#E-Paper Technology

[ajaydmr]

Global E-Paper Display Market Analysis Business Revenue Forecast Size Leading Competitors And Growth Trends

Transforming Digital Displays with E-Paper Technology

E-paper technology is revolutionizing the way we engage with digital content, delivering a paper-like reading experience while leveraging the benefits of digital advancements. As the Global E-Paper Display Market continues to grow, its applications in e-readers, digital signage, and smart packaging are expanding rapidly. The increasing demand for energy-efficient and sustainable display solutions is driving this market’s progress.

Market Expansion and Key Trends

The e-paper display industry is experiencing remarkable growth, with market forecasts predicting a valuation of USD 13.9 billion by 2032, supported by a CAGR of 18.7%. This growth is fueled by the rising popularity of e-readers, the increased adoption of digital signage, and a growing emphasis on eco-friendly technologies.

What is E-Paper Technology?

E-paper, or electronic paper, is a display technology that replicates the appearance of ink on paper. Unlike conventional LCDs, e-paper screens reflect ambient light, providing superior readability even in bright conditions. This energy-efficient technology is widely used in e-readers, electronic shelf labels, and public transit displays, making it a preferred choice across multiple industries.

Get a Free PDF Sample for In-Depth Insights @ https://dimensionmarketresearch.com/report/e-paper-display-market/request-sample/

Key Drivers of Market Growth

1. Surging Demand for E-Readers

E-readers, particularly in North America, have transformed the way readers consume books. Devices like Kindle have gained significant traction due to their long battery life and high readability, further boosting the demand for e-paper displays.

2. Expanding Role of Digital Signage

Retailers, transportation hubs, and public venues are increasingly integrating e-paper displays into digital signage. Their cost-effectiveness, energy efficiency, and excellent visibility under various lighting conditions make them a preferred solution in high-traffic environments.

3. Sustainability and Energy Efficiency

E-paper technology is designed for minimal power consumption, requiring energy only when content is updated. This aligns with global initiatives focused on sustainability and energy conservation.

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Regional Market Insights

North America: Market Leader

North America dominates the global e-paper display market, driven by the widespread adoption of Kindle and increasing demand for digital signage in commercial and public spaces.

Asia-Pacific: Rapid Growth Potential

The Asia-Pacific region, led by China, Japan, and South Korea, is witnessing substantial growth due to its strong electronics manufacturing industry and increasing adoption of e-paper in retail and smart packaging.

Europe: Consistent Market Expansion

The European market is steadily growing, driven by a preference for sustainable technologies, particularly in retail and transportation sectors.

Purchase the Full Report for a Comprehensive Analysis @ https://dimensionmarketresearch.com/checkout/e-paper-display-market/

Primary Applications of E-Paper Displays

E-Readers & Digital Books – Devices such as Kindle and Kobo provide an optimal reading experience with digital convenience.

Retail & Digital Signage – E-paper shelf labels and advertising boards enhance efficiency and visibility in retail spaces.

Smart Labels & Packaging – Widely used in logistics, pharmaceuticals, and retail for real-time inventory updates and product tracking.

Transportation & Public Information Displays – E-paper screens deliver real-time updates at train stations, bus stops, and airports.

The Future of E-Paper Technology

As advancements in flexible e-paper displays continue, the technology is poised to expand into new applications such as interactive signage and smart packaging. With businesses prioritizing sustainability, e-paper solutions will play a crucial role in driving future innovations across various industries.

Conclusion

The Global E-Paper Display Market is set for continued growth, providing an energy-efficient alternative to traditional digital displays. With increasing adoption in e-readers, digital signage, and smart labeling, e-paper technology is redefining the way we interact with digital content, shaping a more sustainable future.

[reasonsforhope]

"As the world grows “smarter” through the adoption of smartphones, smart fridges, and entire smart houses, the carbon cost of that technology grows, too. 

In the last decade, electronic waste has become one of the fastest-growing waste streams in the world. 

According to The World Counts, the globe generates about 50 million tons of e-waste every year. That’s the equivalent of 1,000 laptops being trashed every second. 

After they’re shipped off to landfills and incinerated, the trash releases toxic chemicals including lead, cadmium, arsenic, mercury, and so much more, which can cause disastrous health effects on the populations that live near those trash sites. 

Fortunately, Franziska Kerber — a university student at ​​FH Joanneum in Graz, Austria — has dreamed up a solution that helps carve away at that behemoth problem: electronics made out of recyclable, dissolvable paper. 

On September 11, Kerber’s invention “Pape” — or Paper Electronics — earned global recognition when it was named a national winner of the 2024 James Dyson Awards. 

When she entered the scientific competition, Kerber demonstrated her invention with the creation of several small electronics made out of paper materials, including a fully-functional WiFi router and smoke detector. 

“Small electronic devices are especially prone to ending up in household waste due to unclear disposal systems and their small size, so there is significant potential to develop a more user-friendly end-of-life system,” Kerber wrote on the James Dyson Award website. 

“With this in mind, I aimed to move beyond a simple recycling solution to a circular one, ensuring long-term sustainability.” 

Kerber’s invention hinges on crafting a dissolvable and recyclable PCB board out of compressed “paper pulp.” 

A printed circuit board (PCB) is a board that can be found in nearly all modern electronic devices, like phones, tablets, and smartwatches.

But even companies that have started incorporating a “dissolution” step into the end life of their products require deconstruction to break down and recover the PCB board before it can be recycled. 

With Kerber’s PAPE products, users don’t need to take the device apart to recycle it.

“By implementing a user-friendly return option, manufacturers can efficiently dissolve all returned items, potentially reusing electronic components,” Kerber explained. 

“Rapidly advancing technology, which forms the core of many devices, becomes obsolete much faster than the structural elements, which are often made from plastics that can last thousands of years,” Kerber poses. 

PAPE, Kerber says, has a “designed end-of-life system” which anticipates obsolescence. 

“Does anyone want to use a thousand-year-old computer?” Kerber asks. “Of course not. … This ensures a sustainable and reliable system without hindering technological advancement.”"

-via GoodGoodGood, September 13, 2024

[digitrenndsamr]

E-Paper Display Market is Set to Garner Staggering Revenues By 2030

Allied Market Research, titled, “E-Paper Display Market Size," The e-paper display market size was valued at $1.6 billion in 2020, and is estimated to reach $9.5 billion by 2030, growing at a CAGR of 17.3% from 2021 to 2030. 

The major factors that boost the global e-paper display market growth include, the ongoing technological advances in e-paper screen, emerging applications areas, positive environmental impact, and the advantages provided by e-paper display over other display technologies. In addition, the lower cost involved in manufacturing of large e-paper display and the efforts towards integration of e-paper with flexible electronics are anticipated to supplement the market growth. However, the low refresh rate of electronic paper display and the absence of multiple colors limit the market growth.

The e-paper display market analysis is provided on the basis of product, application, and geography. The products segment is classified into auxiliary displays, e-readers, electronic shelf labels, and others. The application segment includes, consumer & wearable electronics, institutional, media & entertainment, retail, and others. Region-wise, the e-paper display market trends are analyzed across North America (U.S., Canada, and Mexico), Europe (Germany, UK, France, and rest of Europe), Asia-Pacific (China, Japan, South Korea, India, and rest of Asia-Pacific), and LAMEA (Latin America, Middle East, and Africa).

The e-readers segment accounted for the major market share in 2020 and is expected to maintain a similar trend during the forecast period. This is attributed to the wide adoption of e-readers in established as well as developing economies, owing to the growth of web-based learning and digital shelf labels, followed by others products category, which includes smartcards, cabinet lock readers, and information signage holding the second and third largest market reading habits. Electro share respectively in 2020.

Geographically, North America accounted for the majority share in the e-paper display industry in 2020, with anticipation to reach $2.6 billion by 2030, maintaining lead during the forecast period. High rate of adoption and higher disposable income of North American population are some of the factors that are expected to enable the region to dominate the e-paper display market during the forecast period. Asia-Pacific followed by LAMEA are expected to grow at relatively higher CAGRs, owing to the presence of ample growth opportunities in terms of technology adoption and possible investment prospects in these regions.

Key Findings of Study

In 2020, the e-readers segment generated the highest revenue, accounting for over 50% of the global e-paper display market share.

The auxiliary displays segment is expected to grow at the highest CAGR of 21.2% from 2021 to 2030.

North America held the majority of market share in 2020 and Asia-Pacific is anticipated to exhibit the highest CAGR during the forecast period.

The key players profiled in the report include Liquavista B.V. (Amazon), Cambrios Technologies Corporation, CLEARink Displays, Inc., E Ink Corporation, Guangzhou OED Technology Inc., GDS Holding S.r.l., Plastic Logic, LG Electronics Inc., Pervasive Displays Inc., Samsung Electronics Co. Ltd., and Ynvisible Interactive Inc. Market players have adopted various strategies, such as product launch, collaboration & partnership, joint venture, and acquisition, to expand their foothold in the e-paper display market.

[chemicalmarketwatch-sp]

Revolutionizing Packaging Coatings: Trends, Materials, and Market Growth

The packaging coatings market is growing as industries seek advanced solutions for protection, durability, and sustainability. These coatings improve materials like metal, plastic, glass, and paper, enhancing their strength, barrier properties, and aesthetic appeal. Market expansion is fueled by urbanization, rising consumer spending, e-commerce growth, and the demand for eco-friendly alternatives. Innovations such as bio-based, antimicrobial, and UV-resistant coatings are further transforming the industry, ensuring safer and more efficient packaging.

The packaging coatings market is projected to grow from USD 4.21 billion in 2024 to USD 5.37 billion by 2029, at a CAGR of 5.0% between 2024 and 2029. The packaging coatings industry is growing and promising, as consumer demand for better product protection, looks, and ecological friendliness is rising year by year. Packaging coatings, which can be used as a standalone, are used to enhance the material properties such as metal, plastic, glass, and paper by making them to have barrier properties and to be more durable and attractive. The application of the products of the market is found in industries such as Food & beverages, Pharmaceuticals, personal & industrial care products where the packaging that is safe, durable and aesthetically appealing goes hand in hand with the product.

Some of the major factors that have triggered this growth include There is an enhanced demand for packaged products which is attributed to; Today, most consumers are living in urban areas and their purchasing power is on an upward trend, Due to enhanced B2C electronic commerce. The increased adoption of environmentally friendly packaging materials has also forced packaging coating providers to come up with environmentally friendly water borne and bio-based coatings. Novelty in the coating solutions such as antimicrobial and UV immunity coating solutions is also enhancing market expansion.

The paper packaging segment is still growing at the highest CAGR in the packaging coatings market because of several factors. First, packaging consumers across the world are gradually turning to environmentally friendly packaging, which has been accelerated by legislation on reducing the use of plastics. Paper is degradable and reusable hence has turned to be a favorite as a packaging material especially when compared to plastic. This trend is quite apparent in the food & beverage and personal care categories, which have fast realized that sustainability is a competitive advantage.

Also, the advancement of e-commerce foods and deliveries has shifted its demand toward stronger, protective paper-based packaging boards like corrugated boxes, cartons, and paperboard containers. These need coatings, over the base material, designed to improve barrier characteristics that include moisture, grease, and abrasion resistance to spearhead protection of products during warehousing and transportation. This is also because clients involved in paper packaging to enhance the visibility of their brands will be served well by the coatings as they equally enhance the printability of the product.

The packaging coatings market has various small, medium, and large players. Some of the major market players are The Sherwin-Williams Company (US), PPG Industries, Inc. (US), AkzoNobel N.V. (The Netherlands), Altana Group (Germany), Axalta Coating Systems, LLC (US), DIC Corporation (Japan), and Stahl Holdings B.V. (The Netherlands) Inc. among others, have framed their strategies to penetrate and create bases in these emerging markets. Furthermore, companies are concentrating on strengthening their R&D facilities to provide efficient and sustainable products. These products are manufactured considering regulations implemented by associations and governments. 

Want to learn more? Click here to download the PDF brochure.

The packaging coatings market is growing, driven by sustainability, e-commerce, and demand for durable packaging. The paper packaging segment leads due to eco-friendly regulations and consumer preference. Innovations in moisture, grease, and abrasion-resistant coatings support e-commerce and food delivery. Key players like Sherwin-Williams, PPG, and AkzoNobel focus on R&D and regulatory compliance to develop efficient, sustainable solutions. As the industry advances, bio-based, antimicrobial, and UV-resistant coatings will shape the future of protective and eco-friendly packaging.

[apnapunjabmediaus]

Apna Punjab Media offers an insightful USA e-paper in Punjabi, catering to the vibrant Punjabi community with news, articles, and features. Providing a comprehensive blend of local updates and global perspectives, it serves as a trusted source for Punjabi-speaking audiences, fostering cultural connection and informed engagement.

[iasguidance]

Controller of Certifying Authorities (CCA) & Security Sockets Layer (SSL)

Context: The government has announced a pool of ₹3.4 crore in prizes for developers who create an indigenous browser for the world which trusts the Controller of Certifying Authorities, which verifies digital signatures in the country. An important caveat is that browser ideas entered into this competition will have to trust the Controller of Certifying Authorities (CCA), the Indian government’s…

[loserlvrss]

Newton’s Fourth Law : THE LAW OF (E)MOTION ⸝⸝ 약한영웅 class

you learned the theory of love through the boy who didn't know how .ᐟ

y. sieun & fem.reader 是 pure fluff ⛱️ skinship 1004THOU oneshot ₍^ >ヮ<^₎ back2MiSC 요구?아니 for @slytherinshua

Questions, questions, questions. Your brother would contest that you came out of the womb curious. Your first words were laced with a quizzical tone, and as you grew older: What’s for dinner? Where’s my toy? Who took the last Melona bar? 

You grew more complex, and eventually your questions did too. 

What’s the square root of X? Why do we dream? Where did life begin? If we’re so technologically advanced, why are there no flying cars? Do you think the HealthCare system is just a sick play in the game of capitalism? What’s really right from wrong? 

Why are we alone in the universe, if the universe is presumably infinite? 

Your brother swore that Shinee’s Sherlock was specifically written for your curious-ass. But you couldn’t help it, there was just so much you wanted to know. He always assumed that when your mouth opened there would just be a question mark that followed—and most of the time he was right. 

“Suho!” You excitedly shouted, running into class 1-6, slamming open the door. It caused all the attention to shift to you… except one. 

The boy who didn’t look, almost at the front of the class, was hunched over his desk with a pen in hand, presumably studying. You wanted to ask why until you saw he had his AirPods in, assuming that he just didn’t hear you announce your presence. 

“Oh, Ahn Suho!” You sang as you skipped down the first row excitedly, until you reached the end of it, stopping at the black-haired boy who was fast asleep: Your older brother by almost one year. 

You slapped the back of his head—gently, for a sister—and he flinched awake, blinking up in your direction with a confused expression. 

“What the…” Suho started, laying his head back down, realizing it was only you who had hit him. “Why are you here?” He asked, eyes shutting again. 

“It’s lunchtime,” You stated, one of his eyes cracking open at the fact, “And I’ll buy for you,” His other eye opened, back straightening, “If you listen to my Big Bang Theory.” 

His eyes closed again suddenly, “…Big bang?” He laughed breathily, “Bang, bang, bang.” 

You huffed, annoyed at this dismissal of another answer to your questions. You turned to anyone in the class, but by now they’d all heard your long-winded monologues on The Germ Theory, on Natural Selection and every other thing you’ve ever read a scientific research paper on. 

They all ignored you. 

Then, your eyes landed on the scary-boy who Suho told you to stay away from—after what had happened a couple days ago, that is. 

But, you didn’t care. Call it his little sister being annoying or whatever you want, but why heed his warning? Wasn’t science all about discovering for yourself? 

“Hey, Evolutionary Game Theory!” You plucked an AirPod from his ear, “What are you listening to?” 

Murmurs broke out amongst the class, Suho finally shooting up out of his chair, like you wanted in the first place. 

The boy in front of you grabbed your wrist before you had a chance to bring it towards your ear. Your eyebrow cocked curiously—now the anticipation was eating at you. What was it? Was it really that bad? 

Suho started towards you, “What are you doing, yn?” 

“Yeon Si-eun, right?” You hummed, “Or should I call you The Fight-or-Flight Theory?” 

You trailed, questions and more questions infiltrating your mind. The gray-sweatshirt you were following only seemed to get faster each time he’d look back to see if you were still there. 

Until he seemingly had enough, turning around so calmly you didn’t know if it should scare or impress you. 

“Finally,” You tried to lighten the tension, “I don’t know if I should call you the Law of Inertia or something else. I debated on it, but I think it suits you: An object will remain at rest or continue moving at a constant velocity unless acted upon by an external fo—” 

He interrupted you, “Stop calling me useless theories, yn.” and you couldn’t tell what you saw written within the fine-lines of his downturned features, but nothing about it was something you were used to. “Just… stop.” 

Your eyebrows threatened to meet in the middle, “There’s nothing useless about you, Si-eun.” 

You traced the side of his face, eventually making your way down the bridge of his nose. You swear you could feel his breath hitch against your lips, eyes locked on yours.  

“You’re like The Triangular Theory of Love,” You commented, continuing to run your finger over his bottom lip. 

And, he just let you. 

Si-eun’s only ever let you get as close as you were to him. Inches apart, damn-near centimeters in reality. 

He had his hand on your waist, drawing circles where your shirt had ridden up against your skin, but you had to overlook the goosebumps and continue your explanation, “Love is a complex emotion made up of three components, according to Robert Sternberg: Intimacy, passion and commitment.” 

You were like a peninsula, a sanctuary for him to let his guard down. You were everything bright and colorful in the contrasting world; Everything good. 

When you first met, he wasn’t actually listening to anything—he heard you burst through the door in search of your brother—but now you’re all he ever wanted to hear in this deafening Hell everyone called life. 

You shifted closer, moving your arm to rest over his shoulder, “Hey, Law of Motion?” You asked, heart picking up an unsteady rhythm. He pulled your chest to his, feeling the warmth you brought with you overtake him. It was intoxicating… you were intoxicating. He felt like he’d never get enough, like the most insatiable being on Earth. 

Eventually, he began to wonder what theory that would make him. He’s sure you’d know. 

Then, you heard the soft hum from his lips meet your ear. Luckily his room was silent, otherwise you might not have. 

“I’ve got all of those, so…” He held his breath for a second, “Can I love you?” 

reblogs appreciated ! loserlrvss 2025 rights reserved. @kstrucknet @slytherinshua @gyuwrites @sknyuz

[uispeccoll]

Mini Megillah Monday!

Sometimes, you just have to make it yourself. That's what Robert E. Massmann did in 1968 when he wanted a miniature Megillah. This is copy 76 of 100.

A Megillah is a scroll containing the Book of Esther. It is traditionally read during Purim (which starts this week), a Jewish holiday that celebrates how Queen Esther was able to save her people from being killed by the advisor to her husband, Haman. To celebrate Purim, many people read the Megillah, eat hamantaschen (pastries shaped like Haman's hat), and dress up in costumes.

Housed in a beautiful wooden casing, the paper comprising the scroll is over three feet long! As you can see in the video, the scroll is able to be easily rerolled using the metal handle. As someone who has helped reroll scrolls before, we definitely appreciate this technology!

Smith Miniatures Collection BS1372.3 1968

-- Hailee M.

[chillentertainer]

Archive Classics: Typesetting Fics

TL; DR: the internet is temporary!!! printed books (for your own private amusement) are forever!!!

What I do:

Basically, I choose fics that I think deserve to be printed and typeset them using a software called Adobe InDesign. InDesign is the professional standard in the industry, but there are definitely easier (and cheaper!) options for formatting.

Once I've chosen a fic, there a few different things I have to decide: the font, glyphs, book size, and the hors-texte (title page, contents, etc).

Then, I go about copy + pasting the text into the software, and formatting them. Usually, that just means deleting the blank space of lines that for some reason appears between paragraphs.

Every element, and I mean every single element, is designed for the reader's comfort. At no point should the reader feel lost or unable to continue because of the way the text is formatted. This means using serif fonts instead of sans-serif fonts for the body text and making sure that there aren't any widows/orphan lines. I have specific justification settings so that the spacing between words and letters are even and smooth to the reader's eye.

I also think about headers and page numbers more than you would expect. Should the page numbers be on top or bottom? Centered or at the corners. Should I have headers at all? And if so, what should they say?

When I began, and I still do this occasionally, I grabbed books off my shelves and examined their formatting. Then I'd question why they made this design choice or that. All publishers have their special little quirks and features, and if I spotted something I liked, I would incorporate that into my own works. For example, Penguin Classics love their classic serif fonts and headers. Barnes and Noble Classics have a feature in their hors-texte that is their "From the Pages Of" section.

My favorite part is creating the cover. If you couldn't tell based off the title "Archive Classics," I *borrowed* Penguin Classic's grid. I love to use paintings or other kinds of artwork (like Étienne-Louis Boullée's architectural drawings for Fractals)

Why I Do This:

While there are many amazing and necessary reasons to read e-books, I enjoy the physicality of a printed book. Nothing can beat the sensation of turning the next page, the smell of paper, or the weight of your next great adventure in your hands. Fanfiction more than deserves to be experienced in that way too.

But also, I've always had a lingering suspicion regarding the temporal nature of digital media and of the internet in general. Fanfiction, in particular, are at risk of disappearing forever, and while you can obvs download it (which I always always do), there's a slight chance that you may not be able to access the technology in order to view it. Books don't require laptops or phones or internet service.

It's a silly movie, but Leave the World Behind (2023) showcases this perfectly, albeit with streaming services and dvds.

Finally, with the ever-changing landscape of the internet and technology, who knows if say archaeologists would be able to access ao3 in a 100 or even 50 years. Look at USB-As, and how quickly they're going out of use. Physical media like printed books will certainly last for decades longer. My ultimate (and idealistic) goal is to have a physical, printed library of fanfiction for both private enjoyment and for the academic study of fanfiction in the anthropological and literary fields. The latter will most likely not happen in my lifetime (if ever at all), but a girl can dream!

Copyright

This is slightly sketchy but from what I can tell from my research is that most sites don't give an af if you print like one copy for yourself and you do not print en-masse or start selling them. So like Manacled. Don't do what those kids did and put up your copies on etsy. I don't. I print this for myself and myself only. And I've never gotten a cease and desist letter or anything like that.

Requests are open: if you have a fic you think deserves the archive classics treatment, lmk! I do not accept payment. This is all free.

Examples!

A Current Cover I'm Working On:

This one is a linen wrap, which means it has flaps!

[reasonsforhope]

"Clothing tags, travel cards, hotel room key cards, parcel labels … a whole host of components in supply chains of everything from cars to clothes. What do they have in common? RFID tags.  

Every RFID (Radio Frequency Identification) tag contains a microchip and a tiny metal strip of an antenna. A cool 18bn of these are made – and disposed of – each year. And with demands for product traceability increasing, ironically in part because of concerns for the social and environmental health of the supply chain, that’s set to soar. 

And guess where most of these tags end up? Yup, landfill – adding to the burgeoning volumes of e-waste polluting our soils, rivers and skies. It’s a sorry tale, but it’s one in which two young graduates of Imperial College London and Royal College of Art are putting a great big green twist. Under the name of PulpaTronics, Chloe So and Barna Soma Biro reckon they’ve hit on a beguilingly simple sounding solution: make the tags out of paper. No plastic, no chips, no metal strips. Just paper, pure and … simple … ? Well, not quite, as we shall see. 

The apparent simplicity is achieved by some pretty cutting-edge technical innovation, aimed at stripping away both the metal antennae and the chips. If you can get rid of those, as Biro explains, you solve the e-waste problem at a stroke. But getting rid of things isn’t the typical approach to technical solutions, he adds. “I read a paper in Nature that set out how humans have a bias for solving problems through addition – by adding something new, rather than removing complexity, even if that’s the best approach.”   

And adding stuff to a world already stuffed, as it were, can create more problems than it solves. “So that became one of the guiding principles of PulpaTronics”, he says: stripping things down “to the bare minimum, where they are still functional, but have as low an environmental impact as possible”.  

...how did they achieve this magical simplification? The answer lies in lasers: these turn the paper into a conductive material, Biro explains, printing a pattern on the surface that can be ‘read’ by a scanner, rather like a QR code. It sounds like frontier technology, but it works, and PulpaTronics have patents pending to protect it. 

The resulting tag comes in two forms: in one, there is still a microchip, so that it can be read by existing scanners of the sort common within retailers, for example. The more advanced version does away with the chip altogether. This will need a different kind of scanner, currently in development, which PulpaTronics envisages issuing licences for others to manufacture. 

Crucially, the cost of both versions is significantly cheaper than existing RFID kit – making this a highly viable proposition. Then there are the carbon savings: up to 70% for the chipless version – so a no-brainer from a sustainability viewpoint too. All the same, industry interest was slow to start with but when PulpaTronics won a coveted Dezeen magazine award in late 2023, it snowballed, says So. Big brands such as UPS, DHL, Marks & Spencer and Decathlon came calling. “We were just bombarded.” Brands were fascinated by the innovation, she says, but even more by the price point, “because, like any business, they knew that green products can’t come with a premium”."

-via Positive.News, April 29, 2024

--

Note: I know it's still in the very early stages, but this is such a relief to see in the context of the environmental and human rights catastrophes associated with lithium mining and mining for rare earth metals, and the way that EVs and other green infrastructure are massively increasing the demand for those materials.

I'll take a future with paper-based, more humane alternatives for sure! Fingers crossed this keeps developing and develops well (and quickly).

[zelda-cooper]

Talking about my OCs (Today's topic: Loonatics OC — Deadly Artist)

Yeah, I know... It's a completely random topic, but I just wanted to get one or two things off my chest... And talk about the thousand ideas (or less, it depends) that I have for this OC of mine. I don't know, talking about her representation and stuff... I'm going to divide this blog into a few topics to make it easier to follow. If you want to read it, great! If not, that's fine too. Honestly, I don't even expect anyone to take this blog seriously... It's just me talking about my own hyperfocus...-3-

Oh, and... Another warning I want to emphasize... This blog will deal with heavy topics such as... Murder, a little racism, a little cannibalism and torture. That's it...

"What can I say? My art is not for everyone..." - Deadly Artist

First Character Concepts

Deadly Artist (also known as Jane Doe which is not her real name) has an interesting creation, to say the least. Back when I first joined the Loonatics Unleashed fandom on Amino (yeah, I'm not proud of that time...), I wasn't that active, however, I always had a lot of ideas that I kept to myself. One of them was to create more characters that were based on characters from Looney Tunes itself and one of the pairings I wanted to use was Sam Sheepdog and Ralph Wolf. Now you're asking yourself "Why this barely known duo?" and the answer I give is... Actually two... The first was the fact that I found it interesting that there were two Looney Tunes characters who were basically identical (Wile E. Coyote and Ralph Wolf) and I always liked that kind of visual gag. Especially when the characters met, which made for some good jokes.The second factor was, simply, the Looney Tunes World of Mayhem mobile game, more specifically one of the versions of the Ralph character: Wildcard Wolf.

This simple image of Ralph as a gambler who uses CARDS as a weapon has already made me think of MANY POSSIBILITIES of how to use it as inspiration for an OC. First of all, there's the fact that Tech in Loonatics is a character very connected to TECHNOLOGY, so I thought "Hmm, what if I make Ralph's descendant a magician or with powers related to magic?". Second, I LOVE the concept of playing in the superhero universe, mixing magic with technology or the simple idea of having the doubt "is it magic or is it just a scam?". And, thirdly... I feel like there's a lack of more anthropomorphs, more specifically PREDATORS, because at most there was only Tech and Slam and, if you push it too far, there was Sylter Vester.

With this concept in mind, I started thinking about the possibilities... But never exactly putting it on paper. I thought about making a hero who, like Tech, had regeneration powers, but here it would be much more of a "rising from the dead" (taking inspiration from a character from Young Justice). This character would have magical powers and would be part of another team of heroes parallel to the Loonatics that would be led by Danger Duck (yeah, I know... This story is strange, but that's because you don't know half of it... -w-'). But then again, I never took it forward... Until I started my Loonatics Unleashed AU and started being more active in the fandom here.

Building the Character

Having started creating this... "Project"... Of rewriting Loonatics Unleashed, basically creating a complete AU, I decided to review some concepts I had back in the Amino days. Some of them included the seventh member of the team (who later returned as Allia, who I may also talk about one day), some villain concepts and, the focus of this blog, the OC inspired by Ralph and Sam. At first, I was going to follow the same idea of him being a hero or, perhaps, an Anti-Hero who would be a contrast to Tech. A wolf with a similar appearance to him, but that was more focused on the mystical/magical side and would have a slightly different regeneration power. However, I soon noticed a few things... First, that the idea of a parallel team wouldn't work so well in the context of my story (at least, not with the concept at the time). And that, perhaps, I could explore my creativity more... I've analyzed some OCs from the Loonatics community here on Tumblr and... Honestly, I haven't seen many inspired by Sam and Ralph (unfortunately). There were some cool ones, like one where "Ralph" was a clone of Tech and "Sam" was kind of his helper, but it wasn't that elaborate. I even thought about the concept of my OC being Tech's brother (in other words, Tech would be half wolf and half coyote), but... No... -3-

Until I started focusing on the villains and then I realized that, besides the "main" ones being, for the most part, human (only in the second season that there were anthropomorphic ones), the majority were very "bad guys". It was kind of pretty standard... We have the poor girl (Weathervane), the idiot jerk (Cypher), the bank robber (Massive) and the vengeful one (Mastermind). Mastermind is the only one who saves herself, because she at least has personality and charisma. Then I started to remodel the team until I saw a blog from someone in the community who reformulated the villains and made them have parallels with the protagonists. Like Weathervane with Lexi, Duck with Pinkster, Ace with Deuce, etc... Then I ended up having a slight click in my head... In my revamped villain team, we had five members (Cypher, Weathervane, Massive, Mastermind, and Deuce) to form the Chaotic Orchestra. But... The Loonatics are six... And then I realized that "Wait... Rev doesn't exactly have anyone who provides a counterpoint or a rivalry for him."... And, well... Then, combining this trigger with the fact that I had an OC concept in my head made me have the idea "I'm going to create a villain OC to rival Rev!".

"I will immortalize you forever... In blood!" - Deadly Artist

"No thanks... I'd rather keep having feathers on my body!" - Rev Runner/Red Lightning

Having already had the idea of making a villainous OC who would rival Rev, I started to design his concept and how he would work in the narrative. Early on, I decided to make him a woman. Why a woman? Just because- I didn't have a specific reason... But I was still very unsure of what exactly to do... I thought about making her just an agent of chaos. Not exactly on anyone's side, just using her magic (or illusions) to wreak havoc on the city. I didn't exactly want her to be a speedster, but I wanted her to be able to keep up with Rev when they were fighting. So I took the concept of Jinx, specifically her from Arcane... Yes, when I don't know what to do, I immediately turn to her - You can judge me all you want!

But again, I felt like it wasn't enough... And her powers were inconsistent too. It used to be magic, but then I changed my mind because I wanted to focus more on the sci-fi elements. Then I thought about making her powers based on bets, using playing cards as a "catalyst", but then I changed my mind because it would be too complicated to write. Until I watched some videos on YouTube, I saw an interesting power... In this case, the ability to manipulate a person's fears (I don't know if it has a specific name, but whatever). It was an interesting concept and I kind of ended up taking that power to be hers, also combining it with Jinx's "powers" of enhanced agility. The concept of magic was still there, but now it was the theme of the character. A wolf who dressed and used "weapons" with a "street magician"/"circus magician" theme. But I still felt like something was missing... Until I had the last idea... "What if I make her a serial killer?".

How I Made a Serial Killer

The idea of making a female serial killer was basically already in my head when I made her inspired by Jinx. For those who saw Arcane or know the character, you know that she is quite... Aggressive... Especially in the game, where she is the Joker himself! Then I started talking about this villain OC idea with my friend, exchanging ideas on how I could build her, until she gave me some suggestions. The first one was Starlight from MLP... It's kind of like the villain does everything she does because of CONTROL, because she wants to have control over everything. I found this interesting, but I thought... But what would control mean to her? Then, while I was researching, I ended up remembering another character from the LOL universe... Kada Jhin.

This is a character who is a serial killer in the context of the universe and who has the theme of arts and theater and, when I looked at him, I immediately thought "Oh, my God... I found what I was missing!". That was the last thing I needed for me to finally get the idea of making my OC a serial killer character! And, yes... I know what you're thinking..."Ah, but Loonatics Unleashed is a children's series! You can't put that kind of theme!". Okay, here we go... First of all, I want to make something clear...

MY AU IS NOT FOR CHILDREN, THE INDICATED AGE IS FOR PEOPLE WHO ARE AT LEAST 14 YEARS OLD

If you saw HALF of the topics I THINK about addressing, you would be in complete shock and would probably want to lynch me or send me nasty messages (depending on what it is). Secondly... We're talking about a story that takes place in a fictional world, but that doesn't mean it won't have real-life themes. Especially in the United States of America, the country with the MOST SERIAL KILLERS!!! Not wanting to offend anyone from the US, but you only need to do a quick search to know that it's true. I say this because I am a person who watches a lot of True Crime (something I am not proud of and my mental health must definitely be affected-) and a good part of what I watch is Serial killers from this country.

Okay, with that out of the way... Where was I? Oh yeah... Deadly Artist being a serial killer... Well, for the people who ask me if I'm going to describe heavy scenes... No! I don't have the capacity and much less the stomach to do violent things. Yes, I can, but it will depend A LOT on the context. When I post a scene or something from the EP in which Deadly Artist appears, you'll see.

Okay, having finally talked about that part... Let's move on to the design part!

The Design of a Killer

I had some design ideas for the character, but I had to keep it on a specific theme: something theatrical or reminiscent of circus magicians.The first concept I made without having a reference was this one:

Right off the bat you can see some things I kept and some things I discarded. The ones I kept were the red hair (not exactly the hairstyle, but her hair actually being red). The second was her fur, with it having "lighter" tones in contrast to the stronger brown tones of the Tech from my AU. And third is her hat, which I kept the same model, just changing one color. Other than that, I basically changed everything... But that wasn't the only concept, I had made another one that was even more different from the current one, which is this one here:

Again, you can see that the concept is completely different, but here, at least, I managed to have a hair shape that I liked, however, it still didn't seem like one of the best designs. So I ask help to the public! Using the tactic of "at least make four concepts to decide which one you think is best" a vote. I used the first two designs, but I created two completely new ones to test my creativity. And here they are:

Yeah, the last two were definitely the most eye-catching, especially the fourth one, which not only did I change the theme to something that looked like it came out of a mental hospital, but it also stood out from the rest. But honestly, it was NO surprise to see that people preferred the third concept more. After all... I loved it too. :'3

Latest Preparations and Facts of the "Deadly Artist"

With the design and concept already in hand, the last things left was to fit her into the story and how to work her dynamics with Rev Runner. Well, as you already know from the blogs I made about Rev and Tech, there is indeed some inspiration from Zootopia in the issue of their conflict.Rev, at first, was afraid of Tech because he was a predator and this, at times, really harmed their relationship. However, let's just say that... It's because of Deadly Artist that they started to understand each other. Just like the case that brought Judy and Nick together in Zootopia, Rev and Tech ended up teaming up to solve this case of a serial killer that was terrorizing Acmetropolis. Especially the anthropomorphic prey... People killed in the most horrible way possible, traces of cannibalism from a predator and a "suspect" who was just the wrong person, at the wrong time and with the wrong contacts... Basically, the introductory episode of Deadly Artist is like an investigation, suspense and horror film, with two characters coming together to solve this case.

"How did she join the Chaotic Orchestra?" you ask... Let's just say Deuce took an interest in the Deadly Artist's abilities... Someone who, despite appearing impulsive and bloodthirsty... She was agile and could perform kill or infiltration tasks, with one or two setbacks that might be passable. And her being caught so easily? No, no... She was too good not to recruit. So, she ended up being recruited (against the will of most of the team) by Deuce and then ended up becoming part of the Chaotic Orchestra. Who is she really? Will she be a problem for the team? Will Rev make it out alive? Well... Who knows? The only certainty is... Be careful when walking around Acmetropolis now... Maybe, luck won't be on your side this time...

"See you soon... My dear prey..." — Deadly Artist

[willowwindss]

100 Inventions by Women

LIFE-SAVING/MEDICAL/GLOBAL IMPACT:

Artificial Heart Valve – Nina Starr Braunwald

Stem Cell Isolation from Bone Marrow – Ann Tsukamoto

Chemotherapy Drug Research – Gertrude Elion

Antifungal Antibiotic (Nystatin) – Rachel Fuller Brown & Elizabeth Lee Hazen

Apgar Score (Newborn Health Assessment) – Virginia Apgar

Vaccination Distribution Logistics – Sara Josephine Baker

Hand-Held Laser Device for Cataracts – Patricia Bath

Portable Life-Saving Heart Monitor – Dr. Helen Brooke Taussig

Medical Mask Design – Ellen Ochoa

Dental Filling Techniques – Lucy Hobbs Taylor

Radiation Treatment Research – Cécile Vogt

Ultrasound Advancements – Denise Grey

Biodegradable Sanitary Pads – Arunachalam Muruganantham (with women-led testing teams)

First Computer Algorithm – Ada Lovelace

COBOL Programming Language – Grace Hopper

Computer Compiler – Grace Hopper

FORTRAN/FORUMAC Language Development – Jean E. Sammet

Caller ID and Call Waiting – Dr. Shirley Ann Jackson

Voice over Internet Protocol (VoIP) – Marian Croak

Wireless Transmission Technology – Hedy Lamarr

Polaroid Camera Chemistry / Digital Projection Optics – Edith Clarke

Jet Propulsion Systems Work – Yvonne Brill

Infrared Astronomy Tech – Nancy Roman

Astronomical Data Archiving – Henrietta Swan Leavitt

Nuclear Physics Research Tools – Chien-Shiung Wu

Protein Folding Software – Eleanor Dodson

Global Network for Earthquake Detection – Inge Lehmann

Earthquake Resistant Structures – Edith Clarke

Water Distillation Device – Maria Telkes

Portable Water Filtration Devices – Theresa Dankovich

Solar Thermal Storage System – Maria Telkes

Solar-Powered House – Mária Telkes

Solar Cooker Advancements – Barbara Kerr

Microbiome Research – Maria Gloria Dominguez-Bello

Marine Navigation System – Ida Hyde

Anti-Malarial Drug Work – Tu Youyou

Digital Payment Security Algorithms – Radia Perlman

Wireless Transmitters for Aviation – Harriet Quimby

Contributions to Touchscreen Tech – Dr. Annette V. Simmonds

Robotic Surgery Systems – Paula Hammond

Battery-Powered Baby Stroller – Ann Moore

Smart Textile Sensor Fabric – Leah Buechley

Voice-Activated Devices – Kimberly Bryant

Artificial Limb Enhancements – Aimee Mullins

Crash Test Dummies for Women – Astrid Linder

Shark Repellent – Julia Child

3D Illusionary Display Tech – Valerie Thomas

Biodegradable Plastics – Julia F. Carney

Ink Chemistry for Inkjet Printers – Margaret Wu

Computerised Telephone Switching – Erna Hoover

Word Processor Innovations – Evelyn Berezin

Braille Printer Software – Carol Shaw

⸻

HOUSEHOLD & SAFETY INNOVATIONS:

Home Security System – Marie Van Brittan Brown

Fire Escape – Anna Connelly

Life Raft – Maria Beasley

Windshield Wiper – Mary Anderson

Car Heater – Margaret Wilcox

Toilet Paper Holder – Mary Beatrice Davidson Kenner

Foot-Pedal Trash Can – Lillian Moller Gilbreth

Retractable Dog Leash – Mary A. Delaney

Disposable Diaper Cover – Marion Donovan

Disposable Glove Design – Kathryn Croft

Ice Cream Maker – Nancy Johnson

Electric Refrigerator Improvements – Florence Parpart

Fold-Out Bed – Sarah E. Goode

Flat-Bottomed Paper Bag Machine – Margaret Knight

Square-Bottomed Paper Bag – Margaret Knight

Street-Cleaning Machine – Florence Parpart

Improved Ironing Board – Sarah Boone

Underwater Telescope – Sarah Mather

Clothes Wringer – Ellene Alice Bailey

Coffee Filter – Melitta Bentz

Scotchgard (Fabric Protector) – Patsy Sherman

Liquid Paper (Correction Fluid) – Bette Nesmith Graham

Leak-Proof Diapers – Valerie Hunter Gordon

FOOD/CONVENIENCE/CULTURAL IMPACT:

Chocolate Chip Cookie – Ruth Graves Wakefield

Monopoly (The Landlord’s Game) – Elizabeth Magie

Snugli Baby Carrier – Ann Moore

Barrel-Style Curling Iron – Theora Stephens

Natural Hair Product Line – Madame C.J. Walker

Virtual Reality Journalism – Nonny de la Peña

Digital Camera Sensor Contributions – Edith Clarke

Textile Color Processing – Beulah Henry

Ice Cream Freezer – Nancy Johnson

Spray-On Skin (ReCell) – Fiona Wood

Langmuir-Blodgett Film – Katharine Burr Blodgett

Fish & Marine Signal Flares – Martha Coston

Windshield Washer System – Charlotte Bridgwood

Smart Clothing / Sensor Integration – Leah Buechley

Fibre Optic Pressure Sensors – Mary Lou Jepsen

[mindblowingscience]

A first-ever stretchy electronic skin could equip robots and other devices with the same softness and touch sensitivity as human skin, researchers report. The e-skin opens up new possibilities to perform tasks that require a great deal of precision and control of force and solves a major bottleneck in the emerging technology. Existing e-skin technology loses sensing accuracy as the material stretches, but that is not the case with this new version. “Much like human skin has to stretch and bend to accommodate our movements, so too does e-skin,” says Nanshu Lu, a professor in the Cockrell School of Engineering’s aerospace engineering and engineering mechanics department and lead author of the paper published in the journal Matter.

Continue Reading.

[lets-try-some-writing]

How good would the bots handwriting be?

In English? In Cybertronian? Why not both?

━━━━━━ ⊙ ❖ ⊙ ━━━━━━━━━━━━ ⊙ ❖ ⊙

On Cybertron, writing anything by hand was not exactly common. Technology trimmed the process down a great deal and writing by hand was seen as something reserved for the higher castes. A written series of glyphs was a material promise, something important and made only to be used in serious events. Otherwise most everything was done digitally to save time and improve efficiency. Autocorrect most certainly helped many a struggling writer back on Cybertron.

With this in mind, as resources cut short and Earth lacked the needed materials to make a surplus of datapads, handwriting skills became very clear. More so than ever once the children decided to try and teach the bots to write for possible cover reasons. One could never be sure when one would need a bot to sign them out of school early.

Arcee has the worst handwriting by far, a surprising twist considering her dainty digits and relatively small size. One would think writing would come easy to her, but she hates doing anything like that by hand. She can type quickly, but writing out anything on a datapad, much less paper of all things? No she would much prefer being on Shockwave's operating table over having to possibly write her report manually. The glyphs of the various dialects on Cybertron are too much for her and the hatred of writing transferred over to English even though it is FAR easier to write in. The team won't say it to her face, but her writing looks like chicken scratch in both languages. The children don't know she is garbage at writing in Cybertronian too, and the team are content to leave them with the thought that she is just bad at learning English.

Bulkhead and Wheeljack share one braincell on a good day, and their writing shows this. They write exclusively in the wartime Wrecker dialect that formed over the millions of years of conflict. No one but Autobots can even begin to read their writing as its all a strange deviation from Autobot encryption. Sure they can write in mainstream Cybertronian dialects, but it looks awful and honestly the team prefer having to put on reading glasses and stare at their encrypted writing over having to get out a dictionary to even begin to parse out their other writings. In light of this, they do not write in English when asked to use an Earth language. Instead, they like Chinese, Japanese, Korean, and other such languages due to the ease of which they find encrypting the writing to be. They are hated by Bot and human alike for their habit of making things more complicated than it needs to be.

Ultra Magnus writes in the most computer generated manner known to any of the bots. How he does it is a mystery. Yet somehow he got so used to manually writing out his signature that now his every written glyph comes out as if it were typed. He doesn't seem to notice or care for the team's gawking, and he absolutely refuses to write in English simply because he had no interest in relearning writing. The team don't know, but the real reason he doesn't want to write in any other dialect is because he purposefully trained his motor functions to only write in his very specific manner. To try and learn a brand new written language would mess that up and ruin his clean and crisp glyphs.

Ratchet is an odd ball in his writing. When in a hurry, his writing in both Cybertronian and English looks like the Doctor's scrawl that those outside of the medical field have no hope of figuring out. However when he's not in a rush, he has a very distinct method of writing his glyphs and letters. In Cybertronian dialects of any kind, he adds extra emphasis in places where there has been no need for further glyph usage since the age of Wrath. In English, he adds interesting swirls and excess E's absolutely everywhere as if it is an additional glyph meant to add meaning to the word. Rafael tried to correct him once. That didn't end well.

Smokescreen has never written anything in his life. He can type like lightening, but he was never schooled in traditional manual writing simply due to how time consuming it was and how unneeded the ability happened to be at his post. He can't do any writing to save his life, but he has managed to convincingly fake the ability to write when in a tight spot. He can scribble and make it look like REALLY bad Tarnian dialect. And since that particular script hasn't been used since the city was destroyed, most don't judge him for it. But Optimus knows, and when he has time, he does what he can to school the rookie. Rafael has also taken it upon himself to try and teach Smokescreen some English with limited success.

Bumblebee grew up under Optimus, and Optimus in turn grew up under Alpha Trion. The two have startlingly similar handwriting more often than not. They both know many languages and dialects and are fluent in them, they both share glyph usage preferences, and both are known for their regular language swaps in writing. The only way to really tell them apart is to look REALLY closely at either the curvature of a specific glyph in Ancient Cybertronian or to stare really hard at the way their write their O's and B's. Both write like they walked straight out of ancient eras of old on a good day and write like living dictionaries for pretty much any other dialect. The team and the children gave up trying to figure out who wrote what a long time ago. If they can't pick it up from the context of the writing, they can just assume its important regardless.

[kosher-martian]

Jewish and Israeli Tumblr, I just can't deal with the USA anymore. We're on our tenth consecutive forever-year of stochastic politics. I feel like 2020 was 20 years ago at this point.

I'm tired.

I'll put all the justifications below the cut, but let me get right to my question: Olim & Natural-Born Israeli citizens: What can I expect from Aliyah? Is there a place for me? I want out of the USA.

I currently work as in IT asset management and procurement. Basically I just keep track of my employer's IT-related inventory (think paper, toner, laptops, and tablets), spec and purchase new devices as part of our IT lifecycle, prepare old assets for disposal through our e-waste vendor, and manage/deploy our new inventory when it comes in.

I know Israel has a booming tech sector, but I'm worried I won't make the cut. I'm not an impressive candidate. I have experience in IT but I'm not credentialed or anything. My academic background (Bachelor's) is in business.

Before my current job, I worked in QA software testing (APIs mostly), healthcare technology, and helpdesk (Tier 2). It's gotten me pretty far in the "firm handshake" economy of small town Texas, but I'm not sure it will get me far in the "real" IT world.

Does anyone have any advice for a prospective oleh who's coming from low-paying IT / IT-adjacent work in a low cost of living mid-sized Texan city? What are some good cities / towns to look at besides Jerusalem and Tel Aviv? Are there jobs for someone like me outside of Jerusalem and Tel Aviv?

I guess what I'm asking is whether Aliyah is a good economic decision for someone who doesn't already have money? Any olim here that could give me insights?

The ugly truth is this: The US is sliding into authoritarianism really quickly and I'm on the losing side. Sure there are supposed to be laws in place that will slow this down or mostly stop it, but the law only works if there's someone willing to enforce it and well... Can you name one person who has show the moral fortitude and is still in a position to do something?

To put it in more utilitarian terms: I'd rather be someplace where I'm unlikely to be scooped up and interrogated for being politically and ideologically incompatible with MAGA or whatever. They're already detaining Native Americans and Black Americans and trying to deport them. Bad things are coming, and I'd rather get out now while I still can.

It's not flattering for me to say, it reflects poorly on me, but it's honest: I'm no hero. I'm a coward and I'm not afraid to say it.