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What if Bruce so obsessively worked to keep his identities separate, he actually gave himself a split personality?
Like, when the cowl is on he IS Batman. Not Bruce, Bruce has left the building. Batman is in control now.
Oh, and at parties, the Brucie mask starts to become *more* than a mask. Brucie is here, queer, and ready to paaartay! Batman? He doesn't know the man! Literally forgets Batman is a part of him too.
So, what I'm getting at here is any type of Truth toxin, serum, test, whatever. None of it would work on them. Batman IS Batman. Brucie doesn't know who Batman is. Bruce Wayne is smart and skilled enough to not be caught under forced truthfulness.
It would take a LOT of asking the right questions to get Batman's identity behind the mask. And I would love to see a villain try!
#dc#batman#bruce wayne#brucie wayne#dc prompt#dcu#batfamily#batfam#batman prompt#Bruce is the original identity#and knowingly or created the others#does he even realize the others exist?#i feel he has both the most and least control over the system#because he can make the others take control to suit his needs#but relinquishing control so often probably makes him lose control more too#like a case comes up and suddenly Batman is in the drivers seat#or a reporter suddenly comes up and now Brucie is directing this show#Bruce’s paranoia backfires#his needs for complete order and control has made him lose his own control in a way#or something#i feel im not wording this quite right#but it's 1am and im doing my best
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BITCOIN SCAM RECOVERY SOLUTIONS - ULTIMATE HACKER JERRY
At Ultimate Hacker Jerry, Have a team of legal cryptocurrency investigators. The team is excellent at conducting extensive investigations. They have advanced software that classifies links between cryptocurrency addresses and entities. It assists in finding similar criminals, fiat on and off-ramps, and mixers. They create and document everything on these servers; in the form of intelligence for law enforcement cases. It helps with Bitcoin Recovery. It also assists in cases of ransomware, money laundering, terrorism financing, narcotics trafficking.
UHJ's detailed reports proved to be beneficial for the investigation and always lent a hand with judicial proceedings.
Their experts will help with the witness in the court; when it’s time to prosecute and recover the assets. Ultimate Hacker Jerry acts as a network connecting an exceptionally trained team with the investors who’ve lost their bitcoins and other cryptos along the way.
E-Mail ([email protected]) Call or Whtsp +1(520)282-7151) Visit website: ultimateshackjerry.com
THE HUFFINGTON POST
#BITCOIN SCAM RECOVERY SOLUTIONS - ULTIMATE HACKER JERRY#At Ultimate Hacker Jerry#Have a team of legal cryptocurrency investigators. The team is excellent at conducting extensive investigations. They have advanced softwar#fiat on and off-ramps#and mixers.#They create and document everything on these servers; in the form of intelligence for law enforcement cases. It helps with Bitcoin Recovery#money laundering#terrorism financing#narcotics trafficking.UHJ's detailed reports proved to be beneficial for the investigation and always lent a hand with judicial proceedings#E-Mail ([email protected])#Call or Whtsp +1(520)282-7151)#Visit website: ultimateshackjerry.com#THE HUFFINGTON POST
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I'm a big fan of wizards-as-programmers, but I think it's so much better when you lean into programming tropes.
A spell the wizard uses to light the group's campfire has an error somewhere in its depths, and sometimes it doesn't work at all. The wizard spends a lot of his time trying to track down the exact conditions that cause the failure.
The wizard is attempting to create a new spell that marries two older spells together, but while they were both written within the context of Zephyrus the Starweaver's foundational work, they each used a slightly different version, and untangling the collisions make a short project take months of work.
The wizard has grown too comfortable reusing old spells, and in particular, his teleportation spell keeps finding its components rearranged and remixed, its parts copied into a dozen different places in the spellbook. This is overall not actually a problem per se, but the party's rogue grows a bit concerned when the wizard's "drying spell" seems to just be a special case of teleportation where you teleport five feet to the left and leave the wetness behind.
A wizard is constantly fiddling with his spells, making minor tweaks and changes, getting them easier to cast, with better effects, adding bells and whistles. The "shelter for the night" spell includes a tea kettle that brings itself to a boil at dawn, which the wizard is inordinately pleased with. He reports on efficiency improvements to the indifference of anyone listening.
A different wizard immediately forgets all details of his spells after he's written them. He could not begin to tell you how any of it works, at least not without sitting down for a few hours or days to figure out how he set things up. The point is that it works, and once it does, the wizard can safely stop thinking about it.
Wizards enjoy each other's company, but you must be circumspect about spellwork. Having another wizard look through your spellbook makes you aware of every minor flaw, and you might not be able to answer questions about why a spell was written in a certain way, if you remember at all.
Wizards all have their own preferences as far as which scripts they write in, the formatting of their spellbook, its dimensions and material quality, and of course which famous wizards they've taken the most foundational knowledge from. The enlightened view is that all approaches have their strengths and weaknesses, but this has never stopped anyone from getting into a protracted argument.
Sometimes a wizard will sit down with an ancient tome attempting to find answers to a complicated problem, and finally find someone from across time who was trying to do the same thing, only for the final note to be "nevermind, fixed it".
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CGI Ads Production and Motion Graphics, including website development
CGI Ads Production and Motion Graphics
In today's rapidly evolving digital landscape, businesses in Udaipur face unique challenges such as capturing audience attention and conveying their messages effectively. Computer-Generated Imagery (CGI) has emerged as a powerful tool in this endeavor, revolutionizing advertising and motion graphics. For businesses in Udaipur looking to leverage CGI Ads Production and CGI Motion Graphics services, partnering with a proficient agency like Rydon Digital, which specializes in these local challenges, can be a game-changer.
Understanding CGI in Modern Advertising
Computer-Generated Imagery (CGI) refers to the creation of still or animated visual content with computer software. In advertising, CGI enables the production of hyper-realistic visuals that might be challenging or impossible to capture through traditional photography or videography. This technology allows brands to craft compelling narratives, showcase products in dynamic ways, and create immersive experiences that resonate with audiences.
The Rise of CGI Ads Production
The demand for CGI Ads Production has surged as brands recognize the myriad benefits it offers. For instance, a case study by XYZ Research showed a 25% increase in engagement, while an industry report by ABC Analytics highlighted a 15% reduction in costs.
• Unparalleled Creativity: CGI allows for the visualization of concepts without the constraints of reality, enabling brands to present their products or services in imaginative settings.
• Cost-effectiveness: Eliminating the need for elaborate sets, props, or on-location shoots, CGI can reduce production costs while maintaining high-quality outputs.
• Consistency and Control: Every element in a CGI ad is controllable, ensuring consistency across campaigns and the ability to make adjustments without reshooting.
• Engagement: High-quality CGI ads captivate viewers, leading to increased engagement and brand recall.
The Impact of CGI Motion Graphics Services
Motion graphics combine graphic design and animation to create engaging visual content. When enhanced with CGI, motion graphics become even more dynamic, offering:
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Comprehensive Digital Solutions
Rydon Digital offers a range of services that complement CGI Ads Production and Motion Graphics, including website development, social media management, and video editing, to create a cohesive digital strategy.
Website Development:
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Rydon Digital employs unique methodologies and innovations in CGI Ads Production, such as advanced 3D modeling techniques and real-time rendering, ensuring high-quality and efficient production.
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Benefits of Partnering with Rydon Digital include proven expertise, as demonstrated by successful campaigns for clients like XYZ Corporation, which resulted in a 30% increase in engagement and a 20% reduction in production costs. Additionally, numerous other clients have reported similar successes, reinforcing Rydon Digital's reputation for delivering impactful results.
The Future of Advertising in Udaipur
As Udaipur continues to grow as a business hub, the adoption of advanced advertising techniques like CGI Ads Production and CGI Motion Graphics services will be pivotal. Businesses that embrace these technologies will not only stand out in a competitive market but also connect more effectively with their audiences.
Conclusion
Incorporating CGI into advertising strategies offers unparalleled opportunities for creativity, engagement, and brand differentiation.
#branding#infographic#graphic design#ecommerce#logo design#editorial design#CGI Ads Production and Motion Graphics#In today's rapidly evolving digital landscape#revolutionizing advertising and motion graphics. For businesses in Udaipur looking to leverage CGI Ads Production and CGI Motion Graphics s#partnering with a proficient agency like Rydon Digital#which specializes in these local challenges#can be a game-changer.#Understanding CGI in Modern Advertising#Computer-Generated Imagery (CGI) refers to the creation of still or animated visual content with computer software. In advertising#CGI enables the production of hyper-realistic visuals that might be challenging or impossible to capture through traditional photography or#showcase products in dynamic ways#and create immersive experiences that resonate with audiences.#The Rise of CGI Ads Production#The demand for CGI Ads Production has surged as brands recognize the myriad benefits it offers. For instance#a case study by XYZ Research showed a 25% increase in engagement#while an industry report by ABC Analytics highlighted a 15% reduction in costs.#• Unparalleled Creativity: CGI allows for the visualization of concepts without the constraints of reality#enabling brands to present their products or services in imaginative settings.#• Cost-effectiveness: Eliminating the need for elaborate sets#props#or on-location shoots#CGI can reduce production costs while maintaining high-quality outputs.#• Consistency and Control: Every element in a CGI ad is controllable#ensuring consistency across campaigns and the ability to make adjustments without reshooting.#• Engagement: High-quality CGI ads captivate viewers
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Do you have thoughts about the changes to Firefox's Terms of Use and Privacy Notice? A lot of people seem to be freaking out ("This is like when google removed 'Don't be evil!'"), but it seems to me like just another case of people getting confused by legalese.
Yeah you got it in one.
I've been trying not to get too fighty about it so thank you for giving me the excuse to talk about it neutrally and not while arguing with someone.
Firefox sits in such an awful place when it comes to how people who understand technology at varying levels interact with it.
On one very extreme end you've got people who are pissed that Firefox won't let you install known malicious extensions because that's too controlling of the user experience; these are also the people who tend to say that firefox might as well be spyware because they are paid by google to have google as the default search engine for the browser.
In the middle you've got a bunch of people who know a little bit about technology - enough to know that they should be suspicious of it - but who are only passingly familiar with stuff like "internet protocols" and "security certificates" and "legal liability" who see every change that isn't explicitly about data anonymization as a threat that needs to be killed with fire. These are the people who tend not to know that you can change the data collection settings in Firefox.
And on the other extreme you've got people who are pretty sure that firefox is a witch and that you're going to get a virus if you download a browser that isn't chrome so they won't touch Firefox with a ten foot pole.
And it's just kind of exhausting. It reminds me of when you've got people who get more mad at queer creators for inelegantly supporting a cause than they are at blatant homophobes. Like, yeah, you focus on the people whose minds you can change, and Firefox is certainly more responsive to user feedback than Chrome, but also getting you to legally agree that you won't sue Firefox for temporarily storing a photo you're uploading isn't a sign that Firefox sold out and is collecting all your data to feed to whichever LLM is currently supposed to be pouring the most bottles of water into landfills before pissing in the plastic bottle and putting the plastic bottle full of urine in the landfill.
The post I keep seeing (and it's not one post, i've seen this in youtube comment sections and on discord and on tumblr) is:
Well-meaning person who has gotten the wrong end of the stick: This is it, go switch to sanguinetapir now, firefox has gone to the dark side and is selling your data. [Link to *an internet comment section* and/or redditor reactions as evidence of wrongdoing].
Response: I think you may be misreading the statements here, there's been an update about this and everything.
Well-meaning (and deeply annoying) person who has gotten the wrong end of the stick: If you'd read the link you'd see that actually no I didn't misinterpret this, as evidenced by the dozens of commenters on this other site who are misinterpreting the ToU the same way that I am, but more snarkily.
Bud.
Anyway the consensus from the actual security nerds is "jesus fucking christ we carry GPS locators in our pockets all goddamned day and there are cameras everywhere and there is a long-lasting global push to erode the right to encrypt your data and facebook is creating tracking accounts for people who don't even have a facebook and they are giving data about abortion travel to the goddamned police state" and they could not be reached for comment about whether Firefox is bad now, actually, because they collect anonymized data about the people who use pocket.
My response is that there is a simple fix for all of this and it is to walk into the sea.
(I am not worried about the updated firefox ToU, I personally have a fair amount of data collection enabled on my browser because I do actually want crash reports to go to firefox when my browser crashes; however i'm not actually all that worried about firefox collecting, like, ad data on me because I haven't seen an ad in ten years and if one popped up on my browser i'd smash my screen with a stand mixer - I don't care about location data either because turning on location on your devices is for suckers but also *the way the internet works means unless you're using a traffic anonymizer at all times your browser/isp/websites you connect to/vpn/what fucking ever know where you are because of the IP address that they *have* to be able to see to deliver the internet to you and that is, generally speaking, logged as a matter of course by the systems that interact with it*)
Anyway if you're worried about firefox collecting your data you should ABSOLUTELY NOT BE ON DISCORD OR YOUTUBE and if you are on either of those things you should 100% be using them in a browser instead of an app and i don't particularly care if that browser is firefox or tonsilferret but it should be one with an extension that allows you to choose what data gets shared with the sites it interacts with.
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You gonna do anything or make any statement about the rampant transmisogyny on this hellsite, especially in cases like predstrogen recently? Or yall gonna stay silent and keep letting/making us get pushed off of it.
I have a number of asks about this, so this is to address all of them, I won't do each individually.
We generally do not comment on individual cases, but because there seems to be mass misinformation around this, I will make an exception and comment on predstrogen.
First, Tumblr has a number of LGBT+ including trans people on staff, and they see things from the inside fully, and they're not protesting this case.
Why do we wrongly have a transphobe reputation? We did have an external contract moderator last year that was making transphobic moderation (and also selling moderation, criminally). As soon as we were aware that person was fired, and we later terminated the entire relationship with that contracting firm and have brought almost everything in-house (at great cost). I have previously commented on this publicly, several times.
I am not aware of any Automattician (people who work at Automattic and Tumblr) who has made any transphobic moderation actions. If it's reported it is investigated immediately, if anything were found that person would be terminated for cause immediately.
Predstrogen's account was suspended for:
Repeated mis-tagging of adult content against Tumblr's community guidelines. This has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can't post them here without a mature tag.
Multiple cases of harassment of other Tumblr users, not just me.
Multiple threats of violence, not just the one I share below.
These represent a breach of our Terms of Service, and we've exercised our right to refuse service.
Threats of violence are never okay. Threats of violence are not protected speech. We will work with police and FBI where appropriate, though to be clear prestrogen's case hasn't warranted that so far. I'm referring to what we may potentially do for other threats. I just got a death threat yesterday from someone mad about predstrogen, and that account was immediately terminated.
So regardless of whether you still think Tumblr staff is somehow a bunch of transphobes, know that threats of violence or death are still not acceptable and will result in immediate and serious action. Know that when you rile people up, they can do dumb things with possibly permanent consequences.
(2 hours later update: I have changed instances of the pronoun "they" or "their" to "the account" because I am unaware of pronoun preference in this instance and don't want to misgender anyone. Thank you for the people who reported this as an issue. Update 2: "She" is apparently better, the post now says that. Sorry for the mistake.)
Here's one (of many!) examples of the harassment violations, this one targets me but there are others targeting other users on the site.
The second part seems to indicate she wanted to be suspended, I'm unaware of why, perhaps to create this sort of uproar. I agree the hammers feel silly, but the start, "i hope photomatt dies forever a painful death" is a violation of Tumblr's community guidelines and terms of service.
The car part did hit close to home as I have almost died twice in car accidents.
Update 2: Added this text to the adult content part: This has nothing to do with clothed transition photos, she had 20+ other blogs and multiple accounts with names so explicit I can't post them here without a mature tag.
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Who is Kamala Harris?
These are all from her Wikipedia page. I have picked the top 5 for each of these sections. Maybe you think other things are more important, these are just the things that stood out to me:
Highlights as District Attorney of San Francisco:
was tough on gun crime: created a gun crime unit, set 90-day minimum sentences, raised bail for gun-related crimes, and prosecuted all assault weapon possession cases as felonies.
created a hate crimes unit specifically focused on LGBTQ hate crimes against children and teens in school.
was (and is) against the death penalty; during her time as DA did not cave to pressure in several cases to seek the death penalty.
helped create the San Francisco Reentry Division, aimed at helping prisoners reintegrate after their sentences are through; the program became a national model.
refused to enforce prop 8, which was at the time California's ban on gay marriage.
Highlights as Attorney General of California
introduced the Homeowner Bill of Rights and fought against banks, mortgage companies, and credit card companies.
fought for financial reimbursement for public employee and teacher pensions.
fought for environmental protections and secured settlements and indictments against several oil companies for oil spills.
conducted a review of implicit bias in policing and the use of deadly force and introduced implicit bias training.
declared a law that California law enforcement had to collect and report police violence.
Highlights as a California Senator:
condemned Trump's Muslim ban.
opposed Trump's appointments of Betsy DeVos and Jeff Sessions, his nomination of Neil Gorsuch, and voted against confirming Kavanaugh.
tried to make lynching a federal hate crime.
urged the Trump administration to investigate the persecution of Uyghur Muslims in China.
voted to convict Trump on charges of abuse of power and obstruction of Congress.
Highlights as Vice president:
as President of the Senate, cast the tie-breaking vote in the Senate that ensured the passing of the American Rescue Act.
has cast more tie-breaking votes than any other Vice president in US history - she is responsible for many of the achievements of the Biden administration actually passing the Senate.
created task forces on corruption and human trafficking.
created a women's empowerment program.
has criticized Israel's actions during the current conflict in Gaza and called for an immediate ceasefire.
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hbomberguy’s latest video on plagiarism has made me completely rethink literature and writing. I have never once so much as considered intentionally plagiarizing anyone or anything, but I think there’s something more that has come out of this: the names of the people who created the works Somerton (and others) ripped off.
Plagiarism isn’t only bad because it is lazy and disrespectful, it’s bad because it buries the truth. If you can’t find a source, the conversation is over. Somerton’s sources are fairly easy to find by simply searching his plagiarized lines, but that isn’t true in most cases. Most of the time, the line from statement to source is a lot less clear.
Today, I was writing a report on English Ivy, which is an invasive species here in the US. I wanted to know when it was introduced and I at last found a source claiming it was introduced to the Americas “as early as 1727” on a .net website that seems quite reputable (it has multiple major universities credited in its home page), but there is no citation for where this date came from. I dug deeper and found a pamphlet created by a city government in Virginia that made the same claim, only to discover the first source linked in their bibliography. Another website (a botanical garden’s page) gave the same date with the same source hyperlinked. Of course, I have classes to attend and things to do and probably not enough time to follow the lines back to where this 1727 date came from, but if I had not just watched this video, I wouldn’t have given that date a second thought.
Of course, it doesn’t matter in the long run exactly what year hedera helix was introduced to the Americas, but it makes you wonder how many facts have been so vaguely attributed that it becomes completely impossible to figure out where they originated (and further, whether or not they’re true at all).
#hbomberguy#james somerton#plagarism#EDIT: it was introduced to *the americas* NOT the US in (probably) 1727#THANK YOU anon ask person!!!#the US didn’t exist in 1727
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I really hope this reaches more people, I'm only reposting this information from Instagram, the least that I can do. (Update: I changed their upbringing as it appears to have been listed wrong) Wiki page
When I just saw this information I couldn't stop crying thinking about it, and now my heart aches. They were the same age as me, I know for a fact like any other teen they dreamt of their future, who they would want to become, what to achieve, create, wondering if they meet those in the future they can call friends, wondeting if it'll get better when they grow up, maybe wished to leave that terrible place or maybe wanted to stay. How could anyone let this happen, why were they discharged from hospital so easily? And the school, we all know why. I hate to think about how, even with all the progress made, these things still happen.
"murdered schoolgirl Brianna Ghey on February 16, 2023. Candlelit vigils are being held across the UK this week for Brianna Ghey, 16, who was stabbed at Linear Park in Culcheth, Cheshire last Saturday. Brianna was a transgender girl and police are now investigating her killing as a hate crime. A boy and girl, both 15, have been charged with her murder"
An article that explains trans hate crime murders as on 2023
I hate everyone who have ever committed such vile hate crimes, I wish them in prison and hell. But i would never go down to their level. But I also blame the government, the school, and even those bigoted online accounts that teach their followers hate. In this case LibsOfTikTok, who targeted the teacher of this school, who supports lgbtq+, so they had to leave their position. It must have been the push for this to happen. I think their tiktok account has been thankfully deleten. But i have no idea about Twitter or any other. Please check and mass report them if it still exists. (Link to Instagram reel that this information is from)
ADDITION, PLEASE MASS REPORT THESE ACCOUNTS
#tw description of violence#tw death#lgbtqia#trans#trans kids#trans news#lgbtq community#lgbtq#lgbtq news#information#boost#Nex Benedict#please share#transgender#lgbtq+#lgbtqiia+#rest in piece#tw hate crime
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After noticing patterns over the years, I created this list with 13 points to score the level of stereotypes about sharks present in a work. I believe that most of these stereotypes have their main origin in the film Jaws (1975).
With the scarcity of works that explore other creative approaches to sharks, beyond the “man-eating ” narrative, Jaws ended up consolidating itself as the greatest source of inspiration and creative reference for many productions to this day. This was called “The Jaws Effect”. 🩸🦈
I've noticed that certain patterns in the creative world repeat themselves to the point of being tedious, which bothers me. Not because they're bad, but because in many cases they're harmful. With these points, I hope to show sharks in a new light.
🩸1 - Great White Shark Popularized by the Jaws movie, the Great white shark has become the dominant archetype in the representation of sharks in fiction. Often, works choose to use this shark or a generic gray version of imprecise anatomy, with no defined species. However, there are over 400 species of shark, and very few are explored creatively.
🩸2 - Man-eater The persistent idea that sharks have humans as a natural part of their diet is one of the most widespread stereotypes. Although there are reports of incidents, most attacks are isolated and often by mistake. Any animal, including humans, could turn to unexpected sources of food in a situation of desperation or starvation.
🩸3 - Forced Behavior It's common to see sharks portrayed with distorted or exaggerated behaviors that don't match their nature just to cause tension, such as:
Hunting small fish, ignoring the fact that sharks avoid expending energy on low-energy prey.
Abandoning easy prey just to arbitrarily chase the protagonist.
Going crazy at the smell of blood.
Showing a wild and constant hunger.
Obsessively pursuing a single prey.
Making aggressive shark species known for being peaceful or timid.
Attacking and destroying objects, structures or vessels with disproportionate fury just to reach someone.
🩸4 - Monstrous appearance It's common to see sharks' appearance exaggerated to intensify visual fear, making them look like monsters rather than real animals:
A gaping mouth, with huge, crooked teeth that are constantly stained with blood.
Menacing, demonic red, black empty and soulless eyes.
Body covered in grotesque scars, exposed wounds and even weapons embedded in the skin.
A disproportionate figure, with pointed shapes, a swollen or deformed body.
Bizarre mutations that completely alter their anatomy.
Technological modifications to make them more weapon-like, emphasizing the idea of the "Killing Machine".
🩸5 - Shark de-characterization Especially in children's works, in order to be accepted by the public or the other characters in the plot, the shark is often forced to change its identity. It is transformed into a “domesticated” version, such as:
Becoming a vegetarian or a toothless shark, losing its ecological role as a predator.
Taking on exaggeratedly “funny” behavior, becoming a caricature.
Having its behavior and appearance altered to look more like a dolphin or other friendly shape, excluding striking features such as prominent fins, visible gills or a fusiform snout.
Choose to portray a specific species of shark because it seems more “friendly” to the public, such as the whale shark.
🩸6 - Limited Nature The representation of sharks in fiction is usually limited to sensationalist aspects, such as the power of their bite, the old phrase that they "smell a drop of blood in 2 million liters of water", or things like "killers from the womb".
However, sharks have some very interesting characteristics that are little explored creatively:
Acute hearing, capable of picking up sounds more than a kilometer away in the ocean.
Their electroreception, which allows them to perceive tiny electrical impulses emitted by living prey and even sense the electromagnetic field around them.
Possible link between their migrations and the lunar phases.
Incredible healing capacity and immune resistance.
Skin made up of denticles made of the same material as our teeth.
They constantly change their teeth.
Longevity and they never stop growing.
Many fish such as rémoras and pilot fish depend on and live alongside sharks.
Sensitive to pressure changes and can even predict hurricanes and tropical storms.
🩸7 - Red Presence Striking presence of red, either with the presence of blood or the color present in the design. This emphasis on red reinforces the shark's direct association with violence, danger and death, contributing to the construction of the “bloodthirsty monster” stereotype.
🩸8 - Dark Music It is common for sharks to be associated with tense, dark and threatening soundtracks whenever they appear on the scene. More often than not, I notice that when sharks are mentioned in song lyrics, it is to express some sort of comparison to some negative stereotype.
🩸9 - Threatening setting Scenarios with sharks are almost always represented in a gloomy, dark, desaturated way, empty of marine life. The environment is treated as a dangerous place by nature, shipwrecks, dark caves, areas full of garbage, explosive mines or the inhospitable depths of the sea
🩸10 - Masculinization The theme involving sharks has always been very masculine. Shark characters are rarely female, while the human characters who interact with these animals, scientists, hunters, divers or specialists, are almost always white men. Women and minorities almost never occupy central or specialized roles in these narratives.
🩸11 - Villainization Sharks are often portrayed as villains by default, carrying negative and caricatured stereotypes, for example:
Gangster or mobster
Aggressor or school bully
Criminal or loan shark
Brutish idiot or dumb henchman
Corrupt politician or authoritarian fascist figure
Indomitable monster or irrational beast
Recurring enemy, obstacle or final boss in video games
🩸12 - Objectification Sharks are often treated as mere resources or utilitarian objects in fiction. They are represented as trophies, rewards, collectibles or consumables, as if they existed only to be hunted, exhibited or eaten.
This objectification also appears in the constant presence of jaws decorating environments, teeth used as accessories, fins amputated as an ingredient, and in the display of the animal's body in a morbid way: corpses exposed, dead body hung and displayed as a trophy in harbor, parts dissected or being devoured by other creatures.
🩸13 - Death As if it weren't enough to have become a symbol of death incarnate, even in animations aimed at children, sharks almost always have the same fate: death. What's worse, their death is usually celebrated as a relief or a victory.
Impaled, butchered, set on fire, crushed, blown up, fished out or killed by another "heroic" creature, tossed about by hurricanes… In many cases, these scenes are treated with humor or graphic exaggeration, turning the destruction of the shark into a spectacle.
---
I was unsure about publishing this list as it is just personal observations from someone who loves sharks. A few people asked me for this list and said it would be worth posting, don't take it too seriously.
These stereotypes are not necessarily bad or invalid, after all, we are talking about works of fantasy and fiction. However, they could be resignified through new creative ideas that arouse feelings other than fear and terror.
Although many people's passion for sharks arose precisely from movies like Jaws and the stereotypes it popularized, it's important to remember that these same elements have been repeated almost unchanged for decades. This exhaustive repetition was largely because it was profitable, turning sharks into yet another victim of entertainment capitalism. Over time, this type of representation ended up distancing ordinary people from the reality of these animals, reinforcing fear rather than curiosity. Nowadays things are a little better, but not better enough.
The reality of sharks goes far beyond that. They are mysterious and fascinating animals, older than the first trees or dinosaurs. They have survived five mass extinctions, incredibly adapted from the abyssal depths to mangroves and freshwater rivers. They have unique senses and behaviors that are still shrouded in mystery, as well as a biology so singular that it inspires advances in science and technology. For many ancient cultures, sharks are revered as true gods of ocean balance.
I dare say that by looking after the health of the seas for millions of years, sharks made it possible for our own species to emerge from the depths of the primordial ocean. They are, in a way, guardians of our cradle of origin. And so we owe them a great deal of respect and preserve them at all costs.
To date, no creative work has managed to surpass “Jaws”. Who will be creative enough to create a new work and transform the collective imaginary of sharks from fear to fascination? 🦈✨
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Warning: Long Post No one reads long texts anymore, but despite everything I've been through with my country, my family, and recently my son, I need to get this off my chest. It's completely unbelievable to me that so many people still don't understand the background of the genocide in Palestine. What kind of journalists or influencers do we have today? Are they too afraid to report and remind their audiences about the real story behind what's happening now? No, it's not just one year of suffering! It's outrageous how the media consistently ignores what Palestinians have been enduring for decades. Have they, or you, even bothered to look at the statistics of how many Palestinians have been killed by Israel since 1948? How many children have been killed? Who holds the responsibility for what's happening now? I often wonder: what if the situation Palestinians face was applied somewhere else? For example, what if, after World War II, the West had decided that all Jews should have a state in the USA—let’s say Chicago—how would the people of Chicago have reacted? Imagine the people there being driven off the land their families had worked for generations, stripped of their rights, and harassed or persecuted if they resisted. Do international laws simply not apply when ### is involved? Do you know that people in Gaza are killed simply for fun? Yes, for fun! Israeli soldiers have been known to shoot women, children, and even animals on the spot, then walk away. Did you feel the wind when those shots were fired? Or was it too far away for you? Do you understand what death means? Good. Do you know why there are so many Palestinians living in different countries, or maybe even right next door to you, even though they smell like hummus, garlic, za'atar, and other traditional foods? Do you know why your neighbors are Palestinian and not Israeli? It's because we've been forced to flee since 1948. Our cities were erased then, and more are still being erased—through violence, through apartheid laws, through genocide, through different methods. Ilan Pappe, an Israeli historian, wrote a book about hundreds of Palestinian cities that were erased to create the Israel you know today. This isn't a war that started a few days ago or even a year ago—this has been going on since at least 1948. More than 45,000 have been killed in Gaza just in the past year alone. 17 000 of them are children, and 13 000 are women. Do you even know what that means? How it feels to lose your children or part of your family? Are you going to tell us how it feels? Do you have no empathy? Is your heart so closed that you can't see the pain around you? Are you really so blind to the suffering of others? How can you ignore these realities? Do you know that the Israeli military has cut off all electricity and completely halted the import of food, water, fuel, and other necessities? There are no hospitals and no medicines left, and 85% of people in Gaza are living in makeshift tents. Yes, tents—but not like the ones you see in movies. These are handmade from plastic scraps. Do you know that my family is suffering from all of this, and I will lose them in this cold weather if you don't act now? Please help us and donate now!
Vetted and shared by @90-ghost: Link.
Verified and shared by @el-shab-hussein: Link
Listed as number 282 in "The Vetted Gaza Evacuation Fundraiser Spreadsheet" compiled by @el-shab-hussein and @nabulsi : Link
Listed on the Butterfly Effect Project, number 957: Link
Additionally, Al Jazeera News has documented apart of my family's case: Link
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#palestine#humanity#charity#gaza#donate#humanitarian aid#help gaza#free gaza#gaza genocide#pray for gaza
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If you are in any online spaces that discuss the morality of fiction or its censorship, please keep the following in mind:
CSAM refers to Child Sexual Abuse Material. This is a term that was created for use by US federal law enforcement. As such, it is important to remember that this is a term used specifically to describe illegal sexual content that is produced involving real children. the term CSAM was specifically constructed to highlight the trauma these victims experience because of this abuse, and therefore their humanity.
if you come across CSAM online, you should immediately report it to a tip line. Some websites that host their servers in the US are subject to US federal law even if the person who posted it does not currently reside in the US, so keep that in mind when reporting. again, this is involving CSAM - it is illegal sexual content involving real children.
CSEM refers to Child Sexual Exploitation Material. This is material that involves a real child in a sexualized situation, but either 1- the material itself is not illegal to possess, or 2- the material is not sexualized, but is included in a series or other content that does contain CSAM. Think along the lines or a parent with a few too many photos of their child in the bath. These images are not explicitly sexual, and are not illegal in and of themselves, but they can be used exploitatively.
If you come across CSEM online, it's still a good idea to send in a tip as well as alerting the website it was posted on. Even if the content itself isn't technically illegal, some websites do have strict rules regarding nudity and the sexualization of minors, which can help stop the spread of such materials and reduce the impact on the affected child.
CSAM and CSEM are words used to describe the assault, abuse, sexualization, and exploitation of real children. CSAM, specifically, is used as a way to identify and remove these materials.
CSAM and CSEM do not apply to fiction. They don't apply to any fictionalized or simulated child abuse or sexualized children. They only refer to real children.
Do not send in tips about fictionalized child abuse or sexualized children to tip lines meant to be used for CSAM.
Do not use the words CSAM and CSEM when discussing fictionalized child abuse or sexualized children. In a worst case scenario, it leads to people misusing tip lines due to a conflation of CSAM with fictionalized depictions.
In a more likely scenario, using CSAM to refer to fiction minimizes what CSAM was created to do - which was highlight the trauma experienced by survivors, and therefore draw attention to their humanity. By continuing to use these terms in situations that do not involve real people, it reduces that impact.
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"For the first time in 500 years, the European beaver has been seen in Portugal, a moment that one nonprofit has called “one of the most significant steps in the aquatic rewilding of Portuguese rivers.”
As GNN has reported in the case of the UK, there is no animal other than humans capable of engineering its natural environment at the same scale as the beaver, and it’s clearly this trait which has Portuguese ecologists jumping for joy.
Extinct in the small Iberian country since the 15th century, this large rodent has recently been reintroduced and restored in various parts of Portugal’s large neighbor. Gradually, signs began to appear that the beaver (Castor fibre) was progressively inching closer to Portugal, until recent camera trap footage confirmed the animal’s presence in the country.
“We’ve been on the lookout for this breakthrough for a few years now, and now we’re thrilled to confirm its return. The beaver is a natural ally in restoring the health of our rivers and wetlands and has a fundamental role to play in our river ecosystems,” says Pedro Prata, Team Leader at Rewilding Portugal.
Through its constant activity building dams, beavers transform landscapes into watery paradises for small fish, amphibians, invertebrates, insects, and birds. Their damning of rivers diverts water flow in various different directions, cuts channels for floodwater, and creates ponds and wetlands.
“We’re talking about a species that provides ecological services that no modern equipment can replicate with the same efficiency and scale, without costs and bureaucracy that can never be overcome. The beaver improves water quality, creates refuges for other species and helps us fight phenomena such as drought and fires,” emphasizes Prata.
Portugal suffers from both drought and wildfires, which the beaver’s impact can help prevent through the increased water retention in dryland soil, while the wetter lands beaver dams create act as natural fire breaks.
Beavers don’t only live in the forest, they will happily transform a desert river as well.
Rewilding Portugal, in an article celebrating the animal’s return, detailed how they have long since anticipated this arrival, and informed the relevant ecological authorities to prepare for the disruptive effects which beavers bring hand in hand with the positive ones.
France, Germany, Sweden, and Switzerland have all had to cope with the occasional dam-bursting flood, or an agriculturalist complaining about their riverside plantations being damaged, or someone getting their trees gnawed down. They cope with it in different ways, which Rewilding Portugal say is a worthwhile accommodation for the benefits the beavers bring.
Previously, GNN reported that Rewilding Portugal have reintroduced European wood bison into the Greater Côa Valley ecosystem. As the beaver does in water, the bison does on land: engineering the landscape into a biodiverse and resilient patchwork of micro-ecologies."
-via Good News Network, June 18, 2025
#beaver#beavers#portugal#rivers#riverine#ecosystem restoration#europe#eu#wildfire#drought#good news#hope
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bet — spencer reid
pairing: spencer reid x fem!reader ( no use of y/n ) summary: you and spencer have a bet on who is going to be the first to expose your relationship content warnings: mention of a victim a/n: when i tell you this took me ages omg i was struggling
You and Spencer had a bet.
A ridiculous, entirely unnecessary bet, but a bet nonetheless.
The stakes? Bragging rights, and the satisfaction of being able to tease the other endlessly.
The challenge? Who would be the first to slip up and accidentally reveal your secret relationship to the rest of the BAU team.
Both of you knew that secrecy wasn’t exactly your strong suit. Between Spencer’s tendency to ramble when nervous and your habit of wearing your emotions like a neon sign, it was only a matter of time before someone pieced it all together.
And that was what made the bet so much fun—because neither of you wanted to be the one to crack first.
Some mishaps had already happened, moments that came far too close to giving you both away.
Like the time Derek had caught Spencer staring at you during a team briefing. “Hey, Pretty Boy, you got something to add, or are you just lost in thought over there?” Derek had teased, a smirk tugging at his lips. Spencer, predictably, had flushed a deep shade of red and stumbled over a vague response.
And, of course, who could forget the case in Chicago when Hotch had walked into the room just as Spencer had brushed a strand of hair out of your face? The gesture had been so natural, so tender, that even Hotch had paused for a fraction of a second before continuing his sentence. You could’ve sworn he’d given you a knowing glance, though he hadn’t said a word.
Right now, you were sitting at your desk, trying (and failing) to focus on finishing your report on the case from two days ago.
“Spence, what was the address of the place where we found the second victim?” you asked, tapping your pen on the paper as you glanced up at your boyfriend sitting across from you at his desk.
“1375 Oakridge Drive,” he replied almost automatically, barely looking up from his own report.
“Thanks,” you mumbled, jotting it down and trying not to get distracted by the little curl of hair falling onto his forehead.
The bullpen was unusually quiet.
That peace didn’t last long, though, as Derek and Garcia burst into the room, engaged in what sounded like a very enthusiastic debate.
“Reid, listen to this!” Derek called out, cutting across the bullpen as Penelope trailed behind him, waving her arms dramatically. Both you and Spencer instinctively looked up from your work.
“Okay,” Derek began, leaning one arm casually on the divider of Spencer’s desk. “Do you think watching a rom-com with someone is romantic?”
“Specifically with a friend,” Penelope interjected, her voice dripping with sarcasm. “Because apparently, Mr. ‘Romance Expert’ here thinks it is!”
Derek rolled his eyes. “Come on, Penelope. It can be romantic. I mean, think about it—it’s all cozy, emotional, and half the time someone ends up crying or sharing popcorn. You’re telling me that doesn’t create a vibe?”
Spencer blinked, caught off guard by the sudden question. He sat up straighter, adjusting his tie slightly as he considered his answer.
“Well,” he began, his voice contemplative, “the concept of watching a romantic comedy doesn’t inherently equate to a romantic interaction. However, if the participants have underlying romantic feelings, the environment—such as sharing an intimate space or engaging in emotional dialogue—could certainly facilitate a sense of connection. For example, I—”
He froze mid-sentence, his brain catching up with his mouth as he realized where he was going.
Oh no.
Your eyes widened in panic as you watched Spencer flounder. His lips parted as though he might try to backtrack, but the damage was already done.
“For example…?” Derek prompted, his brows shooting up, clearly intrigued.
Spencer quickly cleared his throat, fumbling for a save. “Uh, hypothetically. I mean, generally speaking. Like, if two people…were, um, interested in each other—not me, of course—then maybe…” His voice trailed off as he glanced at you.
You bit the inside of your cheek to keep from laughing, knowing full well that he was treading dangerously close to losing the bet.
Derek narrowed his eyes, studying Spencer for a moment. “Hmm,” he said slowly, drawing out the syllable. “You’re acting a little weird there. Something you wanna share with the class?”
“Nope!” Spencer said quickly, shaking his head so forcefully it made his curls bounce. “Absolutely nothing.”
Penelope raised an eyebrow, looking between you and Spencer with suspicion. “Uh-huh. If you say so.”
You decided to intervene before they could dig any deeper. “Alright, Garcia, what’s your stance on the rom-com thing?” you asked, redirecting the conversation.
The distraction worked, and Penelope launched into an impassioned argument, effectively pulling Derek’s attention away from Spencer.
You shot Spencer a look across the desks, mouthing close call. He gave you an apologetic shrug, his cheeks still faintly pink.
Two days later, you made the mistake. The one that was ten times worse than the rom-com slip-up Spencer had made.
You were in the file room, buried in paperwork that Hotch had assigned to you earlier that morning. The hours had been long and draining, and you’d barely made a dent in the pile.
Derek was there too, flipping through some files, his eyes narrowing in concentration, while Garcia sat at the table, her usual flair of colorful banter filling the otherwise quiet room.
She wasn’t doing much work, but she was keeping the rest of you entertained with her gossip.
“This is tiring,” you mumbled, your voice barely audible as you stretched and yawned.
You handed Derek a file, trying to keep your energy up, though it was clear you weren’t succeeding.
Spencer, who had been quietly scanning through a set of documents, glanced up at you, and then took a step closer. “You should go take a break and grab a coffee,” he suggested, his voice warm and concerned. “I’ll take these off your hands.”
You spun around to face him, smiling at the sight of him standing there, his sleeves rolled up and his hair slightly tousled.
His expression was a mixture of concern and adoration, and you couldn’t help the little flutter in your chest.
You smiled at him, genuinely grateful for the offer. You’d been working for hours, and the fatigue was beginning to take its toll.
“Thank you,” you murmured, your voice soft with appreciation. Without thinking, you leaned in slightly and planted a quick kiss on Spencer's cheek, your hand instinctively resting on his face—something you'd done countless times without giving it much thought.
The moment your lips brushed his skin, time seemed to slow. You pulled back almost immediately, but not fast enough. Your heart skipped a beat as you looked up into Spencer’s eyes, wide and shocked.
His brown eyes were locked on yours, the same stunned expression mirroring your own.
It was like a slow-motion realization hit you both at the exact same time—you just kissed him.
Before either of you could process what had happened, a loud gasp echoed from behind you.
“Oh my god!” Garcia squealed, her voice thick with excitement.
You felt your face burn as you snapped your eyes shut. You could practically hear Derek’s mischievous chuckle follow suit.
Spencer's back stiffened, and you knew exactly what was coming next.
“Well, well, well,” Derek's voice rang out, full of teasing amusement, “Look what we got here” His tone was almost dramatic as he clapped Spencer on the back.
“Way to go, my man! Getting the girl!” Derek cheered loudly.
You dropped your hand from Spencer’s face to his chest, your shoulders slumping as you sighed loudly.
It was out in the open now—so much for the bet.
Penelope’s voice cut through the air like a burst of confetti. “I knew it! I’ve been saying it for months, but nobody would listen to me!”
She was practically bouncing on her feet as she grinned at the both of you, clearly pleased with herself.
Spencer gave you a nervous but warm smile. You could tell he was about to say something, but before he could, you were swarmed by both Derek and Garcia.
“I knew you two were together,” Garcia squealed, pulling you into a tight hug. “Oh my god, you two are so cute.”
Derek, on the other hand, ruffled Spencer’s hair. “I’m proud of you, man.”
You could feel your pulse racing as you glanced at Spencer, who was doing his best to keep his usual composure, but the hint of a smile tugging at his lips betrayed him.
He gave you a look that could only be described as amused exasperation, as if asking, Well, I guess we don’t need to worry about hiding it anymore, do we?
A quiet laugh escaped your lips. Spencer’s smile softened as his hand reached for yours.
“I’m sorry,” you murmured softly, leaning in a bit closer to him. “I didn’t mean for this to—”
He cut you off with a gentle squeeze of your hand, his voice just low enough for only you to hear. “It’s okay,” he whispered, “I think it’s about time they found out.”
Later that night, you and Spencer were lying in bed. Your head rested on his chest, and your fingers absentmindedly drew soft circles over his chest as you listened to the steady rhythm of his heartbeat beneath you.
His hand was gently resting around your waist, his thumb lightly brushing over the skin of your arm.
"Today was fun," you murmured into his chest, the sound muffled but sincere.
“A lot of fun,” he chuckled, the vibration of his laugh resonating through his chest.
You couldn’t help but smile to yourself, remembering the teasing from Derek and Garcia, and the way everything had just spilled out into the open.
“I for sure thought you’d be the one to lose the bet,” you teased, your voice light and playful.
Spencer raised an eyebrow, his lips curling into a soft smile. "I didn’t," he said, his voice playful but confident.
“Why is that?” you asked, lifting your head just enough to prop yourself up on your elbow. Spencer met your gaze, his smile never wavering.
He was looking down at you with that soft affection that always made your heart skip a beat.
"You're more obvious than me," he said, brushing a strand of hair out of your face with his fingers, the touch tender.
You immediately furrowed your brow, sitting up a little straighter. “No I’m not,” you said, a playful frown tugging at your lips.
But the moment his fingers gently brushed your hair again, any trace of the playful frown disappeared. A warm smile spread across your face, unable to resist the effect his touch had on you.
Spencer tilted his head, his eyes glinting with that teasing spark you knew so well. “Oh really?” he said, his voice laced with amusement, his gaze never leaving yours.
You rolled your eyes at him, but the smile on your face betrayed you. “Okay, maybe,” you admitted with a mock sigh, before leaning back down onto his chest.
Spencer’s laughter rumbled softly in his chest as he kissed the top of your head.
You snuggled closer to him, your face against his chest once more, feeling the beat of his heart beneath you.
"Goodnight, Spence," you murmured, your voice barely above a whisper.
"Goodnight," he replied, his hand gently squeezing your waist as he kissed your forehead one last time.
#criminal minds#criminal minds fanfic#criminal minds x reader#spencer reid fluff#criminal minds fanfiction#spencer reid x reader#spencer reid x you#criminal minds x you#spencer reid
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My latest for Atlas Obscura is up! I reported on Reid Byers's truly wonderful "imaginary books" collection on display at the Grolier Club in Manhattan right now—and I got to sit in on his class about how to make an imaginary collection at the Center for Book Arts!
These are physical books that were mentioned in other books, split into three categories: "lost," "unfinished," and "fictive." All three are delightful, but the fictive category has *so* many fandom favorites—Death's memoirs from Discworld, a monograph by Sherlock Holmes, Stephen Maturin’s Thoughts on the Prevention of Diseases Most Usual Among Seamen, an entire case of the in-universe books of Lord Peter Wimsey and Harriet Vane, and many more.
The collection is on display at Grolier until February 15th and it's free to the public; in March it moves to San Francisco. (You can also look at it online—but seriously, these books are incredible in 3D if you're in the area in the next few weeks.) I think fanbinding folks would be especially interested in the material aspects of this project. (And I suspect some fanbinders will have also created in-universe books from their favorite source material!)
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Code: GHOST
It all started when a number code flashed across the screen of the Batcomputer while Tim was working on a case.
7 8 15 19 20
Flashed across the screen several times to the point it made Tim think that someone somehow managed to hack into the Batcomputer. It was also a number code he was not familiar with at all. So Tim reported it back over their comms in hopes that maybe one of the others knew what the numbers meant. Because all he managed to figure out from it was that the number code was an alert on the Batcomputer, one that came with coordinates that lead into the middle of nowhere.
Tim was about to join the discussion Dick and Jason were having on it when Bruce silenced them all apruptly speaking up.
"Answer code 2 1 20, sent them to the coordinates attached. I will be in the cave in ETA3 and take over from there."
The sudden silence on their communication line spoke volumes especially when Tim new the numbers was a simply code for Bat. He still did what Bruce asked him to do but that didn't stop the questions running through Tim's mind. He watched on the screen of the Batcomputer how the moment he sent the code in return, Programs started like on autopilot. A map opening that contained nothing at first but then changed into a map of a whole good damn city. Tim could only gap at what was happening on the Batcomputer before Bruce appeared and pulled him away from his seat to take over himself.
Bruce without a beat of delay started to input more codes and apparently access codes too as more and more windows opened on the Batcomputer. Tim did not realise that with time Dick, Cass and Damian had joined him as they watched Bruce work away on the Batcomputer. At some point an audiotrack opened but all they could hear was only static. They thought Bruce was going to run it through one of the noise filtering programs.
But to the shock of them, Bruce suddenly triggered a hidden compartment on the console, causing it to flip over and reveal communication link build in a way non of them had ever seen before. It was silver with green accents and looked far... older and less sleek than any of the ones they used. It was clearly not designed to stay completely hidden if put into your ear.
They watched how he simply put that earpiece on and then replayed the audiotrack.
The batkids shared a look of confusion. Non of them sure what to make of the situation until suddenly Bruce stood up from the Batcomputer.
"Prepare for a rescue mission. Nightwing, Orphan and Robin will come with me, the rest of you will stay in Gotham." Was all the man said before storming of towards the Batplane.
"Bruce what is going on?!" Dick instead of going to prepare asked stoping the man before he could get away from them. "What is the meaning of that code? Aside from the fact that simply translated it means ghost."
Bruce eyed the batkids present for a moment before letting out a grunt. "Ghost is finally ready to join the family."
"Ghost?" Tim echoed confused, never having heard that alias for any of them.
"Father what do you mean, 'join the family'?" Damian chimed in clearly frowning with suspicion.
The man eyed them once more his eyes going over each of his children, it looked like he was contemplating telling them more for a moment before he stood to fully face them and let out a sigh. "Like Clark, I too have clone child."
There was a stunned silence. No one speaking up until Dick did. "How long...?"
"14 years ago"
The silence continued as they all did the mental math. Once more it was Dick who spoke up first, clearly stunned. "You had a clone since I was eleven and now is the first time I hear of that?! You never bothered telling any of us?!"
There was a long suffering sigh. "We got to Danny before he was aged up, he was a normal baby even if created in a laboratory, so it was best for him to grow up normally, with the league we arranged for him to be sent to selected family since I had my hands full with you and-"
"Danny?!" Dick cut in. "His name is Danny? Does he even know about us?"
"Dick." Bruce called out his tone warning. "Of course I kept an eye on Danny's life. And I did made contact with him when the time was appropriated considering some of the things that were happening for the boy as he grew up, however he is not aware that he is a clone and it will stay that way. He will get to know all of you once we finished this rescue mission."
Before Dick or any of the others could say anything more Bruce spoke up firmly again. "Get ready now, we do not have any more time. Anything else will be handled later."
#danny fenton#danny phantom#dp x dc#dpxdc#dcxdp#crossover#dick grayson#damian wayne#tim drake#jason todd#cassandra cain#bruce wayne#Danny is a clone#Bruce kept Danny's existence a secret from the others#Danny does not know he is Bruce's clone#Danny was created when Dick was eleven#Bruce made first contact with Danny when he had his lab accident#Danny however refused going with Bruce then#But Bruce still gave him something he could get help with front he bats#random idea that bugged me while at work#writings been hard on me lately...
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