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sepublic · 4 years ago

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New Wartwood, Friend or Frobo!

This was ANOTHER great episode you guys, two exciting things culminating, and I just… YES!

I love how a recurring theme in both parts of this episode is two strangers who are added to the Plantar family and status quo in Wartwood (I mean Marcy technically isn’t a stranger but she’s a new addition in terms of permanence), and how both episodes have the townsfolk react suspiciously! The people of Wartwood calling back to Anne’s own destruction was neat, it was nice to see Anne guide someone else through the same things she went through, except Marcy doesn’t quite have to do it alone- And Marcy herself seems pretty mature! All things considered, it wasn’t like she just chose to renovate the town against everyone’s wishes, she was following Mayor Toadstool… Which granted, she should’ve listened to Anne’s warning, but still!

In general, I like how this episode has both the gags of the townspeople being ready to be an angry mob, but also there’s this sense of… Newcomers like in the beginning of the show, except we have a more developed Plantar family to help them through it! It’s incredibly sweet and I love it… And I’m SO hyped to see Marcy and Frobo interact more, I was looking forward to her reaction to them- And I want to see the two bond over being the newcomers to Wartwood, as recent adoptees to the Plantar family, more or less, etc.! I want to see Marcy freak out over Frobo and help them explore their abilities and function, and add her own knowledge and research…

…But I AM wary of Marcy inevitably writing back to Andrias about the whole thing. Goodness, what if Frobo is broken down for spare parts, or used to help power and heal his master? Is there some connection, would Frobo recognize the Night- Will the Night possess Frobo like Calamity Ganon with the Guardians? We already have so many Breath of the Wild parallels, in addition to Frobo having destructive laser beams… We could get a tragic Iron Giant plot, with Frobo struggling against the Night, maybe even a permanent destruction! That’d really hurt, while also providing more context and background to what the Night was capable of and probably did, what happened in the past, etc.!

I like how Marcy had the maturity to learn to apologize herself, instead of hiding behind Anne- And it’s neat seeing how she tries to earn love with big, grandiose gestures… I wonder if she learned this from Sasha? Who seems like the kind of person who’d make friends by doing things for people, given how rich she is and how kids are invited to her parties and so forth; And what with it being part of Sasha’s manipulative nature, innocent Marcy picked up on it? Thought this was normal? OH DANG, that could be a toxic trait she learned from Sasha, and we could see her unlearn Sasha’s toxicity the way Anne did! Again, it’s fascinating to see this same storyline redone but with a different character, it’s almost like watching an AU but within canon!

Also, I know Toadstool insisted that he wouldn’t learn, but he went out of his way to try to vouch for Marcy at least a little, or at least take his part in the blame; And what with his upcoming redemption episode, it’s neat to see him slowly grow as a character too! Again, I liked the callbacks and seeing Anne become more of a seasoned veteran whose seen things for people, like how she warns Marcy about Toadstool’s schemes… But just in general, like how she lectures Sprig and Polly about how they need to know Bessie’s story to drive her, and so forth! It’s this proud sense of people growing up, and then passing things on to the next generation, a passing of the torch and maturity!

Speaking of which- We also get to see that with Polly! Polly learning to be an older sibling to Frobo is great, that’s such a neat idea we’ve never seen before, and it adds to her character’s development as she continues to appreciate what others have to go through with her! I like how Frobo is technically younger than Polly in a sense, but also incredibly destructive like her, so you got the baby siblings being destructive… And again, seeing our main cast teach others is incredibly heartwarming, it makes the journey feel all the more well-rounded and nostalgic; We’re seeing how they’ve grown by watching how they become mentors to others, I love this SO much!

Also, I like how Marcy and Hop Pop are getting along more! We got a glimpse of this beforehand, but now we’re really getting into it, especially with Marcy’s fascination with Wartwood- I think it’s neat the detail of it essentially being a bunch of buoyant sod and topsoil placed over swampwater! It doesn’t add much beyond the peril of this little episode, but it’s very neat worldbuilding and a fun concept, and it reminds me of how some cultures created floating gardens! Which, fits Wartwood being an agricultural society, and it just fleshes out how the Amphibians manage to interact with the wild and cultivate it more, it’s so fun! I wonder if this subterranean swamp has anything to do with the various animals we see… Were the herons attracted to the water and perhaps fish beneath? Those monstrous lampreys that flooded the basement, was that from the swamp below? It’s all incredibly fascinating worldbuilding with so much fun, neat implications, I’m genuinely obsessed with it!

But, back to Marcy and Hop Pop- It’s neat that Hop Pop is finding someone who can appreciate his old-fashioned interests more… It feels like this family is becoming more fulfilled and less lonely as people find each other and bond, fulfill one another in different ways! This old frog is being understood more and more, and now he has a fellow nerd! I’d love to see Marcy learn how to drive Bessie, and I like that Hop Pop has another human stranger who’s enriching his life, and acting as someone he can count on to help him with his grandkids, an older child he can relate to! It just warms my heart after seeing him get along with Anne during the trip back to Wartwood, the more the merrier! And it’s incredibly sweet that Marcy gets the Fwagon all to herself… Which again, would make it hurt if it got destroyed, but whatever;

My point is, it’s neat how this journey in this home that brought them to Marcy, it ends up being for her too! It’s like the journey hasn’t quite ended yet, they brought someone back with them… And Marcy gets to sleep where Anne slept, get to live where the others lived! It just feels incredibly heartwarming and it’s such a kind and homely, nostalgic gesture… Again, she really feels more like a part of the family, so I can see things changing where Marcy doesn’t just want to be with Anne, but the rest of the Plantars too! Seeing her develop her relationship with them is great.

Again, I’d like to see Marcy maybe interact with Sprig and Polly more too- Maybe she and Polly can bond over liking Frobo? Frobo and Polly become friends? And while Frobo as an individual does not concern me in regards to intentions; Their design is a bit sus, given the eye-lasers. Though, Amphibia is such a dangerous place that Frobo having defensive capabilities makes sense… But the idea of there being an entire army of Frobos, many of whom could’ve gone destructive and ravaged Amphibia? Genuinely terrifying with how powerful, with such a diverse range of abilities, that Frobo has- They could lift all of Stumpy’s casually! Again, like the Guardians from Breath of the Wild…

But yeah, it’s really fun these evened-out, pairings among the family now; You have Sprig and Anne… Hop Pop and Marcy… And Frobo and Polly! But also, Marcy and Anne are close to one another as well, Hop Pop has everything with his pre-existing kids… So it’ll be fascinating to see Frobo adjust, and maybe see Marcy try her hand at being a guide to them as well! Maybe they can both bond over being clumsy and not meaning to cause accidents, but also being adept and having a wide range of skills, and perhaps being seen as ‘robotic’ in the sense that they don’t understand social cues and are figuring them out… It’d be SUCH a neurodivergent mood! Then we have Anne, Marcy, and Frobo being the local freak shows and adopted family, Hop Pop, Polly, and Sprig the ‘normals’ acclimating them to Wartwood, etc.!

All in all this was another fascinating episode, in terms of character dynamics, themes, the development of our protagonists getting to shine, glimpses into lore, changes to the status quo… It’s all wonderful, I knew I’d love this episode, but WOW it was good! Animation for Frobo was superb and I loved Marcy’s outfit from Toadstool, and Mrs. Croaker’s little joke about being suspicious with Marcy for a while, it reminds me of the fandom in a meta sense! Here’s looking forward to the next one, F-Anne’s!

#amphibia #amphibia marcy #marcy wu #amphibia frobo #amphibia polly #polly plantar #amphibia toadstool #mayor toadstool #wartwood #analysis #speculation

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fluffmonger · 5 years ago

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The Pelor Theory

Or, I’ve spent way to much time overanalysing this, but have this anyways.

So, it’s here at last, Caleb’s big arc, or at least the beginnings of it, and oh man am I stoked. Caleb has had these loose ends dangling for a long time now and Liam has continually been dropping little hints as to the Big Secrets, always very cryptic. Now, this might seem a bit out of left field, but given things like the Moon Theory, hey! Might as well go wild yeah?

Imo, one of the biggest loose ends and mysteries we’ve got regarding Caleb right now is his time in Vergesson Sanitorium, and especially who was the woman who healed him? Why did she do so? So… my theory.

Let’s start at the beginning. Why was Caleb even sent to Vergesson? In his words, “I broke a bit.” He claims he doesn’t remember much of his time there, that it's all kind of a blur for him, except for the woman who healed him. (This is important, we’ll come back to it). It's very clear from everything said in 18, and then expanded on in 49 and further about his scars and Trent’s goals that Caleb was abused and heavily traumatised. That alone, on top of the guilt and stress of hearing his parents dying screams would be enough to break a man.

However, I don’t think it’s as simple as that alone. (continuing under the cut for length)

Trent has placed false memories into the heads of many of his students, brilliant students who from a mechanical standpoint, we can assume have pretty good stats. Beyond that, none of them seem to have realised at the time that their minds were played with magically. Most spells of that nature tend to leave a target aware to a degree if the deviation is too sharp from normal. However, Trent is likely an Enchantment wizard, who specialises in mind fuckery via magical means, using the 14th level feature Alter Memories, which allows an Enchanter to charm people without the noticing or remembering that they were ever charmed (it's utterly terrifying y’all, super abusable).

A very common and powerful spell, that Matt has absolutely used before, is Feeblemind. We know Lady Briarwood had the spell, and used it in her first appearance. We know she was part of the assembly, once long ago before being kicked out. So it's not improbable that Trent also has access to it, and would make use of it. Feeblemind, in short, reduces a creature's intelligence and charisma scores to 1, and prevents them from casting spells, using magic items or even communicating. It is only possible to try to save against it every 30 days, and vs an Archmage’s spell save, with a modifier that low there's no way to get out of it outside of magical intervention.

So where does this leave us?

Caleb broke, after suffering through severe abuse and being manipulated into killing his parents

Caleb, despite having a Keen Mind, cannot remember his time in Vergesson, except in flashes and fuzzy moments

Caleb was very likely subjected to Feeblemind, which he’d only be able to escape via magical means.

Which brings us to the woman. Caleb says that she arrived some years after he broke, and was another patient. She laid her hands on him, and not only was the worst of his mental illness lifted, but his memories were restored to their original state, before Trent altered them. When looking at spells that can remove a Modify Memory and a Feeblemind, the only two that fit the criteria are Wish and Greater Restoration. Wish is a super rare high level spell. It’s unlikely that someone would use it on Caleb, a lost and broken former Volstrucker, even if there's stuff we don't know. If it was a wish spell, that opens up some very intriguing possibilities, however I am not willing to put money on it. However, Greater Restoration is only a 5th level spell. It is available to bards, clerics, druids, certain classes of warlock, and artificers. Of these, I think it's most likely that a cleric is the one who healed Caleb. Why?

Well….

We know Caleb grew up in Blumenthal. Blumenthal is a small farming town outside of Rexxentrum. Its most notable feature is a giant statue of Pelor, the Dawnfather. Liam has stated outright that Caleb, Astrid, and Eadwulf all “walked in the light of the Dawnfather” as children, in his Narrative Telephone story, which he confirmed to be a metaphor for Caleb’s childhood and school years. We know his father was in the military, a low ranking soldier of some sort, and the Dwenadalian Empire honours Pelor as a God of War, and he’s the patron of the Righteous Brand. We know Trent pushed the idea of “Empire Over All,” Caleb stresses this aspect very hard, but we also know that he doesn't believe in anything anymore, when questioned about his feelings re: his training in ep 49.

Pelor is a god of light, previously mostly shown as the patron of Whitestone in CR 1, which makes sense given Whitestone was founded by displaced Dwendalians long ago. He hasn't played much role in CR 2 as of yet, however, the final fight with Obann takes place in his cathedral in Rexxentrum. One of his major symbols is that of a burning brand or brazier that takes the place of his head in depictions.

We have every reason to believe that, as a child, Caleb likely worshipped Pelor to some degree. Additionally, his given name, Bren, means “to burn” in german. Liam has said there's a deeper meaning behind it, however. In the artbook, there's a curious diagram that says “Brennan”. It is set up almost the way we see certain spell circles set up, and within are Roman numerals for 8, 13, and 17. 13 is the age Caleb was when he went to Solystryce. 17 is the age at which he killed his parents. 8 would be a likely age for beginning to show magical potential. I'm still not entirely sure what's happening with that, however, Brennen as a name has several potential sources. In old Gaelic, it can be traced to names meaning sorrow or tears or raindrop/drops. In old english it can be traced to a word meaning Burning Hands, which keeps the fire theme and is very interesting indeed.

Back to the point at hand…. Caleb likely has associations in the past with Pelor, though now he doesn't believe in or worship the gods or the Empire (and in the empire, the gods are but an extension of Empire, really) and there is a deep secret behind his name, and there is more he isn't telling us. What reasons does trent have for keeping him locked in Vergesson when he was already broken and useless? Who would go in just to save a broken man? What is Caleb not saying? I posit that Caleb, Bren really, has some deeper connection to Pelor, which he may not be aware of entirely. There is something about Caleb worth saving. Perhaps he was born on an auspicious day, or with a certain connection in place? Whatever it is, he is important enough, that a cleric of Pelor faked madness or revolutionary sentiment long enough to get into Vergesson themselves as a patient, and then used Greater Restoration on Caleb at least once, but possibly twice, and then faked madness as part of their cover. They are most likely not dead and may or may not still be in the asylum. And I absolutely think we’re going to start seeing these connections pop up as we move back into Caleb's arc, and exploration of the depths of Cerberus.

So tldr, I guess?

Caleb was magically affected by Modify Memory and Feeblemind, and his own mix of neurodivergence and trauma

Caleb was placed in Vergesson after breaking/being controlled in order to be monitored and possibly experimented on to some end of Trent’s

Caleb was later healed by someone who found him, likely using Greater Restoration, which cured him of the magical interference.

This person could have been many classes, but the most common and easiest to see fit into the Empire would be a cleric

This cleric likely served Pelor, and healed Caleb specifically due to Caleb having a connection to Pelor

The nature of this connection is mysterious, but absolutely important, and will play a role in this upcoming arc, if I’m right here.

#caleb widogast #bren aldric ermendrud #trent ikithon #pelor #the dawnfather #dwendalian empire #cr meta #cr theory #critical role #critical role theory #critical role meta #critical role spoilers #cr spoilers #the mighty nein #cr2 #cerberus assembly #this may be a bit of a reach but im personally into it #also i know i project re caleb and religion but hey

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aroworlds · 7 years ago

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Aro-Spec Artist Profile: Nate

Our next aro-spec creator is Nate, better known on Tumblr as @astriiformes!

Nate is an asexual, aromantic, neurodivergent and mentally ill trans guy/person continuing the tradition of aro-spec creators demonstrating an impressive diversity of talent. He writes, cosplays, creates filk music and produces visual art--and that’s when he’s not playing D&D and attending conventions!

You can find him on Twitter as planar_ranger and on 8tracks as azhdarchidaen. He’s also found on AO3 as azhdarchidaen, with a prolific selection of works for the Gravity Falls, Doctor Who, Critical Role and Pacific Rim fandoms! If you have a dollar or two you’re wanting to invest in worthy aro-spec talent, please take a look at Nate’s Ko-Fi!

With us Nate talks about expressing emotions through creativity, the intersection of aromanticism and perfectionism, the importance of storytelling as self-expression and his passion for D&D as a way of giving voice to his aromantic experience. His love for fandom, creativity and storytelling shines through every word, so please let’s give him all our love, encouragement, gratitude, kudos and follows for taking the time to explore what it is to be aromantic and creative.

Can you share with us your story in being aro-spec?

While I didn’t know the word “aromantic” until I was 15 or 16, and took a while to embrace it even then, when I look back on my childhood I can definitely see some of the earliest signs. Perhaps the most prominent was my mild disappointment at age 12 or 13 in discovering the Star Wars EU novels only to learn that Luke Skywalker, one of my most pervasively favorite characters since I first watched the movies and likely my earliest aro headcanon, ended up getting married! I ended up writing what was technically my first fanfiction after that discovery, an alternate take on the post-Return of the Jedi universe in which he didn’t.

But I didn’t really start to realize I was aro, or even know it was an identity at all, until two things happened. First, I joined an LGBTQA+ group on a writer’s forum I used to frequent and started to not only learn the vocabulary but also that identifying as something other than straight or cis was even allowed. Second, I entered what was essentially the closest thing to a romantic relationship I’ve ever experienced. By some measures it probably was one, but there really wasn’t much romance involved – because I wasn’t pushing it (for reasons that are now obvious to me), and the guy I was sort-of-dating was pretty respectful of my boundaries and was probably waiting for me to make some of those moves before trying himself. The relationship eventually broke off several months after he moved to Europe. He messaged me to say he felt bad about the fact that our long-distance “relationship” was probably holding me back from finding someone I could be happier with, and he would be more comfortable breaking it off. The fact that I felt no real sadness over that was a fairly big bit of evidence for my aromanticism, second only to the fact that I had actually become more comfortable with our situation when he moved across the Atlantic Ocean.

Clues like those eventually lead me to adopt the label and really begin to understand myself, I think around age 16 or 17. I went through a slow process of accepting all my queer identities one-by-one and kind of see them all as pretty interconnected. The aro one was in the middle.

Can you share with us the story behind your creativity?

I really like making things. For all the frustration I experience trying to write something I’m happy with, or panicked near all-nighters trying to finish props before a convention, I really am at my happiest when I have projects to engage in. I take a lot of pride in my identity as a content creator as a result, though it also means I can set discouragingly high standards for myself. That being said, there’s nothing that makes me happier that someone enjoying something I put time and effort into and being able to go “I made this.”

Writing was definitely my earliest outlet (I did draw things when I was younger, but I didn’t show my art to anyone until this time last year). I was posting fics (under a different username, fortunately; I don’t want my early teenage writing unearthed ten years later) on ff.net by early high school, a narrative I’m sure I share with plenty of other creators. I’ve done more interesting things with my writing since migrating over to AO3 though, and I continue to feel like my writing is growing (even if, sometimes, I worry it’s going too slowly).

Getting into cosplay was something I picked up only a year or so later, though again, comparing my current work to those first few attempts feels almost silly. My first cosplay was a patched-together Eighth Doctor mostly made out of thrift store finds that looked only debatably like the real deal. Since then, I’ve gotten better at sewing my own things and have realized one of my true strengths lies in elaborate props. My two most recent cosplays were Stanford Pines from Gravity Falls, with a fully-illustrated and screen-accurate copy of the third journal, complete with blacklight effects, and Taako, from The Adventure Zone, with an Umbra Staff that I had re-covered in fabric and had fully-functional LED “stars” built into it, stars I could make twinkle via a secret remote. I’m attempting two characters that are even more ambitious for conventions this year, but we’ll have to see how that actually goes…

My filk contributions aren’t massive, but the community aspect (and that it connected me to someone who is now one of my closest friends, who made me go from enjoying the genre to contributing to it) and some of the things I’ve done as a result of it make me feel it has a place as part of my creative identity. You haven’t lived until you’ve performed decades-old songs about space travel with your friends, in cosplay, in a crowded convention center! (Okay, a debatable statement. But a truly wild experience.) It’s also been a good outlet for me in some ways, because music is a powerful way to get across emotions. I play viola and piano, and have for years, so I knew that to some degree before I started writing my own lyrics to things. But personalizing songs by making them be about things you have really strong feelings for is another level entirely.

And then, art. Like I said, I never really shared it with anyone (or drew much at all) until about a year ago. Part of that was due to wanting to try my hand at digital art but not really having an understanding of what programs to use or how to get started with it, and part of it was the inertia of feeling like “if I’m not good at something immediately, I shouldn’t try at all!” The thing that really got the ball rolling for me is the long D&D campaign I’m currently in. When I was excited about other stories, chances were someone else had drawn art of it that I could enjoy and reblog. That’s not really the case with one you’re telling with only 5-6 other people. I had a sort of epiphany moment a couple months into the campaign, as the story really started picking up, that if I wanted to see the kind of art I appreciate for this new story I was falling in love with, I would probably have to do it myself. I’m still not incredibly happy with my work, since I’m surrounded by friends who are incredible artists and my style is fairly simplistic and oddly stylized, but I have gotten to a point where I draw fairly regularly, and generally put up what I create on our shared campaign blog. The same D&D game has wrenched over 15k words of original writing from me, which is pretty astonishing. Most of that isn’t anywhere to be found on Tumblr just yet, though – it’s largely still-top secret character backstory.

Are there any particular ways your aro-spec experience is expressed in your art?

The most obvious way is that I write fics about characters being aromantic and dealing with their aromanticism. All headcanons, unfortunately (I’m yet to find a canon aro in anything I love that I didn’t help create myself), but there are several stories on my AO3 about characters from Pacific Rim, Star Wars or Gravity Falls realizing they’re aromantic. And the fics that don’t deal with that are still all gen – I’m too romance-repulsed to write anything else, and I feel the world needs a lot more genfic anyways.

One other way, though I feel a bit silly calling it “art”, is that I am intentionally playing an aromantic character of my own creation in my current D&D campaign. I’ve been playing for several years now, and did have another character back in high school who I also imagined as aromantic. (Partially because of an awkward flirting mishap – an enemy tried to get my character off her guard with romance and it all backfired because she didn’t know how to respond. All my own fault – I don’t even know how to roleplay that!) But none of the campaigns I’ve played in until this one were particularly intent on exploring characters and their feelings all that deeply, or really making them a part of the story.

With my current character, it’s become incredibly validating to view him as aromantic and asexual, like myself. It’s that same impulse that got me started doing more art – if the fiction I like isn’t going to provide me with aromantic characters, I’ll have to make one myself! And it’s slowly leading to some very interesting explorations of aro identity and the normalising of it in our world. We’ve established that identifying that way isn’t particularly unusual for elves and talked about what that means for worldbuilding. Do they hold platonic relationships in the same regard as romantic ones? Is there a special kind of relationship that signifies that? What if we put friendship under the banner of the goddess of romantic love too? Though at the same time, I’m exploring some of the same feelings I experience with him – he’s a particularly lonely person, who worries about people actually wanting to stay with him, both of which are prominent features of my own aromantic experience.

What challenges do you face as an aro-spec artist?

Like many of us, I do worry that my genfics will be less enjoyed or circulated as a result of choosing not to include ships. And whenever I post a fic about a character actually being aro, I definitely get that little stab of “Someone is going to have a problem with this” fear.

I also feel that my experience with aromanticism has shaped a lot of my perfectionistic tendencies. Because I worry so much about trying to remain important in my allo friends’ lives, and because I think of so much of my identity as associated with creativity, I tend to get really wrapped up in my work needing to seem amazing somehow, to make people think I’m worth their time. It’s a silly thing to get preoccupied over, but it has had an impact on me. In some ways wanting my work to be really good is not a bad thing – it encourages me to do my very best whenever I can – but the motivation is really all wrong.

How do you connect to the aro-spec and a-spec communities as an aro-spec person?

I’m honestly pretty disconnected from them. I might be less-inclined to be if this website wasn’t suddenly experiencing such backlash against a-spec identities, but as is I’m almost afraid to engage with anything that might make me a target. Which is really unfortunate. That being said, whenever I do make any aro content and I see it circulated to other aromantic people, I get a lot of joy from it. The comments on my multiple aromantic-focused fics are some of my favorite ones I’ve ever received. If I can channel my experiences into something that elicits that kind of a reaction from our community, I consider my work well done.

How do you connect to your creative community as an aro-spec person?

When I’m able to talk to other aromantic people about headcanons (or even some of my very understanding allo friends who absorb them from me, too), pretty well! Unfortunately, that’s a pretty tiny fraction of my fandom experience. Even some of my interests where you’d think I wouldn’t run into problems have been difficult at times. I once had someone dressed as a character often (non-canonically) shipped with the one I was cosplaying, and they assumed that I would be interested in hearing that they shipped our character. Instead, they just made me very uncomfortable, particularly with the way they chose to do so.

In general, the expectation that as a member of fandom, producing fandom works, I will be interested in creating and consuming romantic content is hard to deal with. I’ve had people ask me to put ships in my fics, the aforementioned convention incident, and been heckled over having aromantic headcanons at all. That being said, aromantic headcanons were how I met at least a few of my good friends. Finding each other may be hard, but since we all feel so isolated I think that finding other aro creators inhabiting the same or similar spaces can lead to pretty quick bonding, or at least an appreciation of each others’ works. I do like that.

I’ve also, as I have mentioned a couple times now, realized the worth of telling my own stories, particularly if I have other people to share them with who will respond positively. Right now, most of my D&D group is not aro, but they are a group that respects my and my character’s identities, and being able to tell an aro narrative that means a lot to me and get a positive response is a breath of fresh air. I count them as fellow content creators and they’ve really encouraged the story I want to tell. I hope that someday the inspiration I’ve gained from that will lead me to publishing my own original fiction (with aro characters, of course), but it’s been due to this small start that I’ve decided that’s something I could realistically pursue.

How can the aro-spec community best help you as a creative?

Comments on my fics are one of the biggest things that keep me writing, so they’ll always be a boon to me. Even old ones. It makes me happy to see people still reading and enjoying them. Same goes for reblogs of any of my stuff – art, writing, filk, cosplay photos, anything else I might post. The biggest thing that keeps me wanting to create and share more creative works is knowing that other people are enjoying them, so if you do enjoy them, any way you can let me know that is wonderful.

I do hope that in some point in the future I’ll have original fiction available and a science writing blog (I consider non-fiction to be creative expression, as long as you’re putting your spark into it!), but neither exists quite yet. If you follow me on either of my main platforms though, those might pop up someday. Seeing either be circulated when the time comes would be massive. I also intend to, perhaps in the much nearer future, start publishing D&D content (likely homebrew 5e subclasses, but who knows) on the DMsGuild, starting with a pay-what-you-want model for downloading my content. If that goes up and I make something you’re interested in, and you want to pay something for it at all, I would be massively grateful.

Can you share with us something about your current project?

I’ve been working on a Critical Role Modern AU story since January or so that places heavy emphasis on the platonic relationships in the show (Percy and Keyleth’s is particularly dear to me, so they’re likely to get a fair bit of the spotlight) that’s my most current fandom fic.

I’m also tackling two ambitious cosplays at the moment, though the timeframe is making me wonder if I’ll actually pull either off. Especially given what I need to get done. One involves sewing pseudo-historical menswear, and I’m going to have to learn how to make armor for the other one. If I can figure it all out though, I’m really excited about them both!

Have you any forthcoming works we should look forward to?

Hopefully the next chapter of the CR fic, if I get hit with the inspiration (and motivation) to work on it soon. I also have another aromantic Luke Skywalker fic I really want to get down on paper at some point, though thus far it’s proven a little elusive.

My two big cosplay projects are Percy de Rolo (from Critical Role), which I intend to take to a local convention, and Erwyn, my own D&D character. I hope to do a photoshoot with the rest of the players as their own characters sometime late this summer.

As for art, I fully intend to keep drawing major or touching moments from my ongoing campaign, likely with much more frequency than any of the things above. It may not be as engaging for people to interact with as my fandom-focused projects are, but I still really do love sharing it.

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