#Anyway I resonate with this post

[pkaykim]

Valentines gift for my girlfriend

Please don’t repost on other platforms!

[stardustedknuckles]

This quote from Alex Hirsch is, for better or worse, evergreen.

saw someone criticizing the transfem werewolf metaphor and comparing it to how zootopia (badly) sets up predator vs prey as a race analogy and i feel like i should clarify

the transfem werewolf metaphor works because people assume werewolves will be predators to humans, when in reality, real wolves are just. not really all that dangerous to people

and yeah you could argue that a lot of werewolf mythology involves them being violent but thats part of the metaphor! how many people do you think got their impression of trans women absolutely ruined by someone telling a story of some trans girl and calling her a child predator or a big scary man in the woman’s bathroom? because it’s quite a few!

the metaphor works because, much like werewolves, there’s really no reason to assume that trans women are dangerous to anyone else except what people (who have had their fear weaponized) say about them

[six-tooth]

anyway feeling very normal about this scene

the fact that after a long, unpleasant day of absolutely nothing going his way and constantly being reminded of how much everyone else dislikes him, he's too tired to keep his act up and seeks out a genuine conversation with the one person whom he hasn't interacted with through the entire adventure

Pomni about to answer sincerely before realizing it's Jax and changing her approach, either out of caution or uncertainty by him being so... casual

she braces for one of his usual remarks/jokes but is surprised when he answers with neither, simply letting her know how he's doing as well

finally, when he's called over for another task, he's still visibly annoyed but follows through without much protest and waves goodbye to Pomni, who is undoubtedly confused by what she just saw.

there have been a couple of instances where the series shows us that Jax is being affected by the circus more than he lets on, and they were really focused on during this episode.

this got me thinking about what Goose really meant by him "getting worse"; most people (myself included) interpreted it as his actions gradually escalating to a point where it could result in conflict with the rest of the cast, but after this scene and near the end where he leaves and gets in his car, it could be understood as his repressed emotions finally catching up to him and turning his mental well-being for the worst. It could also be a mix of the two

now this is the part where I put my delusional cap on, but there has been a significant build up to Jax and Pomni's relationship through the whole series, the most notorious one being:

his hand missing from Pomni's moment of realization that the other people she's been trapped with are trustworthy and care for her. You obviously can't blame her for coming to this conclusion, but I think that's exactly what made this small interaction a lot more important

Jax has been pushing others away and masking his emotions for who knows how long, and one of the primary focus and messages of TADC is connections with others and how important they are, so for them to show us Pomni seeing Jax have a brief moment of vulnerability, I do believe it's reasonable to think that they will eventually develop a relationship with some amount of significance, maybe even something close to a friendship

but yeah, feeling very normal

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[vaguely-concerned]

thinking about how deeply lucanis' life has been defined by a lack of control of that life -- as he himself points out, even before the ossuary went and carved the headline out again with big bloody letters. of course he reacts badly to losing what little control he did manage to construct for himself even within those circumstances.

(namely: experience has taught him that things (caterina, loss, pain, love, all horribly and indelibly intermingled) will happen to him whether he wants them to or not and there's nothing he can do about that... but he gets to decide what's let in or out of his soul as it happens, even if he has to close it all down and deaden and numb himself out in the process. (even if that means he drifts further and further away from illario, who's been desperately reaching out and trying to keep hold of him until he finally gives up completely and tries to cut the bond all at once when lucanis doesn't seem to reach back anymore.) it's such rare well-observed freeze logic solidly constructed from the bottom up, I'm still so impressed with it.

the way illario seeks constant external means to cope with caterina's abuse and importance in his life -- he can't win her admiration or acceptance or warmth (or like. acknowledgement even, at times :') ), no matter what, so he goes out and finds those things in others and then disdains and dismisses it for how easily and falsely it's won from them. he plots, he conspires, he tries to beat her at her own game however clumsily, he tries. lucanis doesn't try things that way. he's not about 'how do I improve my situation' by nature, he's 'how can I stop this from getting worse'. he avoids, he internalizes, he hunkers down and makes himself nothing until the pain maybe ends. he's fundamentally not a plotter, he's a reacter. an expert assassin pantser, if you will, to illario's clear and stated exasperation fhsak. man I love them. illario says 'get us out of here!!! if you loved me as I love you you'd help me get us out of here before it kills us both', lucanis says 'there is no other place, there's nowhere to go, all we can do is endure. and if it kills us... well, that's just family. that's what love is (the way things are headed I'll die first anyway so it's fine I won't have to face losing you)', and they're equally baffled and hurt by each other's POV. but they're both right, and they're both wrong. there's no 'right' way to deal with caterina's treatment of them, or their situation. the house always wins, if you pardon the expression. house dellamorte still stands and that is what matters to caterina in the end more than anything.

it also fits so well b/c like... their core wounds are that illario is the least favourite and is constantly dismissed, so he has to prove to caterina again and again that he matters. not even that he's worth love or respect or warm regard, but that he's here at all and as such should be considered. he has to shout 'in case u forgot I EXIST!!' at the top of his lungs or else be rendered nothing within the family structure (and himself, because it's all about family, that's all that really matters. in some weird twisted way I think caterina openly declaring him before all the other crows to still be of house dellamorte -- and no one from house dellamorte kneels -- is kind of a victory for him, as much as it's also a furthering of a prison sentence and public humiliation. house dellamorte brainfuckery goes hard.). lucanis is the favourite, and it's the double-edged sword that he gets all the affection and attention but also all the control and impossible expectations. drowning under all of that constant stress and close evaluation, his brain whispers 'I don't exist' to try to escape, to hide and hold on to the deep parts of himself that are crucial to life but not part of the perfect grandson caterina demands of him as the price of her love.)

I think a lot about how what seems to disquiet lucanis the most post-ossuary (as it would anyone with that psychological makeup) is the dissolving of internal boundaries and control he's been relying on, which is part of what spite symbolizes. his anger and reactivity has seceded from the union to the point of personification as a little guy (a little guy he resents and fears for his unpredictability and invasions into regions of his psyche he wishes to stay frozen and barren, and yet cares about deeply, loves! and also constantly dismisses and frequently helplessly lets down unless he's helped to learn to do otherwise. does this remind you of another relationship in his life, perhaps. it makes me feel nuts to think about the illario/spite parallels thanks for asking), and now that little guy is out there running the show freely the moment he glances away or closes his eyes. literal nightmare scenario I feel for him so deeply. so much of his coping is predicated on being able to Not do or feel or want certain things, and that's out the window now, Spite has Opinions. Spite refuses to stay wisely in place even if that place is hell on the logic that if you move you could find yourself in a place that's even worse, somehow. Spite actually wants to experience the world, however fucked up and scarring the way he arrived here, not just endure it. Spite means he has to face that maybe illario wasn't wrong all those years, at the same time as having to admit and face what illario has done to him, and figure out what to do about any of it.

anyway. mary kirby ma'am that's some good fucking metaphor work. thank you, and sorry about all the shit that happened

[cheaploafs]

Ruin each other like star crossed lovers…

[mumuqings]

tgcf book spoilers, but one mu qing and xie lian snippet that I think about a lot is this one, at the start of xie lian’s second banishment when he’s surprised to hear mu qing being described as generous and kind:

as opposed to this memory from before his first ascension when mu qing started giving out cherries to the kids in the city:

I think it just really goes to show 1) how deeply mq’s actions truly affected xl and what he thought of him, but also 2) just how different mq and xl are fundamentally in the way that they think and approach things.

I don’t have a lot of commentary on xl that hasn’t already been said, but bc we get the story from xl’s pov, we see a lot of mq’s actions being framed as selfish or suspicious (which is fair, bc again, we know how much his actions hurt xl), but we also see a lot of misconstrued kindness, like in book 8 where it’s revealed that he knocked out fx in order to save him. it’s also pretty obvious how much mq still cares abt xl, with how quickly he volunteers as fu yao and the lengths he goes to protect him when he deems hc a threat, so I also think it’s very likely that mq leaving the trio first was exactly what he said it was — that he thought becoming a junior official, ascending quickly, would be the best way to take care of not just his mother, but also xl, fx, the king and queen, and himself, and so in a way, him leaving was him acting on his kindness. but ofc it doesn’t work out, and he spends the next 800 years fighting w/ fx about it, defending himself, his decisions, and his kindness, and nitpicking the accuracies of his statues while he himself remains completely misunderstood by the two people he probably cares abt the most.

and idk, I guess I just think that’s probably a really lonely way to spend 800 years.

[uhbasicallyjustmilex]

"You can edit the structure and grammar and syntax of a sentence all day, and then realise that the feeling or the sentiment is gone - and you have to really close your eyes and dig deep and try and remember what it was because it's so specific. Language can be so limiting, and it can make you forget what the innate or original thought was. There's a really good quote by yates: 'a line may take years maybe but if it does not seem a moment's thought then all our stitching and unstitching has been naught.' You can edit to zone in, or you can edit to zone out - and it's difficult to know which one you're doing sometimes."

~ Grian Chatten, Songwriters on Process (2022) 

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[sometimesmaybespoof]

When she Half on my Life till I 2

[akkivee]

ik it’s really hard to see but hypdream gave juto a foot tapping habit and it’s giving

[tainebot01]

It's like 11pm. and I'm getting emotional thinking about Athena in Turnabout Academy again.

The first case she's ever taken on as defense, knowing full well Junie's future is at stake, and. she's dealing with this nightmare. Phoenix’s first case? A single afternoon and one Frank later, Larry's off the hook. Apollo's first case? A fake Russian lady and a slipup on Kristoph's behalf, managed in a day. And they were doing this in their mid 20s. But Athena has to not only deal with someone who knows the legal system like the back of his pasty marble hand, but grown ass men who tell her she's in over her head despite the fact she's a dual major. who's rightfully earned her badge at age 18. She's receiving nothing but sexism and ableism left and right despite all she's capable of, even the people who are supposed to be on her side are mocking her and treating her like an idiot for lacking experience. And let's not forget having to essentially provide group therapy and solve the problems of a bunch of high schoolers, at least one of whom was desperately in need of support, while still solving the themisforsaken case entirely within the bounds of the clown show this game calls a legal system. I.

I just love Athena, man.

[clowningaroundmars]

my personal atsv hobie brown hc is that this boy can build a watch that enables the wearer to travel to any dimension they want to, made entirely out of cobbled up parts he "finds"

but anytime anyone brings up AI or algorithms or social media he pretends to be 100 years old

hobie: what's a bloody "snapchat"? fuckin 'ell those effects are nightmarish, mate

miles, exasperated: hobie, you BUILD TECH that astrophysicists in my dimension can't even replicate. how are filters on a phone trippin you up?

hobie: dunno, everyone's got their strengths n weaknesses, i 'spose... 🙄😒

[i-dreamed-i-had-a-son]

Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet

Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)

Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked

[nabaath-areng]

“ The battle was glorious, my soul burned bright as the sun, and then I died. I died, my death was proven worthy, and yet I am trapped. Trapped and prevented from being reborn. From continuing the cycle of rebirth for which I am destined. My soul should never have been trapped inside my old flesh. I should never have been forced to become both rot and decay. I know not what manner of foul sorcery that cloaked man used on me, but I will find him. I will tear him asunder if I must. Whether or not the seal is broken, he shall not suffer to live. ”

― There have been an increasing number of reports from amateur hunters returning unsuccessfully, claiming an undead mark killing clan targets before its members can get to them as the reason for it.

More experienced hunters however have recently confirmed that this one is no mark at all, but rather a peculiar steppe warrior who is far away from home. The man tells little about himself or what his goals are, but introduces himself as Jargai Dotharl to those who are social enough to dare conversing for longer than a few minutes.

Hunters who come across Jargai have conflicting opinions of him. Some describe him as a formidable warrior who can take down even the most vicious of marks with only his own sword. Others claim that he is all but useless in a fight, dropping his weapon from the slightest bit resistance and collapsing on the ground while writhing from what looks to be incredible pain.

He accepts neither coin nor company for his feats, but rather trades in information exclusively. He reaches out for clues about a strange individual who he cannot describe in any manner of detail, and then gets irate and leaves when people inevitably don't know who he's referring to. He refuses to show anyone his face, covering it underneath a shroud at all times.

Truly not an easy individual to get along with, but most that interact with him will still conclude that he is overall a reliable fellow, all things considered.

Still, most people with sense keep their distance. While the vast majority of them would be unable to pinpoint why, there's no denying the strange air that hangs over him like a dark cloud.

Jargai prefers it that way. The dead and living have no business being friends with each other.

[pokemonblack3white3]

Girlies I have got to stop feeling guilty about creating art I enjoy