#3D Animation Studio in Toronto

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Top 3D Animation Services in Toronto | Creative Visual Solutions

Get engaging and impactful 3D animation services in Toronto with VCM Interactive. We specialize in creating visual experiences for your brand.

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What Is 2D Animation? A Beginner’s Guide to This Classic Art Form

In the fast-paced world of digital content, visual storytelling has emerged as a powerful tool for brands and creators alike. Among the various animation techniques, 2D animation continues to be one of the most popular and accessible forms. But what is 2D animation, and why is it still relevant today?

This article explores the basics of 2D animation, the unique appeal of 2D cel animation, the benefits of professional 2D animation services, and how industries are leveraging it—especially through solutions like explainer videos Toronto companies offer.

What Is 2D Animation?

At its core, 2D animation is a type of animation created in a two-dimensional space. It involves moving characters, backgrounds, and objects in a flat plane, typically using height and width dimensions. Unlike 3D animation, which gives depth to characters and objects, 2D animation maintains a traditional, flat look.

The process involves drawing individual frames that, when played in sequence, create the illusion of movement. Originally done by hand, modern 2D animation often incorporates digital tools to speed up production and enhance precision. Still, the essence remains the same—it's all about breathing life into static images.

The Legacy of 2D Cel Animation

One of the earliest and most influential forms of animation is 2D cel animation. This traditional method uses transparent sheets called "cels," where each character or element is hand-drawn and painted. These cels are then layered over static backgrounds and photographed frame by frame to produce animated sequences.

Though time-consuming, 2D cel animation laid the foundation for the animation industry. Iconic films like Snow White and the Seven Dwarfs and TV shows like The Flintstones were created using this technique. Today, cel animation is less common due to digital advancements, but its aesthetic remains widely admired and continues to influence modern 2D animation styles.

Why 2D Animation Still Matters

So, why is 2D animation still so important in 2025? The answer lies in its versatility, affordability, and timeless appeal. Unlike 3D animation, which requires complex modeling and rendering, 2D animation is often more cost-effective and faster to produce, making it ideal for startups, educators, and marketers.

Moreover, 2D animation is highly effective for storytelling. It allows creators to emphasize emotions, deliver abstract concepts, and stylize visuals in ways that resonate with diverse audiences. Whether it's a fun explainer video or an emotional narrative, 2D animation provides a flexible platform to engage viewers.

Professional 2D Animation Services: Why They Matter

For brands looking to stand out, investing in professional 2D animation services can make all the difference. These services typically include everything from concept development and scriptwriting to storyboarding, animation, and post-production.

Working with experts ensures high-quality visuals, smooth transitions, and compelling narratives tailored to your goals. Whether you’re launching a product, educating your audience, or building brand awareness, professional animators can help you tell your story in a captivating way.

Additionally, many 2D animation services offer style customization, so your video can align with your branding—be it playful, corporate, educational, or artistic.

The Rise of Explainer Videos Toronto Businesses Use

One area where 2D animation is thriving is in the creation of explainer videos. These are short, engaging videos that explain a concept, product, or service in a simple and effective way. In particular, explainer videos Toronto companies are producing have gained traction due to their polished storytelling and clean animation styles.

In a city known for its creative industries, animation studios in Toronto have mastered the art of using 2D animation to deliver impactful messages. From tech startups to healthcare providers, businesses across sectors are leveraging explainer videos to increase engagement, improve retention, and drive conversions.

Using 2D animation in these videos offers a friendly and approachable tone, helping viewers understand complex ideas quickly. Whether it’s a how-to guide, product demo, or educational content, 2D animated explainer videos make information digestible and memorable.

Benefits of Using 2D Animation for Your Brand

Here are some compelling reasons to consider 2D animation services for your next project:

Cost-Effective: Compared to 3D or live-action video, 2D animation generally requires fewer resources, making it a budget-friendly option.

Time-Efficient: With modern software, animations can be created quickly without sacrificing quality.

Visually Appealing: 2D animation has a unique charm that resonates across age groups and cultures.

Highly Customizable: You can create characters and environments that perfectly align with your brand identity.

Effective Communication: Especially useful for explainer videos, 2D animation helps break down complicated ideas into simple visual stories.

Key Industries Benefiting from 2D Animation

Many industries are embracing 2D animation to enhance their communication strategies. Here are a few examples:

Education: Teachers and e-learning platforms use 2D animated videos to make lessons more engaging and easier to understand.

Healthcare: Medical concepts are complex, but animation simplifies information for patients and staff.

Finance: Animated explainer videos help demystify financial products and services.

Technology: Tech companies often use 2D animation to demonstrate how software or apps work.

Marketing: From social media ads to landing page videos, animation boosts campaign effectiveness.

Final Thoughts

Understanding what is 2D animation is the first step toward appreciating its impact on modern communication. With roots in traditional 2D cel animation and growth through digital innovation, this art form continues to shape the way we tell stories and share ideas.

Whether you're a business owner in need of explainer videos Toronto professionals can create, or a marketer exploring cost-effective content strategies, 2D animation services offer a versatile and compelling solution. It’s more than just moving images—it's a gateway to engaging your audience, clarifying your message, and standing out in a crowded digital space.

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Top Countries Leading the Animation Industry: A Global Perspective

The animation industry has grown into a massive global force, with countries around the world making significant contributions to its evolution. From 2D hand-drawn animation to the most advanced 3D models and VFX, animation has become a crucial part of entertainment, education, and technology. But one common question that pops up is: Which country is the best in animation?

While it's difficult to pinpoint a single leader, several nations stand out for their contributions, technological innovations, and cultural influence. In this article, we will explore the top countries in the animation world—the United States, Japan, Canada, South Korea, and France—and how Boston Institute of Analytics’ Best Animation Course can equip you with the skills to thrive in this fast-paced industry.

The United States: The Animation Giant

The United States is a dominant force in the animation industry, especially in feature films and TV series. Home to some of the most influential animation studios—such as Walt Disney Animation Studios, Pixar, DreamWorks Animation, and Blue Sky Studios—the U.S. has produced iconic animated films like The Lion King, Toy Story, Shrek, and Frozen.

1. Hollywood’s Animation Influence

Hollywood has always been the epicenter of the entertainment industry, and animation is no exception. The U.S. has led the way in animation innovation, from the early days of Walt Disney to the revolutionary CGI work by Pixar. American animation studios have consistently set global standards for storytelling and visual quality.

2. Cutting-Edge Technology

The U.S. also leads in the development of animation technologies. American studios have pioneered software and tools for 3D animation, motion capture, and VFX, which are now widely used across the globe. Companies like Autodesk, Adobe, and NVIDIA are based in the U.S. and provide the essential resources that animators use to create breathtaking visuals.

3. Global Reach

American animation has a far-reaching impact worldwide. Hollywood’s animated films enjoy global popularity, and U.S. studios often collaborate with international teams to create content for a worldwide audience. The influence of American animation can be seen in franchises like Marvel Studios and Pixar, which have become household names.

Japan: The Epicenter of Anime

While the U.S. is a leader in mainstream animation, Japan has carved out its niche as the global hub of anime. Japanese animation is known for its distinctive style, compelling storytelling, and broad range of genres. The country’s contribution to the animation world is undeniable.

1. The Rise of Anime

Anime has become a worldwide phenomenon, with shows like Naruto, Dragon Ball, One Piece, and Attack on Titan captivating millions of fans globally. Japan’s animation style, which blends artistic visuals with deep storytelling, has influenced the animation industry worldwide.

2. Studio Ghibli: A Global Icon

Few studios are as well-regarded as Studio Ghibli, founded by legendary directors Hayao Miyazaki and Isao Takahata. Films like Spirited Away, My Neighbor Totoro, and Princess Mononoke have won numerous accolades, including an Academy Award for Best Animated Feature. Studio Ghibli’s unique approach to animation has inspired countless artists and filmmakers around the world.

3. Cultural Impact

Japanese animation has deeply influenced global pop culture, from fashion to art and even video games. Anime’s distinct aesthetic and storytelling techniques have left a lasting mark on animation worldwide, and it continues to shape trends in the industry.

Canada: A Growing Animation Powerhouse

Canada has quickly become a major player in the animation field, particularly in cities like Vancouver, Montreal, and Toronto. The country’s animation sector is thriving, fueled by a talented workforce, favorable government incentives, and close ties to the U.S. entertainment industry.

1. Government Support

The Canadian government has played a significant role in the growth of the animation industry by offering tax credits and funding programs for animation studios. These initiatives have made Canada an attractive destination for both local and international animation projects.

2. International Collaborations

Canada is home to renowned animation studios such as Nelvana, DHX Media, and Mainframe Studios. These studios have worked on major international projects, often collaborating with U.S. companies to produce animated films and TV shows. This cross-border cooperation has helped Canada establish itself as a global animation hub.

3. Talent Pool

Canadian animators are known for their technical expertise and creativity. Many Canadian animators have worked on high-profile Hollywood productions, and the country continues to produce top talent in the animation industry. With strong educational programs and collaborative opportunities, Canada remains a key player in animation.

South Korea: The Rising Animation Hub

South Korea has rapidly emerged as a powerful force in the animation industry, especially in 2D animation and VFX. The country’s animation studios are known for their high-quality work and attention to detail.

1. Outsourcing and Production

Many major animation studios in the U.S. and Japan outsource animation work to South Korea due to the country’s skilled workforce and cost-effective production capabilities. South Korean animators have contributed to several well-known animated series, including The Simpsons and Teenage Mutant Ninja Turtles.

2. Domestic Animation Growth

In addition to being a hub for outsourced animation, South Korea has developed its own domestic animation industry. Korean animation studios are now producing original content, with a focus on both 2D and 3D animation. The growth of the domestic industry has further cemented South Korea’s position in the global animation landscape.

France: Europe’s Animation Leader

France has long been a leader in European animation, with a rich history of both traditional and digital animation. The country is home to some of the most innovative animation studios in Europe and has a vibrant animation culture that is recognized worldwide.

1. French Animation Studios

France is home to several influential animation studios, such as Les Films du Carrosse, Studio Folimage, and Mac Guff Ligne. These studios have produced critically acclaimed films like The Triplets of Belleville and Ernest & Celestine, which have garnered international recognition.

2. Cultural Influence

French animation is known for its unique artistic approach and storytelling. French animated films often explore more mature themes and showcase a distinctive European flair, setting them apart from Hollywood productions. This unique approach has earned French animation a respected place on the global stage.

How Boston Institute of Analytics’ Best Animation Institute Can Help You Succeed

If you’re passionate about animation and want to break into this exciting industry, Boston Institute of Analytics’ Best Animation Course is the perfect place to start. Whether you’re interested in 2D animation, 3D modeling, or VFX, the institute provides comprehensive programs designed to equip you with the skills and knowledge needed to succeed.

At Boston Institute of Analytics, you will:

Learn the fundamentals of animation, including storyboarding, character design, and visual effects.

Gain hands-on experience with industry-standard software like Autodesk Maya, Blender, and Adobe After Effects.

Build a strong portfolio that showcases your animation skills.

Receive guidance from industry professionals who have worked with top animation studios.

By joining Boston Institute of Analytics, you’ll be well on your way to becoming a skilled animator ready to work with leading studios around the world.

Conclusion

While there is no single "best" country in animation, the United States, Japan, Canada, South Korea, and France all play significant roles in shaping the global animation industry. Each country brings its unique strengths to the table, from Hollywood’s technological innovations to Japan’s anime culture and France’s artistic approach. No matter where you choose to pursue your animation career, the future of this dynamic industry looks bright.

For those looking to build a career in animation, Boston Institute of Analytics’ Best Animation Course offers the perfect training and resources to help you succeed. With the right education, you can become a part of the next generation of animators who will continue to shape the future of this exciting field.

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Weekend Characters from Polyester on Vimeo.

The animation studio Polyester is excited to announce the launch of it’s first retail shop, Weekend Characters. We wanted a place where we could give a voice to the team. A place to work on experiments and share our craft with a wider audience. Where fresh opportunities to collaborate with friends and peers on something new can come to life.

To help kick off the opening of the retail shop, the team at Polyester created a 50-second animated spot with the characters featured on the merchandise inside the shop. Shot in Kensington Market, the live-action-animated spot helps to connect the outside neighbourhood to the wonders inside. The live-action ensured the animated spot would not come across as too young and balanced the whimsical characters against the grit and texture of the working class turned tourist neighbourhood.

Weekend Characters is open on weekends at 145 Augusta Ave. in Toronto, and always online at: weekendcharacters.com/

Project Credits: Directed by Polyester Studio Design / Concept art: SJ Lee Cel Artists: SJ Lee, Lily Chiao, Michael Rillo, Inés Fragueiro, Christine Le, Joan Chung, Ruth Wang 3D Artists: Luis Campos, Oliver Dead Compositors: Luis Campos, Oliver Dead, Jeffrey Brown Typography / Lettering: SJ Lee, Director of Photography: Mark Klassen Assistant Camera: Teo Weyman Production Assistant: Michelle Gorkunberg Colour: Kevin Wu with Feather Studio Character Voices: Hans Wackershauser with Ta-Da Voiceworks Music and Sound Design: Jeff Moberg

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Build your Business Brand with Animated Video

Brand Identity is the crucial part of any business, maintaining with strong authoritative brand is important to stay in competition in an online marketplace dominated by large brands.

The best ways that brands can compete is by inspiring loyalty among their most ardent customers.

 All marketers are subject to the 80/20 rule of marketing or the Pareto Principle. The Pareto principle states:  80% of your revenue will come from 20% of your customers.

This principle can be applied to almost every aspect of your marketing research. Consider that keeping an existing customer is 5x more cost-effective than acquiring a new one.

The first step to inspiring brand loyalty is to establish a brand identity and maintain consistency.

Having a strong brand identity leads to brand stickiness, which offers some residual marketing benefits in and of itself. Brand stickiness can lead to increased media coverage, word-of-mouth advertising, and greater customer loyalty.

One of the best ways to create and maintain your brand identity is through the use of animated marketing videos. Most online users demand videos in their day-to-day consumption and animation offers brands the ability to be creative without burning a hole in their pocket.

 Whether you choose to outsource your animated video production or host it in-house, here are some principles to keep in mind when creating your brand identity with an animated marketing video.

 Apply Your Brand Aesthetic

Animation offers attractive and familiar aesthetics that users and customers can identify with. When creating an animated video, it’s important to brand your videos, much like you would an info graphic, photo, or written piece of content on your site.

 Remember to incorporate these brand essentials into your animated video to maintain consistency:

 Company logo

Color scheme

Typography

In addition, you can incorporate your own personal touches into an animated video using motion graphics and your own personal photography. If you use illustrations, like we do, for any of your web pages then you can even incorporate your own team’s characters into a video!

 The key here is to maintain consistency by leveraging the existing elements of your brand and applying them to the animation medium. This way customers can become more familiar with your brand, making it more memorable.

 Animate Your Audience

The key to creating a successful brand is to define and understand your audience well.

In order to understand your audience better, you’ll need to create a buyer persona or customer avatar.

Your customer persona could include well-defined boundaries or characteristics that you discover through audience research, using tools such as Facebook and Google Ads. Your brand could be far more relevant to your audience, if you could also define how your ideal customers think, what they like to do, what they like to buy and any other psychographic information. You would tailor all your marketing communication to the persona/s you create.

You can also leverage demographic information to help target your ideal customers.

 Demographics (Physical and Economic Characteristics)

Age

Race

Gender

Income level

Geographic region

Family size

For example, think about whether your target market is primarily male or female and how old they might be. Create a character of that persona! When people are able to identify with characters in your story, they will connect with your brands and products, helping build brand affinity.

 Tell Your Brand Story

In today’s world, customers demand stories from advertisers and marketers alike. What better story do you have to tell, then the one about your brand?

Animated videos are fun and engaging and serve as the perfect medium to communicate valuable company news or milestones. These videos are also a great option if your business leaders prefer not to be on camera but still want to stay authentic to the brand.

 Find the Right Medium to Represent Your Brand

Finally, it’s important to find the right medium for your story. If you choose to invest in an animated marketing video, then you need to decide what video format best suits your needs. Options for animated marketing videos include:

 Explainer videos

Whiteboard animation

How-to videos

Product demos

Choose the medium that best represents your brand and the story you want to tell. Don’t forget to include the elements we listed above to maintain brand consistency and stickiness. For an animation company that will properly represent your brand and deliver high-quality videos that engage and educate customers, contact Visual Connections today!

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3D Animation Has the Probable to Increase Sales – Here’s how

3D animation has the potential to increase sales and is an effective tool for every business as it is versatile and attractive to any audience. If you want to experience development, 3D animation can help because it will give you many benefits, including the following:

This Will Make Your Products Accessible All The Time

With 3D animation, you can sell your products all the time because customers will be able to view your items and watch your videos whenever they want. Customers love visuals, and 3D animation will increase your sales because you can advertise in different countries, and customers can watch your videos repeating throughout the day.

Your Products Will Be More Attractive

Most people will be attracted to attractive 3D animations on the original pamphlet because it looks better and is far more attractive. Users are more likely to watch a video than read about it, so visuals are important because they will help make a big difference.

Sharing Your Videos Will Be Easy

3D animated videos can be uploaded anywhere, so you can share them on various social media platforms. The best thing is that you can do this without making any special changes so that you can upload them directly. This makes things a lot easier for you and your audience as they will be able to connect to your visual content anytime. This easy sharing method will increase your followers and allow you to reach a wider audience.

This Will Increase Your Credibility

3D animation will connect both old and new customers as it is a very attractive form of technology that will increase the brand and product credibility. It is important to engage existing and potential customers at the same time, and this tool will allow you to do this through educational content that is both fun and engaging.

It Will Guarantee Engagement

If you want to attract more customers, then you need to attract their attention and keep them busy. With 3D animation, you can easily do this by showing the features, usability, and functions of your products. You can display your products in 360 degrees to provide a unique virtual experience.

It can be used for various purposes.

3D animation can be implemented in different ways in different businesses. You can show complex processes of some products through visuals, help customers see internal components in the product or show product engagement with customers. the possibilities are endless!

3D animation is a great strategy that will boost sales. This can increase your presentations and will result in faster sales of your products and services. If you are interested in the idea, EnDesign can provide you with more information. We specialize in 3D rendering, scanning, and printing, and we can also help with projection mapping and architectural rendering, so if you're looking for an animation studio in Toronto, contact us today!

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Black Women in the Animating World

In a previous blog, Black Women Animate, founded by Taylor Shaw, was discussed and upon revisiting the field of animation, this blog will be taking shorter previews of various Black women in the animating world. By no means an autobiography of these individuals, this blog will act as a means of bringing to light multiple talented animators and artists, bringing attention to their work and ventures in animation, but condensed into short snippets.

Pilar Newton is the CEO and founder of PilarToons, LLC, a production company that specializes in animation, illustration, and design based in Brooklyn, New York. Newton graduated with a degree from Rhode Island School of Design and has worked on a number of projects, from Cartoon Network’s Courage the Cowardly Dog to MTV’s Daria, and is currently pursuing a master’s degree at the School of Visual Arts. Her company has worked with companies such as Homer Learning, Sirius Thinking, Nickelodeon, Ted-Ed, Search Films, Story Corp, as well as others.

Mia Lee is a Chicago-based artist who has had work featured on Adult Swim and whose portfolio includes designs for Nike, Kith, and Timberland. She has met with multiple executives in animation and production making sure to meet with those who want to hear from young people of color. She is a newcomer to the animating world but is already making waves through her artistry and networking talent, landing her jobs and even allowing herself to pursue successful passion projects picked up by famous networks.

Monique Henry-Hudson was born and raised in Queens, New York, and has used her community as inspiration for her work. After being asked to create the “Black in Animation” panel for Blerd City Con in Brooklyn in 2018, she became the founder of DiverseToons, an organization that highlights women of color in multi-media. DiverseToons works at emphasizing the importance of diversity in the animation industry and provides a platform for Black artists and people of color to share their passions and career experiences while also giving resources to their communities. DiverseToons has also partnered with Women in Animation’s Student Branch in 2018, connected even more women and non-binary people of color in animation.

Sonya Carey has cemented herself in technical animation and is considered the only Black woman to do so. Her past credits include Disney’s The Princess and the Frog,” “The Proud Family,” and “Winnie the Pooh,” and she is positioned as the leader of her team as Head of Studio Operations at Portfolio Entertainment in Toronto. After high school, she moved to Los Angeles then got married when she finished college. After getting married, couldn’t work for a year and during that year, she got a computer and did desktop animations for fun, unknowingly catapulting her career in the industry. These desktop animations resulted in her taking classes at UCLA and ultimately getting a job at MetroLight Studios working on “Ren and Stimpy,” the beginning of her famous career. She then ran the digital side of the company Toon Boom for ten years then moved onto 3D animation for ToonBox before going back to 2D at Portfolio Entertainment. She also ran her own studio for some time called Make a Scene.

Carole Holliday works as a storyboard artist, director, and is the founder of Crowded Metro Films. She attended the California Institute of the Arts and graduated with a BFA in animation, pursuing storyboarding with her degree. She has worked on films “Oliver and Company” (1988) and “The Little Mermaid” (1989) as an animation assistant before starting her career in storyboarding with “A Goofy Movie” (1995) while also being a story artist for “The Pince of Egypt” (1998) and “Tarzan” (1999). She has also worked as a character design supervisor and moved up to directing an animated short for DisneyToon Studio’s “Mickey’s Twice Upon a Christmas.” More recently, she has done storyboard revisions on Disney’s “Sofia the First,” and has been working on storybooks. She even has her own profile on the official Walt Disney website for all of the work she has done with them.

Lisette Titre-Montgomery is a video game artist and designer who graduated with a degree in computer animation from Miami International University of Art and Design in 2000. She was inspired to study computer animation after watching “Toy Story” (1995) and decided to go to school for it. Her first animation job was working as a character model for the game Freekstyle which helped her land a job as a senior character and special effects artist at EA Games in around 2005. She then worked on games like Tiger Woods PGA Tour 2007 and helped developed The Simpsons Game, The Godfather II, and Dante’s Inferno. She ultimately left EA Games in 2011 and went on to become the lead artist at Blackbone Entertainment where she worked on Zombie Apocalypse: Never Die Alone and Midway Arcade Origins. Titre-Montgomery later returned to EA Games in 2013 to work on games like Dance Central 3 and The Sims 4. She then started working as the manager of the art and computer animation department for the company Ubisoft in around 2015. Titre-Montgomery was also invited to the White House LGBTQ Tech and Innovation Briefing in 2016 and the following year became the art manager at Double Fine Productions, working on Psychonauts 2. Lisette Titre-Montgomery is also a member of Blacks in Gaming which is a nonprofit networking and collaboration group for African Americans in the gaming industry.

Although this blog does not go as in-depth into these trendsetters, game-changers, or trail-blazers in the animation community as it should, it acts as a small list of Black women animators that has made big waves in the industry as a whole. Their work in the field has allowed countless young women of color to believe that they can achieve their dreams in animation and allow them to have role models to look up to as inspiration. There may not be nearly as many Black female animators but the number is slowly growing and they are leaving their print on animation as a whole and that should be paid attention to.

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Why 3D Animated Videos are Essential for Your Marketing Strategy

See how 3D animated videos can take your marketing strategy to the next level by engaging viewers, simplifying messaging, and increasing brand visibility.

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From driving rovers on Mars to improving farm automation for Indian women, once again we’re bringing you a list of 25 amazing women in robotics! These women cover all aspects of the robotics industry, both research, product and policy. They are founders and leaders, they are investigators and activists. They are early career stage and emeritus. There is a role model here for everyone! And there is no excuse – ever – not to have a woman speaking on a panel on robotics and AI.

Crystal Chao

Chief Scientist of AI/Robotics – Huawei

Crystal Chao is Chief Scientist at Huawei and the Global Lead of Robotics Projects, overseeing a team that operates in Silicon Valley, Boston, Shenzhen, Beijing, and Tokyo. She has worked with every part of the robotics software stack in her previous experience, including a stint at X, Google’s moonshot factory. In 2012, Chao won Outstanding Doctoral Consortium Paper Award, ICMI, for her PhD at Georgia Tech, where she developed an architecture for social human-robot interaction (HRI) called CADENCE: Control Architecture for the Dynamics of Natural Embodied Coordination and Engagement, enabling a robot to collaborate fluently with humans using dialogue and manipulation.

Sougwen Chung

Interdisciplinary Artist

Sougwen Chung is a Chinese-born, Canadian-raised artist based in New York. Her work explores the mark-made-by-hand and the mark-made-by-machine as an approach to understanding the interaction between humans and computers. Her speculative critical practice spans installation, sculpture, still image, drawing, and performance. She is a former researcher fellow at MIT’s Media Lab and inaugural member of NEW INC, the first museum-led art and technology in collaboration with The New Museum. She received a BFA from Indiana University and a masters diploma in interactive art from Hyper Island in Sweden.

Emily Cross

Professor of Social Robotics / Director of SoBA Lab

Emily Cross is a cognitive neuroscientist and dancer. As the Director of the Social Brain in Action Laboratory (www.soba-lab.com), she explores how our brains and behaviors are shaped by different kinds of experience throughout our lifespans and across cultures. She is currently the Principal Investigator on the European Research Council Starting Grant entitled ‘Social Robots’, which runs from 2016-2021.

Rita Cucchiara

Full Professor / Head of AImage Lab

Rita Cucchiara is Full Professor of Computer Vision at the Department of Engineering “Enzo Ferrari” of the University of Modena and Reggio Emilia, where since 1998 she has led the AImageLab, a lab devoted to computer vision and pattern recognition, AI and multimedia. She coordinates the RedVision Lab UNIMORE-Ferrari for human-vehicle interaction. She was President of the Italian Association in Computer Vision, Pattern Recognition and Machine Learning (CVPL) from 2016 to 2018, and is currently Director of the Italian CINI Lab in Artificial Intelligence and Intelligent Systems. In 2018 she was recipient of the Maria Petrou Prize of IAPR

Sanja Fidler

Assistant Professor / Director of AI at NVIDIA

Sanja Fidler is Director of AI at NVIDIA’s new Toronto Lab, conducting cutting-edge research projects in machine learning, computer vision, graphics, and the intersection of language and vision. She remains Assistant Professor at the Department of Computer Science, University of Toronto. She is recipient of the Amazon Academic Research Award (2017) and the NVIDIA Pioneer of AI Award (2016). She completed her PhD in computer science at University of Ljubljana in 2010, and has served as a Program Chair of the 3DV conference, and as an Area Chair of CVPR, EMNLP, ICCV, ICLR, and NIPS.

Kanako Harada

ImPACT Program Manager

Kanako Harada, is Program Manager of the ImPACT program “Bionic Humanoids Propelling New Industrial Revolution” of the Cabinet Office, Japan. She is also Associate Professor of the departments of Bioengineering and Mechanical Engineering, School of Engineering and the University of Tokyo, Japan. She obtained her M.Sc. in Engineering from the University of Tokyo in 2001, and her Ph.D. in Engineering from Waseda University in 2007. She worked for Hitachi Ltd., Japan Association for the Advancement of Medical Equipment, and Scuola Superiore Sant’Anna, Italy, before joining the University of Tokyo. Her research interests include surgical robots and surgical skill assessment.

Jessica Hodgins

Professor / FAIR Research Mgr and Operations Lead

Jessica Hodgins is a Professor in the Robotics Institute and Computer Science Department at Carnegie Mellon University, and the new lead of Facebook’s AI Research Lab in Pittsburgh. The FAIR lab will focus on robotics, lifelong-learning systems that learn continuously, teaching machines to reason and AI in support of creativity. From 2008-2016, Hodgins founded and ran research labs for Disney, rising to VP of Research and leading the labs in Pittsburgh and Los Angeles. She received her Ph.D. in Computer Science from Carnegie Mellon University in 1989. She has received an NSF Young Investigator Award, a Packard Fellowship, a Sloan Fellowship, the ACM SIGGRAPH Computer Graphics Achievement Award, and in 2017 she was awarded the Steven Anson Coons Award for Outstanding Creative Contributions to Computer Graphics. Her groundbreaking research focuses on computer graphics, animation, and robotics, with an emphasis on generating and analyzing human motion.

Heather Justice

Mars Exploration Rover Driver

Heather Justice has the dream job title of Mars Exploration Rover Driver, and is a Software Engineer at NASA JPL. As a 16-year-old watching the first Rover landing on Mars, she said: “I saw just how far robotics could take us and I was inspired to pursue my interests in computer science and engineering.” Justice graduated from Harvey Mudd College with a B.S. in computer science in 2009 and an M.S. from the Robotics Institute at Carnegie Mellon University in 2011, having also interned at three different NASA centers, and working in a variety of research areas including computer vision, mobile robot path planning, and spacecraft flight rule validation.

Sue Keay

COO

Sue Keay is the Chief Operating Officer of the ACRV and in 2018 launched Australia’s first National Robotics Roadmap at Parliament House. A university medallist and Jaeger scholar, Sue has more than 20 years experience in the research sector, managing and ensuring impact from multidisciplinary R&D programs and teams. She has a PhD in Earth Sciences from the Australian National University and was an ARC post-doctoral fellow at the University of Queensland, before turning to science communication, research management, research commercialisation, and IP management. Keay is a graduate of the Australian Institute of Company Directors, and Chairs the IP and Commercialisation Committee for the Board of the CRC for Optimising Resource Extraction. In 2017, Keay was also named one of the first Superstars of STEM by Science & Technology Australia.

Erin Kennedy

Founder

Erin Kennedy is a robot maker and the founder of Robot Missions, an organization that empowers communities to embark on missions aimed at helping our planet using robots. She designed and developed a robot to collect shoreline debris, replicable anywhere with a 3D printer. Kennedy studied digital fabrication at the Fab Academy, and worked with a global team at MIT on a forty-eight-hour challenge during Fab11 to build a fully functional submarine. A former fellow in social innovation and systems thinking at the MaRS Discovery District’s Studio Y, Kennedy has been recognized as a finalist in the Lieutenant Governor’s Visionaries Prize (Ontario), and her previous robotic work has been featured in Forbes, Wired, and IEEE Spectrum, and on the Discovery Channel.

Kathrine Kuchenbecker

Director at Max Planck Institute for Intelligent Systems / Associate Professor

Katherine J. Kuchenbecker is Director and Scientific Member at the Max Planck Institute for Intelligent Systems in Stuttgart, on leave from the Department of Computer and Information Science at UPenn. Kuchenbecker received her PhD degree in Mechanical Engineering from Stanford University in 2006. She received the IEEE Robotics and Automation Society Academic Early Career Award, NSF CAREER Award, and Best Haptic Technology Paper at the IEEE World Haptics Conference. Her keynote at RSS 2018 is online. Kuchenbecker’s research expertise is in the design and control of robotic systems that enable a user to touch virtual objects and distant environments as though they were real and within reach, uncovering new opportunities for its use in interactions between humans, computers, and machines.

Jasmine Lawrence

Technical Program Manager – Facebook

Jasmine Lawrence currently serves as a Technical Program Manager on the Building 8 team at Facebook, a research lab to develop hardware projects in the style of DARPA. Previously, she served as a Technical Program Manager at SoftBank Robotics where she lead a multidisciplinary team to create software for social, humanoid robots. Before that she was a Program Manager at Microsoft on the HoloLens Experience team and the Xbox Engineering team. Lawrence earned her B.S. in Computer Science, from the Georgia Institute of Technology, and her M.S. in Human Centered Design & Engineering from U of Washington. At the age of 13, after attending a NFTE BizCamp, Jasmine founded EDEN BodyWorks to meet her own need for affordable natural hair and body care products. After almost 14 years in business her products are available at Target, Wal-Mart, CVS, Walgreens, Amazon.com , Kroger, HEB, and Sally Beauty Supply stores just to name a few.

Jade Le Maitre

ître

CTO & CoFounder – Hease Robotics

Jade Le Maître spearheads the technical side of Hease Robotics, a robot catered to the retail industry and customer service. With a background in engineering and having conducted a research project about human-robot interaction, Le Maître found her passion in working in the science communication sector. Since then she has cofounded Hease Robotics to bring the robotics experience to the consumer.

Laura Margheri

Programme Manager and Knowledge Transfer Fellow – Imperial College London

Laura Margheri develops the scientific program and manages the research projects at the Aerial Robotics Laboratory at the Imperial College London, managing international and multidisciplinary partnerships. Before joining Imperial College, she was project manager and post doc fellow at the BioRobotics Institute of the Scuola Superiore Sant’Anna. Margheri has an M.S. in Biomedical Engineering (with Honours) and the PhD in BioRobotics (with Honours). She is also member of the IEEE RAS Technical Committee on Soft Robotics and of the euRobotics Topic Group on Aerial Robotics, with interdisciplinary expertise in bio-inspired robotics, soft robotics, and aerial robotics. Since the beginning of 2014 she is the Chair of the Women In Engineering (WIE) Committee of the Robotics & Automation Society.

Brenda Mboya

Undergraduate Student – Ashesi University Ghana

Brenda Mboya is just finishing a B.S. in Computer Science at Ashesi University in Ghana. A technology enthusiast who enjoys working with young people, she also volunteers in VR at Ashesi University, with Future of Africa, Tech Era, and as a coach with the Ashesi Innovation Experience (AIX). Mboya was a Norman Foster Fellows in 2017, one of 10 scholars chosen from around the world to attend a one week robotics atelier in Madrid. “Through this conference, the great potential robotics has, especially in Africa, been reaffirmed in my mind.” said Mboya.

Katja Mombaur

Professor at the Institute of Computer Engineering (ZITI) – Heidelberg University

Katja Mombaur is coordinator of the newly founded Heidelberg Center for Motion Research and full professor at the Institute of Computer Engineering (ZITI), where she is head of the Optimization in Robotics & Biomechanics (ORB) group and the Robotics Lab. She holds a diploma degree in Aerospace Engineering from the University of Stuttgart and a Ph.D. degree in Mathematics from Heidelberg University. Mombaur is PI in the European H2020 project SPEXOR. She coordinated the EU project KoroiBot and was PI in MOBOT and ECHORD–GOP, and founding chair of the IEEE RAS technical committee on Model-based optimization for robotics. Her research focuses on the interactions of humans with exoskeletons, prostheses, and external physical devices.

Devi Murthy

CEO – Kamal Kisan

Devi Murthy has a Bachelors degree in Engineering from Drexel University, USA and a Masters in Entrepreneurship from IIM, Bangalore. She has over 6 years of experience in Product Development & Business Development at Kamal Bells, a sheet metal fabrications and components manufacturing company. In 2013 she founded Kamal Kisan, a for-profit Social Enterprise that works on improving farmer livelihoods through smart mechanization interventions that help them adopt modern agricultural practices, and cultivate high value crops while reducing inputs costs to make them more profitable and sustainable.

Sarah Osentoski

COO – Mayfield Robotics

Sarah Osentoski is COO at Mayfield Robotics, who produced Kuri, ‘the adorable home robot’. Previously she was the manager of the Personal Robotics Group at the Bosch Research and Technology Center in Palo Alto, CA. Osentoski is one of the authors of Robot Web Tools. She was also a postdoctoral research associate at Brown University working with Chad Jenkins in the Brown Robotics Laboratory. She received her Ph.D. from the University of Massachusetts Amherst, under Sridhar Mahadevan. Her research interests include robotics, shared autonomy, web interfaces for robots, reinforcement learning, and machine learning. Osentoski featured as a 2017 Silicon Valley Biz Journal “Women of Influence”.

Kirsten H. Petersen

Assistant Professor – Cornell University

Kirstin H. Petersen is Assistant Professor of Electrical and Computer Engineering. She is interested in design and coordination of bio-inspired robot collectives and studies of their natural counterparts, especially in relation to construction. Her thesis work on a termite-inspired robot construction team made the cover of Science, and was ranked among the journal’s top ten scientific breakthroughs of 2014. Petersen continued on to a postdoc with Director Metin Sitti at the Max Planck Institute for Intelligent Systems 2014-2016, and became a fellow with the Max Planck ETH Center for Learning Systems in 2015. Petersen started the Collective Embodied Intelligence Lab in 2016 as part of the Electrical and Computer Engineering department at Cornell University, and has field memberships in Computer Science and Mechanical Engineering.

Kristen Y. Pettersen

Professor Department of Engineering Cybernetics – NTNU

Kristin Ytterstad Pettersen (1969) is a Professor at the Department of Engineering Cybernetics, and holds a PhD and an MSc in Engineering Cybernetics from NTNU. She is also a Key Scientist at the Center of Excellence: Autonomous marine operations and systems (NTNU AMOS) and an Adjunct Professor at the Norwegian Defence Research Establishment (FFI). Her research interests include nonlinear control theory and motion control, in particular for marine vessels, AUVs, robot manipulators, and snake robots. She is also Co-Founder and Board Member of Eelume AS, a company that develops technology for for subsea inspection, maintenance, and repair. In 2017 she received the Outstanding Paper Award from IEEE Transactions on Control Systems Technology, and in 2018 she was appointed Member of the Academy of the Royal Norwegian Society of Sciences and Letters.

Veronica Santos

Assoc. Prof. of UCLA Mechanical & Aerospace Engineering / Principal Investigator – Director of the UCLA Biomechatronics Laboratory

Veronica J. Santos is an Associate Professor in the Mechanical and Aerospace Engineering Department at UCLA, and Director of the UCLA Biomechatronics Lab. She is one of 16 individuals selected for the Defense Science Study Group (DSSG), a two year opportunity for emerging scientific leaders to participate in dialogues related to US security challenges. She received her B.S. from UC Berkeley in 1999 and her M.S. and Ph.D. degrees in Mech. Eng. with a biometry minor from Cornell University in 2007. Santos was a postdoctoral research associate at the Alfred E. Mann Institute for Biomedical Engineering at USC where she worked on a team to develop a novel biomimetic tactile sensor for prosthetic hands. She then directed the ASU Mechanical and Aerospace Engineering Program and ASU Biomechatronics Lab. Santos has received many honors and awards for both research and teaching.

Casey Schulz

Systems Engineer – Omron Adept

Casey Schulz is a Systems Engineer at Omron Adept Technologies (OAT). She currently leads the engineering and design verification testing for a new mobile robot. Prior to OAT, Schulz worked at several Silicon Valley startups, a biotech consulting firm, and the National Ignition Facility at Lawrence Livermore National Labs.Casey received her M.S in Mech. Eng. from Carnegie Mellon University in 2009 for NSF funded research in biologically inspired mobile robotics. She received her B.S from Santa Clara University in 2008 by building a proof-of-concept urban search and rescue mobile robot. Her focus is the development of new robotics technologies to better society.

Kavitha Velusamy

Senior Director Computer Vision – BossaNova Robotics

Kavita Velusamy is the Senior Director of Computer Vision at BossaNova Robotics, where she builds robot vision applications. Previously, she was a Senior Manager at NVIDA, where she managed a global team responsible for delivering computer vision and deep learning software for self-driving vehicles. Prior to this, she was Senior Manager at Amazon, where she wrote the “far field” white paper that defined the device side of Amazon Echo, its vision, its architecture and its price points, and got approval from Jeff Bezos to build a team and lead Amazon Echo’s technology from concept to product. She holds a PhD in Signal Processing/Electrical Communication Engineering from the Indian Institute of Science.

Martha Wells

Author

Martha Wells is a New York Times bestselling author of sci-fi and speculative fiction. Her Hugo award-winning series, The Murderbot Diaries, is about a self-aware security robot that hacks its “governor module”. Known for her world-building narratives, and detailed descriptions of fictional societies, Wells brings an academic grounding in anthropology to her fantasy writing. She holds a B.A. in Anthropology from Texas A&M University, and is the winner of over a dozen awards and nominations for fiction, including a Hugo Award, Nebula Award, and Locus Award.

Andie Zhang

Global Product Manager – ABB Collaborative Robotics

Andie Zhang is Global Product Manager of Robotics at ABB, where she has full global ownership of a portfolio of industrial robot products, develops strategy for the company’s product portfolio, and drives product branding. Zhang’s previous experience includes 10+ years working for world leading companies in Supply Chain, Quality, Marketing and Sales Management. She holds a Masters in Engineering from KTH in Stockholm. Her focus is on collaborative applications for robots and user centered interface design.

Join more than 700 women in our global online community https://womeninrobotics.org and find or host your own Women in Robotics event locally! Women In Robotics is a grassroots not-for-profit organization supported by Robohub and Silicon Valley Robotics.

And don’t forget to browse previous year’s lists, add all these women to wikipedia (let’s have a Wikipedia Hackathon!), or nominate someone for inclusion next year!

Andra Keay

robot startup strategist..

read more

[bradyoil]

Live Action Commercials, Music Videos, Animation - Director Alon Isocianu Does It All.

Filmmaker Alon Isocianu and I discuss his many tools as a filmmaker, the importance of pre-viz and possibitly of soon sharing his treatments, among other topics. Alon's work is highly imaginative, visceral & visually poetic. I'm a sucker for how Alon blends together elements of live-action, motion design, 3D animation and VFX. 

He is also the co-founder and Creative Director at REACTIV, a motion design & animation studio in Toronto. 

Check out Alon's site here. 

EVENTS & COURSES

So excited for our Second Annual Filmmaker Retreat in Joshua Tree. Join us Sept. 28th to Oct. 1st in the desert for a transformational experience. "Define Your Voice is our theme and you'll emerge knowing what you want and how better to achieve it.

  Check out my Masterclass or Commercial Directing Shadow online courses. (Note this link to the Shadow course is the one I mention in the show.) All my courses come with a free 1:1 mentorship call with yours truly. Taking the Shadow course is the only way to win a chance to shadow me on a real shoot! DM for details.

  How To Pitch Ad Agencies and Director’s Treatments Unmasked are now bundled together with a free filmmaker consultation call, just like my other courses. Serious about making spots? The Commercial Director Mega Bundle for serious one-on-one mentoring and career growth.

  Amazon Prime!! Jeannette Godoy’s hilarious romcom “Diamond In The Rough” streams on the Amazon Prime! Please support my wife filmmaker Jeannette Godoy’s romcom debut. It’s “Mean Girls” meets “Happy Gilmore” and crowds love it. Here’s the trailer.

  Thanks,

  Jordan 

  This episode is 81 minutes.

  My cult classic mockumentary, “Dill Scallion” is online so I’m giving 100% of the money to St. Jude Children’s Hospital. I’ve decided to donate the LIFETIME earnings every December, so the the donation will grow and grow. Thank you.

  Respect The Process podcast is brought to you by True Gentleman Industries, Inc. in partnership with Brady Oil Entertainment, Inc. 

  Check out this episode!

[your-visual-connections]

Explainer video tips

Do you know?

Online Video Forecast report says that online users spend on average 47.5 minutes a day for video watching.

59% of executives prefer to watch a video rather than read text (Forbes)

 64% of consumers are much more likely to buy a product online after watching a video

These reports shows how much explainer video impact on business in modern days

 Read more about Explainer video:

https://animationstudiotoronto.blogspot.com/2020/03/tips-for-choosing-video-length-for.html

[endesignme]

How Product Visualization Is Triggering High E-Commerce Sales

When operating a business, you understand the importance of highlighting your products online in a way that appeals to and grabs the attention of clients and customers. Product visualization makes product pages far more visually appealing and appear more professional. It also has the power to increase e-commerce sales, drive traffic to your brand’s website and allow clients to view your products in high-quality, which is effective at acquiring a sale.

Boosting your brand by highlighting your most effective products is just one way to drive sales. Check out all of the advantages of using product visualization for your business:

1. 3D Prototypes Make For Easier Product Visualization

Creating props to give your customers and client’s peek into the product is time-consuming and often ineffective. Props cannot adequately highlight and accentuate certain details on a product. They also require space and will have to be disposed of frequently as you create new ones. 3D product prototypes are far more affordable, eliminate the unnecessary time to build a prop and are often far more detailed and visually appealing. CGI deploys product prototypes easily and allows clients to view it online from various angles in high definition.

2. Highly Realistic And High Definition

Two or one-dimensional images online or photographs in a catalogue cannot capture and do the product justice. With only one perspective to look from, clients do not have a full-encompassing outlook of the product and could be deterred by a lack of detail. 3D modelling produces outstanding 3D digital replicas of your brand’s real products that can be viewed from different perspectives. With specific products, such as furniture pieces, these products can be projected into certain backgrounds to allow clients to have an easier comprehension of how these objects would fit in their space.

3. Incorporates Visual Interactivity

Clients appreciate the ability to interact with a product they are considering, as it is often a significant investment to them. Being able to drag through, click, alter and resize a product allows the client to put it into various perspectives. A static, one-dimensional photograph eliminates that possibility. Implementing add-ons and quick changes make for easier conscious decision making and empower clients to be able to assemble, disassemble, view the internal and external parts of a product and more.

4. Adapts Quickly To Market Trends

The e-commerce market is highly competitive, producing new products, designs and styles constantly. Adapting to the latest trends in this market is crucial to remain relevant, respected and ensure your products are seeing the exponential sales growth you desire. 3D modelling and rendering makes alterations and changes to a product simple and inexpensive to allow for easier adaptation to new trends.

EnDesign breathes live into your brilliant designs and products. We provide clients with impeccable 3D visualizations of their ideas through architectural projection and 3D projection mapping. Show your clients your brilliant products in high-resolution virtual reality with the closest they’ll get to the real product. Get started with a quote from us at https://endesign.co/.

[harry2040176-blog]

What Colleges Want From 3D Animation Studio?

When making usage of inkjet waterslide paper, you're looking for clear varnish to complete the craft project. On the other hand, if you have the laser decal papers, you don't require to use clear spray. Nonetheless, art gallery in Toronto works most craft lovers understand that a definite varnish aerosol can offer added defense and hard surface to the project, so although the varnish is unneeded, your could employ it depending on the type of craft project you might be working on. Attempt taking a gander for your walls.

In the event that a specific item can be an unadorned, discharge space then you certainly finally own it resolved just what your home needs wondrous divider symbolization. The aforementioned components of embellishing thing can likely carry life to any dull divider, motivate inventiveness and interpretation, and light-weight up a whole space. The modern Swiss architect Le Corbusier is known for his utilisation of the the ratio. He saw the ratio and the Fibonacci sequence as representing a mathematical order with the universe, and that he described them as: "rhytms apparent to the eye and clear inside their relations together.

And these rythms are near ab muscles cause of human activities. They resound in man by a natural inevitability, exactly the same fine inevitability that causes the tracing out in the Golden Section by children, old men, savages along with the learned." The current state with the economy and oil painting recent rise in unemployment both explain why there are not many people buying homes currently. While folks are expected to stay in their houses, they are trying to find solutions to develop a new house.

Many everyone is signing up for redecorating and do it yourself projects daily! Why manipulation technique cannot overcome retouching process is because if the model of body or face is altered then it's harmful. Most people prefer to appear a lot better than they actually are then there is no disadvantage with this. Now that digital retouching tasks are common it's best to gain the power readily available services. The professionally skilled and talented photo editors are doing it better job.

The way of simple retouching is definitely changing in the shadows color. An insignificant difference is it yields to take the vital picture. There are some tools like dodge and burn that supplements the retouch content. This way modification now is easier. There is no offense intricate and there's productive and Painting melbourne inventive satisfaction. The supreme rule for the engaging print media is just not to change the silhouette or perhaps the body or face around the cover of your magazine or advertisement.

The fundamental elements may be polished or scraped lets start work on necessary retouching. But a complete rejuvenation is just not possible. And it also makes all the client smile.

Here's more information about Matisse stop by the internet site.

[userumbrellaca]

Exploring the Best VFX Studio Services in Canada

VFX Studio Services in Canada

If you're looking to create a project that requires stunning visual effects, you're in luck - Canada is home to some of the top VFX studios in the world. In this blog post, we'll explore some of the best VFX Studio Services in Canada and what you can expect when working with them.

Industrial Light & Magic (ILM)

While not based in Canada, ILM has a studio in Vancouver that has worked on many high-profile projects, including "Star Wars" and "Jurassic World." ILM is known for their technical expertise and their ability to seamlessly blend practical and digital effects.

Image Engine:

Image Engine is based in Vancouver and has worked on many blockbuster films, including "Blade Runner 2049" and "District 9." They offer a range of services, including 3D modeling and animation, compositing, and matte painting.

Mavericks VFX: 

Mavericks VFX is a Toronto-based studio that has worked on many TV shows, including "The Handmaid's Tale" and "The Boys." They offer a range of services, including compositing, 3D animation, and matte painting.

Rodeo FX:

Rodeo FX is based in Montreal and has worked on many high-profile films, including

"Birds of Prey" and "Game of Thrones." Their services include VFX, animation, and virtual reality experiences.

When working with a VFX Studio in Canada, you can expect to work with some of the most talented artists in the industry who are skilled at using the latest technology and software to bring your vision to life. These studios employ experts in fields like 3D modeling, animation, and compositing who can create stunning visual effects that seamlessly blend into your project.

In addition to their technical expertise, VFX Studio Services in Canada are also known for their creativity and their ability to bring unique and imaginative ideas to life. They can help you realize your vision and bring your ideas to life in ways you never thought possible.

Overall, if you're looking for Visual Effects Studio in Canada, you have many great options to choose from. These studios can help you create stunning visual effects that will captivate your audience and make your project stand out from the rest. So why wait? Contact a VFX studio today and see how they can bring your project to life!

[videoproductioncomapny]

Best 3D Animation Services in Toronto: A Top 10 Guide

Explore the best 3D animation companies in Toronto, leading the industry with innovative solutions and creative storytelling.