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2stepadmiral · 8 months ago

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So every year or two, I go through a period of reconnecting with my high school Trekkie interests, rewatching some Star Trek clips, episodes, and movies, and during this particular period, I have to voice my main criticism of the reboot films: namely, the treatment of the Enterprise.

To be clear, I think the reboot Enterprise had a nice redesign. She looked very clean and futuristic while capturing the original design in broad strokes. The lens glare is certainly annoying, and it doesn’t have the same heart and retro feel as the original, but I feel they generally did a fairly decent job with the design. I’m talking about how she is treated throughout the films, namely, how she’s treated effectively like just another ship.

In the original series, the Enterprise has a certain heart coming across almost like a character in of herself. You get a clear feel from the characters that they consider the enterprise almost to be home, and Kirk and Scotty in particular see her almost like an actual woman, one who they cherish and will protect at all costs. This sentiment is magnified in the first three movies, particularly in the motion picture and in the search for Spock. When Kirk first sees the refit Enterprise, you can see how much he loves the ship, and when the Enterprise is plunging to her final resting place, the mourning on all of their faces, especially Kirk, makes this moment particularly powerful and truly hammer home that the Enterprise was a character in and of herself. The original Enterprise felt like a character fans had grown up with, and her destruction felt almost like the loss of an old friend. And at the end of the voyage home, when the crew has that last-minute surprise reveal of the Enterprise-A, the triumph and homecoming feeling is so clear that even the audience shares the sentiment, almost as if the character has been reborn.

The enterprise in the reboots was never portrayed this way. She was treated like just a ship, one that might’ve been nicer and fancier and more advanced than the others, but not really all that special beyond that. In the first movie, that’s acceptable, as the focus is on bringing together the crew and getting them where they need to be for the start of their journeys. The second one focuses more on the captaincy, and what it means to really earn that seat, so it’s excusable that this one focused more on Kirk and how seriously he took his responsibilities, though they could’ve put more emphasis on the ship as part of that arc. Yes, the ship almost crashing was an emotional scene, but that had everything to do with the characters aboard and nothing to do with the ship beyond it being the place where the characters were and it’s damage being the reason that they were about to die.

And then in the third one, they just blow up the ship in the first 30 minutes and try to portray it with the same sentimental weight as the destruction of the Enterprise in the search for Spock. Which would’ve been fine, if it weren’t for the fact that they spent the last two movies treating the enterprise like just a thing, just another tool in the characters belt. She had no heart, no soul, no feeling that she was a home, or that she was the thing that brought the crew together, and kept them together, the thing that made them a family. She was basically just a big car, there to get them from point A to point B and occasionally shoot at some bad guys, and then, we’re supposed to feel devastated when she goes down for the final time.

The reveal of a reboot version of the Enterprise A was a nice surprise, but it lacked the emotional payoff of the original version, largely because of how ordinary the first Enterprise had been in this timeline. You can’t really celebrate the revival of a lost character when the character was never really there to begin with. They might as well have put the crew on an entirely new ship, like maybe a rebooted version of the Excelsior, and it would’ve had the same basic impact.

My point is that classic trek, as well as the next generation and DS9, did an excellent job of portraying the dynamic between captain and ship to the point where the ship felt almost like a real character. And that worked really well. It made the crash of the Enterprise D in generations a shocking scene, and it made her surprise return in season 3 of Picard a heartfelt and deeply nostalgic scene (Even if I wanted the Enterprise E, sorry but she’s my favorite). It made the loss of the Defiant in season seven of DS9 a powerful and emotional moment. I haven’t watched a lot of Voyager, so I can’t comment on that, but I can say with decent confidence that they couldn’t have done worse than they did in the reboots.

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sshbpodcast · 6 months ago

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Character Spotlight: T’Pol

By Ames

We’re continuing through our Enterprise character spotlights with a much more likeable character than last time: the ship’s resident Vulcan, T’Pol! And though she starts out mostly as eye candy for the 10-year-old boys watching (kinda like Seven of Nine), the sub commander really grows into something more than just a cat-suited female (also kinda like Seven of Nine!). Over the four seasons of the show, Jolene Blalock really nails the “Vulcan nuance,” as we’ve dubbed it, and becomes a character greater than the sum of her voluptuous parts.

She may spend most of the series making suggestions that go unheeded, bearing the brunt of Archer’s xenophobia against Vulcans, and being exploited for the sake of the viewers to ogle her in the decon room or performing Vulcan neuropressure, but the hosts of A Star to Steer Her By really grew to appreciate T’Pol’s presence. The Vulcan Science Directorate has determined you should read on below and listen to this week’s podcast episode (tractor beam to 59:08) for more on our logical first officer!

[Images © CBS/Paramount]

Best moments

I’m the sanest one here! After T’Pol warns everyone not to go down to the planet until they’ve scanned it (amateurs!) in “Strange New World,” everyone on the away mission inevitably goes crazy on pollen. But she keeps her wits about her and manages to not get shot by a batshit hallucinating Trip. Instead, she concocts a clever plan with Hoshi to survive the storm and save everyone.

Tractor beam > grapplers While Archer is racial profiling the Vulcan crew of the Ti’Mur all over the place in “Breaking the Ice” and assuming they’re there to spy on the Enterprise, T’Pol is busy keeping rational and logical, as is her wont. She eventually convinces Archer to swallow his pride and ask them for help when they need the use of Vulcan tractor beams over their miniscule grapplers, which suuuuck.

You have the power to control the waves We really don’t get enough scenes between Hoshi and T’Pol, but when we do, they’re always lovely together. When Hoshi is stressing out while on the Klingon ship in “Sleeping Dogs,” our Vulcan friend doesn’t hesitate to share some meditation techniques with her. And in “Vox Sola,” we see more of T’Pol’s awkward way of showing affection for the ship’s cunning linguist.

My mind is my mind, my thoughts are my thoughts There’s a lot of negative things we can say about “Fusion” (and we will in just a moment, so don’t despair), but none of those things can be laid at the feet of T’Pol, who’s the only person acting on her behalf for most of the episode. I shouldn’t have to say it is good for women to stand up for themselves because “no means no,” but this is the world we live in.

The Science Vulcan Directorate has determined that time travel is not fair T’Pol’s in a rough spot again in “Shockwave” when the Suliban have taken over the ship in Archer’s absence. They interrogate the poor woman for a while, and she holds her own somehow, and clings to her logic that time travel should absolutely be impossible. And after torture, she’s able to jump into the crew’s plans to re-commandeer the ship!

As usual, Vulcans are immune to the anomaly of the week In typical Vulcan fashion, T’Pol does not suffer the obsessiveness that plagues all the other crew members when they study a trinary black hole system in “Singularity.” So it’s up to her to rescue the rest of the characters from themselves (or from Phlox, in the case of Mayweather) by knocking everyone except Archer out cold and saving the day!

An AIDS allegory a few decades too late While a lot of “Stigma” doesn’t hold up today because its AIDS allegory feels like too little too late, everything T’Pol stands for in this episode rings true. Even while every man on the show is telling her what’s best for her, she firmly states that anyone with Pa’nar syndrome should be treated as justly as she is as someone who was forced into a nonconsensual mindmeld.

We can stop the film if it’s disturbing your conversation I do find it annoying every time Archer forces T’Pol to do things outside her comfort zone just because she’s Vulcan, but this little moment is cute. It might just be because of how damn obnoxious we find Phlox sometimes, but watching her tell that Denobulan sycophant to shut up during a movie in “Horizon” was all of us in that moment. Phlox, Shut Up.

Every day is exactly the same Even though it’s kind of an alternate timeline, the T’Pol that we see in “Twilight” does some very commendable stuff. Sure, there’s taking command of the ship when Archer is incapacitated, but there’s also resigning that commission to take the most thankless job there is: taking care of memory-less Archer for years on end and explaining life to him over and over.

There’s a human expression: You gotta give ‘em that hawk tuah We get another alternate T’Pol in “E²” and she’s just as compelling as “Twilight” T’Pol. The older, wiser T’Pol is astute enough to see the flaws in her son Lorian’s crazy plan and provide her younger self a better, just as crazy plan. Add that to the literal self-reflection she shares about getting over her trellium addiction and learning to love Trip and it’s all great stuff!

Blood is thicker than plomeek soup This is one of those complicated episodes, so you’re going to see “Home” on both lists, but let’s start with the good. We’ve got to respect T’Pol a bit for sucking it up and marrying Koss even though they’d called the engagement off (not to mention that she has a thing for Trip). But it was to save her mother’s reputation and get her reinstated at the Academy, so that’s nice of her.

Her name is Elizabeth We don’t get a lot of T’Pol with baby Elizabeth in “Demons” and “Terra Prime” but what we do get is heartbreaking. We’ve really got to give credit to Blalock and Trinneer for some beautiful acting when a doomed Human-Vulcan infant is thrown in the mix, especially in their final scene of “Terra Prime,” which is utterly devastating.

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Worst moments

You were only there for three days and you couldn’t restrain yourself While Vulcans throughout Enterprise are typically bitchy and blunt, it seems a bit illogical how T’Pol jumps to the conclusion that Trip must have acted ungentlemanly during the course of “Unexpected,” resulting in his getting pregnant. This before he’s been able to tell a word of his own story. That’s just rude, T’Pol. Get all the facts first, then make your judgement.

Don’t blame the victim We’re not victim blaming T’Pol for what happened to her in “Fusion.” No, we’re blaming the writers, who did a bad bad thing in this episode that we largely loathed. For some reason in Trek, the writers treat it like a requirement for the sexy lady character to get mind-assaulted, and to treat it as sexually as possible, and we’ve been fed up with that since Troi and Seven.

Oo-mox always makes the list! I will always put oo-mox on the bad list, because too often it feels like sexual degradation. Lwaxana does it. Crusher does it. Jadzia does it. And in this parade of women performing mild sexually-implicit acts on Ferengi, we see T’Pol perform oo-mox on Krem in “Acquisition.” It’s just disgusting how the writers keep falling back on making this gross joke over and over.

The spy who neck-pinched me We learn in “The Seventh” that T’Pol was an operative for the Ministry of Security, which is idiotic enough on its own. She also sides with Archer on what to do with Menos, which is never a good idea, after the resurfacing of some wiped memories of all the messed up shit she did. Worst of all, the writers forget about her spy training and foist it off on Reed being in Section Thirty-fucking-one, but we’ll cover that later!

Pon farr also always makes the list Almost as much as I dislike oo-mox, I dislike pon farr. We already covered this in “Blood Fever”! It’s yet another device to sneak sexiness into episodes, but it is in no way consensual. Blame pon farr all you want, but for all of “Bounty,” we’re subjugated to watching T’Pol run around in her underwear trying to rape Phlox just to titillate the teenaged boys, and that’s disgusting.

I don’t believe it, now my pants are chafing me Like our last Enterprise spotlight, most of the bad moments are coming from season 3. This is when we’re subjected to countless instances of T’Pol engaging in Vulcan neuropressure with Trip, which is NOT her job. Relenting to Phlox and doing this was bad enough, but did she really have to trick Trip into it in “The Xindi”? And why did she HAVE to be topless for it?

Green-blooded with envy We promised you last time lots more moments from “Harbinger,” so here we go. Vulcans wouldn’t typically find it illogical to be jealous of other people, but that doesn’t stop T’Pol from getting all jealous when Trip starts hanging out with Amanda Cole. It makes her look like a petty, whiny teenager all episode long. Green is apparently not a good color on you, T’Pol.

I just don’t like being compared to a lab rat Oh look, more examples from “Harbinger.” The Tri’Pol shippers get their moment when the two of them hook up, and who can blame them? But having T’Pol pull the rug out from under Trip the morning after is just cruel and tactless. She claims (if you can believe her) that she was just curious what intercourse with a human was like, as if she were just checking it off a list. Next!

I’m sorry, Captain, I can’t obey that order Another episode that ranks among some of the worst of Enterprise is “Hatchery.” Everyone except Archer is perfectly content to let the Insectoid babies die, and T’Pol disobeys when captain orders the crew to help save them. She doesn’t even know the captain is compromised yet! She just doesn’t think he’s committing enough war crimes, evidently, and mutinies about it!

Big green monkey, everyone’s a junkie Again, no victim blaming here; addiction is a serious condition, and kudos to T’Pol for eventually getting help from Phlox. But. The writers fail T’Pol’s logical character in making her a trellium-D junkie, as is revealed in “Damage.” You want to explore an addiction plot? Fine, then make it make sense for her character. Have her seek to build her immunity. Have it be to relieve pain from turning zombie in “Impulse.” Chasing the dragon doesn’t work for a Vulcan.

You brought me sixteen light years just to watch you get married to someone you barely know A second ago, we were giving T’Pol credit for marrying Koss to help her mother unsully her reputation (which was neither of their faults to begin with, mind you) in “Home,” but it’s also just plain sad to watch her have to acquiesce to being blackmailed into a marriage she does not wish to be in. And to have to treat Trip like he’s dog meat is also painful to watch! Tri’Pol shippers, unite!

You’re wondering if I’ve been having any daydreams about you? Speaking of the Tri’Pollers, they get a smorgasbord of Trip-T’Pol material in “Bound,” most of it juvenile as hell. Ever since they got together in “Harbinger,” T’Pol has been dancing around this “do you like me” bullshit like a teenager (or worse, like Shakaar in “Crossfire”) and it gets so frustrating. Why can’t the Vulcan just be upfront about this stuff? Why is she in high school?

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It is only logical to end the blogpost here. Make sure you’re following along as we keep the Tri’Pol ship chugging along next week, when our spotlight swings to everyone’s favorite Floridian! Also keep watching along with our watchalong of Discovery over on the SoundCloud or wherever you podcast, do some Vulcan neuropressure with us over on Facebook, and remember to wear a hat whenever gallivanting around in the past!

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