#I really enjoyed their dynamic

[ceniberi]

so similar, you and i

[0n10neater]

Debriefing.

Yapper 4 yapper dynamic my beloved- scanned from my sketchbook and edited on my phone P:

[deecotan]

anyway here's wavewave

[uisceb]

Endlessly baffled every time I see people water down Glinda’s actions in Defying Gravity to “oh she was too cowardly or too selfish to stand by Elphaba,” as if she didn’t spend that entire sequence from Chistery’s transformation onward doing everything in her very limited power to keep Elphaba safe.

Like the second things start going wrong, Glinda’s entire focus switches to “keep Elphaba safe at all costs.” This girl does not have any magic. She does not have any physical survival skills. She probably has no idea how to throw a punch. She can barely run in those heels. Her one power is her charm and her ability to work a crowd. She is desperately trying to get Elphaba to come back with her not because she agrees with what the Wizard and Morrible are doing, but because she thinks maybe if she can just smooth things over, Elphaba will be forgiven, and she’ll be safe. 

In that regard, there’s a very obvious selfishness to Glinda’s actions - she lacks perspective; she lacks scope; she prioritizes Elphaba over what we as the audience would understand as the “Greater Good” and over her own morals about what’s going on with the Wizard’s agenda; she’s visibly horrified by what happens to Chistery but her first instinct is to comfort Elphaba above all else, despite having no understanding of what's happening.

I am the last person who’s ever going to argue that Glinda isn’t selfish, because she very clearly is, it’s one of her defining characteristics, and it’s one of the main things she has to learn to overcome in order to actually become “Glinda the Good.” This is in no way me trying absolve my very selfish girl who very much made the wrong decision.

But it does kinda boggle my mind when I see the argument that Glinda betrayed Elphaba or is a “fake friend.” Especially because ultimately she comes to the conclusion that the best thing she can do for Elphaba in this moment is to let her go. She knows she would only hinder Elphaba if she were to go with her, she knows there’s no happy ending for them if she tries to run away with her (I think in that moment she might even suspect there’s no happy ending at all). Elphaba is going through her own personal revelation which is beautiful in its own right, but it’s also impulsive, and there’s a certain level of unsustainable grandiose fantasy to it. Glinda almost lets herself be swept up in it for a moment, but her rational side kicks in, because, of the main trio, Glinda really is the most grounded in reality.

I’ve seen a lot of weirdly smug people out there proudly saying if Fiyero was there he definitely would’ve gotten on the broom with Elphaba - and honestly, I think they’re probably right. But it’s not because he’s somehow morally superior to Glinda, or that his love for Elphaba is more pure. Our boy is depressed, he’s nihilistic, he’s lost, and truly doesn’t have any attachments to anyone.

He was genuinely moved by Elphaba’s fearless convictions and he fell hard and fast for her, so I agree he’d be on that broom in a heartbeat, he quite literally has nothing to lose, and everything to gain. He’s found himself wanting to believe in something for the first time because Elphaba brought that out in him, his whole world revolves around her. And that’s very romantic, but because of that, the stakes are much lower. For him, leaving everything behind wouldn’t be a sacrifice, it would be freedom.

Glinda’s gone through the world much differently, much more carefully. She doesn’t have Fiyero’s sense of nihilism or detachment, she’s lashed herself tight to the reality of the world around her. Where Fiyero has been regularly kicked out of schools and freely wandered from place to place experiencing new things and getting into trouble on purpose, Glinda has never stepped outside the predictable comfort and safety of her bubble until meeting Elphaba. She lives in constant fear of failure and being looked down on. She is forever clinging to this persona she’s created because she’s terrified of what will happen if she’s anything less than perfect.

She has constructed her entire existence around being an icon rather than a person - in the beginning, she literally doesn’t know how to be her own self, she’s just barely learning, because of Elphaba. And it scares the shit out of her. 

Fiyero would likely play action hero if he was there for Defying Gravity, and that’s great, but Glinda is weighing a million things in her head, not least of which is “holy shit the person I love most in the world is in imminent danger and I have no magic and no strength to keep her safe, so I will beg and plead and insult and fight her tooth and nail to keep her with me inside my privileged bubble because maybe I can smooth this over, maybe everything will be okay if I just do what I always do and use my privilege to get my way.” She understands the rules of her world, so she’s going to play by those rules because that’s how you win the game.

Elphaba, of course, refuses to play a corrupt game at all, and Glinda gets angry - she lashes out at Elphaba because Elphaba has just put herself in such a dangerous situation, and Glinda is completely powerless to change it. Every little bit of control Glinda is used to having is obliterated.

Her “Maybe you’re not as powerful as you think you are” when Elphaba doesn’t grow wings is so desperate - the words border on cruel, but her tone is both painfully apologetic and above all filled with RELIEF because while her heart hurts for Elphaba, she’s terrified that Elphaba would hurt herself the way Chistery was hurt, and she’s cleaving to the hope that maybe if Elphaba isn’t as powerful as she thinks she is, Glinda stands a chance at undoing the damage, and protecting her. 

Glinda’s selfishness is just so fascinating to me because it’s so rich and so contradictory - she loves Elphaba so deeply and destructively that she fully paralyzes herself when the chips are down and it breaks them both. She fails to be what Elphaba wants her to be, and she fails to be a good person, but there’s no “fake friend” about her actions - she is acting on pure desperation to keep this person she loves safe in literally the only way she knows how, at the cost of everything else, including what’s right, which is something Elphaba could never abide by. Elphaba would never compromise her own morals, but at this point in the story Glinda is willing to compromise everything as long as Elphaba is tucked away in her bubble with her, and that difference in values is irreconcilable to both of them. 

So, realizing this, Glinda does the one last thing she can think of to protect her at this point, and wraps a cloak around her shoulders to keep her warm. That’s all that’s left.

She’s selfish and she’s cowardly and she’s brave and she’s loving and she fails Elphaba and she fails herself and she regrets her decision for the rest of her life and yes I am writing all this with glass under my tongue and between my teeth, she makes me insane.

[jinglebunns]

some of my favorite scenes from my kirby mv!!

[benevolenterrancy]

Ning Yingying: still in her airhead era Ming Fan: a young master who has never been expected to cook before Luo Binghe: really wishes he had been given this task to complete on his own...

[leqclerc]

Charles Leclerc in Formula 1: Drive to Survive, Season 7 (2025)

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[moonlightflower-queen]

Quick sketches of Zagreus enjoying baths with Meg and Than because i got sidetracked while drawing Zag's hot springs portrait

[imvec]

Sequel to Sunshade

[drawnfamiliarfaces]

a lil redraw

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[technikki]

this balloon smp bit with holly and val has been plaguing my mind for days

[moronwithoutmo]

A little Terzomega to close out the year 💜

(As you can see I’m heavily inspired by some of the other lovely ghesties’ ghoul designs 🫶 @/faiyx mainly!)

[gremnda]

Part of the family :]

[moeblob]

@darkflierliesel

Felix and Leonie being pals was such fun to draw and I loved drawing this and thank you for your patience with all the stormy weather and delays! ;w; I really appreciate ya!

[rystiel]

i feel like poolverine easily could’ve been one of those “they’re flirty but it’s mostly unserious” situations, and for most of the movie yeah they were extremely gay, but wade’s been like that with other guys and it was never treated as a serious type of relationship before. they’re willing to die for each other, but even then the romantic aspect of their relationship could be glossed over because it’s a superhero movie, that’s just what they do, and they’re working together to save a whole timeline—it’s not just about them. but then the movie doesn’t end with them saving the day and moving on. i think this’s really the part that sells poolverine as a genuine relationship to me… logan’s leaving, and wade calls for him. he can’t stand to let him go. then he introduces him to his family, and logan stays. he doesn’t really need to stay, but they’ve both decided they’re better off with one another than without