#Advanced Casting Solutions

[unideritend]

The Future of Alloy Casting: How Robotic Technologies Improve Precision and Efficiency in Manufacturing

The world of alloy casting has seen significant advancements over the years, particularly with the rise of robotic technologies. These innovations are transforming the manufacturing industry, offering unparalleled precision, efficiency, and consistency in the production of alloy components. Uni Deritend, a leader in advanced casting solutions, is at the forefront of this revolution, incorporating cutting-edge robotic systems into their processes to enhance the precision and speed of alloy casting.

Robotics in alloy casting allows for automated processes that drastically improve the accuracy of component dimensions, ensuring that every part meets the required tolerances. This not only reduces human error but also accelerates production times, leading to faster turnaround for large-scale projects. Robotic arms are particularly effective in tasks such as shelling, pouring, and cleaning, providing consistent results across the board.

By integrating robotic technologies, Uni Deritend has optimized its casting process, resulting in greater consistency and the ability to produce more complex geometries with less waste. These systems are also able to handle more challenging alloys, including superalloys and high-temperature materials, ensuring superior performance in critical applications like aerospace and oil and gas.

Not only does robotic automation improve the quality and speed of production, but it also enhances safety by reducing manual handling of hazardous materials, creating a safer work environment. With Uni Deritend’s commitment to innovation, the future of alloy casting looks more precise, efficient, and sustainable than ever before.

Explore more about Uni Deritend’s advanced casting solutions by visiting www.unideritend.com.

[chemtrendindia]

Experience the best in class with Chemteach.com, your trusted chemical manufacturing company in India.

[unitritech]

Uni Tritech The Apex of Vacuum Casting Excellence

In the dynamic landscape of manufacturing, vacuum casting stands as a cornerstone for producing high-quality, detailed, and precise replicas of prototypes or end-use parts. Amidst the myriad of vacuum castings manufacturers, Uni Tritech emerges as the industry's champion, offering an unparalleled platform for acquiring top-tier vacuum casting services.

Uni Tritech has mastered the art of vacuum casting, a process where a vacuum is used to draw liquid material into a mold. This method is revered for its precision and ability to replicate intricate details and complex geometries, which are essential in sectors demanding exacting standards, such as automotive, aerospace, and medical devices.

What sets Uni Tritech apart is not just their advanced vacuum casting processes but also their relentless commitment to quality and innovation. Every step, from mold design to the final cast, is executed with meticulous attention to detail, ensuring that each part meets the highest standards of both form and function.

Clients choose Uni Tritech for their vacuum casting needs because they know this is where technology, expertise, and customer-centricity converge to create exceptional value. Uni Tritech is more than a supplier; they are a partner who understands the nuances of precision manufacturing and provides a seamless, reliable, and superior purchasing experience.

Thus, for businesses seeking excellence in vacuum castings manufacturers, Uni Tritech is the definitive platform, offering expertise that translates into a competitive edge in the market.

[erwinsvow]

GOT WHAT YOU WANTED

summary: you're rafe's best friend—kelce and top's too, but there's always been something more between the two of you. neither of you will do anything about it. clearly, the solution is to become friends with benefits.

now spinning: too many nights by metro & future

word count: 11.5k

warning/tags: kook trio reader, using jj to make rafe jealous, mentions of drugs/partying, jealous/possessive rafe and reader, smut !, rafe deals coke. tysm to @zyafics for beta’ing & helping me so muchh & @inimamea for being so lovely and supportive. tysm to all the lovely anons who have been supporting and loving this concept from the start, i hope u all love this ♡ (but sorry in advance if u don’t)

truth be told, you didn’t like making rafe angry. 

it wasn’t fun for you, like other things were—watching your boys play golf while you lounged in the cart with the cold drinks, picking out a pretty outfit for the day, crashing on the couch at tannyhill with your head in rafe’s lap and feet over kelce’s legs. 

those were fun things. what you were doing now, with jj, was something borne of necessity. you’re not a mean girl. you find it tough to be mean to anyone except rafe, actually, and only because he dishes it back and you know his feelings aren’t really hurt, but right now you were being mean.

to jj that is. 

you smile at the blond boy seated next to you, the golden glow of the bonfire casting its warmth onto both of you. you laugh at another joke he makes, but only half-hearted, taking another sip of the beer he’d gotten you from the keg.

jj’s funny, he’s sweet too. it’s not his fault you wish you were seated next to your best friend instead of him, drinking a strawberry seltzer from the case that rafe keeps in the back of his truck specially for you. 

“so?” jj asks, and you turn from staring at your shoes to look up at him. he’s looking at you with a smile, a very charming smile that you could have a lot of fun with, except you’re starting to feel bad about toying with him like this. 

“so?” you repeat back, softly. he leans in a little to hear you. you feel a little warm at the action, but it could just as easily be from the fire. 

jj’s nice—and you’ve always liked nice, preferred it to almost anything. every boy you had ever introduced to your trio had been nice, though rafe hadn’t ever cared. he’d hated them from the moment he’d laid eyes on them. you wonder now when you let him seep into your mind like this, with every other thought about rafe rafe rafe. somewhere in between accepting jj’s invitation to come to the bonfire with him and getting jealous over the fact that rafe was seeing some random girl.

“you didn’t tell your other boy about this, did’ya?” you look up at jj with eyebrows knitted, puzzled.

“other.. boy?”

“cameron.” now you really flush—you certainly don’t want jj to think rafe is your other anything.

“no, no. we’re not dating. we’re just friends.”

“right, okay. you tell him about tonight?”

“no. it didn’t come up.”

“ah. got it.”

“why?” you ask, and before you can look around, jj stares into the distance, gesturing with his eyes to a blurry figure.

“nothin’. he’s just been starin’ at us since we sat down, so i figured, but-” you stand up, looking into the distance where rafe was. you can feel yourself turning green with envy, red with rage, watching him stand next to the same girl he’s been with, her looking at rafe while rafe looks at you.

you sit back down on the log, wrapping a hand around jj’s arm and pulling him down to sit beside you. from this angle, rafe can’t make out anything but your backs, and maybe the lack of any real distance between you and jj.

“sorry,” you say, sweetly, almost having regained your wrath the second you saw the two of them standing together. “he’s crazy.”

“s’okay. not news to me, princess.” jj takes a pause, and you chew your cheek, trying to decide how far you were willing to take this. “you okay?”

“yes. why wouldn’t i be?”

“well, uh, it doesn’t take a genius. even though, y’know, i am one, to know somethin’s up.” “no, jj, i promise, we’re ju-” “just friends, yeah, i got it. i mean, i don’t know what type of friends exactly, but uh, i like you. and i’ll like you even if he has a problem with it. so up to you, really.” you glance up at jj, who is being nicer to you right now than you deserve. 

and you hate it, hate every second of it. you hate how rafe makes you feel, how angry and jealous you get, the fact that you even started talking to jj when in the back of your mind you knew it was because rafe would get upset over it.

but you also hate what rafe’s doing, the girl he’s with and the way he’s with her, the fact that he brought her here and still won’t stop shooting daggers into jj’s head. in short, you hate all of it. 

you lean in, resting your head against jj’s shoulder. 

“i’m sorry. i don’t know what’s going on with him. but, he’s here with a girl.”

“and you’re here with me.” jj wraps an arm around you. 

“yes, but not because-well, i don’t know.” it feels stupid coming out, but if jj thinks that, he doesn’t show any signs of it.

“s’okay. don’t always have to know.” you keep your head on his shoulder, enjoying the warmth he brings. “by the way, he’s still watching.” you smile, though you can’t tell which boy elicited it. “i mean, not gonna complain if i get to be your boy toy for a little but, nice to know you care-” you giggle, pulling away to put your drink on the sandy ground.

“you’re telling me you don’t want a sugar mama?” he laughs at your words and you relish in it. 

it could be picture perfect—waves crashing in the back, the fire flickering in front of you, stars sparkling above. jj keeps his hand on your cheek and leans in for a kiss, and you find yourself leaning too, when the voice of your best friend breaks the silence. you pull away from jj to look up at rafe standing behind you.

“hey. we’re goin’. c’mon.”

“rafe-” you start, but you get interrupted. jj stands, facing rafe.

“hey buddy, we’re a little busy. but uh, i’ll make sure she gets home safe-”

“guys-”

“wasn’t fuckin’ talkin’ to you, pogue-”

“tuck her into bed, and everything. don’t worry your little head ‘bout it-”

“m’gonna knock your little head out if you don’t get the fuck away from-” having heard enough, you drag rafe away by his arm, your pretty nails digging in harshly.

“what the fuck was that, rafe?” you ask, though you feel the bitterness coursing through your veins. how’s that fair—that he parades his girlfriend around you, at the club and here at the bonfire, but you can’t so much as spend a moment alone with jj. 

whatever reservations you had just held about using jj to make rafe jealous seem to have gone far away. instead you’re just angry—he wants his own girlfriend and he wants you without a boyfriend too. you turn to look back at the boy you left behind at the fire. jj gives you a thumbs up.

“how many times do i have to fuckin’ tell you to-to stay away from that pogue-”

“he has a name,” you counter, so defensive because jj was being nice to you even when he didn’t have to be, helping you even with no gain for himself. “and you can’t order me around, okay? you brought a girl here but i can’t talk to jayj? how does that make any sense?”

“stop yellin’,” he barks, grabbing you by the arm now, and guiding you away.

“why? afraid someone might hear us? like your little girlfriend? where’d she go, by the way, i bet she’s missing you right about now-”

“shut up. shut it.” you don’t realize how far rafe’s dragged you until you shake out of his tight grip, standing next to his truck on the street.

“i’m sick of this rafe.” it comes out quieter than you intend, tears prickling up. you hate crying, especially infront of the boys but even more so infront of rafe. “i’m not stopping my life and boys that i wanna see, and relationships i want to have because you’re not okay with it. not when you have your own girlfriend. it’s not fair.” 

“i don’t. i don’t have a girlfriend.” you roll your eyes, he watches it happen with a tight fist, jaw clenching.

“yes, you do.”

“no, i don’t.”

“you don’t?” you question, unbelieving. “you just.. walk around with the same girl for weeks. take her everywhere. but she’s not your girlfriend?” you’re snarky like always—you still don’t know if he likes it or not.

“no, she’s not.” 

“bullshit. at least get your fucking story straight, rafe. that girl’s probably half in love with you-” “m’not dating her. and if it bothered you so much how come you didn’t say something, huh? you pull this shit with fuckin’ maybank instead?”

“i’m not pulling anything with jj.” you lie through your teeth, hoping rafe bites. “i-i like him.”

“no you fuckin’ don’t.”

“who are you to tell me-”

“you don’t like him. what you like is makin’ me fuckin’ angry. well, it worked. stay the fuck away from him. and get in the goddamn truck.”

you groan loudly, the noise almost a scream and filling the quiet street. but you comply, getting into the passenger seat and letting rafe drive you home—to your house, not tannyhill like every other night. when he pulls up to your house, you resist the urge to get out without saying anything at all.

“i’ll see you tomorrow, kid.” you sigh, looking back up at rafe.

“that’s it? you’ll see me tomorrow?”

“what else do you want me to say, huh?”

“are you just gonna ignore all of that? what the hell was that?”

“m’not ignoring anything-”

“so, i can’t see jj anymore. are you still seeing her? who am i allowed to date then? kelce? top? do you have a pre-approved list for me?”

“shut up.”

“rafe,” you sound serious, as serious as he’s ever heard you, shifting in your seat to look right at him. he looks back, his knuckles white on the steering wheel at the mention of you dating kelce or top or anyone. “i’m not gonna stay single forever. i know your alpha-male tendencies don’t agree with it, but girls have needs too. i want-”

“what? what do you want?”

“the possibility of getting laid without you screaming at every boy i talk to would be nice.”

“don’t talk like that.”

“rafe.” 

exasperated, you unlock the door and climb out, not turning back to say goodnight. the last twelve hours seem like a blur, between texting jj and actually seeing him and rafe’s reaction to it. you’re not sure what kind of reaction you really wanted out of him, but you’re not happy with the one you got. you don’t know what, if anything, would have pleased you. 

that night, you go to bed angry and wake up sad. jj texted you something but you can’t find the heart to look at his message yet. 

you’re sure the boys have something planned for today, like they always do, but the idea of opening the groupchat to look at what they decided on makes you feel sick. so you stay home instead, showering off yesterday’s anger and wondering why rafe thinks you don’t deserve to have a boy in your life to fool around with, to date, to do anything with. 

the answer, sharp and painful like the jagged end of a piece of glass, hovers in your mind. you try to push it away.

rafe’s wrong—like always. you really don’t like making him angry, like it even less that your routine is disrupted and that for the first time in a long time, you don’t want to see your best friends today. brushing your hair, the sound of your bedroom door opening snaps you out of your thoughts.

“c’mon kid. get dressed. top’s got tee time at two and we booked lunch before.” you turn to look at rafe but don’t budge. he takes a look at you—dressed in one of his old frat shirts and plaid shorts that barely peak out. 

you look pretty all the time but it feels the worst, the hardest to deal with, when it’s just the two of you alone like this, none of the shit that you do for other people, for outside the house—the makeup, the hair, the nice clothes. when you’re pretty like this it’s just for him, since no one else gets to see you, no one but him. you probably didn’t even notice you were wearing one of his shirts—something that leaves him feeling more pleased than he should be. but like always, he’s not gonna tell you any of that.

“are you adding deaf to stupid?” he asks, and you roll your eyes, letting out an irritated huff.

“i’m not coming. go away.” you turn around on your vanity chair to face your mirror, continuing brushing your hair. rafe walks up behind you, staring at you in the mirror.

“c’mon. lunch is at the place you like. i’ll even talk to you when kelce and top are up.”

“is that your way of apologizing?”

“it’s not an apology.”

“of course it’s not. why would you say sorry? you probably don’t think you did anything wrong.”

“i didn’t.”

“mm-hm. when does rafe cameron ever do anything wrong?” you keep brushing your hair, staring at yourself in the mirror instead of at him. “psycho.”

rafe yanks the brush from your hand, spinning your chair around to face him. he boxes you in, his hands resting on the armrests. he’s too close to you, it makes his head spin. you wish he’d stop, you know he’s not going to. you watch with bated breath, wondering what’s coming next.

“i… didn’t mean to make you upset.” you keep staring up at rafe, blinking fast. “and i didn’t see it from your side. so, m’sorry. about that part. nothin’ else.” you can’t help the slow smile that grows on your face—rafe, apologizing, and to you of all people. you thought you’d never see the day.

“thanks rafe.”

“alright. get ready. truck���s still runnin’.” he pulls himself upright, freeing you of the restraint. you can hear the bass of the music in his car, the future song audible from your open window. 

“that’s bad for the environment. and i didn’t say i forgave you.” snatching the hairbrush back, you resume your motions. you hear rafe groan and it’s hard to hold back the smile. maybe you did like making him angry.

“kid.” 

“what? i heard your apology, and i don’t accept it. hope you girls have fun at golf-” rafe leans back in, holding your jaw shut between his fingers.

“do you ever shut up?” you shake your head from your position, though you can’t really move. “what’s it gonna take, huh? you want my permission to fuck ‘round? sleep with some, some fuckin’ nobody? some pogue? tough shit. you’re not gettin’ it.” he lets you go, and you rub your jaw tenderly.

“but you get to do it?” 

“that’s different-”

“no it’s not! you’re just a dick. and sexist. who am i supposed to sleep with, then?” you shoot back.

“i don’t fuckin’ know, kid. me, i guess. at this point-”

“ha-ha funny. you’re an-” when you finally get up and look at him, he’s staring at you. “what?”

“yeah. that’s fine.” he shrugs, like he’s just decided something trivial, like what to order at lunch or which iron to use. “you can sleep with me.”

“excuse me?”

“yeah. yeah, it’s a good solution. that way you can stay the fuck away from maybank and any other asshole.”

“rafe. shut up.”

“think about it,” he says, and you fall silent to listen, though this is the worst idea  you’ve ever heard in your life. “you get what you want. i get what i want. it works out.”

“how is being your pity-fuck remotely close to what i want?”

“sheesh, kid m’tryna help you right now. offerin’ you a solution-”

“rafe?” “yeah?”

“get out.” you walk over the door, swining it open and waiting for him to step out.

“just think ‘bout it,” rafe says, standing by the door but not leaving just yet. “alright?”

“goodbye, rafe.” 

you listen to the sounds—him walking down the staircase, the front door closing, his truck taking off. after you’re sure he’s gone, you let out a breath you didn’t realize you’d been holding inside.

sleeping with rafe had been nothing more than a drunken thought that occasionally slipped into your mind when he’d be nice to you after some party. curling up next to him at tannyhill every other night certainly didn’t help, but that’s all it was—a thought, not reality. 

then you wonder if it’s really such a bad idea. maybe if you just got out all of this pent up energy with rafe, and then worked on finding someone he actually approved of, it would be easier for both of you. 

key word: maybe.

the idea that he’s still seeing that girl, the one he keeps denying is his girlfriend, makes you want to puke. he’d have to stop that, that would be part of your agreement. 

maybe rafe’s right, maybe you both get what you want out of this, as messed up as it seems. it can’t be the worst idea in the world—kelce and top always joke the two of you are half a couple already.

you go to your closet to pick out an outfit for golf, hoping you weren’t about to ruin your friendship with your best friend.

.☘︎ ݁˖

rafe’s leaning against the bar at the club when you find him. you think he’s got a weird sixth sense, he always knows when you’re around, and he looks up before you’re even near him. 

“i knew you wouldn’t pass on lunch. top owes me five bucks.”

“yeah. sure.” you put a hand on the counter to steady yourself—this is harder than you thought it would be. rafe takes a sip of his drink. you want to chastise him, tell him it’s only twelve-thirty and too early for drinking, but nothing comes out. your mouth feels dry and you almost want to chug the rest of his scotch. surprisingly, you refrain.

“what?” rafe asks, and you glance up at him, eyes locked.

“i thought about what you said this morning. what you offered.”

“and?” the bastard looks so smug. you should the slap the smirk off his face but you know what he’s thinking—proud of coming up with the idea himself, thinking he’s doing such a service.

“and.. better the devil you know and all that.” you wait for the other shoe to drop for a moment, for rafe to admit it was all a big prank and you fell for it, and now the boys owe him money or something.

“good. i agree. so should we get outta here, or what?”

“right now?” you question, eyes widening. “what about tee time?”

“you’re the only who’s so horny you’re on the verge of jumping pogues. m’just tryna help you-”

“shut up!”your face heats, looking around to make sure no one heard him. “by the way, between the two of us you’re the only one jumping pogues.”

“yeah, yeah. so not now, then?”

“a gentlemen as always, rafe. no, really, thank you, for showing me chivalry’s not dead.” you roll your eyes again, staring ahead at the bottles behind the bar. you don’t want to turn and look at rafe again, but you do.

“at this rate m’gonna have to show you what friends with benefits means too.”

“shut up.” it comes out like a hiss this time, narrowed eyes focusing in on your best friend and apparently, new fuck buddy.

“yeah, yeah. they’re at the table near the window.” 

“thanks.” you walk in that direction, catching a glimpse of top and kelce, but your feet pause for a moment. you stay still, but glance back at rafe.

he’s not leaning against the bar anymore—he’s facing you, staring at you. blue eyes rake over your skin top to bottom, focusing on the pretty sandals and polished white toes, smooth lotioned skin, your short white skirt and tight golf shirt, with one too many buttons popped. 

when you’re talking without ever shutting up, it’s hard for him to focus on anything but your glossy lips or long eyelashes fluttering when you roll your eyes. but now he’s taking it in—how easily you agreed to this little idea, how you talk a big game but you don’t seem as hesitant or upset as you were this morning. 

you turn back and keep walking towards the table—rafe can tell you’re flushed. he’s fine with it, prefers it this way. anything’s better than you going on dates with strangers, showing them looks and emotions and other things that belong to him.

if you’re horny, all you had to do was tell him. downing the rest of his drink, he goes back to the table and like always, sits next to you. 

kelce and top talk about the same old shit, until they focus their attention on you. you’re being quiet, not nearly as talkative or snippy as usual, and you haven’t said a word to rafe the whole time.

“and where’d you two go off to last night?” kelce asks, pointedly looking at rafe while he asks you the question.

“you guys know you left us stranded, right? we all came together. i mean i’m not saying self-absorbed but-” topper adds, but you cut him off.

“you’re really not one to talk about self-absorbed, are you top?” you shoot back, and kelce chokes on his water. 

“easy,” rafe says, and normally you’d fire away something at him too, but this time you don’t. “we had somethin’ to take care of. but you got home didn’t you?”

“yes, but-” topper says, but rafe cuts him off again. you hold back a laugh.

“then shut up ‘bout it.”

“kelce’s mom had to pick us up. it was humiliating.” you snort into your lemonade, all four of you bursting into laughter. you turn to ask kelce a follow up question, and rafe’s staring at you while you laugh. something low in your stomach twists, like a butterfly trying to fly out and away.

when kelce and rafe start talking about the course today, topper leans in to say something to you.

“you’re getting mean. y’know that means you’re spending too much time with him.” you transfer your gaze from top to rafe, staring at the boy next to you. 

the idea of what you would normally say floats through your head—something funny and earnest but still making top feel better, not saying sorry but making him laugh instead. nothing comes to mind.

“yeah. i guess i am.”

you sit through golf, reading your book in the cart while the boys play nine holes. your phone rings with a call from your parents about an hour in, and when you step away to take it, rafe follows you. the boys protest from the distance—it must have been his turn.

“you goin’ home?” rafe questions, and you jolt at the sound, not realizing he was right behind you.

“god. you scared me.” he doesn’t say anything, just keeps staring down at you. “yes, uh, mom wants me home for something.”

“you need a ride?”

“no, i drove here, remember?” 

“oh. yeah. am i gonna see you tonight?” the words make you flush—stupidly, no matter how hard you try to fight it, knowing that they shouldn’t. the two of you are going to be terrible at this. “kid?”

“careful, rafe. you’re starting to sound like a boyfriend.” “yeah. and we wouldn’t want that, now would we?” 

sucking in a breath, tearing your gaze away with pretty blue eyes that are looking at you like maybe that wouldn’t be the worst idea in the world, you’re at a loss for words again. before all of this drama, you could count the amount of times you had been rendered speechless by rafe with no hands—since it had never happened. still with nothing to say, you turn around and start to walk away. foot steps follow you.

“hey, hey. m’joking, it’s just.. a joke. how about i come over later? and we’ll talk about it.” you spin on your heels to face him.

“talk about it? talk about what?”

“our.. arrangement. y’know talk about it..” he tilts his head stupidly and you can’t decide if you want to slap him or kiss him. “..fuck about it.”

“okay! that’s it. bye, rafe.” storming away, you almost wish you hadn’t heard what he called out after you.

“bye, kid. i’ll see you later.”

.☘︎ ݁˖

at ten pm that night, freshly showered and somehow in another one of rafe’s shirts, you were back to where you were this morning—brushing your hair. rafe doesn’t knock on your door, just barges in.

“oh my god-”

“hello to you too.” he steps in, shutting the door behind him and taking a seat on your bed. you spin on your chair to face him.

“how the hell do you keep getting in here?”

“what? your mom let me in.”

“you didn’t even text-”

“i told you at the club. you have selective memory, kid.” he looks you over again. “nice shirt.”

“oh shut up.” you turn away for a moment, setting the hairbrush down, biting your cheek. “so?”

“so?” he repeats. he’s smiling, you can just tell.

“aren’t we gonna talk about our arrangement? that’s what you told me at the club-” you finish in a mocking voice.

“what else is there to talk about? you wanna get laid, i don’t wanna see you with random guys.”

“i still don’t understand what’s wrong with the guys that i-” rafe cuts you off, and he sounds angry.

“of course you don’t understand. you don’t have’t think about this shit, because i think about it for you. what’d you gonna do when some guy starts sleepin’ with you ‘cause me and top pissed him off once? or one of those pogues, huh? to get back at us? take some video of you and send it to everyone? brag and show it off to everyone?”

“oh.”

“exactly. so m’lookin’ out for you. this is better, trust me.” the thing rafe’s saying are making sense. you were on board anyways, but you feel better that there’s a real reason behind it.

“but what about that girl-” you ask, though you don’t know what kind of answer you’re expecting. rafe sighs.

“what about that girl?”

“are-are you gonna sleep with other people too?”

“no. m’too busy anyways. works out for both of us.”

“oh. okay. promise?”

“when have i ever lied to you?” you sigh, about to protest, when he finishes his sentence. “promise.” you feel strangely reassured, like this is a good idea.

“okay. thanks.” you dodge his gaze, playing with your manicured nails, pink this time.

“alright. get on the bed.”

“rafe-”

“what? i just said-”

“you’re not even gonna, like, take me out for dinner first?”

“who the hell d’you think paid for your lunch?”

“i don’t know.. kelce? he got lunch last week. should i go sleep with him next?”

“ha-ha. get on the bed.”

“ugh. you’re so crass. i don’t even know how you get any girls-”

“yeah, yeah. are you gonna shut up now or what?”

you can’t think of anything to say, so you finally follow his instructions, crawling into your bed and sitting up against your pillows to look at rafe. 

you’ve see him naked before. he’s seen you naked before. with all the time you spent together on the druthers or at the beach, you should be used to seeing him like this. he yanks off his shirt, pulling it off with a fist in the back over his head. 

the first sign that this idea wasn’t going to go as planned should have been now—feeling your breath catch in your throat at the sight in front of you. your best friend shirtless, getting closer to your bed. your eyes rake over tan, muscled skin and the silver chain glimmering around his neck. you don’t realize you moved, body sliding down and back flat against your mattress while rafe starts to lean across the bed, his hand planted next to your head.

rafe’s hovering over you. your breathing shakes for a moment, wondering if it would be this easy for him to do this with any other girl. you dismiss the thought when rafe leans in to kiss you, but it almost seems too wrong to let it happen.

“wait-” you move your head a little so your lips are away from rafe’s. “are you sure? you don’t think it’s gonna be weird?”

“stop bugging out, kid.” he says it low and quiet, and your entire body quivers from the sound.

“answer the question, asshole.” rafe laughs, his hot breath fanning across your cheek. you can’t help it, you laugh too, turning to look at him. you think he’ll be grinning like something’s funny, but your smile dies the second you lock eyes.

he’s not smiling, he looks as serious as you’ve ever seen him. he licks his lips, moving his eyes over your body, his shirt and your bare legs.

“you wearin’ anything under this?” 

he moves one of his hands from your knee to your thigh, stroking the soft skin. you curl your leg automatically, head lifting to watch his hands and your entire body trembling under his touch—it’s hot and electric, making your heart beat faster and the hairs on your arm stand up. he looks up from your legs to your face, watches you shake your head to answer no. 

“good girl.” 

your head falls back onto the pillow when the words leave his mouth. a chuckle leaves his mouth, but still he’s not smiling, it’s more just a noise of pleasure than anything else. rafe sits up between your legs, hands grabbing onto both of your legs and stroking again. he makes his way all the way to your hips, fingers dancing over the waistband of your panties. 

you think he’ll stop, maybe at least answer your earlier question, though you can’t remember what you had even asked him. he doesn’t, fingers swiftly hooking around the fabric and pulling them down your legs. you suck in another breath, angling your foot so they fall onto the bed while you keep your eyes locked on him.

“y’ready?” he asks, and you nod, though you’re not sure what you’re agreeing to. his hands go back to your thighs, pushing his t-shirt up to expose more skin. you tense up, but he keeps a palm on your knee. “relax.”

before you can anticipate anything else, he strokes your pussy, which is shamefully wet already, with two fingers, prodding the sensitive skin and gathering wetness. he does that laugh again, like he can’t believe what he’s looking at, and you try to shut your trembling thighs in embarassment, but rafe holds them open.

“rafe-” but before you can finish your sentence, two thick fingers plunge inside you, “oh my god—!” 

“hah. good.” when he pushes his fingers out, just to slam them back in, your eyes roll all the way back, another loud moan emitting from your mouth, sounds he’s thought about a hundred times before but still can’t compare to the real thing. but of course, you don’t need to know any of that. “don’t get too loud. y’folks are downstairs, remember?”

you don’t seem to remember. when he picks up the pace, really just wanting to test you and see how much you could take, you start moaning even louder, sweet breathy sounds filling the room. they’re just for him, and normally he’d want you screaming, but he can’t arouse too much suspicious, or your parents won’t ever let him back in the house. his other hand, the one holding your legs open, moves to your mouth, clamping his palm over your lips to keep your noises quiet.

you must like it, you clench around his fingers and your walls flutter when he locks eyes with you, almost hunched over you to keep you quiet while still fucking his fingers—now three, though he didn’t realize when he’d added another—into you. 

rafe’s hard, and he can’t remember the last time he was patient enough to wait to get his dick wet, but he likes you like this, not just shutting up for once, but eyes shut and face twisted with pleasure, whimpering into his hand, legs shaking in his grip while you’re wet around his fingers. 

“rafe-” you mumble, the sound all muffled. “m’gonna, ohh-” he picks up the pace, shushing you while battering into your pussy, listening to the gasps and whimpers through his palm while you cum all over his hand. 

limbs like jelly and throat dry, you lay there, catching your breath. your skin’s hot and flushed, and you stare at rafe while he stares at you.

“what?” you question, and it comes out quiet, soft, like you’ve done something you shouldn’t have. he’s thinking a couple of things, some of which have no business being in his head at all. do you always get this wet? who else has seen you like this? who’s gonna get to hear you moan the way you just did for him some day?

“nothin’.” 

“oh. okay.” you sit up against your headboard, pulling your—his—shirt down to cover up a little. “well, thank you.”

“yeah. no problem.” for a second he hestiates—briefly concerned you want him to leave now. “well? come on.” you’re trying to sound like you always do, a little irritated at him, a little snarky. he can see through it this time.

“what?” 

“get the condom. you’re the one who said we’re doing it today.” rafe watches for a second, wondering if he should laugh or yell at you, when you pull off his shirt. he stares at you, not moving, wondering why he thought this would be a good idea. 

he’s seen you naked before, changing in the same room or when you two lost all boundaries and started walking into bathrooms while the other’s showering, but this seems different. propped against your headboard naked, with your cum on his fingers, asking him to get a condom. now that he’s seen you like this, he has a new life mission of making sure no one else ever gets to. 

“god, you’re such a boy.”

“shut up.” 

“you shut up. you talked such a big game and now you’re just staring at my boobs-” he moves quickly, fingers on your jaw, actually shutting you up.

“lie down.” biting your lip, you comply, sliding down so rafe was on top of you. “spread your legs.” you move to do so, but rafe uses his hands on your thighs to pull them apart before you can. you can’t look at his face, it almost feels too weird, so you decide to stare at his dick instead, watching him roll the condom on with a puzzled face.

“what?” he’s been looking at your face the whole time.

“nothing. if i had known you were this big i would’ve asked a while ago-” rafe starts laughing, a real one this time, and you burst into giggles too.

“stop-” and he gets closer to you, lining himself up with your wet cunt, “-making me laugh. shut up.”

“you’ve said shut up like thirty times but you won’t stop talking eithe-oh!” he pushes in all at once, and all the breath leaves your lungs. you gasp instead, toes curling, feeling incredibly full, the disbelief that you’re full of rafe quickly fading away. 

you should have known he’d be good at this, good enough to actually get you to shut up. he starts a slow pace, thrusting in and out and you look up to see your best friend’s face contorted with pleasure, heavy breaths in your ears and the scent of his cologne overwhelming everything. his chain dangles on your neck, tickling you, and you try to permanently engrain the feeling into your memory.

you attempt to stay quiet, though the slam of the headboard against the wall is a dead giveaway. rafe pushes all the way out and then all the way back in with another slam, and there’s nothing you can do but take it, clamping your hand over your mouth now.

he manhandles your legs into place, pressing them to your chest while he continues the exhausting pace. you can’t discern anything but rafe’s quiet groans and heavy breaths. you’ve just cum but it doesn’t take long for that hot feeling to wind up again in your stomach, toes curling and eyes getting watery. your moans are still muffled, but the way rafe’s looking at you is only making them get louder. 

your bottom lip must be bleeding from the way your teeth have been abusing it. rafe moves your hand out of the way and leans in for a hot kiss, his tongue in your mouth and swallowing all of your noises.

with a final oh god, oh god, oh god, moaned into rafe’s mouth, you cum hard around his dick, eyes pressing shut and stray tears falling down, rafe’s lips not leaving yours. 

you don’t know why—but you wrap your arms around his neck, keeping the kiss going. rafe pulls away for a moment to breathe and you open your eyes, staring up at him through wet lashes, licking your swollen lips, while he looks back down at you.

he leans in for a final kiss, groaning into your mouth while he spills into the condom, still thrusting in and out of your sore pussy. 

rafe rolls off of you, resting on your sheets beside you. you try to catch your breath.

“you didn’t last very long.” 

“and how long did it take ya to cum all over my fingers?”

“oh, whatever. where’s my shirt?”

“it’s my shirt,” rafe says back, finding the discarded clothing on the ground and tossing it on your chest. you sit up, sliding his shirt back on. rafe’s standing, pulling on his shorts.

“are you leaving?” you ask, and you regret it the second it comes out, quiet and soft like you want him to stay. 

you do want him to stay, but you don’t want him to know that you do. it all feels very complicated and your thighs are aching, your throat dry. 

“no.” he sits back down next to you, swinging an arm over your shoulder like he always does. you lean into his chest. 

“you kissed me,” you say quietly. you’re glad your face is pressed into his side, you don’t think you could handle looking at his face right now. “and you were quiet. i didn’t expect that.”

“your parents are downstairs, remember?”

“oh. i forgot.” you realize after that you don’t want him to know he fucked you so hard you forgot where you were and who was home.

“is kissing off limits?” rafe asks, and you almost choke processing the sentence. things you never thought rafe would say to you.”

“no.. it was nice.” you pause, listening to the silence of the room and the thud of rafe’s chest in your ear. you’re no expert—though you fear you’re about to become one—but it seems faster than normal. “you want ice cream? or cookies? i made some yesterday.”

“no, kid. it’s fine.” you chew your cheek nervously. you want rafe to want to stay, not just because you asked.

“you can go.. if you need to.” you look up at him and then look back down when he meets your eyes. 

“why? got nowhere else to be.”

“oh. okay.”

“turn the tv on. we’ll watch your stupid movie”

“really?” your face lights up, grabbing the remote on your nightstand. you open up the blanket at the foot of the bed, covering both of you while you try to find you’ve got mail. you go back to your position and lean against rafe’s warm body, and he presses a kiss to your forehead. it’s not unusual, he’s done it before, but you don’t miss the fact that he’s decided to do it now. you try to push away the warm feeling blooming in your chest.

“don’t ever make a joke about sleeping with kelce or top again.”

.☘︎ ݁˖

your tired muscles wake up to the sun pouring into your bedroom. the light shines on rafe’s still-asleep figure, but you knew it wouldn’t wake him up, nothing ever does. you don’t remember falling asleep, barely remember anything after rafe showing up.

and the part where you slept with your best friend.

a guilt-trip dangles on the edge, about to take over, when you push it away and focus on the text messages on your phone instead.

top: rafe can’t believe u bailed on cod. u better be dead in a ditch somewhere

kelce: maybe princess finally killed him

top: stop hanging out without us

kelce: top lets just pull up next time

you laugh, and rafe stirs at the sound. you give his arm a shove.

“you ditched playing video games for me? i’m so flattered, rafey.” 

“shut up.” he grumbles. “go back to bed. s’too early for this shit.”

“it’s nine in the morning. and i have pilates in an hour.”

rafe turns over, and you can’t deny it’s nice to have him in your bed for once—it seems like you’re always sleeping at tannyhill.

“didn’t get enough exercise last night? you need more?”

you fake a yawn, covering your mouth.

“exercise? what exercise? i don’t remember that. you mean the boring sex?”

rafe sits up, facing you. you choke back a laugh.

“you wanna say that again?”

“uhh-”

“in fact, why don’t you try and get up? ten bucks says you can’t even walk to the door.”

“i can’t believe the two of us even fit on this bed with your gigantic ego-”

“don’t see you walking. m’waiting.” you toss one of your throw pillows at him.

“get out!”

“alright. i’ll say good morning to your parents on my way-”

“okay! wait, stay.”

“s’what i thought.”

“some way to say good morning,” you mumble, scrolling through your other messages—a text from your other friends about a party tomorrow and a reminder for your pilates class.

“you woke me up.” 

“oh whatever. i was just surprised you skipped a video game for this. but i guess most boys would.”

“there’s not much i wouldn’t skip for you.” you smile at rafe, misunderstanding him.

“that’s so nice. are you saying i’m a great lay?” he rolls his eyes.

“i’m trying to- shut up. what’d they say?” he picks up his phone. 

about twenty minutes later, after checking the hallway (and that too on wobbly legs, just like the smug idiot had predicted) rafe leaves. like always, he says he’ll see you later.

you fall on your bed and dwell on the fact that rafe kissed you last night. it’s hard to focus on anything else, and with every passing second, you think this whole thing was a worse and worse idea.

but he doesn’t seem to think that way. he seemed fine. he’s better at the no-strings-attached thing than you, and you don’t think he would have suggested it if he didn’t think you could handle it. 

with that thought lingering, you get dressed for pilates and hope it’s easier to walk before you see the boys again. you find out that it’s really not. 

after your class, you check your phone, finding messages from top and kelce. game night and pizza at kelce’s house. you’re invited, of course, but you shoot them a message saying you’re staying home with your parents instead. 

the second you press send, rafe’s contact photo lights up your screen.

“rafe?” you answer it without even waiting.

“what, not comin’ tonight? you always come.”

“oh, um-” you pace around your room, trying to think of a lie on your feet. “mom and dad wanted to stay in. you know. game night.” the words feel stupid, though you hope he’ll believe it.

“okay. you gonna swing ‘round after?”

“no, probably not. um, i’ll see you tomorrow?”

“yeah, tomorrow. have fun, kid.”

“you too. tell them i say hi.”

the rest of your day flies by and it’s not long before you’re curling up in bed with a tub of ice cream. your parents went out to dinner with some friends, while you contemplated what the hell you were doing with your own friends.

you four always had a standing date on saturday mornings in the summer—snacks and a spin on the boat. if you don’t go, it’s going to be incredibly obvious something was going on with you. 

you call topper while you pack your boat bag—grabbing the necessities the boys always completely forget about; spray sunscreen, an extra baseball cap, a book for you when you inevitably get bored of listening to them talk.

“what’s up?” top says, and you’ve made your way into the kitchen, pulling out fruit to wash and cut.

“what time are we going on the boat? and i’m bringing strawberries and mangoes, is that fine?” topper is the pickiest when it comes to the fruit—kelce and rafe will eat whatever you bring.

“uh, i think noon. call rafe, we’re taking the druthers today.” crap. that’s what you were trying to avoid. it feels crazy the second you think it—trying to avoid rafe. you need to get it together. acting like some love sick girl over your best friend feels like the stupidest thing you’ve ever tried to do. he must bring it out in you. “do you have any of those oranges? the little ones?”

“i’ll bring ‘em. listen, i need to get ready, do you know the time? i’ll just meet you there.” your self-realization is going to have to wait for another day.

“noon, yeah. i’ll text it.”

“thanks top.” 

you start an internal monologue on repeat—stop being weird about it. he’s still your best friend. be normal. he is not your boyfriend. you repeat it, but still pick out the prettiest bikini you own, yellow gingham and held together entirely by straps you’ve tied into pretty bows. you throw on one of the boys’ button-ups that’s ended up in your closet somehow on top. 

walking onto the pier, you hesitate in front of the druthers. you don’t hear any of the boys, and though nothing’s stopped you from getting on and making yourself comfortable, you wait for a second.

it’s like he knows. rafe steps out from the bridge, and takes one look at you, eyes flicking up and down your body and taking in the yellow fabric that’s barely covering anything, before offering you his hand to get on. 

“hey.”

“hey.” you look around. “nice weather.”

“yeah.”

“kelce and top running late? he told me noon.”

“those two are always late.” he’s staring at you, and this time it becomes clear, that he’s looking at you the way a boy who has been inside of you looks at you.

“i packed mangoes. you liked them last time.”

“yeah, i did.”

“i just hope they’re sweet.”

“yeah. they probably are. sweet.” rafe keeps looking, and you turn around to set your bag down. “listen, kid-”

“it’s a great day. good weather.” 

“you already said that.”

“oh.”

“would you stop and look at me?”

“no, um,” you start, emptying out your bag onto one of the seats. “sorry, i’m busy.” you feel rafe grab your shoulder, turning you around. he’s not as rough as he could be, like he usually is.

“you okay?” he asks, and you feel stupid.

“i’m fine.. are you okay?”

“yeah. but you’re actin’ weird.”

“well yeah, rafe. we slept together. it’s weird.”

“you were on board-”

“i was. i am,” you clarify. surprising even to yourself, you think you still are. “doesn’t make it not weird. imagine if you and kelce slept together. wouldn’t it be weird?” rafe’s face twists into a mixture of disgust and concern. “okay. bad example. sorry.”

“yeah. m’just saying, i wanna make sure you’re okay. but i don’t regret it if that’s what you’re afraid of. and nothin’ has to change.” hearing him say it makes you feel better. you repeat the words, tasting the feel of it on your tongue.

“right. nothing’s changed. you’re still rafe. i’m still me.”

“it doesn’t have to happen again, if you don’t want it to.” you stare up at him with crossed arms.

“why are you being so nice about it?”

“jeez, kid. what, you-you want me to be a dick ‘bout it? sounds like you’d prefer that.”

“no, just. it’s weird when you’re nice.” you look at him for a second before the two of you start laughing. “y’know what i mean.”

“alright. i’ll stop being nice.”

“thank you. now where are these two? i wanna read my book.”

“probably still sleepin’. played until-” rafe keeps talking, but you realize you’re only half paying attention. he takes his shirt off, and at the very sight of his chain sparkling in the sun, you realize you’re no better than the girls who chase after him. “what?”

“hm?” a little dazed, you look up from his abs to his face.

“you’re starin’.”

“oh. you think we have enough time before they show up?”

“time for what?” rafe stares at you while you stare at him. “oh.”

turns out he thought you did have enough time. you end up with your cheek pressed against the tan sofa in the cabin, body folded with your head down and ass up. rafe’s slamming into you from behind, and though it’s only the second time with him, you think there’s no pleasure in the world comparable.

from this angle he feels even bigger than yesterday. you feel tighter, or maybe it’s just the way your cunt is sucking him in, he thinks, thrusting in and out with his hands grabbing the fat of your ass, watching it bounce with every one of his motions. he has an urge to untie your bikini top, just so he can look at the expanse of the bare skin of your back, but he knows you’ll fuss if he does. he settles for shoving the thin yellow fabric of your bottoms to the side, yanking it so hard that you’re scared it’ll rip.

“be—oh—careful,” you get out in between moans, louder than the first time and louder still than he thought you’d be. he likes it more than he should. you already came once, but he wants to see if he can get another out of you.

“shut up,” rafe groans, eyes fixated on your perky ass, the one he’s stared at in hundreds of short dresses and tiny skirts, bikinis that he shouldn’t let you wear and panties he gets an eyeful of when you’re asleep in his bed. “jus’ take it-”

you keep moaning against the couch, head shoved in to muffle what you can, but it’s when you look back at him, turning your head to watch rafe slam into you with wet, lustful eyes, tired from how hard he had just made you cum, that he really can’t take it, finishing hard and fast while you let out pretty mewls that are still ringing in his ear. 

he pulls out, adjusting your bikini bottoms to cover you up, though there’s visible wetness staining them. your inner thighs are shiny where your juices glisten. rafe has to tear his eyes away, you keep your legs clamped shut.

“you okay?” he asks, trying to catch his breath. you don’t speak, just nod. “c’mon.” rafe offers you a hand, again, and you accept, following him outside and into the sun, even though you’re so tired you could fall asleep where you were.

“thanks.” you say, wiping your neck of the sweat that has collected there. he watches you do it. “sorry, i don’t have a tip or anything. how about some fruit instead? call it even?” “shut up, kid. m’not a hooker, you fuckin’ weirdo.”

“no, of course not,” you gasp, like you’d never suggest such a thing. “the correct term is escort, rafe. it’s all very american gigolo.”

“you watch too many movies.” but you still hear him laugh when the two of you step onto the deck. 

“what’s so funny?” you hear top’s voice, freezing up. you catch rafe’s eye, before looking away

“nothin’, man-” rafe starts, but you start talking over him.

“just debatin’ how long it would take you idiots to get ready. got enough gel there, top?” rafe and kelce laugh while topper narrows his eyes at you.

your days are on the boat are always fun—the boys steer while you enjoy the breeze and the sun. you pass the fruit around and read your book—another romance beach read, of course. this one’s about two best friends falling in love. you can’t find the will to keep reading.

you tune in a conversation about a party tonight.

“are we going?” you ask, looking expectantly at the three boys in front of you.

“yeah. why wouldn’t we?” kelce says. you shift your gaze to rafe, who gestures to your thighs with his eyes. you clamp your legs shut, flushing.

“fun. what time?”

.☘︎ ݁˖

finding a little hard to walk straight after your little tryst on the boat, you switch your heeled sandals for a pair of sneakers for tonight. you smooth out your pretty blue dress in the back of top’s jeep. him and kelce are in the front, you and rafe in the back, pulling up to whichever family that was off-island’s mansion for the evening. the music was blaring, audible from even down the street, with two boys carring a keg into the house while top parked.

“are they celebrating something?” you question, staring at the crowds of people inside.

“yeah. the fact that it’s saturday night,” kelce answers, and you shove the back of his head from the backseat. 

you hear rafe and top talking about something, though you can’t make it out. yesterday you thought, dreading when the boys swung by your house to get you, that it would be awkward to sit next to rafe and act like nothing had happened. surprisingly after the conversation this morning, you find that it’s not. he leaned over to open the door for you to get in, asked you how your class was, did the things he always did.

topper’s an idiot for boosting his wheels, and you’d told him as much when he showed you guys for the first time. getting down is a nightmare, even more in your sore state (which you are attributing to the pilates and not the boy sitting next to you right now). 

you turn to look at rafe again but he’s not there, and instead you see him in your window, opening the door and offering you a hand to get down. rafe’s probably helped you down a dozen times. this feels different, you admit to yourself, holding onto his hand to get down and keenly aware of his other hand hovering around your waist.

inside, the party is in full swing, one corner by the windows with billows of smoke and a group of boys in another corner mixing drinks. 

the four of you end up like always—divided into half on opposite ends of a painted pong table from someone’s old frat house. some girl top’s been talking to makes her way over, hanging off his arm before long. rafe watches you toss the white ball, your nose scrunching up in concentration. you cheer when it goes in, turning to hug kelce. you’ve only had two cups but you’re getting tipsy already, he can tell.

“top. top!” rafe shouts over the music, but he’s too busy talking to the girl to notice.

“man, he’s clearly busy,” kelce says with a laugh.

“i agree. looks like that one’s for you, rafe.” you look at him with a giddy smile, leaning forward on the table, palms pressed flat. he wishes you wouldn’t—he can see down the front of your dress from this angle. you cheer when rafe chugs the cup of cheap beer.

he should make the next one just to get back at you, but he doesn’t want you to get too drunk. instead he misses, the ball falling right into kelce’s hands. 

if you were sober, you’d roll your eyes—you’d recognize that rafe missed on purpose. he’s better at this than all of you combined.

“give me five,” rafe says to top, casting one more glance back at you and kelce before walking towards a group of people on the couches and fishing something out of his pocket.

he’s gone, at most, ten minutes, and returns to find kelce missing. his place is taken by some brunette boy, who is currently trying to show you the best way to toss the ball. he’s standing awful close, a hand on your shoulder, his gaze on your exposed skin while you stare at the red cups.

“who the fuck is this?” rafe barks, though with the music blasting, only topper can hear him.

“i dunno, kelce ran off with that chick he’s been hooking up with-” the white ping pong ball lands in the red cup closest to rafe. he hopes he doesn’t look up to see something that’s gonna piss him off, but it’s dashed in seconds—you hugging the stranger in glee that you made another shot. 

he swings around the table, shooting a glare at the boy while putting himself in between the two of you. he faces the boy first.

“get lost.” the boy tries to say something, but rafe interrupts before he can get a word out. “get. lost.” you watch him scramble away, rafe turning to face you.

“c’mon. we’re done with pong.”

“but i made the last one!”

“i said we’re done. y’lucky i don’t take your ass home.”

“we just got here. why would you take me home?” you question.

for all the big talk, all the jokes and banter and emotions you’re trying to bury, you still don’t understand the simple truth known to everyone that’s ever met you and rafe—he’s never going to be happy seeing you with any boy besides himself.

“what’s wrong?” you question softly, looking up at him with big, confused, drunk eyes, not snarky like he thought you might be.

“no. just.. stop talkin’ to strangers, s’all.”

“but he was nice!” you yell over the music, picking up another cup from the table and taking a sip. you hate beer, but they took top’s jeep and not rafe’s truck, so there’s no spiked seltzer here for you. 

“no he wasn’t.” he takes the cup from your hand, pouring half the beer out into another cup before shoving it back in your hand.

“yeah he was! don’t you want that? the sooner i find a nice guy we can stop all of this, right?” you look at him earnestly, before chugging the rest of your beer. 

“alright, you’re cut off.”

the rest of the night goes by the same as all the others—kelce and top into a competition to see who can get more drunk, you tipsy enough to talk loudly about anything that comes to mind and rafe scaring away any guy who stares at you for too long. you stare at rafe’s back when he goes to sell, watching a pretty girl touch his arm when he’s counting the cash she’s handed him. 

you look away since you feel the beer coming back up, anger bubbling. you focus on topper, trying to follow along with his nonsensical conversation about his ex-girlfriend.

“don’t worry,” kelce says, and you turn your gaze on him, confused. “he didn’t even look at her.”

“what?” but his eyes aren’t on you, glancing behind you. you turn, though you shouldn’t, looking at rafe, two girls laughing at something while he opens the little white packet for them. glancing at kelce, and then at top, who is keeled over on the sofa, nursing a half-empty bottle of tequila just by himself, you walk over to where rafe is.

“wait, don’t-” kelce calls out after you, but you don’t listen.

“rafe, i think top’s ready to go. are you?” you interrupt his conversation with the two girls, and though you despise the fact that you’re doing this, you realize kelce was right. he wasn’t even looking at them. you gesture at your two other best friends on the couch, kelce trying to yank the bottle from top’s grip.

“yeah, kid. c’mon, this place is dead anyways.” you smile, though you shouldn’t let rafe see it. no, your smile is for the girls. you feel an unparalled joy when rafe swings his arm around you, guiding you back to the couch. 

you shouldn’t look back, but you do. the girls look mad and you feel happy.

this is fucked—the very thought sobers you. you shouldn’t be happy that those girls think there’s something between you and rafe, but you are. 

rafe manhandles topper into standing up, while kelce turns to talk to you. he’s drunk, and it comes out like a laugh. you smile, thinking he’s going to make some joke about top and tequila.

“you’re just as toxic as he is. hah. and i thought rafe was bad-”

“what?” you ask, but rafe cuts you off before you can figure out what kelce means.

“kelce, it’s your job to make sure he doesn’t puke in the back.”

“man, why am i always on top watch-”

in the car, you pick the music while rafe drives. you notice he keeps an eye out in the backseat, with top’s head half out the window and kelce texting on his phone.

“did you sell a lot?” you ask. you’ve never really mentioned it before, so rafe didn’t expect it tonight.

kelce’s words linger in your head. if you weren’t sober before he said that, you certainly are now. 

“enough. why?”

“just wondering. i saw you before we left, that’s all.” you look at the road ahead, listening to the quiet tune of the bryson tiller song you’d put on.

“you saw me?”

“with the pretty girl throwing herself at you? hard not to see.” you regret the words as soon as they leave your mouth—you sound bitter and angry, two things you truly are, but you don’t want rafe to know already.

“what, you jealous, kid?”

“why would i be jealous? you’re not my boyfriend.” it comes out louder than you expected, trying to talk over top and kelce’s voices in the backseat.

“no, m’not.” 

you bite your cheek and stare out the window. 

“not to interrupt, or anything, but i think top’s gonna puke-” you jolt when rafe slams on the brakes.

tannyhill is fifteen minutes from where the party was, but it takes fifty minutes to get back. rafe pulled over twice to let topper puke on the side of the road, so it’s three am before the four of you get back.

you want to go home—the alcohol in your system and unfinished conversation with rafe have left you feeling queasy too, but it’s three in the morning. top and kelce are too drunk to drive you, and you don’t want to ask rafe.

you decide that you don’t want to be alone with rafe either, changing into one of the shirts you’d brought from home and stupidly looking down realizing it’s one of rafe’s. did you own a single t-shirt that wasn’t from his closet? where had all of your clothes gone?

grumpy that you’re in his clothes, upset that he had pretty much admitted he wasn’t your boyfriend, and riddled with the assumption that he meant he would never be your boyfriend, you collect a pillow and one of the blankets from his bed, walking out the door when you hear rafe’s voice saying your name.

“where the hell are you goin’?” facing him, you stare at your feet.

“the couch.”

“when have you ever slept on the couch here?”

“i’m starting something new.”

“get in bed before i drag you there.” you groan, thumping both feet on the ground before stalking into the room. rafe exhales loudly, loud enough that you hear it, before muttering something under his breath and following you inside, closing the door.

you sit on the bed, but before you can think about what you’ve done, you bunch up a pillow in your hand.

“you-” you throw the pillow at rafe, which misses him completely. “suck!” the second thuds against his chest, before falling on the ground. you huff from your position on the bed.

rafe picks up both pillows, dropping them on the bed.

“what the hell was that?”

“this whole thing was a mistake.”

“it’s been two days.”

“well i’m an emotional fuck!”

“yeah, i can tell.” you pick up the pillow again, whacking rafe’s side with it.

“ugh! you can’t just-” your hands falter, dropping next to you while you look up at rafe through wet eyes. “-just say that us sleeping together is a good idea because you don’t want me with any other guys. what the fuck am i supposed to do with that?” 

“i don’t know! you’re the fuckin’ clueless one. what’d you think that means?”

“stop! just tell me! stop making me think, i’m so drunk and everything is mental gymastics with you-”

“well stop throwin’ my own pillows at me!”

“you suck, rafe. all of this and you can’t just tell me whether you like me or not?” 

in hindsight, you don’t know where the question came from. maybe a small part of you that wasn’t willfully ignorant suspected a long time ago that the way rafe acts towards you is more than just overprotective friendship. you had buried the thought the second it emerged—rafe cameron doesn’t have girlfriends, doesn’t do relationships. the rafe that’s been your best friend was your best friend for that very reason, because you weren’t in love with him.

or at least you thought you weren’t in love with him. and at least, he thought you weren’t in love with him.

the truth, you’re beginning to realize, watching rafe grab the pillow you’re about to hit him with out of your hands and set it down, is that rafe only acts the way he does with you, and no one else. the drinks you like in the back of his car, his shirts in your closet, the bed you share and all the time you two spend alone. you thought it was a great friendship, and maybe it was. but all along there’s been something bubbling underneath the surface, the feeling in the pit of your stomach when he started talking to that girl, how angry you get when you see him with any girl that’s not you. 

you thought rafe’s a dick for giving you such a hard time about any boy you try to talk to. he is a dick, but you’re the bitch that can’t stand seeing him with another girl.

and as the thoughts rush through your head, rafe looks at you in his bed, in his shirt, and realizes the answer to your question is that there’s no one in the world he likes more than you.

“you should have told me ‘bout the emotional fuck part.”

“you should have just confessed.”

“nah, not really my thing.” he sits down on the bed next to you, and you stare up at blue eyes that are looking at you, a smile on his lips. “this whole thing was a bad idea.”

“it’s been two days,” you mock.

“yeah, well, we tried it.”

“do you regret it?” you hold your breath for the moment of truth.

“c’mon kid. yeah, i do. ‘cause i’m not letting you out of my sight after this. you’re dating me or no one at all.”

“so if we break up-”

“straight to the convent for you. don’t worry, i’ll send you a care package. strawberry seltzer and those porno books-”

“shut up.”

“you shut up. and get the fuck into bed. it’s late.”

“you don’t want one last emotional fuck? on your last day as a single man?” you tease, crawling under the sheets. “learn how to read a clock. it’s past midnight.”

“oh. whatever, you know what i mean.”

“i guess i can be convinced-” he leans in for a kiss, and you hold your breath waiting for it, when there’s a sharp knock on the door.

“guys. sorry to interrupt whatever the hell this is, but i think top needs to get his stomach pumped.”

[mochatsin]

School Play

There’s another school play in which you act as the main lead because Simeon thought you’d be perfect for the role, there’s no need to cast anyone else (much to Asmo’s dismay). He’s seen your performances before, and you’re one of the easiest actors to work with compared to the brothers that constantly got their lines wrong during rehearsals. Simeon can get frustrated, and it seems that the brothers feel the same way, if not terrified of the angel’s sudden change in attitude as soon as he plays the director. You’re just relieved he’s not that way towards you.

Of course, who wouldn’t want to see a play written by Christopher Peugeot himself. The theme was a thrilling love story wherein the hero would have to go through a long journey to rescue the one they love, which was you. They would meet so many characters that would either support the hero or become an obstacle on his way to defeat the cruel lord that locked you up. 

You’re the main love interest, and you sat on the side watching as everyone else in the room debated and fought each other on why they should have the main lead role, why they should be the hero who would rescue you. Seeing as how the atmosphere in the room is starting to have murderous intent, Simeon finally thought of a solution that would be fair to everyone. Draw lots. 

That’s how you ended up with Solomon as your hero, and Barbatos acting as the main villain and the rest playing a support role. They either help Solomon with the journey or act as one of Barbatos’ minions to try to stop him from his advances. Everyone could only blame their luck, though to say that Solomon was happy about his part is an understatement. Meanwhile, Barbatos does adore the parts where he keeps you all to himself, however he does not enjoy the scene where he had to terrorize a town since Diavolo’s character, a commoner (which he loves to play), is one of the victims that the hero finds which eventually sets the tone of the play to move forward. It takes a lot for Barbatos not to run to his master’s side while he was acting out his death.

Solomon is always ready to rehearse his scenes with you, and when it’s about lines talking about you, Simeon is impressed at how quickly he can memorize them. But then again, if they’re all about how much he adores you then it’s not difficult to remember at all. Lucifer and the others hate playing supporting characters where they have to hear about how much Solomon loves you. It’s bad enough they had to play the role of helping him, but there are several minutes of dialogue with his character telling them how important you are to him and how he needs to find you quickly! It took several practice rehearsals for Mammon to say his lines without sounding so forced or annoyed at him when his role is to literally help Solomon through the journey. 

Levi is quite happy with his role as the costume designer because there’s no way his envy wouldn’t flare up if he had to stand there and listen to that. That would’ve flooded the stage if he lost all control, so he decides to use headphones and blast music when it’s Solomon’s scene and only take it off once it’s you.

Satan would play the role of the narrator, and while he normally enjoys the part he got, it’s quite irritating that he has to tell the love story between you two, even if it’s merely a work of fiction. His claws threatened to tear holes into the script, but he kept himself calm and collected. They decided to put a leather cover binding to avoid that happening, and Satan actually likes how his own personal script looks like a book now. 

Lucifer is questioning why Simeon would write such a piece, given how most lines are so sickening and romantic. The angel wanted to tell a tale of lovers that could overcome everything, though he omits the fact that he really did have you in mind when he was writing this. Maybe he projected a little too much of his feelings, but the play still had more elements regardless that a lot of the audience would be able to enjoy. The action, the drama, and the tension that could keep everyone at the edge of their seats. 

What Simeon did not expect is for the brother’s self control to snap. Maybe he should’ve thought about that when he wrote down that kiss scene. It’s a page he kept between you and Solomon, as he knew that rehearsals would’ve been a disaster if they knew how the story would actually end. Of course he did ask for your permission, if this is something you’re comfortable with and he would rewrite the part if he needed. You don’t mind, and you understand why this was kept private. 

So when the day of the play came, everything was going smoothly. At least according to Simeon’s high standards.

Solomon and Barbatos really do seem to play the perfect role. A good villain doesn't need to yell, it comes with the composure they bring in the story that sometimes people wonder if Barbatos is really acting. The fight scenes were also phenomenal whenever Solomon would use some sort of imagery magic to make it more realistic, sparkes and effects flying in the air as they fought until Barbatos eventually fled, claiming defeat but he will be back for you one day. 

What the brothers thought was a successful play became something they dreaded when you and Solomon continued the scene. These were lines they’ve never heard before, and it doesn’t take a genius to guess where this was heading. Satan is furiously flipping through the script trying to see where this was coming from, but this part was hidden from the Avatars on purpose. 

“Oh how I longed to hold you like this in my arms.” Solomon says as he pulls you in an embrace that lingered longer than the brothers would like while they watched from backstage. 

“Did you truly miss me that much?” You say, meant to be a half tease to the hero as you returned the hug. It’s a romantic reunion that the audience has been waiting for. 

“More than you could ever think.” Solomon sounds so convincing. He says his lines as if you two were truly apart for so long, that there’s disbelief in his voice like this was all a dream and he would wake up to find that his journey is not over, that you were still locked away. But he has you in his arms, and that’s all he needs to ground himself. “Each time I see the crescent moon, I’m reminded of the smile that graced your lips. It pains me whenever I turn to my side and realize that you’re weren’t with me.”

Solomon brushes the hair away from your face before cupping your cheek, looking at you so lovingly that you feel your heart skip a beat, almost forgetting that you’re acting out a scene. But to the sorcerer, he doesn’t need to act. “Tell me, will you grace me with those lips?” He asks, and that’s the cue for you to slowly lean forward to seal the deal. 

“HOLD IT!” 

Both if you freeze before turning back to see Mammon pointing the sword prop at Solomon. The sorcerer is confused, and perhaps a little irritated that his moment with you was ruined. It would’ve been a perfect way to end the play. “What are you doing?” Solomon asks with furrowed brows. 

“That’s my line! Get ya grimy hands off em!” Mammon growled, taking a few steps forward. 

“You’re not even supposed to be part of this narrative.” Solomon reminds the demon, warning him for ruining the scene. 

“You claim that as so,” Satan says as he appears by his brother’s side in a puff of green flames, looking quite pissed. “How dare you rewrite the ending to your liking, and then use the Narrative as your shield. You should be ashamed of yourself, filthy thief.” the demon hissed as he threw the script he fashioned into a book  across the stage. The brothers fully believed they were deceived with the script, and that Solomon had something to do with it.

The audience are now all captivated at the scene unfolding before their eyes as they watched the Narrator throw the book across. Perhaps the book told the whole scene, and that Solomon actually rewrote the ending according to his will since they assumed that script was an actual prop to keep the story going. “Was the hero actually manipulating the whole scene?” “What a crazy twist!” “Wait, so who's the real lover?” “Were they tricked to think that Solomon was the real love interest?!”. Whispers rang in the air as they were all made to believe this was still part of the play

That might be the only way for them to salvage what could’ve been a successful performance: to keep acting. Solomon reluctantly lets go of you before standing up to face the two demons. “I can’t believe you all would cause a scene, after all we’ve been through. After all they’ve been through.” Solomon says as he gestures to you, who is just as confused as the crowd. 

“Ah, so you acknowledge our efforts and yet you get to keep them for yourself?” Belphie steps in on the other side of the stage, with Beel following behind him. “Kinda greedy isn’t it? Even greedier than him.” Belphie says while pointing at Mammon. That somehow got the audience to laugh. 

“That’s pretty selfish too, and that’s coming from me!” Asmo finally chimes in, holding onto his tulle costume while he stomps into the stage. He wouldn’t let his brothers steal all the spotlight, and there was also no way he was going to let Solomon just kiss you like that on the stage. If it were him instead, you both would be the talk of the week! “Honestly dear, that’s quite a big low. Even for someone like you.” 

Simeon is just thankful that Lucifer and Levi didn’t even chime in on this monstrous mess of a show, he has their pride and anxiety (respectively) to thank for. Despite the sudden improv show, it seems that it captured the audience’s attention… just not in the way that he hoped.

Solomon is now putting you behind him with a magic spell flaring by the palm of his hand. Nothing harmful, just something that’s more flashy than anything. The other demons are closing in on you both, trying to make up lines on why you should choose them. Of course, a fight breaks out and everyone in the audience cheered for whoever they were rooting for to win while you stayed behind and watched the chaos unfold. 

It took one wrong spell after another for the boys to lay on the ground, groaning after Satan and Solomon’s stun lock spell collided into something bigger that it affected everyone in the stage except you since you stayed behind. You wondered what you could say or do to salvage this as the audience is watching intently on what happens next. 

Thankfully, Lucifer finally steps on the stage, calm and collected as ever while he tries to avoid the groaning actors. He played as one of the Barbatos’ henchmen that Solomon defeated, so seeing his reappearance was definitely a shock to the crowd. You prayed that Lucifer has a plan on getting you out of this mess without ruining the play you all worked so hard for. Luckily, Simeon told him a few lines that could salvage the play and save you from the embarrassment.

He grabs your hand and kisses the back of it, a small smirk appearing on his face before he continues. “I’m here to collect you, under my master’s orders. It seems that he was right, that none of these heroes were ever deserving of your heart.” Lucifer says while he stares at his idiotic brothers with discontent, managing to stay in character just like you hoped. “Luckily, we don’t need to rely on cheap tricks and underhanded tactics.” 

Solomon groans, rubbing his eyes profusely but his vision won’t focus yet due to the spell. “Don’t listen to them…” He says, desperately trying to reach out to you. Lucifer only lets out a low chuckle as he watches how pathetic the hero has become.

“Come with us, and we’ll be sure to prove them wrong.” His line is full of confidence with a slight mischief, and the crowd cheers as the lights go dark and the curtains drop, signaling the end of the play. 

What should’ve ended in a happy love story became some sort of twist. People now assume the hero might’ve manipulated the scene which they find amusing if the good guy of the story was not who they pictured to be, and the villains may actually have a shot of winning your heart. It’s the talk of the school, and people are praising Simeon for writing such a crazy plot twist, which he finds a little frustrating since it’s the only part he didn’t actually plan. He’s not sure if he wants to thank the brother’s recklessness or not. 

Even after Simeon explained the hidden parts that were reserved just for you and Solomon since he expected something like this could happen at the rehearsals, he never really anticipated that they would jump in the scene like that on the actual performance itself. Now he has to write another play in the future as many expressed their wish to see what happens between you and the dark lord Barbatos. 

Needless to say, many of the brothers were strung upside down by their feet after the show.

[sightseertrespasser]

Odds of Survival Part 5

Customer Service Prowl.

Credit to @keferon for creating the tf mecha AU!

———————————————————————

The door behind the tactician hissed shut, isolating him from the outside world.

Prowl had a short walk, 11.2 clicks, to the communications terminal. He took exactly as long as was necessary. Not a click sooner.

Injury warning messages were manually silenced. He’d neglected his own self repair for lower priority tasks before. This was no different.

Shutting Tacnet off from working on the Jazz Mystery was a greater struggle. It’d been so long since Prowl had gotten to work through a puzzle like this, it had him booting up long dormant scripts he hadn’t used since working as a detective. The mental stretching warmed him up. It felt good. But it wasn’t what was currently required of him. He shut off that branch of his processor too.

Tactical estimates only.

For now.

Like packing up his room, Prowl “got into uniform”.

Optic hue shifted to within the parameters of the socially accepted spectrum.

Doorwings lifted high and almost pressed together, neither spread out in intimidation nor lowered in submission.

Helm tiled forward 24 degrees to cast the maximum level of shadow over his features while not obscuring vision.

Prowl reached the terminal like a silent storm.

He nodded the minimum angle required to be interpreted as bowing for the manifestation of War resolving on the screen.

“Lord Megatron.”

He glared from beneath his chevron, pricks of light in a darkened room.

“What are your demands?”

———————————

The course of action Megatron required tactical support for was frankly amateur. The solution incredibly simple.

Sentinel Prime had once more prodded the leader of the revolution into a vengeful fury, so now Megatron wanted to, of course, retaliate violently.

The correct course of action was to not engage.

It was clearly a trap designed to whittle away their limited resources, which would have been idiotic even if the Quintessons were not a factor in the equation. Since they were however, it lowered Prowls opinion of both leaders even further that they’d even considered reigniting the civil war at a time like this.

No, what truly challenged Prowls strategic prowess wasn’t the request itself, but how to tell Megatron “That is an idiotic idea and how dare you expect me to entertain it.”

The trick, after much trial and error, was to not tell him at all.

“There are 24 optimal targets for a retaliatory attack Lord Megatron. 8 of which would yield material gain if taken and 3 of which would yield additional territory.”

All three of the territorial land grabs overlapped with the material gains category. However, when phrased correctly, it both implied even more options for Megatron to pick through and forced him to choose from plans Prowl had decided in advance.

Megatron gave the illusion of consideration.

He selected the land grab options, for the obvious purpose of irking the standing Prime. It took one to know one and megalomaniacs despised having their property made smaller. Stolen goods were numbers on a page. A map was a picture of what was lost.

“Very well. For the most expedient retaliatory strike, the mining depot on ES 9-B33 will be ideal for your conquering.”

Prowl had the mining depot mission lined up for close to a vorn. It was on the edge of Cybertronian territory, minimally guarded and would provide the Decepticons with a cache of ever needed raw materials. And while it was a great boon for their small faction, to the sprawling colonial power of Cybertron, it was hardly worth notice.

Which meant Sentinel and the Functionalist government shouldn’t waste resources on restarting the Civil war (66%).

Megatron, satisfied in his ignorance, ordered Prowl to draw up the assault plans immediately.

Prowl was sorely tempted to tell the deception to “do it himself” and not just to get him out of the picture for a time.

It was a very rare thing for Tacnet to come up with 100% certainty. However, Prowl could say, with terrible absolute certainty, that nothing short of a true Prime, or maybe an exploding star, could take Megatron in a fight.

The mech had forced Prowl to reset his parameters of what a cybertronian could physically survive no less than 13 times. At least 5 of those being assassination attempts from Starscream, whose preferred method of execution was “beyond all reasonable restraint.”

Until further notice, Megatron was an immovable piece of the board that required skillful circumvention.

“The plan will be drafted in 4 breems Lord Megatron.” Prowl dipped his helm and did not break eye contact until the screen went dark.

Prowl connected to the communications system, pinging Soundwave for the most recent updates on ES 9-B33, layering the new information over his original outline.

Once received, it required only a fractional amount of processing power to run through which decepticons were available for action, filter out those not suited for the job and sort the minutiae of coordinating supply ships to reroute to arrive at the depot as the assault team would be wrapping up.

Will softened by boredom, temptation won out and Prowl turned the bulk his processing power to Jazz.

Details laid out plainly, it painted a concerning picture.

Jazz was a highly skilled combatant, he solely exists to kill Quintessons by his own admission.

And he loves music.

Jazz speaks a language neither Prowl nor Bluestreak have ever encountered, Jazz himself having never interacted with Common, let alone standard Cybertronian.

Jazz was exceptionally sociable, even going as far as to try and play card games with hostile organics. Yet even pressed chassis to chassis, not once did Prowl detect an EM field.

And he’s a shameless flirt.

Jazz had many unusual physical attributes, such as abnormal ranges of motion, multi jointed legs, and in spite of all his injuries, Prowl hadn’t seen so much as a drop of energon.

Jazz possessed a disturbingly high pain tolerance, and was at best accustomed to substandard medical treatment, if not outright abuse.

And he’s never felt a kind touch before.

When Bluestreak had asked about him, Prowl had told his brother that Jazz was an alien mechanical lifeform and to not harass him unnecessarily. Between his physical bizarreness and lack of common knowledge among cybertronians, it was a natural conclusion.

But something hadn’t been quite right ever since Prowl had rescued the mech. There was this nagging inconsistency with Jazz’s behavior.

He was very curious about Prowl, yet seemed far more in awe of the other alien life forms and ships they’d been traveling with. There was also the immediate (and somewhat overwhelming) familiarity with which Jazz conducted himself around Prowl.

It was almost as if…

Jazz doesn’t consider Prowl to be alien (88%).

If he thinks Prowl is the same species as him, then would that mean Jazz doesn’t realize he’s the alien?

Unless.

An alternate, unpleasant theory began to weave.

Unless Jazz isn’t an alien at all.

Prowl finished the assault plan and sent it with a harsh hand. Re-opening his comms to the backlog of messages from Bluestreak, he scrolled back to something his brother had said when he’d been repairing Jazz’s visor.

BLUESTREAK: [WTF WTF WTF WTF WTF.]

Too far.

PROWL: [Please do not comment aloud.]

BLUESTREAK: [Is he really fully in recharge? Just like that?]

PROWL: [No. Jazz is still conscious. He’s not completely limp either just… very sedated.]

BLUESTREAK: [Just from holding his face? C’mon Prowl, that’s weird. This is weird. You found a weird, weird mech who definitely has a thing for you.]

PROWL: [He does not have a “thing” for me.]

BLUESTREAK: [Oh yeah? What are you getting from his EM field then?]

PROWL: [Nothing. He doesn’t have an EM field Bluestreak. Jazz is an alien and likely doesn’t have all the same traits as a cybertronian.]

BLUESTREAK: [Are you sure? I mean, the anesthetic worked fine. And he looks pretty cybertronian to me.]

BLUESTREAK: [Maybe he has field atrophy? You had that once. I couldn’t feel you even if I was touching you.]

That was when Prowl had been apart of the decepticon High Command. He’d spent multiple Vorn isolating himself, doing nothing but churning through battle plans and inventory logs and reconnaissance reports with little rest. Then there was the first time he crashed.

A minor setback at first. Almost immediately Prowl went back to work. Over and over again, he’d bypass previous limitations of the decepticon military. With each success, the bar was placed a little higher, with is successive crash, the recovery took a little longer.

There were always improvements to be made. He’d long moved on from the most needed structural changes to continuously finer tuned modifications to how the entire faction operated. He sharpened Megatrons rebellion scrap into keen edged blades.

Prowl did anything for the edge.

Even down to the smallest percent.

Even down to the smallest decimal point of a percent.

At Prowls worse, when he had just started to tip over to spending the majority (51%) of his waking time in recovery from continuous Crashes, he had come up with a strategy that would give the decepticons a 0.04% advantage in the long run against the Quintessons.

Repairing critically damaged ships was not cost effective. If a ship’s structural integrity fell beneath 14%, Prowl had instituted a script to cause the ship to self destruct. Therefore causing maximum damage to surrounding attackers in a final blow.

Prowl stared at his reflection in the black glass.

You couldn’t see the break in his nose anymore, Smokescreen had punched him in the medbay so it was fixed fairly quickly.

0.04%

Bluestreak was stuck in the medbay for a quarter of a Vorn.

Prowl straightened, optics returning to his default blue. The injury warning messages eeked back into his processor, causing his doorwings to shake briefly before Prowl allowed them to drop.

If the Functionalists had someone like him in their employ, then Jazz may not be an alien at all.

———————————————————————

To all the folks who picked up on the clues, good job! There’s no Optimus and there’s no Autobots. Yet.

There’s more to how Prowl got into his current situation later and I’m sure Jazz will be “totally cool” with Prowls past life choices. And current life choices. And general sense of ethics.

Bluestreak knows Prowl’s responsible for blowing him up and uses it to blackmail him constantly once their relationship got better again.

(Cybertronian timescales are weird, but a Vorn is basically a “year” for them, and fifty years for a human. A breem is pretty consistently 8 minutes.)

-SSTP

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[derinthescarletpescatarian]

hey! I'm pretty new to your stories: currently reading curse words and loving it! (I started the first book with the mindset that I wouldn't be caught enough to miss some real life stuff because of reading... guess what, I missed some real life stuff reading.)

but now I have a question: the books have a pretty intricate plot with a lot of good payoffs for small things. which is very cool from a reader's point of view, but from the writer's one— can you maybe share some stuff about your process? especially in the early stages, how do you go from the initial spark of an idea and what this is about to a fully formed plot? would be cool if you're willing to share

anyway have a great day I'm off to start the third book hehe!

One thing to know about me is that I have just the worst possible imagination. Absolute pisspoor garbage imagination, nothing going on up there. When I want to plot, my process is simple:

Find a problem, then solve it.

Curse Words was born of several disparate story ideas coming together, but mostly I wanted to play with the magic system -- I wanted to write a story where spells were metaphysical parasites that possessed mages, and each mage could only cast their unique spell. The whole thing came about when reading The Princess Bride, specifically the chapter where Buttercup dreams of being a perfect baby and the doctor looking her over and regretfully informing her parents that she was born with mo heart -- I was possessed with this powerful impression of a slightly wacky doctor peering over the top of his rose tinted glasses to inform a pair of parents that their baby had a curse trapped in her heart. From there, it's find the problem, solve the problem.

I wanted to separate Kayden from his family and put him in an unfamiliar environment for the story so that he and the audience would be on a pretty similar level re: world information; isolated magic and a magic school is the easy way to do that. Okay, so why is this school isolated? Why is the curse thing not common knowledge? Why do the public fear curses and have such limited access to magic that it's not a part of Kayden's day-to-day, if it's so useful? Solve the problem; look at the economy. The unique nature of spells makes them difficult to scale up, and the unpredictable nature makes them inferior to technological solutions to problems in most large-scale issues. What does this say about how the Industrial Revolution would've affected the usefulness, and therefore the public perception, of magic? The logical conclusion is the Purity Revolution.

This school is gathering and teaching all these students; why? I wanted a clear division between witches like Kayden and a privileged elite that formed most of the school body; why are they different, how are the elite kids here, why are witches accepted and integrated into the student body? Solve the problem; look at the economy, the politics. Where are these rich kids getting their magic? Why pull in witches? One question answers the other. Why didn't Kayden and Kylie know that curses were spells in advance? Seems something that should be common knowledge. Look at the politics; tie that in. Logical conclusion: magic trap. We have this magic lake with a monster in it that we introduced super early for dramatic purposes and haven't explained yet. What can we do with that? Let's invent empowered water. Let's look at what that means for the creation of potions worldwide. Let's tie in the management of unmanageable spells. Let's elaborate on the structure our magic trap.

Now we have a channel of power. Curses parasitise witches; some are blessings, some are more trouble than they're worth. The school collects curses, domesticates them, makes them more useful, locks away or renders harmless that which it cannot make use of. More curses are collected over time, the school grows and grows and Refujeyo becomes stronger and stronger as they control more of the world's magic supply, but every system has a capacity. What's the effect of this infinite growth? Here we have a clear and unavoidable economic metaphor, so obvious that not centreing the story on this concept would basically be dishonest. Who's managing this collection, what does it say about the power of the school within mage society? How would such a school relate to the rest of Refujeyo; how would Refujeyo, collecting power like this, relate to and be viewed by other magical traditions, and by nonmagical society? Run through the reasoning, solve the problem.

Why would the school only approach Kayden as a teenager, after his curse caused problems? Surely the school would want to collect as many curses as if could as early as possible. There has to be a reason why they waited. This is a good one because it flows directly from the complex political relationships between Refujeyo and commonfolk politics that have to exist, AND ties neatly into critical character motivations that have to exist for book 1's main twist to function (notably, Malas Aksoy's actions). Sort this out for book 1 and accidentally create a critical political point for the rest of the entire series.

I started writing book 1 with the idea of the court case and subsequent twist about Kayden's curse being the big mystery, but Kayden still needs something to actually do at school. We have this mage who we threw in to rescue Kayden and Kylie from the lake, and had Max hero worship her for flavour; she seems to be becoming central to a lot of interactions for some reason. A lot of dramatic stuff is therefore automatically happening in her presence, but why is this incredibly accomplished and intelligent mage fucking up so much? We've established her as careful and thorough. We need a reason for all these accidents beyond random chance. Someone's sabotaging her -- why? Let's look at our established characters and figure out who has means and motive, and who the most fun red herrings would be.

How could a place like Refujeyo, such a complex and time-consuming project that would have to involve the cooperation of so very many mages, even get built? How would it survive long enough to be powerful? When and where did this happen? We've already established the Purity Revolution; maybe there was something more coordinated than just random undirected economic forces. We've established some incredibly powerful mage families and the old system of apprenticeship and inheritance; we know that the most powerful family in Refujeyo used to have a prophecy and owned a very powerful place that helps prophecies specifically. They could coordinate something, given enough motivation and the help of enough other powerful mages. What kind of motivation? Let's go back to the Purity Revolution. If tech develops alongside magic without central oversight of some kind, what could magic enhance? What problems could be foreseen that would make this kind of investment worth it? How does Refujeyo save the world?

Tie this into our power channel. Refujeyo's attempt to save the world endangers the world due to infinite growth and power being passively collected by those who benefit from the dangerous status quo. It fits our economy metaphor, because they're essentially the same thing, just putting in magic instead of money as a means of power.

Find a problem, then solve it.

The important thing with this method is to keep your solutions cohesive. If you come up with a new different reason for every thing, your plot will look scattered and disorganised. We don't want to look like we're just pulling the story out of our arse. I mean, we are pulling the story out of our arse, that's what writing fiction is, but it's a big part of our job to help our audience suspend their disbelief on that. Whenever possible, you should look for answers that solve multiple things and weave disparate parts of the story together; this is especially true when they relate to the core plot or central theme of your story.

Also, leave gaps for reader inference. You don't have to answer every single question, you just need to make sure that some plausible answer exists for every single question. Sometimes this involves saying less, not more, and letting the audience figure it out.

[styrmwb]

References to Previous Final Fantasies in Dawntrail

Or, how 9 + 11 + 6 = 14, somehow. (SPOILERS, OBVIOUSLY)

I've played every mainline FF, plus a few others, so one of my favorite things about playing XIV is seeing what they do with previous FFs, and how they incorporate it into the world/story. Dawntrail very very much did this, to the point that I could literally predict plot points before they happened. (THIS IS NOT A COMPLAINT I LOVED THIS)

So I figured I would put down my fanboying in text form, for people to read the insanity of a madman who has played too many JRPGs from a single series.

Note: I have not completed every single side quest, but I have done the entire MSQ, every dungeon, and 3/5 of the role quests. This isn't a complete collection, just what I noticed :)

V

Krile's "real name" is Maya. The original Krile in FFV was Krile Meyer Baldesion. (XIV might also have the middle name but I don't remember! I'm gonna put it here regardless!)

VI

Valigarmanda is the first Esper you encounter in VI, right at the start of the game. Its summon attack is Tri-Disaster. I really liked how they kept it frozen in ice, just like the original, and because Tri-Disaster is a SMN ability, they changed it to Tulidisaster to fit the Tural location.

Pictomancer was first in VI as well, being Relm's job. She even got to be in XIV as well, being credited as the Archon who created the art (HA). Shoutouts to the Relm reborn joke it needed to happen

IX

One of the two most important games in this expansion. There is A Lot here.

The preorder bonus/deluxe edition had a Wind-Up Zidane and Garnet, the two main protagonists of FFIX.

Alexandria is lifted directly from IX. The name, the style of the buildings, and even the castle with the crystal popping out of the top, shown in the dungeon and in Yesterland in Living Memory.

(This is the Dissidia NT version, but I wanted a picture that showed the castle and the roof architecture)

Solution Nine is named after one of Zidane's Dyne abilities. While not direct, Living Memory, the final zone, is very reminiscent of Memoria, the final dungeon of IX. I wonder if you can get a special sword by completing the entire MSQ in under 2 hours?

Living Memory also features quite a few locations from IX. The Canal Town looks very similar to Treno, and features a location called the Daguerreo Medical Collection, named after the city as well. Underneath Proto Alexandria in Yesterland, where the data terminal lies, looks very similar to the part of Alexandria Castle where Steiner can grind to level 99 (I don't know how else to describe it if you know you know). In the Windspath Gardens lies the Cleyra Museum of Nature, also named after the IX city.

Some quest text in Living Memory tells you about other locations in the Unlost World. Lindblum, the city that holds hunts and is very technologically advanced; Conde Petie, where the Dwarves are from (mentioned by a Milalla who said he was from there), and the Iifa Tree. There might even be more here, that I either missed or haven't done yet.

Another quest has you go on a treasure hunt for a password. This password? "I Want to Be Your Canary", the play from FFIX.

Solution Nine has a couple buildings with monsters from IX as signs. One building features a Mu (Which is also mentioned in Living Memory), and another building features Yans, both friendly and not friendly.

Another monster that I noticed a reference to was the Gimme Cat, which is featured on the popcorn in Living Memory. It's also mentioned as an energy drink, but called a "Gimme Bat" instead? I guess it does have bat wings.

While XIV doesn't have any direct plot important characters from IX, the ones we do have are very reminiscent of its cast, and clearly are done like that on purpose.

Otis is Steiner (with maybe a little tiny bit of Beatrix depending on how you look at it). Captain of the Knights of Alexandria, he speaks in an older fashion, similar to Steiner, and is very loyal to his princess.

Sphene is an interesting mix. The most obvious one is Garnet, both being Queens of Alexandria, being named after stones, and loving their people. The other one, which might be argued isn't intended, is Garland.

(No, not those guys. The other one.)

Garland in IX is an artificial being whose purpose is to continue his world's life. To do this, he would try to fuse Terra (his planet), with Gaia (the main planet), and control Gaian souls for Terra instead. What did Sphene do? Try to fuse her reflection with the Source, to use their souls for her own people. I personally think this is a very clear similarity.

In general, because of this similarity, the latter half of Dawntrail shares very similar themes with IX's plots, dealing with death and souls. I also think it's pretty funny that both start out pretty happy and cartoony, and end fairly depressing and existential.

Another plot point used in the MSQ is the play sequence. While IX's is based off love, and XIV's is the history of Alexandria, both feature a sword fight scene. (99 out of 100 nobles approve).

Finally, several songs from IX are used in Dawntrail. In the above mentioned play, Swords of Fury plays, just like the original. And a few scenes later, Vamo'alla Flamenco (previously used for the DNC quests) plays, though it should have been during the sword fight!! Prima Vista Orchestra and Fleeting Life are used in several scenes, usually involving Sphene. Something to Protect also appears, but in a scene I can't recall. Finally, the Court Jesters' theme gets a remix as the main song in the Strayborough Deadwalk.

X

There is a singular joke in Heritage Found made about dodging lightning bolts right before the flash so they don't hit you. The person who wrote this line wanted to induce PTSD in as many people as they could with only a single line of dialogue.

XI

The other most important game in the expansion. In a way, Dawntrail FEELS like it could have been an XI expansion in another lifetime. I might be looking too much into it, but I feel as though this was foreshadowed back in the first patch of Endwalker, as Dawntrail takes A LOT from the Treasures of Aht Urhgan expansion.

In Endwalker, the Alzadaal's Legacy dungeon was based off of the Alzadaal Underwater Ruins in Aht Urhgan. The dungeon used many models from XI, such as the Rampart, the Xzomit (hell yes!), and the Acrolith. The dungeon had a visual similarity, as well as the areas in the dungeon being named after zones in Aht Urhgan (Bhaflau Thickets, Arrapago Reef, and Mount Zhayolm). I know this is Endwalker and not Dawntrail but trust me it's important for the foreshadowing.

Gulool Ja Ja was a boss in the Besieged mode of ToAU, leading the Mamool Ja Savages to assault Al Zahbi. Both incarnations of this character are VERY different from each other.

Similarly, Gurfurlur was also a boss in Besieged, leading the Troll Mercenaries. It's very funny to me that both of these warmongers became such nice people in Tural.

The Yok Huy as a whole are actually Trolls from XI. The different name I assume coming from the fact that Trolls are already an enemy in XIV, in Labyrinthos.

While this isn't direct, and is probably unintentional, the fact that the final boss in Vanguard was a naga/lamia like entity only makes me wonder if it was somehow a callback to Medusa and the Undead Swarm, the last remaining Besieged invaders.

Zoraal Ja is a Notorious Monster in the areas around Aht Urhgan.

To continue on with Mamool Ja facts, Mamook is an area in ToAU. They don't look very similar, but they do both share the title of Autarch as their ruler. Mamool Ja in general come from XI, so it's no surprise that in the expansion that well, expands on them, it uses XI for inspiration.

This next one might be a little insane. The general plot of Treasures of Aht Urhgan, is that after killing Promathia, a god that wishes to end all life, the Adventurer goes to a completely different area to have a relatively calmer adventure. Here, they meet a female member of royalty named Aphmau. Her brother, Razfahd, unable to rule over the country, has a conquering nature, and uses an Automaton body to control Alexander for his goals. This... can't be a coincidence, right?? We kill the Endsinger, who wanted to end all life, go to a completely different area to have a relatively calmer adventure with our female member of royalty, Wuk Lamat, and we fight against Zoraal Ja, her war hungry brother that is unable to rule, so he uses the power of Alexandria (a mech suit) for his goals. You... you see what I'm cooking here right??? RIGHT!?!?!

To piggyback off of this, Wuk Lamat very much fits the role of the XI heroine. A girl who is very clearly the main character of the story, and hangs around you more than anyone else.

Edit: one last thing that I forgot to put down before posting, one of the hunts uses the Magic Pot model from XI. We love Magic Pot.

I THINK that should be everything I found? I know for a fact we're going to get more since the Alliance Raids are based of off XI (I'm so excited)

XIII

A couple enemy models were used from XIII.

The Silver Lobos in Urqopacha use the XIII model. I'm fairly sure they've never been used in XIV yet, but I could be wrong.

Similarly, the Strayborough Deadwalk uses the Gremlin/Ahriman enemies. I do not think they've been used before this, feel free to yell at me if I'm wrong :)

Type-0

While not like, direct, the concept of erasing the memories of anyone who has died (especially seen as a blessing) was a major plot point of Type-0's world.

I think that's everything? My memory isn't the greatest, so I'm sure there's something I noticed that I missed, and again; I haven't done everything, so there might be even more out there that I've yet to find!

Please, feel free to comment anything else that you may have noticed, and hopefully you enjoyed reading :)

[arminthada]

Sneak Peak of the Cutting-Edge Futuristic Netflix Thai Original ‘Tomorrow and I’

What happens when hyper-advanced technology collides with traditional Thai beliefs and customs? Discover the answers in Tomorrow and I, a four episode anthology series that takes viewers on a journey through a futuristic Thailand where technology has become an inescapable part of daily life.

The cast includes Pakorn Chatborrirak, Violette Wautier, Waruntorn Paonil, Treechada Hongsyok, Ray Macdonald, Timethai, Thongchai Thongkuntom, Aelm Thavornsiri, Pongsatorn Jongwilas, Chananticha Chaipa, and Wanichaya Pornpanarittichai.

This groundbreaking series is directed by Paween Purijitpanya a trailblazing filmmaker known for his genre-defying works such as Body, 4bia, and Phobia 2. Paween has also showcased his talents with the feel-good series Seven Something, the boundary-pushing film Ghost Lab, and his exceptional direction in the episode “Liberation” of Girl from Nowhere Season 2. In Tomorrow and I, Paween reimagines four everyday scenarios in intriguing ways, starting with…

Episode 1: Bringing your loved ones back from the dead. Imagine a future where innovation has reached its peak, testing the boundaries of life and death. In this world, the cycle of birth, death, and being reborn may become an everyday reality through the technology of cloning.

Episode 2: Welcome to a place where technology meets intimacy. Have you ever felt that your partner couldn't quite meet your desires, or felt uncertain because you're still new to relationships? What if there's a city where technology might provide the solution? Enter a world where intelligent sex robots are designed to cater to every emotional and physical need.

Episode 3: What if a Techno-Monk joined the Buddha and the Dharma in the Triple Gem, replacing the Sangha? Imagine AI continuing ancient teachings preserved and upheld for over 2,500 years, revolutionizing Buddhism. Could this challenge traditional faith, or signal the end of the monastic order?

Episode 4: And if an entire city were submerged underwater after years of relentless rainfall, how would humanity survive? Would people fall into despair as the waters rose, or would they have to rely on "octopuses," potentially the last hope for survival? When this moment arrives, everyone will face a crisis beyond our species' abilities.

Unveil the future in Tomorrow and I, the year-end series that will spark your imagination and challenge your perceptions of a world where technology seamlessly integrates into every facet of our lives. Coming soon, exclusively on Netflix.

[fell-maverick]

Royalty Au- Magicborn

(Long lore-dump for the au below)

Once upon a time there were two kingdoms. With two princes who were very close. They were both savants in the way of magic, brilliant minds and talents who enjoyed nothing more than to expirament with the magical order.

Their names were Thomas Light, and Albert Wily.

One day the princes met up and agreed to perform the ultimate magic expirament. An action thought impossible, to create life from magic.

After days upon months and even years in pursuit of life from magic, they succeeded. The first Magicborn. They named him Blues.

Albert told Light to keep the child as his future heir, knowing his friend was unlikely to seek a consort for himself. The two continued their experiments even after the birth of Blues, but upon presenting the babe to the world, all eyes were on Thomas and Albert now. And as time went on, Thomas gained accolades and praise for his advancements and raising of Blues, while Albert... Albert had gone down a more dangerous path, focusing on the raw power the Magicborn could be capable of, and received criticism, and ire.

Albert grew jealous of Thomas, and a rift opened between them, growing larger and deeper as time went on, a rift that Thomas, now King Light, was unaware of.

Until he realized there was something wrong with Blues. His magical core was unstable, just to keep himself alive his body siphoned the mana around him. Grass withered at his feet, flowers died at his touch, his very presence had been aging Light. King Light took him to Albert immediately, now King Wily. Wily agreed to find a solution with Light, coming up with a barrier spell that would cycle and recycle the magic through Blue's core, but that could hold potentially catastrophic results should Blues be struck in the heart. So Light decided to keep searching lest they grow complacent in such a dangerous, even if temporary, solution. But Wily... Wily lied to Blues, planted fear in his heart that Light had deemed him a failure and was planning to unmake him and Blues allowed Wily to cast the barrier.

Blues ran away. Light was left in despair, at the loss of his son and Wily's betrayal.

He waited, he waited for ten long years for Blues to return, but he never did. King Light didn't want to give up hope though, and so he resolved that when Blues returned, he would return to a welcoming family; he experimented with creating more stable magicborn making them more constructs to aid the people of his land till he realized creating them on his own was sapping his life. And so he reached out to a spirit of the wind, asking to borrow their power to create. The spirit found his desire amusing and agreed and twins were born of their mana.

King Light named them Rock and Roll.

But Wily was not resting upon his laurels. Upon hearing of Rock and Roll's birth he grew furious, hearing the praise the children received, how blessed they appeared. He took a bride, a powerful witch, whether or not they liked each other, only they know. Through their union they created their own magicborn child, a strong child, and named him... Well they disagreed upon his name, so the babe was given two. His father called him Bass, his mother called him Forte and they decided he could decide which he liked better. Wily insisted that Bass was the better name.

Rock and Roll grew up beloved by all, their father, construct siblings and the people of Light's kingdom.

Bass knew of love from only his mother and his beast, Trebel. His people were wary and feared him, his father only seemed to have expectations that he be the strongest.

Rock and Bass would clash many times over the years. And after each clash Bass would return defeated to the ire of King Wily.

Blues' return to Light's side, only to abdicate his throne to Rock was the last straw.

One day, when the summer sun blazed hot in the sky, threatening to scorch the very earth, Wily and his queen sealed themselves in the tower closest to the firmament. Whatever happened in that tower, the light that poured from it nearly blinded all who witnessed it and when it was done and the door was opened, Bass' mother was dead, Wily had aged and in his arms was a wailing magicborn baby boy.

He was named Zero. For he was to have no equal.

When King Light heard of the child, the magicborn so powerful that he took the life of King Wily's consort, years of Wily's own life and rumored to have taken mana from the sun itself when he was born, he became afraid. For his sons, his daughter, his kingdom. The power this child was said to bear, the threat he posed if he stood unopposed. And so, on a cool autumn evening, with only the moon and Blues as witness, King Light called his favorite student, a nobleman named Cain and his magicborn son Sigma, to stay with Rock and Roll, and silently ventured deep into the forest, to a quiet lake that perfectly reflected the Moon's light.

Blues will not say what transpired that night. But he returned alone save for babe in his arms. King Light's final decree was the babe's name, X. For within him was unlimited potential.

Rock was too young and Blues was too unwilling to take the throne, and so Lord Cain took the mantel of Regent till Rock felt he was ready to rule.

The kingdom mourned the loss of their King and celebrated their new prince. But the celebration did not last long, Wily saw an opportunity, and launched an attack, sending the two kingdoms spiraling into all out war, gone were the skirmishes Rock could fight on his own.

As Blues led the army with Rock and Sigma at his side, Cain resolved the best way to keep X safe was to keep him as far from the battlefield as possible, learning the blade in self defense. But X would end up favoring the bow.

The years passed and the fighting died down with Wily growing more reclusive, Zero was raised in strife. Bass' ire ensured he had no brother to lean on, and Trebel rejected him on Bass' command, but he was able to simply leave the castle should he desire the company of others, or visit a neighboring allied Kingdom founded and governed entirely by magicborn. Meanwhile X was raised in compassion, but isolated. All he has for friends were his family, Lord Cain, their pets and the servants.

For his 18th birthday, all X wanted was to go out to town, meet and walk amongst his people, but instead he got an extravagant ball.

It is there that X and Zero met.

Neither one knowing their fathers meant for them to destroy one another.

[mindblowingscience]

An international team of scientists, including two researchers who now work in the Center for Advanced Sensor Technology (CAST) at UMBC, has shown that twisted carbon nanotubes can store three times more energy per unit mass than advanced lithium-ion batteries. The finding may advance carbon nanotubes as a promising solution for storing energy in devices that need to be lightweight, compact, and safe, such as medical implants and sensors. The research was published recently in the journal Nature Nanotechnology. Sanjeev Kumar Ujjain, from CAST, was a lead researcher on the work. He started the project while at Shinshu University, in Nagano, Japan, and continued after arriving at UMBC in 2022. Preety Ahuja, from CAST, also contributed to the material characterization aspects of the research.

Continue Reading.

[generalluxun]

"What are you doing?!" Chloé announced herself with a shriek.

André froze in the middle of her bedroom. His arms were laden with her jewelry boxes. Excess adornments were looped over his meaty appendages, threatening to slip free onto the floor. He cast about like a child caught with their hand in the cookie jar. Finding no reprieve, a slick well practiced smile slid into place and he brightened.

"Chloé, dear, you won't believe our luck! Gabriel has decided to do an entire line dedicated to us! The First Family of Paris! Isn't that exciting?"

Instead of the expected glee, Chloé advanced on him, leveling an accusatory finger. "Nevermind Lambriel Agreste. What are you doing with my jewelry?"

Andre squirmed, his plunder threatening to spill free again. "Oh, this? It's nothing, nothing honey. Gabriel says he needs these to study, to capture your 'true essence.'"

Surprise registered on Chloé's face, turning quickly to anger. Her face went flush and she stomped her foot. "No! He can't have them! They're mine!"

Andre floundered, "Honey, he needs these. He said so himself. I'll buy you some new jewelry to use until he is done! Won't that he ni-"

"No!" She screamed louder, "I don't want new jewelry. I don't want stupid new clothes. I don't want anything! Just leave me and my stuff alone!"

He paled as his one solution to everything failed. It lasted only a moment though. The placating smile vanished as quickly as it had appeared. André squared his shoulders and gazed down from on high at what was simply another unruly Parisian now. "Gabriel needs these. I am taking them. No one argues with the Mayor of Paris."

He was in motion before he finished speaking. The speed of his step hinted fear in equal parts with belligerence. Chloé tried to stop him. She latched onto his arm, but his bulk was nearly three times her weight. Her father shrugged her off. As an after thought he passed his searching gaze over her unadorned hands and ears, then and out of her suite before she had gotten back to her feet.

She screamed after him, no words this time just incoherent rage. When her throat was sore and her head hurt she relented. She climbed up on her bed and picked up Mr. Cuddly. Her bear got one firm squeeze before she poked a fingertip into a small hole in his back seam. When she pulled it out she wore a thin golden band.

"At least he didn't get you." She said to the ring.

Black and green sparks tickled along the ring, then shot off to coalesce into a small black cat kwami; an angry black cat kwami. "Get me? You already got me! You stole my miraculous!"

Chloé winced at the onslaught but countered quickly, "So what? Everybody steals Miraculouses. Ladybug stole mine! Shadowmoth stole everybody's! You're mine now, and no one's going to take you from me."

That put the kwami on the back foot. He squinted at her, "Did you hit your head or something, Miss Priss? Not that it matters. If you think for one second I'm gonna-"

"Be Quiet!" Chloé hissed.

The kwami's lips snapped shut. He resorted to flitting around her in agitated figure eights. She swatted him away and he made a bee line for the most expensive looking vase in the room.

"Back in the ring!" Chloé yelped.

The ring's magic cut Plagg's rampage short, sucking him inside and plunging the room into silence. Chloé sat for a long time, twisting the ring on her finger while the memory of Adrien's stunned face hovered behind her eyes.

When she looked up out of her thoughts the room felt larger, or maybe she felt smaller. The uncomfortable absence of her missing jewelry felt like a robbery. Her bedroom no longer felt safe. She pulled up the comforter to try and ward off the unease.

It's not like she had anywhere else to go.

[talonabraxas]

Hekate ☽◯☾ Talon Abraxas

Hekate opens new doorways to us, and as a Goddess of death and the underworld she can walk us through the journey as we cast our skin, go deep into the Earth and come out reborn.

“Then the earth began to bellow, trees to dance, and howling dogs in glimmering light advance, ere Hecate came.” - Virgil, Aeneid.

Intuitive Astrology: Aquarius New Moon January 2025

The first New Moon of 2025 falls in Aquarius on January 29. New Moons are our signpost from the Universe that fresh energy is on the horizon and that new beginnings are now possible. While our first New Moon of 2025 is indeed opening some doors, we do have a lot of retrograde energy circling from last year too.

Retrograde energy tends to stir up the past. It can bring old wounds or unfinished business to the surface, forcing us to make resolution once and for all.

Under this Aquarius New Moon, Mars, Jupiter, and Uranus are all in retrograde, so this fresh new energy we are waiting to arrive may feel a little distant.

However, one of the most noteable features of this New Moon is that Uranus, the ruling planet of Aquarius, and the bringer of change and awakening, is ending its retrograde just one day after the New Moon peaks, allowing a burst of fresh energy to move in.

Uranus has been moving through the underworld since September 2024, and has been helping us to wrap our heads around the changes that have been unfolding in the last few months.

In retrograde, it’s been working to bring acceptance to the changes and perhaps even a little stability, but it may have also limited our feelings of progress. We may have wanted to make changes but felt uncertain about the path to choose.

But now, with Uranus stationing direct shortly after this New Moon, we have some new potentials on the horizon. Changes that need to be made will happen quickly and we will find ourselves making more progress. We may even feel a sense of renewal and more ready to take on the fresh energies that 2025 has in store for us.

The Aquarius New Moon and Uranus stationing direct can hold a very expansive energy, helping us to dream big and think differently. Its energy can entice new ideas and leave us open to new inspirations. We may experience an ah-ha moment or feel excited to explore new ideas. New avenues may open up for us as we begin to recognize new potentials.

To access this energy, keep your mind open! Don’t stay closed and rigid and instead give yourself permission to explore new possibilities! Try to channel your mental energy into productive solutions and do your best to stay out of anxious thinking.

Jupiter is also active under this Aquarius New Moon, shining its abundant influence! Jupiter has the power to magnify what we are dealing with. While this can be confronting, it can also allow us to see the greater truth in more detail.

The nice thing with Jupiter is that is always gets us looking at the silver linings, so even if we are moving through something challenging, it will be easier for us to focus on the positives.

With Jupiter and Uranus stirring under this New Moon, we could find ourselves in for a bumpy ride! The Moon tends to heighten our emotions, so this combination could stir a lot for us. However, it does seem that we are being called to expand out of limited thinking.

We are being called to focus on new possibilities and to see things from a more expansive viewpoint. We are called to open our minds, open our hearts, and to see the positive side. We will be guided there if we lean into the messages and divine signals around us.

Aquarius, after all, is the 11th sign of the zodiac and the divine healer. It has the gift of taking the harsh energies and transmuting them into a balanced state. We can all lean into this healing energy by inviting the Aquarius New Moon to cleanse our aura and balance our mind.

Overall, the Aquarius New Moon is giving us glimmers of new potentials. We may still have some wading through the old to move through, but it does seem that we are being shown some new pathways. New inspiration is surely to follow.

[unitritech]

Leading the Charge in Thin Wall Casting Excellence Uni Tritech

In the realm of aerospace and high-precision industries, the demand for thin wall structural castings is on the rise. These components are pivotal in applications where strength-to-weight ratio is crucial. Navigating the complex landscape of manufacturers can be challenging, but Uni Tritech has emerged as the leading platform for sourcing these specialized castings. Renowned for their meticulous attention to detail and stringent quality control, Uni Tritech partners with manufacturers that stand at the forefront of technological advancements in casting. Their thin wall structural castings are engineered to meet the exacting standards of the aerospace industry, offering unparalleled reliability. As industries evolve towards more intricate and lightweight designs, Uni Tritech remains the best choice for purchasing top-tier thin wall structural castings, ensuring that every product meets the highest benchmarks of excellence and performance.

[kame-writes]

The heavenly Seraphim (Hazbin Hotel - Azrael!Alastor AU)

Card boarder made by StaticStarDoll

Info on all the Seraphim (Including Sera and Emily) below

Sera: The high Seraphim

Female presenting she/her

Sera is the Seraphim who deals with most matters regarding the running of heaven. She precides over the Angelic council which handles most of the rules and guidelines citizens must follow.

She often has the final say if the Senate of Seraphims can not reach a majority decision.

She is also the authority that all human souls must answer to, and runs the main city where they precide.

Emily: The Seraphim of Joy

Female presenting she/her

Emily's job is to make sure all heavenly human souls are happy and content. She is the one who spends most of her time with Winners, talking and trying to make sure every soul sees her as a friend. They can trust her to always have their best interests at heart.

She works closely with both Rapheal and Sera, acting as a liaison between the human souls, heavenborn, and the seraphim. She passes on any concerns that people may have and suggests ways to improve their lives.

Micheal: The sword of Heaven

Male presenting he/him

Micheal was the Seraphim who was closest to Lucifer, the two being inseparable until the creation of Edan took Lucifers full attention.

He was the one who personally enforced Lucifers exile, casting him out for betraying heaven for the sake of humans. Because of this, he has a huge chip on his shoulder when it comes to any mention of Luicfer.

Feeling scorned and betrayed on a far more personal level than any other member of the heavenly host, his pride and temper make him very biased when it comes to matters of Lucifer's realm and people.

He is very protective of heaven, intending to make sure another event like the one that released evil onto the world never occurs again.

He is the leader of heaven's official army, maintaining the safety and protection of all heavenborn and human souls under their jurisdiction.

Raphael: The healer

Male presenting he/him

Raphael is responsible for keeping all citizens of Heaven healthy and cared for. He works closely with Emily to make sure everyone receives any help they may need.

Even the virtuous souls of Hevean have things from their life that may weigh on their soul, and he ensures they have a safe space and the tools to come to terms with difficult situations and memories.

He is also in charge of the cherubim and guardian angels, making him one of the only ones who can permit heavenborn under him to visit the living world.

C.H.E.R.U.B. had permission from him to conduct their buisness. They were only permitted to vist souls that were destined for hell, to give them a second chance to turn their lives around and join their loved ones in Heaven. He was devastated by what happened with them.

Gabriel: The messenger

Genderfluid - presents differently depending on mood he/they/she

Gabriel is the only Seraphim who is allowed to appear directly to humans in the living world. He is also the one who blesses humans and steers important people on the right track.

He works closely with Uriel, who directs him to people who are destined to achieve greatness, but may may need a guiding hand to achieve it.

He is in constant vigil over humanity, able to sense both the most currupt, and most pure souls.

Of all the Seraphim, he is the one who has embraced human culture the most. Fascinated by the advancements they've made, and the creative solutions they come up with.

Unlike the majority of the Seraphim, Gabriel is of the opinion that evil has just as much a place in humanity as good does, that darkness is needed to emphasize the light. He often weighs the pros and cons of any situation, being one of the least biased of the heavenly host, and always willing to hear and weigh both sides of an argument.

Uriel: The eyes of heaven

Non binary they/them

Uriel very rarely interacts with heavenborn or human souls, keeping to themselves and mostly communicating only with their fellow Seraphim.

They are able to read the stars for prophecies, spending most of their time studying their movements and patterns.

Their prophecies and premonitions are something even they don't fully understand.

Though they can deliberately see into the future for certain events by entering a trance like state, it is not guaranteed for them to be successful if they try to force it.

Most of their visions are for humanity, of events that will shape them. They pass these onto Gabriel, who ensures that they happen as they've been fortold.

Their gift is one of the only reliable sources for what God intends to happen. Though they are often vauge and up for interpretation.

Their main priorities is in shaping humanity into what God designed them for. Not taking as much interest in the heavenborn, but in the human souls that make it both to heaven and hell.

On extremely rare occasions, they will get a premonition about Hell. Because of this, they are one of the few Seraphim that will contact Azrael to communicate their concerns.

They are very patient, non confrontational, and happy in their own solitude. Despite this, they have a talent for mediating disputes between the other Seraphim in a fair and calm way, not liking seeing them fighting amongst themselves.

Azrael: The unbound

Male presenting he/him

Also known as the Angel of death, mostly among human souls.

Azraels job is to maintain purgatory, a liminal realm between living and death. All the roads Souls must walk to be sorted into their respective afterlives reside in his domain.

The whole situation is mostly automated, but he is required to interfere the rare tomes when a restless soul tries to resist their chosen path.

Purgatory is also a place for souls who have no place in either heaven or hell. He is able to drag souls to this realm himself, which he does as a form of exile.

Not being bound to heaven, Hell, or the living world, he is able to freely travel between them at his leisure. Despite this, he does not appear as himself to living humans, often being completely unseen by them. On the rare occasion he's made contact with a living soul, he has to don a mortal disguise.

Lucifer: The dreamer The fallen

Male presenting he/him

Most commonly referred to as the morning star. He was previously referred to as 'heaven's brightest' and 'The light of heaven'.

Lucifer was a visionary in heaven, blessed with unlimited creativity and the power to manifest the beautiful things in his mind.

When Edan was created, he became infatuated with this brand new world and life that resided there. Despite warnings from his fellow Seraphim to not get too involved, none of which was louder than Micheal, Lucifer would often visit the first humans in the garden.

Lucifers relationship with the humans was taboo even before his exile. He was blamed for why Adam and Lilith had such a rift between then, despite him only becoming involved with Lilith after seeing how unhappy she was.

Despite his exile, he is still considered a Seraphim, and has a seat in the Senate that remains empty, as a reminder to them all that even Seraphim are not above repercussions for their actions.

Because of his calm and fair demeanour, he is unofficially recognised as the second most authoritative Seraphim after Sera, a fact that Michael resents, feeling like that role should go to him.