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pepperonijem · 4 years ago

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When He Sees Me || Peter Parker

MASTERLIST

Pairing: Peter Parker x Reader

Warnings: um peter might be a little ooc and that’s because i’m writing about my unfortunate crush but i basically just changed his name to peter parker any resemblance to real persons living or dead is purely coincidental <3

Word count: 2.5k

Summary: What if when he sees me, I like him and he knows it? What if he opens up a door and I can’t close it? Catching feelings for your best friend is never easy.

A/N: This fic is sponsored in part by @bitchassbucky, @spiderrpcrker, @shurisneakers, @midnightsunfae, and @blackberrybucky who instead of shutting down my feelings, hyped me up to turn my crush and some of the things that we’ve done into a fic <3 this goes out to anyone who has ever started crushing on their best friend.

Oh God, please don’t walk this way, please don’t wa-

“Oh, hey Peter!” The crack in your voice betrayed your attempt at a casual greeting, despite your efforts to disguise it with a cough. “How’s it-- how’s it hanging?”

“You good?” Peter smiled at you but his eyebrow quirked upwards in concern. “I just wanted to make sure we’re still on for tonight?” His concern faded into a wide grin as you nodded in response. Peter gave you a quick goodbye before walking away towards his next class.

As soon as you saw him turn into the classroom, you turned to face your closed locker, letting out a groan before setting your forehead against it. Peter had asked if you were good, and although you nodded, the butterflies in your stomach threatened to give you away. You were very much not good.

A tap on your shoulder snapped you out of your thoughts and you turned to see your friend MJ. “What did Peter do this time?” MJ asked. For the last month, every interaction with Peter -- there have been a lot -- ended this way: a groan of defeat and a few welted lines on your forehead from holding your head against your locker. You turned to give MJ a dirty look, annoyed by the amused smirk on her face.

“Absolutely nothing,” you sighed, finally lifting your head up to talk to her. You opened your locker as you talked, not wanting to make eye contact with MJ as you confessed your feelings. “He just… smiled… and everything went downhill from there.” You rolled your eyes as MJ laughed. “It’s getting worse, I have no idea how I’m going to get through tonight.”

MJ laid a hand on your shoulder. “Well we’ll all be there,” she offered. “And if it makes you feel better, no one’s even noticed. Just act normal and you’ll be fine.” She shrugged her shoulders as if that was the easiest thing to do. But you couldn’t act normal anymore, not with Peter. Not when normal means resting your head against his shoulder every time he makes you laugh. Not when normal means borrowing his clothes when his aunt May tells you to stay the night every time a study session runs too long. Not when normal means wearing the extra sweater he keeps for you because you always forget yours.

Normal was when you didn’t feel butterflies everytime he looked at you, before your curious heart got the better of you and you began to wonder what it might be like to hold his hand. Now, things were just weird. At least for you. Nothing on the surface had changed, no one noticed how your heart rate picked up every time Peter touched you, or how you suddenly felt hot whenever he winked at you. But inside your heart was navigating uncharted territory in your friendship, trying to traipse along the thin line that separated how things have always been and how you suddenly wish things could be.

Pulling your textbook out of your locker, you shut the locker door a just a little bit more aggressively than necessary. MJ gave you a small hug before linking her arm through yours as you walked to your next class.

For the rest of the day, you found it impossible to focus on anything. Instead of taking down notes on George Orwell in English, you found yourself absentmindedly doodling hearts. Everything just reminded you of Peter and your own confusing feelings. Thankfully, you didn’t share any classes with him today, leaving you enough solitude to think about just why you were so frustrated with yourself.

Logically, you knew there was nothing wrong with having a crush on someone. You’ve had plenty of crushes before, a few of which reflected a temporary lapse in judgement on your part. You remember telling Peter about each of them, gushing about the most basic acts of human decency as he rolled his eyes and told you that you deserve someone better, but nevertheless helping you pick up the pieces every time someone broke your heart. That, you realized, was what scared you the most.

If you were to date, and then break up… well who would be there with kind words and your favorite boba when everything fell apart? The thought of losing your best friend over emotions, feelings, left far too much to chance. Was the idea of holding his hand, of hearing him call you his enough to make you risk the friendship that has always been enough for you? It should be enough for you, you reminded yourself. There was too much on the line and not enough guarantee for you to risk it.

With that determination in mind, you steeled yourself for the rest of the day, determined to put your feelings to rest and go back to normal.

Unfortunately, that plan quickly fell through.

You got to the restaurant a half hour late with only a really good nap to blame. You felt bad that your friends were waiting for you, but when you got there, you found an empty spot next to Peter, where your usual order of ramen was waiting and against your will, the butterflies flew rampant. The noodle that hit Peter’s nose as he ate while waving you over made you laugh as you sat down beside him.

“I got you your usual,” Peter explained in between bites. You smiled and thanked him before digging in. Peter had done this for you many times, and you willed your body to fight against the flutter of your heart.

Thankfully, the rest of your dinner was going well, and everyone had plenty of stories to tell. MJ had begun doing more portraits of people in distress and revealed her latest piece -- a portrait of Peter slurping up a noodle only to get a rogue drop of soup in his eye. Ned and Betty were off again, but of course they tried to keep it civil (they were on again by the end of the night) so no one would have to pick sides. Flash teased Peter about the B that he made on his literature exam yesterday over poetry and Peter’s face turned beet red.

“Hey,” Peter began, attempting to defend himself. “I totally could’ve made a perfect score. I was just distracted.” He shrunk down in his seat a little bit, and the rest of you laughed teasingly.

“Yeah, you’re telling me,” Flash continued. “You’ve been drawing little hearts all over your notes, dude, it’s unsettling.” He rolled his eyes and took another bite of his food, swirling his fork around the bowl trying to grab as much noodle as possible.

Across the table, you and MJ made eye contact, a look of surprise between the both of you. You tried to signal her to say something before a weird silence fell on the table, but she was not reading your cues. Thankfully, Peter spoke again.

“H-hearts?” He repeated. “Why would I be drawing hearts on my notes?” Although he tried to play it off, the rise in pitch gave him away. He scrunched his face in exaggeration.

“Actually,” Betty began. “Now that I think about it, you were doing that in Spanish class too.” You glanced over at Peter who looked at you with panic in his eyes. You took a long sip of water, suddenly feeling a layer of sweat form at the back of your neck. “Wonder what that’s about.” She shrugged and turned to Ned asking if he wanted to split a slice of cheesecake with her.

Before Peter had a chance to try to defend himself once again, the waitress appeared. “Are you all ready for the check?” she asked.

“Yeah, but we’re splitting the check,” Flash replied. Betty rolled her eyes in response. “What? Just because I’m rich does not mean I have to share the wealth.”

The waitress nodded in response. As she was leaving Peter called her back. “Oh wait,” he called. “I’ll also be paying for this order,” he gestured to your bowl. She smiled at him and headed for the counter.

“Peter,” you smiled. “I have money, I can pay for myself.” Although Peter usually had to order for you, he didn’t usually pay for you, unless it was a special occasion.

“I know, I just wanted to be nice,” he responded, giving your shoulder a playful nudge. “Plus, you seem like you’ve had a rough week. Every time I see you, you seem to be lost in thought. What’s been on your mind?” The sentence came out casually, but the furrow in his brows revealed how concerned he actually has been. Peter was nothing if not observant, like he could sense things better than most people.

You let out a sigh, unsure of what to say. You didn’t want to lie to Peter, but you also didn’t want to tell him the truth, that you were thinking about him-- well, your feelings for him. Just when it seemed like he had backed you into a corner, however, the waitress had returned with the checks, and the question left unanswered.

After dinner, the six of you went to Flash’s house to watch a movie. He had a home theater and early access to new movies and he loved to remind everyone of that. Not that any of you minded, especially if it got you free popcorn and a movie out of it. Every week, a different person got to select the movie and today, unfortunately, was MJ’s turn.

You loved her, of course, but you absolutely detested her taste in movies. Mostly because she was a horror junkie, and you were absolutely not. Her last few turns however had been spent making sure you all had seen all of the Shrek movies. But today, she picked a horror film. Something about demons and the like. Peter and Betty cheered at her selection as Flash groaned. You settled into the couch in the back of the room and grabbed a blanket. Ned and Betty sat together on a smaller loveseat, and MJ sat on the floor in front of Flash’s seat, the perfect spot to be able to scare him with a single touch on his leg.

Peter sat down beside you, handing you a tub of popcorn and a soda. He pulled the blanket over his own lap as he sat criss-cross on the couch. You tried not to pay attention to how his leg was brushing against yours under the blanket, instead focusing on the screen as the room went dark.

The movie had just started, but you could already feel yourself tense up in expectation.The music was coming to a crescendo and you knew something was already going to happen. You didn’t realize just how tightly your fists had balled together in your lap till you jumped at the sound of Peter’s soft voice at the shell of your ear. “Are you okay?” He asked.

He tried to hold in a chuckle as you almost bounced the tub of popcorn off your lap. He grabbed it from you and set it to the side. “Look,” he pointed to the screen where the creature’s head had just rotated a full circle as it crawled up the wall in pursuit of the main character. “That thing kinda looks like the spider from that kid’s tv show, but not as creepy.” You let out a laugh, a little louder than you meant, and Ned turned to tell you to shut up.

The small joke was enough to dissipate the anxiety you felt towards the movie, but unfortunately only heightened your feelings about Peter. But he noticed how your fists unclenched and how your shoulders relaxed once you laughed, so he continued to tell you whispered jokes for the rest of the movie. Each time he noticed your body tensing, he tried his best to make you laugh, and god, how could you stop yourself from those butterflies anymore?

At the height of the movie, you found yourself with your hands over your ears, and eyes squeezed shut, unable to even look at the screen or hear a joke. When Peter realized a joke wouldn’t be enough, he slid closer to you and pulled you into his side and you buried your face into the crook of his neck. Before you had a chance to think about the spicy notes of his cologne or the softness of his skin, the sound of a high pitched scream in the movie caused you to jump with a gasp. In response, Peter wrapped his arms around you tight, with a gentle shush.

It was only after the music began to die down that you opened your eyes again, only to find Peter’s eyes fixed on the screen. Now that the worst was over, you no longer had an excuse to be in his embrace the way you were. You began to wiggle your way out of his arms, attracting his attention.

“What are you doing?” he whispered.

“Peter I’m a big kid,” you smiled, teasing. “You don’t have to hold me like a baby.” Peter let out a soft laugh before relaxing his hold on you just a bit.

“Okay,” he relented. “I’ll just hold you like this then.” He began to shift so that your head was on his shoulder, and one of his arms looped under yours, intertwining your fingers. The smile on his face was calm as if this was something the two of you did all the time, but his racing heartbeat reminded you this was something new.

The two of you remained that way for the rest of the movie. By the time the soft music began to play in the credits, you could hear light snoring from everyone else in the room. However, you and Peter made absolutely no efforts to untangle yourselves from each other. It was as if you were worried that once the lights came back on, you would never find yourself like this again, and what a sad idea that was. Normal, would never be enough for you again, not when you know now how much better life could be like this.

You weren’t sure if it was the adrenaline from the jump scares, or the sureness of his hand in yours, like it’s always belonged there, that gave you the courage to finally break the silence.

“Peter,” you breathed out, lifting your head from his shoulder, but not letting go of his hand.

He turned to you, with a look of concern, afraid of what you might say.

“Kiss me.” The words came out so softly and so quickly that you weren’t sure if you said it at all.

“Finally,” he whispered as his lips fell against yours, softly and slowly. He pulled away after what felt like hours and yet not nearly enough time. His hands reached up to cup your face. “I like you,” he admitted. “So much.”

Suddenly, you felt it. You felt exactly what it must feel like to fly, to let yourself go without worrying about gravity or anything else. The risks were still there, the numbers hadn’t changed, but you knew that no matter what happened next, just having the chance to fly would always be enough.

#peter parker fluff #peter parker angst #peter parker x reader #peter parker x y/n #peter #peter parker #peter parker headcanon #peter parker imagine #tom holland #tom holland fluff #tom holland angst #tom holland smut #tom holland x reader #i don’t know if the read more will work but uh i’ll fix it tomorrow #it’s like 4 am but i couldn’t leave this unfinished

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arcane-ish · 4 years ago

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*urge rising to post a “Some people apparently don’t understand the concept of shipping” lecture*

Like... you do realize that shippers don’t actually magically make stuff appear in canon, right? That like writers make those decisions? Especially on a show like Arcane that probably has already finished their scripts for season 2?

So if you don’t like something in canon then maybe you should take it up with the writers and not the shippers?

And you like know that shipping isn’t really bound by canon? Like not every shipper even wants their ship to end up in canon and I would say an even higher percentage understands that there is a good chance that whatever they like won’t end up in canon. Again, see large list of shipping for non-canon/unlikely to end up in canon ships. Because like, a lot of people use canon just as a jumping off point to spin their own ideas?

Furthermore the position “aww, they look cute or hot or cool or fun together” does not imply that your position is also “and I want them to take over the show and the show to be only about that anymore”. People are capable of finding multiple things cute in a casual manner. It’s totally a thing that people do. Plenty of time, shipping is not that deep for people that they go “omg, I’ll die and start boycott campaigns if my ship does not become canon and get all of the screentime”, plenty of time for plenty of people it’s just “hey, that looks cute together, let me doodle a picture of them/like a cute picture of them”.

(not to mention that in the case of Arcane, some of that shipping actually predates the show, so what, you are gonna try and shame people for shipping something because YOU think it shouldn’t be part of canon Arcane when it is something they liked before Arcane was even a thing?)

Never thought the need for a rant like that might be prompted by a ship as comparatively vanilla as fucking Jinx and Ekko. (who on top of everything they are are borderline confirmed that they are NOT going to have a relationship in Arcane canon because the writers hinted heavily that they are not going to put Jinx in a romantic relationship with anybody)

Like that’s usually the kind of “it’s just fiction” and “yes we realize it’s not going to be canon” debates people have over like the hardcore incest/age difference/protagonist&antagonist/A tried to kill or actually successfully killed B or B’s family ships. Not over “two teenagers who are not related and neither is in a relationship with anybody else nor does it to our knowledge violate their sexual preferences as neither of them have defined in that regard in one way or another to this point”. (especially since the actually controversial part of “oh and btw, she’s kind of maybe a mass murderer” at no point entered the conversation)

Once more:

- Not all shipping means tht the shippers expect or even want to have it to end up in canon - Some shipping uses the canon material only as a jumping off point and lives happily in a fantasy version of the show that is quite removed from the source material - The vast majoriy of shipping is fully aware that their shipping (ie that 300 chapter hardcore porn picking out the curtains fic) will never end up in canon, that like even in the best circumstances only a fraction of what they can imagine will ever be part of canon - Fiction is not reality. ie just because a character like Jinx for example murdered fictional people in a fictional world does not mean that people who think she is cool or interesting murder people in real life or condone other people’s murder in real life - It’s up to the writers to make responsible writing decisions for their pieces of media. Writers likely make writing decisions on their own shipper preferences or if they follow something just because it is popular (again debatably so, imo it’s unlikely to really get writers to write a ship they don’t connect with at all/that they don’t already like on some level) that would mean that they are very weak willed, which is a writing problem in itself.

#arcane #timebomb

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voiceless-terror · 4 years ago

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And Many Happy Returns

a sequel (or companion piece) to Inseparable, my childhood friends AU. chapter 1 of 2.

“Next week?” Jon shrieks, slamming a hand down on his desk and startling the nearby students. “That’s not nearly enough time to prepare!”

Martin does that blinky-eye thing that means Jon’s being too loud, but he can’t help it! Martin’s turning eight in six days (less than a week!) and didn’t think to tell him. They’re best friends, he should know these things. He curses himself for not asking about this at the beginning of their relationship, when he was collecting Martin facts. Favorite color and book seemed more important at the time.

And while Jon doesn’t think birthdays are that important, it’s still a fact he ought to have known. Well, his Nan doesn’t consider birthdays important. These past two birthdays he’s gotten one new (!) book and a dessert after dinner, but that’s about it. Nan doesn’t have money to spend on frivolous things, and Jon’s never needed much, but he wouldn’t mind a bit of fanfare. His mum always made sure he felt very loved- he got plenty of hugs, a fun cake, an outing where they would do his favorite things. But maybe that’s something only mums do. Nan, with her rare, stiff hugs and general stand-offishness was never one to put up much of a fuss.

“It’s not that big a deal,” Martin mutters, his pencil twitching in his hand as he refuses to meet Jon’s eyes. He doesn’t like it when Jon starts fretting about him. “We never do anything for it, anyway.”

Martin’s mum isn’t anything like Jon’s, that’s for sure. It’s not every day you turn eight. It’s a nice number, very even and divisible. Much better than boring old seven. When Jon turns eight, he’s going to get fifteen extra minutes added to his curfew, and he’ll be able to walk to the corner store all by himself. He’s already walked there several times, but it’ll be nice to have permission. That’s the real treat.

“So you’re not going to bring in cupcakes for the class?” he asks, remembering the last birthday they celebrated- it was Lydia’s, a quiet, unassuming girl that Jon doesn’t mind but also doesn’t think much about. As soon as Jon asks it, Martin gets that sad look in his eyes again, the kind that’s always followed by an “I’m sorry” or something equally nonsensical. Jon hates that he’s the cause of it, him and his stupid mouth. Think before you speak, that’s what Nan always says. She says that for most anything he talks about, though, so he takes her advice with a grain of salt.

He reaches out to pat Martin’s arm consolingly, giving him his best sympathetic head tilt. “It’s alright. I’ve never brought any in either. Just thought I’d check in case you needed help bringing them to school.” Jon’s not very good at carrying things, but for Martin he would make an attempt.

“That’s nice of you,” Martin replies, though it’s not really nice, it’s just a normal thing a friend would do. Jon’s read books about it, he ought to know. “But yeah. I don’t think Mum’s planning anything, much less making cupcakes. She’s really busy.” Martin’s always saying how busy his Mum is, but Jon’s pretty sure she doesn’t do half the things around the house that she’s supposed to. Martin already knows how to cook and make tea and do the laundry without hurting himself. It’s very admirable. The last time Jon attempted to do laundry, he flooded the cellar.

“Do you like cupcakes, though?” Jon asks, scooching closer to Martin’s desk. “Lydia’s mum brought some for her birthday, but they were all carrot cake. Blegh.” He makes an exaggerated face to get Martin to laugh. It works.

“Carrot cake’s not so bad,” Martin says, poking lightly at Jon’s hand with the eraser of his pencil. Jon flinches back dramatically, putting on his most wounded look. “You just don’t like it cause it has the word carrot in it.”

“I don’t like it cause it has actual carrots in it,” Jon sniffs, turning away from Martin to show his displeasure. He decides not to talk to him for the rest of the day, or at least until he has something else to say to him. He’s got a lot on his mind now, and he needs to be left alone with his thoughts. Besides, Martin will poke him again once he gets bored enough.

Jon flips open the school planner that he’s never used for actual school work and starts to write. He’s got a birthday to plan, and he’s going to give Martin a Mrs. Sims birthday special.

______

It’s a Thursday, which means Martin can’t play on account of his many, many chores. Jon hates Thursdays.

But this time it works in his favor, as he’ll actually have time to plan without Martin thinking something’s up. Jon very rarely cancels on Martin; he’s his most important (and only) friend. But he does on occasion get a little mixed up. One time, he thought it was a Wednesday instead of Thursday, and wound up at Martin’s flat when he didn’t show up at the park. Martin was very nice about it, though, and gave him a cup of tea to ‘calm down’ to drink in the hallway, before he went home. Martin thinks a cup of tea is calming. It doesn’t really do much for Jon, but it is tasty, and Martin gives him extra sugar just the way he likes.

But today is most definitely a Thursday so he scurries on home, slamming the door open and screaming a greeting to Nan that goes unanswered. She must be off at the shops, otherwise she’d be giving Jon an earful for being too loud. He kicks off his shoes and gazes at the picture of him and his mum on the wall. If his mum were here, she would know exactly what to do to make Martin’s birthday extra-special. But she’s not, and Martin’s mum seems like kind of a jerk, so it’s Jon’s responsibility. “I won’t let you down,” he solemnly tells her smiling face, and turns to take the steps two at a time.

After grabbing his planner and throwing his backpack into the corner, he pulls out the chair to his messy homework desk, which is usually only used for doodling or writing stories or reading when he wants the activity to feel more official. He flips open his planner to next Wednesday, Martin’s birthday (!!!) and taps his pen impatiently against the page.

What do birthdays need? Food. Presents. Happiness. The first two might be a bit difficult to pull off, considering his lack of money and cooking skills. Martin deserves a lot more than stale discount biscuits from the grocery. He can get those any day.

But a whole cake is going to be hard. If Nan won’t make one for Jon on his birthday, she most certainly won’t do it for ‘his little friend,’ even if she thinks he’s a good influence. Martin is always very quiet and polite when he sees her, and Nan always gives him a smile in return for his good manners. She doesn’t smile at Jon like that. He tamps down his jealousy and gets back to birthday thoughts.

He thinks he had a purple- or was it pink? - cake on his fifth. It saddens him that he can’t remember. He thinks he’d forget his own mother’s face if he didn’t look at it every morning and night. Memory’s fickle like that, as his Nan likes to say.

Maybe, if he’s very nice and good tonight, Nan will take him with her on the weekly shop and he can convince her to get Martin a cupcake, a good one. One that doesn’t have any carrots in it, even if Martin says they’re alright. He must like them so much because they’re orange, like his hair. Unsurprising.

He stops wiggling in his chair and straightens his back, as if Nan can see him in his room right now. It’s good to practice, he thinks. If he can sit still all through dinner and not make a mess, she’ll come round.

Next, an essential part of any birthday: a good present.

His mum never really showered him with gifts, but she always gave him something good, something from the heart. The last present he received - Augustus, an orange cat plushie- still sits on his bed. It’s kind of babyish to sleep with a stuffed animal at his age (or so Marcus declared during recess one day) but Jon doesn’t really care. It helps him sleep.

Unfortunately, Jon can’t buy Martin a stuffed cat. He doesn’t have much money except for what he’s found on the ground and in sofa cushions. And he’s supposed to give that to Nan if he finds it (which he does, mostly).

He could be creative. Make him something. Jon’s not very good at crafts, though. And he doesn’t have a lot of supplies. But he has almost a week to figure something out, minus the times he’s playing with Martin. Well, even then he can stare at him and hope it jogs a good idea.

Lastly, he’s got to make it the happiest, most special day he can. Martin should feel special all the time, but Jon knows how hard that is, especially when you go home and you’re lonely and it seems like you’re the least special person there is. But if Jon is very nice to him and makes the day as fun as possible, maybe he’ll be able to keep that happiness all night, even when Jon leaves.

That’ll be the hardest part, Jon thinks. He’s not the type of person to make someone happy. Sigh in aggravation, maybe. Roll their eyes. But Martin does neither of those things, so Jon might have a chance. He’ll try and ‘tone it down,’ though. His Jon-ness can be too much at times, and he doesn’t want that to get in the way of what should be Martin’s day.

Everything’s going to be perfect.

________

And then it’s Saturday, and Jon still doesn’t have a present for Martin.

He somehow managed to get Nan to agree to the cupcake bit- he’d asked very politely, ate all of his dinner and didn’t spill a thing. Though he thinks it has more to do with her liking Martin. She always acts surprised when she sees him over, like she’s shocked Jon kept a friend for longer than a week. He’s not that bad. But Tuesday she promised to take him to the grocery with her, so it’s fine. One part of his plan is done.

But the present.

Actually buying something is clearly out of the question- he already exhausted his Nan’s good will in that department. And Jon, for all his usual creativity, is plum out of ideas. He could give him one of his books, but he does that already without prompting. He doesn’t have any good toys, and Martin certainly isn’t getting his best pen, the one that glides real smoothly on the page.

“Are you alright?”

He’s been staring at Martin too long. “Of course,” Jon snaps. “I just like your shirt today, that’s all.”

Martin looks down at his worn t-shirt. It’s not Jon’s favorite, but it’s Martin’s, so he likes it. “Thank you!”

“You’re welcome.”

They’re out in the woods behind Mr. Fletchley’s house to investigate what Jon thought was an ancient ruin but just turned out to be a couple of crumbling cinder blocks. It was an incredibly disappointing find, but Martin wasn’t discouraged.

“We don’t know where they came from, or why someone dumped them here,” he reasoned, a hand on Jon’s shoulder. “What if they were stolen? What if they’re part of a...a crime, or something?”

Jon doesn’t know what crime would need a cinder block, but he intends to find out. They’ve been walking down the relatively short path (it’s not so much woods as it is a cluster of trees) and haven’t seen anything suspicious, besides a few empty wrappers and a particularly sharp stick that Jon’s been whacking against the ground. He thinks it could’ve been used as a weapon.

“What are you going to do when you’re eight?” he asks, nudging Martin in the side. He hasn’t mentioned his birthday since the first time, so he’ll be in for a real treat come Wednesday. Jon just hopes he can think of something good in time.

“Mm, I don’t know.” Martin slows down to a mosey, and Jon tries to match his strides no matter how much he wants to jump ahead. Martin’s a real ‘slow down and sniff the flowers’ type of guy. Jon’s more of a ‘run ahead and accidentally trample them’ type. “Probably the same as I’m doing now. It’s not like it’s an important age. I can’t drive or anything like that.”

“It’s a very important age!” Jon insists, though he doesn’t have much to back that up. He’s mostly just excited because it’s Martin’s very first birthday with him. “You should look forward to something.”

“I dunno, I don’t want anything to change,” Martin says, his face going a little red as he stares at the ground. “I’d just like to spend more time with you. Have fun. That kind of stuff.”

Jon blinks. “We do that now, though.”

“Yeah. It’s the best.” Martin gives him a toothy grin, the kind that Jon puts away and thinks about later when he’s at dinner with Nan or getting ready in the morning. People don’t smile at him like that, only Martin. He does it all the time when Jon tells him a good joke, or shares his food, or passes him a particularly funny doodle.

And now Jon’s got the perfect idea for a present.

part 2

#my writing #inseparable #tma #the magnus archives #jonathan sims #martin blackwood #jonmartin #cw for jon and martin's typical shitty childhoods #but this is all fluff my friends #pt 1 of 2

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seraphemin · 5 years ago

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wish I were (pt2)

harry acts like everything is good and dandy but reader sees Heather wearing the sweater

part 1 here

‘heather’ by conan gray WARNINGS - ANGST WORD COUNT - 1,892

A/N: hehe because it was december 3rd, I just had to get this chapter done to post even if it might be a little late but here ya go

____________________________________________________________

My guitar rested on my thigh as i brought my head down to lay on the fret, staring at the blank piece of lined paper in front of me. I sighed, turning my head away and just bathed in the silence of the separate room from the main studio. The weight on my chest might of suggested the frustration out of my creative block, unable to produce words or lyrics for the past weeks. Or that I was progressively losing the will to even pick up an instrument, as strumming the strings took a lot of energy for me to do.

The oversized hoodie I brought kept me warm, but i knew that wasn't satisfying enough. However the idea of wearing one of his hoodies I've place in a closed box in the corner of my apartment hurt too much and that now I'm back in the studio after weeks of trying to avoid coming here at all costs. After the New Year's party, I've done nothing but wallow up in my apartment alone, trying to come up with songs as quickly as possible just so I could get this project done and over with. That proved to be difficult however, especially with Harry trying to call on a normal basis.

"Helllooo bubs, why haven't you been showing up at the studio eh?" "You said at the beginning of this project that I could work at home whenever I want. I'm just taking you up on that offer." "Of course, you'd remember me sayin' that. How've you been love, haven't seen you in a while though." "Fine, just been doing my job." "Well yeah, can't write all these lovely songs without your talent, can I? You gonna come in tomorrow then?"

I hesitated for a second, biting my tongue when I felt my eyes pool up again. "I'll just send a pdf of lyrics to you Harry." "O-oh. Well that would conventionally work... yes but you have to come in tomorrow though." "Why? Just text me what you like and don't like about the verses and I'll fix them." "Bubs you know how I feel about in person collaboration. Plus the deadlines are coming up and it'll be easier and faster to have you in the studio." "Okay." He hesitates this time and I could see his brows furrowed together as well as having a hand on his hip. Most likely wearing lose sweats and the knitted cardigan he's been falling in love with over the months. His hair a bit longer than it was last time I saw him and his pink lips quirked to the side in thought. Maybe the bags under his eyes are gone, has been looking more happier lately. More happier than I could of made him to be over the months. "Are you okay?" "I have to go Harry, I'll see you tomorrow." "Oh see yo-"

He was the first one to greet me when I arrived, and I wanted nothing more than to burst out sobbing when I see his smile. It took everything not to do so, giving him a tight lip smile and quick side hug before sitting down farthest away from him. For the first hour and a half of discussion, I didn't say much and zoned off a lot, tuning in and out of the conversation Harry leaded about a song he had written recently. I felt his glances on me when I turned away, probably sensing my unwillingness to comment so he was considerate enough to not put me under the spotlight in the discussion. In the middle of it, Harry's phone started ringing and he didn't waste a second to excuse himself to answer it. "Hello? Oh hey darling, you almost here?" I froze when he grows a cheesy smile on his face as he walks further to the other side of the studio before telling us to continue without him. I took a deep breathe, not mentally prepared to be in the same room as her. Has she always been coming to the studio or did I just choose to worse day to finally come in? I try to focus doodling in my little notebook, but it grew harder and harder to focus on anything else but the way he crosses his arms and laughs while on the phone with her. From the corner of my eye, it was definite he's completely captivated just hearing her voice and I could just picture the angelic tone of it. I didn't realize I was tapping my pencil till I hear Sarah calling out my name, breaking me out of my thoughts. "Are you okay, haven't seen you in a while." I nodded, putting on a smile. "Yeah sorry, been getting a lot of work opportunities and just a bunch of family stuff that's exhausted me." Sarah gives me a look that resembles one of a mother who knows their child isn't telling the full truth, but she nods and pats my hand. "Completely understandable. But that's exciting, new artists been reaching out to you n' all that?" "Ha surprisingly, considering saying yes to all of them." my smile was growing genuine a little, thinking about how content I was with my career. Being a lyricist and songwriter was a definite risky path to take in terms of stability, but it made me happier knowing I was able to to do. "Oh of course, you can totally do it. Probably wanted to see what all the hype was about when Harry couldn't stop talking about you at every social gathering he's been at." Sarah chuckles, rolling her eyes playfully. "Yeah?" I quickly looked down, feeling my eyes water as the pang in my chest came back. "Mhmm, acts like Thomas and Mitch don't even exist." I laugh lightly at that, fiddling with my fingers as I focused down on my notebook. I found myself in an awkward situation, not knowing how to continue the conversation but knowing I didn't want to try. I love Sarah, but I was close to break down right there if I tried and it was not the place to do so. Not when everyone is trying to meet deadlines and Harry was about to walk in with Heather at any moment. "Hey, I actually have a lot of emails to respond to so I'm gonna be in the other room." I stood up, taking a guitar and my notebook. "Might actually be better for me to focus in." "Sure, we'll let Harry know." I gave her a grateful smile, walking out into the hallway to a different room. I let out another shaky breath, feeling overwhelmed once I was finally alone. But before I could close the door, I hear her. I peak out to see both her and Harry standing at the entrance of the building, huddled close together. "Sorry I forget it gets this cold in LA sometimes." She says, looking up at him while he rubs the sleeves of his sweater that was wrapped perfectly around her. It was a simple orange stripped sweater. A vintage that Harry bought in Vienna and became one of his favorites. It was just a simple polyester sweater, but it became my favorite too. So it was hard to give it back after wearing it that night we kissed, but fuck was it harder to see her wearing it. Now as I sit alone with no sense of motivation to do anything else but wallow in my own pity I thought about a lot of things. I should be angry, be fuming and cursing at Harry for how he's been acting. I should confront him, make him feel as hurt as he made me for choosing her. Or maybe I should hate Heather, despise her for taking the chance I had with him. But deep down I know I couldn't hate Heather. She's such an angel, it wasn't her fault he's still hung up on her. And as much as the image of his arm wrapped around her kills me, I couldn't hate him either for the same reason. She looked prettier in his sweater than I did. "You okay in here bubs?" As if the tears welling up in my eyes and heavy weight on my chest wasn't enough, the sound of knuckles against the door and his voice calling out my name made me almost sob. "Yeah, I'm good. Door's open." I quickly try to compose myself when he enters the room, giving me that warming smile of his. "Just wanted to check up on ya, been quiet since you got here." Harry looks at me with concerning eyes as he places a hand on my shoulder before crossing his arms and leaning against the wall in front of me. Keep your hand on my shoulder, the second it was there all the nerves went away. I wanted to say but instead I fake a smile again, waving it off and shrugging. "Oh no, just have a lot on my plate don't worry." He nods, feeling his eyes on me while I try to avoid his by opening my laptop and skimming through my inbox. "Sarah told me about different singers reaching out to you." He points at my laptop before taking a seat on the chair to the side. I nodded, humming while I typed out quick responses. "Yup, thanks by the way but now I gotta sort out a whole schedule for this year." I took a glance up to see him focused on my song journal on the table in front of us.

“So...you and Heather huh?” The sheepish smile he has tugs my heart strings but I tried to keep from fumbling with my fingers.

“Yeah uhh...” He scratches the back of his neck, keeping his eyes on his hands and looking like a young kid with a crush. “Started talking again and catching up, been working out stuff between us since the party.”

I tilt my head to the side, motioning him to continue. “She’s gorgeous...”

“She’s amazing.”

I finally looked away from him and onto my screen, letting out a little chuckle.

“So you guys are back together?”

“No no, we’re just sort of figuring things out at the moment.” Though it was an answer I was hoping for, the look in his face was none the less comforting.

“Well, hope everything goes great. You guys look perfect together.” I managed to say, going back to typing while he only responds with a nod and hum.

There was silence. Does he not feel it too? Uncomfortable silence was never a thing between us but it was prevalent here. "Not gonna leave early are you though?" He says out of no where and I stopped typing for a sec to give my attention to him. "Not going to ditch me for someone else of course." He says it with a laugh, playing it off like an obvious joke... but the way he looked at me. Part of me wanted to scream at how oblivious and selfish that statement sounded coming from him, as if he has no idea the drastic shift our relationship has taken. But I see the vulnerability in his eyes, sensing the subtext in his question that is practically asking me to stay. Stick by his side and help finish this passion project he's dedicated to put out, not only for his fans but for himself. Be with him to figure out what to do next, even if I would be in a different county or continent and working with someone else. Keep in touch throughout because I've become an important person in his life. Even if that person who used to fill that spot came back, he's still here and asking me to stay with him in a similar sense. It wasn't the kind of love I wanted, but never the less, it was still love from Harry. Did the smile I wear at that moment reach my eyes? When I placed my hand on top of his in reassurance, was the hesitance obvious? Maybe he did notice the little signs, but he took my hand in his anyways and placed it against his heart.

"Of course, 'm always gonna here Harry."

____________________________________________________________

part 3

A/N: guys my heart hurts writing this lol. There’s gonna be one or two more parts of this series, but thank you for reading! feedback is appreciated :)

#Harry Styles #harry styles angst #harry styles imagine #harry styles fanfiction #harry styles one shot #harry styles fluff #harry styles x reader #one direction #harry styles blurb #heather

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mammons-tax-returns · 5 years ago

Note

How would the brothers react to a very punk goth Mc like platforms and all black and just the whole shebang he’s very nice but also will throw hands (there’s not enough male Mc your doing the good work my dude)

BROTHERS REACTING TO A GOTH/PUNK MC

Perfect way to start off the new blog !! Thank you for requesting, hope this is what you had in mind <3 (and that it’s not too apparent that i’m not super well versed in punk or goth culture ACK)

I hope that you guys don’t mind some being shorter than others, I’m still getting a hang of personalities!

⊱ ────── {.⋅ ♫ ⋅.} ───── ⊰

Lucifer is probably one of the ones that’s into the style from the very beginning.

As soon as he sees MC, his interest is clearly shown on his face.

Sometimes, he’ll drop compliments on his fashion. Depending on his reponses, he’ll start getting more apparent with just how much he enjoys seeing his outfit everyday.

GIFTS!! He’s not mammon level of stacks upon stacks of gift wrapped boxes, but he’ll certainly stop by your room every once in a while with a new accessory he saw while shopping.

MC will probably notice that he is especially keen on chokers :).

Stares discreetly, but consistently. When Lucifer invites him to listen to music in his room, he waits until MC is occupied with something like a book or the music. Then sneaks glances at him to see how his clothing moves every time he reaches over for something, or how the necklace he bought the other day glints in the light radiating off of the fireplace.

He knows that MC is nice, and grows increasingly more and more worried for his sake because of that. The exchange program is important, but his treasure perpetually adorned in black garbs is significantly more prominent in his concerns.

So when he sees MC readily defending himself against some low level demon with no hesitation? Holy fuck. He starts to panic, but there’s nothing surpressing his respect for him, as it only grows stronger.

Although, it becomes very apparent that he’d have to do something about all of his brothers’ staring at MC.

Mammon is so into it. Like... So into it.

We all know and love that our tsundere boy has a problem with getting embarrassed, but how could he NOT get flustered everytime he’s face to face with an alternative KING

At first, he actually tries to tell MC how much he appreciates his aesthetic, but fails every time. Stuttering is a difficult thing to overcome when you can barely breathe out of embarrassment.

When he finally brings himself to actually get a compliment out, it’s accompanied with his signature bashful look. Downcast gaze and shifting posture and everything.

Upon recieving a positive response to his words, he takes it as a sign that he should start doing it more often. And so... That’s exactly what he does!

Compliments upon compliments, expensive outfits and accessories finding their way into his room, MC gets it all.

He ADORES the nice personality. So really. This MC is one of the people that Mammon can’t help but get along with. Nice, can throw hands, AND IS FASHIONABLE? Now you’re speaking his language.

They definitely get called a model power couple, even if MC isn’t a model.

Will definitely mention the idea of MC doing a photoshoot with him for work, but won’t press further if he says he’s not comfortable with it.

Levi geeks out so badly

So yeah, his initial interest in MC is kickstarted by his fashion reminding him of a badass video game character, but that doesn’t mean he doesn’t appreciate him for who he is!!

He actually doesn’t know whether to be sad that he doesn’t have the same amount of fashion sense or to be happy that he has MC as his best friend that does.

But after a bit of positive affirmation from MC, he’ll surely settle with the latter. (and also hope for them to become more than best friends :). )

He finds himself subconsciously posting about MC in his socials. Normally it’s filled with “Lucifer just did (blank)” but now, it’s ALL about MC. Nothing else. MC fan account.

We know that Levi draws, and so I have no doubts that he would be drawing every outfit he sees MC in.

At first, he’s only drawing faceless figures in the clothes, probably adding his own personal flair. But as time progresses and Levi gets closer to him, he starts subconsciously conpleting the figure’s appearance (hair, face, stature, etc). And before he knows it, half of his pages are filled with doodles of MC.

But if he were to ever find out that MC saw his art, RIP Leviathan 2020

And who’s to say he’s not drawing him in... Risqué outfits.

But if MC says that he doesn’t mind getting drawn, then Levi will activate cute fanboy mode again.

He’ll ask him to model outfits for him as he draws, sometimes in cosplay.

MC would just be chillin’ with him in his room, and when Levi finally looks up from his tv after finishing an anime, he’ll sometimes gasp and immediately say, “Stay right there, I HAVE to draw this!”

Although drawing wasn’t and will likely never be his favorite thing to do in comparison to video games/anime, it gives him an excuse to stare at his best friend with minimal blushing.

Satan is good at hiding his appreciation for MC’s outfits. At least, he’s good at it to everyone BUT MC.

If anyone asks, he’s indifferent about MC and his dashing looks and fashion.

But as soon as MC confronts him... Oh boy.

Red-faced, he’ll compliment his clothing on occasion, then wave it off as “something everyone does”. Which is true, but we know that it’s more than just that.

Similarly to Lucifer, he finds himself staring at him secretly. Except, I like to think that he’s less careful about it. Often MC will look up to meet his eyes, before he ducks his head back into his book, acting nonchalant.

Not a single person can convince me that he hasn’t found a stray black cat and discreetly named it after MC.

He wouldn’t hide the fact, but instead would actually bring it up at the right time. Ex: Right before some dramantic moment like before proclaiming how much MC means to him. Both as the cat and human.

The cat’s collars are decorated similarly to the clothing that MC wears! Satan is a diligent worker (especially when putting lucifer through immense stress) and a lover of arts, so he’s pays attention to little details like that.

This is Asmo we’re talking about.

He ADORES the aesthetic.

It’s not something that he himself would wear, but damn is it appealing to the eye.

Once you get him started on all the things he’d do if given the chance to dress MC up in whatever he wanted, you’ll never hear the end of it.

(^ especially when he starts talking about the undressing)

He loves a monochromatic color pallet, but every once in a while he’ll push for a pop of color in MC’s outfit for the day.

If MC wears minimal/no makeup, Asmo will constantly ask if he can use his face as a canvas for makeup experimentation while he rants about his nail tech.

Asmo’s favorite activity is going through MC’s closet. He gets to not only try things on, but he also gets to know what he has to work with when choosing MC’s outfits for their days out together.

Knows the perfect boutiques to bring him to

“You know, the color black really accentuates your figure... And if you look this good with it on, I wonder how great you look with it off~”

Beel isn’t interested in fashion or anything related to it. He isn’t picky about the presentation of things (namely; food.)

So he wouldn’t be immediately enticed upon first meeting MC.

But that is not to say that he doesn’t find him VERY pleasing to the eye.

Our sweet boy is not afraid to express his love for those boots!! For the destressed fabrics!! He hangs around him often just so he can sit and ogle at how cool MC looks!! All the damn time!!

Asks MC to come with him to work out just so he could have some motivation by seeing him. And his GAMES. He’s gonna love to see him cheering him on in the stands.

Beel would admit that he himself couldn’t bring himself to care so much about his clothes or ‘aesthetic’ , and couldn’t imagine having such a consistent style.

^ And because of that! He’s dying to see what he looks like in other styles. Of course, if he doesn’t want to change out of the usual attire, just seeing him wearing beel’s huge ass jacket is enough.

Wouldn’t care to buy clothing items for him, but will most certainly stop by devildom’s no. 1 bakery, grab some sweets with that signature gothic devildom appearance and bring it back to the House of Lamentation for him. (Given that he didn’t already eat them.)

In comparison to his personality, MC’s closet isn’t very important.

Beel loves his kind nature! But he will always be there to defend him in any sort of risky situation, especially when any low level demons would like to try and take advantage of MC’s niceness.

Belphie is taken aback the first time he sees him. In the best way possible.

It’s like he just knows that he’s going to be interesting to be with just by seeing his clothing style

He actually probably assumed that MC would be very different from what he’s really like. (Like how people will assume that everyone who wears dark colors often are always sad)

But both to his surprise and not, MC is nothing but kind to him! And he’s kinda like 😳. Damn. Alright. I can get down to this.

Fashion isn’t his expertise, so he isn’t as forward with compliments. It’s mostly, “As long as I’m comfortable when I lay on you, the clothes are fine. Right?”

“I had a dream about you last night... It was like you were some prince clad in black chain mail armor... I suppose we couldn’t make that a reality though, huh? You can be my prince in band tees and ripped jeans.”

The only reason he starts dressing similarly to MC is because of how many times he’ll fall asleep beside him. He knows MC will probably offer one of his jackets or extra shirts, and that he’ll likely get to keep it. (He gives it back eventually, it’s just nice sentiment.)

It’s also kind of entertaining to see some of his brothers go ballistic in response to seeing him adorned in MC’s signature clothes.

#obey me reactions #obey me imagines #obey me male reader #obey me x male reader #obey me beelzebub #obey me lucifer #obey me mammon #obey me leviathan #obey me satan #obey me asmodeus #obey me belphegor

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shoichee · 5 years ago

Note

Hello! Can I perhaps ask for no. 28. “Make me” from your prompt list for my beloved Imayoshi? It's so nice seeing him here on your theme and avatar and that pERFECT url, it feels like I finally found my people.

HELLO HELLO, and YES I WAS SO SURPRISED THAT NO ONE TOOK THIS URL... considering that it was just an alternative spelling of shoichi and its a rlly short handle too mwehe // im sort of a particular person when it comes to how something looks, whether itd be outfits, drawings, coloring, and the UI of a blog, u name it.... i may have spent hours trying to have the perfect colors for this theme PLEASEEEE, but without further ado here is our man, our little shit, Imayoshi

@knb-kreations howdy! another new work posted here!

Imayoshi x Reader

28. “Make me”

Word Count: 2331

prompt list here

»»—————　☼　—————««

Imayoshi doesn’t exactly know how he feels about you.

Scratch that, he does know. He’s quite amused at the shenanigans you pull on others around you, and a lot of times, you actually elicit a few dry laughs out of the guy. Other times though, he’d wish that you would just shut the fuck up, especially when all he hears amidst his studying was your loud “whispering” and “hushed” jokes. How you were always nearby no matter where he is was still a mystery that he casually ponders about from time to time. Perhaps your natural tendency to project your voice creates the illusion that you were near when you really weren’t?

No matter, such trivial thoughts can’t occupy his mind when college entrance exams loom closer. Then again, they weren’t particularly difficult; they were simply a hassle to secure near-perfect scores, especially when his chances of admittance rely critically on how well he does.

“That’s an awful drawing of a samurai,” Susa comments, snapping Imayoshi out of idle thought.

“Ho? Is it really terrible if you were able to tell what it is?” Imayoshi chuckles. “The point of a drawing is to convey the right idea or emotion. It seems that my drawing skills hit a bulls-eye with this sketch, no?” He playfully spins his pencil around, patiently waiting for his reply to goad him.

All Susa does in response is to roll his eyes before he turns his full attention back to his notes. He knows better than to try a comeback against Imayoshi, who can easily make it backfire against the person with a pleasant close-eyed smile. Imayoshi, seeing Susa’s nonverbal resign from engaging further banter, also looks down back to his book of scribbled notes and chicken-scratch drawings before he exhales an inaudible sigh.

School just doesn’t cut out to be mentally stimulating for him. It’s a little too repetitive and mundane for his taste.

“Argh!! Oh no!” your voice rang out, despite your poor attempt to be reasonably quiet. “I forgot applications for the Coca-Cola scholarship are due today!”

Coca-Cola… what?

Everyone looks up to warily eye you, and your few friends, who are currently rushing to pull you down and slap their hands over your mouth to mute you, were panicking at the new attention you managed to garner. Even still, your mind seems more fixated on whatever was on the laptop’s screen, rather than what they were doing to you.

Imayoshi can’t help but stifle his audible mirth from how you manage to change the mood of the entire library within seconds.

“How do you even forget something as important as a huge scholarship like that?” Susa says in dismay. “Makes me kind of wonder how (l/n) would handle life after graduation, to be honest.”

“Well,” Imayoshi begins. “I wouldn’t worry too much. It’s best not to underestimate (l/n)-san. Surely we’ve learned our lesson with Seirin?” He toys with the pencil grip before he sporadically draws some lines loosely resembling another sketch.

“Drawing again?” Susa raises a brow. “Have you even been studying?”

“Well,” he replies. “There’s still plenty of time before exams—months to be exact. Could you even study with the current distractions in here?” At his own words, he nudges his chin in your direction.

“It’s not just any exams though, it’s—”

“Whether they have more importance or not doesn’t really concern me. After all, standardized testing isn’t worth stressing out for when we’ve taken essentially the same thing all our lives.”

“What most are worried about is the content inside the exams, Imayoshi,” he said, carefully treading into dangerous waters with Imayoshi’s tendency to take all replies as mind-game challenges for his own amusement.

“‘If you have been paying attention consistently throughout the year, you wouldn’t be having much trouble…’ that’s what you once oh-so-wisely said to Wakamatsu yesterday, hmm?” His mimicking tone drips a hint of arrogance. “Unless you mean to tell me my ears do not work? But by all means, please feel free to correct me.”

“That’s different,” he sighed, his face clearly evident that he was done with Imayoshi’s shit. “That exam only tested content for the past year, not your entire academic repertoire over the courses of middle and high school.”

“I’d like to think that the logic still applies the same way.”

“Well,” Susa heaves with a languid stretch. “You generally score better on the exams than me, so you’re probably right. Still, don’t neglect your studying.”

“Right, right, Susa-senpai~”

“... Please don’t call me that again.”

“... If you say so,” he said, but his smile blatantly showed his real intentions of never stopping his irritable quips. Susa gets ready to pack up his book bag before he heads out the door with a friendly wave. Imayoshi half-heartedly returns the gesture with a casual wave of his own. He immediately notices you also packed up and about to leave with a worried frown, and of course, while audibly mumbling your concerns and makeshift schedules to accommodate time for last-minute essay writing. By now, all of your friends have left for home.

“Ah, biology lab due next week, kanji worksheets due tomorrow, hmm, um, how would I finish this on time… ah, calculus test is tomorrow too, ah shit… should I ask someone to tutor?—ah, but it’s super last minute, and there’s still that scholarship… argh, fuck!” Your voice peaked in volume at the end, and the librarian immediately shot daggers at you.

“Shhhhh!”

“A-Ah! S-Sorry, sorry!”

Imayoshi was watching you with his chin on his arm propped up on the desk, unable to control the smile that escaped his lips. You really were entertaining to watch, and you never cease to bore him.

He turns away to crack his neck and roll it around before methodically packing up his writing utensils and notebooks. Soft shuffling filled the air as he rearranged the items inside his bag. As he turns to pack the last thing on the table, which happened to be the notebook filled with his idle doodling, his face slightly softens at the drawing he did after the samurai. Yes, the one Susa chastised him for when he could’ve been studying. Yes, perhaps he was right when he was terrible at drawing after all; your panicked face and wild hand gestures didn’t really translate well into paper, and it looked a little too much like a horror comic and less than a sketch of you. Still, he’s oddly proud of it.

Imayoshi promptly pushes the chair in and leaves the library, but when he rounds the corner of the adjacent hallway, he bumps into you.

“Er—hi! I mean, please, uhhh… if it isn’t too much to ask—canyoupleasetutormeforthecalculustesttomorrowbecausemyfinalgradedependsonthat?”

Imayoshi winces at the sheer volume of your voice and plugs his ears in out of habit to block out some of the decibels. Wakamatsu was eerily similar to you in that regard. Only difference between the two of you was that you were deceptively intelligent. Extremely so.

“My, my, if it isn’t (l/n)-senpai!” He fakes a surprised look, earning him an eye roll on your end. “You need someone like me to teach you the works?”

“I—what? We’re literally in the same calc class, Imayoshi,” you retort. “Besides, drop the ‘senpai’ honorific. It feels so slimy when you say it so disingenuously… Aren’t we both 3rd years too?”

“I’m so hurt,” he mocks. “What if I was really genuine with you?”

“Look, right now, no remarks from you, Evil Glasses,” you say. “It’s really, really urgent and I don’t know how to grasp the material for the class lately, plus my essay, ugh…” You rub your fingers against your temples in an attempt to make the stressful headaches disappear while Imayoshi simply watches with his eyes slightly open.

“... You usually do well on all your exams, no? Unless my eyes and memory fail me.” It was true; even though you were as loud-mouthed as Wakamatsu, you would often shock a lot of people when your name always appeared in the higher percentiles of exam results. Apparently most students and teachers associate your rowdy personality with an expected subpar academic performance. He has you to thank for when your score reports always cause reactions of utter disbelief from the teachers. You really do liven up the school and make it a lot more unorthodox.

“I guess…” you mumble. “But I really wanna do especially well for this one because math is my weakest subject, and you always score the highest for these types of exams, so…”

“It may be my best subject,” he says, leaning slightly closer to your face. “But I’m not the one with the highest scores in any math subjects throughout these years, and we both know that quite well, don’t we, (l/n)? Why don’t you come clean about the real reason why you’re here?”

“Oh my literal fuck—Imayoshi, you’re one of the best students in calc right now regardless of exam results,” you petulantly huffed, not backing down from his intimidation. Imayoshi notes your cheeks reddening, and he figured it was either because of the close proximity between your faces or the fact you were frustrated… perhaps both. “And you’re the only one around here on campus who I could ask!”

“Really now,” he chimes, moving closer to whisper in your ear. “Are you sure?” With incoherent stammers, you backed away from him, slapping your hands against both of your ears to protect them.

“W-W-What the fuck are you doing?!”

“Looks like I won this one, (l/n)-san,” he purrs, relishing the fact that only he could render you this quiet. “Ho? What’s wrong? Cat got your tongue?”

“I—Shut up!” you lamely shoot back. “You can just say no if you really don’t wanna do this—urgh, I’m leaving, I’m not gonna waste any more time—”

“How hurtful,” he dryly remarks, standing up straight again after leaning for a quite a while. “It’s almost as if you’re rejecting me~” He knew you would always take his bait and quip back (unlike Susa), regardless of whether or not you tell him that you weren’t going to engage further.

“As if,” you snorted, making another exaggerated eye roll. “You’re the last person who would ever be hurt from this.”

“Dear me!” he exclaims. “Have you ever considered that perhaps I don’t help out people for free? Did you think I would be a gracious, selfless person who would help you like a saint?”

“Okay, fine! Perhaps I didn’t think that far ahead, okay? You just were the first person that came to mind, and I thought asking you wouldn’t hurt.” His smirk widens almost maliciously at your words, lips already opening to deliver another irritating quip before you immediately spoke again to stop him. “Okay, Imayoshi, you little shit, just shut up—I don’t wanna hear anything from your mouth right now.”

“I don’t see any reason why I should listen to you at all,” he muses. “Why don’t you make me?” He has a shit-eating grin plastered across his face, eagerly eyeing your next move, and as he expected, you let out a frustrated noise that prompted passerby students to shoot pointed looks towards the both of you.

What he didn’t expect was for you to take a huge step towards him, unceremoniously pull him down to your level, and press a reverberating smack on his lips. His eyes are immediately blown wide open to look at your embarrassed, but determined face. His fingers unconsciously move to touch his warmed lips.

“... That was quite romantic, wasn’t it, (l/n)?” he dryly says, recovering almost immediately from the shock. All the other students fled from the blatantly bold scene to save face. Not that Imayoshi really cared.

“Okay, you know what? Bye, I’m not gonna play anymore mind games with you,” you grumble. “Essays and studying aren’t gonna be done by themselves—wah!”

Imayoshi gently tugs you back to reciprocate back a kiss, meticulously slipping his hands behind your head and on your waist to accommodate you. Your eyes are completely open from the shock that the Imayoshi Shoichi was actually kissing you. You don’t close your eyes from the sensation, completely entranced when you make eye contact with his half-lidded eyes watching your every reaction closely. The kiss ended all too soon, and Imayoshi separates himself from you, secretly admiring your dazed look.

“That was quite a strong reaction to just a simple kiss.”

“I—that was not just a ‘simple kiss!’”

“Now would you like to tell me the true reason why you approached me?”

“You’re… insinuating that you know something.”

“Well we wouldn’t know unless you come clean,” Imayoshi purrs. “I can sometimes be wrong too.”

“Ugh, what the hell—fine, I am quite enamored by you, and uh, I… find it infuriating to be with you, but it also gives me butterflies… so I thought I could be with you more… if I asked you—don’t get it twisted, though! I still need your help to study!...” He covers his mouth to suppress a laugh at your honesty.

“Was it really so hard to say that in the beginning, (l/n)-san?”

“Okay, that’s it! I’m really, really leaving! Fuck off, Imayoshi, I swear to—”

“Ho? Just a minute, darling~” he tuts, reaching to hold your hand. “Perhaps if you offer more kisses as an incentive, I’d be more inclined to offer my expertise.”

“How quaint,” you dryly reply. “It’s almost as if we’re in a relationship.”

Imayoshi can’t help but bark out a genuine laugh. You even managed to pick up some of his mannerisms so quickly.

“That’s an interesting proposal, (l/n),” he murmurs. “Should we try that?” You tut at him irritatedly as you tug your interlocked hands while speed-walking ahead.

“Hurry up, or I’ll consider breaking up with you right now.”

“Ah ha!~” he chuckles at your attitude. “How mean, (l/n)-san! Too bad that we both know that’s not going to happen anytime soon.”

#ask #narnvaeron #knb #knb scenarios #kuroko no basket #imayoshi shouichi #imayoshi shoichi #imayoshi x reader #imayoshi #knb fic #knb fluff #100 followers #100 follower milestone

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marmosa · 5 years ago

Text

midnight meeting.

George Weasley x Fem!Reader

Word count: 1.7k

Warnings: eiffel tower joke <3

A/N: i promised my friend i would’ve had this done last night but school has its foot up my ass and i couldn’t get it done by yesterday (sorry, love). but after the short fred piece i knew i needed to show some love to everyone’s favorite soft boy, george. i don’t have much else to say, but if you could maybe send me some positive energy that would be much appreciated, i could use it. love you guys, enjoy <3

***

“Alright, you’ve been dodging the question for ages now, [y/n]. You have got to tell us who you fancy,” Beth exclaimed, pointing at [y/n] accusingly with an unopened bottle of butterbeer.

[y/n]’s eyes went wide as she stumbled to find a way to dodge the question. She wasn’t embarrassed of her fancy, per say, she was just embarrassed to tell her friends who all had the pickiest taste, especially when it came to who deserved their friend’s love, “it’s no one important.”

“Bullshit, if it wasn’t important I wouldn’t have caught you doodling hearts on your charms notes in the middle of class,” Daisy interjected, passing her a know-it-all look, her brows raised as if saying “try me, I dare you”.

“Well I-,”

“Kiki, you spend the most time with her outside of class, you’ve got to know something,” Beth spoke again, insistent on getting her answer, knowing if [y/n] wasn’t going to spill that she’d get someone else to.

“I do,” Kiki shrugged, “not my place to say though,” she bit back a smile when Beth and Daisy both looked at her with the most unamused smiles she’d ever seen.

“Can we at least get a hint?” Daisy pleaded, throwing herself across [y/n]’s lap, who was all too entertained by her friends antics, despite the uncomfortable spotlight she’d been thrust under.

“Fine,” [y/n] sighed, pausing as the two girls cheered, Kiki silently raising her bottle of butterbeer in solidarity at their excitement, “he’s a quidditch beater.”

Beth’s face immediately fell, her mind jumping to the worst possible conclusion she could’ve thought of, “You do not like Christopher Atkinson. He’s like as bad of a Hufflepuff as you can get and Hufflepuff’s aren’t even that bad!”

“Oh my god, no! I would rather swallow glass than ever entertain the thought of fancying him,” [y/n] fake gagged, absolutely mortified that her friends would even suggest such a terrible thought, “try again.”

“Someone on Ravenclaw perhaps?” Daisy quipped, taking a sip of her drink, “it would make sense see we would see them everyday.”

[y/n] shook her head once more and bit back a smile when Kiki looked near ready to combust, everyone hated the guessing game, but sometimes it was necessary- mostly for the drama of it all.

“Slytherin?” Beth asked, her jaw nearly hitting the floor when [y/n] shook her head again, this time her head turning away to avoid the blatant stares of her friends.

“You like one of the Weasley twins!” Daisy cheered, standing up and dancing around the room, pulling up [y/n] with her to hop in place.

“Which one, which one! They’re both very handsome and very tall and very sweet, but I presume you’re only going for one, unless you’re freaky like that,” Beth snickered, wiggling her eyebrows as [y/n]’s head snapped to stare at her with wide eyes, Kiki nearly choking on her drink at the insinuation.

“George, I like George! Jesus woman, you need to have your brain run through the spin cycle,” [y/n] scoffed, trying to hide how embarrassed the suggestion had made her, despite the question of whether or not she’d thought of it still hanging unanswered.

“Well good for you, he’s a lovely lad, you’re going to get along swell,” Daisy sighed dreamily, plopping down onto the floor an excited smile drawn onto her features.

“Bold of you to assume he want to get along with me,” [y/n] muttered, sinking into herself when Kiki passed her a glare.

“Don’t say shit like that. He literally speaks to you and tries to hang out with you every waking moment you’re available and you want to tell me he doesn’t fancy you back? Please, you always say the stupidest things,” Kiki rolled her eyes, clinking her bottle with Beth, who wholeheartedly agreed.

“Kiki is right [y/n], you’ve got to stop putting yourself down like that, even though it is a very normal behavior, it’s not good to see the worst,” Daisy explained, getting some resounding yes’s from the girls next to her.

“You’re probably right, but it’s not like I’m getting a chance anytime soon to confess my feelings,” [y/n] sighed, falling backwards so she was splayed out over the floor.

“That chance could be arranged,” Beth suggested, rolling up her sleeves and pulling out her wand.

“We are not casting a spell on him, Beth,” [y/n] deadpanned, lifting her head up only a fraction to stare at her before letting it fall back with a light thud.

“I got my wand out so we could cast a spell to sneak out, you arse, we’re going to set you up with Weasley tonight,” Beth retorted, pushing herself up onto her feet, “you girls in?”

“Yes!” Kiki and Daisy agreed, also pushing themselves to their feet, all three girls staring down at [y/n] with wide grins and anticipating smiles.

[y/n] groaned loudly and pouted her lips, “I don’t really have a choice here do I?”

“Nope, now up you go, we’re getting you two together and that’s final, now all we need is a plan,” Beth smiled mischievously.

***

[y/n] paced around the Astronomy tower anxiously, stopping every now and then to observe an owl flying by to go perch itself in the postal room, her heart never stopping its nervous beat.

The girls had been gone for nearly twenty minutes now after splitting up to go get some Gryffindor’s they knew in on the plan and they ensured they wouldn’t get caught, but there was never a guarantee with that sort of promise. Her mind reeled as she tried to decide whether or not she should go and see her friends or remain where they’d told her too, the second option seeming far more assuring yet far more helpless.

“I feel like damsel in distress,” she muttered to herself, pushing herself up and off the floor so she could sit on the sill of one of the windows, her eyes catching the moonlight as it reflected off the lake.

“You seem awfully calm for someone who’s in distress.”

[y/n]’s head snapped to the side as she squinted through the dark room to see who’d spoken up, but she had a gut feeling she knew anyway, “George?”

“That’s me! Uhm, I was told you were looking for me? Something about the enticing thrill of getting to sneak out to see a girl and a pressing question really compelled me to come and find out what was up,” He explained, finally making it over and leaning against the wall across from her, a cheeky grin pulled onto his lips.

“Well about that question, I know it’s probably like poor timing and all, and we certainly could have saved this for morning, but you know how Beth gets when it comes to her little schemes,” she chuckled awkwardly, not sure how exactly she intended to leading up to her question, or rather confession.

“True, she’s always been stubborn that one,” George nodded, quirking his head to the side as he observed her tense posture and avoidant eyes, “but again, I came here for you, not Beth. So, what’s up.”

[y/n] bit her tongue as she built up the courage to pop the question begging to spill out of her heart, “So, they- we- I, called you out here because I wanted to ask if you ever wanted to go on a date sometime?”

George’s eyes widened as he processed her question, his heart suddenly the only thing he could feel in his ears, his cheeks starting to flame a bright red, “Oh, uhm, well that’s, that’s lovely-,” he struggled to find a solid response, despite his brain screaming at him to just blurt out a yes.

“It’s totally fine if not! I warned my friends it might’ve been a bad idea to ask anyway, but they’re all so insistent and I mean a “no” is better than no answer, right? But honestly, if you don’t want to-,”

“Yes!” He finally managed to shout out, his face so hot he was sure he could melt a stick of butter on it if he tried, “yes, I’d love to go out with you.”

[y/n] nearly erupted into a dancing fit right then and there, her lips curling up into an unstoppable smile, “Really?”

“Really. I would,” George grinned, feeling as if a thousand butterflies had just been released into his chest, “I really like you, [y/n].”

“I really like you too, George,” [y/n] replied, her eyes darting back and forth between his lips and his eyes, her heart speeding up ten fold when she’d notice him do the exact same to her.

“Can I kiss you?” He asked, trying not to let the eagerness seep into his voice.

[y/n] nodded rapidly, wrapping her arms around his neck as he surged forward and captured her lips. His hands immediately went to her waist, squeezing gently when her fingers tangled themselves in the hair at the nape of his neck. The kiss was long and loving, their pent up adoration spilling out as they finally rejoiced in their shared affections.

“You have no idea how long I’ve waited to do that, cheesy line, but it’s true,” George breathed, a lilt to his tone as he pulled away and pressed his forehead to hers.

“I’d listen to every cheesy line in the world if it means I get to be with you,” [y/n] replied, smoothing her hands back down to cup his neck.

“Now that was a cheesy line, Kiki is going to hate that,” He snickered pulling back slightly to stare into her eyes, bright as can be as the reflected the moonlight oh so beautifully.

“Not as much as Fred will,” she noted, brushing her fingers over the freckles on his cheeks, the featherlight touch prompting him to flutter his eyes shut as he leaned into her hand.

“Unfortunately true,” He muttered, humming softly as her thumb brushed over his lips.

“Can I kiss you again?” She questioned quietly, as if too loud a tone would shatter the intimacy's of it all.

“Please do,” he mumbled, letting her guide him forward with her hands, their lips connecting once more.

#george weasley #george weasley x reader #george weasley x y/n #george weasley x you #[y/n]#george weasley imagines #george weasley imagine #fluff #harry potter #hogwarts #mar writes

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flooffybits · 4 years ago

Text

False Perfection

For many years, the Royals made sure to keep up the picture perfect family for their people’s trust and dependence. But when the secrets of the past comes back to haunt them, where do they turn and what extremes are they willing to take?

Warning: mentions of death

A/n: hello my lovely marshmallows! it’s a new series! are you surprised? i know i already have an existing series and that it’s ongoing but don’t worry! I’ll be keeping up with both. I hope you enjoy the story and tell me what you think!

ps this is a modern royalty au

Approaching the king’s conference room, the young woman bowed her head to the various maids and butlers that filled the halls of the mansion. Guards were posted in every corner and it made the brunette a little anxious as she closed the distance between her and her destination.

While she knows she was safe within the family’s walls, it did nothing to ease the paranoia that stirred inside her chest before she brought her fist up against the large mahogany doors, her knuckles lightly rapping against the surface before the two doors opened for her, guards bowing at her presence before she finally stepped in, seeing the large table filled with the king’s council.

At the sight of her, the men all stood and bowed whilst the king offered a smile to welcome her, though some of the people were displeased by her presence, yet showed respect for the king.

“You are all dismissed for now.” The man announced and everyone was quick to shuffle out of the room, moving past the princess as she stepped aside to let them all go without bumping into anyone.

“You requested to see me, sir?” The brunette asked curiously as the man sighed and gestured to the seat nearest to him. “How many times must I tell you to call me father, instead? I thought we were past formalities.” He humors and the brunette flushes in embarrassment before shaking her head. “Y-Yes, but I just can’t seem to-”

The king smiles sympathetically and nods his head. “I understand, Jiwoo. But you are basically family at this point.” He pointed out and Jiwoo nodded her head, eyes wide as she fiddled with her fingers. “Would uncle be acceptable?”

The suggestion seemed to come as a surprise, yet the man chuckled before nodding his head. “Of course, whatever it is you deem comfortable.” That earned itself a smile from the young princess before the king finally cleared his throat. “Well, joking aside, there is a different reason for calling you here.”

Jiwoo purses her lips as she listens, attentive as always. “It would appear that the people are beginning to question the family.” The male laced his fingers under his chin with a thoughtful look. “What is it that they are questioning?” Jiwoo hesitates in asking, but with a grimace on the man’s face, she knows that it’s much more than she was hoping for it to be.

“They are beginning to question the heir to the throne.”

As the words escaped his mouth, Jiwoo felt her throat dry up and she had to blink before asking once more. “But I’ve been present in every meeting, every press interview, how could they possibly begin to suspect something wrong?”

“That is exactly why I’ve asked you here.” He states quickly. “The only people who know about the incident are those in the mansion and direct members of the royal family. Aside from that, we have the council because they were present right after her birth.” He explained, clearly displeased as Jiwoo began to understand just what the king was trying to say.

“Someone has informed the public of the missing princess.”

Jiwoo stiffened in her seat as the king began to inform her about what had occurred in his meetings right up until she arrived. “There are those who did not approve of me being taken by the royal family, uncle. It would make sense that they are trying to look for the rightful heir.” The brunette explained and the male nodded his head with a deep sigh.

“There’s something I need you to do.”

“Uncle, we’ve tried looking for her for years already.” Jiwoo said carefully and the man nodded his head. “Yes, I know. But I do believe that my daughter is still out there. We just need the right people to help, which is why I need you to be the representative of the family a bit longer.”

After the sound of a car pulling up and news of the Queen’s arrival back, people were quick to exit the house so they could welcome her back, yet one person didn’t seem too enthusiastic as she stood outside and waited as everyone watched the sleek looking car come to a stop.

Servers all lined up at the entrance of the mansion whilst a young princess stood by the door when the vehicle came to a halt. One of the guards opened the door and out came a short haired woman, standing with utmost elegance as she flashed a bright smile to the people present for her arrival.

“Welcome home, your Majesty.” The people greeted in unison before the woman lightly waved her hand, ordering them all to stop bowing before she walked through the path that led to the young princess who seemed to look as though she could be anywhere but here.

As soon as the Queen ascended the steps, her smile widened just a fracture when she saw the princess standing next to her handmaiden. “I’m sorry for the delay. It seemed there was a problem at the airport.” She apologizes gently. “Have you been well, Yeojin?”

Even with the Queen’s attention on her, the young woman didn’t seem to show interest at all as she shrugged her shoulders. “Fine as usual. You don’t have to ask me every time you see me, Haseul unnie.”

Hearing her answer and seeing the passive look on her face had caused the woman’s smile to drop, but she quickly shook her head and forced a smile. “Of course, of course. I often forget that you’ve grown already.” She attempts to joke, though seeing no change in Yeojin’s expression only made her shoulders drop and she let out a sigh.

“Well, I will be heading to my room and rest a bit. I’ll be seeing you for supper?” She doesn’t need to ask, Yeojin thinks, because of course she had to be there. So, the younger of the two merely nodded her head before waiting for Haseul to finally leave so she could go and continue with her own studies.

As Haseul stopped by the steps, she watched when the young princess walked towards the opposite direction, nibbling her lower lip before she forced herself to head for her room and the woman standing next to her could only offer a small smile before informing the Queen of everything that’s happened in her absence.

It was no secret in the house that the Queen and the princess had a strained relationship. Yeojin came from a smaller kingdom that Haseul’s parents decided to take over. But the Im kingdom refused, thus her parents having to take matters into their own hands.

With Yeojin’s parents killed for their defiance, she was sentenced to execution as well, but due to Haseul’s plea, the family ended up taking her in.

Haseul was the one to properly welcome the younger princess into their home, treating her with utmost care as though she really were her own sister. But Yeojin, despite her young age, knew what her family did to her parents, and she had only resentment towards the Jo family.

Despite Haseul’s attempts in getting her to warm up, her guard never wavered, especially when she would see the guilt that lingered on the older woman’s face throughout the years. It only fed her anger and frustration because she refused to accept the pity of a woman who rid her of her family.

However, none of that dwindled Haseul’s determination in getting the younger girl to spend time with her. Knowing the harshness of the world and the responsibilities that fell upon their shoulders, Haseul did her best to provide Yeojin the best life she could have; wanting her to feel and enjoy a proper childhood despite the rules and traditions.

Yeojin was free to do as she pleased, though with boundaries of not straying far from the mansion without her guards. And Yeojin believes that Haseul owed her that much, even if it wasn’t full freedom.

“Don’t you think you should, at least, give her a chance?” Yeojin picked her head up from her desk, her hand stopping as she rested her pen on the notebook she was previously doodling on. Her own handmaiden sitting on another couch with a book on her lap. “I don’t know if you’re talking to me or the book, unnie.” The princess replied, head against her hand as she observed the older woman who soon shut her book and faced the other.

Chaeryeong lightly rolled her eyes as she leaned back. “I’m obviously talking to you. This book has nothing against anyone.” She explained nonchalantly, making the princess grimace before she looked away. “I didn’t think you would be asking me about the queen.” She muttered before her friend let out a sigh.

“Yeojin, I’ve known you since you arrived and we’ve been friends ever since Haseul unnie assigned me as your handmaiden. She’s really not as bad as you think she is.” Chaeryeong tried to reason, yet it does nothing to sway the younger woman. “To everyone who doesn’t get in her way, maybe.”

“What happened to your kingdom wasn’t her decision.”

“Yet she was able to plead for my life. What makes my family different?”

Chaeryeong frowned at the smaller girl, knowing full well that she had yet to let go of what happened in the past, yet she couldn’t help but think that it was unfair to the Queen, especially when she had no power at the time.

“Yeojin-ah, you have to understand. Haseul unnie had to beg her parents for you to be here. She knew nothing of their plans in taking over your kingdom. You were merely brought here for them to decide on your faith and she stepped in before the king ordered your execution.” Her friend explains carefully, not wanting to anger the princess. “I can understand that you dislike her for what her family has done, but please don’t hold it against her.”

When the latter didn’t respond, Chaeryeong let out another sigh before she stood up. “Give it some thought, yeah?” She knew that it had been years and there was still no sign of changes between Yeojin and Haseul’s relationship.

She could only hope as she checked her watch for the time before placing her book back on the shelf. “Is there anything you want from the groceries? I’ll be accompanying Ryujin and Jisu unnie, unless you’d rather I stay here?”

“No, I’m okay. Just, maybe some donuts from the bakery you always visit.” Yeojin replies as she grabs her phone and Chaeryeong chuckles as she walks over to pat her head. “You’re going to get cavities if you keep eating those, but okay. Because you’re being a grumpy baby again.”

“Hey, I’m not grumpy and I’m not a baby!” Yeojin retorted with a huff. “I’m the princess and you’re only a year older than me!”

“See ya!”

As the doors closed behind her, Yeojin was left to ponder over Chaeryeong’s words, sighing as she turned back to the window. But right as she turned, there was light shining at her face. She had to squint, attempting to shield her eyes as she tried to see where the light was coming from, only to spot something, or rather someone, shining something at her.

As the light stopped, she caught a bit of purple disappearing into the forest and Yeojin stood up, confusion appeared on her features as she tried to spot the source once more, but her view was obstructed by the greens and browns of the plants and trees.

That area was farther than she was allowed to go. So despite her curiosity, Yeojin decided to just prepare for dinner and headed back to her bedroom to change into more presentable clothing.

Even with her resentment towards the women who kept her sheltered, she had to be civil when in her presence. She didn’t need to give them further reason to have her thrown out.

“I really think you should have let me come with her.” A woman spoke, constantly checking the time to see just how long it had been since their friend left. But the other just rolled her eyes and waved her hand in dismissal. “You worry too much, and it’s not like Yerimmie can’t just hop from one place to another.” She retorted, causing the other’s face to scrunch up.

“That doesn’t make it any less safe, Soul unnie.” Jinsoul pouted at the younger girl before patting her arm. “Come on, you have to trust me. Plus, I think it’s time Yerim gets to go out and explore on her own. She said it, herself - she’s ready.”

Yet Jungeun didn’t seem too convinced as she pursed her lips together. “We don’t know what Jo is going to do, especially with people like us.” Jinsoul went quiet for a few moments before she offered an encouraging smile. “Well, maybe after this whole thing, that kind of thinking will change.” She then turned her head to the silent brunette in the room, grinning when she saw the slightly surprised look on her face.

“Wouldn’t you agree, Jiwoo-ssi?”

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the-writers-bookshelf · 4 years ago

Note

I saw your post about having times of dormancy, and I've been doing that for months. It's really helped me to feel better. Issue is I don't know how to get back into a schedule, especially working from home where it just makes me feel wrong to have my desk be the same spot I have to work and be creative with nowhere else to go. I was wondering if you had on any tips for getting back up from those times? Thanks <3

Hi darling anon! This is an EXCELLENT question and I'm sure other people have been experiencing the same frustration.

There are a variety of options you can test to see which one works for your comfort level, energy, and mental health.

1. Allow yourself to remain dormant for as long as you need to

Don't worry about setting a schedule if you still feel tired or burned out or just barely getting by on the basics.

The writing community loves to tout schedules. Many authors use them. But some don't. And it's really, really okay if you do not have a schedule if that doesn't work for you.

Even if you want one. Even if you feel guilty for not having one.

It's okay to write when you're ready.

What if that means you only write one day out of two weeks?

That's better than nothing! :)

2. Experiment with your settings

You mentioned that you have nowhere else to go. Can you write literally anywhere else in your living arrangement?

A scrap of floor clear enough to sit on.

The kitchen table.

The bathtub (I'm spitballing here, but hey, if it works, it works!)

3. Take the pressure off yourself to "perform"

Setting a schedule might make you feel like you HAVE to get your creative stuff done in THIS ALLOTTED TIME RIGHT NOW.

Talk about pressure!

Instead, think of your writing time as a treat to yourself. Whether it's at the beginning or the end of your work day, let yourself play.

Experiment with what feels good.

Do you just want to doodle random scenes? Go for it!

Do you want to edit a few sentences? Dive right in!

Do you want to freewrite by hand? Do it!

Give yourself a chance to relax with your writing rather than Getting Something Done.

4. Your writing style/schedule might have changed

The world has been through a massive change on a global scale. Literally everyone on the planet has been affected by Covid-19.

And your writing might have changed, too. Maybe you used to thrive with a strict schedule but now you despise the slightest hint of regulation when it comes to your writing (even though the logical part of your brain still shakes its fist and demands, "You should have a schedule!")

Try writing without a schedule on purpose and see what happens!

5. Above all: be gentle with yourself

I'm a big advocate for being gentle with yourself. It might seem like you should be more strict with yourself to reach your goals. But there's also a need for gentleness in this world. Gentleness and patience gives you MUCH more mileage when it comes to motivation and energy.

A personal note below: (optional reading)

I didn't write anything for the entire year of 2020. I kept a journal, but I didn't touch anything else. I've only written one short story this year (in January) and edited/rewritten a handful of chapters in my WIP (a handful being: maybe 2).

For someone who used to write 6k in a day easy-peasy? That's rough to admit.

For over a year and a half, I have not been in a headspace to write, no matter how many schedules I tried to stick to. Whether it was 1,000 words daily or simply 100 words, I couldn't do it.

I was stressed and exhausted. Constantly. I was burned out and dealing with a TON of emotional stuff (on top of Covid) that left me entirely depleted.

I was certain that I was never going to write again. I thought I'd lost my love for writing because I had 0 ideas. I couldn't even put a sentence together. Nothing. And I hated it. It was driving me CRAZY.

Earlier this month, I quit my job, which had been putting considerable strain on my mental health (after one particularly stressful day, I slept for 14 hours straight).

I started another job that is supportive, positive, and offers a healthy work/life balance. I'm in a better work environment. I monitor/limit my stressors wherever possible (i.e. social media, the news) to make sure I don't get overly exhausted.

I'm finally starting to feel human again instead of a zombie, stumbling around in a haze. I'm regaining my excitement for writing. I have IDEAS instead of an empty brain. But it took a year and a half and I'm still not 100%.

I'm not saying: "Quit your job! Be free! Feel the wind in your hair and rid yourself of tiresome responsibilities!"

(Wouldn't that be nice though???)

I'm saying: allow yourself to rest. And it will take time. More time than you want it to.

If you're struggling to stick to a schedule, chances are, you're just not ready for it yet. There's no shame in recognizing that. ♥

You're probably eager for your dormant period to (finally) be over with. But it's there for a reason. Your writing will get back on its feet again all by itself naturally.

Trust the process. Trust your need to rest. Trust the relationship you have with your writing and it will see you through.

#anonymous #asks #pep talks by aub #writing community #writeblr #motivation #that got SO LONG #i'm just very passionate about allowing people the rest they need #instead of fighting through burnout #you need rest for a reason!#anyway #i hope this helped a little anon!

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summonerscenarios · 5 years ago

Note

Ello! I can't get this out of my head but I like to imagine the protag loving to draw and doodle, and when they run out paper they draw using marker on their arms or legs and wanted to know how the rest of the summoners would react to seeing the protag show up to class one day with their arms covered up with random doodles they drew on themselves the night before out of boredom dksbsksns

Shiro knows about your doodling habits - during meetings he’s watched you doodle patterns on your fingers and hands as you listen to the latest news and updates, and just as often has watched you after said meetings having to viciously scrub it off over the safehouse sink because of the stains using markers and pens have left behind on the tables. It’s never been too much of an issue though, since you only resort to doodling on yourself when you’ve got no paper on hand, so Shiro’s been mindful of having a notebook or two stowed away at the safehouse for you to doodle on while you’re there. With that being said, that only accounts for the safehouse and not whenever you’re not there, so keeping up your paper supply in your room has always been your responsibility. So when you run out, on top of being bored in the late hours of the night, you end up drawing patterns on your fingers, then your palms, then the back of your hands, then your forearms...With class being on the next morning you’d had to rush out of your room before you’d had the chance to clean up your arms, so when the Summoners see you there’s a mixed bag or responses. Shiro just about topples out of his chair when he turns around as sees you enter the classroom, grinning as you offer the Summoners a wave and move to toss your bag onto your seat. Your arms are covered in drawings, all the way up from your hands to your elbows and disappearing under your shirt - he’s never seen you get so far up your arms with your doodlings before, and many of them are so neatly packed together you could almost say they looked like tattoo stencils. Most of the marks stick to one color, but there’s a couple that differ and those are the ones with more detail - clearly, you’d gotten carried away on them, but not in a bad way. Even though they’re only temporary, Shiro has a feeling that if one of the stricter teachers catches you, you’re going to end up getting an earful about the drawings and tells you that it might be a good idea to roll your sleeves down just in case one of them’s teaching this class. Sure enough, Mr.Triton comes in not a moment later and you drop your arms from your desk, tugging your sleeves back down to your wrists as you cast Shiro a sheepish grin at the close call.

Kengo has absolutely let you draw on him whenever you’ve run out of paper at the guild house - his arms are thick and broad giving you more than enough space to doodle just about anything you want. It’s gotten the two of you scolded more than once because he wouldn’t tell you to stop and you could quite easily doodle up to his elbows if left unsupervised, but of course this is mostly outside of school hours since you’ve got plenty of paper to doodle on when you’re in school or at your dorm. So that’s why Kengo does a double take when you come strolling into class covered right up to your elbows (and probably above if he’d have to guess) in just about every color marker that you possess. Kengo doesn’t even need to ask you why your arms are covered in scribbles, instead when you sit down Kengo shuffles his desk as close to yours as he can, asking if you’d brought any of those pens with you. In response you smirk, fish around in your pockets, and retrieve some metallic markers as you gesture for him to budge closer and uncap the gold stationary. It’s a miracle the two of you don’t get caught, considering you’re exchanging harsh whispers, with you biting back snickers as you chide him to keep still, and him trying to flex his arm because you’ve kept it pinned in one place for so long. You have to admit, the metallic markers look damn good on him, a mix of bronze, gold and silver making for some cool looking patterns against his skin by the time that you’re satisfied enough with your work to stop. You’re just thankful that the two of you don’t get called out on your arms, but you don’t stick around long enough to get stopped anyways, the two of you booking it the second that the bell rings and down the hall as Kengo brags about the new penwork you’ve given him.

Ryota loves to doodle with you! Whenever you’re drawing at guild meetings you’re quick to offer him one of your pens or markers and shuffle next to him so that the two of you can draw things together. He thinks you’re way more talented at it than he is, but he likes seeing how happy you get whenever you’re doodling, and he enjoys hearing you praising the drawings he makes by the time that the two of you have filled in just about every spot of the page. Sometimes he’ll see you drawing on your hands, but you never draw any higher than your wrist and he honestly thinks that your drawings look so pretty on your skin, especially the ones where you use bright colored ink! He just thinks it's sad you have to wash away all that hard work by the time you’re done, so you end up taking a picture of them whenever you make a new pattern on your hands. However, for what it’s worth he’s never seen you doodle on your hands in class, maybe because you could probably end up getting told off if you got caught doing it in lesson. That soon changes when you end up having to rush into class after staying up late doodling, not having the chance to clean up your arms by the time you have to leave to get in on time. You hadn’t even thought about rolling down your sleeves until you enter the room, and you can see Ryota’s expression light up at the sight of your arms when you drop down into the seat next to him, sleeves up to your elbows revealing a fraction of the doodles that now decorate your skin. He leans over to look at them, wondering how long it took you to finish drawing on your arms - everything looks so detailed! You must have been up for ages last night to get them all done! You nudge one of your arms against Ryota’s comparing your doodled arm to Ryota’s significantly less doodled one and hum in thought; then, you reach into your pocket and dig around for one of your pastel markers, pulling it out and showing it to him as you ask if he wants some. By the time the class is over Ryota’s got some pretty yet subtle new doodles thanks to you, fanning out across his palm, back and fingers ending just shy of his wrist; he’s happy as he admires them, and you can’t help but find yourself smiling at how good the patterns look on him as you fish out your phone, reaching out for his marker covered hand with your own and interlocking your hands as you snap a few pics to commemorate your newest doodles.

Toji nearly chokes when he sees your arms, not realizing that they’re drawings until you sit down and rest your arms on your desk, doodle covered fingers tapping on your desk as you wait for the class to start. Similar to Shiro, he’d say that it would probably be a good idea to cover up your drawings lest you want to get scolded by the teacher, only to watch you shrug and grin in response. Toji does allow his eyes to wander over some of your drawings, and for what it’s worth they are rather visually appealing; some of the markings are flowers, detailed lines to make up specific patterns, and others are scribbled words hidden between blocks of art close to the inside of your elbow. It’s clear you let your creativity run away with you when you were drawing, though he’s sure drawing them on paper would avoid the future hassle of trying to scrub them all off when the time came. You catch him staring and tug your sleeves up a little further, saying that if he thinks those are cool he should see the ones on your legs - you had a way bigger canvas to work on the little details on the images you drew. Toji gives you an incredulous look, searching for your bluff, but he realizes it’s not when you reach down you tug up your pant legs. He doesn’t get the chance to see the doodles in question when the teacher walks into the classroom, and at the sight of Mr. Triton you just about yank your sleeves down, flashing a convincing innocent smile as you greet the teacher like nothing’s out of place, catching Toji shaking his head out of the corner of your eye.

Moritaka has seen you draw on both your own skin as well as others whenever you’re bored and have no paper to use; however, he’s never seen you doodle anywhere past the wrist, sticking to just the palm of your hand or your fingers since you don’t always have time to sit down and focus when you’re not at school or at the dorm rooms. Which is precisely why he doesn’t expect you to come into class with pen markings up your arms, past your elbows, and even disappearing into your shit. When you take a seat next to him, Moritaka turns to greet you briefly, only just catching sight of your arms on your desk when he turns back to face the front. He looks again, then again, and by the third time his eyes are comically wide as he tears his gaze away to look at your face, brows raised as he looks into your face for some kind of explanation. Your only explanation is that you were almost late and didn’t have the time to scrub it all off before you had to get into lesson, though you take advantage of the opportunity to show him some of your favorite doodles. Leaning over to his desk you show him some of the things that you were able to draw the night before, still as vibrant as when you’d first drawn them; on one section there’s even a collection of flowers close to the center of your hand, with one of them being a peony that you can’t help but quip that it looks pretty close to Moritaka’s mark. You remark that you guys can match now and Moritaka finds himself chuckling a little at how proudly you show them off; though you unfortunately don’t have the time to show him much more than that, as being close to the front when the teacher walks in you drop your hands into your lap to hide the majority of marks, whispering to the therian that you can show him all the rest once class is over.

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piet-ra · 5 years ago

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Taylor Swift x Catradora Masterlist

So, this is a masterlist no one asked for but I'm doing anyway. It's basically every Taylor Swift song that think fits the dynamic perfectly or that I'm completely projecting a Catradora storyline into (it's canon universe, no AU). I’m basically SPOPfying TS’s discography. It can be just one line or the whole song. I will highlight the lyrics and it is sorted by album. I hope you enjoy it and if it helps my fanfic writers out there, all the best. (just an fyi, I’m listening to all of this through a very romantic filter, before anyone comes at me saying that “actually catra wanted more than Adora and their issues were deeper than just unrequited love and bla bla. I know. just let us enjoy this gay animated couple)

I might develop my reasoning more in some than in others, so if you want to know more about why I chose such song and all that, just send me asks, I love them!

Let’s get on with the list now!

From “Taylor Swift”(Yee haw taylor at her finest)

Picture to burn

okay, so bear with me. Catra’s pov after Adora left her.

“there’s no time for tears/I’m just sitting here plotting my revenge”

“And if you’re missing me you’d better keep it to yourself/ cause coming back around here would be bad for your health”

“so watch me strike a match on all my wasted time/ as far as i’m concerned you’re just another picture to burn” -> I can just imagine catra scratching their doodles when i listen to this through a catradora lens.

Teardrops on my guitar

Teenage Catra’s pov pining over Adora.

“Drew looks at me/I fake a smile so he won’t see/That I want and I’m needing/ everything that we should be”

“I laugh 'cause it is just so funny/ That I can't even see anyone when he's with me”

“[he’s] the only one who’s got enough of me to break my heart”

A Place in this World

Adora trying to deal with the new responsibilities and pressure She-ra brought her.

“I don’t know what I want/ so don’t ask me/ ‘cause I’m still trying to figure it out/ don’t know what’s down this road/ I'm just walking/Trying to see through the rain coming down”

“I’m alone, on my own/ and that’s all I know/ I’ll be strong, I’ll be wrong/ oh but life goes on/ oh I’m just a girl/ trying to find a place in this world”

The outside

Catra’s pov(on her way to redemption)

“So, how can I ever try to be better?/ Nobody ever lets me in/ And I can still see you, this ain’t the best view/ On the outside looking in”

“You saw me there, but never knew/ That I would give it all up to be/ A part of this, a part of you/ And now it's all too late, so you see/ You could have helped if you had wanted to/ But no one notices until it's too late to do anything/ How could I ever try to be better?”

Tied Together With a Smile

Catra to Adora and her self sacrificial complex.

“hold on, baby, you’re losing it/ the water’s high/ you’re jumping into it/ And letting go and no one knows/ That you cry but you don’t tell anyone/ That you might not be the golden one/ and you’re tied together with a smile/ but you’re coming undone

Should’ve said no

Catra to Adora(season 1)

“you should’ve said no, you should’ve gone home/ you should’ve thought twice ‘fore you let it all go/You should've known that word like what you did with her/ Would get back to me/ and I should’ve been there, in the back of your mind/ I shouldn’t be asking myself why/You shouldn't be beggin' for forgiveness at my feet/ you should’ve said no, baby, and you might still have me”

“I can’t resist, before you go, tell me this/ was it worth it?”

I’m only me when I’m with you

just general catradora because this is effing cute

“I'm only up when you're not down/Don't wanna fly if you're still on the ground/ It's like no matter what I do/ Well you drive me crazy half the time/ The other half I'm only tryna let you know that what I feel is true/ And I'm only me when I'm with you”

A Perfectly good heart

Catra’s pov(season 1)

“Why would you wanna take our love and tear it all apart now/ Why would you wanna make the very first scar/ Why would you wanna break a perfectly good heart”

“Maybe I should've seen the signs/ Should've read the writing on the wall/ And realized by the distance in your eyes that I would be the one to fall/ No matter what you say, I still can't believe/ That you would walk away/ It don't make sense to me”

From “Fearless”(platinum edition)

Forever and always

ohhh the promises.... catra’s pov.

“And then you feel so low you can't feel nothing at all/ And you flashback to when we said forever and always/ And it rains in your bedroom/ Everything is wrong/ It rains when you're here and it rains when you're gone/ 'Cause I was there when you said forever and always/ You didn't mean it baby”

Come in with the rain

this one i think it fits both Adora and Catra singing the same thing to each other(while they were still stranged) and if you want the whole reasoning behind, ask haha cause otherwise this is going to be even bigger.

“I've watched you so long, screamed your name/ I don't know what else I can say/ But I'll leave my window open/ 'Cause I'm too tired at night for all these games/ Just know I'm right here hoping/ That you'll come in with the rain/ I could go back to every laugh/ But I don't wanna go there anymore”

The other side of the door

this is pure catra. just pure catra. seasons 1- 4 Catra and what she did vs her real feelings. (very fitting for ”promises” too)

“In the heat of the fight I walked away/ Ignoring words that you were saying/ Trying to make me stay/ I said, "This time I've had enough"/ And you've called a hundred times/ But I'm not picking up/ 'Cause I'm so mad I might tell you that it's over/ But if you look a little closer/ I said, "Leave," but all I really want is you/ To stand outside my window throwing pebbles/ Screaming, "I'm in love with you"”

“Me and my stupid pride are sitting here alone/ Going through the photographs, staring at the phone”

“So babe if you know everything/ Tell me why you couldn't see/ When I left, I wanted you to chase after me”

“And I'll scream out the window/ I can't even look at you/ I don't need you but I do, I do, I do/ I say, "There's nothing you can say/ To make this right again, I mean it, I mean it”/ What I mean is/ I said, "Leave," but baby, all I want is you”

White Horse

okay, that’s just a joke. but I wanted to share the mental image my brain created. I just can’t stop imagining Catra on princess prom, looking longingly at Adora dancing with some nameless girl and singing “I’m not a princess, this ain’t a fairytale/ I’m not the one you’ll sweep off her feet/ lead her up the stairwell” and then catching a glimpse of swifty “Now it’s too late for you and your white horse to come around”

i’m so sorry for this, but I’m actually not.

oh and the more serious interpretation is Catra refusing Adora and her fucking hero complex, saying it’s too late for her to try to go and fix things.

You belong with me

Just to mention this song fits every childhood friends to lovers ever. so that’s it.

Tell me why

Adora’s pov(season 3-4). I feel this is Adora getting more and more frustrated with Catra and especially after she “gave up” on catra after the portal. and this connection made me sad.(and I’m not by any means calling Catra abusive with this, because I know how the song depicts a somewhat abusive relatioship and I’m not by saying Catradora is that(it isn’t, at all), but their relationship throughout the seasons is fucking messy.)

“I took a chance, I took a shot/ And you might think I'm bulletproof, but I'm not/ You took a swing, I took it hard/ And down here from the ground I see who you are/ I'm sick and tired of your attitude/ I'm feeling like I don't know you”

“And I need you like a heartbeat/ But you know you got a mean streak.”

“And I know you see what you’re doing to me/ Tell me why”

and the one that hurts:

“I take a step back, let you go/ I told you I’m not bulletproof/ Now you know”

You’re Not Sorry

Adora’s pov, post portal

“All this time I was wasting hoping you would come around/ I've been giving out chances every time and all you do is let me down/ And it's taken me this long, baby, but I've figured you out/ And you're thinking we'll be fine again, but not this time around”

“You don't have to call anymore/ I won't pick up the phone/ This is the last straw/ Don't wanna hurt anymore/ And you can tell me that you're sorry/ But I don't believe you baby like I did before/ You're not sorry”

Change

so everything here might be a lot of a stretch, but I can’t really control what my head comes up with. The song progresses and so does Catradora’s story in this. like, I feel the song starts when they are kids in the Horde and then teenagers promising each other they will rise in the ranks and rule the place and then after defeating Horde Prime and getting their new beginning.(And maybe both of them singing, but I feel Adora would fit better, dunno)

“And it's a sad picture, the final blow hits you/Somebody else gets what you wanted again and/ You know it's all the same, another time and place/ Repeating history and you're getting sick of it/ But I believe in whatever you do/ And I'll do anything to see it through/ Because these things will change/ Can you feel it now?” -> Adora singing to catra imo, but you see it however you want to honestly.

“These walls that they put up to hold us back will fall down/ This revolution, the time will come/ For us to finally win/ And we'll sing hallelujah, we'll sing hallelujah” -> Here it’s the promise they made when they were younger, that they would be running the place together and even the “nothing rly bad can happen as long as we have each other” one.

“So we've been outnumbered, raided, and now cornered/ It's hard to fight when the fight ain’t fair/ We're getting stronger now, finding things they never found/ They might be bigger but we're faster and never scared” -> maybe their teenage years strengthening their resolution.

“Tonight we stand, get off our knees/ Fight for what we've worked for all these years/ And the battle was long, it's the fight of our lives/ But we'll stand up champions tonight/ It was the night things changed/ Can you see it now?” -> this could be so so so many things, but I chose to see as a time skip and it is the night they defeated horde prime just to make it interesting. (this whole thing was such a stretch, but I’m having fun with it, so fuck it i guess)

From “Speak Now”

Sparks Fly

Adora’s pov

“The way you move is like a full on rainstorm/ And I'm a house of cards/ You're the kind of reckless/ That should send me running/ But I kinda know that I won't get far”

“Take away the pain/ 'Cause I see, sparks fly, whenever you smile/ Get me with those green eyes, baby/ As the lights go down/ Gimme something that'll haunt me whenever you're not around/ 'Cause I see, sparks fly, when you smile”

“My mind forgets to remind me, your a bad idea”

Back to December

Catra’s pov(call from Horde Prime’s ship and interactions on Darla)

“Your guard is up and I know why/ Because the last time you saw me/ Is still burned in the back of your mind”

“So this is me swallowing my pride/ Standing in front of you, saying I'm sorry for that night”

“It turns out freedom ain't nothing but missing you”

“These days, I haven't been sleeping/ Staying up, playing back myself leaving”

“I'd go back in time and change it, but I can't/ So if the chain is on your door, I understand”

Mean

That’s just Catra singing to Shadow Weaver, I’m sorry. the whole song fits here, so just my top picks.

“You, with your words like knives/ And swords and weapons that you use against me/ You have knocked me off my feet again/ Got me feeling like I'm nothing/ You, with your voice like nails on a chalkboard/ Calling me out when I'm wounded/ You, picking on the weaker man”

“You, with your switching sides/ And your wildfire lies and your humiliation/ You have pointed out my flaws again/ As if I don't already see them”

“All you are is mean/ And a liar, and pathetic, and alone in life/ And mean, and mean, and mean, and mean”

The story of us

both Adora and Catras(basically the whole song lol)

“I used to think one day we'd tell the story of us/ How we met, and the sparks flew instantly”

“I used to know my place was a spot next to you/ Now I'm searching the room for an empty seat/ 'Cause lately, I don't even know what page you're on”

“Oh, a simple complication/ Miscommunications lead to fallout/ So many things that I wish you knew/ So many walls up, I can't break through”

“Now I'm standing alone in a crowded room/ And we're not speaking/ And I'm dying to know/ Is it killing you like it's killing me?/ Yeah, I don't know what to say/ Since the twist of fate when it all broke down/ And the story of us looks a lot like a tragedy now”

“How I was losing my mind when I saw you here/ But you held your pride like you should've held me”

“Why are we pretending this is nothing?/ I'd tell you I miss you, but I don't know how/ I've never heard silence quite this loud”

“This is looking like a contest/ Of who can act like they care less/ But I liked it better when you were on my side”

“But I would lay my armor down/ If you say you'd rather love than fight”

(let’s ignore that the song actually ends in tragedy lol)

Haunted

Why did you leave, Adora, for fuck’s sake. Catra’s pov.

“Come on, come on, don't leave me like this/ I thought I had you figured out/ Something's gone terribly wrong/ You're all I wanted/ Come on, come on, don't leave me like this/ I thought I had you figured out/ Can't breathe whenever you're gone/ Can't turn back now, I'm haunted”

“Stood there and watched you walk away/ From everything we had”

oh and a sad bonus. Catra’s pov from when she was Chipped:

“He will try to take away my pain/ And he just might make me smile/ But the whole time, I'm wishing it was you instead/ Oh, holding my breath/ Won't see you again/ Something keeps me holding onto nothing”

Last Kiss

I’m realizing with this list that Taylor is a Catra Kinnie(and she condones murder now, so great!). Catra’s pov.

“I still remember the look on your face/ Lit through the darkness at 1:58/ The words that you whispered/ For just us to know/ You told me you loved me/ So why did you go away?/ Away”

“All that I know is I don't know/ How to be something you miss/ I never thought we'd have a last kiss/ Never imagined we'd end like this”

Long Live

The very fortunate aftermath of the Heart of Etheria and the defeat of Horde Prime. anyone can be the narrator in this, but for me is Catra and Adora, together(but some Catra solos)(I’m such an Adora kinnie, but fuck if this isn’t dominated by my fav catgirl)

“I said: Remember this moment/ In the back of my mind/ The time we stood with our shaking hands/.../ The night you danced like you knew our lives/ Would never be the same/ You held your head like a hero/ On a history book page/ It was the end of a decade/ But the start of an age”

“Long live the walls we crashed through/ All the kingdom lights shined just for me and you/ I was screaming, long live all the magic we made/ And bring on all the pretenders/ One day, we will be remembered”

“And the cynics were outraged/ Screaming, "This is absurd"/ 'Cause for a moment, a band of thieves/ In ripped up jeans got to rule the world” (fourth wall breaking, catra is actually singing this to her haters)

“I'm not afraid/ Long live all the mountains we moved/ I had the time of my life fighting dragons with you/ I was screaming, long live that look on your face”

“Will you take a moment?/ Promise me this/ That you'll stand by me forever”

Ours

just a cute song, go listen to it and insert literally anyone in it.

From “Red”

Treacherous

i feel like it fits the vibe of the dynamic, but I don’t feel like expanding on it lol

All Too Well(because ofc)

I honestly don’t know who narrates this one. either Catra or Adora fit well, but I’m more inclined to say Adora but idk why. it’s just the vibe I’m getting.

“And I know it's long gone and/ There was nothing else I could do/ And I forget about you long enough/ To forget why I needed to” -> in this one i was like, Adora for sure

“Maybe we got lost in translation/ Maybe I asked for too much/ But maybe this thing was a masterpiece/ 'Til you tore it all up/ Running scared, I was there, I remember it all too well” -> But then this one came and I was like, well, depending on the pov, it fits both.

“And you call me up again just to break me like a promise/ So casually cruel in the name of being honest”(best lyrics c’mon) -> and the whole break me like a promise thingy made me think Catra’s pov, but then I guess you could also put it in Adora’s pov if you wanted to, so up to y’all.

I Almost Do

C’mon, Catra once again.

“And I just want to tell you/ It takes everything in me not to call you/ And I wish I could run to you/ And I hope you know that/ Every time I don’t/ I almost do, I almost do”

“I bet you think I either moved on or hate you/ ‘Cause each time you reach out, there’s no reply/ I bet it never, ever occurred to you/ That I can’t say hello to you/ And risk another goodbye”(kill me now, there’s still a lot of heartbreak for me to go through)

The Last Time

Catra’s pov, before she leaves Adora and has the little breakdown with Melog.

“This is the last time I'm asking you this/ Put my name at the top of your list/ This is the last time I'm asking you why/ You break my heart in the blink of an eye”

“Just like all those times before/ You wear your best apology/ But I was there to watch you leave/ And all the times I let you in/ Just for you to go again”

Everything has changed

baby Catra and baby Adora meeting and immediately clicking.(Tay is Adora and Ed is Catra for me, but as always, you do you.)

“I just wanna know you better/ Know you better, know you better now”

“'Cause all I know is we said, "Hello"/ And your eyes look like coming home/ All I know is a simple name/ Everything has changed/ All I know is you held the door/ You'll be mine and I'll be yours/ All I know since yesterday/ Is everything has changed”

“ And all my walls stood tall, painted blue/ And I'll take 'em down, take 'em down/ And open up the door for you”

Come back… be here

it talks about leaving and all, and the obvious choice is Catra, but Imma put it down as an Adora pov. for as much as I talk about Adora leaving Catra, Catra also left Adora. justified or not, their reasons, their motives or wtv is not what i’m here to talk about. I’m just stating that Adora asked catra to stay many times and catra didn’t. So the feelings of abandonment also fit Adora very well depending on the way it is weaved. Some are rly just plain Catra, tho. back to the song.

“And this is when the feeling sinks in/ I don't wanna miss you like this/ Come back, be here, come back, be here”

“And now that I can put this down/ If I had known what I know now/ I never would've played so nonchalant”

“This is falling in love in the cruelest way/ This is falling for you when you are worlds away”

“But you're in London, and I break down/ 'Cause it's not fair that you're not around”

From “1989”

Style

general catradora

“And when we go crashing down, we come back every time/ 'Cause we never go out of style, we never go out of style”

Out of the woods

general catradora

“We were built to fall apart/ Then fall back together”

All you had to do was stay

Catra’s pov. the line “picking up the pieces of the mess you made” just hits me where it stings, because I remember Catra trying to cover for Adora and then Adora not coming back and then having to deal with the wrath of Shadow weaver alone.

“Now, you say you want it back/ Now that it's just too late/ Well, could've been easy/ All you had to do was (Stay!)”

“Here you are now, calling me up/ But I don't know what to say/ I've been picking up the pieces/ Of the mess you made”

“Let me remind you/ This was what you wanted/ You ended it/ You were all I wanted “

I wish you would

Catra’s pov.

“Windows down, you pass my street, the memories start/ You say it's in the past, you drive straight ahead/ You're thinking that I hate you now/ 'Cause you still don't know what I never said/ I wish you would come back/ Wish I never hung up the phone like I did, I/ Wish you knew that/ I'd never forget you as long as I live, and I/ Wish you were right here, right now,/.../ I wish you would”

“We're a crooked love in a straight line down/ Makes you want to run and hide/ But it makes you turn right back around”

“You always knew how to push my buttons/ You give me everything and nothing”

Bad Blood(original version, not the remix)

Originally I thought, “oh this is Adora” but then I decided it was both of them together.

“’Cause baby, now we've got bad blood/ You know it used to be mad love/ So take a look what you've done/ ’Cause baby, now we've got bad blood, hey!/ Now we've got problems/ And I don't think we can solve 'em/ You made a really deep cut/ And baby, now we've got bad blood, hey!”

“Did you have to do this?/ I was thinking that you could be trusted/ Did you have to ruin what was shiny?/ Now it's all rusted/ Did you have to hit me where I'm weak?/ Baby, I couldn't breathe/ And rub it in so deep/ Salt in the wound like you're laughing right at me”

“Did you think we'd be fine?/ Still got scars in my back from your knives”(i really thought Adora here just cause of the literal scars in her back)

Wildest Dreams

if you want to headcanon a pre she-ra Catradora relationship, this song is really good. Since I’m trying( and def failing in many instances) to be as canon compliant as I can, I’ll skip it.

This Love

Catradora in the heart of etheria. could be both povs: either Catra holding Adora’s dying body and like “this love came back to me” or Adora prepared to die, dreaming about Catra, letting her love go, but in the end came back to her. for me, this is Adora’s, the whole song feels like her to me

“Currents swept you out again/ And you were just gone and gone, gone and gone” -> she’s fading, she’s being fully consumed now and the currents swept catra out from her.

“In silent screams and wildest dreams/ I never dreamed of this” -> she never allowed herself to dream that Catra would love her or that she wanted a future with Catra, but now she’s being faced with the loss of exactly that.

“This love is good, this love is bad/ This love is alive back from the dead/ These hands had to let it go free, and/ This love came back to me” -> their love is a very complicated thing, is not easy. they have a history of being enemies that tarnish it a bit and when it was too bad, they had to let it go. but the love came back to them in full force. alive back from the dead, literally and figuratively.

“Lantern, burning/ Flickered in my mind, only you/ But you were still gone, gone, gone”

“Been losing grip, on sinking ships/ You showed up just in time” -> adora dying, being saved in the most dramatic way possible.

“This love left a permanent mark/ This love is glowing in the dark” -> just the imagery, wow. and the antithesis of the mark of scars left by love and now the mark of it is the glowing.

“Your kiss, my cheek/ I watched you leave/ Your smile, my ghost/ I fell to my knees/ When you're young, you just run/ But you come back to what you need” -> finally reunited yay

I know places

Catradora in the Horde being super cute and hiding everywhere, just because.

“Something happens when everybody finds out/ See the vultures circling, dark clouds/ Love's a fragile little flame, it could burn out/ It could burn out”

“'Cause they got the cages, they got the boxes and guns/ They are the hunters, we are the foxes and we run”

“Baby, I know places we won't be found/ And they'll be chasing their tails trying to track us down/ 'Cause I, I know places we can hide/ They are the hunters, we are the foxes, and we run”

“Just grab my hand and don't ever drop it, my love”

From “Reputation” (Not expecting much from this one)

Delicate

Catradora being all cute and insecure after the end of the war and learning how to navigate their relationship, the old and the new. Catra’s pov, probably.

“This ain't for the best/ My reputation's never been worse, so/ You must like me for me/ We can't make/ Any promises now, can we, babe?/ Is it cool that I said all that?/ Is it chill that you're in my head?/ 'Cause I know that it's delicate (Delicate)/ Is it cool that I said all that?/ Is it too soon to do this yet?”

Gorgeous

so, i think this song is extremely cute and would fit very well in many various au’s, even some of mine, so I’m just leaving it out here, check it out if you haven’t, but won’t expand on it.

Dress(I was pleasantly surprised bout this one)

Catra’s pov.

“All of this silence and patience, pining and anticipation/ My hands are shaking from holding back from you/ All of this silence and patience, pining and desperately waiting/ My hands are shaking from all this”

“Say my name and everything just stops/ I don't want you like a best friend/ Only bought this dress so you could take it off/ Take it/ Carve your name into my bedpost/ ’Cause I don't want you like a best friend/ Only bought this dress so you could take it off/ Even in my worst times, you could see the best in me/ Flashback to my mistakes/ My rebounds, my earthquakes/ Even in my worst lies, you saw the truth in me/ And I woke up just in time/ Now I wake up by your side”

New Year’s Day

Another super sweet song that doesn’t exactly fit in the canon compliant list, but that I definitely use in my future Catradora headcanon, so I’ll just put in a few lyrics.

“There's glitter on the floor after the party/.../You and me from the night before, but/ Don’t read the last page/ But I stay when you're lost and I'm scared and you’re turning away/ I want your midnights/ But I'll be cleaning up bottles with you on New Year's Day”

“But I stay when it’s hard or it’s wrong or we're making mistakes”

“You and me forevermore”

From “Lover”(this album is so sweet fuuuuck)

Lover

the whole song. just, future catradora. Adora’s pov tho because this is such a dorkish in love song and that bit about “You’ll save all of your dirtiest jokes for me”, Adora saying this to Catra. that’s it

Paper Rings

future again. this whole album might be just me fantasizing about their future, who knows.

“Cat and mouse for a month or two or three/ Now I wake up in the night and watch you breathe/ Darling, you're the one I want, and/ I hate accidents except when we went from friends to this/ Uh huh, that's right/ Darling, you're the one I want/ In paper rings, in picture frames, in dirty dreams/ Oh, you're the one I want”

Death By A Thousand Cuts

I forgot this song and I’m adding it now at the last minute. extremely tired. not gonna paste the song here. but go listen, it’s really fitting for catradora.

“saying goodbye is death by a thousand cuts”

Afterglow

this is one I didn’t want to put in here, just because of a few lines specifically, but it made me think of Catra’s apology, so here it goes. (the parts “it’s all in my head” and “It’s all me” that bug me so, but we’ll pretend they don’t exist)

“I pinned your hands behind your back, oh/ Thought I had reason to attack, but no”

“Fighting with a true love is boxing with no gloves/ Chemistry 'til it blows up, 'til there’s no us/ Why'd I have to break what I love so much?/ Sorry that I hurt you/ I don't wanna do, I don’t wanna do this to you “

From “Folklore”

OKay, so now that we got here, we’re gonna get a bit creative and take everything with a grain of salt(more than we’ve already been doing) cause I doubt we’re gonna manage to be canon compliant in every one(this includes evermore too, I’m about to go off in these two albums), but everything just oozes catradora, so bear with me. and if you made it this far, damn you’re hot.

The 1

Adora’s pov. before they actually got together.

“I'm doing good, I'm on some new shit/ Been saying "yes" instead of "no" -> her new life in Brightmoon and all her new good experiences.

“And if you never bleed, you're never gonna grow” -> such an Adora thing to say.

“But we were something, don't you think so?/ Roaring twenties, tossing pennies in the pool/ And if my wishes came true/ It would've been you/ In my defense, I have none/ For never leaving well enough alone/ But it would've been fun/ If you would've been the one” -> the longing, the yearning

“And it's another day waking up alone“ -> :(

“I persist and resist the temptation to ask you/ If one thing had been different/ Would everything be different today?”

Cardigan

Catra’s pov.

“And when I felt like I was an old cardigan/ Under someone's bed/ You put me on and said I was your favorite”

“A friend to all is a friend to none/ Chase two girls, lose the one/ You drew stars around my scars/ But now I'm bleedin'”

“But I knew you'd linger like a tattoo kiss/ I knew you'd haunt all of my what-ifs/ The smell of smoke would hang around this long/ 'Cause I knew everything when I was young/ I knew I'd curse you for the longest time/ Chasin' shadows in the grocery line/ I knew you'd miss me once the thrill expired/ And you'd be standin' in my front porch light/ And I knew you'd come back to me”

Exile

now rlyyy bear with me. It gets confusing. And big. It's the whole song too.

Bon iver's verse + Swift's chorus is Catra seeing adora move on so quickly and leaving Adora behind.

Swift's verse + Bon Iver's chorus is Adora's pov. And then they merge in the bridge to air their grievances. I'll demonstrate below.

“I can see you standing, honey/ With his arms around your body/ Laughin', but the joke's not funny at all/ And it took you five whole minutes/ To pack us up and leave me with it/ Holdin' all this love out here in the hall” + “I think I've seen this film before/ And I didn't like the ending/ I'm not your problem anymore/ So who am I offending now?/ You were my crown, now I'm in exile, seein' you out/ I think I've seen this film before/ So I'm leaving out the side door = Catra’s pov

“I can see you starin', honey/ Like he's just your understudy/ Like you'd get your knuckles bloody for me/ Second, third, and hundredth chances/ Balancin' on breaking branches/ Those eyes add insult to injury” + “I think I've seen this film before/ And I didn't like the ending/ You're not my homeland anymore/ So what am I defending now?/ You were my town, now I'm in exile, seein' you out/ I think I've seen this film before = Adora’s pov

and then the bridge with both.(it’s one hell of a giant bridge, not gonna paste it here lol)

My tears ricochet

This one i see as a conversation, one that I'll again exemplify lol.

“And if I'm on fire, you'll be made of ashes, too/ Even on my worst day, did I deserve, babe/ All the hell you gave me?/ 'Cause I loved you, I swear I loved you/ 'Til my dying day” -> both of them

“I didn't have it in myself to go with grace/ And you're the hero flying around, saving face” ->Catra

“And if I'm dead to you, why are you at the wake?/ Cursing my name, wishing I stayed” -> Adora

“Look at how my tears ricochet” -> both

“I didn't have it in myself to go with grace/ 'Cause when I'd fight, you used to tell me I was brave” -> Adora

“And if I'm dead to you, why are you at the wake?/ Cursing my name, wishing I stayed” -> Catra

“Look at how my tears ricochet” -> both

“And I can go anywhere I want/ Anywhere I want, just not home/ And you can aim for my heart, go for blood/ But you would still miss me in your bones/ And I still talk to you (When I'm screaming at the sky)/ And when you can't sleep at night (You hear my stolen lullabies)” -> both

“You had to kill me, but it killed you just the same/ Cursing my name, wishing I stayed” -> both

“You turned into your worst fears/ And you're tossing out blame, drunk on this pain” - > Adora

“Crossing out the good years” ->both.

I could honestly make a whole post about this song and Catradora, dissecting lyric by lyric, I even have an animatic for this song thumbnailed, so I’ll jump to the next one before it gets too out of hand. again y’all can ask me anytime if you want to know more.

Mirrorball

Adora and her self sacrificial bs and not being rly her so she can be what everyone expects *from* her. Make me cry more, why don’t you!

“I'm a mirrorball/ I'll show you every version of yourself tonight/ I'll get you out on the floor/ Shimmering beautiful/ And when I break, it's in a million pieces”

“Hush, when no one is around, my dear/ You'll find me on my tallest tiptoes/ Spinning in my highest heels, love/ Shining just for you”

“Hush, I know they said the end is near/ I can change everything about me to fit in/ I'm still on that tightrope/ I'm still trying everything to get you laughing at me/ And I'm still a believer, but I don't know why/ I've never been a natural, all I do is try, try, try/ I'm still on that trapeze/ I'm still trying everything to keep you looking at me”

Seven

Baby Adora to baby Catra.

“And I've been meaning to tell you/ I think your house is haunted/ Your dad is always mad and that must be why/ And I think you should come live with me/ And we can be pirates/ Then you won't have to cry/ Or hide in the closet/ And just like a folk song/ Our love will be passed on”

August

older teen/adult Catra reminiscing about younger teen Catra dealing with her love for Adora. Probably the last August before Adora joined the rebellion. (ignoring the love triangle ofc)

“But I can see us lost in the memory/ August slipped away into a moment in time/ 'Cause it was never mine/ And I can see us twisted in bedsheets/ August sipped away like a bottle of wine/ 'Cause you were never mine”

“I remember thinkin' I had you/ Back when we were still changin' for the better/ Wanting was enough/ For me, it was enough/ To live for the hope of it all/ Cancel plans just in case you'd call/ And say, "Meet me behind the mall"/ So much for summer love and saying "us"/ 'Cause you weren't mine to lose”

This is me trying

Catra's pov/redemption

“I've been having a hard time adjusting/ I didn't know if you'd care if I came back/ I have a lot of regrets about that/ Pulled the car off the road to the lookout/ Could've followed my fears all the way down/ And maybe I don't quite know what to say/ But I'm here in your doorway/ I just wanted you to know that this is me trying/ And it's hard to be at a party when I feel like an open wound/ It's hard to be anywhere these days when all I want is you/ You're a flashback in a film reel”

Illicit affairs

Just leaving it out here cause it is so gayyy. And I'll prob write an au for this once I'm through with my five thousand WIPs.

Invisible string

Just the feeling of the song, not exactly catradora specific. More generic.

“Time, curious time/ Gave me no compasses, gave me no signs/ Were there clues I didn't see?/ And isn't it just so pretty to think/ All along there was some/ Invisible string/ Tying you to me?/ Time, mystical time/ Cutting me open, then healing me fine”

Mad woman

Catra's pov S1

“Every time you call me crazy, I get more crazy/ What about that?/ And when you say I seem angry, I get more angry/ And there's nothing like a mad woman/ What a shame she went mad/ No one likes a mad woman/ You made her like that/ And you'll poke that bear 'til her claws come out”

Epiphany

Adora dying in catra's arms and dreaming about her future with catra.

“"Sir, I think he's bleeding out"/ And some things you just can't speak about/ With you I serve, with you I fall down, down/ Watch you breathe in, watch you breathing out, out/ Only twenty minutes to sleep/ But you dream of some epiphany/ Just one single glimpse of relief/ To make some sense of what you've seen”

Betty

Another case of a song with STRONG catradora vibe, but too au- ish. The imagery of the song is too clear. Still, these parts here…

“The worst thing that I ever did/ Was what I did to you/ I'm only seventeen, I don't know anything/ But I know I miss you/ Yeah, I showed up at your party/ Will you have me? Will you love me?/ Will you kiss me on the porch/ In front of all your stupid friends”

Peace

adora's pov. I think is Adora kinda warning Catra that she can’t promise to stop saving the world, she can’t stop being she-ra, it is who she is and danger is going to follow her, so, is it enough if she can never give Catra peace?

“I never had the courage of my convictions/ As long as danger is near/ And it's just around the corner, darlin'/ 'Cause it lives in me/ No, I could never give you peace”

“All these people think love's for show/ But I would die for you in secret”

“The devil's in the details, but you got a friend in me/ Would it be enough if I could never give you peace?”

From "evermore"(FUCKING FINALLY and everything is going to be au-ish I guess)

Champagne problems

Adora's pov, but i resent this cause THEIR PROBLEMS ARE NOT CHAMPAGNE PROBLEMS OKAY? but nevertheless, It’s adora leaving Catra behind and breaking my heart in the fucking process.

“You booked the night train for a reason/ So you could sit there in this hurt”

“Because I dropped your hand while dancing/ Left you out there standing/ Crestfallen on the landing/.../ Your heart was glass, I dropped it”

“You had a speech, you're speechless/ Love slipped beyond your reaches/ And I couldn't give a reason”

How evergreen, our group of friends/ Don't think we'll say that word again/.../ I never was ready so I watch you go/ Sometimes you just don't know the answer/ 'Til someone's on their knees and asks you”

Gold rush

Catra's pov pining over Adora before and after she became She-ra, but especially after with the bit “I don’t like that everyone would die to feel your touch”. After all the pining and imagining what a perfect relationship they could have she wakes up to reality and sees that “it could never be”, “It will never be”.

“Gleaming, twinkling/ Eyes like sinking ships on waters/ So inviting, I almost jump in”

“I don't like anticipatin' my face in a red flush/ I don't like that anyone would die to feel your touch/ Everybody wants you/ Everybody wonders what it would be like to love you”

“What must it be like to grow up that beautiful?/ With your hair falling into place like dominoes”

“At dinner parties, I call you out on your contrarian shit/ And the coastal town we wandered 'round had nеver seen a love as pure as it”

“My mind turns your life into folklore/ I can't dare to dream about you anymore”

“'Cause it will never be”

‘Tis the damn season

Adora’s pov. Adora being the one who left because she has to, but she misses Catra and their old times together. However, she knows she won’t be able to stay so she’s asking for this weekend and breaking her own heart in the process.

“There's an ache in you, put there by the ache in me/ But if it's all the same to you/ It's the same to me”

“So we could call it even/ You could call me "babe" for the weekend/ 'Tis the damn season, write this down/ And the road not taken looks real good now/ And it always leads to you and my hometown”

“You can run, but only so far/ I escaped it too, remember how you watched me leave/ But if it's okay with you, it's okay with me/ Sleep in half the day just for old times' sake/ I won't ask you to wait if you don't ask me to stay/ So I'll go back to L.A. and the so-called friends/ And wonder about the only soul/ Who can tell which smiles I'm fakin'”

“And the heart I know I'm breakin' is my own/ To leave the warmest bed I've ever known/ We could call it even/ Even though I'm leaving/ And I'll be yours for the weekend”

Tolerate it

Catra’s pov and how she thinks Adora feels towards her. How she only tolerated Catra until something bigger, better and shinier came along and she abandoned her.(what to expect from a track five, huh?)

“While you were out building other worlds, where was I?/ Where's that man who'd throw blankets over my barbed wire?/ I made you my temple, my mural, my sky/Now I'm begging for footnotes in the story of your life/ Drawing hearts in the byline/ Always taking up too much space or time”

“You assume I'm fine, but what would you do if I/ Break free and leave us in ruins/ Took this dagger in me and removed it/ Gain the weight of you then lose it/ Believe me, I could do it”

“If it's all in my head tell me now/ Tell me I've got it wrong somehow/ I know my love should be celebrated/ But you tolerate it”

Happiness

adora’s pov. I feel this is Adora letting Catra go after season 3. just, she loves Catra and there were many great moments because of her, but that doesn’t mean the hurt isn’t there now. also doesn’t mean she’ll be forever miserable, proved by her new life in Brightmoon. It’s her realizing that Catra is actually hurting her, and being angry and then letting go.(god this reminds me of a fanfic where catra stated that she was happy without Adora, could be happy without Adora. But with her, she could be happier)

“There'll be happiness after you/ But there was happiness because of you/ Both of these things can be true/ Past the blood and bruise/ Past the curses and cries/ Beyond the terror in the nightfall/ Haunted by the look in my eyes/ That would've loved you for a lifetime/ Leave it all behind/ And there is happiness”

“Tell me, when did your winning smile/ Begin to look like a smirk?/ When did all our lessons start to look like weapons/ Pointed at my deepest hurt?”

“I can't make it go away by making you a villain/ I guess it's the price I paid for seven years in Heaven/ And I pulled your body into mine/ Every goddamn night, now I get fake niceties/ No one teaches you what to do/ When a good man hurts you/ And you know you hurt him, too” -> this whole bridge, man. THIS RIGHT HERE. They both hurt each other, there’s no simple clean cut way to look at things, to make Catra the big bad villain. but that also doesn’t erase the pain felt, so argh, this kills me.

“All you want from me now is the green light of forgiveness/ You haven't met the new me yet/ And I think she'll give you that” -> and this little hint of hope.

Dorothea(i swear, i will write a Dorothea/tis the damn season au)

Adora is dorothea and this is Catra’s pov

“Hey, Dorothea, do you ever stop and think about me?/ When we were younger down in the park/ Honey, making a lark of the misery”

“You got shiny friends since you left town/ A tiny screen's the only place I see you now”

“It's never too late to come back to my side/ The stars in your eyes shined brighter in Tupelo/ And if you're ever tired of bеing known for who you know/ You know that you'll always know me, Dorothea (Uh-uh)/Dorothea”

coney island

again, both povs. one to each other, illustrated below.

“Did I close my fist around something delicate?/ Did I shatter you?/ And I'm sitting on a bench in Coney Island/ Wondering where did my baby go?/ The fast times, the bright lights, the merry go/ Sorry for not making you my centerfold” -> adora

“Over and over/ Lost again with no surprises/ Disappointments, close your eyes/ And it gets colder and colder/ When the sun goes down” -> both

“The question pounds my head/ What's a lifetime of achievement/ If I pushed you to the edge?” -> catra

“Were you waiting at our old spot/ In the tree line/ By the gold clock/ Did I leave you hanging every single day?” -> adora

“Did I paint your bluest skies the darkest grey?” -> Catra

“And when I got into the accident/ The sight that flashed before me was your face” -> Adora

“Sorry for not making you my centerfold” -both

Ivy (hold on tight, this is big)

this is a good one.

“How's one to know?/ I'd meet you where the spirit meets the bones/ In a faith forgotten land/ In from the snow/ Your touch brought forth an incandescent glow/ Tarnished but so grand”

“And the old widow goes to the stone every day/ But I don't, I just sit here and wait/ Grieving for the living”

“Oh, goddamn/ My pain fits in the palm of your freezing hand/ Taking mine, but it's been promised to another/ Oh, I can't/ Stop you putting roots in my dreamland/ My house of stone, your ivy grows/ And now I'm covered in you so” -> for me, this is Adora in the moments preceding the failsafe and the Heart of Etheria, and the person she’s committed to is She-ra(and dying as she-ra). And she’s trying to fight and be strong to make the sacrifice she knows she’ll be asked to, but she simply can’t stop Catra from “putting roots in her dreamland”. Catra’s touch enlightened her, even though tarnished by their years of being enemies, it felt grand and it could chase the pain away; just for a moment, all her pain fit in Catra’s hand. But, she grieves for this touch for she knows it’s only a dream. Even though she’s now “covered” in Catra, she’ll never be able to fully have her, not when she’s so committed to She-ra.

“I wish to know/ The fatal flaw that makes you long to be/ Magnificently cursed/ He's in the room/ Your opal eyes are all I wish to see/ He wants what's only yours” -> now here she’s in the heart of etheria and wondering why would Catra want her so much when she knows she can’t have her, when she knows she’s doomed. the He in this is Horde Prime. As we see in the “future hallucination”, all she wants is Catra and he wants(to destroy ofc) what’s Catra’s only - herself.

“How's one to know?/ I'd live and die for moments that we stole/On begged and borrowed time/ So tell me to run/ Or dare to sit and watch what we'll become -> Adora know it’s only borrowed time, it will end and she feels like there’s nothing she can do about that.

“So yeah, it's a fire/ It's a goddamn blaze in the dark/ And you started it/ You started it/ So yeah, it's a war/ It's the goddamn fight of my life/ And you started it/ You started it” -> here Adora is finally fighting back against Destiny, Prime, The Heart… and it’s all because Catra started it just by loving Adora, covering her in her ivy and making Adora so unable to not love her back.

(can you tell this is one of my favorite songs in the album?)

long story short

honestly, post-war catradora. Adora’s pov.

“Fatefully/ I tried to pick my battles 'til the battle picked me/ Misery/ Like the war of words I shouted in my sleep/ And you passed right by/ I was in the alley, surrounded on all sides/ The knife cuts both ways/ If the shoe fits, walk in it 'til your high heels break”

“When I dropped my sword/ I threw it in the bushes and knocked on your door/ And we live in peace/ But if someone comes at us, this time, I'm ready/ No more keepin' score/ Now I just keep you warm (Keep you warm)/ No more tug of war Now I just know there's more”

“And I fell from the pedestal/ Right down the rabbit hole/ Long story short, it was a bad time/ Pushed from the precipice/ Climbed right back up the cliff/ Long story short, I survived”

closure

catra to adora pre season 5

“it's been a long time/ And seeing the shape of your name/ Still spells out pain/ It wasn't right/ The way it all went down/ Looks like you know that now”

“Yes, I got your letter/ Yes, I'm doing better/ It cut deep to know ya, right to the bone/ I know that it's over, I don't need your/ Closure, your closure”

“Don't treat me like/ Some situation that needs to be handled/ I'm fine with my spite/ I know I'm just a wrinkle in your new life/ Staying friends would iron it out so nice/ Guilty, guilty, reaching out across the sea/ That you put between you and me/ But it's fake and it's oh so unnecessary”

Evermore

just the message in general i think fits season 5 catradora very well. how, yeah, the pain sucks and it’s terrible but it won’t be for evermore. Justin’s bridge exemplify very well just the desperation of being in the middle of this whirlwind of pain, begging for a pause just to see if there’s any way to be recovered from that. it just so happens, there is.

no exemples in this one, the vibe of speaks for itself and I’m rly tired right now.

...

oof, so there was it. Hope you liked it! show me some love cause this took a while lol(but a got my TS marathon done without feeling guilty, because at least… content? so there’s that). if you made it this far, THANK YOU!! stream evermore and good night y’all(or morning or afternoon, wtv works for your timezone lol)

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