#AI and evolution

[zomb13s]

Essay Outline: The Smarter Monkey with the Fancier Stick: A Humorous Examination of Human Evolution

Introduction: Brief introduction to the concept of human evolution. The argument: Despite thousands of years of so-called “evolution,” humans are essentially just smarter monkeys with more advanced tools. Humorously question the validity of evolution as a transformative process. Section 1: From Sticks and Stones to Sticks and Stones with Buttons The Neanderthal Monkey: Overview of early…

[mylittleredgirl]

[circadiancrunch]

Have more cute powder puffs. They almost have a name i swear. Remember to Opt out of AI! Every scumbag makes you opt out instead of asking permission~ Click your blog from the account drop-down menu on the left hand side, go to Blog Settings on the right hand menu. Scroll down to Visibility. Toggle ON the selection that says: Prevent Third Party Sharing

[clownakai]

Hi! It's me again! Let's talk about: Shiho's trauma and how Gosho's portrayal of it comes as a pleasant surprise within Detco's rather abysmal landscape of in-depth representation

Very important disclaimer(s): I am not a licensed professional yet, and I am not diagnosed with any kind of trauma-related disorder. I nonetheless hold this topic dearly and wish to gather in one place at least a few of the things that made me truly appreciate the portrayal of Shiho's trauma in a way others haven't. Lastly, this remains of course a personal opinion first and foremost, so keep that in mind if you decide to dive into it!

P.S. - While I always try to start from canon material, we lack a lot of details re: Shiho's backstory. I will generally attempt to hypothesize what could have transpired in the past considering the repercussions we can observe in Shiho's attitude and behaviors, but my own speculations cannot compare to canon actually filling in those blanks (which I highly doubt we'll ever get in the first place).

P.P.S. - this thing got long. Like. Really long. And because of tumblr’s newfound habit of flagging random things as nsfw, I couldn't add any manga screenshots. Get ready for a wall of text, gamers

The Roots of Shiho's Trauma

Trauma is in itself an incredibly complex topic— even the mere fact that a set threshold past which events can begin to be considered traumatic doesn't actually exist on the grounds that individuals tend to react differently to the same stimuli (e.g. I once had to watch my father get the shit beaten out of him by a man twice his size to the point he had to go to the hospital, but neither I nor my dad ended up developing any sort of trauma response afterwards— I'm no warier of strangers than I'd been prior to what happened, and my father is as polite and non-threatening around really tall strangers as ever. This isn't to say that the event itself didn't have an impact on us, of course, but it didn't significantly affect our day-to-day functioning in distressing ways either. I do however know of people who, after experiencing this type of assault, developed an all-consuming agoraphobia— among other trauma-related symptoms—, for example) renders things all the more nuanced from the get-go.

With that said there is of course a point to be made about the kind of trauma Shiho herself has been subjected to. In her case, the very environment she grew up in was traumatic: from a very young age— as soon as her giftedness was identified—, she's been pressured to excel, and while studying in the States, although I imagine she hadn't been strictly beholden to furthering the Organization's goals just yet, there must have been BO members or at least affiliates watching her every move.

Later on, she is constantly required to produce results via researching something we can't even be sure she was truly interested in: being a child prodigy and yet leading the research on the "wonder drug" means she was thrust in yet another environment full of adults that likely didn't much appreciate having to listen to a literal teenager, and on top of that her social life was considerably stunted in favor of the job she'd been assigned. At any and all times she'd been under scrutiny, and her own sister was made into an incentive for her to behave herself and stick to her duties. After Rye was outed as a NOC, the situation could only have degenerated— Akemi being most likely compromised meant there was a chance Sherry was as well, which would have translated into stricter regulations and increasingly more controlling behavior from the Organization.

Considering her backstory and how it's presented to us, we also know Shiho didn't have a childhood complete with stable parental figures, and she was separated from her much less useful sister very early on. That too is a kind of instability that deeply affects the developing individual, and if unaddressed it has a high chance of leading to widespread issues later in life.

So, we already have three pretty relevant points to start with: prolonged exposure to stress, perceived (but also very real) threats and instability that spans a decade at the very least. But fear not, for we can add more.

While I think this is somewhat of a point of contention within the fandom, I myself believe that there has been some sort of abuse perpetrated towards Shiho from within the BO's ranks. Her panic reaction extends to any and all members, yes, but Gin (and for some reason Vermouth) gets the biggest externalizations of it (let us never forget that he canonically stars in Shiho's nightmares).

Now, regardless of whether we're going to find out what kind of abuse Shiho went through (psychological, physical, sexual), and considering that we most likely never will, the implications on Gin's part abound in the early manga (and one can even posit that a few specific remarks made by Shiho are a direct consequence of her own experiences, expressed through dry humor and snark as a way of feeling more "in control" of the situation). I understand that Gin is literally "guy who will hunt you down and kill you with a smile", but so are basically all the other BO members, and Shiho only ever reacts so strongly to Gin. To me this means she either directly experienced some form of abuse at his hand, or that she projected well over a decade of stress and fear of the Organization onto Gin, thus turning him into a sort of boogeyman— a herald of every horrifying thing the BO is capable of.

Lastly, the impact of Akemi's death should also be taken into consideration, above all in relation to the role Shiho is firmly convinced she herself had in it. Considering how attached Shiho was to Akemi, and how her older sister's continued safety had been the biggest incentive for Shiho to have behaved herself especially in the past few years, her execution (delivered by Gin himself, once again cementing him as a big player in Shiho's trauma) definitely "breaks" her for good.

It's worth noting that the way Shiho breaks leads her to rebel against the system that's been suffocating her all along, but doing so is insanely hard and given the lack of a solid support system to fall back on, it doesn't go far: her actions aren't even that explosive— she announces that she will no longer work on the APTX until someone tells her the truth behind her sister's death— but they nonetheless elicit an extreme reaction from the Organization, thus further confirming its status as a massive threat to Shiho in her mind. Before the BO she is entirely powerless: they decide whether she's useful or not, they decide whether she's worth keeping alive, they decide what she should do, they decide that she's expendable the moment she displays independent wishes.

We have therefore unspecified abuse and grief accentuated by strong feelings of perceived responsibility re: the loss that transpired in addition to our first three big stars in the constellation behind most, if not all, of Shiho's trauma responses.

While frustrating to my perfectionist mind (everything must have a specific cause and if I do not make an effort to clarify or at least imply what it is in my work I perish; it definitely shines through via my poorly restrained desire to compensate for the chunks and details of Shiho's backstory we're missing), the fact that a great deal of what caused Shiho's trauma in the first place is quite nondescript at first glance, almost as if Shiho were trying to convince herself and others that "it's not a big deal" by rarely— if ever— bringing it up (and when she does she recounts the events matter-of-factly, as if she were largely unaffected by them), is something I've found myself appreciating more and more as the story progressed. Not because it truly isn't important, but because it can actually be pieced together through Shiho's every action, time and time again. At long last, a character whose trauma doesn't only make itself known when a specific trigger is at play, but rather pervades every single aspect of the survivor's life whether they're conscious of it or not.

Now, one thing I won't be doing is attempting to put a clinical label on what Shiho is experiencing: this is because her position in the manga is quite complex, and seeing as the plot itself isn't centered around her and her trauma, things aren't necessarily clear-cut. For example, Shiho did indeed get out of a stressful and traumatizing environment, but that doesn't mean she's out of danger for good just yet— if we were to attempt to categorize the symptoms she displays with the goal of making a diagnosis, we just wouldn't be able to do so due to the very much still present stressors and traumatic elements.

Applying a label to Shiho's experiences is also not the point of this post in the first place, and so I decided not to. I wanted to focus on the visible effects of her trauma, and how she's shown to be willing to at least try to break away from the mechanisms and mentality she's developed.

Which is how we get to the next section of this bad boy:

Haibara Ai And Living With Trauma

From the very moment we begin to learn about Sherry's backstory, her words and behaviors indicate a deeply rooted pessimistic outlook on her predicament— and quite possibly life itself. The very name she picked for her new identity specifically includes the Japanese character for 'sorrow', as opposed to that of 'love' suggested by Agasa. Even with said choice being played off as Shiho— now Ai— intentionally trying to unsettle Conan in every way she can, I can't help but read way too much into it and see a young woman who genuinely sees herself in that Kanji. Pain is all she is. Pain is all the world offers. It's inescapable the way a name is, and she made it into a reminder she's going to hear daily from now on.

It's also interesting how Ai brings up time and time again how Conan is the only one who can understand (and therefore help) her, with specific references to their shared predicament: Conan knows about the Organization, ended up shrunk because of the APTX, and has to constantly hide from them by playing the part of a grade schooler. While a freshly shrunk Shiho's options were insanely limited from the start, she still opted to head for Kudou Shinichi's house because in her mind he was the only person who could ever understand her situation by virtue of sharing the same experience.

As the plot slowly moves forward and we get to see more of Ai interacting with the world around her, multiple other things become very clear: an especially pronounced trait of hers is that she struggles to hold on to positive emotions and trains of thought, most notably very early on in the manga. She always finds a sour note even in the happiest of situations, because her thinking patterns cannot break out of that constant negative spiral— she is effectively still trapped, at least mentally.

As an additional example of this, even though she's been away from the traumatic environment for months, Ai cannot stop thinking about it (this can technically be countered by the fact that the danger itself isn't entirely gone. Shiho is safe for the time being, but the danger is always lurking somewhere. The problem is that she sees it everywhere instead, and cannot let go of the notion that she's going to get got if she relaxes even for a moment, which is what actually makes this kind of reaction encroach into unhealthy territory).

There's a also very obvious disconnect between her and her peers (both perceived— the Detective Boys— and real— other teenagers). To Ai, all these people are too naive for this world, and they aren't ready to handle its cruelty. She is quite defeatist in her outlook on life and has difficulties understanding how the people around her can be so optimistic, which in turn makes forming new bonds much harder for everyone involved: by keeping others at arm's length, Ai acts on the fear of having to experience a loss as devastating as her sister's ever again— here we have the avoidant aspect of her trauma reactions.

Speaking of: she also projects Akemi on Ran multiple times in canon, and always in contexts where danger and death are at the very least in the background. She's just like Akemi in that she decides to protect Shiho by putting her own life on the line. She's just like Akemi and like her she's going to die. Ai's reluctance to even introduce herself to Ran, and especially her shark-dolphin metaphor, is in my opinion pretty indicative of yet another tendency that can be found in trauma survivors, and that is the belief that there is something about yourself that is inherently dirty and shameful (traumatic event(s)), that sets you apart from normal, even good people, and it is a gap that can never be filled because you're now irreversibly damaged.

Dipping our toes into a more cliché detail re: the portrayal of trauma in media, let's not forget that Ai has nightmares featuring one of the sources of her trauma (and while Gosho kind of actually uses the Gin one as a "prophetic" dream, Conan does canonically comment on the fact that Ai is a night owl/doesn't sleep nearly enough, and we could interpret that as her being unwilling to fall asleep and risk yet more nightmares).

A considerable portion of Reunion With The Black Organization is dedicated to showing us just how much of an effect a single nightmare about Gin has on Ai. She's even more withdrawn than usual, prone to getting lost in her head (possibly even dissociating), receptive to the tiniest details that inevitably rouse her memory of the nightmare to the point she fails to assess the non-existent risk factor of her current situation and has a panicked outburst towards a very confused Ayumi, who did nothing apart from touching Ai's arm. Her emotional dysregulation in these panels shows us a clear see-saw between numbness, then mounting fear up to her breaking point (startle reaction), then an unfiltered externalization of her anguish that is ultimately played off as a joke so as to avoid further scrutiny from the Detective Boys.

We also get to see Ai's reaction to the mere sight of a black Porsche 356A, Gin's favorite car. The interesting part is that said man isn't even around at the time— this could be anyone's car. But it's still enough to trigger Ai's freeze response and put her on high alert. Later on, in The Four Porsches, we find out that said car doesn't even need to be a specific color for Ai to start spiraling, which is a pretty good example of how something innocuous and only vaguely analogous to past events can be more than enough to remind a survivor of their trauma.

Even with what little we are given, it's also laughably easy to tell how utterly terrified of "going back" or otherwise re-experiencing the effects of the environment she grew up in Ai is, which naturally includes an abject fear of the people that used to be around her. Ai's "sixth sense", although specifically primed to hone in on Organization operatives, feels to me like a magnified version of the hypervigilance that trauma survivors experience.

Surprisingly enough, as that isn't something I see often in media, we even see her considering (and attempting not once but twice) the ultimate escape as an option: killing herself (or letting herself be killed) would definitely solve all of Ai's problems. It'd free her from the constant fear and misery that characterize her every waking hour— and undoubtedly her sleep as well. It'd even rid all the wonderful, untainted people she somehow managed to surround herself with of the most dangerous burden they could have ever found themselves dragging around.

This constant devaluation of her person plays such a big part in selling Shiho's trauma, at least to me. It doesn't come off as edgy or disingenuous because it has solid roots in her past, in the things she's done and what she's been through. Sherry's value lied in her brain, her genius: in a way, even Ai's working on an antidote, producing prototype after prototype at a frankly insane rate for a person who's working alone and with fragmented data to start with, can be traced back to the unhealthy notions that have been drilled into her by the Organization. She actively relives her day-to-day life as Sherry after she's gotten out, and it's fine because it's familiar. She knows how this works much better than she knows how to hold a friendly conversation with a peer: she's back under pressure, but at least she's in control. And this way she can prove that she's good, that she's useful, that she's worth keeping around.

Truly, having reached this point, the question comes naturally: can it get better? The answer? Yes. Yes, it can.

The Ups And Downs Of Recovery, Between Healing And Fighting Back

Let's not kid ourselves: recovery is hardly a straight line. There's no magical fix-all cure that entirely erases someone's trauma and associated triggers in the blink of an eye simply because the current situation requires it, or because “it's been long enough” and other people just want them to get over it already. Trauma doesn't just “go away” because you really need it to. It doesn't stop affecting you, but there are ways to ensure it no longer takes over every moment of your life.

For Shiho, the first step towards recovery consists in acknowledging that 1) she is not alone anymore, and 2) she may be deathly afraid, but letting herself drown in that fear, only ever running away from it, isn't going to make things better.

Still, “fighting back” isn't all about acting like Conan. Ai is hardly expected to hunt down the Organization the way Conan does, and she honestly shouldn't be. Her experiences with the BO largely differ from Conan's, and even without taking that into consideration, different people may react very differently to traumatic events.

Ai's abject fear and general unwillingness to confront the Organization face to face (or investigating it in general) aren't a sign of weakness on her part, nor is it necessarily bad writing on Gosho's end. I am actually elated to see how consistent Ai is in her avoidance of those massive triggers. She rightfully wants to know when they're around, wants updates on their movements, but she loathes the idea of actively interacting or facing off against them even after Sherry's supposed death on the Mystery Train. Everything about the BO is bad news and bearer of bad memories, and she wants those reminders as far away from her as possible— which is an absolutely valid position for her to maintain.

However, in the eventuality that Ai decides to start facing her fears in a healthy, constructive way rather than as a way to get herself killed (which is in fact what eventually happens in canon), starting small is key— and it's to my delight that Gosho made a point of having Ai do just that. It takes her so, so long, but she decides to stop running because she's reached the conclusion that even if she does, she's never going to be truly safe and free (which is, coincidentally, what happens if trauma goes unaddressed); by refusing to go into Witness Protection, she acknowledges her fears but also the fact that she's not alone in facing them, and that she can't ever expect to find peace if she doesn't start doing just that.

Later on, during Black Impact, we see Ai being proactive and helping out in a small way by providing Jodie with the number she needs to call. Albeit tiny, the action doesn't go unnoticed by Conan, who comments on how unlike Ai that was, nor by Jodie, who shoots her a thumbs up. And here's the thing: of all people, Jodie is maybe the one who actually comes the closest to understanding at least some of Shiho's feelings, especially in regards to the abject isolation of having your family ripped away from you all at once (only to immediately find yourself in danger in return) and consequently the Witness Protection Program.

I'm definitely more than a little biased when I say I'm sad that Gosho didn't explore their parallels further, especially when Jodie herself canonically acknowledges their similarities as well as what sets them apart: unlike her, Ai refused to go into Witness Protection, because she's already found more than enough reasons to keep her in one place, and those reasons— those people— give her courage. It's pretty simplified, of course, because this isn't what the manga itself is about, but it is nonetheless a heartwarming moment that showcases how building meaningful relationships anew can literally be life-changing in the face of trauma. Regardless, I immensely appreciate the fact that these scenes exist at all.

Now, is this all there is to Ai’s path to recovery? Of course not. The Organization itself isn't the only thing weighing her down, after all: her grief and feelings of responsibility regarding Akemi's death play a big part in her day-to-day problems as well. To put one of my earlier observations about the visible consequences of Shiho's trauma to good use, let's jump back to The Mystery In The Net, where we see Ran initially remark on how Ai refuses to even look at her when they're near each other; at the tail end of the case, seemingly out of nowhere, Ai surprises the other girl by willingly introducing herself and offering a handshake. It's genuinely touching to see, most notably because we as readers are privy to information Ran doesn't have— she doesn't know how Ai sees her, nor how the little girl sees herself. She has no idea that what makes her a lovely person to interact with is exactly what's causing Ai to keep her distance, but we do, and Ai managing to put aside her fear and shame in order to reach out to someone like Ran is definitely a massive step forward as far as her interpersonal relationships go.

Along with all this progress, however, come many relapses— usually due to a close encounter with a member of the Organization. In these cases, but most importantly in their aftermath, we're shown just how debilitating Ai's trauma responses are. After The Mysterious Passenger, wherein Ai “only” spent her time in freeze mode because of how close she was to an Organization operative and then proceeded to try to stay behind on a bus that was about to explode because she'd convinced herself that only by dying could she do the right thing, we're plunged into a relatively low-stakes case where a small dog disappears. More than anything else, it's Ai's attitude, her words, and the things we find out through the Detective Boys and Agasa that paint the true haunting picture of the day. Ai has retreated into herself, unable to escape the vicious cycle of her negative mindset, and it's a wonder Agasa even managed to get her to step foot outside— all of this from a girl who was teasing the old inventor for catching a cold right before having to go skiing just a few days ago, seemingly completely at ease in her skin and with the world around her.

I'm not going to lie: this is the kind of up and down that only brings me closer to Ai. It is frustrating to see it happen, and that's good! That's exactly right! Because imagine if, instead of just witnessing it, you were the person this is happening to: opening up the tiniest bit, daring to stick your head outside because you think that maybe, just maybe, today is going to be a nice day, only to be sent spiraling right back into fight/flight/freeze mode and having to start the process of loosening up all over again. Rinse and repeat. It's infuriating. It's maddening. It's despair-inducing. Will it ever end?

That's what I love about Shiho, Sherry, Ai. This feels so real in a way I don't see often, and it's the reason why, despite all my gripes with Gosho's writing (particularly that of these last few years), I actually think he's done a pretty damn good job with Ai. Yes, even now that she's “so annoying”. Even now that she snaps and snarks and externalizes her emotions in a way that clearly doesn't appeal to everyone. Because that, too, can be what it looks like when someone starts taking their life back piece by piece: their personality, if carefully repressed in the past, begins to unfurl. And it's not always one-hundred percent pleasant, but honestly? I wouldn't expect it to be, especially not from someone like Shiho, and especially considering that yes, she's beginning to heal, but it's not a monitored process. She isn't actively being helped nor taught about ways to manage her trauma, and it's amazing that she's made so much progress on her own. It's amazing that she wants to live now (most days).

And it's going to get better. It's going to get better, and she's going to be there for it.

[fidjiefidjie]

⛲️ Art du jour 💦

Évolution des fontaines réalisées avec IA .... 0 > 2100

Source: multiverso

👋 Bel après-midi

[0ur-l4dy-0f-sorr0ws]

i actually HATE DESPISE ppl that use AI

“but i didn’t have inspiration for my art”

go outside. read a book. talk to someone. do anything else. you can get inspiration out of EVERYTHING. using AI for art is THE LEAST ARTISTIC THING YOU CAN DO.

(yes i also mean ‘just’ asking chatgpt for an idea that you later execute. idc that you made it. the idea came from AI while you could have EASILY asked a REAL PERSON)

“but i’m not good at writing essays”

read a book. read other essays. ask for help. people have been writing and THINKING ON THEIR OWN FOR CENTURIES. WHY CANT YOU?

[ophanim-vesper]

An hour and 17 minutes into Defunctland's new video. It's crazy to think that the first person to basically say "we should replace artists with robots/AI!" was... Walt Disney himself.

[around 1:17:14 in the video]

Defunctland's new video, you should watch it.

[elbiotipo]

Finally read All Tomorrows last night and I know why people recommended it to me all the time, it was a very interesting piece of *biopunk* speculative evolution with a fascinating overarching story. It was also a breeze to read, I expected it would be long and a bit tiring (like Man After Man) but no, it was very illustrated and in fact it left you hungry for a bit more, I love the way it lets you fill in the gaps.

Of course, like always, it falls in the same old trope that biotechnology = bad and gross. It doesn't fall straight into saying biotechnology is evil, but the element of body horror is very, very, very much present in all the book. The fact that being warped into abominations is shown as the big event of human evolution reminds me of Man After Man, where "human evolution" doesn't occur "naturally" or as a result of, well, human selection, but as a result of a higher power messing with humans. All those strange beings we see in the book were not the ultimate result of environmental pressures, "artificial" selection or people bioengineering themselves. They were the result of fucked-up eldritch beings who wanted to make fucked-up humans. Which is kind of dissapointing if you are looking for a book that actually talks about future human evolution.

Which brings me to a discussion of the future of human evolution. Because, obviously, humans are evolving today. But I don't think we can see the real effect of biological evolution in the timescale we are managing as current humans. From a quick search, there have been only 500 generations since the arrival of agriculture and thus of all recorded or remembered history as we know it. That's not nearly enough biological time to see any major changes. Yes, there have been changes. And the development of human intelligence and brain size was quick and monumental, with many things we still don't really understand (like the origin of language and abstract thought). But do notice that the body plan of a modern human does not radically depart from Homo erectus, 2 million years ago.

Some authors like Olaf Stapledon (one of the great grandfathers of science fiction) in Last and First Men (which could be considered the 1930s version of All Tomorrows, in fact All Tomorrows to me is the modern Last and First Men) thought that we would continue to have evolutive pressures like natural selection and our species will continue evolving over millions of years. This is true as all species are still evolving including us, but in just a few decades we have discovered genetic engineering, and it won't be too long before, somehow, it is used in the path of our evolution. All Tomorrows of course talks about this with the Star People and later the Asteromorphs, but I believe it leaves out the prospect of humans guiding their own evolution for the (admitedly interesting) plot twist of the Qu changing them themselves.

What would have happened (or rather, what WILL happen) if humans are left to evolve by themselves? I'm sure that we will find somewhen. And I think that cosmetic genetic modification will be part of it, which is why I personally found the depiction of the Star People so boring. Now, I don't think every human will genetically modify themselves into supermodels, for starters, our parameters of attractiveness are based on culture and material conditions, and people will always seek variety, but I do think "sexual selection" would be a major part of human evolution, and that some forms like the Star People, as practical(?) as they are, just don't have the appeal. The utopia of the Star People should have been just as interesting as the dystopia of the Qu, with people experimenting new ways to adapt their bodies and self expression. Not to mention people adapting to the many strange environments of space by themselves (an old sci-fi trope). And of course, there would always be humans who don't want any of that, preferring to stay as they are, or return as they were. None, none of the Asteromorphs desired that at all?

Even in my own biopunk setting, however, the future of human evolution is something I only can see as far as a couple centuries on the future. Anything more than that, with the infinite possibilities of genetic engineering, makes me dizzy to contemplate. So I think All Tomorrows, for daring to do this billions of years in the future, is an amazing book.

[cougartist]

Storm (Ororo Munroe) hentai | X-men fan art (Marvel)

85 more hentai pictures on Patreon.com/Coug

Have "Super" Fun !!

[okay-but-siriusly]

Watcher

the new life series trailer is taking over my brain

[syntheden]

[nr1-logo-design-inspiration]

Adobe Illustrator - logo design evolution ☆

Which logo do you like the most? Write in a comment 👇

🙏

[nightmarearian]

so i finished my sketchbook and started a new one. Except it isn't technically a sketchbook and is actually a herbarium so it has a little box thing with the common & scientific name, date, location, and notes so i went full science for some reason???

all these notes are written like. semi-diagetically as if someone actually stumbled upon the actual genuine monster-species of Ithacan Naga(s) and took notes.

AND the scientific name thing led me to a small rabbit hole of the full scientific classification/taxonomy for them. And i have no idea if the taxonomy is correct. at all. read that if you want.

anyway, notes and then some if you can't read my handwriting ->

Common Name: (Ithacan) Naga Scientific Name: Plumae ithacae Location Found: Ithaca/Kephalonia & the surrounding seas/underwater cliffs -> Eggs are laid & Juveniles mainly live on land (both in caves); juveniles start mainly living in the water when most of their marine/sea feathers grow in. Mature nagas live both in caves in the sea and land; ideally caves connecting into the sea Memorable Notes: > Royal/Lead lineage is god touched -> Has flight feathers and wings! > Social/Pack Species > Feather patterns & colors vary (liken to shrikes, owls, and other bird species found on Ithaca/Kephalonia) > Species does brumate, despite being aquatic > Omnivorous > Some have siren-like powers and/or instruments? (related to sirens [both avian and marine] likely)?

> They do have hair -> No facial/body hair though?

> Upper-inside of their arms + Stomach has no feathers or scales (vulnerable?). Most feathers on their upper human half. > Ear(hole)s are covered with feathers. > Spines on their back start and end in their feathers; feathers line the sides of their spines > Collection of feathers at the end of their tails -> fan out like bird's tailfeathers -> Vestigial trait? (Used in the flight-able leading-lineage but otherwise the shape leads it to drag underwater). > Gills & Back spine-webbed fins (???)

> Scales are iridescent, though typically a base of a color from the green-blue spectrum (color shown is usually/the average color). > Tan-ish(?) underside scales. > Underside is usually angled down; showing underside/stomach is a sign of trust.

> Shed/Grows at an exponentially decreasing rate -> No limit in size growth (based on prey population)?

> Webbed & Clawed hands > Two main fangs (don't fold) > Other surrounding smaller needle like teeth > No middle teeth on the bottom jaw > Bottom jaw is 2-part -> Stretchy ligament in the middle > Venomous (Spectrum of intensely harmful to lethal) > Snake-like tongue

> Slit eyes > No eyelids? (though can still narrow eyes and such) > Has brille

> 2 Hearts (One human, other snake/aquatic for taking oxygen from gills) > 2 Lungs (one human, other for mainly aquatic) > 2 Stomachs (First melts food into more liquid like than specifically mush, second is the main stomach) > Hermaphrodite species > Lays Eggs

> Species makes and uses tools 👍

[yuseirra]

a family bigger than 4! part 18 + unrelated bonus

related to that hair Ai had in 16 and 17(he's the one responsible for those)

part 1 / part 2 / part 3 / part 4 / side story 1 / part 5 / part 6 / part 7 / part 8 / part 9 / side story 2-1 / 2-2 / 2-3 / 2-4 / part 10 / part 11 / part 12 / part 13 / part 14 / part 15 / part 16 / part 17

[findingambrose49]

Oi, mate, grab some time this weekend to peep the bling, innit?

It's all about that diamond life, fam. Forget the whole transformation malarkey, let's chat evolution instead. CHAVOLUTION.

That's how the diamonds smash it and create stuff that actually sticks, you get me?

CHAVFORMATION

[rat-with-wings]

"oh but ai makes art more accessible"

Art is human creative expression.

Ai image generation is not art.