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Best Driving Lesson in Rivett: Mastering the Art of Safe Driving

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Podcasts & Genre: Noir
When one thinks of the noir genre, the most common association is film noir, a style of film making sparking in popularity many, meany years ago but still carries some relevance today. Though no one really makes genuine noir films anymore, unless you count a few with noir inspired elements, noir mostly lives on strictly as short parodies while mystery stories stay as mystery stories without the usual aesthetic qualities you’d identify a noir film with.
Noir brings up ideas of stylishly produced, sexual, and cynical stories sparking during the 1940′s that normally focus on a detective that one might describe as hardboiled, a femme fatale or two, and some type of mystery plot to tackle, often involving murder.
One of the core reasons noir is mostly treated with a certain level of parody in modern work is due to how dramatic these productions could be. The whole vibe of theatrics that came from these productions could be perceived as laughable nowadays. Though much like Broadway musicals could be given a massive reboot through the success of Wicked and later the phenomena of Hamilton, the same could be said for noir that will occasionally slip its way into more modern interpretations while still maintaining an authentic narrative.
While this is fairly evident in film, we all know that things with more than one picture attached to it isn’t really my specialty. You’re here to hear things and then read about the things you heard. How can sound effectively get an idea across when we only have our imaginations and common sense to tell things apart?
As a whole, this article will be delving into the complexity of translating genre through sound with noir being the main focal point due to its rarity and presence in a different medium of entertainment.
This might just be a theory though I believe that noir managed to flow pretty well into the audio drama realm mostly because one of the most vital parts of these films is a consistent narration. This aspect alone is oddly enough the real driving force behind noir getting a second life.
And yet I do realize that noir is a kind of genre that is very selectively put to use. It’s relatively rare for a new noir show to pop up, only ever making common occurrences around early to late 2016. Rex Rivetter: Private Eye and Neon Nights: The Arcane Files both debuted the same year with only a few months difference between their publications.
The same could be said for The Penumbra that came out in March. If this is merely a coincidence or not is on the table as all of the shows came from different producers and are essentially different products in their entirety.
These shows are not the only podcast noir shows in existence, though it’s hard to ignore just how few their are in comparison to the abundance of horror and sci-fi shows that come out every few months.
Among these, The Penumbra and it’s tales of private eye Juno Steel are the most openly successful. The Penumbra takes a creative approach to both the noir genre, with a helpful touch of sci fi, and the fantasy-adventure genre in their Second Citadel series. But if we are to focus on Juno Steel stories in particular, it’s not hard to see why it’s gotten such positive press.
Normally taking place over the course of two part episodes, Juno Steel delivers some strongly written individual mysteries that work their way up to being a whole story with recurring characters and an intriguing central plot. We get some colorful one shot villains, a likable though also dysfunctional lead, and a touch of romance that works to reveal the character’s personal insecurities.
The Penumbra’s specialty is to remix and retell classic story genres with a touch of modern edge and originality that lets them stand as great individual stories and joins The Bright Sessions and Wolf 359 as some of the most well known modern fiction podcasts.
A little while later came Neon Nights and Rex Rivetter that I combed through back to back to form a proper opinion on. Though they’ll most definitely be the topics of some future reviews, I do enjoy the air of the occult with Neon Nights which gives it a sort of Dresden Files vibe and Rex Rivetter that’s a touch more old fashioned through presentation which gives it a certain air of glamour that is sometimes delightfully camp.
The newest contender for the noir genre is What’s The Frequency? which has already made quite the splash in this mostly independent art community with a strong first episode that left a lot to the imagination. Though I’ve always liked the level of absurdity that the noir genre can dig up while still maintaining an air of mystery, What’s The Frequency? is one of the most downright bizarre products to come out in recent memory that’s equal parts eerie and engaging.
What’s The Frequency? truly commits to the style with its innovative use of static and the inclusion of voice work that invokes just the right vibe of psychedelic 1940′s it’s aiming for. It truly does feel old unlike the usual crisp and clean audio we get from the previously mentioned work.
Something that has fascinated me is that when you take the film out of film noir you still get a genuine experience. Even without the gray scale, even without the crafty use of silhouettes and dramatic framework, noir has managed to ooze itself into the crevices of fictional podcasts from a purely audio based perspective.
This I perceive as interesting as noir is noteworthy for its creative cinematography-Dutch angles, night-for-night shots, and silhouettes being the most common. Not to mention clothing like the iconic trench coat and hat approach, women with lipstick we could all assume was red, and people in formal dress for the sake of making every second look as classy as the last.
With podcasts, we only have so much time to get a visual across to listeners without loading them up with pointless filler, most of the run time consisting of dialogue meant to push the story forward to a conclusion. Though audio drama certainly isn’t limited to a purely linear story structure, it does have to pull through a bit more in certain aspects such as writing, sound editing, and acting to hold someone’s attention.
While film gives us more visual shorthand and generally does the settings and characters for us, audio drama leans heavily on getting its story out first and letting the listener fill in the blanks. In audio, visuals are an afterthought but imagery is still roughly where half of the writing effort goes into. It is much easier to look pretty than to sound pretty and this is why podcasts tend to be more ambitious since they can do more with less.
All of these individual shows have some sort of unique quality that gives it its rightful spot as separate stories, and yet you’d be hard pressed not to describe them as noir. Noir is so grounded in film that the idea of translating it to a purely audio based format almost seems to go against what noir is supposed to be, and yet we never run into these complications when we stumble upon them.
We can still identify a horror show without visual blood splatters and can still consider a sci-fi a sci-fi even if we never actually see the interior of a space ship we’re inside of. For example, Wolf 359 is very much science fiction with some strong comedy writing, though it’s also an entirely different beast than Hadron Gospel Hour that may be in the same boat but clearly going up a different stream.
Audio Diary of a Superhero and The Bright Sessions both tackle ideas of disability outweighed by extraordinary power, and yet it’d be near impossible to get the two mixed up. Presentation and packaging can really make or break a show and how one plans to get these ideas across is the real definitive element at hand.
While, let’s say for now, horror and science fiction don’t have any definitive visuals, only some recurring ones, noir is different in that it’s almost entirely built on a very specific list of cliches for it to be truly considered part of that group. You kind of need murder, you kind of need a detective, you kind of need a morally ambiguous seductress-so in that vain, noir can very much exist without the usual attributes as long as the audio can get these ideas across.
But let’s say, hypothetically, that these tropes aren’t being put to use. How exactly does one gain the right to consider their story a noir? Well from my understanding, these shows have leaned on a few common trends: a deep voiced protagonist with a definitive, world weary perspective, a jazz score, and taking place in a stylish but troubled city where all the conflict boils.
It’s truly here that the idea of style and substance, narrative and aesthetic, play into one another for the better.
Since this article is one part history lesson and another part describing things that are barley a year old, I do feel the need to dig up some facts. A detail many tend to forget is that audio drama was a vital form of entertainment years ago, it getting its start on nighttime radio broadcasts that were tuned into the same way we would watch prime time TV.
Though this type of entertainment hasn’t entirely died, the radio part of radio drama has leaned more towards desktop computer drama or smartphone drama if we’re going to be taking about technology specifically.
The thing is that podcasts got a hard reboot when Welcome to Night Vale reminded people how cool that was and everyone followed Joseph Fink and Jeffery Cranor’s breadcrumbs to make their own stories that were slightly less time consuming than writing a book and less expensive than making a movie.
The strive for authenticity is strong in any artistic medium and podcasts are no exception. We may have our trends and sometimes repetitive structures and dynamics surfacing every few years, though the final product is what really gives anything its identity. What we consider truly authentic for anything or anyone can be boiled down to aesthetic value, narrative value, or something else entirely depending on your perspective.
The same could be said for me as the whole purpose of Podcasts& is essentially to cover topics with a little more complexity than I’m normally able to. Reviews are restricted to whatever podcasts I managed to finish and pair up on slim similarities, Teatimes have the creators do most of the talking, and Palettes, one of the main support beams of the PodCake empire, are the equivalent of a “best of” reel-a first impressions, if you will. All the while I keep things interesting with flower emoticons and some cute girls over a pink backdrop. These are certainly accessories to my persona, though not the entirety of my work.
With Podcasts&, we’re given just a little more time to look back and breathe in just what audio drama is capable of. If there’s anything about this medium that has fascinated me it’s the way it can transcend the typical confides of storytelling to still give a satisfying and unique experience. Many audio dramas exist in the same subgroups but I’m hard pressed to find any that are near identical to one another.
Be it The Penumbra or Neon Nights-they may be fruit bared from the same garden, but their taste and textures are clearly being grown from different kinds of people. What makes each one interesting is that while noir is normally considered an exercise in creatively crafted footage, audio still manages to capture its identity and mood nonetheless. Noir audio dramas have to flex a little more muscle to really get their aesthetic qualities to matter since that is what defines their genre in the fist place.
Interesting how these articles tend to tie into one another.
As I get to the conclusion of this editorial, I realize I have opened up a whole new can of worms when dealing with genre construction that is such a broad topic that I’ll need more than one text document to talk about it. Maybe some other day in some other month when all the Palettes and reviews are done and I can work up something proper worthy of being the first article of the new year.
We can discuss comedy and horror and science fiction and surrealism. We can talk about all that has come of it and how there is no one way to tell a tale or represent a genre.
So consider this little piece a...prelude for what is to come. Let’s talk about history, let’s talk about audio entertainment in its entirety, let’s bookmark Wikipedia articles, because the topic of genre is barely even at its peak when it comes to noir, though the fact that it exists at all says something about what just a few sounds are capable of.
#podcast#audio drama#audio play#radio play#what's the frequency#the penumbra podcast#neon nights the arcane files of jack tracer#rex rivetter private eye#wolf 359#audio diary of superhero#hadron gospel hour#welcome to night vale#podcasts and#genre parlor
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Masterlist
I’ve actually received a few people interested in my current list of podcasts so I’m writing them all down (also it’ll be helpful in case my podcast app decides to crash and wipe my library for the fourth time)
I just want to preface this by saying I’m probably still missing a few that I haven’t been able to remember. Also there’s a few on here that have finished, a few I’ve stopped listening to and am waiting to see if I’ll go back to, and a few that I haven’t gotten around to listening to yet.
1. 2 Dope Queens 2. 36 Questions 3. A New Winter 4. A Scottish Podcast 5. Action Science Theatre 6. Active Radioactive Radio 7. The Adventure Zone 8. The Adventures of Mechabetty 9. The After Disaster Broadcast 10. Alba Salix, Royal Physician 11. The Alexandra Archives 12. Alice isn’t Dead 13. All in the Mind 14. And that’s why we Drink 15. Anything Ghost 16. Archive 81 17. Ark City 18. Ars Paradoxica 19. Astonishing Legends 20. Athiest Apocalypse 21. Attention Hellmart Shoppers 22. Audio Diary of a Superhero 23. Audio Drama Production 24. Audio Verse Awards 25. Augustine 26. Aural Traditions: Anthology 27. Aural Traditions: Crosswired 28. Beast of Bardon College 29. Bedtime Stories 30. Beef and Dairy Network 31. Big Data 32. Bizarre States 33. The Black Tapes 34. The Blood Crow Stories 35. Boone Shepard 36. The Box 37. The Bridge 38. The Bright Sessions 39. Bronzeville 40. The Bunker 41. Bunker Buddies 42. Busy Gamer Nation presents I Love Bees 43. The Call of Cthulhu Mysteries 44. Carpe DM 45. Celestial Blood 46. The Cleansed 47. Code: Severe 48. Coffee Break Chinese 49. Conversations with People who Hate Me 50. Cool Games 51. Cop Doctors 52. Corpse Club 53. Creepy 54. Critical Hit 55. Critical Role 56. Crossing Wires 57. The Cryptid Keeper 58. Cthulhu and Friends 59. Cults 60. D&D is for Nerds 61. The Dark Tome 62. Darkest Night 63. Dead Oaks 64. Dead Ringers 65. Dead Serious 66. Deadly Manners 67. Dear Hank + John 68. Deck the Halls 69. The Deep Vault 70. Defence Learning Portal 71. Detective 72. Diana’s Monster 73. Diary of a Mad Man 74. Dinosaur Park 75. Discovery 76. The Discovery Adventures 77. Don’t Worry; It’s Only the End of the World 78. Dopple Avenue Hurt 79. The Drift and Ramble 80. Drywater 81. DWM presents Unwritten 82. The Earth Collective 83. Easy Japanese 84. Edict Zero 85. The Elysium Project 86. Empty 87. End of All Hope 88. EOS 10 89. Fables Radio 90. The Faculty of Horror 91. Fall of the House of Sunshine 92. The Family Tree 93. The Far Meridian 94. Fictional 95. Field Craft Survival 96. Flash Forward 97. Focused AF 98. Freed 99. Friends at the Table 100. Gallowtree Radio 101. Geek by Night 102. Generation Why 103. The Ghost Radio Project 104. Ghosts in the Burbs 105. Girl in Space 106. The Good Friends of Jackson Elias 107. Good Morning Zahera Ward 108. The Gray Area 109. Greater Boston 110. Hackable? 111. The Harry Strange Radio Drama 112. Haunted Places 113. The Haven Chronicles 114. Hayward Sanitarium 115. Heaven’s Gate 116. Hector vs the Future 117. Hello from the Magic Tavern 118. Help Me 119. Henderson + Havner 120. Herbarium Podcasts 121. History of Alchemy 122. The History of Rome 123. Hollywood and Crime 124. Homecoming 125. Horror City 126. How to do Everything 127. How we Roll 128. Hunt the Truth 129. Hush 130. I Only Listen to the Mountain Goats 131. Illusionoid 132. Immunities 133. In Darkness Vast 134. The Infinite 135. The Infinite Bad 136. The Infinite Now 137. Inkwyrm 138. Inner Sanctum 139. Inside the Exorcist 140. Inside the NYPD 141. International Waters 142. It Makes A Sound 143. Jim Robbie and the Wanderers 144. Join the Party 145. Junction 146. Kakos Industries 147. Kevin’s Cryptids 148. King Falls AM 149. The Kingery 150. Knifepoint Horror 151. Knights of the Night 152. Knite Coffee! 153. Lake Clarity 154. The Last Podcast on the Left 155. The Late Night Driving Show 156. LEARN 157. The Lesbian Romantic 158. Lesser Gods 159. The Leviathan 160. Liberty 161. LifeAfter 162. The Lift 163. Limetown 164. Lore 165. The Lost Cat 166. The Lovecraft Covenant 167. Lucyd 168. Mabel 169. Magic Lessons 170. The Magnus Archives 171. Mars Corp 172. Marsfall 173. The McElroy Brothers will be in Trolls 2 174. The Meat Blockade 175. The Mental Illness Happy Hour 176. Misadventure by Death 177. Miskatonic University 178. Mission to Zyxx 179. Modern Audio Drama 180. Mollyville 181. The Moonlit Road 182. My Brother, My Brother, and Me 183. My Brother, My Brother, and Me: Fantasy Football League 184. My Favourite Murder 185. Mysterious Universe 186. The Mythology Podcast 187. Myths and Legends 188. Neon Nights 189. The Night Blogger 190. Night Time 191. No Extra Words 192. No Such Thing as a Fish 193. The No Sleep Podcast 194. Oak Podcast 195. The Orbiting Human Circus (of the air) 196. Organism 197. The Orphans 198. The Orpheus Protocol 199. Ostium 200. The Other Stories 201. Otherverse 202. Our Fair City 203. Paralyzed 204. Passage 205. The Penumbra Podcast 206. Pleasure Town 207. Plumbing the Death Star 208. Podcast Detected 209. The Podcast Method 210. Podcasts Collected 211. Point Mystic 212. Poplar Cove 213. Powder Burns 214. Public Domain Universe 215. Purrcast 216. Qwerpline 217. Rabbits 218. Radiation World 219. Radio Demons 220. Ray Gunn + Starburst 221. Real Ghost Stories Online 222. Return Home 223. Rex Rivetter: Private Eye 224. Rippercast 225. The Rogues Gallery 226. Rose Drive 227. Rover Red 228. Ruby: The Adventures of a Galactic Gumshoe 229. Rusty Quill Gaming 230. S-Town 231. Sable 232. Saffron and Peri 233. Sage + Savant 234. Sawbones 235. Sayer 236. Scared? 237. Secret Cabinet 238. Seminar 239. Serial 240. Serial Killers 241. The Shadowvane Podcast 242. Shattered Worlds RPG 243. Shut up a Second 244. Sirenicide 245. Small Town Horror 246. Snap Judgements Presents: Spooked 247. SOFREP Radio 248. Someone Knows Something 249. Space 250. Space Log 251. Spines 252. Spire 253. Spirits 254. Star Talk 255. Station to Station 256. Stay Talkingish 257. Steal the Stars 258. The Strange Case of Starship Iris 259. Strange 260. Strangers in Space 261. Stuff to Blow your Mind 262. Stuff you Should Know 263. Subject: Found 264. Subvercity Transmit 265. Supervillian Corner 266. Synesthesia Theatre 267. Taking Care of Paul 278. Tales of Nowhere 269. Tales of THATTOWN 270. Tanis 271. Terms 272. Theatre for the Mind 273. The Theatre of Tomorrow 274. The Thrilling Adventure Hour 275. Timelapse 276. Tokyo Hotel 277. Tribulation 278. True Crime Garage 279. The Tunnels 280. Twelve Chimes it’s Midnight 281. Uncanny County 282. Uncanny Japan 283. Under Pressure 284. Undiscovered 285. Unexplained 286. Unsolved Murders 287. Urban Chicken Podcast 288. Urban Decay 289. Victoriocity 290. We’re Alive 291. We’re Alive: Lockdown 292. We’re so Bad at Adventuring 293. Weird Work 294. Welcome to Night Vale 295. What the Cluck 296. What’s the Frequency 297. The White Vault 298. The Wicked Library 299. Wisecracks: The Squanch 300. Within the Wires 301. Wolf 359 302. Wooden Overcoats 303. The Writers Panel 304. You Are Here 305. Zoolaplex And a couple of podcasts that haven’t come out yet: 306. The Big Loop 307. Tarnum
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