#Caliphs
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heatalk · 2 months ago
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伊斯蘭教的歷史、禮教與本義
[閱讀全文: https://is.gd/C4PubV]
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伊斯蘭教(Islam)是世界第二大宗教,全球擁有超過 18億 穆斯林(Muslim,即伊斯蘭教徒)。它不僅是一種信仰,更是一種完整的生活方式,涵蓋宗教、道德、法律與社會規範。
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the-garbanzo-annex-jr · 2 months ago
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illustratus · 25 days ago
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The Battle of Ascalon, 12 August 1099 by Gustave Doré
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city-of-ladies · 23 days ago
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"Rābi‘a was a Muslim saint and Sufi mystic. Her contemporaries also considered her a teacher of character. There are strong elements of a Philosophy of Religion in her collection of poems which is one of the earliest to set forth a doctrine of Divine Love. The concepts that she propounds include a daring taxonomy of love and the notion that self-effacement does not erase one’s gender. She thus emphasized that women’s piety is superior to men’s (which suggests a feminist consciousness). Her poems reveal a refined mastery of Arab meters and an intricate reflection on Arabic letters and language. Her writing is part of early Sufi philosophy and has inspired Muslim mystics for centuries, among them luminaries al-Ghazzālī (d. 1111) and Farīd al-Dīn al-‘Aṭṭār (d. 1221). Some of her verses are present in all genres of Arab songs to this day.
Despite her fame as one of Islam’s greatest Sufi saints, the life of Rābi‘a al ‘Adawiyya al-Qaysiyya al-Baṣriyya (A. H. 95–185/C. E. 712–801), as she came to be known, “remains mostly elusive.��� A number of Islamic sources state that she was born in Basra, a city founded by Muslims in 16/637 and known for its many ascetics. A more recent study suggests her native city may have been Damascus. Many Islamic biographical dictionaries record 185/801 as the year of her death, while one source indicates the year 135/752. The latter date seems highly unlikely, since Rābi‘a would then have been too young to meet some of the luminaries she is reported to have talked to, and she also would have died too early to have had exchanges with other distinguished visitors whose names have been associated with hers.
On occasion, her first name is given as Rāyi‘a, although this is no great concern since it may be safely imputed to the accidental addition of a diacritical point. The greater biographical question concerns her full name and whether it indicates that Rābi‘a (or her father) became a client to an Arab tribe upon conversion to Islam. And there is also the matter of her having been married or a singing slave-girl before she converted to mysticism. Part of the confusion is due to the conflation of the biographies of several female saints by the same first name or with a similar story. 
Without any question, Rābi‘a left an indelible mark on Islamic mysticism like no other Sufi before her, man or woman. Many of the encounters she is reputed to have had with fellow ascetics (zāhidūn, plural of zāhid) and mystics (ṣūfiyyūn, plural of ṣūfiyy) such as Mālik ibn Dīnār (d. 123/648), Ḥasan al-Baṣrī (d.110/728), Sufyān al-Thawrī (d. 161/777–8), Ibrahīm ibn Adham (d. 165/782) ‘Abd al-Wāḥid al-Zayd (d. 177/793), and Rabāḥ al-Qaysī (d. 180/796) are obviously anecdotal, if only because a look at their respective dates clarifies that Rābi‘a could not possibly have been a contemporary to all of them.
And yet, it is conceivable that the exchanges said to have taken place with some of these very distinguished figures in Islamic tradition belonged to conversations conducted with interlocutors whose names were either lost or less prominent, in order to grant Rābi‘a a higher status. An exception is Ḥadīth-scholar Sufyān al-Thawrī, whose dates confirm him as a contemporary of the saint of Basra and whose name also appears in al-Sulamī’s Memorial. Moreover, as the following will show, the stories involving him strongly suggest that he shared an intimate spiritual bond with her.
Whoever Rābi‘a’s pious visitors were, they all bowed down before her extreme asceticism and the purity of her mystical experience. But this did not prevent them from sometimes provoking her and even testing the sincerity (ṣidq) of her religious sentiments. Agile of mind and never at loss for the right words, Rābi‘a always had the upper hand. One gets the impression that she welcomed the opportunity for verbal jousts. For instance, knowing her love of God, someone hoped to trick her by asking: “How is your love for the Prophet (may God bless and preserve him)?” She replied: “Verily, I love him. But love for the Creator has turned me away from love for created things”. Another visitor inquired about her take on Satan to which she answered: “My love for God leaves no room for hating Satan”.
On occasion, tradition recorded Rābia’s own questions to a number of individuals, making one wonder whether some of her interlocutors were not actually students of hers rather than frequent visitors. For instance, she asked them about “truthfulness” and “generosity,” clearly expecting them to give lacking answers that she would have to—and did—straighten out. Her style is reminiscent of the “What is”-question used among the “acusmatici” in the Pythagorean school. This is not to suggest that Rābi‘a was following the teaching model of this ancient Greek school, only that the parallel questioning style supports the assumption that Rābi‘a was teaching and not just receiving guests.
Some reactions to statements made in her presence, show how annoyed she could be at what she perceived to be pseudo-pious utterances. Sāliḥ al-Murrī(d. 176/792–93), who enjoyed reiterating, “When someone keeps knocking at the door, it will in time open for him,” was admonished by Rābi‘a: “How long will you keep saying that? When was the door ever closed, that it might have to open?” .This sharp riposte clearly suggests that she was in a position of authority when al-Murrī repeated his remark.
If incensed deliberately, Rābi‘a could be punishingly cruel. Thus when Ḥasan al-Baṣrī is said to have invited her to pray with him on the bare surface of a lake, Rābi‘a scolded him for being boastful. She then threw her prayer rug in the air and asked him to join her above the ground, which shamed him endlessly, since he was unable to comply. Naturally, neither of the two saints could have achieved the physical exploits they are credited with (apart from the fact that they couldn’t even have met at a stage in their lives when they were both spiritually mature), but the story nevertheless conveys how strongly Rābi‘a felt the need to correct her fellows, including well-established ones like al-Baṣrī, when she found them lacking in humility.
If nothing else, this “ḥikāya” tells us about how she was perceived. While the details of the sayings and deeds attributed to Rābi‘a may never be validated, nor falsified for that matter, what does come across is that Islam’s mystical tradition considers her a paragon in terms of her austerity, piety, and mystical teaching. Moreover, one senses the respect she was granted is not the expression of mere veneration for a person more advanced on the religious path. Rather, it is coupled with deference to an authoritative figure whose character and teaching were deemed exemplary."
Albertini Tamara, "Rābi‘a al-‘Adawiyya of Basra, 712–801/185–95", in: Waithe Mary Ellen, Boos Dykeman Therese (eds.), Women Philosophers from Non-Western Traditions: The First Four Thousand Years
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eunuchboy · 2 months ago
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‘abbāsid eunuch playing with birds 🕊️🌿🌼
original from al-jāḥiẓ’s kitāb al-ḥayawān under the cut
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mapsontheweb · 2 months ago
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Countries who has a King/emperor in the Umayyad Caliphate painting "Painting of the Six Kings"
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bronzeageecho · 4 months ago
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five ceramics from the wreck of the Cirebon (java sea) | c. 900s CE | chinese, five dynasties period
"These 5 ceramics...were part of a set of fine porcelain dishes made in workshops in southern China and to be delivered to the new Abbasid Caliphate in Bagdad region. Due to the stranding of the ship, archaeologists were able to find the entire abandoned cargo in the wreck in Indonesia. Bowls have been damaged by burial in water for over 10 centuries."
in the national museum of qatar collection via google arts & culture
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dancyrilkingston · 9 months ago
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THE CALIPH STORK (dir. Valery Ugarov, 1981)
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maihonhassan · 3 months ago
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The greatest warrior in history, Imam Ali (AS) never lost a battle, yet he never claimed victory in his entire life except once; At his martyrdom, the moment the sword was struck on his head in prayer, as he calls out;
“By the Lord of the Kaaba, I have succeeded.”
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exgirlfiend · 8 months ago
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genuine question would yall be interested if I made a master doc of all of the cultural references in wotww (or at least the ones I can recognize) complete with links to name origins and visual comparisons for locations and architecture. I <3 doing deep dives into the references behind the character names and the real world locations and time periods each area is inspired by
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yiddishlore · 1 year ago
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The Cairo Geniza illuminates many fascinating aspects of Jewish life under Islamic rule, but one that I find especially interesting is how some Jews used Islamic courts! Under Dhimmi laws, Jews were second-class citizens but retained the ability to have their own courts, known in Hebrew as a “Beit Din.”
To pressure Jewish courts to rule in their favor, many people threatened to turn to the ruling Islamic court for help if they lost their case (Oded Zinger argues that this was a particularly useful strategy for women, who were usually disadvantaged in local Jewish courts)
In some cases, they followed through on this threat. For example, TS 12.16 includes an 11th-century letter from the Jewish community of Rafah (now part of the Gaza Strip) complaining about a member going to an Islamic court after losing an inheritance dispute.
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tamamita · 6 months ago
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So, based on your posts about Islam I've gathered that Muhammad=Lenin and Ali=Stalin, who's Trotsky?
Umar ibn al-Khattab
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probablygoodrpgideas · 10 months ago
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Take inspiration from Dune's Padishah Emperor and give nobles titles that are the same rank of title twice but from different cultures, like the Khagan Kaiser or the Basileus Caliph
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eunuchboy · 4 months ago
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fatimid painted bowl redraw, original from the museum of islamic art in cairo
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girlactionfigure · 5 months ago
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smylenol · 6 months ago
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The Joker - as drawn by Bob Kane (left), Jason Fabok (right)
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