#Colletion of Notes

[f--e-u-e-r-t-r-u-n-k-e--n]

The End of the World or the End of Capitalism?: Colletion of Notes.

>"Capitalist realism as I understand it cannot be confined to art or to the quasi-propagandistic way in which advertising functions. It is more like a pervasive atmosphere, conditioning not only the production of culture but also the regulation of work and education, and acting as a kind of invisible barrier constraining thought and action". -Mark Fisher, Capitalist Realism: Is There No Alternative? >[Capital] has drowned the most heavenly ecstasies of religious fervor, of chivalrous enthusiasm, of philistine sentimentalism, in the icy water of egotistical calculation. It has resolved personal worth into exchange value, and in place of the numberless indefeasible chartered freedoms, has set up that single, unconscionable freedom Free Trade. In one word, for exploitation, veiled by religious and political illusions, it has substituted naked, shameless, direct, brutal exploitation -Karl Marx and Friedrich Engels, Manifest der Kommunistischen Partei.

>"In his Prison Notebooks, Gramsci said that in periods of crisis the old is dying and the new is not yet born. While Gramsci drew attention to the morbid symptoms of such a situation (in 1930) our crisis is different, and I want to draw attention to more hopeful symptoms (waiting to be born) of our present crisis of capitalist hegemony. The viability of initiatives trying to avoid competition with the market and escape from the hierarchic state rests on many untested assumptions. The first assumption is that those who do essential day-to-day tasks would continue to do their jobs in a PCC in preference to large corporations and their local affiliates: a multitude of people who now work in private or public sectors, directly or indirectly, establishing PCCs in their local communities producing food, organizing transport, setting up places of learning and transmission of skills, providing healthcare, running power systems, and so on. PCCs already do this all over the world on a small scale but such initiatives struggle within capitalist markets. Community-Supported Agriculture schemes in various parts of the world represent a first step on a long and difficult road to self-sufficiency in this sphere". - Leslie Sklair, The End of the World or the End of Capitalism? >"In 1869, New York neurologist George Beard used the term "neurasthenia" to describe a very broad condition caused by the exhaustion of the nervous system, which was thought to be particularly found in "civilized, intellectual communities." In 1998, Swedish psychiatrists Marie Åsberg and Åke Nygren investigated a surge of depression health insurance claims in Sweden. They found that the symptoms of many cases did not match the typical presentation of depression. Complaints like fatigue and decreased cognitive ability dominated, and many believed their working conditions to be the cause" >"The whole life of those societies in which modern conditions of production prevail presents itself as an immense accumulation of spectacles. All that once was directly lived has become mere representation".  -Guy Debord, The Society of the Spectacle. >"Architecture is the simplest means of articulating time and space, of modulating reality, of engendering dreams. It is a matter not only of plastic articulation and modulation expressing an ephemeral beauty, but of a modulation producing influences in accordance with the eternal spectrum of human desires and the progress in realizing them. The architecture of tomorrow will be a means of modifying present conceptions of time and space. It will be a means of knowledge and a means of action." -Ivan Chtcheglov, Formulary for a New Urbanism

>"To you, this gathering is just one more boring event. The Situationist International, however, considers that while this assemblage of so many art critics as an attraction of the Brussels Fair is laughable, it is also significant.

Inasmuch as modern cultural thought has proved itself completely stagnant for over twenty-five years, and inasmuch as a whole era that has understood nothing and changed nothing is now becoming aware of its failure, its spokesmen are striving to transform their activities into institutions. They thus solicit official recognition from the completely outmoded but still materially dominant society, for which most of them have been loyal watchdogs.

The main shortcoming of modern art criticism is that it has never looked at the culture as a whole nor at the conditions of an experimental movement that is perpetually superseding it. At this point in time the increased domination of nature permits and necessitates the use of superior powers in the construction of life." -The Situationist International, Action in Belgium Against the International Assembly of Art Critics >"Karoshi (Japanese: 過労死, Hepburn: Karōshi), which can be translated into "overwork death", is a Japanese term relating to occupation-related sudden death.

The most common medical causes of karoshi deaths are heart attacks and strokes due to stress and malnourishment or fasting. Mental stress from the workplace can also cause workers to commit suicide in a phenomenon known as karōjisatsu (過労自殺)" >"The limits of capitalism are not fixed by fiat, but defined (and redefined) pragmatically and improvisationally. This makes capitalism very much like the Thing in John Carpenter's film of the same name: a monstrous, infinitely plastic entity, capable of metabolizing and absorbing anything with which it comes into contact. Capital, Deleuze and Guattari says, is a ‘motley painting of everything that ever was'; a strange hybrid of the ultra-modern and the archaic. In the years since Deleuze and Guattari wrote the two volumes of their Capitalism And Schizophrenia, it has seemed as if the deterritorializing impulses of capitalism have been confined to finance, leaving culture presided over by the forces of reterritorialization.

This malaise, the feeling that there is nothing new, is itself nothing new of course. We find ourselves at the notorious ‘end of history' trumpeted by Francis Fukuyama after the fall of the Berlin Wall. Fukuyama's thesis that history has climaxed with liberal capitalism may have been widely derided, but it is accepted, even assumed, at the level of the cultural unconscious. It should be remembered, though, that even when Fukuyama advanced it, the idea that history had reached a ‘terminal beach' was not merely triumphalist. Fukuyama warned that his radiant city would be haunted, but he thought its specters would be Nietzschean rather than Marxian. Some of Nietzsche's most prescient pages are those in which he describes the ‘oversaturation of an age with history'. ‘It leads an age into a dangerous mood of irony in regard to itself, he wrote in Untimely Meditations, ‘and subsequently into the even more dangerous mood of cynicism', in which ‘cosmopolitan fingering', a detached spectatorialism, replaces engagement and involvement. This is the condition of Nietzsche's Last Man, who has seen everything, but is decadently enfeebled precisely by this excess of (self) awareness." -Mark Fisher, Capitalist Realism: Is There No Alternative?

>The Socialist Patients' Collective (German: Sozialistisches Patientenkollektiv, and known as the SPK) is a patients' collective founded in Heidelberg, West Germany, in February 1970, by Wolfgang Huber (born 1935). The kernel of the SPK's ideological program is summated in the slogan, "Turn illness into a weapon", which is representative of an ethos that is continually and actively practiced under the new title, Patients' Front/Socialist Patients' Collective, PF/SPK(H). The first collective, SPK, declared its self-dissolution in July 1971 as a strategic withdrawal but in 1973 Huber proclaimed the continuity of SPK as Patients' Front.

The SPK assumes that illness exists as an undeniable fact and believe that it is caused by the capitalist system. The SPK promotes illness as the protest against capitalism and considers illness as the foundation on which to create the human species. The SPK is opposed to doctors, considering them to be the ruling class of capitalism and responsible for poisoning the human species. The most widely recognized text of the PF/SPK(H) is the communique, SPK – Turn illness into a weapon, which has prefaces by both the founder of the SPK, Wolfgang Huber, and Jean-Paul Sartre. Rejecting the roles and ideology associated with the notion of the revolutionary as scientific explainer, they stated in Turn Illness into a Weapon that whoever claims they want to "observe the bare facts dispassionately" is either an "idiot" or a "dangerous criminal."

[first-saturn-return]

Carry-On, an unexpected film about the first Saturn return

Carry-On is an action/drama/mystery and thriller film released by Netflix this holiday season. Think about Die Hard vibes but in the present.

The protagonist is a 30-year-old TSA agent named Ethan Kopek and portrayed by Taron Egerton. In the film, and according to Rotten Tomatoes, he "has to outsmart a mysterious traveler who blackmails him into letting a dangerous package slip onto a Christmas Eve flight."

From the start, it is clear that our hero is somewhat unassertive and compliant. He's a good person and seems smart, but he doesn't even try to achieve his goals because he's afraid of failure.

As the movie progresses, though, we can see him dealing with unsurmountable challenges. He's up to the tasks planet Saturn imposes on him during the first Saturn return.

The film is entertaining, engaging, and well-executed. I think it would have gotten more recognition if it had been released theatrically, but well, at least we can watch and enjoy it from the comfort of our couches.

Have you seen it? I hope so. Let me know your thoughts!

[ozkar-krapo]

'ACCROCHE NOTE

"En Concert"

(LP. ANJ [self-released]. 1984 / rec. 1983) [FR]

[anon-sect]

Picture source: @spencer-kicks

PART ONE......

Kevin had a popular YouTube channel where he would show off his shoes and give a review about them, all the positive, and negative notes. He had over 5K subscribers and was approaching 6K. He decided that he would do a special celebration the moment he reached 6k subscribers.

A few weeks later, he reached 6K. He posted a contest to celebrate reaching a milestone since starting his YouTube channel. One lucky subscriber would get to help out with a video review on his channel. After a week, he picked the winner of the contest. The winner was invited to his house to participate in the next video review.

Alex couldn't believe he was selected out of the many that entered the contest. Kevin had really picked him to be in his video. He was surprised when Kevin had paid for his flight out. He was also informed that his hotel arrangments had been made as well. He just needed to catch the flight out to him. He would pick him up at the airport.

When the day came, Alex was curious as to why there wasn't a return flight ticket. It was just a one-way ticket. He was sure Kevin would explain once they finally met. True to his work, Kevin was at the airport waiting on him. On the ride to his place, both him and Kevin had a wonderful conversation. But back at Kevin's place, was when he started to suspect something was wrong.

"I have a question." Alex asked. Kevin nodded for him to ask. "I didn't get a return flight ticket, and what hotel will I be staying at?" He was curious on both questions.

Kevin just smiled. "Actually, don't worry about the return flight ticket. And as for the hotel, you will be staying with me." He paused. "Now, to your assistance with my next video, you will be helping showcase my new pair of sneakers, Nike Air Zoom Flight 95s." He added.

Alex had seen a pair of those sneakers online before. "So will I be doing the camera shoots?" He asked after he was sort of satisfied with the living arrangements. He saw a smile appear on Kevin's face that told him something different he would be doing.

"Actually, you will be part of the video showcasing my new shoes that just arrived today. The reason why you don't have a return flight ticket is because......well......you will see." Kevin explained as he went to his room and came back with a device in his hand. He programmed the transformation. He pointed the device at Alex and hit flash.

Alex saw a bright light flash at him, and there was an instant change. His body felt different. It felt like he was split in two halves. His field of vision had limited light. He also found himself incapable of moving on his own. No matter how hard he tried to move or speak, he was both immobile and voiceless. The only thing he could materailize is the thoughts in his mind.

"As the winner of my celebration contest, you was selected to be my new pair of shoes to be added to my ever growing colletion." Kevin paused. "But you will be my favorite pair, because you are my very first pair of living shoes. I will wear you many times during every week. You and my feet will get to become best friends. As the winner, you will be in my next video featured on my feet. The only thing is that no one will ever know what happened to you. Even those who will watch the video will only think of you as normal shoes. I hope you enjoy your reward for winning." Kevin finished as the put on his new pair of shoes.

Alex was mortified. He did want to in the video, but not as literal shoes. He saw the light blotted out as a pair of feet crushed his insole face with tremendous pressure. He could tell the sock Kevin was wearing was slightly dirty and had a bad odor to them. To make things worse, all of his senses weere increased by almost 1000%. The odor from the sock was intense. Each step was like being crushed by a mountain, extremely painful. Even feeling the ground that he was being crushed against was no walk in the park. It fetl like he could feel the gravel, sand, and even concrete up against his back. To be walked on was mentally crazy, and he was wondering if his mind would survive being stuck this way forever.

Alex could hear Kevin talking while recording the video. Every word was in reference to him as though he was normal sneakers. He mentally screamed for help in a hopeless situation, wishing his thoughts could be heard through the recording. This was not what he had hoped for when he thought he was going to be in the youtubers next video. It all made sense when there was no return plane ticket or list of hotel reservations. This was Kevin's plan the entire time, and his fans were clueless on it. His only hope now was that help would come rescue him from this fate. He only had one hope of seeing his humanity again. It was a good thing he made a backup plan in case something went wrong on his trip.

After recording the video, Kevin loved how his new shoes felt. They felt way better than normal sneakers. He definitely had to get himself another pair like these. Human material does make for better sneakers, the thought to himself. He knew Alex wasn't expecting this fate. Actually, none of his fans would have suspected it. Neither will anyone know what happened to the winner. The secret about his new pair of Nike Air Zoom Flight 95s would just be that, a secret, only between himself and the very sneakers. That thought cause him to laugh at the situation.

Continuation in PART 2............

[adarkrainbow]

Hello! Sorry if you have answered this before, I have a question for Perrault's Sleeping Beauty. When the prince awakes the princess, he takes note of her clothes that look like his grandmother's, and specifically of the 'collet monté' of her dress. Would that be one of those 16th century frilly collars or another period?

It is technically speaking one of those "16th century frilly collars" and yet not really...

The type of collet monté that is talked about by Perrault is one that was not worn by women anymore in the 1690s (though still worn by men, under the name "rabat"), to the point it was used as an expression to designate elderly women.

According to the footnotes of my study-edition of the tales, the collet monté started being worn by women at the end of the rule of Henry IV (though a fashion website I consulted rather speaks of the end of the rule of Henry III). An article on the blog of an association dedicated to Perrault's work precises the fashion started with Catherine de Médicis and died with her - they were called "collet" (of the name of the traps hunters used to strangle rabbits) because it covered the whole neck, and "monté" because of how it was made - a light material stiffened, rigidified, mounted on a small tructure of cardboard or iron wire. In fact this is why collet monté became in the French language a common expression to designate A) being strict (due to how wearing it made you look hard, stern, with you standing upright and not moving much) and B) being prude (because it was a type of collar actually fragile, and unfit for... let's say too much physical activity).

Here are some "collet monté" equivalents (though the first two are more of a fraise-collet monté ; the third one however is truly a collet monté):

The collet monté can be considered a subtype or an evolution of the "fraise" because it has its roots within the "first stage" of the fraise's life, in the 1560-1570s (it was the fraise "collerette"). Not to be confused with the "collerette" en éventail, which revealed the throat entirely ; and later the fraise became the "fraise a plateau" we most commonly know about. (It is all a bit confusing, especially since the various trends fed into each other and everything was a bit mixed up... it doesn't help that I am not an expert on historical fashion AT ALL)

And if you are wondering about the "rabat", which is the state of the collet monté now unisex at the time Perrault wrote, it sort of looked like how the male collet monté used to look sometimes:

[firefly-factory]

WIP Wednesday!

Thanks for tagging me @skyrim-forever @thequeenofthewinter @theoneandonlysemla @pocket-vvardvark @lillxart I love seeing what yall have been working on <3

Pretty late so I'm not sure who's already been tagged, but I'll go ahead and get @emicat1159 @changelingsandothernonsense and @edgy-dragon-trash No pressure as always :)

So I'm still in skyrim brain today, with some college of winterhold shenanigans! Orthorn is the most pituful character i know and so I had to write something about him. Not sure how far I'll go with this, but thought I'd share nevertheless. Below the cut for length

-

Orthorn disappeared in the wee smalls of the morning, although it was only hours later, after two meals had passed, that anyone noticed he was missing. It was not unusual for students at the College of Winterhold to wander. Beyond that, it was not terribly unusual for students to disappear.

To put it bluntly, there was little interest in Orthorn, or his disappearance, until weeks after the event. Even then, they were more interested in what he had disappeared with, rather than why he had vanished in the first place.

He was a weak-willed man, known for blindly following anyone more powerful than him (which is to say, anyone at all). The few impressions he left were those of vague association, which made investigation that much harder.

In the initial stages of the investigation the students were asked simply, "Has anyone seen Orthorn recently?"

However, more often than not the answer was simply, "Who?"

"Orthorn."

"No, I don't think so."

Occasionally they would talk to someone with a clearer recollection of the mer, though even then it was in association with someone else:

"Wasn't he the fellow who used to follow Yisra around before she vanished? Nope, haven't seen him in ages."

A spare handful were less surprised to hear he was missing, and more shocked that it was a (relatively) recent event.

"Wait. He still goes here?"

"Apparently not. Went missing or something."

"Huh. Oh by the way, did you hear Collete's tirade about those notes? Apparently. . ."

All in all, there were few people who had noticed Orthorn, and even fewer who noticed he was gone. Poor sod.

-

[hoppingonjim]

Venturing- Holland March

summary: with a suddenly boring sex life, holland decides to spice it up with anal!

cw: i forgot about the cast first of all. other than that there's anal, lube, afab!reader, cum kink (?) , mocking/degrading it's very soft, teasing, spanking, praising and implied that holland eats the reader out after. (not the ass!!!)

all of it had begun with a quick tap to your ass. the newspaper consumed you that morning and the detective could feel jealousy writhe within him. a heart pierced and a cock needy. o forgetting the suppleness of your curves and flesh. all of it had begun when he slammed himself with the realization he couldn’t withdraw from the sweet saccharine of your pleasure.

boredom had seeped through the gates of your relationship. the moat once shielding you two from sighs and wandering eyes suddenly blunt. level to the ground. making love to you, although ravishing, had become routine. holland was never a man for routines and he expected you to be educated on that matter.

experimental. the word thrilled him as his eyes ventured towards the curvature of your clothed ass. hips protected by cheaply sewn denim with embroidered silver pockets. the swirls stamped his mind and served his cock with ideas. the routine of slamming himself into you, reeling in your mewls and screams, all of it remained exciting. your tightness never faltered for his cock. the warmth and compactness of your pussy satisfying as ever to the detective. change was needed to keep staleness only something out of an imagination.

magazines fell into his possession. hot pink words plastered on creamy paper, educating him on expeditions to embark on in the seclusion of his bedroom. your bedroom. ideas sprung into his mind, a hand falling to relieve the sudden spring in his crotch. was this it? had he finally found the cure to boredom?

the bedroom that night became a jungle. the adventure he’d partake in new territory for you and him. again, he’d be stealing your virginity for his own possession. the way he liked it.

all these ideas came into conversation when you were lulled by humming in his arms. the melancholic tattoo adorning his hand becoming a tracer for the daintiness of your fingertip. the voice speaking was one that climbed towards persuasive, falling into its clutz shape. with a politician's lip he articulated his desires. the blandness of your intimacy was dulling him. there needed to be a liveliness again, he recommended. for him the apex of the discussion drew when you could nod your head, eyes directing him to the nightstand. carefully placing you aside, he'd reach for the silver curved handle, pulling it out softly. the contents inside were enough to satisfy him, a hand proudly obtaining the lube. the pop of the cap rang throughout the room and a cheeky grin was thrown your way. you could've swooned.

crawling towards him from your once fetal position, your fingers curled over the hem of his sweatpants. only a tug would suffice to bring the thick cloth to the root of his leg. which, he'd kick away to the floor below. it the span of seconds you were able to note how the topic of anal aroused him already- you two had barely even begun. the only starting point was him holding the lube mischievously in his fingers.

the world seemed to halt when he witnessed you slide down your thick white gown. the milky fabric slinking off to collet in the swamp of clothing beneath. the breath he needed was lodged in his throat, his hardness speaking speeches for him. upon seeing him desperate your tongue would swipe over your bottom lip. wetting the once dry surface, eyes stayed pasted to him.

the squirting of the bottle lingered in the room. the nodding of his head escorting you to arrange on all fours. there was no thong blocking his view nor a bra to hold your breasts, it was a sight he knew would play in his mind for ages. you, so obedient, patiently exposing yourself to him. waiting. surely in agony- at least he hoped so. his hand adorned his cock in strokes, applying the slick substance. the leftover liquid on his fingertips was used for another purpose, you. his index finger, oiled in lube, traced your puckered asshole. the timid hole he was so excited to ruin.

“can you handle it, princess? me inside your ass?”

you can only answer with a nod.

the position you're in remains too upright for his liking. a hand swoops down, slamming your back flat (as flat as it could go), relishing in new arch your stature provides, with your pussy glistening in need, he can only put those thoughts on the backburner in his mind, “looks like you like the idea a lot, huh baby?”

with a grip jailing your hips, he works to prevent tiring squirming. your wiggling, although arousing, would chip away his concentration. indentations of fingernails were already littered deep into your gentle skin as his free hand circled his tip over your asshole. it's annoying, the tedium lurking in his actions. the all knowing grin you can hear through his little tsks.

but your jaw drops when you finally can feel his tip inside of you. a groan erupts from his lips within seconds. you're tight, clenching around his hard cock, “how's it feel, princess? can i keep going?”

“y-yeah.” your words are chopped and thrown out. loops swarm your head as you already feel dazed with the new sensation. a quarter filled with cock, and half full of lube, you're already aching for more. the assurance you gift is brought with a seemingly pauperized nod.

more of him is slid inside of you. his thrusts are choppy, the groans mirroring the ruggedness. your tightness isn't comparable to your pussy, it's beyond that. the sensations already begin to seclude him. losing himself in your clenched ass, his thrusts grow harder. pleasure conceives restless strings of rubble groans. savagely he makes sure you feel all of him. the pain transcends into something enjoyable, at least for you. the adventure of a puckered entrance seeps into your own conscience. finally you can understand the craze. the mad man behind you bottoms himself out, heavy balls slapping your weeping slit below. each time moans slide from your lips. whines follow when he pulls himself out- he teases you, “you need it baby? beg for it sweetie, c'mon.” and like the good girl you are, you oblige. obliging means he slams himself into you again. ramming his cock as far as he can in pure desperation. sweat drips from his dusted gold tresses that grow tousled with every energized plunge. his words harmonize a sweet melody for you, having your edge creep closer and closer. in the frenzy, the hand keeping your back down migrates to land a coarse blow onto your ass.

a squeal rips from your mouth. the smirk tugging his lips only stretches, “yeah? does my dirty girl like that? fuckin nasty, say it. you love me spanking you.” his demands reign true.

“fuck yeah, holland, keep spanking me- please . need it, need you so bad-” you're cut off by another smack. the print plastered on your ass screams in rouge while the abdomen of his fingers scream in slight pain. your words only egg him on further. the animalistic thrusts only grow increasingly coarse, you feel his fat cock twitch in your ass. it's too much, for both of you. another thrust, your eyes squeeze shut. your pussy welcomes another wreck of his balls, hitting your sopping hole hard.

it's only a few more seconds until you can feel his hot load shoot into you. just not the familiar way. your own release follows suit and of course holland notices. the cracked moans you mewl, the way your body flinches and almost falls limp. yet once he pulls out, you finally give in to complete limpness. he's slow in his movements, eyes glued to the way his cum leaks from the security of your forbidden hole. proudly, he still watches. his chest puffed outwards in complete confidence. the mattress sucks him in once he decides to fall beside you, tapping your ass for good measure. except the tap is soft and gentle.

“how was that baby, i can clean you up, if you want.” the scorching thought of his mouth lapping up your own cum, swallowing it all, is one that pleases you.

again, you give him a nod. the words are too late to arrive.

“i'll go gentle sweetheart, i promise.”

[midoribleak]

Isabella’s crush on Collete

While I procrastinate the next chapter for my fic, I wanted to start a series of posts here justifying some of the creative decisions I made, starting with Isabella’s crush on Collete.

Collete makes an appearance in book #6. She comes from Wodehouse Middle School, a few miles down from Mackerel Middle School. It’s revealed later that she’s extremely unpopular at her school for incidents that embarrassed her, like spaghetti coming out of her nose, resulting in her having no friends. She causes the school to shut down by putting cat food in the vents so she could participate in a different school’s voting system and possibly get voted for prettiest. When the three girls meet her, Isabella starts off suspicious, as usual. But as soon as Collete displays similar (psychopathic) tendencies, she immediately warms up. This is extremely unusual for Isabella, who hardly compliments her own best friend and took maybe 4 books to finally call Angeline a worthy friend. Giving props is foreign for her. Even Jamie claims “..and I’m not sure Isabella has ever felt respect for a human being before. It weirded me out a little to see it.” Keep in mind Jamie and Isabella have been friends since they were about FOUR. And Isabella looking a little like Aunt Carol did when she got engaged??? Thats’s🏳️‍🌈👩‍❤️‍💋‍👩🤨🫵

So that’s the thought process behind Isabella’s crush here! Side note; I headcanon Isabella as unlabeled (: Sexuality is below her, and she is not bound by the laws of society.

[emmynic]

I'm bored- here's what Warhammer factions i think DC villians and super heroes would fall into. Please note this is just me thinking what they would be like in the 40k world, their character would fit into it.

Bruce wayne: high born who got recruited by the inquisitors after the murder of his parents. Uses his rank as a cover for his investigations, who'd believe the idiot lord wayne is a inquisitor, let alone the feared inquistor batman? Dances across the line of renegade like a pro.

Superman: Primarch blue print, had his issues with the emporer but they held eachother with respect as they both wanted to help humanity- his alien heritage is a closely guarded secret. Often seen helping civilians and soldiers in battle and is seen as a symbol of the emporer's love. Works with robute as a trusted advisor. Sometimes seen talking to the golden throne.

Wonder Woman: Most respected member of the sisters of battle; knew the saints and trains with every recruit and tells them stories of past battles. Her 'lasso of truth' is able to burn heretics from the inside out. Was a repentia after saint celestine died but is single minded in her faith and all the more respected because of it.

Penguin: rogue trader, has all the information you need and can get anything he wants. Just don't look to closely at his table lest you end up one of his servertors.

Catwoman: another rogue trader who steals more than pretty items. Rumored to have an on again off again thing with bruce wayne but they'll never say either way.

Harley quinn and poison ivy: not chaos cultists but not loyal to the imperium, they live near tau settlements but it can't be confirmed to be aligned to them either.

The robins:

-Dick is an arbeties and rising quickly in the ranks, any signs of chaos or xenos interference gets sent to inquisitor wayne.

-Jason is a gang lord in the gotham hive planet and runs it with an iron fist, crime is rampant but it's controlled and if lord wayne turns a blind eye to his son's apparrent criminal activity? He isn't the only aristocrat.

-Tim, heir of the drake family and ward of lord wayne, knows too much about people and plays people like chess to get to his goal.

-Damien is working with his father as an iquisitors aid. His proclivity for colleting animals is causing the ship to become a small zoo.

Joker: a chaos demon? An insane man? Stared into the warp and laughed. Has no alegence with any god, cult or planet, attacks traitors and loyalists alike. All the imperuim knows is if he's seen, death is sure to follow.

Just a small list, please add if you want 'cus i'm interested to see what you think.

[blackdigitalrose]

Tues - Yes! Pretty Cure 5 - EP 32 - 34

EP 32

They finally tracked him down, allegedly he had been looking for him. This seems long over due but naturally it wouldn't be with out manipulative intentions. (and it once again goes nowhere... just when you thought they had turned a corner)

Asks Rin to put a tiara together, has Rin freaking out over a design, isn't till half way through the ep that she decides to give Rin any details on the actual thematics of said Wedding? Of course Rin would be stressed, how are you suppose to design something with endless possibilities, with out any finer details?

The final result but no way did that come from the bead machine she was making the bracelets with and constantly seen using... but the bigger question is, did the accessories magically match the tiara or changed to match the tiara or just details given off screen scenario?

Spot the MC's, (Precure girls are freaks of nature compared to just about everyone else in existence) or in this case a weird rabbit looking creature just ran over with our bouquet... Such an awkward sentiment considering what the audience knows... and she openly confessed that in front of him (ᵕ—ᴗ—)

This was an actual solid Rin episode that actually focused on Rin instead of her being a second Mum to Nozomi. (I'm guessing this is partly where her Otona inspiration comes from?)

EP 33

Out of those still standing, he probably has a point, still not sure what angle they are trying to pull with him though?

Ha, Spiderman reference! However, it seems odd that Masuko has gotten so much attention overall in the show. The main cast already has five girls to deal with, eight if you include all three fairies, that's alot of screen time to be sharing out, to build them up effectively and evenly but nope, without including the villains and that's a big cast to and yet we're building up a side character to?

(ᵕ—ᴗ—) At least it's honest if nothing else...

Slowly but surely, they are all picking up on Nozomi's bad habits but once again, Nuts has a solid point. It's one thing to give them an alternate perspective to think about but you can't force people to do anything if that's their decision, all you can do is respect it (and very little of that goes around in this series)

The scoop she's been after all series and she doesn't look until after they transform, even though she knows there were other voices there and it wasn't some sort of trick or are we pretending she didn't hear them prior?

Every Pink Lead from here on out? Or just one of those statements that sum up the franchise as a whole. (even though it is still quite early in here)

Nozomi's need for attention creeps up again at the end of this ep (¬_¬") Pure hearted maidens feels like an incorrect way to describe these girls at times. If anything they seem the opposite, especially Urara and Nozomi can be written to be very selfish, narcistic and vain.

On another note, the intro is the same but the outro has been changed.

EP 34

（´∇｀''）Fantasy or not, Prince Coco would be his squirrel form would it not?

And naturally it isn't one that's been collected so far, otherwise how would we have an episode plot...

I was just thinking, there's no way Nightmare's info would be that thorough... turns out she was tracking something else and yet, Karen, whose suppose to be the smart one, makes yet again an idiot move by confirming Milk was there over denying it and just telling her to get off her property or something.

Points for effort and gumption but apparently only Dream is allowed to be able to solo? (but as team you can fail as often as you like)

Maybe I'm being pedantic but what is the point of giving yourselves code names if you don't use them? Surely referring to her as Aqua would have made more sense here?

(っ º - º ς) ooh, snazzy shot! Also, something different , took long enough (Dream is the only one who gets a visually different attack) but why so much fuss over Milk, doesn't Nuts have the Collet still? It's as if the two concepts have crossed and blurred just for the sake of the episode plot?

Points to the staff on this one, this was snazzy and one of the most unique fights so far.

Yeah... the shipping makes sense, the material is already there and this is only S1. (I'm getting more Otona nods in this ep to and the inspiration makes sense, nice to see where the seeds are sown.)

The plot mcguffin was found rather conveniently for the sake of the ep (how did they even know it was in that park anyway?) but it wasn't a bad Milk and Karen bonding ep and Karen was allowed to actually do something, so that's also a bonus.

[arabellasleopardcoat]

My thoughts after tonight's episode. SPOILERS AHEAD.

I intend to take notes through each episode to save me the pain of looking up the scripts or rewatching while I write. Also good to make sure the characters are charactering. Here goes the first episode (16/06!! Belated bday gift)

No comment on Cregan Stark. Very honorable, original Starks but amped up by ten. Awful wig.

Alicole!!! Oh god, oh god!! That man on his knees!! Implied to happen before. Nasty bussiness, but Criston's hair looks nice.

Rhaenyra's grief. Perfect. Emma D'Arcy deserves their Emmy for this episode alone

Parallels between Rhaenyra and Rhaenys. Nicely done. Grieve the same.

Corlys missing Luke :((( Also Alyn!!! Who seems to be older.

Aegon trying and failing to rule is pretty endearing. His smugness is funny, too. Tom Glynn Carrey knows his thing. I saw him in Dunkerke before and I wouldnz't think it is the same actor at all. He and Aemond compliment each other a lot, both move in very distinctive ways.

"He only wishes to please" Damn right Otto

Daemon and rage. My favorite combo. The scene with Mysaria? The hesitation? Then wanting to send her to the cells? Ser Erryk calling him out on his bias? Excellent. Same for Rhaenys. Overall, Daemon seems unable to see or understand anyone that doesn't react as he does. Everyone must grieve as he. Lovely insight. Also him ready to follow his Queen's orders for revenge? Delicious.

Jace with Rhaenyra!!! Luke's funeral, Baela and Rhaena stealing the show with just a second of screentime. My crush on Harry Collet got worse after seeing him with Joffrey.

Alicent lighting candles. Meh. The episode makes it harder to empathize with the Greens which is either bad writing or the writers have an agenda. She got on my nerves in this episode a bit, which us strange because I loved her last season.

Mysaria being dignified even in rags, very regal and I love that she is set on being her own woman. Good for her.

Daemon in the city bribing Goldcloaks, which were always his, in his little murder cape. Ugh. Blood and Cheese but he orders them to find Aemond and off screen kill the kids?? Yup, writers love him. Confirmed, they have an agenda.

Aemond plotting with Cole, both absolutely bloodthirsty. Both very dumb here, I think. Funny that Aemond and Alicent assess each other in the same way, both are "Angry" The cadence which they deliver the lines is even similar. His mother's son. Even in their choice of company. Cole.

Otto versus Aemond, interesting. I like the tone of voice of Otto's actor (Rhys, I think?) Very well spoken, and calm. I feared he was going to turn into a Tywin and I am glad he hasn't. I found Tywin terrifying. Otto may be, but he is less rude about it.

Aegon getting shitfaced on the Iron Throne, in a not so ergonomic position, yet without being cut.

Blood and Cheese. Fun. They are trying to murder each other, poor dog!!! I underestimated them, they are terrifying. Poor Helaena, always drawing the short stick. She told Aegon and he saw them pass, while getting drunk. At least they didn't taunt her so much. The sounds were sickening on their own, thank god it was off screen. Cole in the bed with Alicent!!!! When poor Helaena comes for help!!! ENOUGH. ENOUGH. THIS IS MURDER. It can't end there.

Final line: I came prepared for GOT'S levels of violence, I am glad it wasn't like that. I was ready to skip those, but it was nice that it wasn't necessary. Most of the things that made me uncomfortable in GOT (And why I never finished it) were the sexual violence scenes. Poor Dany.

Final final line: I leave with a new crush on Harry Collet, Matt Smith and Fabien Castel.

[f--e-u-e-r-t-r-u-n-k-e--n]

My gender is salaried worker. I am sexually attracted to the welfare of the proletarian class. I have a fetish for class-conscious political subject formation. My pronouns are Exploited/No civil rights: A colletion of notes.

"The growing proletarianization of modern man and the increasing formation of masses are two aspects of the same process. Fascism attempts to organize the newly created proletarian masses without affecting the property structure which the masses strive to eliminate. Fascism sees its salvation in giving these masses not their right, but instead a chance to express themselves."

Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction

"It was actually the question of class and the notion of sex difference as class difference as theorized by Monique Wittig in Straight Mind and Other Essays (1992) that helped me think about “queer” in relation to embodiment. What does queering do to a subject of violence – and by that, I mean different “kinds” of violence: symbolic violence,material violence, state violence, physical violence, and the violence of gendering? How can we consider the material and economic implications of symbolic violence, such as discursive violence? Wittig’s “material lesbianism” frames the constitution of gender opposition “in terms of class conflict” and approaches sex difference as produced in exploitative economic relations, and within this framework, she considers heterosexuality as a political relation of domination that establishes divisions at the material and economic level. Her critique of heteronormative theoretical and cultural discourses that perform “material oppression” and violence on individuals and her analysis of their implications in terms of material realities of economic, classed existence enables a queer analysis that does not ignore embodied existence. In that way, class as a concept helps me to think in terms of lived, material experience when thinking about queer, and I see it as a way to negotiate the ongoing discussion about the question of embodiment in queer theory. Thinking of how gender, sexuality, race, and class shape subjectivity in terms of the implications of their interactions for material existence and embodiment is central to the interrelations I see between class and queer theory (…)"

Tijana Ristic Kern in Reading Literature and Theory at the Intersections of Queer and Class

"Because a worker without work, no matter whether he is a Marxist or not, no matter whether he is a Christian or not, no matter whether he has no political ideology, is a man who has the right to work and we must give it to him; that is why sectarianism, dogmatism, bureaucratism, which freezes revolutions, and that is a process of conscientization which is very deep and which must begin with the youth: but the youth is facing problems that are not only economic, but are problems that unfortunately manifest themselves with greater destructive violence in the contemporary world".

Salvador Allende, Speech at the University of Guadalajara.

"The task is for radical queers to become class struggle militants. We need to be constantly conscious of moving toward a holistic queer praxis, one that examines the conditions of the lives of all queers, and also that locates those lives in the larger context of the struggles of all workers and all the oppressed. This is not only a position of solidarity and a refusal to leave other queers behind, but it is also the realization that queer liberation is inextricably tied with the self-emancipation of the working class. Queers, like other oppressed groups, are hit particularly hard by capitalism, and this is especially true of the queers most often erased, ignored, or left behind by queer and feminist movements: queers of color, trans and gender-nonconforming people, queers with disabilities; and queer sex workers are some examples. Many queer anarchists and other anticapitalists come from anti-oppression backgrounds, and, while analysis in anti-oppression circles continues to improve and greater understandings and explications of intersectionality continue to be the case in those circles, a good, critical anti-oppression analysis is not enough. We need to be both anticapitalists and to understand how capitalism functions to truly understand the conditions of the lives of the working class, from those struggling against multiple systems of oppression to the “middle class” existing in a position of (far too often temporary) comfort in the suburbs. Through this understanding of class struggle, we can contribute to mass movements for collective liberation."

Gayge Operaista, Radical Queers and Class Struggle: A Match to Be Made.

"Although it varies from country to country, LGBTI people face exclusion throughout the region and to a great extent. In Latin America and the Caribbean, this exclusion is often grounded in religious beliefs and principles as well as prevailing gender norms, and sometimes even enshrined in the law. For example, transgender women are given little option to engage in official employment in the labor sector because of the discrimination and stigma they face. Regardless of educational level they often have to engage in begging or sex work. Sex work is usually illegal and stigmatized, and the sex workers are subject to great vulnerability, including violence and murder. The Organization of American States has found that transgender women on average don’t live past the age of 35 due to the violence and discrimination they face on a daily basis."

Clifton Cortez, How LGBTI Exclusion is Hindering Development in Latin America and the Caribbean.

"More Americans feel comfortable coming out. That doesn’t mean they’re all progressives. (…)

Yes, the Reagan era saw the creation of the religious right and union of social conservatives with the GOP. But then it was a Democratic president who enacted the “Don’t Ask, Don’t Tell” policy to prohibit LGBTQ servicemembers from being out in the military in the 1990s — Bill Clinton. It was also Clinton who signed the Defense of Marriage Act, which defined marriage in heterosexual terms and banned federal recognition of same-sex marriages. It would remain the law of the land until the Supreme Court recognized the right to marriage for same-sex couples in 2015.

Christian Paz: As you write, LGBTQ conservatives and Republicans have always existed. But is there a common misconception that came up while working on this book, or that you have heard since? Neil J. Young: The biggest misconception is that there aren’t that many of them. The overwhelming idea is that all LGBTQ people are Democrats, or have politics that align them with the left. Both contemporary data shows us — and also this history I’ve delved into — this is a much bigger phenomenon than even I anticipated, and certainly [than] the average person, and even the media, talks about. It’s one thing to talk about how many LGBTQ people vote for a Republican candidate in any election — and again, those numbers are higher than most people think — but it’s another to think about how conservatism and right-of-center politics incorporates a much larger swath of LGBTQ people than people appreciate."

Christian Paz, What the rise of queer Republicans tells us about America. Interview with Neil J. Young author of Coming Out Republican: A History of the Gay Right.

"In 2018, 30% of the Brazilian LGBTQ community voted for the right-wing populist Jair Bolsonaro against 57% of votes for left-wing Fernando Haddad in the presidential runoff, according to Datafolha. Following the conservative wave that contributed to the emergence of the Gays com Bolsonaro Movement (inspired by the Gays for Trump organization), the 30% of LGBTQ votes for Bolsonaro shocked many in the Brazilian Media, as Bolsonaro is seen as a socially conservative homophobic politician.[25] The reasons attributed to these votes were the widespread fear of violence, economic insecurity, attachment to traditional values, discontent with the Workers' Party, as well as a perceived political manipulation of LGBTQ activism by the left."

LGBTQ conservatism, Wikipedia, the free encyclopedia.

"Behind the hypnotic grimace of official pacification there is a war being waged. A war that can no longer merely be called economic, social, or humanitarian. It has become total. Although everyone senses that their existence has become a battlefield upon which neuroses, phobias, somatizations, depression, and anxiety each sound a retreat, nobody has yet really grasped what is happening or what is at stake. Paradoxically, it is the total nature of this war — total in its means no less than its ends — that has allowed it to remain invisible. Rather than open offensives, Empire prefers more intricate methods, chronic preventative measures, the molecular diffusion of constraint into everyday life. Here, internal police conveniendy."

Tiqqun, Preliminary Materials for a Theory of the Young-Girl.

"If it were a matter of the ladies of the bourgeois, then the capitalist state could expect only a real prop for reaction from them. Most of the bourgeois women who play the lioness in a fight against ‘male privileges’ would, once in possession of the suffrage, follow like meek little lambs in the wake of the conservative and clerical reaction. Indeed, they would surely be far more reactionary than the masculine portion of their class. Apart from the small number of professional women among them, the women of the bourgeoisie have no part in social production; they are simply joint consumers of the surplus value which their men squeeze out of the proletariat; they are parasites on the parasites of the people. And such joint-consumers are commonly more rabid and cruel in defence of their ‘right’ to a parasitic existence than those who directly carry on class domination and the exploitation of the working class. (…) The women of the possessing classes will always be rabid supporters of the exploitation and oppression of working people, from which they receive at second hand the wherewithal for their socially useless existence."

Rosa Luxemburg, Women’s Suffrage and Class Struggle

"Although he was born Pedro Mardones Lemebel, the writer decided to adopt his mother's surname as a way of strengthening his commitment to the feminine, perhaps his first great political decision. A perspective that would be reflected in all of his literature, a work in which Lemebel explores homosexual issues, poverty, classism and marginality, deployed with a pen as unique as his personality. “All of us who are LGBTI in the '90s read his books, which for the first time were not about the classist and discotheque gay, but the most precarious, the 'pobla'. The marginal gay is always left aside, who has a much harder life because of his sexual orientation as he wrote in his Manifesto,” explains Erika Montecinos (…)"

 Daniel Martínez, Víctor Rivera y Hernán Melgarejo, Pedro Lemebel: the legacy of a “poor, communist and queer” writer.

"Thus the poor neighborhood, for one night dreamed of Chinese theater and tropical sidewalk of the movie set (…) There Madonna was the most photographed, not because she was beautiful, but rather because of the mischievous mischievousness of her gestures. For that sentimental halo that crowned her grimaces, her mutant body contortions that spread generously to the photographers' flames. She was the only one who totally believed her, stamping her thick hands on the asphalt's face. (…) And she imitating Madonna with the piece of skirt, which was a beatle vest that fit her long. A canuton vest, made of wool with lamé, one of those that they sell in the second-hand clothing store. She rolled it up with a belt and it was a regal mini-skirt. The transvestite was so creative, she could invent a dress out of any rag."

Pedro Lemebel, La Muerte.

"As the cost of living soars, I’m reminded of how my socioeconomic status has impacted my queer journey. For me, class and queerness feel like two sides of the same coin.

Queer identities don’t exist in a vacuum; terms and conditions are attached. My hometown is one of the most deprived in the country. Being working class compounds all the barriers my queerness, brownness and Muslimness pose.

Hidden in my identity’s small print is that I don’t have any financial safety net if I was ever outed. I wouldn’t have the emotional or economic support of my religious or cultural communities or my family. (...) Mainstream media rarely considers class through a queer lens. We’re in the midst of a cost of living crisis, so lots of us are feeling the financial squeeze more than usual. But that’s our normal as the queer working class.

From homeless LGBTQIA+ youth to queer Londoners and trans people, financial problems have always been a queer issue.

When we think of queer identities, it’s easy to immediately think of rainbows and parades. But we often gloss over the starker reality for the queer working class and the classism embedded in queer spaces and media. Our world is at the mercy of capitalism, which pits profits against people.

So it follows that the fight for LGBTQIA+ rights should go hand in hand with helping people survive financial difficulties. It doesn’t necessarily fit the fun flamboyance of Pride, but Pride began as a protest.

And now more than ever, we need to consider the class struggle as part of the queer struggle."

Deenah al-Aqsa, We can’t forget the role of class in the queer struggle

[scriptfails]

So torn between a Galaxy Tab and a Note Air 3C E-Ink for my collete notes. I always do better by hand with my notes, but paper will get messy fast.

My current debate is that the Air 3C is more single-purpose (distraction prevention), paper textured, and gentle on the eyes, plus it runs Android so I can still use Notion and whatnot on it. However, it runs a lower framerate and I can't draw on it.

The Galaxy Tab is more versatile, I can use it as a secondary monitor, to watch class videos, and install my Clip Studio app on it to get back into drawing. I can also dumb it down pretty easily and turn on the nightlight to help the screen. But I'm worried that the texture and rigidness might throw me off (the Air 3C has a little bit of give to it, just like paper,) and that it's just more complicated overall.

I'm actually screwed I have to make my mind up this week LOL. I would stick to paper if it weren't for the fact that it'll get disorganized in less than a week. 😭

[localratwithcowboyhat]

can u tell me a bit about Cilio's personality if u feel like talking abt it? i'm interested in what they're like

Yes!!

First of all they love tea parties! ( especially the just sitting on a little table with fancy small cups and talking aspects, tho they mostly listen the her “victims” talk while grinning ominously)

He also just collets like wired eerie 60-70s like ads

Yk the wired ones

Other than that they have a very sassy personality. They are also a big fan of puns, he will drive u mad.

Also on a side note they would absolutely love the song “pop muzik”

And thats all i feel like putting out there right now

Thank you for asking!!

( they also love milo <chocolate powder)

[wrightanatomyau]

About the Wright Anatomy AU

Hello, there! Here ✨L✨ and ✨B✨ from the collective THE HIVE MIND speaking to explain the crazy AU!✌️✨

First things first: This is a CRACK (in case it wasn't obvious yet) Mother (1+2+3) AU featuring:

★ Lucas: A lawyer with a thirst for justice and a heart of gold that ends up stuck in another universe after trying to expose the king of the criminal underworld.

★ Claus: Lucas' twin brother, a landscape artist (a renowned gardener) and a single father of one (a dilf, if you will).

★ Ness and Paula: They are from another universe, and their oficial title is "Royal Guard", but they are essentially cops, they go around keeping the order instead of defending the king. They fall head over heels for the cute foreign lawyer!

★ Ninten and Ana: A pair of doctors from Lucas (and Claus)'s OG universe. Ninten is a sweet doctor who will soon realise that he may be kinda of a moronsexual. Ana is his bestie, she takes every single chance she can get to tease her bestie. People say she came up with the nickname Trolluncle, but sush, you can't tell that to the head doctor of the hospital.

★ Giegue/Giygas: Ninten's (troll) uncle, head doctor of the hospital where Ninten and Ana work and ẗ̸̬̥̥́͊̽̈́́̕͠h̴̨̨̘̣̬͙͕̳̲̮͇͔͂̂̏̈́̕͝ȩ̶̨̞̠͚͉͖̤̦̀͊̽̀̾̔͝͝ͅ ̸̨̳̪̼̞̙͙̠̭̮̕͝k̸̨͙͔͔̗̰̜̓̔̑͆̿͋͗̐̚͘͜i̸̧̡̛̠̼̙͇̱̒͊̍̅͊͜͠n̸̠̬͔̱̯͈̪̫͓̠̽̃̿̀̾̀̑͗͜g̴͚̓̓ ̶̫̙̜͙̩̀̆̇ͅỡ̸̢̖̗̈́͊̏̃̍̅͛͘ḟ̷̡̡̛̱̦̪̻̖̟͖̳͖̃̀͒́̌̎̀͠ ̵̛̲̮͖͐̊̈̈́̔̐͗̃̈́̅͝t̶̢̖̹̙͎̩͑̋͝h̴̝̪̜̮͊̏̿̔̌̎̓̃͗͠͠ę̵̧̮͎͉̥̜̲̜͇͂̈́̅̏̿̐̂̓̄̈́̊͜ ̵̢̡̧͓͎̩̞͎̈́̅͛́͋̀ç̸̰̺͈̈́̾̂̄̑͗̏͌̚r̶͓̹͈̗͌͗ȉ̸̧̢̛̟̜̫̦̻̺̺̠̏͗̌̓̇́͐̌͜͜m̷̨͋͑̃̄̽̏̂̈́̀́̂ĩ̶̗̍̏ņ̷̨̲̘͉͓̻̺͕͛̔̊̈̇͗͘͜a̵̢̟͉̦̱̬͙̓̿̒̉̑̏̃̇͝l̶̖̩̖͉͕̰̤̹̖̻̘͉̊̄̆̈́̽̚͝͠ ̵̧̢̝̺͚̘̞͉̙̻͉̹̌̋̿͋͆͋͘̚ų̸̛̬̯̘͇̭̹̰̱̬͍̽͆́͐̀͗̀̕͜͠͝n̵̪̰͕̜̟̒̏͋̒̈͑͝ḍ̵͙͍̯̭͑͒ȩ̷͓̰̮̭̣̠̈̐̇͗̏̂̕͘͠͝r̷͈̟̄̉̑͒͒́͆̿͘̚͘͝ͅw̸̛̫̥̘͈͍̓̈́̔̓̋̈́͌͗̽̚͜o̸̩͑̊r̷̮͚̩̫̤̐͐́́l̴̗̠̣̮̪̱͛d̶̺͈̩̪̲̆̏̊́̿.̴͍̗̦̅̀͗͛̈͆͌̅̒̒͝ ̴̔̈͛̔͝ͅ

Note: he also happens to look like any common human with magnificent red hair.

★ Porky: [̵͙̙̯̄͗R̴̙̀̃̇̐̀̿E̴͇̖̱̦̳̯̦̞̠̱̊͑̏̐̑̈́̑̓̒̾͝͝D̷̥̰̤̝̗̽̃̓̇̍̈̀́́̽Ạ̵͕̯̦̜͕͔̠̋̋̐ͅÇ̸̛̹̺̟̯̲̻̤̀̀̅͊͋̆Ţ̷̨̛̱͕̹̹͖́̊̉͐̿͒̈͜Ë̵͚͕̖͇͚̰́͂̓̈̄̉̏̾̈́Ḏ̴̢͚̣̟̪̪̓͒̂̽̍͂̈́͝]̵̢̞͙̔̎́̂̓̎̈́͗̃̚͝͝

★ Kumatora, Duster and Wess: A dangerous group of thief's from Lucas's dimension, or are they not? That information is CLASIFFIED, we don't have the credentials for this yet.

★ Lloyd, Tony and Teddy: They are from the special task unit in charge of investigating Giygas and work alongside Lucas. We present the elite police force! Loyd the Criminologist! Tony the good Cop! And Inspector Teddy! They are very worried for their missing lawyer friend.

★ Poo: The ruling King of the country where Ness and Paula are from. Gives the title "Royal" to anyone of his trust, as of recently and because of a certain someone, he is reconsidering the privileges of the title.

★ Jeff: Royal Scientist at the service of Poo, if you need something, anything at all, Jeff is your guy. As of late there is a rumour that he is committing tax fraud and using public funds to finance his personal projects.

★ And many, many more!🌈💖✨

We, THE HIVE MIND hope that you enjoy of our shenanigans🌈💖✨

WARNINGS: THIS BLOG WILL HAVE MANY, MANY SHIPS (though mostly Nesscas/Paucas/Clausten) also be wary of [̷̨͕͎̹͉̣̊́͗̆Ŕ̶͈͖̳̼͂̔͆͋̾̌͐͝Ę̸͖̟̟͈̎̋̃̈́̕D̴̡̨͇̗̝̝͙͆Ã̴̘͍̥̠̘̗̞͚̤̤̐̃̾̌̋̌̇̈́̈́C̷̠̠̭̬̬̠͖̣̤͗̄͝͝Ţ̶̢͇̬̠̤͓͔͗͋̊͋̍̏̅̀Ĕ̸̹̲D̵̛͙̠̱̦̱̎̇̅̅̅̽́̋͝ͅ]̶̦̖͖̲͚̤̆́̐͜

THE HIVE MIND dictates that Luness (Monday) is a sacred day🌠 And for this, the hive shall unite once a week to feed you these LUNESS goods.

Le Index

The cryptic compendium known as "A Colletion", made with real AO3 magic and bee honey 🍯🐝🌻

The hive wishes you a nice day and eat shall your honey keep you well fed!🍯🐝🌻

[masterscrafts]

Art Deco Sapphire & Diamond Sautoir by Bulgari

The Baguette & Circular-Cut Diamond Geometric Pendant Centering Upon a Star Sapphire, Suspended From a Sautoir Composed of Cabochon Sapphire & Diamond Cluster Panels With Diamond Collet Connecting Links, Detaches to Form 3 Bracelets, Mounted in Platinum & Gold, 1930s, Sautoir 70.5 cm, Pendant 6.5 cm, Bracelets 18.2, 18.2 & 19.0 cm. Signed Bulgari. 

Estimate CHF300,000 - CHF500,000

Provenance: Christie's Geneva, 14 November 1985, lot 458

Notes: Cf. Amanda Triossi, Between Eternity and History, Bulgari, From 1884 to 2009, Milan, 2009, p. 58 for a necklace of similar design