and The Sims 4. She then started working as the manager of the art and computer animation department for the company Ubisoft in around 2015. Titre-Montgomery was also invited to the White House LGBTQ Tech and Innovation Briefing in 2016 and the following year became the art manager at Double Fine Productions, working on Psychonauts 2. Lisette Titre-Montgomery is also a member of Blacks in Gaming which is a nonprofit networking and collaboration group for African Americans in the gaming industry.

Although this blog does not go as in-depth into these trendsetters, game-changers, or trail-blazers in the animation community as it should, it acts as a small list of Black women animators that has made big waves in the industry as a whole. Their work in the field has allowed countless young women of color to believe that they can achieve their dreams in animation and allow them to have role models to look up to as inspiration. There may not be nearly as many Black female animators but the number is slowly growing and they are leaving their print on animation as a whole and that should be paid attention to.

[animationforce]

2019 Oscar Nominations in Animation

This morning, the Academy Award nominees were announced (full list here). Here is how animation stacked up in the list:

Best Animated Feature Film: 

"Incredibles 2" — Disney/Pixar’s hit sequel to their original family superhero film

"Isle of Dogs" — Director Wes Anderson’s latest stop-motion adventure follows a Japanese boy on a mission to rescue his dog.

"Mirai" — Japanese import with stunning 2D animation and a charming story of family and time-travel, by director Mamoru Hosoda

"Ralph Breaks the Internet" — Walt Disney Animation continues the tale of Wreck-It Ralph with a lot of laughs and heart

"Spider-Man: Into the Spider-Verse" — Sony proves how far it can go with the proper push, with incredible comics-inspired animation and Spider-Man like you’ve never seen him. 

Honestly, I’m having a hard time picking the best film from this list. All my favorite animated films from last year are represented, proving again what a great year 2018 was in animation. These films are funny and inspiring and beautiful. LOOK AT THEM!

ANIMATED SHORT FILM

"Animal Behaviour" — The National Film Board of Canada presents David Fine & Alison Snowden’s short about "a group therapy session, with animals.”

"Bao" — A “culinary fable” from Pixar’s first female director of an animated short, Domee Shi, with inspiration from her Chinese immigrant parents’ protective style of love.

"Late Afternoon" — Irish animation studio Cartoon Saloon’s exploration into a woman’s experience with memory loss, directed by Louise Bagnall. (Watch in full here). 

"One Small Step" — Newcomer TAIKO Studios’ first project “follows the story of Luna, a Chinese American girl who dreams of becoming an astronaut,” from Disney veteran animators. (Watch in full here).

"Weekends" — This hand-animated personal project by Pixar animators follows a young boy “shuffling between the homes of his recently divorced parents” in 1980s Toronto. 

What stands out the most in this year’s lineup of animated short films must be how deeply personal the stories remain. Another great aspect of these films? The character designs: 

Congratulations to all the nominated films!

- Courtney ( @harmonicacave )

[videoproductioncomapny]

Whether you're a small startup or a large corporation, incorporating 2D/3D animation services into your marketing strategy can provide numerous benefits. To know more visit https://www.vcminteractive.com/services/2d3d-animation-graphic-design/ or call us at 647.401.1443.

[eduardomarin90]

Nike LunarEpic Flyknit Launch | Process from Tendril on Vimeo.

A little peek behind the scenes. So much love went into this one.

Music: Moderat - Last Time (Jon Hopkins Remix)

Together with Blacklist and a crew of otherworldly talents from around the world, we created the teaser, launch film, and global Nike in-store installations. We built an A-list team for the project that included one of our award-winning HIGH5ER studios, Frame, to co-direct. What was totally unique about the project for us was the global collaboration. Blacklist is in NY, Tendril in Toronto, Frame in Denmark, Nike in Portland, and there was a slew of freelance gurus dotted all over the world. In total we had Canada, US, Brazil, Germany, Slovenia, Denmark and the UK all on this project. This made it an explosion of deadly talents. We all worked together hooked up by a massive 2TB Dropbox account.

Besides the amazing team who we had the pleasure of collaborating with, shout-outs to Google Hangouts, Sheets, Slack, Dropbox, continental airline travel, coffee, and beer for helping make this other-worldly experience a pain-free collaboration.

CREDITS:

Client: Nike Nike Global Brand Communications: Tad Greenough Executive Producer, Nike Brand Communication Studio: Noah Stanik Nike Producer: Meagan Moore Production Company: Blacklist EP: Andrew Linsk Producer: Karen Lawler, Alex Unick Studio: Tendril & Frame Co-Directors: Chris Bahry, Tom Crate EPs: Kate Bate, Thomas Bay HOP / Producer: Mary Anne Ledesma Producer: Louise Bejerholm Storyboards: Greg Boychuk, Gabe Sapienza Editor: Tom Crate Pitch Concepts: Chris Bahry, Tom Crate, Wojtek Szklarski, Ann Kruetzkamp, Marco Iozzi Reveal Film: Lead 3D Artists & Animation: Nejc Polovsak, Matt Frodsham, Simon Fiedler Particle FX: Simon Fiedler, Alasgar Hasanov, Marcin Porebski Shoe Rigging & Animation: Matias Hansen Lighting & Render: Nejc Polovsak, Matt Frodsham Additional 3D Artists: Sacha Wechselmann, Ben Pilgrim Shoe Modeling: Marek Denko Matte Painting: Bojan Zoric, Form Language Compositing: Chris Bahry, Brad Husband Teaser Film: 3D Artists: Christian Hecht, Alasgar Hasanov, Chris Bahry FX: Valdemaras Dzengo, Alasgar Hasanov Light & Render: Christian Hecht, Brad Husband 2D Animation: Gabriel Rocha Compositing: Chris Bahry, Brad Husband Additional Compositing: Alexandre Veaux Sound Design & Music: John Black of CypherAudio

[your-visual-connections]

Why Animation Video is best for your advertising strategy?

Video is a most engaging instrument to convey a message or idea. When compared to info graphics to video advertising, video is most preferred form of advertising as it holds the attention of viewers for a while and conveys the message in seconds of time.  Making use of animation in video making adds advantage to the marketing strategy. People are running out of time and don’t have patience to read. Thus advertising video must be done in very precise and clear manner that clearly conveys the message of the product or service advertised.

There is huge shift in advertising field from usual text description to visual description. There are more chances to buy product after watching the video. Adding video on landing pages increases chances of generating leads. Most of the users look for video which has explained services which satisfies their search and what for they were looking for.

If animated video isn’t part of your marketing strategy, look one for it. Animated videos have lots of benefits, first animation attracts viewers. If we see users on internet have short attention to watch or see, so making a video that lasts for shorter time and conveys its massage within that time frame is possible only through animation.

Animation videos bring life to ideas. With help of animated videos you can explain complex concepts in very precise manner. And at the same time animation video brings fun and entertainment to viewers. Also animation video is cost effective when compared to live shoots.

A successful marketing strategy depends on selecting the right the Animation Studio that understands your requirements and delivers creative animation videos. In recent time many businesses are making animation advertising as their must have marketing campaign. Animation helps express your brand exactly how you want the audience to view about the product or service.

[from-our-boxes]

The Animation Industry and the Covid-19 Pandemic

by Matty Braure

In March 2020, the World Health Organisation declared the Covid-19 outbreak a pandemic. For a short period, working people were subject to a government-mandated lockdown to quarantine any possible new cases and avoid the spread. It resulted in catastrophic, unprecedented statistics when it came to unemployment. According to the U.S. Bureau of Labour Statistics, 2.4 million jobs were dismissed in the professional and business services industry between March and April. This vast depletion of careers includes the entertainment industry, where Hollywood and the live-action industry saw up to 200,000 jobs abruptly laid off. However what if a notable form of entertainment, usually the underdog of its kind, was able to flourish during the confinement? Animation has always been a staple in a consumerist culture.

The ability to attract audiences comes from the help of colourful and imaginative visuals, whether it be the graphic design of a website; a PSA about self-distancing; advertisements or VFX (visual effects) in movies; animation as a medium is ingrained in pop culture. It maintains a form of consistency during these trying times, as consumers and producers increasingly find themselves at home. But how? What exactly in animation allows for a smoother transition towards at-home production, and why has it gained popularity during a time where everything is mobilised around the pandemic? This analysis will be composed of three parts: how studios have managed to adapt to a new workflow; reviewing popularised trends; and the overall economic feedback of this industry during the pandemic.

Jen Rudin, a former casting director for Disney, Amazon, and Nickelodeon quotes: “We don’t have to touch each other to make animation happen.” That is factual, as animators have been working remotely for years. Most modern studios hold many computer stations connected to drawing tablets: teams exchange progress digitally whether the employees are a desk away, or overseas since the industry has streamlined the process into reliable, low-cost studios around the world. Art software such as Toon-Boom and Maya allows anyone across the world to open and edit the same assets or files. The technology has evolved to a point where reviewing a layout or animated shot can even be accomplished on a mobile device. Programs to manage teams have also seen similar technological advancements to analyse and track the productivity of artists working outside the studio. A particular program includes Harmony Web Control Centre, a web server that allows off-site artists with internet access to tap directly into the studio’s pipeline.

According to the House of Cool Studios (based in Toronto, Canada), the negative impact has been modest and has seen a higher degree of productivity. Reduced in-person interaction meant that directors had to be concise with artists’ outcomes, and dedicate one-on-one conferences during kick-off meetings. These intensive exchanges left team workflow uninterrupted, resulting in better and more efficient work. Cartoon Saloon, another animation studio, was interrupted as they neared the completion of their 2D animated movie Wolfwalkers (2020). This Ireland based studio partnered with a clean-up team located in Luxembourg and was thankful to have finished most of their hand-drawn segments before the lockdown. An issue they had to face was their bandwidth, meaning that their compositing team was the last to leave the studio with heavy files. Thankfully, their IT and administration team were able to help manage their internet-related issues. VPNs were installed, and the usage of Skype, Google Hangouts and Zoom was able to keep up communication as they finished the movie.

Regardless of the positives, the industry acknowledges the negative impact of the lockdown migration. Studios were forced to adapt and organise themselves differently than they normally would, which resulted in obvious delays, domestic and global supply lines disrupting and live events (promoting new projects; film festivals) postponed or cancelled. Overseas distributors were also negatively impacted, such as Sentai Filmworks, as they experienced losses in physical sales with the closure of Walmart, Best Buy and theatrical releases. Another example would be Jordi Oliva from Catalan studio Imagic TV (France) who says “the crisis has been very negative for our finished feature film with the cancellation of festivals and markets. Overall, I’d say (…) in marketing, distribution and sales, a 90% impact.”

Other drawbacks included crunch time, as some studios rushed production to keep up with release dates or even artists relied on resourceful setups at the studio. Equipment had to be sent to artists and even voice actors’ homes to maintain quality for the final production. Island of Misfits (Halifax, Canada) experienced issues in lag and audio/picture syncing but thankfully managed to test and set up new software to improve them. Although employment was in high demand due to the increase of streaming platforms, integrating new employees was found to be tricky due to the sudden change of pace and personalised pandemic workflow of each studio.

Thankfully several months after the sudden lockdown, the stress and hectic changes began to slow down at the end of 2020. Advantages and trends were becoming more apparent as studios and distributors settled into their new routines. Different, but positive feedback began to flow in as Covid-19 allowed animation to find a new life- not in movie theatres- but at home. According to Yahoo’s 2022 report on the global animation industry, streaming video services are the fastest-growing distribution channels for animation, and are currently witnessing a double-digit growth that is expected to continue.

On April 13th 2020, Forbes declared Trolls: World Tour (2020) to be the first digital title with the biggest opening day and weekend. It topped sales and viewer-watch on platforms such as Amazon, Comcast, Apple and Youtube, and became the most pre-ordered title during its first three days of release. Admittedly, the movie isn’t humanity’s magnum opus and was released on digital platforms as a test subject. It made sense after all, as families had more access to the internet rather than a closed theatre. A $20 price tag might have been attractive to those who want to show their kids a new movie. Trolls: World Tour‘s success alerted the industry that not all movies had to go through theatres to be successful. Streaming platforms are the all-new hype.

This supply and demand reaction encouraged studios to seek more artists and animators to come up with new ideas. Shows are being pitched more frequently. Whilst traditional production was struggling due to safety protocols, animation hubs were hiring. In the past, streaming has struggled to break into areas more traditionally suited to a live broadcast model (news, sports). Animation managed to fill that gap as it’s a niche that services can appeal to. Although one might believe animation is only catered towards children, adult animation plays an important role too. It has gained popularity in the last decade thanks to shows like The Simpsons, Bob’s Burgers, Beavis and Butthead and Rick and Morty, inciting studios to produce more animation for mature audiences willing to pay for such forms of entertainment.

Further emerging trends and technologies have made it clear that not only animators can be hired in this industry, but also computer professionals, programmers and technicians. The evolution of VFX, AR and VR technologies is changing the consumption of films, as well as video games. The video game industry is composed of a multitude of talented animators and has undergone a similar transition. Gaming was once seen as an isolating activity- but that couldn’t be further from the truth. As of the second quarter of 2020, Twitch- a leading live streaming platform for gamers- saw an 83% year uprise in viewership during the pandemic, with over 5 billion hours of content viewed. This spread of video game culture is driving the demand for animated content.

Styles of animated feature films are changing as well. Though 2D animation is rare, a hybrid of 2D and 3D animation was born due to the success of Spiderman: Into the Spiderverse (2018). Recently, animations like The Mitchells vs. the Machines (2021); Arcane (2021); Turning Red (2022) and The Bad Guys (2022) have merged these two styles to make for an exciting, visually appealing experience. The reduced costs and dynamic camera of 3D production mixed with sparks of 2D elements are being seen more often as studios draw in new audiences. Finally, Tiktok, an app mimicking its predecessor Musica.ly, has popularised short video formats. By gaining the attention of millions through personalised skits, studios and animators alike have been able to market their work. These productions have cheap and quick turnaround times, aiding the popularisation of animation as an art form.

More recent articles prove that animation has successfully adapted to this pandemic. CNBC reports that Disney’s most recent movie, Turning Red (2022), is the third Pixar film to transition to Disney’s streaming platform during the pandemic alongside Soul (2020) and Luca (2021). Families have been slow to return to theatres, even after vaccination. Although unfortunately, no animated film has surpassed $100 million domestically since March 2020 (the top earners being Universal’s Sing 2 (2021) at $97 million, and Disney’s Encanto (2021) at $92 million), their goal is still financially motivated but with the intention of marketing to new audiences. Kareen Daniel, chairman of Disney’s media and entertainment distribution explains that “Given the delayed box office recovery, particularly for family films, flexibility remains at the core of our distribution decisions as we prioritise delivering the unparalleled content of The Walt Disney Company to audiences around the world”.

In conclusion, the animation industry underwent many changes since the Covid-19 pandemic lockdown in March 2020, and have even exceeded expectations. Although the beginning was hectic, with artists and actors being uprooted from their working stations; technical difficulties; tight deadlines and marketing issues, studios were able to get back up on their feet and tweak certain aspects of what was already an isolated “covid-proof” work environment. Improved technology and the rise of streaming content are factors that push animation further into the mainstream, making it a form of entertainment that is easily accessed. Due to the high demand, studios are finding new ways to evolve animation into different styles and ways of consumption. As the pandemic continues, one can only hope that studios continue to release ambitious projects to keep people sane during a difficult era.



Bibliography

Desowitz, Bill. “Cartoon Saloon’s Animated ‘Wolfwalkers’ Battled Covid-19 in Ireland | IndieWire.” IndieWire, IndieWire, 27 Apr. 2020, https://www.indiewire.com/2020/04/cartoon-saloon-animated-wolfwalkers-covid-19-ireland-1202227053/.

Herman, Alison. “TV’s Future Will Be More Animated - The Ringer.” The Ringer, The Ringer, 16 Sept. 2020, https://www.theringer.com/tv/2020/9/16/21438989/tv-animated-series-pandemic-boom.

Kashty, Meagan. “How Is the Animation Industry Adapting amidst Uncertainty?  | Arts & Design | Sheridan College.” Sheridan College, Sheridan College, 23 Apr. 2021, https://www.sheridancollege.ca/newsroom/articles/arts-design/take-5-how-is-the-animation-industry-adapting-amidst-uncertainty.

Markets, Research. “Global Animation, VFX & Video Games Industry Report 2022-2026: Digital Advertising, OTT and Gaming Have Witnessed Massive Spikes in Consumption During COVID-19 Across Geographies.” Yahoo | Mail, Weather, Search, Politics, News, Finance, Sports & Videos, Yahoo, 15 Apr. 2022, https://www.yahoo.com/now/global-animation-vfx-video-games-083800118.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAC-vQ1G7Fig3hJHPECoyPv1OgX-2JLdW2kQBdof4EJ-VZZ_sPhNNhErnvIUs5MIBHxb7HtQ1fAXEL_jxhFp57v61rD15NyqjpGkRF4fYqM4tiwFfFhYCjdhRK9XKTSZXZg-aVgqfgSXmn53_cAVMf9H64PVV_uU4a2ERfdoQY3F9. 

Mendelson, Scott. “‘Trolls: World Tour’ Breaks Records And Nabs Biggest Digital Debut Ever.” Forbes, Forbes, 13 Apr. 2020, https://www.forbes.com/sites/scottmendelson/2020/04/13/trolls-world-starring-anna-kendrick-justin-timberlake-and-rachel-bloom-tour-scores-biggest-digital-debut-of-all-time/?sh=126877882c43.

Mustafa, Bahaa. “View of Dr The Effect of Animation on The Society During The COVID-19 Pandemic A Literature Review.” Journal of Arts and Humanities, 16 Dec. 2021, https://www.theartsjournal.org/index.php/site/article/view/2225/1006.

Op-Ed, Cartoon Brew. “For The Animation Industry, The Coronavirus Crisis Has Created A Big Opportunity.” Cartoon Brew, https://www.facebook.com/groups/14828751350/, 1 May 2020, https://www.cartoonbrew.com/ideas-commentary/for-the-animation-industry-the-coronavirus-crisis-has-created-a-big-opportunity-189911.html.

Skwarczek, Bartosz. “How The Gaming Industry Has Leveled Up During The Pandemic.” Forbes, Forbes, 17 June 2021, https://www.forbes.com/sites/forbestechcouncil/2021/06/17/how-the-gaming-industry-has-leveled-up-during-the-pandemic/?sh=74d2ffce297c.

Whitten, Sarah. “Pixar’s ‘Turning Red’ to Skip Theaters, Head Straight to Disney+.” CNBC, CNBC, 7 Jan. 2022, https://www.cnbc.com/2022/01/07/pixars-turning-red-to-skip-theaters-head-straight-to-disney.html.

[3drendering]

Key Pointers On How 3d Rendering Can Improve Your Business Profits

Let your clients have an interactive experience and the opportunity to understand your designs better with rendering service in British Columbia.

With the development of new improved technicalities, architects and designers can now leverage 3D products for both modeling and designing projects. By using the best architectural visualization and rendering software in Toronto, it is possible to create lifeline and eye-popping designs.

The Importance Of Architectural Rendering And Visualization

Highlight The Most Prominent Features: Every buyer looking for their ideal home would be delighted to see the highlights of their future property beforehand. With 3D technology, they have the opportunity to. Even better, the buyer can see the details of their home when construction hasn’t even properly begun.

Architectural rendering for residential homes will allow you to showcase every aspect of the home, from architectural and design solutions to flooring, lighting, and even home appliances.

More Effective Marketing Strategy: Compared to traditional photos or 2D animations, 3D architectural renderings are much more captivating and interactive. This gives them incredible marketing potential. By attracting the attention of more buyers, 3D images can significantly increase ROI in marketing and help speed up sales.

Accurate Measurements And Easy Corrections: Precise and accurate design measurements help to make the finished product look more vivid and realistic. A 3D design layout clearly depicts the dimensions clearly. Views from every angle save time and are accurate and aid designers in speeding up the process. Furthermore, if your client wants you to change the layout, floor plans, or lighting, modifying 3d rendered images is less costly and way easier. Identifying design flaws and loopholes through visualizations and then correcting them require less effort also.

Better Client Communication: Sketches and drawings are not as self-explanatory and therefore give way to misinterpretation when explaining to clients. Having a meaningful discussion with your client is the first step towards preventing future design mistakes. Being able to effectively communicate each other’s vision will benefit both the parties and help in better progress in the project. So layer and design your room with 3d rendering software and give your ideas the much-needed edge.

Improved Brand Identity: Having a distinct brand identity is important to stand out from the crowd. The better you are able to project your brand, the better exposure your brand will get. This ensures a sense of trust among clients. You can easily create a brand identity with 3d rendering service in Nova Scotia.

According to industry experts and leading interior, exterior design studios, investing in 3d renderings services will pave a way for higher financial returns. So, without thinking further, give your clients a comprehensive experience of your project with visual narratives. For more information regarding rendering services in Victoria, Vancouver & Calgary, contact 3D Renderings.

[mi5016oranmcclintock]

WHERE WOULD I WANT TO LIVE/WORK?

My short investigation into various animation studios at home, across the uk, and even in the global scale – across the world.

I have chose 2 in each category that I really liked the look of.

UK

Axis Studios - https://axisstudiosgroup.com

Axis is an animation and VFX Studio with a plethora of prestigious awards under their belt including Bafta and Emmy awards. They have collaborated with many big studios such as HBO, Netflix, Universal and Microsoft Studios. Situated within the UK in cities including Glasgow, London and Bristol. Also boasting an international team of directors, designers, artists and animators working in conjunction across its studios.

I found the body of work Axis has to be extremely diverse. Truly a jack of all trade studio specialising in Film, Television, Games and Theme Parks.

Enjoy this selection of their work below;

Halo Infinite | Multiplayer Season 1 Cinematic Intro

https://www.youtube.com/watch?v=lOthvD1rMbQ&t=5s

Sackboy: A Big Adventure

Kong Studio - www.kong-studio.com

When I began researching UK based animation studios, I wanted to find a studio that specialised in 2D, the animation technique I am most comfortable with at this current stage in my career. Following this was my discovery of Kong Studio. Kong is a London based animation and illustration studio, made up with a talented team of directors, animators, scriptwriters and illustrators.

Although starting in 2D, Kong now also works in a variety of styles, mediums and techniques all with the goal of delivering crafted illustration and animation across various branded content, entertainment and prints. Kong has the goal to immerse themselves in the details and to bring the stories they create to life. They consider themselves not just artists, but also storytellers. Some of their clientele include Intel, Disney, BBC Ideas and IMAX.

Here is some of their work for IMAX below:

IMAX - Star Wars Rise of Skywalker

IMAX - Solo

IRELAND (HOME)

Glancing back at home, at the Irish animation industry which has experienced a substantial growth since 2010.

Emerging as a central component of Irelands digital and creative economy, with millions of children watching animated programmes crafted in Ireland. Ireland is becoming a recognised leader for TV, Film, Games and Visual Effects.

Boulder Media - https://www.bouldermedia.tv/en-ie

For the past 16+ years Boulder Media has been involved in producing some of the most well-known award-winning animated shows. Shows that I myself have grown up watching. Established in 2000 and setting up shop in Dublin, Boulder media have gone on to become one of Irelands largest animation studios. Working alongside companies such as Cartoon Network, BBC and Disney UK to create such shows like Fosters Home for Imaginary Friends. The Amazing World of Gumball and currently in production Danger Mouse.

Mainly being an 2D driven studio, Boulder has also shared with the world their first full CGI Feature film on September of this year (2021).

Also Irelands first 3D animation feature film, which unfortunately had to be an adventure into the My Little Pony Universe. Trailer below.

https://www.youtube.com/watch?v=kIv_ConaZ1c

Brown Bag Films - https://www.brownbagfilms.com

Brown Bag studios has a diverse body of work in 2D, 3D and VFX. They were founded in Dublin, Ireland in 1994 and went on to grow into studios located around the world in places such as Dublin, Toronto, Manchester and LA.

Their creative vision is a focus on producing the highest quality, cross platform animation with strong stories and engaging characters.  Brown Bag studios have a body of work I recognise solely because of having nieces and nephews. I’ve chosen to talk about this studio due to that fact. The smiles that this studio has brought my nieces and nephews growing up, and finding out the people who have created those simple moments of joy for them was based in my backyard really surprised me and seeded my interest. The studios have had their hand in creating some of the most much-loved TV shows viewed by millions of children worldwide. Including the likes of Bing, Doc McStuffins, Peter Rabbit and the Octonauts. Brown Bag studios love animation so much they’ve even trademarked the phrase “We Love Animation™.”

GLOBAL -

(USA) Warner Bros Animation - https://www.warnerbros.com/

Warner Bros. Animation is as you might have guessed, the animation division of Warner Bros. A successor studio to Warner Bros. Cartoons the studio that produced the Looney Tunes and Merrie Melodies series of cartoon shorts from 1933-1969 From 1990 they have been primarily focusing upon producing and developing projects for multiple platforms. Both domestically and internationally.

WBA is one of the leading producers of animation in the entertainment industry worldwide. Founded in 1980 they are now situated in Burbank, California, USA specialising in Television, both Theatrical, Direct to video movies and Online shorts. Boasting huge bodies of work in both 2D and 3D Animation. Some of their classics include The Iron Giant, Batman: The Animated Series, Animaniacs and Whats New, Scooby Doo? among others.

(New Zealand) Weta Digital - https://www.wetafx.co.nz

Moving away from the states I began looking at Weta Digital, situated in my dream destination New Zealand. Weta is also responsible for my favourite series of films The Lord of the Rings trilogy so I couldn’t help but include them.

Based in Wellington, New Zealand I believe from an outsider’s glance and also as someone with great interest in the industry that Weta are among the most ambitious artists and engineers in the animation and VFX industry. Some of Weta’s clientele are among the biggest studios in the world, including work with Walt Disney Studios, Marvel Studios and Warner Bros. Formed in 1993 by a group of young New Zealand filmmakers including Peter Jackson, Richard Taylor and Jamie Selkirk.

They now mainly specialise in VFX and CGI Animation working on blockbuster movies such as Avengers Infinity War and their Oscar winning King Kong. Some of their work can be seen below.

King Kong (2005)