#Count Albrecht
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Natalia Osipova and Carlos Acosta
Natalia Osipova Наталья Осипова as “Giselle” and Carlos Acosta as “Count Albrecht”, “Giselle”, choreo by Marius Petipa after Jean Coralli and Jules Perrot, music by Adolphe Adam, scenario Théophile Gautier after Heinrich Heine, additional choreo by Sir Peter Wright, costumes by John F. Macfarlane, The Royal Ballet, Royal Opera House, London, England.
Source and more info at: The Royal Opera House Website The Royal Opera House on Flickr The Royal Opera House on TikTok The Royal Opera House on Twitter The Royal Opera House on Threads The Royal Opera House on You Tube The Royal Opera House on Facebook The Royal Opera House on Instagram The Royal Opera House on SoundCloud Photographer Bill Cooper
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#Adolphe Adam#Bill Cooper#Carlos Acosta#Count Albrecht#Giselle#Heinrich Heine#Jean Coralli#John F. Macfarlane#Marius Petipa#Natalia Osipova Наталья Осипова#Peter Wright#Royal Opera House#Théophile Gautier#Dans#Danse#Dance#Danza#Dancer#Dansen#Balet#Ballet#Балет#Ballett#Balletto#Balerino#Balerina#Ballerina#Ballerino#Bailarina#Балерина
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Destiny Conviction References
#art tag#original#yes this is in prep for artfight but also this technically counts as preproduction#s: destiny conviction#c: faith everglow#c: fate everglow#c: albrecht everglow#c: cora everglow#c: gaius lockhart#c: leander lockhart#c: penny lovelace#c: dry carrion
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Bruges Receives its City Charter from Philip of Alsace
Artist: Albrecht De Vriendt (Belgian, 1843-1900)
Date: 1890
Medium: Oil on panel
Collection: Royal Museum of Fine Arts Antwerp, Belgium
Description
In 1176, Bruges received its city charter from Count Philip of Alsace, granting the city significant privileges and autonomy, including the right to self-governance, which was crucial for its development as a powerful trading center.
#historical art#painting#narrative art#conversation piece#oil on panel#artwork#fine art#count philip of alsace#bruges#historical scene#building#gesture#men#women#children#costume#soldiers#horse#belgian culture#belgian art#albrecht de vriendt#belgian painter#european art#19th century painting#royal museum of fine arts antwerp
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Equestrian portrait of Archduke Albert of Austria (1559-1621). By Peter Paul Rubens.
#peter paul rubens#haus habsburg#erzherzog#archduke albert of austria#house of habsburg#the netherlands#count of flanders#duke of brabant#equestrian portrait#albert of austria#albrecht vii of austria#in armour
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i will be exclusively transgending crazy old men from here on out . it’s so much more fun
#loid counts as crazy because no sane person would have stayed with albrecht through all that bullshit. they’re the only motherfuckers that#can handle eachother
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I wonder if DE is planning on releasing a collector's figurine anytime soon...
'cause there was one for Second Dream, then War Within... then finally the New War.
Duviri came and went without a big release so I wonder if there's gonna be some epic collector's goodies for Warframe 1999.
Long story short - if they release an Arthur figurine I'm fine, if they release an Albrecht one it's gonna be so joever I will never recover.
#wf tag#imagine Albrecht with Kalymos#like in the WITW promo pic#and yeah im not counting the specific warframes cuz those get released randomly#i guess harrow was for chains of harrow#but note how we have caught up with big quests#so there is merch opportunities
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Wasn't tagged but saw someone who opened it to anyone who wanted to do it, thank you for that! So, same, if you want to do it, go ahead!
first celebrity, outfit, quote and aesthetic pic on pinterest is your vibe!




Honestly not surprised Albrecht was the celeb, it was gonna be either him or Jason for sure. What did surprise me was the "aesthetic" and "outfit" that popped up first, I wouldn't have expected that from my pinterest feed tbh, guess it was feeling cute and whimsical or smt. And also you have no idea how much I had to scroll to get that one quote omg
#tbf jason was the second pic lol#also dk if that counts as an outfit at all i usually dont get that shit at all#it must have felt i needed smt like that and threw the first thing it found like here this good enough? its clothes right?#anyway im not sure what kinda vibe this is but well#albrecht schuch#bc its the only thing i can tag lol
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How much does your craft cost? And why "cost of supplies X2" formula is absolutely harmful for artists?
A lot of artists & artisans keep asking this question: how much should I charge for my craft?
There is a simple way to calculate the cost of the item: calculate the cost of supplies that went into it, and multiply by 2.
I can't track the origin of this idea, but I keep stumbling upon it in many craft groups - and I can't help, but cringe every time.
Why this formula is used by many? It's no secret for me. Many artsy people are not great with math and finances, so they cling to it because of its simplicity.
Why offering this formula to craft novices is a major disservice that may severely harm their approach?
Because each type of craft has its own financial accounting.
What actually should be calculated:
- The cost of supplies, including shipping to your location,
- The amount of time spent on the item, multiplied by the cost of your single working hour,
- The time spent on making photos of the item,
- The cost of packaging,
- The cost of time you spend on packaging and shipping the item.
These are easier to calculate.
Also there are costs that you spend every now and then, like monthly or even once in a several years, like:
- The time and cost of maintaining site (if any), Etsy, Pinterest, etc., and also social media presence,
- The cost of rent if you rent the space, or the cost of maintenance if you own it,
- The cost of electricity/water/etc. you spend while doing the job,
- The cost of tools used (sewing machine, 3D printer, scissors, hammers, glues, paints, photo gear, whatever), it's called amortization,
- The cost of courses, workshops, etc. you attend to improve your skills, or time&supplies you spend self-learning or experimenting.
I mentioned just the major ones, but it may vary from craft to craft greatly.
I suggest to calculate all that stuff for a single month. If it's some tool like a sewing machine that you know you'll be using for many years, I'd recommend to set its amortization time to 5 years (aka 60 months), so after that term, if the tool is still usable, you kinda use it for free. And you can add 1/60th of the cost of the tool to your monthly accounting.
And, knowing the cost of the monthly expenses and number of hours spent on all of your items during a month, you can calculate the percent of the cost that you should add on top of each item.
As you already know, I do doll stuff. To simplify the process, I count the cost of my working hours only, and then add a certain percent to the cost, that I calculated previously. It still may vary from item to item, but it all evens out in a long run.
As for the "cost of supplies x2" formula, let's see how it absolutely doesn't work for me.
Let's say I do faceups. I charge $150 per faceup. My supplies are:
- high quality Rembrandt pastels, Albrecht Duhrer watercolor pencils, acrylic varnish, ox gall and some brushes that were a noticeable investment, but will serve me not for 5 years, but for like 20 years ahead. Even the initial investment is completely covered within a single faceup.
- MSC. I don't overspray, so a single can lasts for at least 5 faceups. Definitely a spendable, but less than $5 per faceup.
- Cotton discs, cotton swabs, some toothpicks, nail polish remover, electricity, whatever else - definitely less than $5 again.
- 3M respirator mask with cartridges. Lasts for at least 5 years, is used for not only faceups but for many other tasks, its cost is almost non-noticeable.
So how much should I charge???
Obviously, I charge for skills mostly.
What if there is a developed market already, you calculated everything, and you see that people aren't ready to pay the honest price?
Then you should think twice if you want to sell your craft, or to move to other business. Or to admit you do it as a hobby and sell for whatever people are ready to pay you, and don't call it a business. And make sure people whom you sell your stuff are informed about the difference. Because skilled manual labor never should cost as little as mass produced items.
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[SPOILERS FOR Warframe 1999 Quest]
Headcanoning that Quincy Isaacs, the Cyte-09’s protoframe, canonically does not use the warframe’s abilities as much as the others because of his hatred for Albrecht Entrati.
When you play as each member of the Hex during the quest, you’re able to use the abilities of the warframe strains each of them have. They also have cutscenes /animations where they actively use them:
- Amir when he’s first introduced at the arcade
- Aoi when she’s first introduced in the cd shop, when she lifts the truck off of herself, when she tries to hold the reactor together, her introductory trailer. She even admits to not being able to fully control her powers yet (requires guidance from the Drifter)
- Arthur’s introduction in Whispers in the Walls, when he first meets the excalibur/drifter
- eleanor when she needs to speak to people before severing a good part of her tongue, when she controls the techrot, when she comments on knowing about the drifter and operator (in passive dialogue)
- lettie when she heals
Quincy is not really seen displaying his abilities. Right off the bat, it’s noticable that he’s an excellent shot, but he has a history of being in the military. It doesn’t mean he uses his powers to be accurate, it could just mean that he’s a great soldier.
One can argue that it is because cyte-09 is not a flashy warframe. It was only a functional weapon that was meant to be a soldier. Thus, there isn’t any outstanding point where u can test out all his abilities.
BUT, even when you play as him, you’re only able to shoot through his gun, you don’t have access to his abilities like the other hex members.
In the bad ending 1999 quest, he dies because a tank locks in onto his position and he calculates that he can’t stop it from firing, nor can he dodge the blast in time. If he were to jump from his position down onto the ground, he’d be surrounded.
Also, protoframes are notably less durable than full warframes (as seen with amir’s death, as well as eleanor’s and lettie’s), so he’d probably die from the fall.
It seems that he uses his 4th ability exalted weapon throughout the whole quest, though which may have been the only ability he actively uses. He does not make an effort to learn or understand his other abilities out of pure spite. That being said, he’s a remarkable fighter for surviving this long on just one ability.
In the good ending, once the Drifter gets close enough with the Hex, they are able to connect with the members on a more personal, emotional level. They’re able to guide each member because their built relationship allows them to tell them exactly what they need to hear. On top of that, the Drifter is also trustworthy to them, so it is easier for them to listen more.
The Drifter is the one to show Quincy what other abilities he can do because of their experience with other warframes.
It’s also fitting that Quincy received the Cyte-09 strain. It is a warframe that was so purely functional with solely militant purpose that only the batch number remained. In a war, you count the number of soldiers per battalion, you don’t list the name of every soldier.
That’s just my feelings on it!
#warframe 1999#warframe#quincy issacs#warframe drifter#cyte 09#headcanon#albrecht entrati#arthur nightingale#eleanor nightingale#aoi morohoshi#leticia garcia#amir beckett#warframe quest#warframe headcanon
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so I don’t have the knowledge of details that you have (complimentary) but is there anything in the computer code Colin looking into being written in German and Jonah Magnus’ buddy living in the Black Forest and finding that crypt that one time? Or is that Too far a reach?
vibrating at the speed of sound. so there are a couple of floating details around from the podcasts, the arg, and some promotional materials that may point back to germany having particular relevance. some of this is absolutely me going full pepe silvia, but there are enough threads here that I feel like it has to amount to Something.
so. germany.
archives 'verse:
-> point 1: johann von württemberg. while staying with his nephew in the schwartzwald in 1816, albrecht von closen finds an old mausoleum with the inscription "johann von württemberg" over the door, and it is guarded by a man with no eyes who nonetheless seems to be able to see. in a deep chamber well beneath the ground is johann's coffin, and the room is completely lined with books so old that they'd all rotted through and fused together, the marble shelves they're placed on having little carvings of open eyes all along them. the only two objects in a good state are an illuminated manuscript in arabic that had been kept apart from the rest of the books, and a gold coin with an engraving of a young man with flowing hair, the initials "JW," the year 1279, and the words "für die stille" (google translate tells me that’s “for the silence”). albrecht asks around for any information about johann because the name is unfamiliar despite his quite good knowledge about local history and nobles, and someone says they remember him being called "ulrich's bastard," likely referring to ulrich the i or ii, two counts of württemberg from the 1200s. with that information, in the present day jon is able to find some historical records that point to ulrich i having a son out of wedlock in 1255 who was rumored to keep the company of witches.
-> point 2: the von closens. it seems that a servant nicked the coin albrecht found before he could go home with it, and that was probably for the best for albrecht, because that servant Died Badly from what was ruled to be an animal attack. albrecht did take the book with him, however, and presumably went on to show it to jonah magnus. he then must have gone back for the rest of the rotten books at some point, though, because when doctor jonathan fanshawe visits his estate in 1831, albrecht has a full library of recently re-bound books that he tells fanshawe he got from the tomb, and owning them has done terrible beholding-esque things to him. fanshawe, in his capacity as a doctor, says they should return the books for albrecht's health, and they do so, but just as the last book is returned, albrecht dies, and fanshawe realizes that all the books were blank and finds out that jonah arranged to have them all swapped out by the book binder. when fanshawe performs an autopsy on albrecht's body, all of his insides are covered in eyes.
in his statement from 1816, albrecht says he and his wife carla have been unable to conceive, though in 1831 fanshawe mentions that all of albrecht's sons were away at school when he came to visit. not something that's impossible, they could have managed to have children shortly after 1816, but it does make me raise an eyebrow. magically blessed fertility? dimension shenanigans? fanshawe does mention a tree being burned on the von closen estate that feels remarkably similar to the tree on hilltop road.
anyway, wilhelm, albrecht's nephew, has some children, and the family stays in germany for about another century, but one branch eventually moves to england, and their descendants include mary and gerard keay. according to gerry, mary was big into mythologizing about the von closens and really tried to get him to continue her idea of a legacy for the family, but he thought most of what she said was made up.
protocol 'verse:
-> point 3: colin's comment about source code being written in german. nothing much to explain here, just that it's Weird that source code for some Weird bespoke program for the british civil service is written in german, right? Bit Odd.
-> point 4: the usenet forum. okay so I'm an avatar of the idiot and only read up about the arg after it was already over and don't know anything about code and whatnot, but as best as I can understand: on the OIAR's official website, if you try to submit a form, you get an error message, and if you look into the source code for the error then you find Some piece of code with an IP address shaped hole in it, and there's an IP address hidden in an OIAR advertising video, so you put that IP address into the code, do something else (???), and then find yourself at an old defunct usenet forum from the 90s/00s for people who left east germany.
(it is from here that I got too verbose for my own good, so the rest is under a cut)
notable things about the forum: most of it is pretty normal, and, naturally, it was pretty much all in german, massive shoutout to everyone who helped to translate all 21k words of it. there are threads about finding work in various countries, weird cultural idiosyncrasies, resources, reminiscing about berlin, yknow, normal stuff. the mod “SandmannS” (translates to exactly what it looks like) ran the forum with a bit of an iron fist, which I guess makes sense, it’s the kind of forum that attracted people who wanted to say some heinous stuff and he was really serious about not letting anyone solicit personal information, but he was also kind of overzealous about keeping threads on topic and locking any discussions that he thought were “pointless.” he was eventually strongarmed into opening a thread for cat pictures, and that’s as good an opening as any to talk about some of the Weird things about the forum.
one of the cat photos was posted in february 1994 and shows a cat standing in front of the thames, with what looks like the completed o2 arena in full view (great choice of a red flag landmark to include @ whoever chose it. nice big landmark that was called “the millennium dome” when it first opened, a handy reminder that it was made to celebrate the turn of the millennium and construction wouldn't even have started in 1994). several comments across the threads are dated as earlier than the comments they’re replying to, one person references the content of the phantom menace a few months before its release, and several comments were somehow made after the mod locked the forum in dec 2001/jan 2002.
and okay. the forum locking. I’m going to condense this to all hell because this is already [redacted] words long but basically, “einsamernarr” (translation: lonely fool) was an active user of the forum with a big conspiratorial streak, real paranoid about “the government” spying on him, always getting warnings and just dodging getting banned just before going too far, yknow, a Type of Guy. in december 2001, he mentions in a book rec thread that he was trolling through some databases and found a bunch of old records and he can’t tell if they’re fictional or not, but he’d like to share them if he can. about five days later, he starts posting in several threads that he did something really dumb, people are after him, the meetup they were planning is not safe and this forum is being watched, people should look for him if he doesn’t come back within a week, and he’ll try to leave some info behind for them just in case. a few days later, a couple of people post worried messages asking if anyone’s heard from einsamernarr and that they’ve been getting weird cryptic emails about an “institute” from him, and sandmanns says that he did everything he could, but he can’t keep doing this, and he closes the forum.
marina “avatar of the idiot” annabelle--cane showing my face here again, I don’t know how this next part happened, but it’s possible to retrieve the email einsamernarr sent, open it with a password found in colin’s code repository (that’s a whole ‘nother thing), and find inside: 1. some pictures of bonzobucks, 2. a weird pdf of an old german book on alchemy with a lot of symbols and codes in it, and 3. a spreadsheet of the names, ages, and test results of the hundreds of children the protocol 'verse magnus institute was performing psych studies on. which finally brings us to our next, much shorter section.
-> point 5: “gerard kaey” (sic). gerry’s name is on that spreadsheet, which I think is relevant to this conversation given mary’s obsession with the von closen legacy. archives ‘verse mary keay resented the magnus institute for what she felt it stood for comparison to what she felt she stood for; she saw jonah magnus as a thief who stole away her family’s honor, so what might be different about the protocol ‘verse situation? why would mary keay in this universe send her only heir to go get scrutinized by a bunch of self-important academics?
-> point 6: the berlin dead drop. more arg stuff, we’re getting into things that I’m sure probably have more to be said about them than I’m capable of saying, but from some clues in a picture of cookbooks that einsamermarr posted in the cat pictures thread of the usenet forum to annoy the mod, and a voicemail on the OIAR’s telephone line, people found out the date and location of the first irl arg event, and it was for somewhere in berlin. a newspaper covered in alchemical symbols was found in a bookshop, and from that people somehow derived coordinates, and those coordinates lead to the last irl event where a battered old video tape with a video of a creepy ritual was found (note: the tape was too badly damaged, so another copy of the video came from an arg affiliated tumblr account).
-> point 7: klaus.xls. from a floppy disk found in the second irl arg event, klaus.xls is a spreadsheet originally written in german with about 100 dates and times of potentially paranormal sightings. a lot of it is corrupted and unreadable, but there are columns for category, rank, “TSHU,” and notes. translated into english, notes sections that aren’t corrupted say things like “mr. b,” “war people,” “avoid, “unhappy child,” “ink,” “lady m,” “cats lol,” and “I hate witches.”
-> point 8: albertus magnus and the philosopher’s stone. right, this is where I go a bit off the rails, and credit to this post by @misfitmagpie for discovering some of this. first, nearly every official visual we’ve had for tmagp has been covered in alchemy symbols. they’re all over the logo, they’re all over the in-universe OIAR and magnus institute websites, they highlighted hints in the arg, they’re everywhere, and the end goal of alchemy was the pursuit of the mythical philosopher’s stone, a substance that could turn base metals into gold and produce an elixir for eternal life. the tmagp logo/the coat of arms for the OIAR is centered around an upside down alchemical symbol for the philosopher’s stone, a circle in a square in a triangle in a larger circle.
albertus magnus (aka saint albert the great) was a bavarian philosopher and scientist who did some writing on alchemy and has been widely rumored to secretly have been a master alchemist, mainly as a result of a lot of people attaching his name to writings about alchemy that he never touched. some have credited him as discovering the actual philosopher’s stone, and while he never made that claim in any way that survives, he did record that he’d witnessed seeing base metals be turned into gold. something of which to take note is that he didn’t go by the name “magnus” during his life, that was appended to him posthumously, it’s just another way of calling him “the great” with a fancy latin word, but it does kind of remind me of that edmond “reimer” halley -> maxwell rayner thing from mag 140. if you discovered the elixir of life and became immortal, you would probably need to nab a new identity at some point, and if people have already been nicknaming you “albert the great,” well…
anyway, the thing that’s really cemented his potential relevance in my mind is his birth and death dates: c. 1200-1280, lining up perfectly with the time period of johann von württemberg (thought we’d moved on from him, didn’t you?). I know magnus timelines are notoriously a bit unruly, especially the further back into the past we get, but it’s scratching at my brain. besides that, I think it would be a really cool move if the magnus this podcast is named for was a completely different person than the magnus the last podcast was named for.
if albertus magnus isn’t directly relevant then I’ve got another theory about the title that I’ll be posting in a hot minute, but it’s not germany related and this ask is already long enough.
just, to sum up, a lot of protocol content so far has been germany-adjacent, and even if nothing more comes of it I think there are a lot of interesting threads here to speculate about.
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Time for unpopular opinion.
I support Entrati. Yes, you feel me - I made a great work and avoided all 'yesbroheisbad' choices in dialogues with Hex and etc. I can't support my friends when they tell me things like 'booo, Luvoid, he could do better, he ruined too much, he is baaad, boooooo'.
Hold on. Here are we, Destined Tenno, a Great Mystery Drifter, Cool irl Player, ok. Here is Entrati - a science person, who made The Worst Possible Mistake that Noone Could Ever predict, who faced The Worst Evil - for a long time alone, solo, face to face, and Entrati did his best to keep Origin safe from The Devil.
Later he had to erase his existence and say bye to his family, friends, his life. He could not trust nearly everyone even himself.
He created The Plan how to kick Indifference's butt outta here and he already expected US to show up one day but we were never promised so he could not count on us.
And then he left with keeping precious Loid as safe as possible and as guarantee that at least someone will be still here to continue, to tell truth, to lead the fight, if Entrati fail - the more ppl knows, the more would be in a literal danger, cuz Indifference react when you are attentive to it, you become a flaw, a door.
When we catch up with Entrati, he already made his decision to sacrifice 1999. He didn't know we will show up. We changed situation, we helped Entrati in the way he will never goal alone without us. He had to destroy one world to save eternity of others. He did a hella of hard work with all that cooking with infestation plus gaining trust of ppl plus calculating events. He needed that energy. Remember, one world in exchange for eternal pool of them. You can't eat a pie and still have it, yeah?
So, look, eternalism is amazing yet none of the worlds are magic golden key with the fairytail solution for winning against Indifference. Every world is real world and real world isn't sweet and rainbow and not even fair mostly as you expect it to be from your point of view.
You may still say that Entrati is bad. Ofc. I'm here to explain my opinion, not to change yours. But I say - my homie Albrecht doing his job and he's doing it so damn good. Origin still exist and Indifference didn't nullify everything. My praises for this lonely man.
And ofc he can do mistakes. Maybe erasing 1999 could be that mistake, maybe he already did 9999 of such a mistakes and only now he found out right sequence for actions that we ruined. Still - any better ideas? I doubt you could find any if you try his shoes. Help him, don't blame him. We already could lose him as we lost Rell and with this loss we could have no hope at all. That the only thing I know for real.
#warframe#playwarframe#warframe 1999#Warframe lore#Warframe opinion#albrecht entrati#eternalism#de could do at least some lines with support for homie
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Ella Persson and Julian Mackay

Ella Persson as “Giselle” and Julian Mackay as “Count Albrecht”, “Giselle, ou Les Wilis Жизель, или Вилисы”, libretto by Théophile Gautier and Jean-Henry Saint Georges, choreo by Jean Coralli, Jules Perrot, Marius Petipa, music by Adolphe Adam, stage and costume design by Vyacheslav Okunev Вячеслав Окунев, Mikhailovsky Ballet Михайловский театр, Saint Petersburg, Russia.
Source and more info at: Photographer Natalia Voronova on Facebook Photographer Natalia Voronova on Instagram
My Secret Garden on Instagram (by Natalia Voronova)
via: Ella Persson on Instagram
Note I: This blog is open to receiving and considering any suggestions, contributions, and/or criticisms that may help correct mistakes or improve its content. Comments are available to any visitor.
Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.
#Adolphe Adam#Bailarina#Balerina#Balerino#Balet#Ballerina#Ballerino#Ballet#Ballett#Balletto#Count Albrecht#Dance#Dancer#Dans#Danse#Dansen#DANZA#Балерина#Балет#Танец#Танцор#Ella Persson#Giselle#Giselle ou Les Wilis Жизель или Вилисы#Jean Coralli#Jean-Henry Saint-Georges#Jules Perrot#Julian MacKay#Marius Petipa#Mikhailovsky Ballet Михайловский театр
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I understand Warframe's story has us gunning for Albrecht Entrati but I've honestly never seen a more sympathetic antagonist. imagine if you were god and an Elon Musk-type broke open the veil and when you tried to talk to him he goes crazy and accidentally severs your finger. He then swears he's gonna kill God (you) (for a reason he made up in his head) (you didn't even really do anything to him but mildly startle him) and he starts fucking with timelines and shit and has no concern for his casualty count and blames you for everything and also he is using your divine flesh (severed finger) as a multipurpose tool. I'd probably be like "yeah fuck this guy in particular" too
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Louis of Male Laying the Foundation Stone of the Town Hall
Artist: Albrecht De Vriendt (Belgian, 1843-1900)
Date: 1893
Medium: Oil on panel
Collection: Royal Museum of Fine Arts Antwerp, Belgium
Louis II, Count of Flanders
Louis II (Dutch: Lodewijk van Male; French: Louis II de Flandre) (25 October 1330, Male – 30 January 1384, Lille), also known as Louis of Male, a member of the House of Dampierre, was Count of Flanders, Count of Nevers, and Count of Rethel from 1346 to 1384, and also Count of Artois and Count of Burgundy from 1382 until his death. He was the son of Count Louis I of Flanders and the Countess of Burgundy and Artois, Margaret I of Burgundy, the youngest daughter of the King of France, Philip V the Tall.
#historical scene#historical art#louis of male#foundation stone#town hall#louis ii#count of flanders#house of dampierre#halo#city#men#women#robe#cloak#narrative art#flags#book#box#trumphets#cushion#painting#oil on panel#artwork#oil painting#fine art#belgian culture#belgian art#albretch de vriendt#belgian painter#european art
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Weiße Frauen / White Ladies
White ladies are ghosts that are said to have haunted several castles of European noble families.

The oldest reports of the apparition date from the 15th century, but belief in the white ladies was most widespread in the 17th century. Although there are similarities to other female ghosts in European folk belief – for example the Irish and Celtic banshee – the white lady is a phenomenon that first emerged in and was typical of the high aristocratic culture of the early modern period. Belief in miracles during the Counter-Reformation turned the ghost into an attribute of class that, like coats of arms and legends of lineage, could underline the importance of a noble family. The White Lady of the Hohenzollern family is particularly well known.
The White Lady of the House Hohenzollern
The White Lady of the House Hohenzollern haunts several castles and palaces that are or used to be owned by members of this noble family.
Plassenburg

The most well-known legend about the White Lady has its origins at the Plassenburg Castle above Kulmbach and is linked to the Hohenzollern family. The castle's mistress Kunigunde, widow of Count Otto of Orlamünde, had fallen in love with Albrecht the Handsome, son of the Nuremberg burgrave Frederick IV. The latter spread the word that he would marry her if four eyes didn't stand in the way. This referred to his parents, who were against such a union. However, Kunigunde misunderstood the message and related it to her two children, a two-year-old girl and a three-year-old boy. She stabbed the children in the head with a needle, killing them.
Albrecht then renounced her. Kunigunde went on a pilgrimage to Rome and obtained forgiveness for her sins from the Pope, on the condition that she found a monastery and enter it. As penance, she slid on her knees from the Plassenburg Castle into the valley of Berneck and founded the Himmelkron Monastery, where she died as abbess. In a local version of the Himmelkron legend, the monastery already existed at the time of the murder and the two children were buried there. Kunigunde, sliding on her knees, saw the monastery on a hill between Trebgast and Himmelkron and died there of exhaustion.
From then on, the White Lady appeared at the Plassenburg to warn the Hohenzollerns of impending deaths and other impending misfortunes - a worrying but usually not violent phenomenon. According to legend, however, she behaved differently when Margrave George Frederick I, also a Hohenzollern, wanted to take possession of the Plassenburg after its destruction in 1554 during the Second Margrave War and subsequent reconstruction. The White Lady then went so far as to rattle chains, rage around, frighten ladies-in-waiting and finally strangle the Margrave's cook and quartered driver, which caused the latter to leave the Plassenburg.
Berlin City Palace
The White Lady was first seen in the Berlin City Palace on 1 January 1598. There she is said to have appeared to Johann Georg, the Hohenzollern Elector of the Margraviate of Brandenburg, eight days before his death. In this case, the ghost was seen as the spirit of Anna Sydow, the mistress of Joachim II, the Elector's father, who died in 1575 in the Julius Tower of the Spandau Citadel and whom Johann Georg had had dispossessed and imprisoned, contrary to his documented promise.

The White Lady continued to appear frequently in the Berlin City Palace. In 1619 she is said to have appeared there before the death of Johann Sigismund. In 1651, newspapers reported about great concern about the continued existance of the House Hohenzollern in the male line after the White Lady appeared. 1 years previously, Prince Wilhelm Heinrich, the only heir to the throne, had died age 1½ years, and the elector's wife had not yet become pregnant again.
In 1660, she is said to have been seen before the death of Elisabeth Charlotte, the mother of the Great Elector. She is also said to have appeared to Louise Henriette of Orange, and before the death of the Great Elector in 1688, to the court preacher Anton Brusenius. According to a report by the historian Karl Eduard Vehse, the White Lady was once quite heartily approached under the Great Elector. Konrad von Burgsdorff, a confidant of the Elector and a cold-blooded man, is said to have suddenly seen the White Lady on the steps in front of him one evening after he had put his master to bed and was about to go down a small staircase to the garden. Once he had overcome his initial shock, he called out to the figure: "You old sacramental whore, haven't you drunk enough princely blood yet, do you want more?" Apparently annoyed by this disrespectful address, the White Lady grabbed him by the collar and threw him down the stairs so that his bones cracked. Other attempts to get hold of the White Lady were not always unsuccessful: under Frederick William I, she was arrested twice. Once it was a kitchen boy who had dressed up as the White Lady and was whipped as punishment, and the other time it was a soldier.
Further apparitions occurred before the death of Frederick I in 1713 and that of Frederick William II in 1797. When the health of Frederick William III became very precarious in the winter of 1839/40, the lady-in-waiting Caroline von der Marwitz wrote a report about the appearance of the White Lady.
She also appeared – perhaps a little prematurely – before the completely unsuccessful assassination attempt by Heinrich Ludwig Tschech on Frederick William IV in 1844. On this occasion, she is said to have appeared at night in the Swiss Hall of the City Palace, wringing her hands. She also appeared in 1888 before the death of Frederick III. Even when the National Socialists were in charge of the Berlin Palace instead of the Hohenzollerns, she is said to have appeared again on the night of May 26, 1940.
It is uncertain whether the White Lady will reappear in the Humboldt Forum, the newly built partial reconstruction of the Berlin City Palace. Some superstitious people say that the reconstruction was intentionally left incomplete to stave off the White Lady of the House Hohenzollern.
Heidecksburg
In the Heidecksburg near Rudolstadt (Thuringia), the White Lady is said to have appeared to Prince Louis Ferdinand of Prussia, also a member of the Hohenzollern family, in the Green Salon, as his adjutant Karl von Nostitz-Jänkendorf reported. The next day, 10 October 1806, the prince was killed in the Battle of Saalfeld.
Other places
The White Lady also appeared in other places in possession of the House Hohenzollern and its branch lines. Apoearances are reported from Bayreuth, Lauenstein Castle, Hohenzollern Castle, and Kuckuckstein Castle.

Places belonging to other noble families are haunted by White Ladies as well. In Friedenstein Palace in Gotha, the ghost of Dorothea Maria of Anhalt is said to moanfully wander the rooms at night. Eleonore von Dönhoff is said to haunt Kossenblatt Castle. Oftentimes, noble ladies who found a violent death are linked to White Ladies, such as Jakobe von Baden in Düsseldorf Castle.
In Aussel Manor in Batenhorst near Rheda-Wiedenbrück, the wife of a former estate owner is said to haunt the premises. She is said to have been walled in in the cellar after her husband had been away for a long time during the war and caught her with a lover. She is said to have starved to death there because her husband did not return after taking part in another military campaign.

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I’ve recently become very obsessed with Albrecht Von Closen somehow (despite him being in exactly 2 statements (technically 4 (EDIT: 5) if you count the name drops in 111 and 118 (and 33))). And by obsessed, I mean that he’s legitimately among my favourite characters in the series now (along with Martin, my absolute favourite, and Mike, Michael, and Peter). Just last night I sent a very long paragraph into my partner’s TMA TTRPG server detailing recency era based theories as well as little details related to it (such as Elias audibly reacting when Martin mentions burning Albrecht’s statement, the theory that Gerry’s cancer was actually eye tumours, and that apparently Albrecht was one of the first Archivists).
Anyway, all that said, is it fair to headcanon Albrecht as having ADHD? I’m not sure if it’s the fanon stuff I’ve seen or just his natural draw to the eye in canon, but he really gives ADHD vibes (possibly inattentive type, but with the hyperactive trait of being overly talkative like I am?). Also, the description of how he was telling stories to Jonathan in 127? I mean, rambling in an almost manic way about something that is interesting to you? What a mood. (and yes, I know that was eye shenanigans, but anyone who knows me irl has more than likely witnessed me do a very similar thing with my hyperfixations.)
(Sidenote: I know I’ve said in previous posts that I would be a lonely or vast avatar, but I have recently begun to wonder if perhaps I may be more suited to the eye. I may detail this in a future post)
#my silly little posts#albrecht von closen#the magnus archives podcast#the magnus archive#the magnus archives#tma podcast#tma#tma regency era#tma spoilers#tma headcanons#adhd headcanon#actually adhd
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