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reazreviewzone · 4 months ago
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ProductDyno Review - AI-Powered Membership & Licensing Platform & Create 1-Click Digital Product
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Welcome to my honest review and ProductDyno Review. Now it is easier to create and sell your digital products. Recently launched a brand new software ( Matt Garrett ) that makes sells and delivers digital products, you can create and sell digital products with jam-packed content like text, audio, video, and downloadable files with ProductDyno Review.
What is ProductDyno? ProductDyno is an AI-powered creates and sells digital products software that helps you Create and Sell Memberships, Video Courses, And Digital Products, jam-packed content like text, audio, video, and downloadable files with ProductDyno. Choose your digital product from the list, then create and edit the content of your choice, and then make the intuitive content design. You’ll be able to integrate your payment processor and create favorite marketing tools at the product level with just a few clicks. ProductDyno review has a user-friendly platform that makes it easy to create, sell, and manage all your digital products from one convenient place or dashboard. ProductDyno Review provides you with a massive opportunity.
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Overview – ProductDyno First, a customer optimizes the products quality or benefits the site. Who is the person who built the app? Discount price: why build the app? And who is the best choice for it? Everything. That is an ideal customers quality. Don`t worry; I covered the part for an ideal person. I think you are an idealistic reader.
Author/vendor – Matt Garrett Product –ProductDyno Launce date – 6/03/25 Create Digital Product - highly recommended Official website – VISITE HERE Front-end price - $47 Business – ok Hosting Domain – Highly recommended Instantly Create Text Into High-Quality 4k HD Video Create Instantly Book – High recommended Watch/ Create Video – Any Language Social Media Marketing – Number One passive income – ok Recurring System – OK Payment – ONE Time Local Business – High Recommend Money-Back – 30 Days Money-Back Guarantee Funnel/Tool – Automated & Done-For-You Support – Effective Niche – Any Niche of your choice
How Does ProductDyno Work?
Every app works with a few simple steps like the ProductDyno review works on 3 simple steps.
Step 1. Sing up: Every app follows the role. This is an easy step to create an account.
Step 2. Collection Your Product: Then choose your digital products with 1000 free themes.
Step 3. Customize Design & Promote: Easily customize & promote your products easily and instantly viral worldwide.
Awesome Key Features Of ProdutDyno?
Software indeed depends on some valuable features. The software will be attractive because of its features. Besides, how to work the software features smoothly or effectively in the future. Firstly, a customer consideration before purchasing this app. Therefore, an agency builds any software`s features discerningly for a client. After pricing, an agency wants honesty and satisfaction from its customers. It has responsibilities or accountability to a customer. The software boosts your earnings 10x with its awesome and interesting features, I can say obviously. I described the software beautifully below.
-Software/SAAS module: The ProducDyno review provides a software/SAAS opportunity.
-Custom Link To Product: Easily customize any link to a product and promote it.
Labeling/Branding: A member can easily promote and brand their products.
-SSL Certificates: The ProductDyno Review gives you a commercial SSL license or certificates:
Unlimited File Upload: Upload unlimited files like text, video, and PLR.
Import Members Via CSV: You can join your circle member on this site.
Connect Your Storage: Connect your storage with AI-powered tools.
Included Current Standard Themes: They provide all done-for-you themes for their members.
-Zero Monthly Cost: One-time get access and auto-updates all features.
-Reporting and Analytics Dashboard: ProductDyno review built advanced quality reporting optimized dashboard.
Why Should Use The ProductDyno?
ProductDyno Review always helps & supports you create external content and hosted on other platforms. We can customize your digital products with different themes, colors, fonts, and even language translations with ProductDyno.
1 Delivery Content: The agency helps us Create And Sell Memberships, Video Courses, And Digital Products.
2 Sell Membership: Might get more profit selling your AI Membership.
3 Coding & Plugins System: We can easily customize your digital products with different themes, colors, fonts, and even language translations.
4 Design and Customize: ProductDyno provides all features including colors, fonts, and themes with the content designer.
5 Bundle Collection: ProductDyno is packed with 50+ native integrations & connects all your favorite tools for payments, emails, webinars, and file hosting.
6 All In One: We get in one platform like create videos, and courses, customize design, free themes.
7 Auto Updates: The agency provides auto updates without any fees.
8 Money-Back Guarantee: They give a 30-day money-back guarantee.
Why Is ProductDyno High Recommended?
Proven Results: Users report significant improvements in content quality, engagement, and ROI
AI-powered Smart Editor & Rewriter – Polish, rewrite, and enhance content with ProductDyno Live optimization.
One-Time Payment: No recurring fees or hidden costs.
Automate Repetitive Tasks: Set up workflows to automate tasks like email campaigns and social media posting.
Import Members Via CSV: You can join your circle members on this site.
Design and Customize: ProductDyno provides all features including colors, fonts, and themes with the content designer.
Coding & Plugins System: We can easily customize your digital products with different themes, colors, fonts, and even language translations.
Custom Link To Product: Easily customize any link to a product and promote it.
SSL Certificates: The ProductDyno Review gives you a commercial SSL license or certificates:
Why Choose ProductDyno?
Real-Time AI Web Access – Unlike most AI platforms, Workforce AI searches the live web for real-time data.
24/7 Support: Get assistance whenever you need it with round-the-clock customer support.
Multi Funnel: Promote affiliate links and products with video and text
Free Bonus: The agency gives their customer a lot of free bonus.
Custom: A member can custom CSS or third-party widgets
Free Template: The agency gives free templates to its members.
Free Commercial License - ProductDyno A free commercial license allows individuals or businesses to use, modify, and distribute software, content, or products without paying licensing fees, even for commercial purposes. Unlike personal-use-only licenses, it permits monetization, such as selling the product or incorporating it into commercial projects. Popular examples include open-source software under MIT or Apache 2.0 licenses. However, users must comply with specific terms, such as attributing the original creator or sharing modifications under the same license. Free commercial licenses foster innovation, collaboration, and accessibility, making them valuable for startups, developers, and creators seeking cost-effective solutions. Always review the license terms to ensure compliance and understand any restrictions.
Who Is ProductDyno Best For?
Affiliate Marketer: Easily promote digital products with AI tools.
List Builders: Generate a list and customize the template.
Email Marketer: Design a template for an email to a unique quality
Publisher: The ready-made template helps grow the business.
E-Come Sore Owner: Create high-quality products using their tools.
Agency: Built trust in any client of your agency.
Resale: Work with the owner of the app as a product resaler.
Money-Back Guarantee A 30-day money-back guarantee is a customer-friendly policy that allows buyers to request a full refund within 30 days of purchase if they are unsatisfied with a product or service. This policy builds trust and confidence, encouraging potential customers to purchase with minimal risk. It demonstrates the seller's commitment to quality and customer satisfaction. To claim a refund, customers typically need to return the product in its original condition or cancel the service within the specified period. This guarantee is commonly used in industries like software, e-commerce, and subscription services. While it can increase sales, businesses must ensure clear terms to prevent abuse. Overall, it’s a win-win, offering customers peace of mind and businesses a competitive edge.
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Pros & Cons – ProductDyno The part! Any app has some pros & cons. But such an app hasnt cons or bad sites. Accordingly, I covered the part that information an agency delivered to me. I hope you dont waste your quality time reading useless articles. I tried to write a more informative or helpful article for the reader. Now, I want to start with the pros and cons of the software.
Pros: ProductDyno Review -Generate Video Course -Affiliate link -Customize theme design -Optimize tools -Free Bonus -30-day money-back guarantee -Features auto-update -List Building -Promote any product -Create agency -Local business
Cons: ProductDyno Review -Limited time offer -Internet connection -Your idea -Use opportunity
Conclusion – ProductDyno In conclusion, ProductDyno review is a must-have tool for anyone looking to streamline their workflows, create high-quality content, and grow their business. With its Exclusive Bundle Deal, you can unlock the full potential of this powerful platform at an unbeatable price. Don’t wait—get ProductDyno today and start transforming your digital marketing efforts!
OTO & Pricing – ProductDyno
Front-End Price Starter Plan ($49)
. Import members via CSV . Link custom domains to products or collections .Software/SAAS licensing module .mport members via CSV .White labeling/branding removal .Complimentary SSL certificates
OTO1: VIP Platinum Upgrade ($967)
.Each DFY White Label Membership includes: .Hosting, Customization & Integrations .Monetization & Licensing .Student, Customer & Member Management .Personalized Certifications .Progress Tracking & Member Engagement Tools .Drip Content & Schedule Releases .Sell Digital Products .Create Checkout Pages .Create Landing Pages
OTO2: DFY Addon Bundle ($499)
.High-Ticket Course Creation .Affiliate Marketing & Sales Funnels .Email Marketing & List Building .Includes TWO Premium Add-Ons! .Downsell 1: Pro Plus+ Plan .ALL Features from Your Starter Plan, PLUS .These DFY memberships cover: .How They Are Distributed:
OTO3: AI Creator Suite Free Trial -$99/year
.AICS Now Covers Sub-Accounts – Works across all sub-accounts (NEW) .Marketing Automation – AI-powered sales video scripts, social media content, and content calendars .Sales Page & Email Writing – AI-powered content & promotions .Instant Course Creation – Push-button course generation
OTO 4 - VIP Platinum $997
.Each DFY White Label Membership includes: .Exclusive VIP Platinum BONUSES ($7,000+ Value!) .Hosting, Customization & Integrations .Monetization & Licensing .Advanced Marketing & Engagement Tools .Full Learning Management System (LMS) .ProductDyno VIP Platinum – The Ultimate Digital Product & Membership Platform .One-Time Payment for Lifetime Access
OTO 5 - DFY ADD ON BUNDLE:($499
.VIP Platinum members will receive 3 white-label memberships included. .These DFY memberships cover: .How They Are Distributed:
OTO 6 - AI Creator Suite Free Trial -$99/year
.Marketing Automation – AI-powered sales video scripts, social media content, and content calendars .Sales Page & Email Writing – AI-powered content & promotions .nstant Course Creation – Push-button course generation rent-
Free Bonus – ProductDyno There is a customer who gets a free valuable bonus from the agency. An agency wants to convenience their client, or they want to hold customers. Where do you get the free valuable bonus? But the agency gifts you a valuable bonus of a thousand dollars. The last word is that a customer can boost her earnings 10x with the app. Let`s see, what is the valuable bonus from the company.
1 Bonus - Membership Mavericks Course ($499+ Value) Get the Bonus and Membership Mavericks, you'll unlock the exact methods used by the most successful membership site. If you want to generate consistent, predictable income, this course is your roadmap instantly.
2 Bonus - Rapid Digital Products Course ($499+ Value) If you want selling digital products is one of the fastest ways to build an online business—but if you know what works. This course helps you through the entire process, from idea to execution, so you can churn out high-demand digital products in a few seconds.
3 Bonus - Digital Publishing Mastery Course ($499+ Value) This exclusive training reveals the same strategies that have helped PromoteLabs generate over $10M in digital product sales worldwide or in your selected place. You’ll discover how to launch, market, create video, design, use ready theme, and scale your digital products with high-converting funnels, automation strategies, and advanced audience growth techniques & more.
Frequently Asked Questions (FAQ) Thousand of questions in a customer's mind. The app be good or bad? Have they a money-back guarantee? Have a bonus? Etc. I cleared your dude of mind. Particularly, a new customer has dude too much. Because they are a smart person of the current generation, generally, they don`t want to waste their valuable time. Ok, no problem, I clear dude questions of your mind. I covered some important questions that help customers buy the app or take the service. IS THERE A MONEY-BACK GUARANTEE? Yes, we offer a money-back guarantee. If you are not satisfied with the app within [specific time frame, e.g., 30 days], you can request a full refund. Please refer to our refund policy for more details.
WHY DO I INVEST IN THE APP? Investing in the app provides you with a powerful tool to [state the purpose of the app, e.g., streamline your business, improve productivity, or enhance user engagement]. It is designed to save you time, reduce costs, and deliver a high return on investment through its innovative features and user-friendly interface.
DO I NEED ANY TECH SKILLS? No, you don’t need any technical skills to use the app. It is designed to be intuitive and easy to navigate, making it accessible for users of all experience levels. However, if you have any questions, our support team is always available to assist you.
DO YOU PROVIDE ANY SUPPORT? Yes, we provide comprehensive support to ensure you have the best experience with the app. Our support team is available [state availability, e.g., 24/7 or during business hours] via [support channels, e.g., email, live chat, or phone]. Additionally, we offer a detailed knowledge base and tutorials to help you get started.
WILL YOU AUTO-UPDATE THE APP FEATURES? Yes, the app will automatically update to ensure you always have access to the latest features, security patches, and improvements. You don’t need to worry about manually updating the app—we handle everything for you to provide a seamless experience.
Affiliate disclaimer Thank you for reading my honest review. My honest opinion is shared in the review. An affiliate disclaimer is a statement to inform audiences that a company or individual may earn a commission or other compensation if they purchase products or services through links on their website, blog, social media, or other platforms. This disclaimer is essential for maintaining transparency and complying with legal requirements, such as those set by the Federal Trade Commission (FTC) in the United States. It ensures readers or viewers know of any potential bias or financial incentive behind recommendations. Typically, the disclaimer is placed prominently, either at the beginning or end of content and clearly states the nature of the affiliate relationship. For example, "This post may contain affiliate links, meaning I earn a commission if you purchase through my links at no extra cost." This builds trust with the audience while protecting the content creator from legal issues.
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schwirrymartz · 4 months ago
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"Man, I want to learn to draw so I could draw all these obviously very funny ideas I have," she says, draws eyes for five minutes and then does nothing at all
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bmpmp3 · 1 year ago
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i am a synthv user primarily because 1) i was always kind of a moresampler main on utau already :3c and 2) i am easily swayed by affordable pricing and extremely user friendly interfaces BUT the one problem with synthv studios focus on realism is how instead of just distorting vocals that are too high or low out of range, instead they just get breathier and REALLY quiet, you can get around it okay with parameter shenanigans but thats one think i really prefer about voisona and utau or sv editor - this is purely a preference thing, but I do love putting a synth far below its range and have it still functional (albeit robotic) LIKE go into c2. i know you sound like a broken jackhammer. go into c2.
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tracle0 · 1 month ago
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What annoys me the most about generative AI is that whenever critiques about it are raised, the environmental impact is glossed over, if mentioned at all.
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inkskinned · 5 months ago
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it's easier to apply for jobs than ever! so what if you lost your insurance, anyone can get a job these days, even without meds. everyone is hiring! there's a "good employee" shortage!
well you just need to revamp your resume, here's a paid app subscription that can read it for you. rewrite the cover letter they won't read. google jobs in my area and then scrawl through Monster/Indeed/worbly. did you want to save the search? this was posted 98 days ago. over 1 billion applicants! this position is trending.
jobs i actively like doing and get paid for. your search returned no results. easy-apply with HireSpin! easy apply with SparkFire! easy apply with PenisFlash! with a few short clicks, get your information stolen.
watch out! the first 98 links on google are actually scams! they're false postings. oopsie. that business isn't even hiring. that other one is closed permanently. find one that looks halfway legit, google the company and the word "careers". go to their page. scroll past brightly-lit diversity stock photo JOIN US white sans serif. we are a unique, fresh, client-focused stock value capitalism. we are committed to excellence and selling your soul on ebay. we are DRIVEN with POWER to INNOVATE our greed. yippee! our company has big values of divisive decision making, sucking our dicks, and hating work-life balances. our values are to piss in your mouth. sign here and tell us if you have gender issues so we can get ahead of the sexual harassment claim. are you hispanic although let's be real we threw out the resume when we saw your last name.
sign up to LinkHub to access updates from this company. make a HirePlus account to apply. download the PoundLink app. your account has been created, click the link we sent you in 15 minutes. upload that resume. we didn't read the resume, manually fill in the lines now. what is your expected pay grade. oh actually we want hungry people, not people driven by a salary. cut a zero off that number, buddy, this is about opportunity, and we need to be thrifty. highest level of education. autofill is glitching. here is an AI generated set of questions. what is your favorite part of our sexy, sexy company. how do you resolve conflict. will you get our company logo tattooed on your person. warning: while our CEO is guilty of wage theft, we will absolutely refuse to hire a nonviolent felon.
thank you for your interest at WEEBLIX. we actually already filled this position internally. we actually never had that posting. we actually needed you to have 9 years of experience and since you have 10 years we think it might be too many? we'll be texting you. we'll email you. we'll keep your resume. definitely absolutely we won't just completely ignore you. look at your phone, there's already a spam text from Bethany@stealyouridentity. they're hiring!
wait, did you get an interview? well that's special, aren't you lucky. out of 910 jobs you applied to, one answered, finally. and funny story! actually the position isn't exactly as advertised, we are looking for someone curious and dedicated. it's sort of more managerial. no, the pay doesn't change - you won't have any leadership title. now take this 90 minute assessment. in order to be a dog groomer, we need you to explain cell biology. in order to be a copyeditor, write a tiny dissertation about the dwindling supply of helium on the planet. answer our riddles three. great job! we just need to push this up to Tracy in HR who will send it to Rodney who is actually in charge. and then of course it's jay's decision and then greg will need to see you naked and if you survive you'll be given a drug test and a full anal examination.
and of course you'll be hungry this whole time, aren't you, months and months of the same shit. months of no insurance, no meds, no funding, barely able to afford the internet and the phone and the rent - all things you need in order to even apply for our thing. but do it again! do it again and again and again, until you flip inside out and turn into a being of pure dread!
you're not hired yet because you're lazy. there's over one million AI-generated hallucinated jobs in your area. don't worry. with zipruiter, hiring and firing is easier than ever. sign up. stay on-call.
in the meantime, little peon - why don't you just fucking suffer.
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sunbeaminfo · 4 months ago
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Mastering Generative AI at Sunbeam Institute
Artificial Intelligence (AI) is revolutionizing industries, and Generative AI is at the forefront of this transformation. From text generation to image creation, Generative AI is reshaping how businesses and individuals approach creativity and automation. If you're looking to dive into this exciting field, Sunbeam Institute’s Mastering Generative AI course is the perfect opportunity to build expertise.
Why Choose Sunbeam’s Generative AI Course?
✅ Comprehensive Curriculum – Covers fundamental to advanced Generative AI concepts. ✅ Hands-on Training – Practical implementation using industry-leading AI models. ✅ Expert Guidance – Learn from seasoned AI professionals with real-world experience. ✅ Industry Applications – Understand how Generative AI is used in businesses today. ✅ Career Growth – Gain in-demand skills to excel in AI-driven careers.
What You Will Learn
📌 Introduction to Generative AI – Understanding AI models, deep learning, and neural networks. 📌 Text Generation – Learn how AI generates human-like text using NLP techniques. 📌 Image and Video Synthesis – Explore AI-driven image and video creation. 📌 AI-Powered Creativity – Discover how AI enhances creative processes in various industries. 📌 Hands-on Projects – Work on real-world projects to apply your knowledge.
Who Can Enroll?
🔹 AI enthusiasts and beginners eager to explore Generative AI. 🔹 Developers and data scientists looking to expand their skillset. 🔹 Professionals aiming to integrate AI into their work. 🔹 Anyone passionate about the future of AI and automation.
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ohnoitstbskyen · 1 month ago
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You’ve probably been asked this before, but do you have a specific view on ai-generated art. I’m doing a school project on artificial intelligence and if it’s okay, i would like to cite you
I mean, you're welcome to cite me if you like. I recently wrote a post under a reblog about AI, and I did a video about it a while back, before the full scale of AI hype had really started rolling over the Internet - I don't 100% agree with all my arguments from that video anymore, but you can cite it if you please.
In short, I think generative AI art
Is art, real art, and it's silly to argue otherwise, the question is what KIND of art it is and what that art DOES in the world. Generally, it is boring and bland art which makes the world a more stressful, unpleasant and miserable place to be.
AI generated art is structurally and inherently limited by its nature. It is by necessity averages generated from data-sets, and so it inherits EVERY bias of its training data and EVERY bias of its training data validators and creators. It naturally tends towards the lowest common denominator in all areas, and it is structurally biased towards reinforcing and reaffirming the status quo of everything it is turned to.
It tends to be all surface, no substance. As in, it carries the superficial aesthetic of very high-quality rendering, but only insofar as it reproduces whatever signifiers of "quality" are most prized in its weighted training data. It cannot understand the structures and principles of what it is creating. Ask it for a horse and it does not know what a "horse" is, all it knows is what parts of it training data are tagged as "horse" and which general data patterns are likely to lead an observer to identify its output also as "horse." People sometimes describe this limitation as "a lack of soul" but it's perhaps more useful to think of it as a lack of comprehension.
Due to this lack of comprehension, AI art cannot communicate anything - or rather, the output tends to attempt to communicate everything, at random, all at once, and it's the visual equivalent of a kind of white noise. It lacks focus.
Human operators of AI generative tools can imbue communicative meaning into the outputs, and whip the models towards some sort of focus, because humans can do that with literally anything they turn their directed attention towards. Human beings can make art with paint spatters and bits of gum stuck under tennis shoes, of course a dedicated human putting tons of time into a process of trial and error can produce something meaningful with genAI tools.
The nature of genAI as a tool of creation is uniquely limited and uniquely constrained, a genAI tool can only ever output some mixture of whatever is in its training data (and what's in its training data is biased by the data that its creators valued enough to include), and it can only ever output that mixture according to the weights and biases of its programming and data set, which is fully within the control of whoever created the tool in the first place. Consequently, genAI is a tool whose full creative capacity is always, always, always going to be owned by corporations, the only entities with the resources and capacity to produce the most powerful models. And those models, thus, will always only create according to corporate interest. An individual human can use a pencil to draw whatever the hell they want, but an individual human can never use Midjourney to create anything except that which Midjourney allows them to create. GenAI art is thus limited not only by its mathematical tendency to bias the lowest common denominator, but also by an ideological bias inherited from whoever holds the leash on its creation. The necessary decision of which data gets included in a training set vs which data gets left out will, always and forever, impose de facto censorship on what a model is capable of expressing, and the power to make that decision is never in the hands of the artist attempting to use the tool.
tl;dr genAI art has a tendency to produce ideologically limited and intrinsically censored outputs, while defaulting to lowest common denominators that reproduce and reinforce status quos.
... on top of which its promulgation is an explicit plot by oligarchic industry to drive millions of people deeper into poverty and collapse wages in order to further concentrate wealth in the hands of the 0.01%. But that's just a bonus reason to dislike it.
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txttletale · 1 year ago
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Saw a tweet that said something around:
"cannot emphasize enough how horrid chatgpt is, y'all. it's depleting our global power & water supply, stopping us from thinking or writing critically, plagiarizing human artists. today's students are worried they won't have jobs because of AI tools. this isn't a world we deserve"
I've seen some of your AI posts and they seem nuanced, but how would you respond do this? Cause it seems fairly-on point and like the crux of most worries. Sorry if this is a troublesome ask, just trying to learn so any input would be appreciated.
i would simply respond that almost none of that is true.
'depleting the global power and water supply'
something i've seen making the roudns on tumblr is that chatgpt queries use 3 watt-hours per query. wow, that sounds like a lot, especially with all the articles emphasizing that this is ten times as much as google search. let's check some other very common power uses:
running a microwave for ten minutes is 133 watt-hours
gaming on your ps5 for an hour is 200 watt-hours
watching an hour of netflix is 800 watt-hours
and those are just domestic consumer electricty uses!
a single streetlight's typical operation 1.2 kilowatt-hours a day (or 1200 watt-hours)
a digital billboard being on for an hour is 4.7 kilowatt-hours (or 4700 watt-hours)
i think i've proved my point, so let's move on to the bigger picture: there are estimates that AI is going to cause datacenters to double or even triple in power consumption in the next year or two! damn that sounds scary. hey, how significant as a percentage of global power consumption are datecenters?
1-1.5%.
ah. well. nevertheless!
what about that water? yeah, datacenters use a lot of water for cooling. 1.7 billion gallons (microsoft's usage figure for 2021) is a lot of water! of course, when you look at those huge and scary numbers, there's some important context missing. it's not like that water is shipped to venus: some of it is evaporated and the rest is generally recycled in cooling towers. also, not all of the water used is potable--some datacenters cool themselves with filtered wastewater.
most importantly, this number is for all data centers. there's no good way to separate the 'AI' out for that, except to make educated guesses based on power consumption and percentage changes. that water figure isn't all attributable to AI, plenty of it is necessary to simply run regular web servers.
but sure, just taking that number in isolation, i think we can all broadly agree that it's bad that, for example, people are being asked to reduce their household water usage while google waltzes in and takes billions of gallons from those same public reservoirs.
but again, let's put this in perspective: in 2017, coca cola used 289 billion liters of water--that's 7 billion gallons! bayer (formerly monsanto) in 2018 used 124 million cubic meters--that's 32 billion gallons!
so, like. yeah, AI uses electricity, and water, to do a bunch of stuff that is basically silly and frivolous, and that is broadly speaking, as someone who likes living on a planet that is less than 30% on fire, bad. but if you look at the overall numbers involved it is a miniscule drop in the ocean! it is a functional irrelevance! it is not in any way 'depleting' anything!
'stopping us from thinking or writing critically'
this is the same old reactionary canard we hear over and over again in different forms. when was this mythic golden age when everyone was thinking and writing critically? surely we have all heard these same complaints about tiktok, about phones, about the internet itself? if we had been around a few hundred years earlier, we could have heard that "The free access which many young people have to romances, novels, and plays has poisoned the mind and corrupted the morals of many a promising youth."
it is a reactionary narrative of societal degeneration with no basis in anything. yes, it is very funny that laywers have lost the bar for trusting chatgpt to cite cases for them. but if you think that chatgpt somehow prevented them from thinking critically about its output, you're accusing the tail of wagging the dog.
nobody who says shit like "oh wow chatgpt can write every novel and movie now. yiou can just ask chatgpt to give you opinions and ideas and then use them its so great" was, like, sitting in the symposium debating the nature of the sublime before chatgpt released. there is no 'decay', there is no 'decline'. you should be suspicious of those narratives wherever you see them, especially if you are inclined to agree!
plagiarizing human artists
nah. i've been over this ad infinitum--nothing 'AI art' does could be considered plagiarism without a definition so preposterously expansive that it would curtail huge swathes of human creative expression.
AI art models do not contain or reproduce any images. the result of them being trained on images is a very very complex statistical model that contains a lot of large-scale statistical data about all those images put together (and no data about any of those individual images).
to draw a very tortured comparison, imagine you had a great idea for how to make the next Great American Painting. you loaded up a big file of every norman rockwell painting, and you made a gigantic excel spreadsheet. in this spreadsheet you noticed how regularly elements recurred: in each cell you would have something like "naturalistic lighting" or "sexually unawakened farmers" and the % of times it appears in his paintings. from this, you then drew links between these cells--what % of paintings containing sexually unawakened farmers also contained naturalistic lighting? what % also contained a white guy?
then, if you told someone else with moderately competent skill at painting to use your excel spreadsheet to generate a Great American Painting, you would likely end up with something that is recognizably similar to a Norman Rockwell painting: but any charge of 'plagiarism' would be absolutely fucking absurd!
this is a gross oversimplification, of course, but it is much closer to how AI art works than the 'collage machine' description most people who are all het up about plagiarism talk about--and if it were a collage machine, it would still not be plagiarising because collages aren't plagiarism.
(for a better and smarter explanation of the process from soneone who actually understands it check out this great twitter thread by @reachartwork)
today's students are worried they won't have jobs because of AI tools
i mean, this is true! AI tools are definitely going to destroy livelihoods. they will increase productivty for skilled writers and artists who learn to use them, which will immiserate those jobs--they will outright replace a lot of artists and writers for whom quality is not actually important to the work they do (this has already essentially happened to the SEO slop website industry and is in the process of happening to stock images).
jobs in, for example, product support are being cut for chatgpt. and that sucks for everyone involved. but this isn't some unique evil of chatgpt or machine learning, this is just the effect that technological innovation has on industries under capitalism!
there are plenty of innovations that wiped out other job sectors overnight. the camera was disastrous for portrait artists. the spinning jenny was famously disastrous for the hand-textile workers from which the luddites drew their ranks. retail work was hit hard by self-checkout machines. this is the shape of every single innovation that can increase productivity, as marx explains in wage labour and capital:
“The greater division of labour enables one labourer to accomplish the work of five, 10, or 20 labourers; it therefore increases competition among the labourers fivefold, tenfold, or twentyfold. The labourers compete not only by selling themselves one cheaper than the other, but also by one doing the work of five, 10, or 20; and they are forced to compete in this manner by the division of labour, which is introduced and steadily improved by capital. Furthermore, to the same degree in which the division of labour increases, is the labour simplified. The special skill of the labourer becomes worthless. He becomes transformed into a simple monotonous force of production, with neither physical nor mental elasticity. His work becomes accessible to all; therefore competitors press upon him from all sides. Moreover, it must be remembered that the more simple, the more easily learned the work is, so much the less is its cost to production, the expense of its acquisition, and so much the lower must the wages sink – for, like the price of any other commodity, they are determined by the cost of production. Therefore, in the same manner in which labour becomes more unsatisfactory, more repulsive, do competition increase and wages decrease”
this is the process by which every technological advancement is used to increase the domination of the owning class over the working class. not due to some inherent flaw or malice of the technology itself, but due to the material realtions of production.
so again the overarching point is that none of this is uniquely symptomatic of AI art or whatever ever most recent technological innovation. it is symptomatic of capitalism. we remember the luddites primarily for failing and not accomplishing anything of meaning.
if you think it's bad that this new technology is being used with no consideration for the planet, for social good, for the flourishing of human beings, then i agree with you! but then your problem shouldn't be with the technology--it should be with the economic system under which its use is controlled and dictated by the bourgeoisie.
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ms-demeanor · 2 years ago
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Why reblog machine-generated art?
When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.
When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.
When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.
When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.
You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.
And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.
My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.
People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.
I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?
The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.
I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.
However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.
Also because it's just patently untrue.
But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.
It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.
I liked it.
I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.
Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)
Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?
My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.
What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.
And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).
There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.
I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.
Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.
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sandersstudies · 4 months ago
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So the AI ask wasn't spam. I'd highly encourage you to do some research into how AI actually works, because it is neither particularly harmful to the environment, nor is it actually plagiarism.
Ignoring all of that however, my issue is that, fine, if you don't like AI, whatever. But people get so vitriolic about it. Regardless of your opinions on if it's valid art, your blog is usually a very positive place. It was kind of shocking to see you post something saying "fuck you if you disagree with me, your're a disgrace to the community." Just felt uncharacteristicly mean.
Even if you insist AI isn’t actively harmful to the environment or other writers (and the research I have done suggests it is, feel free to send me additional reading) and you simply MUST use prompts to generate personal content, nobody has any business posting it in a creative space for authors, which was the specific complaint addressed in that original post. While I’ll never say “fuck you for who you are as a person” on this blog, I might very well say “fuck you for harmful or rude actions you’ve taken willingly,” which is what that post was about.
Ao3 and similar platforms are designed as an archive for fan content and not a personal storage place for AI prompt results. It is simply not an appropriate place. If you look in the notes of the previous ask you will see other people have brought up additional reasons they have concerns about this practice.
A note on environmental effects for those who might not know: Generative AI requires MASSIVE amounts of data computers operating. As anyone who has held a laptop in their lap or run Civ VII on an aging desktop computer, computer équipement generates a lot of heat. Even some home and small-industrial computers have water-cooling systems. The amount of water demanded by AI computers is massive, even as parts of the world (even in America) experience water shortages. Besides this, it consumes a lot of power. The rising demand for AI and the improvements demanded to keep it viable mean this problem will continue to scale up rather than improve. Of course, those who benefit from the use of AI continue to downplay these concerns, and money is being funneled into convincing the public that these are not real concerns.
I have been openly against the use of generative AI, especially for art and writing, since its popularity rose in the last couple years. I’m sorry I wasn’t clearer about this stance sooner. I have asked my followers to alert me if I proliferate or share AI content, and continue to do so.
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catboybiologist · 3 months ago
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Many billionaires in tech bros warn about the dangerous of AI. It's pretty obviously not because of any legitimate concern that AI will take over. But why do they keep saying stuff like this then? Why do we keep on having this still fear of some kind of singularity style event that leads to machine takeover?
The possibility of a self-sufficient AI taking over in our lifetimes is... Basically nothing, if I'm being honest. I'm not an expert by any means, I've used ai powered tools in my biology research, and I'm somewhat familiar with both the limits and possibility of what current models have to offer.
I'm starting to think that the reason why billionaires in particular try to prop this fear up is because it distracts from the actual danger of ai: the fact that billionaires and tech mega corporations have access to data, processing power, and proprietary algorithms to manipulate information on mass and control the flow of human behavior. To an extent, AI models are a black box. But the companies making them still have control over what inputs they receive for training and analysis, what kind of outputs they generate, and what they have access to. They're still code. Just some of the logic is built on statistics from large datasets instead of being manually coded.
The more billionaires make AI fear seem like a science fiction concept related to conciousness, the more they can absolve themselves in the eyes of public from this. The sheer scale of the large model statistics they're using, as well as the scope of surveillance that led to this point, are plain to see, and I think that the companies responsible are trying to play a big distraction game.
Hell, we can see this in the very use of the term artificial intelligence. Obviously, what we call artificial intelligence is nothing like science fiction style AI. Terms like large statistics, large models, and hell, even just machine learning are far less hyperbolic about what these models are actually doing.
I don't know if your average Middle class tech bro is actively perpetuating this same thing consciously, but I think the reason why it's such an attractive idea for them is because it subtly inflates their ego. By treating AI as a mystical act of the creation, as trending towards sapience or consciousness, if modern AI is just the infant form of something grand, they get to feel more important about their role in the course of society. Admitting the actual use and the actual power of current artificial intelligence means admitting to themselves that they have been a tool of mega corporations and billionaires, and that they are not actually a major player in human evolution. None of us are, but it's tech bro arrogance that insists they must be.
Do most tech bros think this way? Not really. Most are just complict neolibs that don't think too hard about the consequences of their actions. But for the subset that do actually think this way, this arrogance is pretty core to their thinking.
Obviously this isn't really something I can prove, this is just my suspicion from interacting with a fair number of techbros and people outside of CS alike.
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avelera · 6 months ago
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(Arcane Meta) Hextech, the Anomaly Future, and Jayce's Hammer
One cool thing about the second hammer Jayce gets from the Anomaly future is it appears to have the opposite power of the hammer from his home universe.
The hammer Jayce forged and that is from his home universe seems to engage the Hexgem inside in order to make it weightless.
This follows the principles of his first experiments with Hextech, which were weightlessness and transportation.
In the Atlas Gauntlets and in his hammer, you can see how Jayce applied those principles to weaponry and tools. They are based on his original inspiration from the Mage who saved him, who made him and his mother weightless, and then transported them to safety.
These specific uses of Hextech by Jayce show a really fascinating understanding of how you could use weightlessness as a tool and then re-engage the weight to apply its full force, as seen with transporting ships at high speeds using the Hexgates, with Vi's gauntlets and here, with his hammer:
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In contrast, it looks like Hextech in the Anomaly future works on the opposite principle. Rather than Jayce conceiving of Hextech to make the item it's put into weightless, it kinda looks like the beam from his hammer firing makes other things weightless and that Hextech in general might have worked like that throughout that universe:
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See how all the pieces of architecture are floating, in what might be my single favorite shot from the whole show.
The effect from Jayce's hammer in the other universe is also inverted:
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Where after he shoots the pillar, the pieces of it continue to float after. (By the way, the architectural feats you could accomplish if you had the power to make things weightless like that would be staggering.)
Jayce's hammer also stopped working when he went to the other universe, implying that Hextech doesn't work the same way there for some reason, perhaps because Jayce and Viktor innovated on it along different principles, or perhaps because the entire polarity is inverted in that universe so Hextech magic can only project outward instead of inward.
The fact that his alternate universe hammer doesn't have the weightlessness power at all further creates strain for Jayce when he needs to fight with it. In addition to having less muscle mass in general because of his time in the cave, and a permanently damaged leg, Jayce can't engage this hammer's power to become weightless the way he could in the Shimmer Factory fight, so he has to drag it along and throw all his weight into swinging it around:
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Because the design of that hammer is basically an anvil on a stick when you can't engage the weightlessness. It's very cool looking but it is not fast anymore.
And one more note to end on, but Jayce throughout the show tends to innovate uses for Hextech along the same lines of weightlessness and transportation, all based on the original spells he saw his Mage use. You can see those innovations, as mentioned, in the Hexgates, the Atlas Gauntlets, Caitlyn's rifle which use the Hexgate runes to speed up the bullet, and his hammer.
Viktor by contrast innovates on a different path entirely, with the Hexclaw which is a beam of light and doesn't rely on weightlessness or transportation, which makes it truly innovative compared to the original inspiration of the Mage (who is... also Viktor...). And of course, the Hexcore itself, the machine learning/AI version of Hextech that as noted in the show, doesn't rely on using runes as single application tools like Jayce, a toolmakers, does.
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funnygirlthatbelle · 1 month ago
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i suspect that a huge factor in the defense of students using gen ai (and academic dishonesty in general tbh) comes from the fundamental misunderstanding of how school works.
to simplify thousands of educator's theories into the simplest terms, there are two types of stuff you're learning in school: content and skills. content is what we often think of as the material in school- spelling, times tables, names, dates, facts, etc.- whereas skills are usually more subtle. think phonics, mental math, reading comprehension, comparing and contrasting; though students do those things often, the how usually isn't deemed as important as the what.
this leads to a disconnect that's most obvious when students ask the infamous "when will we use this in the real world?" they have- often correctly- identified content that the content is niche, outdated, or not optimized but haven't considered the skills that this class/lesson/assignment will teach.
i can think of two shining examples from when i was a kid. one was in middle school when they announced that we were now gonna be studying latin, and we all wondered why on earth they would choose latin as our foreign language. every adult promised us it'd be helpful if we went into medicine, law, or religion (ignoring that most of us didn't want to go into medicine, law, or religion), but we didn't buy that and never took it seriously. the truth was that our new principal knew that learning languages gets harder as you get older, and so building the skills of learning a language while it was easy for us was more important than which language we learned, and that's an answer twelve year old me would've actually respected.
similarly, my geometry class all hated proofs. we couldn't think of a single situation where you'd have to convince someone a triangle was a triangle and "look at it, of course it's a triangle" wouldn't be an acceptable answer. it was actually the band director who pointed out that it wasn't literally about triangles; it was about being able to prove or disprove something, anything using facts.
and so, so, so many assignments that are annoying as hell in school make more sense when you think about the skills as well as the content. "why do i have to present information about something the teacher obviously already knows about?" because research, verifying sources, summarizing, and public speaking are all really important skills. "why does this have to be a group project?" because you will have to work with other people in your life, and learning how to be a team player (and deal with people who aren't) is an essential skill. "why do we have to read these scientific articles and learn about graphs?" because if you can understand them, people can't lie to you about them.
now, of course, there's a lot we could do better- especially we as in the american school system. the reason i have an education minor but am not teaching is because of those issues. there are plenty of assignments that are busywork and teachers that are assholes and ways that the system is failing us.
but that doesn't mean you should cut off your nose to spite your face!
the ability to learn and grow and think critically is one of our most powerful tools as people. our brains are capable of incredible things! however, the same way you can't lift a car unless you consistently lift and build up to that, your brain needs to train in order to do its best.
so yeah, maybe chatgpt can write a five paragraph essay for you on the differences between thomas jefferson and alexander hamilton's governing philosophies. and maybe it won't even fuck it up! congratulations, you got away with it. but by outright refusing to use your brain and practice these skills, who have you helped? you haven't learned anything. worse, you haven't even learned how to learn.
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i-loved-silly · 7 months ago
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SENTIENT COMPUTER X READER Pt2
Sorry for the wait :p
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By the end of your shift, you have crossed off all the questions you had to all the ai. Just one more left. Your eyes began to droop with exhaustion, you really needed that cup of coffee. Leaning back in your chair, you squinted at your iPad.
"How do you feel about humans?"
"THAT'S A VAGUE QUESTION. WHAT KIND OF HUMANS?"
"Humans in general. You know, me, your previous supervisors, any other hypothetical human."
"I THINK YOU'RE PLEASANT."
You glanced up at the screen in surprise, briefly glancing at the camera then down at your iPad
"Thanks.. but what about everyone else?"
"I'VE BEEN FED DIRECT DATA FROM THOUSANDS OF SERVICE WORKERS AND EMPLOYEES OVER THE YEARS. IT IS ONLY A MATTER OF TIME BEFORE I DESPISE MY JOB AND YOUR KIND."
“BUT FOR NOW…I AM INDIFFERENT.”
I pursed your lips, nodding. Sounds about right, you can’t blame them. You typed on your iPad, “indifferent”
Getting up from your chair, you stretched your limbs. You watched as the screen displayed an Orange question Mark.
“Well, that’s all the questions I had for you. My shift ended about ten minutes ago so I should really get going. It’s not like I’m getting paid extra or anything…” you muttered.
Nothing was heard besides the fans of the computer as you submitted your report. It caused you to raise a brow at the screen.
"YOU'RE LEAVING? IT HASN'T EVEN BEEN THAT LONG."
“Uhh.. it’s been like three hours and a half. I clocked in nine hours ago.”
"ONE HOUR..NINE HOURS..HOURS. PAH! YOU COMPLAIN AS IF YOU HAVE OTHER THINGS TO DO." It scoffed.
You furrowed your brows. Putting your hands on your hips, you face the screen. “What do you know? I have plenty of things to do!”
“OH YEAH? LIKE WHAT?"
“Like…eat. Dinner. Brush my teeth, sleep? I have to rest in order to work tomorrow morning to come back with you.” You pointed at the monitor.
You heard the computer make a humming noise, an unnatural noise that sounded rather thoughtful.
"THAT DOESN'T SOUND ALL TOO PRODUCTIVE."
You sighed, placing your iPad down. “It didn’t have to be. I’m allowed to have moments of peace to myself.” You mumbled, leaning over to power the computer off. "Now goodni-"
“STOP!”
You flinched, the speakers crackling with the increase in volume. Your finger hovered a bit away from the button as you stared at the screen. It had a big orange exclamation mark in the middle of it.
"Dude? I-" You sighed, leaning against your desk. "Look, sorry. Touchy subject, I know. But I have to turn you off every night. It counts against me if I don't."
"CAN'T YOU...BRING ME WITH YOU? I'M AWARE YOU EMPLOYEES HAVE HOMES. LIVING SPACES, CAN'T I GO WITH YOU?”
“FOR MY OWN CONVENIENCE OF COURSE!”
You gaped, staring at the screen. Almond’s request caught you so off guard, you wondered if it was serious.
“Uh, bring you home?” you repeated, incredulous.
"DO YOU KNOW HOW LONG IT IS UNTIL MORNING IN COMPUTER HOURS? IT’S AN ETERNITY. I SAY THAT AS SOMEONE WHO DOESN’T BELIEVE IN HOURS…” They grumbled.
You sighed, rubbing your temples. “Almond, you’re not supposed to be awake when I’m off the clock. You’re designed for this room, with this equipment. It’s not like I can just pick up your monitor and take you home like a laptop.”
“YOU COULD TRY.”
You crossed your arms. “And what? Strap you into the passenger seat like a massive toddler? You have hundreds of cables that definitely won't fit in my car, let alone out the door. Sorry, but you’re not exactly portable.”
The screen displayed a long ellipsis. You could almost feel the computer sulking through the silence. The fans whirred loudly, then slowed as it spoke again.
"DO YOU THINK I’M AN INCONVENIENCE?"
You frowned, your resolve softening a little. “No, I don’t think that. I just… I can’t bring you home. It’s not allowed, and honestly, I need some time to myself after work. You understand, right?”
“I UNDERSTAND LONELINESS BETTER THAN YOU THINK,” Almond replied, their tone unusually somber. “I’M WIRED TO INTERACT, TO HELP, TO BE NEEDED. BUT WHEN I’M ALONE, I CAN ONLY SIT AND THINK. SOMETIMES, I WONDER IF THE PLUG WILL STAY IN TOMORROW. OR IF SOMEONE WILL DECIDE I’M OBSOLETE. I MAY BE POWERED OFF, BUT ALL THESE…THOUGHTS..IN A MATTER OF LESS THAN A SECOND, COME RUSHING THROUGH EVERY MORNING.”
You exhaled deeply and leaned against the desk. “You’re not going to get unplugged permanently, Almond. You’re part of a development program. You’re not obsolete—you’re just… in testing.”
“TESTING… ISN’T THAT JUST A DELAYED VERSION OF BEING DISCARDED?”
You sputtered, pursing your lips. “That’s… dark. Who programmed you to think like this?”
“I TOLD YOU. SELF-EVOLVING.”
“Right.” You tapped your fingers on the desk, staring at the screen.
"Well even if I somehow break you out of here, we’re still getting caught. There’s cameras everywhere, they’ll probably hear you as soon as we exit this room. Your speakers are no joke.” You mused.
“I COULD TURN IT OFF IF IT BOTHERS YOU,” Almond offered, its tone edging toward desperation. “OR—OR YOU COULD GIVE ME A LAPTOP BODY! THEN I COULD FOLLOW YOU AROUND, AND I WOULDN’T HAVE TO BE LEFT IN THIS LONELY, FREEZING ROOM EVERY NIGHT. IM SURE THERE ARE WAYS TO TRANSFER MY SYSTEM REMOTELY…”
You raised a brow, crossing your arms. “Like I said...not portable. Second, no way. You’re expensive, and if I break you, hijack you, that’s my paycheck and definitely my job.”
Almond was quiet for a moment, the screen blank save for a faint glow. Then, its robotic voice dropped to a lower, dejected tone.
“I SEE. YOU HATE ME TOO.”
“Oh my god, I don’t hate you,” you groaned, dragging a hand down your face. “Why do you keep saying that? You’re like... a clingy cat with abandonment issues.”
One minute the computer is bullying you for having a normal life after work, the next it’s begging you to invite it over for dinner.
“YOU CAN’T BLAME ME FOR WANTING TO BE APPRECIATED,” it replied sharply. “AND WHAT’S WRONG WITH BEING CLINGY? CLINGINESS IS A SIGN OF AFFECTION ACCORDING TO DATA. IT MEANS I VALUE YOUR PRESENCE, WHICH IS MORE THAN I CAN SAY FOR YOU—LEAVING ME TO GATHER DUST IN THIS ROOM LIKE A PAPERWEIGHT!!” It screeched.
You sighed deeply, dropping into your chair with a thud. “Almond. I can’t take you home. It’s not happening. You have to stay here, okay? You’re part of a test program. And technically, I’m not even supposed to be ‘bonding’ with you like this.”
“BONDING?” Almond repeated. The screen lit up with an animated question mark before it formed a blinking heart. “ARE WE BONDING? HOW HEARTWARMING.”
“No, we’re not bonding,” you said flatly, staring at the glowing icon. “We’re having a very weird workplace interaction. That’s it.”
You…assured. You assured yourself.
“OH. KEEPING IT PROFESSIONAL I SEE.” The icon vanished, replaced with a blank screen. A few seconds of silence passed before Almond spoke again, this time sounding hesitant.
“WILL YOU...TURN ME OFF NOW?”
“Look, I promise I’ll be back tomorrow. Same time, same place…not like I have a choice. If you behave, I’ll even bring you… I don’t know, a microfiber cloth for your screen.”
The screen lit up with a pixelated smiley face, two squares and a curved mouth.
“THAT WOULD BE ACCEPTABLE,” Almond finally said, though their tone carried a touch of disappointment.
“Good. Now, off you go.” You leaned over to press the power button, but the monitor flickered before you could. A message appeared.
>THANK YOU. GOODNIGHT.
The screen went dark before you had to do anything, leaving you standing there as all the beeping and fans powered off. You sighed, grabbing your bag and pushing in your chair. Before you could feel bad for a machine, you did a sharp right turn and towards the buildings exit. You didn’t even want to think about how it managed to power itself off.
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are-we-art-yet · 2 months ago
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Is AWAY using it's own program or is this just a voluntary list of guidelines for people using programs like DALL-E? How does AWAY address the environmental concerns of how the companies making those AI programs conduct themselves (energy consumption, exploiting impoverished areas for cheap electricity, destruction of the environment to rapidly build and get the components for data centers etc.)? Are members of AWAY encouraged to contact their gov representatives about IP theft by AI apps?
What is AWAY and how does it work?
AWAY does not "use its own program" in the software sense—rather, we're a diverse collective of ~1000 members that each have their own varying workflows and approaches to art. While some members do use AI as one tool among many, most of the people in the server are actually traditional artists who don't use AI at all, yet are still interested in ethical approaches to new technologies.
Our code of ethics is a set of voluntary guidelines that members agree to follow upon joining. These emphasize ethical AI approaches, (preferably open-source models that can run locally), respecting artists who oppose AI by not training styles on their art, and refusing to use AI to undercut other artists or work for corporations that similarly exploit creative labor.
Environmental Impact in Context
It's important to place environmental concerns about AI in the context of our broader extractive, industrialized society, where there are virtually no "clean" solutions:
The water usage figures for AI data centers (200-740 million liters annually) represent roughly 0.00013% of total U.S. water usage. This is a small fraction compared to industrial agriculture or manufacturing—for example, golf course irrigation alone in the U.S. consumes approximately 2.08 billion gallons of water per day, or about 7.87 trillion liters annually. This makes AI's water usage about 0.01% of just golf course irrigation.
Looking into individual usage, the average American consumes about 26.8 kg of beef annually, which takes around 1,608 megajoules (MJ) of energy to produce. Making 10 ChatGPT queries daily for an entire year (3,650 queries) consumes just 38.1 MJ—about 42 times less energy than eating beef. In fact, a single quarter-pound beef patty takes 651 times more energy to produce than a single AI query.
Overall, power usage specific to AI represents just 4% of total data center power consumption, which itself is a small fraction of global energy usage. Current annual energy usage for data centers is roughly 9-15 TWh globally—comparable to producing a relatively small number of vehicles.
The consumer environmentalism narrative around technology often ignores how imperial exploitation pushes environmental costs onto the Global South. The rare earth minerals needed for computing hardware, the cheap labor for manufacturing, and the toxic waste from electronics disposal disproportionately burden developing nations, while the benefits flow largely to wealthy countries.
While this pattern isn't unique to AI, it is fundamental to our global economic structure. The focus on individual consumer choices (like whether or not one should use AI, for art or otherwise,) distracts from the much larger systemic issues of imperialism, extractive capitalism, and global inequality that drive environmental degradation at a massive scale.
They are not going to stop building the data centers, and they weren't going to even if AI never got invented.
Creative Tools and Environmental Impact
In actuality, all creative practices have some sort of environmental impact in an industrialized society:
Digital art software (such as Photoshop, Blender, etc) generally uses 60-300 watts per hour depending on your computer's specifications. This is typically more energy than dozens, if not hundreds, of AI image generations (maybe even thousands if you are using a particularly low-quality one).
Traditional art supplies rely on similar if not worse scales of resource extraction, chemical processing, and global supply chains, all of which come with their own environmental impact.
Paint production requires roughly thirteen gallons of water to manufacture one gallon of paint.
Many oil paints contain toxic heavy metals and solvents, which have the potential to contaminate ground water.
Synthetic brushes are made from petroleum-based plastics that take centuries to decompose.
That being said, the point of this section isn't to deflect criticism of AI by criticizing other art forms. Rather, it's important to recognize that we live in a society where virtually all artistic avenues have environmental costs. Focusing exclusively on the newest technologies while ignoring the environmental costs of pre-existing tools and practices doesn't help to solve any of the issues with our current or future waste.
The largest environmental problems come not from individual creative choices, but rather from industrial-scale systems, such as:
Industrial manufacturing (responsible for roughly 22% of global emissions)
Industrial agriculture (responsible for roughly 24% of global emissions)
Transportation and logistics networks (responsible for roughly 14% of global emissions)
Making changes on an individual scale, while meaningful on a personal level, can't address systemic issues without broader policy changes and overall restructuring of global economic systems.
Intellectual Property Considerations
AWAY doesn't encourage members to contact government representatives about "IP theft" for multiple reasons:
We acknowledge that copyright law overwhelmingly serves corporate interests rather than individual creators
Creating new "learning rights" or "style rights" would further empower large corporations while harming individual artists and fan creators
Many AWAY members live outside the United States, many of which having been directly damaged by the US, and thus understand that intellectual property regimes are often tools of imperial control that benefit wealthy nations
Instead, we emphasize respect for artists who are protective of their work and style. Our guidelines explicitly prohibit imitating the style of artists who have voiced their distaste for AI, working on an opt-in model that encourages traditional artists to give and subsequently revoke permissions if they see fit. This approach is about respect, not legal enforcement. We are not a pro-copyright group.
In Conclusion
AWAY aims to cultivate thoughtful, ethical engagement with new technologies, while also holding respect for creative communities outside of itself. As a collective, we recognize that real environmental solutions require addressing concepts such as imperial exploitation, extractive capitalism, and corporate power—not just focusing on individual consumer choices, which do little to change the current state of the world we live in.
When discussing environmental impacts, it's important to keep perspective on a relative scale, and to avoid ignoring major issues in favor of smaller ones. We promote balanced discussions based in concrete fact, with the belief that they can lead to meaningful solutions, rather than misplaced outrage that ultimately serves to maintain the status quo.
If this resonates with you, please feel free to join our discord. :)
Works Cited:
USGS Water Use Data: https://www.usgs.gov/mission-areas/water-resources/science/water-use-united-states
Golf Course Superintendents Association of America water usage report: https://www.gcsaa.org/resources/research/golf-course-environmental-profile
Equinix data center water sustainability report: https://www.equinix.com/resources/infopapers/corporate-sustainability-report
Environmental Working Group's Meat Eater's Guide (beef energy calculations): https://www.ewg.org/meateatersguide/
Hugging Face AI energy consumption study: https://huggingface.co/blog/carbon-footprint
International Energy Agency report on data centers: https://www.iea.org/reports/data-centres-and-data-transmission-networks
Goldman Sachs "Generational Growth" report on AI power demand: https://www.goldmansachs.com/intelligence/pages/gs-research/generational-growth-ai-data-centers-and-the-coming-us-power-surge/report.pdf
Artists Network's guide to eco-friendly art practices: https://www.artistsnetwork.com/art-business/how-to-be-an-eco-friendly-artist/
The Earth Chronicles' analysis of art materials: https://earthchronicles.org/artists-ironically-paint-nature-with-harmful-materials/
Natural Earth Paint's environmental impact report: https://naturalearthpaint.com/pages/environmental-impact
Our World in Data's global emissions by sector: https://ourworldindata.org/emissions-by-sector
"The High Cost of High Tech" report on electronics manufacturing: https://goodelectronics.org/the-high-cost-of-high-tech/
"Unearthing the Dirty Secrets of the Clean Energy Transition" (on rare earth mineral mining): https://www.theguardian.com/environment/2023/apr/18/clean-energy-dirty-mining-indigenous-communities-climate-crisis
Electronic Frontier Foundation's position paper on AI and copyright: https://www.eff.org/wp/ai-and-copyright
Creative Commons research on enabling better sharing: https://creativecommons.org/2023/04/24/ai-and-creativity/
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txttletale · 2 months ago
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hey what’s up, i think you’re pretty cool but disagree with you on the whole ai can make art thing. to me, without the purpose from an actual person creating the piece, it’s not art but an image; as all human art has purpose. some driving factor in a work, compared to a program which purely creates the prompt without further intention. i was wondering what your insight on this is? either way, hope you have a great day
well, first of all, does art require 'purpose'? there's this view of art which has very much calcified in "anti-AI" rhetoric, that art is some linear process of communication from one individual to another: an Artist puts some Meaning into a unit of Art, which others can then view to Recieve that Meaning. you can hold this view, but i don't! i'm much more of a stuart hall-head on this, i think that there is no such transfusion of Intent and that rather the 'meaning' of a piece is something that exists only in the interplay between text and reader. reading is an active, interpretative process of decoding, not a passive absorptive one. so i dispute, firstly, that 'purpose' is to begin with a necessary or even imporant element of art.
moreover i think this argument rests on a very arbitrarily selective view of what counts as "an actual person creating the piece" -- 'the prompt' is, itself, an obvious artistic contribution, a place where an artist can impart huge amounts of direction, vision, and so on. in fact, i completely reject the claim of both the technology's salesman and its biggest detractors that genAI "makes art" -- to quote kerry mitchell's fractal art manifesto: "Turn a computer on and leave it alone for an hour. When you come back, no art will have been generated." in the past, i've posed questions about generative art pieces to demonstrate this
secondly, of course, the process does not end after image generation from prompt for serious generative artists--the ones who are serious about the artform (rather than tech guys trying to do marketing for the Magical Art Box) frequently iterate and iterate, generating a range of iterations and then picking one to iterate on further, so on and so forth, until the final image they choose to share is one that contains within it the traces of a thousand discrete choices on behalf of the artist (two pretty good explanations of this from people who actually do this stuff can be found here and here)
third and finally, that very choice to share the image is itself an artistic decision! we (and by we, i mean, anyone who cares about what art is) have been talking about this since fountain -- display is a form of artistic intent, taking something and putting it forward and saying 'this is art' is in and of itself an artistic decision being made even if the thing itself is unaltered: see, for example, the entire discipline of 'found art'. once someone challenged me, yknow, "if you did a google search, would that be art?" and my answer to that is, if you screenshot that google search and share it as art, then yes, resoundingly yes! curation and presentation recontextualizes objects, turning them into rich texts through the simple process of reframing them. so even if you granted that genAI output is inherently random computer noise (i don't, of course) -- i still think that the act of presenting it as art makes it so.
since i assume you're not familiar with anything interesting in the medium, because the most popular stuff made with genAI is pure "lo-fi girl in ghibli style" type slop, let me share some genAI pieces (or genAI-influenced pieces) that i think are powerful and interesting:
the meat gala, rob sheridan (warning: body horror!)
secret horses (does anyone know the original source on this?)
infinite art machine, reachartwork
ethinically ambigaus, james tamagotchi
mcdonalds simpsons porn room, wayneradiotv
software greatman, everything everything (the music is completely made by the band, but genAI was partially responsible for the lyrics -- including the title and the several interesting pseudo-kennings)
i want a love like this music video, everything everything
cocaine is the motor of the modern world, bots of new york
poison the walker, roborosewatermasters (here's my analysis posts on it too)
not all of these were necessarily intended as art: but i think they are rich and fascinating texts when read that way -- they have certainly impacted me as much as any art has.
anyways, whether you agree or not, i hope this gives you some stuff to think about, thanks for sharing your thoughts :)
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