#Control Episode

[fogaminghub]

🌟 Gamers unite! 🌟 Season 4 Episode 7: Control is launching soon, and it's packed with awesome features! Meet Deathstroke, enjoy a brand-new Offline Mode, and journey through a medieval Elseworld! ⚔️ Don’t miss out on exciting weapons and gear updates! 🙌 Check out the full scoop in our latest blog post!

[ghosted-jazz]

Black Mercy

[roselites]

i would say i support akram salim's rights and his wrongs, but he's never done anything wrong ever. bruising that guy's windpipe and throwing that other guy down the stairs? just funny little man of mystery things & not police misconduct in the least. he is naught but a civilian with a particular set of skills 🤗

[nabexis]

So like. Did anyone else notice that Jayce doesn't immediately shoot Viktor? He only powers his hammer on AFTER Viktor has opened his eyes. Below is Jayce's reaction to seeing Viktor (his Viktor, from his universe, not the future version of him) for the first time after walking into the dome. For the first time in months. That's like. A look of wonder. Almost reverence.

Assuming the Jinx/Rictus/Vander fight is cut to real-time after Jayce has gone into the dome, he's staring at Viktor for like. 5 minutes.

My interpretation here, of Jayce's expression just before Viktor finally opens his eyes to see Jayce in the room with him, he's committing Viktor to memory, before he has to kill him.

Edit: I almost missed it but like. HE IS SMILING For like 2 frames it's an outright smile. He leans in towards him, too. I cannot handle this.

[poorly-drawn-mdzs]

Maybe we never had a chance.

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[notbecauseofvictories]

Watching this again, it becomes incredibly clear in s3 that Nate is teaching Parker how to run her own crew. He fully anticipates that she will be his legacy, and more than anyone else---more than Sophie or Hardison, more than Eliot (though I would argue that Eliot never even slightly wanted it)---he is teaching her how to take over, think like he thinks and plan like he plans. He fumbles some of the emotional stuff, never actually tells her explicitly...but by the time you reach s3 he's clearly all-in. He's decided. Parker is going to be Nate 2.0, with different more exciting bugs than the 1.0 version.

[warden-anders]

i think that... mark s doesnt know that mark scout integrated. i wonder if integration is slower than we initially thought. we saw petey after two weeks of being integrated. its genuinely possible that the flash of gemma might be the very first time he experiences integration sickness while also not even knowing what integration sickness is.

[bluerosefox]

Drake Siblings

Have I read this prompt somewhere or was this a fever dream from my bored mind.

What if, now hear me out.

What if we bring up Dana Winters-Drake (whose confirmed to at least be alive in the DC verse but no one knows where she actually is)

What if instead of when she had a mental breakdown and getting committed to an Bludhaven clinc she wandered away before anyone noticed and by the time Tim or anyone did notice a lot of stuff started happening at once in both Gotham and Bludhaven (Steph dying, The Bludhaven crisis, etc etc)

Tim still tries to find her though but even with best resources it was like she just disappeared into the wilderness and the stress of trying to handle more and more problems get worse.

So when out of the blue, a couple of years later, he gets a call from an unknown number. On his private, only for friends and family, phone and when he answers he meet with a young girls voice on the other end.

A very young, maybe six or seven, girl who informs him about his apparently half-brother Danny Drake-Fenton. And how she loves Danny so, so, so much but knows her home is dangerous for him to be in.

Tim is stunned and before he could question her, she says Danny is Dana and Jack's baby and that her parents had adopted him years ago and put Dana's stuff that the hospital had away for him to look at when he was older but she just had to fight off their lunch from eating her brother and she knows he needs a better place to live and so she snooped around and found Dana's diary and that she had to unscramble the nonsense Dana wrote and found Tim's number with the words 'tell him about his brother Danny' hidden in it. And-

But before she could keep rambling she hears Danny screaming "JAZZY THE MILK WENT BAD AGAIN AND HISSED AT ME!"

Tim is left with silence after hearing Jazz yell to Danny to lock the fridge and step out of the kitchen as she gets the bat.

[starmieknight]

Was thinking about Stan's habit of grabbing his chest when he's scared and then thought about what if he did end up having a heart attack or something after Ford came back. Like, he's been stressed for ages and now he's gotta worry about Ford potentially getting the kids into something dangerous like he did and where he's gonna go after the kids leave and what he's gonna do without the Shack.

Maybe it hits him in the middle of tour or something. Like, he's been feeling off all day and looks kinda ragged so maybe Soos is keeping close and sees him go down. At first, people think it's part of the tour or some typical Stan gag. And then he doesn't laugh or try to play it up for money. So the twins run down to the basement to get Ford.

He's kinda annoyed that his planning time's been interrupted by Stanley's antics, but the twins seem genuinely upset so he goes to check it out. And finds out Soos and Wendy called an ambulance and there really IS a problem. Then he kinda disconnects from the situation. Like, he's panicking internally but this isn't the first major medical situation he's been in. So he calmly gets the kids (Soos and Wendy included) into Stan's car and follows the ambulance to the hospital. He's the one wrangling the kids while they freak out and asking all the questions to the doctors and nurses about Stan's condition. He can't take time to worry about his brother because he's got a bunch of kids to reassure and they're all looking to him because he's the eldest person there. He's an old man with all the answers in the universe. If anyone can tell them Stan's gonna be okay, it's gonna be Mr. 12 PhDs.

Except... he doesn't.

He doesn't know anything about his brother's medical history past the age of seventeen. Dipper's the one to mention Stan's medication and Mabel knows his diet and Soos and Wendy know about his boxing hobby and work schedule. Ford has a hazy memory about Stan chewing his way out of a trunk once.

He starts thinking about how Stan's the only family he has left. Sure, the twins are there, but they don't really know each other. Shermie and his son are just over the state line in California, but they don't know who he is anymore. Stanley's been wearing his face for years and they never seemed to notice. His parents are dead. Fiddleford is 30 years in the wind.

Stanley's the only one who truly knows him. Knows about his deepest insecurities and childhood dreams. Who knows his favorite books and comic book heroes. About his first disastrous date and the kissing bot. About how badly things had gone for him and been at his doorstep only a couple of days after receiving a single postcard after 10 years of silence.

And Ford knows nothing of the man Stanley became. Stanley doesn't know how Ford has changed. How he's trying SO HARD to fix his mistakes.

And suddenly being so angry over some paltry little machine doesn't seem so important. Ford's the one who built a doomsday device.

He's still angry with Stanley taking his identity, but what does it matter if no one noticed? Sure, Stan got him a criminal record, but he made one of his own in the multiverse. Their family has always leaned to the gray side of the law.

And now they may never get the chance to know each other again. 40 years without each other and the pain of potentially losing Stanley cuts Stanford so deep he feels like he's the one dying.

So he sits in that cold hospital waiting room, four hysterical kids surrounding him, and wears a straight face while his world falls apart around him.

If you lose your parents, they call you an orphan.

If you lose your twin, they don't stop calling you a brother.

[anghraine]

So I just discovered a cool conversation that spun off from one of my tag monologues on a gifset—I'd seen the initial tag peer review, but hadn't realized they'd gone further than that until @ladytharen tagged me. Yet again I didn't want to pester the original gifmaker too much, so I decided to respond separately to the part I found especially interesting.

For context, these were my original tags on the "This little thing? Just something I slipped on :)" Kirk captivity scene from "Tomorrow is Yesterday":

#captain gender strikes again! #i appreciate the read on this scene as 'captain kirk is a queer guy flirting with random 20th cent dudes holding him captive. bicon' #but personally my read is 'captain kirk is a queer guy deliberately leaning into effeminacy to fuck with hypermasc douchebros #from the very era in which the show was made irl. bicon' #it's definitely flirty but it is an aggressively feminine-coded flirtiness that's going to triply bother these kinds of guys #ngl i feel like kirk enjoys fucking with gender norms in all directions just because of who he is as a person (his true gender: diva) #but it's extra fun when it lets him troll ultra-military assholes neurotic about their own masculinity who are trying to intimidate HIM #(these guys aren't his type at all - christopher is much more that - but as usual that's not the point of the flirtation #k/s is nerd4nerd but also troll4troll)

I was really intrigued by this response from @mycroftrh, and thinking about it again on this inauguration of Pride month.

#yeah#in a certain context queerness and effeminacy are power#these are also unfortunately often the same contexts where queerness can get you hate crimed#but if you’re gonna be beat up/killed anyway…#you might as well make the homophobes maximally uncomfortable first

Yep, exactly. You can absolutely see the moment when he decides on exactly which side of his personality he's going to use for maximum effect on these gender policing, homophobic, ultra-military, paranoid bigots from the 60s:

I do think it's interesting that the full scene includes not only Kirk's bisexual chaos gremlin diva genderfuckery (enrichment for him!) but moments of fear and defiance:

He doesn't drop the flamboyance until he wants to, though. And the framing, lighting, angles etc only serve to emphasize their attempts to loom even more over him, aggressively get into his space, gesture right at his face to unsettle him, and his refusal to be intimidated by these fundamentally pathetic responses that are by no means free from real danger, just silly and contemptible nevertheless. It's not that he's too disdainful or amused at his own hijinks to understand how easily this could go very wrong. He simply has no respect for these men and enjoys leveraging their own hang-ups against them.

His eye make-up is also more than usually noticeable in the close-ups in this scene—even compared to other scenes in the same episode—which seems maybe not unrelated!

I think it's also worth pointing out that, TOS make-up aside, Kirk's navigation of gender performance in the original series is ... let's say, idiosyncratic. Most of the 23rd-century male characters are far more inflexible and singular about what gendered roles they're willing or able to inhabit. Kirk specifically is very deliberately fluid and versatile and theatrical about a lot of things, very much including gender performance and sexuality.

[gunsatthaphan]

Gone™

[novelconcepts]

Obviously next week could prove this all dead-wrong, but I don’t think the trial’s quite over. I don’t believe the end of that episode actually took place, because I’m pretty sure we’re still firmly in the “punish Agatha” phase. Rio’s suddenly gone. Alice seems to be dead by Agatha’s hand, and no one—including Teen, who has always been on her side—seems primed to believe she was out of control. The others have been sucked beneath the power of the surrogate son who not only just told Agatha to fuck off, but went full-Wanda to do it. It just all seems too tailored to cut up any of the character progress Agatha’s made on the Road thus far. Getting harassed by her ghost mother and hearing her son’s voice don’t feel like a complete tear-down. This does. It feels like more trial.

[trek-tracks]

Episodes of TOS where the solution is to get the crew drunk or high: The Tholian Web, Wolf in the Fold

Episodes of TOS where the solution is to get the crew to stop being drunk or high: The Naked Time, This Side of Paradise

[maliciousalice]

Blood on your hands.

Idea was made by @baylardo. She provided a little scribble and I messed with it.

[poorly-drawn-mdzs]

The musical episode.

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[yo-yo-yoshiko]

A new defender for this year's Artfight cause i wanna play with the Toku people :)

Link to her Artfight page

Come and play with me! I'll git you!!!!!! 🔪🔪🔪