#Chu Gar kung Fu/Southern praying mantis
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The highly capable blind 12 year old!
#The Blind Bandit#Earth rumble 6#Toph Beifong#Jessie Flower#Voice actress#Gif#Born blind#Chu Gar kung Fu/Southern praying mantis#A.T.L.A.#Tomboyish Character#Earthbending#Book 2
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"Earth is the element of substance."
-Iroh
It's season is spring.
It's polar opposite is airbending.
Stubborn,headstrong,confrontational,standing one's ground, strong-willed, perseverance, and enduring.
#Avatar Korra#Korra#Rusty Korra#Gifs#Earthbending#Book 4#l.o.k.#benders#Toph Beifong#A.T.L.A.#Kuvira#Bolin#Suyin “Su” Beifong#P'Li#gifset#Avatar state#Book 3#The boulder#Book 2#T.L.O.K. game#Lin Beifong#Hung Gar Kung Fu#Chu Gar Kung Fu/Southern praying mantis style#probending style
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Ceres (Voiced by: Laura Bailey)

Biographical information
Aliases:
June Pippinpaddleopsicopolis
Hiromi
Nickname: Fairy Feet (by Toph)
Nationality: Southern Air Temple
Ethnicity: Air Nomad
Age:
116 (biologically 16)
117-118 (biologically 17-18) in The Promise trilogy
119-120 (biologically 19-20) in The Search and The Rift trilogies
170 (biologically 70) at death
Born: 12 BG before Aang
Physical description
Eye color: Gray
Hair color: Dark brown
Skin color: Light
Personal information
Gender: Woman
Love interest: Zuko
Family:
Gyatso (Father figure)
Aang (Younger brother)
Allies:
Aang, Appa, Kaida, Katara, Momo, Sokka, Tenzin, Toph, Zuko, King Bumi, Bumi, Gyatso, Hakoda, Iroh, Kya, Suki, Kuzon, lion turtle, all Guardians, more ...
Enemies:
Azula, Ozai, Zuko (formerly in the future), Combustion Man, Long Feng, Sozin, Yakone, Zhao, Joo Dee, the Dai Li, more ...
Weapon of choice:
The elements, metal, glider staff
Fighting styles:
Airbending, waterbending (Northern and Southern style), earthbending (Chu Gar Praying Mantis Kung Fu), metalbending, firebending (Dancing Dragon), bloodbending (resigned from use), lightning redirection, energybending
Political information
Profession:
Air Nomad culture teacher
Airbending instructor
Guardian
Monk
Position:
Co-founder of the United Republic of Nations
Fully Realized Guardian
Fire Lady
Predecessor:
Sora (as the Guardian)
Successor:
Katrina (as the Guardian)
Affiliation:
Air Acolytes
Air Nomads
Air Scouts (formerly)
Team Avatar
Ceres was an Air Nomad born in 12 BG and the Guardian of her younger brother, Avatar Aang during the Hundred Year War, succeeding Guardian Sora and preceding Guardian Katrina. As the Guardian of her time, she was the second person capable of using all four bending arts: airbending, waterbending, earthbending, and firebending. She was also one of a select few Guardians and one of the first in many cycles to learn the ancient art of energybending as well as the first Guardian known to have actively used the technique.
Shortly before the beginning of the Hundred Year War, Ceres was frozen in an iceberg with Aang for a hundred years; she later emerged, still biologically sixteen years old, into a world engulfed by war. During her absence, the Fire Nation had waged war upon the other nations and managed to completely wipe out the pacifistic Air Nomads. It fell to Ceres and her brother, the Avatar and the Guardian, and the last two airbenders, to end the War by mastering the other three elements and defeating Fire Lord Ozai.
She remained a kind and good-hearted girl at heart throughout her year-long struggle, despite the overwhelming loss of her people, the heavy burdens she was forced to bear, and looking after her younger brother. After her victory over the Phoenix King, Ceres began a romantic relationship with Fire Lord Zuko. The couple eventually married and raised a family of three children: Izumi, the oldest, a nonbender who became Fire Lord later in life; Kuzon, a firebender; and the youngest, Gyatso, an airbender.
History:
Ceres was born to two Air Nomads in 12 BG. After selecting the Guardian relics from among thousands of toys, thereby inadvertently confirming her identity as the Guardian, she was taken away by the monks of the Western Air Temple, who kept her position a secret from her to the Southern Air Temple. As an Air Nomad, Ceres traveled extensively around the world. During her childhood, Ceres was housed, raised, and educated at the Southern Air Temple, under the guardianship of Monk Gyatso, who served as her father figure, counselor, and tutor.
As a child, Ceres was a member of the Air Scouts, where she learned essential skills such as how to tie reins to a bison's horns with the bison horn knot. After some time, she and several other young Air Nomad girls were taken to the Eastern Air Temple where they each chose a sky bison as their lifelong companion. On that day, Ceres named her bison Kaida, thus marking the start of their deep and lifelong friendship.
Ceres was always able to excel at any new bending moves she learned; at the age of six, she was a better airbender than children twice her age, and by the age of ten, Ceres had proven herself to be better than her own teachers. She earned airbending tattoos and the status of an airbending master by the age of ten for exhibiting prodigious talent with her native element, making her the youngest airbending master in Air Nomad history, next to Aang. Later on, she meets her newborn brother, Aang and with Gyatso, Ceres helps raised Aang, forming a strong bond.
As she raises Aang, she discovers that he selected the Avatar relics from among thousands of toys, thereby inadvertently confirming that Aang is the Avatar. Over the years, their bond became deeper as Ceres sees Aang as her son while Aang sees Ceres as his mother, since Ceres sings him songs, dancing with him, play with him and looking out for him to keep Aang safe so he doesn't hurt himself.
In her teen years, Ceres and Aang also visited the other air temples, as evidenced by his obvious familiarity with the Western Air Temple, as well as cities in the Earth Kingdom, such as Omashu, where Ceres and Aang developed a lasting friendship with the good-natured but eccentric Bumi. She and Aang even bonded closely with children in the Fire Nation, like Kuzon, with whom they went searching for a dragon in the mountains and saved a dragon egg from poachers.
Due to the signs of a possible war approaching, Aang was told about his status as the Avatar at age twelve, four years earlier than the traditional age of sixteen, which is similar for the Protector. Aang felt burdened by his status as the other children refused to play with him anymore and he came to spend more time practicing airbending with the monks. Monk Gyatso and Ceres were the only ones who showed understanding of Aang's burden, with Gyatso having been good friends with Avatar Roku and Guardian Sora, Ceres's and Aang's past lives, and tried to help ease Aang through the transition from childhood to adulthood by providing Aang with balance through fun during the upheaval in his life with Ceres, who stayed by Aang's side throughout his entire life, having Aang to never want to leave her and never want to see her getting hurt.
However, Aang and Ceres later discovered that they would be sent to the Eastern Air Temple in order to complete their airbending training far away from Monk Gyatso, whom the other monks thought was too soft on him. Afraid and confused, the two airbenders ran away with their flying bisons, Appa and Kaida, though they became caught in a storm shortly after, which caused them to crash into the water.
Aang and Ceres saved themselves, Appa and Kaida from drowning by semi-consciously entering the Avatar and Guardian States and freezing them both in a sphere of ice through a combination of airbending and waterbending. The Avatar and Guardian States kept them alive, albeit not fully conscious, in the iceberg for about a hundred years while the war raged on.
Trivia:
• Ceres means "Nourishment" in Latin.
• Unlike the color of their Avatar siblings' firebending, the color of the Guardian's yellow instead of orange. But that's only after they're revealed as the next Avatar and Guardian, that's how everyone can tell which sibling is the Avatar and the other is the Guardian, by the color of their firebending.
• Ceres is the first Guardian who can use bloodbending, but vows to never use it again.
• Ceres is the first Guardian who can use metalbending after convincing Toph to teach her.
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Intensive Research on Martial Arts Styles that Train with Equipment Similar to Hung Gar Iron Rings
Iron rings, commonly referred to as “iron bracelets” or simply “rings,” are perhaps most famously associated with certain Southern Chinese martial arts—especially Hung Gar (also spelled Hung Ga). However, other southern styles and some hybrid contemporary systems have also employed ring training or analogous equipment. Below is a deep dive into the nature of iron ring training, the martial arts that use them, their purpose, how they are integrated into practice, and some modern perspectives.
1. Overview: What Is Iron Ring Training?
Iron ring training is a traditional conditioning practice. Practitioners wear one or more metal rings—often up to a dozen per arm, depending on skill level—on their forearms while performing techniques or forms. The rings typically range from one to several pounds each. Most often, these rings are loose; they slide up and down the forearm as the practitioner moves, creating additional resistance and impacting the arms (controlled impact conditioning).
1.1 Purpose and Benefits
Strength & Conditioning: The sliding weight of the rings builds the muscle endurance of the arms and shoulders, develops grip strength, and conditions the forearms.
Tendon & Ligament Development: The repeated stress and vibration from the rings moving along the arms can help strengthen connective tissue over time.
Body Alignment & Structure: Proper stances and body alignment become more apparent under added resistance. If the structure is weak, the rings quickly reveal poor mechanics.
Energy Flow & Sensitivity (in Traditional Theory): Some lineages teach that ring training can help refine “energy” or “qi” awareness, as resistance can highlight movement inefficiencies or tension.
1.2 Concerns and Considerations
Risk of Injury: Excessive or improper use can cause bruises or joint stress—especially if used without correct body alignment.
Limited Direct Combat Transfer: While ring training improves muscle endurance and conditioning, critics note that wearing rings does not simulate typical combat scenarios. Rings are thus more of a supplemental method than a direct fighting tool.
Lineage Variations: Even within the same broad style (e.g., Hung Gar), teachers may differ in how and when they integrate ring training—some use it extensively; some treat it as optional or advanced.
2. Key Martial Arts Styles Using Iron Rings
While iron rings are most famously associated with Hung Gar, some other Southern Chinese styles or branches within them have been known to include similar training devices. Below are the primary styles and contexts.
2.1 Hung Gar (Hung Ga) Kung Fu
Primary Association: Hung Gar is nearly synonymous with iron ring training in Chinese martial arts pop culture and practice.
Historical Roots: Hung Gar’s reputation for iron rings is linked to the style’s emphasis on strong stances (horse stance), powerful bridging arms, and forearm conditioning (e.g., “Iron Wire Form,” or Tiet Sin Kuen).
How It’s Used: Practitioners often don rings during specific forms, stance work, or specialized drills to develop the forearms, shoulders, and upper body.
2.2 Choy Li Fut
Occasional Use: Not all Choy Li Fut lineages incorporate iron ring training, but some do—especially those with strong connections to other southern systems.
Similarity: Choy Li Fut places a strong emphasis on power generation, long-arm techniques, and hooking movements. Some teachers find that ring training can supplement these movements by adding weight and teaching the practitioner to maintain structure while whipping the arms.
2.3 Southern Mantis (Chu Gar, Chow Gar, etc.)
Conditional: Some schools of Southern Praying Mantis use weighted forearm guards or other forms of resistance training similar to the rings, though iron rings specifically are not universal. These lineages, known for short, explosive power, sometimes incorporate external equipment (like iron rings or sandbag forearm wraps) for conditioning.
2.4 Other Southern Styles (e.g., White Crane, Mok Gar)
Rarity: While not as prominently documented as Hung Gar, White Crane and Mok Gar are also reported to have used ring-like devices or weighted bangles. Typically, these are used in forms that emphasize forearm and wrist conditioning.
2.5 Hybrid or Modern Kung Fu Schools
Contemporary Fusion: Some non-traditional schools or “mixed” kung fu styles might incorporate iron ring drills, borrowing from Hung Gar for conditioning purposes.
Fitness & Demonstration: Modern instructors sometimes use rings for “showmanship” or unique strength-and-conditioning workouts. They might teach ring exercises as part of broader strength-building routines rather than strictly for traditional reasons.
3. Similar or Analogous Training in Other Martial Traditions
Outside of the Chinese context, there are some martial systems that use weighted or resistant equipment for the arms, although not always in the form of metal rings:
Shaolin Kung Fu
The Shaolin temple tradition occasionally incorporates metal rings in certain qigong or strength drills, though it’s less widespread than in Hung Gar. More common in Shaolin training are iron staffs, heavy weapons, or iron vests (for body conditioning).
Muay Thai
While Muay Thai fighters do not typically wear iron rings, they do forearm conditioning through impact training (heavy bag, pad work, sparring, and using Thai pads to check kicks). They may also use weighted jump ropes or light dumbbells in shadowboxing, which parallels the concept of adding resistance to refine technique.
Kali / Escrima / Arnis (Filipino Martial Arts)
Iron ring usage is not part of mainstream Filipino martial arts. However, some modern FMA practitioners might incorporate weighted forearm guards or wrist weights for conditioning and power striking drills with sticks. The principle is similar: add weight to refine technique and develop power.
Karate (Okinawan Traditions)
Hojo Undo tools in Goju-Ryu and other Okinawan styles include devices like “Nigiri Game” (gripping jars), “Chi Ishi” (stone mallets), and “Kongoken” (a large metal ring/oval used for dynamic tension exercises). The Kongoken can be seen as the closest Okinawan equivalent to a large “iron ring,” though it is not worn around the forearms but rather manipulated with the arms in various exercises to build functional strength.
Capoeira
Traditional Capoeira does not use weighted rings. However, modern practitioners sometimes incorporate resistance bands or small wrist/ankle weights for strength and acrobatic training—again, a parallel concept of adding external load.
4. How Iron Rings Are Integrated into Training
4.1 Basic Drills
Stance Holding: Practitioners hold traditional stances (horse stance, bow stance, cat stance) while wearing rings to develop leg strength and proper upper-body posture.
Arm Swinging & Blocking Drills: Rings provide a dynamic weight on the forearms while blocking or swinging motions are executed, enhancing muscle memory for stable, rooted movement.
Punching & Striking Sequences: Slow, controlled punching with rings to emphasize shoulder and forearm conditioning. The rings add slight drag, requiring extra force to complete a technique with structure.
4.2 Incorporation in Forms (Kuen)
Some forms, particularly “Iron Wire” in Hung Gar, are performed with rings. This advanced form uses “dynamic tension,” breathing, and is sometimes integrated with ring training for additional resistance.
4.3 Partner Drills
Light Contact Sparring: Not common in full sparring (due to risk of injury), but occasionally performed at low intensity for bridging practice—where practitioners train the contact point (bridge) between arms.
Push-Pull Sensitivity: The rings can help practitioners become more aware of correct angle and pressure while maintaining contact with an opponent’s arms.
5. Modern Perspectives and Usage
Supplementary Strength Training: Many modern teachers who still use the rings focus on them as a “traditional form of dumbbells or wrist weights.” They emphasize that rings are one part of a holistic training regimen.
Cultural Preservation: For some lineages, ring training is an important part of cultural and historical authenticity. Even if they do not consider it crucial for fighting, they preserve it for heritage.
Martial Sport vs. Traditional Practice: Competitive fighters (e.g., Sanda, MMA) typically rely on modern strength-and-conditioning programs rather than ring training. Traditional schools, by contrast, use ring training to keep classic methods and aesthetics alive.
Safety Warnings: Instructors generally warn beginners not to overload with too many rings or too much weight too soon, to avoid joint or muscle injuries.
6. Summary of Styles and Their Relationship with Iron Rings
Hung Gar (Hung Ga Kung Fu)
Core: Iconic and most widely recognized for ring training.
Focus: Forearm conditioning, stance stability, dynamic tension.
Choy Li Fut
Moderate: Some lineages use rings or ring-like equipment for arm endurance and whipping power.
Southern Mantis (Chu Gar, Chow Gar, etc.)
Varies: Some schools incorporate iron rings; others prefer different conditioning tools.
Other Southern Styles (White Crane, Mok Gar, etc.)
Less Documented: Some use ring training occasionally or in specialized forms.
Shaolin Kung Fu
Minor: Certain sub-styles or qigong routines may include ring work, but not as emblematic as in Hung Gar.
Karate (Okinawan Hojo Undo) – Analogous Tools
Kongoken: A large iron/steel hoop for dynamic tension and muscle building (not worn on the arms like Hung Gar rings, but conceptually related to weighted/resistance training).
Contemporary/Hybrid Kung Fu Schools
Creative Adaptations: Some instructors use ring training for fitness or bridging drills, adding variety to their curriculum.
7. Concluding Thoughts
Iron ring training stands out as an iconic facet of Southern Chinese martial arts, particularly Hung Gar. While the practice may seem esoteric to outsiders, its fundamentals—adding resistance and impact conditioning to develop strength, structure, and endurance—share parallels with strength-and-conditioning methods worldwide. Today, ring training endures as part of traditional and cultural preservation, a unique training method, and a supplemental form of resistance training in various Kung Fu schools.
In summary, if you are looking to explore iron ring training:
Seek a Qualified Instructor from a lineage that legitimately incorporates ring usage.
Progress Gradually to avoid injury—start with lighter rings, fewer repetitions.
Combine with Modern Training for comprehensive development—balance tradition with up-to-date exercise science.
Whether you are drawn to Hung Gar or a different style that includes ring training, understanding how and why the rings are used will ensure that you benefit from this traditional conditioning tool while minimizing risks.
#fma#forearmconditioning#hojoundo#hunggar#hungga#injuryprevention#ironrings#ironwireform#jointconditioning#karate#kongoken#kungfu#lineage#mokgar#muaythai#nigirigame#qigong#resistancetraining#ringtraining#shaolin#StoneLock#ShiSuo#ChineseMartialArts#StrengthTraining#KungFu#Shaolin#HungGar#GripStrength#FunctionalFitness#TraditionalTraining
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Can I just say that your blog is a blessing? I never knew there was so much backstory and real-world references behind ATLA before I saw your posts. Thank u for your service
And thank you for the kind words! :-)
Avatar: The Last Airbender is indisputable proof that having cultural consultants as part of a production staff absolutely improves the overall quality of the work.
In particular, special accolades are in order for...
Dr. Siu-Leung Lee Ph.D.
Professional calligrapher and professor of Chinese history. He was the primary consultant for Avatar's Chinese influence and the de facto author of all the translation and calligraphy for Avatar: The Last Airbender and The Legend of Korra.
I'm 99.9% certain he's responsible for many of the pun names and historical references in the show. For example, the bottom of the Avatar world map features a slightly re-worded quote from The Analects of Confucius:
Avatar Map Quote:
天下一匡 : The world [all under heaven] is restored by one.
The Analects of Confucius
一匡天下 : Through one, the world [all under heaven] is restored
Same characters, but different word order.
Sifu Kisu
The show’s martial arts consultant, Sifu Kisu’s skill in and knowledge of kung fu informs much of the philosophy behind bending. He worked on every episode of Avatar: The Last Airbender and about half of The Legend of Korra.
Fun Fact #1: He is the reason each nation has a unique bending style. Initially, Bryke conceived all four nations as using Northern Shaolin.
Fun Fact #2: For Toph’s unique bending style, Sifu Kisu brought on Manuel Rodriguez aka “Sifu Manny” to demonstrate Chu Gar Southern Praying Mantis kung fu for the animators. Sifu Manny’s son, Joshua Murphy Rodriguez, was used as the physical model for Toph’s movements.
Fun Fact #3: Sifu Kisu has a Tumblr! Check it out right now!
Like what I’m doing? Tips always appreciated, never expected. ^_^
https://ko-fi.com/atlaculture
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Actually the attention to detail is still there with Toph. She’s not just ‘an earthbender, but better’ she uses two completely distinct styles of Earthbending, that are separate from any other earthbender on the show.
Most earthbenders style is based on Hung Gar Kung Fu, but Toph’s is based on Southern Praying Mantis. Because Toph learned directly from the original earthbenders, the Badger Moles. The reason Toph is so much better is because every other Earthbender is learning a watered down form of the style, built around learning from humans who learned from humans who learned from humans etc all the way back to the original. Toph got it right from the source.
Secondly, metalbending is based on Chu Gar, which is a style of kung fu developed by someone while they were being held i captivity, like how Toph developed metalbending while she was captured.
Seriously, the attention to detail in this show is phenomenal.
Avatar: The Last Airbender 1.05 | The King of Omashu
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The blind Bandit!
#atla#Avatar franchise#Toph Beifong#Earth rumble 6#Chu gar kung fu#southern praying mantis style#Unique Earthbending style#Chu Gar Praying mantis#Team Avatar#Sifu#Jessie Flower#Born blind#Earthbending#Vs. The Boulder
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Fire Nation is heavily based on Japan, Earth Kingdoms are mostly Chinese, Air Temples are harder to pin down exactly but heavily influenced by Tibetan culture and Shaolin monks, Water Tribes are mostly Inuit and Yupik.
Traditional bending styles are all classic Chinese martial art forms; airbending is Ba Gua, waterbending is T’ai Chi, earthbending is Hung Gar (except Toph’s style, which is closer to Chu Gar Southern Praying Mantis, because she had no teachers except the badger moles and maintaining her stance is even more vital than to a seeing earthbender), and firebending is Northern Shaolin (with a little bit of Baji Quan kung fu for lightning).
Writing is traditional Chinese characters, eating utensils are always chopsticks, symbolism and mythology is a blend of Tao, Shinto, Buddhist, and Hindu...
Once again the journalists have looked at a world completely devoid of white people and made it all about white people.

Imagine being this ungodly fucking racist
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