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shady-tavern · 3 months ago
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Preview for "Chosen For What" the April Short Story
Once upon a time, when humanity was still young, magic got born into the world. But with it’s wondrousness someone terrible and greedy appeared who tried to steal everything to keep it just for himself. 
The grandest mage of all time, Astonius, one who still lived to this day, had risen to stop that folly from happening. To ensure the rest of the world still got to enjoy magical and wondrous things.
But the weaving of the world had gotten damaged in the ensuing battle and as a result, Fate was forever changed. Terrible evil was destined to rise - as were grand heroes.
„We are the ones to guide those heroes,“ Annette’s father said when she was old enough to truly understand the meaning of his words. „Fate takes us whenever it is time to meet a Chosen One and we hand them what they require for the task ahead. Encouraging words, a weapon, at times even healing. We accompany them on their journey so they can ensure evil always fails.“
„Am I like that, Papa? Do I help heroes?“ Annette asked, excited and after a moment her father sighed and nodded.
„You must’ve inherited it from me. I had hoped you wouldn’t, because your life will never be truly yours, Annette. You must understand that. You...you belong to Fate, now and forever.“
„Is that why you leave so often?“ she asked, thinking of the months he was gone without a trace, vanishing between one moment and the next without a trace. He nodded again.
„You can’t say no and you can’t resist. Fate takes you where you ought to be, no matter if you want to or not, no matter if you are tired or not,“ he explained with a shadow of exhausted, worn grimness to his face.
Oh. That sounded rather unpleasant. Annette had no idea what to say, but she found herself reaching out, patting her father’s hand.
„You’re not alone now,“ she said while her father glanced at her. „I can help!“
Maybe then he’d have more time to be home, to be with her mother, to enjoy his life. His expression both softened and grew very sad. He reached out, pulling her into a hug and he pressed a kiss to the top of her head.
„Keep that good heart of yours,“ he whispered. „Promise me that.“
„Pinky promise,“ Annette said and lifted her hand, fingers curled in and only her pinky extended. Her father smiled and hooked his far bigger pinky around hers and they gently shook their hands up and down a little.
She had been eight back then and hadn’t truly understood her father’s sadness or why he was often so tired. Why he often came back slightly stooped, as though he was carrying a heavy yoke across his shoulders, his gaze far away.
But as Annette grew up she learned that being bound to Fate was not a kind destiny, nor was it particularly fun. By the time she reached her thirties she had seen more of the world and of humanity than most people ought to. She had fully stepped into her father’s footsteps by then, guiding and aiding heroes.
Very few ever survived the journey and those who did were scarred for the rest of their lives, inside and out. Those who survived retreated into themselves, shutting themselves away, their hearts and minds too wounded for the rest of the world.
She understood now why her father came home silent and grim, moving like he wanted to lie down and never get up again. She felt like that heaviness herself now, her childhood cheer faded and nearly gone.
Great evil came and great heroes rose to fight it, protecting all that was good and bright and they usually died in the process. She had lost far too many friends that way, having accompanied the Chosen Ones on their journeys whenever Fate required it. 
It had been impossible not to grow fond of them, not to love them all in their own special ways. To not feel at home with them and their other friends, who had all considered her one of them sooner or later.
Annette wasn’t destined to die, because who would serve Fate if she did? As far as she knew her father’s bloodline was the only one who produced people like her and if they died, heroes would have a far harder time on their journeys.
So she would survive the confrontations with evil every time. But no matter how hard she fought, how good she became at the art of battle, somehow she was never there to actually protect the people she had grown to love.
In the end she was the only one left to carry remains back home or in some cases, carry nothing, because not even a shred of her precious friends had been left behind.
Worst of all were the times when she had accompanied young heroes, almost children still, who had been chosen for a cruel future. 
A number of them had no families left so she was the only one who knew about the graveyard she had started to dig for her fallen heroes and their heroic friends. Her heroic friends, too.
She carefully took care of the graves near her isolated home, cleaning away dead leaves and planting new flowers. She didn’t want to forget them and she wished the world would do more to remember them.
There was a dedicated Heroes Day, where celebrations were held across the lands, but she couldn’t stomach to join those festivities. It felt as though her friends‘ deaths were lauded as something admirable and good.
She hated Fate, even though she knew it was useless to do so. The weave of the world was damaged and this was simply how things were meant to be, a constant reenactment of times past. She even suspected it was the only way magic could still reliably exist in this world, through meaningful sacrifice and grand, noble acts.
And no matter how hard she fought the pull of Fate, sooner or later she always stood in front of the next hero, wondering if she’d carry their lifeless body back home this time as well.
Fate had been tugging at her insistently for a time again now, guiding her down roads and to her next destination. Annette was resigned to her lot in life, feeling a mixture of listlessness and bitterness, her heart braced for yet more hurt. No matter how she tried to keep herself apart from the heroes and their groups, sooner or later she always ended up liking them anyway. She always ended up cheering for them.
When Fate stopped tugging she ended up at the side of the road, near a large boulder on the top of a hill. The perfect place for someone heroic to meet her, a companion for their quest. Her other duty was to provide for the heroes whatever they needed. Fate had given her a bit of magic for such an act, allowing her to conjure magical weaponry and items and healing tonics.
But no matter how much she gave the heroes, somehow in the last, grand battle, it was never enough to save them.
She settled down on the boulder, staring across a picturesque landscape, little farms and their fields dotting the surroundings and a pretty town rising in the distance. 
The sound of huffing and puffing and something dragging along the ground made her pause and look up.
Her brows rose in surprise when she saw a little girl stomping up the road, full of determination as she dragged a far too big, sheathed sword behind her with one hand. With the other she pushed up the too big knight’s helmet she had put on, one clearly meant for an adult. From the looks of it, she barely managed to carry it on her head.
„What are you doing?“ Annette found herself asking, utterly baffled.
„I’m going to fight for my Pa,“ the girl declared proudly, a little lisp to her words. „Do you know in which direction the Lich King is? I gotta kill him so my Pa doesn’t have to.“
Annette stared at the child and with a sudden, awful feeling in her gut, she wondered if the girl was meant to be the hero. Usually Fate didn’t pick Chosen Ones that young and ten seemed to be the bottom line.
„No,“ Annette said, fingertips digging into the stone of the boulder. „You can’t go face the Lich King, absolutely not.“
The girl frowned at her, briefly losing her grip on the helmet, which swiftly slumped down over her head the way a thimble covered fingertips. Annette slipped off the boulder and helped the girl right the helmet again, only to be pouted at with puffed up cheeks.
„I can so fight,“ the girl declared. „Because if I dont, then my Pa gotta and he’s already fought. He still has nightmares, so I have to make sure that he doesn’t have to be a hero again.“
That was the ugly reality of the few Chosen Ones that survived the evil they were meant to vanquish. If they were lucky enough to make it out alive they were not only scarred for life but also considered game for any future foes.
Fate really was a bitch.
At least the girl clearly wasn’t meant to be the hero of the story, she was too young and couldn’t even lift the sword enough to swing it. Annette would have to wait for her father to arrive to take her place instead.
„Well, if you don’t wanna help me, then good day. I guess,“ the girl said and turned to march onward, dragging the sword behind her and struggling to hold the helmet up. 
„Fate decides who is Chosen,“ Annette found herself saying and the girl stopped and turned to look back at her, the helmet wobbling precariously in her grip. „You can’t undo that.“
The girl frowned, then lifted her chin. „So what? If we kill the evil first, then what does that matter?“
Annette felt herself still while the girl turned again and kept walking. Killing evil first. Annette had never thought to do so, mostly because by the time Fate was done guiding her she usually met the heroes in question within a minute or two. 
She never knew who they were destined to fight, not until the heroes either told her or, if they didn’t know the identity of the evil they chased, until they found out together. But now...now Annette knew who the Chosen One was destined to face in battle and there was no hero in sight.
Aside from a brave little girl with a heart the size of the sun.
„Alright,“ she said and hopped off the boulder, the girl stopping and looking up with a hopeful grin. „I have a proposal and I need your help if you want to keep your Pa safe.“
„What is it?“ the girl asked eagerly. „I promise I can do it.“
„I need you to keep him at your home,“ Annette said. „Protect him from Fate, make sure he doesn’t leave on his quest. In the meantime, I’ll go kill the Lich King.“
The girl eyed her, frowning thoughtfully. „Can you fight?“ she asked and when Annette nodded, the girl heaved the sword up enough to hold it out to Annette, though the tip still dragged through the dirt. „Then you take it. It has killed evil before.“
Grasping the sword, Annette felt the hum of magic within the blade. She had gifted plenty of enchanted items to heroes in the past, but this one was not from her. It must’ve been from her father then.
Most magical items didn’t survive the battle against evil, but the few that did were highly sought after by the rest of the world, for they tended to be rather powerful.
„I got it,“ Annette said and nodded down the path. „Now go, before Fate takes your father from you.“
The girl nodded and Annette bit back a laugh when she hurriedly walk-jogged down the path, the helmet clearly too heavy and unwieldy to allow the girl to actually run.
Hoisting the sheathed blade across her shoulder, Annette turned to walk away. The Lich King, she actually had heard about this particular character, a legend building over years through whispers and rumors. A legend of great evil.
„Well then, Fate,“ she muttered to herself as she quickened her steps. „Let’s see who arrives first, the hero or I.“
There was a stirring in the air but to her surprise, nothing tried to stop her. Usually, when Fate guided her somewhere, it did so with a feeling of great urgency that grew in intensity until she couldn’t stand to ignore it any longer.
This time there was only her own determination driving her onward.
Huh. How strange.
*.*.*
The Lich King lived in a castle that was so obviously evil looking it was almost comical. He was also very, very confused about her appearance.
„You are not the Chosen One,“ he said, eyeing her and Annette shrugged.
„No, but it was either me or a little girl who was going to try and take the place of her hero father,“ she said and the Lich King grew unnaturally still, a muscle in his jaw jumping.
„They would have me fight a child, if the father didn’t show up in time?“ he downright growled the words before he laughed, sharp and bitter. „Of course, I am not evil enough yet, is that it?“
He spoke upwards towards the sky and Annette got the feeling that he wasn’t actually talking to her. Then he sighed.
„If the choice is you or terrorizing children, then go ahead,“ he said and tipped his head back, baring his throat. „With you I do not have to keep up appearances, Fate’s grip has released me for the moment.“
„Wait.“ Annette let the sword in her hand lower, the tip touching the dark stone floor. „You didn’t want to be evil?“
„I wanted to be a mage,“ the Lich King answered and downright spat out, „Not a monstrosity.“
All at once Annette realized something she hadn’t considered before. Not when she had watched beloved friends die over and over again, when she hadn’t been able to save anyone. If the heroes were Chosen, then so were the villains.
The same coin, two sides. A story repeating it self through the centuries over and over again, all across the world. In big and small tales. Someone always died and something was always saved. Someone also always had to be the forsaken one.
As though the entire world was one big stage and the people living on it were puppets on a string for Fate to pull and pluck, making them dance and fight and bow and live and die at its whim. All because one idiotic, greedy moron had damaged the weave of the world all that time ago.
Sighing, Annette rubbed a hand over her lower face, thinking. Nothing here was fair and aside from Fate, there were no winners. Only dead losers.
„Then let’s go,“ she said. „If Fate is currently silent, then let’s try to break it’s hold on you.“
She had stopped believing such a thing was actually possible years ago. With each buried friend, with each wound on her heart and soul, her optimism had slowly withered and decayed away. Crushed under the weight of reality.
But what if...what if there was a chance after all. A chance for true change.
Sheathing the sword she held out her hand. „Let’s try, just one more time.“
The Lich King stared at her hand, undead eyes and gray skin and filled with magic that would make the priests and priestesses of the temples weep and moan. Maybe there was a way to keep Fate away from him, to ensure he never had to hurt anyone else ever again. To maybe even make up for some of the hurt he had been forced to cause.
His next inhale shuddered in his chest and slowly he stepped forward, reaching out. „One last time,“ he whispered.
When their eyes met, his were filled with the same grim, withered hope that Annette felt stirring in her chest. Withered but not dead. It seemed hope truly was the last thing to die, like a weed that kept growing out of the cracks in roads and walls.
Annette took the Lich King’s hand and pulled him out of his castle. Once they were far enough away, they looked back just in time to see a lone hero traveling up the road, heading for the empty castle. Heading for a fight that would not take place.
„Huh,“ Annette whispered. „It seems Fate isn’t so invincible after all.“
Beside her, the Lich King was starting to weep, still clutching onto her hand and she let him, almost tasting his relief on her tongue as he cried like a child that had finally gotten found and led out of the dark.
*.*.*
Would you like to read more? Then head over to my patreon or ko-fi or give the masterpost a look! There are a lot of different short stories, maybe you'll find one you'll enjoy!
Thank you all again so much for your support, for all your kudos and reblogs and lovely tags and your memberships! It means the world to me and encourages me to keep going and write more!
For anyone wanting a book of my short stories, the Short Story Collection will be published in April! Preorders will open soon! Apologies for the silence and delay on that front.
Have a lovely time of day everyone!
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chiropterx · 6 months ago
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☕ - get coffee with, go out to dinner with, steal their food. (Eddie, Copperhead, Roman)
THREE (3) CHOICES
Send an emoji below + three (3) different characters / muses that my muse must pick from! Some choices are considered ns / fw
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Ouch, this was a tough one. Kirk chewed his lip apprehensively as he considered his options... Eddie wasn't so bad, he'd learned in time and had moved on from his past to become a better man. Now he was a detective, Edward was a changed man, but Kirk wasn't so sure about the other two. He'd heard... things about Roman Sionis, that he wasn't a very nice man and as for Copperhead, wasn't he a serial killer?
Not exactly company Kirk Langstrom was keen to rub shoulders with. He quite liked them being where they currently were.
"You know, that Roman Sionis... he's a business man, isn't he? I suppose... it couldn't hurt to go to dinner with him, maybe." Could the businessman be interested in looking into genetic cures? He might have the wealth to fund research but there'd have to be something in it for him, and Kirk wasn't so sure the man would be as approachable as Bruce Wayne if it even got as far as dinner. If he was rich though, it could be a nice meal at the very least. That left Copperhead, and Kirk was even less sure about the man than he ever was about Roman Sionis. He'd heard whispers that Copperhead wasn't even human but instead a monster, but... rumors were just that, weren't they? And hadn't he learned that Croc was a good man despite his intimidating appearance? Still, Kirk wasn't so sure what Copperhead even ate, if he was human or indeed different like Croc. Kirk frowned. No, he couldn't judge anybody else, not after what he'd done, what he'd become in his goal to cure deafness!
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"Maybe I'd get a coffee with this Copperhead fellow. Worst comes to worst, we could always get something else which means... I'd be stealing your food, Eddie. Sorry about that." Well he wasn't really sorry. Eddie seemed like the safest bet out of the bunch and besides, the man had good tastes. Kirk's stomach rumbled. Man, he was hungry just thinking about it-!
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zeldahime · 10 months ago
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Ineffable Wives in Ancient Greece! Based on a fanart! Smut and poetry! Includes a bibliography!
omg it’s FAN FICTION FRIDAY
Reblog and promote a fic of yours <3
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almondpiglet · 10 months ago
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ppl were drawing mikus from all over so heres habesha miku and her lil twin sibs rin and len!!
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beyourghost · 4 months ago
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and obviously you find yourself thinking oh i do wish i could get severed to do this one thing. would you actually maybe not. but you do wish you didn't have to undergo medical procedures you do wish you didn't have to do the things that give you anxiety you do wish you didn't have to do tedious tasks that barely even require you to be present for them. it's tempting. that's why the premise works. but the premise is also that somebody has to do it. somebody has to go to the dentist and somebody has to get on that plane and somebody has to write those thank you notes. just like somebody has to clean the house and somebody has to harvest the food you eat and somebody has to make the clothes you wear. you can't eliminate inconvenience you can only delegate it. you can't eliminate suffering you can only delegate it. and always the easiest way to live with this is to see that somebody as less than. less than you less than people. and if that somebody has to wear your body to do it well maybe it's not all that different. they're not a person. you are. it's capitalism all the way down baby
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crookedtines · 11 months ago
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I finally took the time to photograph my vintage dip pen nib collection, and I need to share with you all how wonderful and diverse their designs are.
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These two are my favorite. Just look at them! One of them is named Gorille and the other Mephisto, but to me they're little pumpkins.
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And of course you gotta love the Pinocchio nib. You get to write with the nose of a tiny guy! Just not something you get to do anymore.
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lgbtlunaverse · 2 years ago
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Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.
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spikedfearn · 20 days ago
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I Thee Bled
one-shot
Remmick x fem!reader
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Summary: On the eve of your arranged wedding, you flee into the woods with trembling hands and a bloodstained gown—only to slip a ring meant for another onto a graveyard root and wake something ancient beneath the soil. Remmick is not a man, not anymore, but he remembers how to be tender. Touch-starved and centuries dead, he offers you the one thing the living never did: choice. In a forest that breathes and remembers, where the dead dream and the moss learns your name, you find yourself questioning everything you left behind. After all, what is a monster—if not a man who waits for you? And what is love, if not something you’re willing to bleed for?
(or: A Corpse Bride au)
wc: 15.2k
a/n: thank you all so much for the overwhelming love and support you’ve shown my fics, it means the world to me!! I originally planned to release I Thee Bled on Monday to celebrate one month since Brittany Broski posted Mercy Made Flesh to her Insta story (!!!), but life had other plans, so she’s arriving fashionably late. This one’s especially close to my heart, and I want to dedicate it to the lovely Moga @somnolenthour, whose beautiful fanart for this fic when it was still just an idea (completely unprompted!!) lit a fire under me, this one’s for you <333 shout-out to my beta readers, starting with Liz who also came up with the title: @fuckoffbard @titaniasfairy @jaythewriter @anhelconhmuda @kkniveschau
warnings: Corpse Bride!au, gothic horror, supernatural romance, blood, vampirism, smut, oral sex (f!receiving), praise kink, dirty talk, creampie, touch-starved monster, monsterfucking, sub!remmick, ghost town setting, period-typical misogyny, vague Victorian era, Tim Burton aesthetics, mutual pining, tragic undertones, Remmick in his final monster form
likes, comments, and reblogs as always appreciated, please enjoy!!
Masterlist
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It was a quiet kind of death—to walk toward a future that never belonged to you.
The candlelight danced in its sconce like it too was afraid of the dark, throwing gold and shadow in uneven patterns across the walls of your bridal chamber. The air was heavy with the scent of crushed lilies—white, thick-stemmed, and already browning at the edges—as though the blooms themselves had second thoughts. A bridal veil hung limp from the mirror. You had not put it on.
You sat at the edge of the chaise, corseted to breathlessness, the bony ridges of your knuckles straining beneath the thin layers of skin from how hard you're clutching the ring.
Not your ring. Not yet. It was his—your would-be husband's—a man who smiled without his eyes and spoke of love like it was transactional. Whose name alone made your face pucker like you just smelled curdled milk. Mr. Langdon. So old your mother whispered “distinguished.” So cold the maids whispered other things when they thought you couldn’t hear.
Outside, the wind howled through the wrought iron balcony rails, shrill and wild like something mourning. You stood slowly, your bare feet silent against the marble floor, gown whispering around your ankles like the ghosts of every woman who’d gone quietly before you. The gown had been sewn for beauty, not for running. But you would run in it anyway.
You packed light, brought a white shawl and gloves to combat the chill. You brought the ring.
Not because you meant to keep it. Not because it held sentiment. It didn’t. It had no warmth, no story, no soul—just gold, cool and dull beneath your thumb. But it was worth something. Enough to pawn. Enough, maybe, to buy a train ticket. A meal. A room somewhere with a bed that didn’t come with a price pinned to your spine.
You told yourself that was why you kept it clenched in your fist as you slipped out the servants’ gate and into the dark. Not because it was his. Not because it had ever touched your skin. But because the world beyond your wedding had no place for a girl with nothing—and a gold ring, even one never worn, could be a lifeline.
Or a curse.
Fate hadn’t decided yet.
A band of simple gold, dull with fingerprint smudges, too loose for your thumb. You had not even worn it yet. It was handed to you this evening after supper, set beside a slice of blood-orange cake you hadn’t touched. “Keep it close, darling,” your mother had said, smoothing your hair as if you were already a corpse. “It will be yours come morning.”
You slipped it into your palm. And now it pulsed there like a secret.
The hallway outside your chamber creaked and groaned, the house settling into its evening sighs, and still you waited. You waited until the grandfather clock struck eleven, slow and solemn, each chime echoing like nails hammered into your future. Then—silently, so silently—you fled.
The woods did not wait to welcome you.
They swallowed.
The moment your slippered feet hit the dirt path behind the manor gates, the trees leaned in like they were listening, thick with Spanish moss and shadow. The moonlight fractured through their limbs, casting the path in broken, silver stripes. Your breath came out fast, clumsy, fogging in front of you as the night grew colder with every step, every frantic press forward into bramble and black.
The hem of your gown—once bone-white satin—darkened with mud. Then blood. A snag of thorns caught your ankle, sliced skin. You barely flinched. Pain felt like permission.
You weren’t sure where you were going.
Only that it has to be away.
You didn’t stop until your lungs burned and the trees had turned unfamiliar, too thick, too silent, the air tasting of copper and something older—stone, earth, iron. You collapsed against the base of a twisted tree, your gown a tangle of ripped silk and smeared petals, a bridal bloom gone to ruin.
The ring was still in your hand.
You looked at it—glared, really—angry at its weight, at the heft something so small contains. “To have and to hold…” you muttered under your breath, voice bitter, breathless, a mockery of a vow.
Your fingers fumbled blindly through the loam, sticky with sap and rainwater, until you found what you thought was a root. Something slender and pale rising from the earth like a bony finger.
You laughed, delirious. “Here,” you whispered, sliding the ring onto it. “Do you, strange tree, take me to be your lawfully wedded wife?”
The wind rose.
“I do.”
You reached out to steady yourself against the gnarled bark—but as your hand met the tree’s twisted surface, a sharp edge of wood caught the pad of your finger, snagging your bridal glove and the soft meat underneath. You hissed.
Blood welled—bright and living. It wobbled off your fingertip and fell. One drop. Then another. The red hit the base of the tree and sank into the soil like ink into paper. The bark beneath your palm felt warmer now. Almost…breathing.
Something moved. Beneath the dirt. Beneath you. You blinked. Sat up straighter. Listened.
Nothing.
Then—again.
A twitch. A shift. Like the earth itself was exhaling after a long silence. The root curled, moved, wrapped just slightly around your finger. Cold as the grave.
You yanked your hand back with a startled gasp. But it was too late. Blood had already spilled from your hand, sliced on bark or thorn or bone, and soaked into the black, thirsty soil. You watched it disappear.
The tree shuddered. Not in the breeze—there was no breeze anymore. The air had gone still, heavy as boiled milk, clinging to your throat, your hair, the space behind your knees. Your breath hitched. The birds had gone quiet. The crickets. The frogs. The world was listening.
And below you, the earth moaned.
A sound like old wood splitting. Like ribs breaking beneath dirt. Then, suddenly, a violent lurch—wet, sucking, earthly. The ground near the tree root cracked open, moss peeling back like flesh. You scrambled backwards on your palms, your gown tangling around your legs, but you couldn’t look away.
It didn’t feel like waking the dead. It felt like being watched by something that had never closed its eyes to begin with.
First came a hand.
Wide-palmed, thick-knuckled. Fingers unnaturally long, his nails cracked and gray and dirty, like shale. A gold ring gleamed faintly from the third finger. The wedding band you slid onto what you thought was a gnarled uproot.
Then the second, this one skeletal, stripped clean of flesh and muscle and tendon.
And finally, the rest of him.
He rose in pieces, as if gravity itself hadn’t yet decided whether to allow him back. His body pushed through layers of sod and clay and root like a memory that refused to stay buried. His shoulders were broad, shoulders that had once carried something heavy—tools, a body, a burden. One arm braced against the edge of the grave, veins bulging under pale, slick skin.
You saw the sweep of a dark, deep blue tuxedo, its fabric dulled by dirt and time, stitched with the memory of ceremony. The jacket clung to his shoulders unevenly, one side sagging low with centuries of damp, the lapels wrinkled and soil-smudged. Beneath it, a white collared button-up lay partially unbuttoned at the throat, the linen stained faintly at the seams.
A slightly lighter blue tie hung askew from his neck, knotted but loosened, the silk puckered where it had weathered through the grave. His trouser legs matched the tuxedo, tailored once, but now creased and grimy at the hem. Shoes to match—oxfords, maybe—scuffed to near ruin, soles coated in moss and wet earth.
He pulled himself from the dirt slowly, deliberately, like someone waking from a sleep they weren’t meant to return from—each breath thick in his throat, each movement dragging time behind it.
And his face—God, his face.
He was beautiful. In the way statues are beautiful. The way a ruin is beautiful. Pointed cheekbones beneath a mask of grave-filth. Mud in the seams of his short, messy brown hair, clinging in dark curls across his forehead. His mouth parted as he panted for breath he didn’t need, and you saw the right side of his jaw was ruined—torn open, exposing ribbons of raw muscle and the gleam of sharpened teeth. All of them sharp. Uneven. Crooked in places, silver-fanged and jagged like they weren’t made for a human mouth.
He drooled. Milky and thick, slow as syrup, threading from his teeth to the black soil.
His skin was a deep, post-mortem blue—something between bruised flesh and storm-lit sea, like teal left to darken in shadow. In the moonlight, with his veins just barely visible beneath the surface, it looked like cracked glass. His chest heaved. His head turned. And then—
He looked at you.
His eyes were wide as a frightened dog’s. But in the shadows, they shifted—black, almost red, glowing from somewhere behind the pupil like dying coals still clinging to that cherried spark.
He didn’t speak. He just…stared. Watched. Not like a stranger. Like someone trying to remember you. Like someone who knew you. Maybe before. Maybe in another life.
“Are—are you…” Your voice broke, shamefully small. You didn’t finish the question. Couldn't.
He swallowed, thickly. The sound was wet. And then—he smiled. Not cruel. Not ghoulish. Soft, tender.
“I knew ye’d come,” he said.
His voice came low and lilted, thick with the cadence of an Irish accent—rounded consonants, vowels pulled soft and long, a kind of music in his throat whether he meant it or not. The kind of voice made for stories. For lullabies. For oaths.
He took a single, stumbling step forward, mud pulling at his shoes, laced tight enough to keep the soil from suctioning them off his feet.
You couldn’t move.
“Ye put a ring on me hand,” he said again, gentle this time. Coaxing. He held up his fingers, all blood-caked and twitching, the wedding band glinting faintly beneath the filth, fractals of moonlight dancing off the polished gold, a stark contrast to the dirt and grime clinging to his skin. “And ye spoke a vow. That counts, don’t it?”
He tilted his head, like a curious animal. “Didn’t reckon ye’d be so bonnie.”
You should have run.
You knew that. Every part of you knew that. The sensible part. The terrified part. The part that still heard your mother’s voice whispering warnings about strange men, and worse things still, things that didn’t breathe right, didn’t die right.
But something rooted you.
Maybe it was the ring still snug around that pale, twitching finger. Maybe it was the way he looked at you. Like you were the first warm thing he’d seen in centuries.
He took another step forward. Then another. His oxfords left deep, sucking impressions in the soil, and his gait wasn’t quite right—like a marionette with its strings pulled too hard, or a man remembering how to be one. You flinched when he got too close, but he didn’t reach for you. Not yet. Just stood there, arms slack at his sides, mouth slightly open, that thread of spit still hanging from one fang like an afterthought.
His head dipped low, curls shadowing his brow, and when he spoke again, his voice was almost shy. Like he feared you might bolt.
“Was it the blood that roused me, then?” he asked, one brow raising slowly. Thoughtful. “Or the vow ye whispered?” He swallowed, working his jaw with a faint wince. “Might’ve been both. Hard to say.”
You blinked at him. Swallowed the lump that had risen hard and high in your throat. “Who…who are you?”
His smile faltered. Just a flicker. Not hurt—more like confusion.
“Don’t remember me, do ya?” His voice dropped low, almost tender. “But you called, lass. I heard ya—clear as day, so I answered.”
He tapped his skeletal palm against his chest, right over his sternum, his eyes round and brows raised in a puppy dog look, a pleading little tilt to his head like he's desperate for you to believe him.
“I felt you in here.”
You opened your mouth. No sound came out.
The man—the thing—before you cocked his head again, just slightly. His eyes were too soft for the rest of him, too warm. And the accent in his voice made everything worse, somehow. Made it gentle. Comforting. It stripped you of fear, piece by piece, until all that remained was the strange throb of something you didn’t understand.
“What’s your name?” you asked, finally.
His gaze lit up like the question pleased him. He didn’t answer right away. Just dragged a hand through his hair, leaving streaks of mud and grit and grave soil across his temple.
“I’ve been called a lot o’ names,” he said after a pause. “Some of ’em I earned. Some I didn’t. But the name I remember best is…” A thoughtful frown pulled at the less-damaged corner of his mouth.
“Remmick. That’s what me ma called me,” he said, almost shy now. “Back when the sky was still thick wi’ peat smoke and the land hadn’t yet learned the sound o’ English steel. When we carved prayers into stone ‘stead o’ paper, and the rivers boiled not from fire, but from the rage o’ gods long buried.”
He glanced at you then, as if expecting you not to understand. But you didn’t flinch, causing his smile to grow like a decaying flower that didn't know it was dead yet.
“Back when the forest had a name you weren’t meant to speak after dark,” he added, voice gone soft and faraway. “And folk still left cream out on the stoop, hopin’ to keep the hills quiet.”
You said nothing. You had no words.
He glanced down at himself as though just now noticing the state he was in. Fingers touched the torn lapel of his jacket before dusting the front off next. His nose wrinkled faintly, sheepish, eyes round and sorry.
“Would’ve cleaned meself up a bit had I known,” he said, glancin’ back up at you with a crooked smile. “But by Gods, ye caught me right in the middle of me dirt nap, didn’t ye?”
And then he laughed. A soft, broken sound. It wasn’t cruel. It wasn’t hollow. It was almost—sweet. You didn’t realize you’d taken a step back until your spine hit bark.
He noticed.
“No need to fear me, lass,” he said, quickly, voice pitching soft, hands raised just a little, his eyes bleeding red like a freshly weeping cut, “I won’t hurt ye. I wouldn’t.” His fingers curled back toward his chest again. “Not you.”
“Why me?” you asked, finally. “Why—why do you think I called you?”
His smile returned, slow and tender. He lifted his hand—the one with the ring, the one that was intended to collar you to Mr. Langdon before you turned tail and fled, looking sleek and shiny against grimy blue skin.
“’Cause ye put this on me finger,” he said. “Ye made a promise. A vow.”
You shook your head, your breath catching like a bird startled mid-flight, wings beating frantically in your throat. “It wasn’t real.”
“It was real enough for me.”
He looked down at the gold band, turned it with his thumb. “You bled for it, didn’t ye?” he murmured. “Spoke words into the trees. Placed a ring on a buried hand. That’s old magic, love. Older than graves. Older than the Gods above.”
His eyes flicked back to you—red blooming around the edges now like ink through water.
“Old magic don’t care whether you meant it.”
You didn’t know if it was the way he said love, like it meant something eternal…or if it was the silence of the woods, how they held their breath around him…but your world had suddenly been flipped upside down like you'd been living inside a snow globe and someone decided to just come along and shake it. All because you'd gotten cold feet. All because you couldn't bring yourself to walk down the aisle and wed a man who barely made your acquaintance prior to the arranged ceremony.
You recall last night in great detail, the last time you were alone with Mr. Langdon. It had been in your father’s study—dark-paneled, smelling of tobacco and power. He hadn’t touched you, not exactly. But his hand had rested too long on the curve of your shoulder, fingers splaying toward the top of your spine like he was trying to gauge how much pressure it would take to snap it.
“I prefer quiet girls,” he’d said with a smile that didn’t reach his shrewd eyes. “Ones who don’t ask so many questions. Obedience is a virtue, you know.”
You had smiled. You nodded. Because what else could you do?
He had leaned in close, breath stale with wine and something bitter, suppressing the reflexive urge to recoil, “After tomorrow, your body belongs to me. That’s what marriage is. Best you start getting used to the idea.”
You hadn’t answered. You’d gone to your room and vomited in the basin. And tonight? Tonight—you ran. You didn’t bring a bag. You didn’t bring a plan. You brought the ring.
And you brought the no you hadn’t dared speak aloud.
It’s only then that you start to notice—the world around you moves. Not with the subtle rhythm of wind or wildlife, but with a kind of strange, theatrical breath, like the forest is alive.
The tree behind you creaked like a yawning coffin, bark groaning against your spine as if waking from its own long sleep. Overhead, the moon hung too round, too large, almost theatrical in its glow—more paper lantern than celestial body. It cast light not white but a washed-out bluish silver, the kind that made every shadow look like it was up to something.
There were no clouds. The sky didn’t need them.
Instead, the forest itself began to shift—bending at the edges like a curtain drawing inward, branches twisting and stooping with exaggerated grace, their tips curling into crooked little hooks. The trees no longer stood tall and noble; they hunched and leaned like gossiping old women, knotted spines cracking as they bent to get a better look at you.
The leaves above clinked faintly like dry metal. One branch spiraled down and hovered beside your shoulder, like it was waiting for permission to touch you.
And still, Remmick didn’t seem to notice.
Or maybe he did.
Maybe he was used to it—the way the world rearranged itself around him, the way nature bowed and blinked and breathed differently wherever he walked.
Maybe he’d never known a forest that didn’t follow.
He took another step toward you.
He was close enough now that you could see where the flesh on his cheekbone pulsed faintly, still clinging to old life. Where blood had dried in a crooked path down his exposed jaw. Where some of his teeth weren’t perfectly sharp at all—some had chipped, split, yellowed in ways that proved he hadn’t always been what he was now. He had once been a man.
You stared. Not at the horror. At the detail.
His collar was unbuttoned. There was a ring of skin just below his throat that was somehow clean, as if protected by the chain that still hung there.
“You’re real,” you breathed, as much to yourself as to him.
He smiled again. Small, head bowed slightly. Like the thought embarrassed him.
“Aye,” he said. “At least I was.”
Your heart skipped. The accent curled around that last word—was—turning it melancholic and soft. He sounded deeply lonely in a way that didn’t scream or shudder, but bled slow and quiet—like a candle left to burn itself out in a chapel no one prayed in anymore.
You didn’t realize your hand had risen until he caught it. His grip wasn’t strong. In fact, it was hesitant. Loose. Like he feared you might flinch, and he was giving you time to do it. To reject it.
You didn’t.
His thumb dragged over the small wound on your finger where your glove was torn. The one you’d cut on the tree. Your blood had dried there, rust-colored and still.
“’S’what woke me,” he murmured. “This wee thing.”
You tried to speak, but the words tumbled over each other, panic and fascination tangled in your throat. “What are you?”
Remmick looked up at you, then down at your hand in his. He didn’t let go.
“I was a man once,” he said. “Before they put me in the ground like a secret.”
There was no anger in his voice. No grief. Just barebones honesty.
“I remember cold,” he continued. “I remember bein’ bound.” His brows drew together. “I remember hunger.”
You swallowed.
His head tilted slightly again. “But now I remember you.”
You opened your mouth to deny it, to tell him he was wrong, that you weren’t anyone, that this was all a mistake. That you weren’t his. That you weren’t meant to be anything.
But the woods behind you had gone too still. And he was staring at you with a gaze so tender it made your stomach twist.
“Ye came in white,” he said, voice softer now. “Like a bride. Ye gave blood. Ye spoke vow.” He brushed a skeletal knuckle to your chin with aching slowness, the bone surprisingly soft, “don’t reckon the veil’s far behind.”
The branches rustled above, though there was still no wind. You realized the forest wasn’t closing in. It was gathering.
And Remmick…he was looking at you like he was home.
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It was no longer night in the way night should be.
Time moved differently now. The sky above bled grey and silver and rust, but the moon never shifted from its throne behind the trees. The light stayed fixed in place, like the forest had slipped sideways into some pocket behind the world. Hours passed like fog. You slept, but never fully. You walked, but your feet left no prints.
And Remmick—Remmick stayed near.
Not hovering. Not leering. Just there, always just far enough not to crowd you, yet always within reach, like the forest had redrawn its laws to keep him at your side. Like you were its axis now.
You thought of Langdon.
Of his voice—measured, polished, practiced. The kind of voice that never raised itself above a certain register, as though passion was unsightly. He had a way of looking at you that always felt more like study than affection. Like you were something to be assessed, not adored. His fingers, when they grazed yours, were cold from gloves and colder still beneath them. Everything about him had been lacquered to a shine: his shoes, his manners, his hollow future he spoke of with such sterile pride.
You remembered one night, not long ago, when you’d dined together at his family estate. A private supper. Three courses. Too many forks. You’d asked him if he liked poetry.
He blinked. Set down his wine glass. “I tolerate it,” he said. “In women.”
That had been it.
No questions in return. No warmth. No wanting.
You’d spent the rest of the meal smiling at your plate, wondering if it would be considered madness to simply climb out the window and run.
And now—here.
Now, you were with a man who’d crawled out of the earth, with dried blood under his nails and a ruined jaw, and somehow he made you feel safer than any lace-draped parlor ever had. Remmick, who flinched when he touched your skin like you were the sacred thing. Remmick, who didn’t ask you to perform, or flatter, or prove anything—who simply stayed close because he wanted to be near.
He was a walking corpse.
And he seemed more human than Mr. Langdon had ever been.
Remmick spoke in murmurs. Half-conversations.
“My folk used to call this part the belly,” he said, gesturing toward a clearing that bloomed only with pale fungi and white moss. “Said the trees grew too thick with memory. Said it weren’t safe for the livin’.”
You stepped forward slowly, the hem of your gown brushing through the hush of strange underbrush. The clearing pulsed in stillness, like something held its breath just beneath the surface.
The fungi were long-necked and ghostly, some capped in translucent bells, others curled like fingers mid-spasm. They glowed faintly in the dark—not enough to see by, but enough to feel seen.
Overhead, the trees now leaned inward with impossible arches. Their bark smooth and gray as drowned bone, and where knots should’ve been were instead hollowed faces, soft and suggestive, as though the trunks had grown around someone who once leaned too long against them. One of the branches creaked in a slow, pendulum sway, even though there was no wind.
You tilted your head. The white moss underfoot looked soft, inviting—until you noticed it wasn’t growing in any natural pattern. It coiled in tight spirals, some large enough to circle your slippered feet, others small and delicate as lacework.
When you asked what he meant, what memory had to do with the trees, he only gave a crooked smile and pointed at your feet.
You looked down. The moss had formed perfect circles beneath your heels.
Spirals.
“See?” he said. “She’s already learnin’ you.”
And sure enough, even as you stood there, the spiral beneath you shifted. Just slightly. Not like a plant reacting to pressure, but something alive—tracing the shape of your sole, marking your weight, remembering the heat of your blood. It liked you.
Or worse—it recognized you.
He never called the place a graveyard. He called it “the kept.”
You first saw them while following a worn path between black pines—stones laid flat into the dirt, unmarked, sunk deep with age. You almost stepped on one before he reached out and caught your wrist, not harshly—just quick.
“Aye, mind where ye tread,” he said, voice gentle, Irish vowels lilting around the warning. “They don’t take kindly to bein’ disturbed.”
You stared at the stone. And then you realized it was moving. Not rising. Not moaning. But the soil above it—it breathed.
You took a step back, heart climbing into your throat.
“They don’t wake unless they’re called,” Remmick said softly. “But they listen.”
Far off, from a hollow deeper in the woods, a chime echoed. High and delicate, like a piano key played underwater. Another answered, lower, more metallic. You didn’t see the source, but you could feel them vibrating in your bones. And yet it didn’t frighten you.
He never told you how he died. You tried to ask. More than once.
The first time, he looked away. The second, he closed his mouth mid-sentence and didn’t speak for a full hour. Not angry. Never angry. Just—withdrawn. The third, he reached up and touched the ruined side of his jaw, as if he’d forgotten it was there.
Then he whispered, “Not yet,” and nothing more. You didn’t press.
Some things, you could feel, were kept buried by more than soil.
It was on the fifth day—if you trusted your own body’s clock—that you tried to leave.
You didn’t make a show of it. You waited until Remmick went still beneath the shade of a hollow tree, head tipped back, eyes closed like he was listening to something beyond your hearing. You crept away quietly. You didn’t look back.
You hadn’t meant to stay that long. You told yourself it was only curiosity, only caution, only until you understood what he was. But the forest had begun to feel too quiet in the right places. Remmick had begun to speak too softly, like a prayer meant only for you. And that was precisely the problem. He was too gentle. Too kind. Too patient.
You weren’t supposed to like any of this—weren’t supposed to be lulled by a dead man’s voice or find comfort in a world where bones lined bird nests and laughter came from unseen mouths. You ran not because you feared him. You ran because, terrifyingly, you didn’t.
At first, the trees parted for you. The path unfolded.
You ran.
You didn’t cry. You didn’t call his name. You just ran. But the forest…it shifted.
The branches overhead grew too low, too tangled. Vines curled beneath your feet like hands reaching out to stop you. A bramble reached out like a whip and slashed across your collarbone, slicing clean through the dress, nicking your skin just enough for blood to bead along the uneven seam of your cut. Still, you kept going.
Until you hit it.
The edge.
It wasn’t a wall—not exactly. It was air. Thick, humming, wrong. The veil between life and death. When you stepped into it, your skin felt like it peeled. Your lungs refused to fill. The world blurred and bent at the corners like warped glass.
You stumbled back, coughing. Gasping. Remmick was there. Not chasing. Not angry. Just there.
He caught you around the middle before your knees buckled, arms strong but careful, like you were made of spun sugar and he was afraid you'd shatter.
“Sshh, now,” he whispered, curling you to his chest, soothing, the brush of his lips, the bloodied network of muscle fiber and tendons woven through his jaw pressed to the side of yours, wet and textured, “easy, easy, you’re alright.”
“I—I had to try,” you managed, fingers curling into the lapels of his jacket. “I didn’t want to stay. I didn’t mean to—I can't stay.”
“Shhh,” he soothed again. “I know.”
You felt him exhale into your hair. Slow. Shaky.
“I know wee bride,” he murmured, the accent softening everything it touched. “But she don’t open the same way twice. Not once she’s taken a name.”
You pressed your forehead into his shoulder, trembling. And for the first time—you wondered. Not how you got here. Not how to undo it.
But if you even should.
You thought of Langdon. Of his thin lips, the contracts, the expectations. Of your mother, her quiet threats tucked into lace gloves. Of the veil that felt more like a burial shroud than a blessing.
And then you thought of the way Remmick had caught you—like a man catching the last soft thing left in the world.
Later—how much later, you couldn’t say—you sat with him in the moss-ringed clearing where the mushrooms bloomed like broken teeth, soft and damp and glowing faintly blue at their tips. The forest had gone quiet again, but not heavy this time. Not watching. It simply…was.
Remmick had taken to lying on his side, propped on one elbow, his ruined jaw turned slightly from view, though you were never sure if it was for your comfort or his.
His fingertips brushed through the withered stems, and chose one near the base of a crooked stone. It was long-dead, crumpled and brittle at the edges, the color all but drained. He held it up between thumb and forefinger, and as he rolled the stem, you watched something shift. The petals darkened—deepened—like blood soaking back into flesh. It bloomed, slow and unnatural, into the shape of a dried red rose. Not living, not quite—but remembering life. Like something dressed for mourning.
“These only grow where the veil’s thin,” he said quiet-like, voice laced with that low, lilting Irish bend. “Where things slip in and out. Couldn’t say for certain which side they’re meant for, if I’m honest.”
You didn’t reply. You just looked at him.
There was dirt under his nails. sediment clinging to his collarbone. His oxfords were still caked in grave mud, but he hadn’t touched you with anything other than gentleness.
Your voice felt small when you spoke. “Why did you wait?”
Remmick blinked slowly. His fingers stilled.
You clarified before he could pretend not to understand. “All this time. You said you felt me. But you were already down there, weren’t you? In the earth. Waiting for someone to call you back. Why?”
He didn’t answer right away. Didn’t shift. Didn’t look at you. And just when you were sure he wouldn’t speak—he did.
“I didn’t know I was waitin’,” he said, voice gone low, just a touch rough. “Not truly. Time goes quiet when you’re laid under like that. Y’don’t count the years. Some days, y’don’t even remember your own name.”
He looked at the sky through the trees.
“Sometimes I’d dream o’ faces. Yours, maybe. Or someone who looked like ye. Sometimes I’d think I heard someone weepin’. I’d think, was it me?”
You felt your chest tighten. Remmick smiled again, faint and lopsided, like a man recalling a song he hadn’t sung in years.
“But when I felt ye, I knew. I knew it weren’t just hunger or ghosts or wind. I knew it was real. Ye bled for me. Ye called for me.” He glanced over. “No one’s ever done that before.”
You stared at him. At his hands, broad and veined. At the faded chain around his throat. At the ring you’d slipped, thoughtlessly, onto the hand of a tree like a promise.
A tree that had promised back.
“I didn’t know what I was doing,” you said.
“I don’t care.”
You swallowed.
He said it without venom. Without accusation. Just—resolute. And maybe something softer curling underneath. He rolled onto his back, the moss giving way beneath him like a cradle.
“I’d have waited another thousand years for that drop of blood,” he said, quiet now. “Another thousand after that just to hear your voice say I do.”
You turned away. Not because you didn’t believe him. But because some part of you did. And it made your throat ache.
Your gaze drifted to the edge of the clearing, where the trees stood thick and close.
“Will it ever open again?” you asked. “The forest.”
Remmick didn’t move. “Aye. Someday. When she’s good and ready.”
“And if I’m not here when it does?”
He was quiet for a beat too long. Then:
“Then I’ll follow.”
That made you look back. He didn’t smile this time.
“I’d walk through fire to find you, wee bride.”
His voice was still Irish—but there was something else behind it now. Something old. Ancient. Something so sure of its longing it didn’t need to shout. It just was.
You realized, in that moment, how terribly lonely he must’ve been. How quiet his world had become. How loud your heartbeat must be to him now.
And how warm you still were.
He asked if you wanted to see the rest.
Didn’t demand. Didn’t lead without waiting. Just…offered.
With a hand half-outstretched and those eyes still puppy-wide, still lit like you were a miracle he was afraid to touch too quickly, lest you vanish into smoke.
You hesitated. But not long.
The forest parted for you both this time. Not like it had when you tried to run. Now it was more like—inviting. The way a house might creak its doors open when it recognizes one of its own.
You slipped your hand into his, the one that still wore flesh. His fingers were cold, yes—but not corpse-cold. Not the kind that bit. His hand was rough in places, as though he’d lived long enough to carry calluses even through death. His thumb flexed gently along your knuckles, testing. Not possessive. Just…checking.
Reassuring himself you were real.
He showed you the orchard first. Or what was left of it.
A grove of trees that no longer bore fruit, only ribbons—hundreds, thousands of them, hanging from the branches like wilted party streamers. Blue, white, ivory, pale lilac. Some patterned, some torn, some fraying from centuries of wind.
You reached up and touched one.
“They’re wishes,” Remmick said, voice softer than ever, his breath beside your cheek. “Made by the dead. Before they were buried.”
You turned to him.
“But they never came true?”
His expression shifted—fond, wistful.
“Some did. Some didn’t. Doesn’t matter.” He touched the ribbon nearest to him, the pad of his thumb brushing its edge. “It’s the hoping that counts, innit?”
You said nothing. The breeze moved the orchard like a lullaby.
Further in, he showed you a town of sorts.
Carved into the side of a crumbling cliff where the rock split into ribs and the stone seemed to breathe, the little village clung to the earth like a half-forgotten secret.
The houses were squat mudstone cottages, weathered and slouched, their chimney pots crooked like snapped fingers. Moss crept up their sides in thick velvety bands, swallowing old lanterns, window frames, and entire doorsteps. Windowpanes blinked with eyes pressed from the inside.
The doors were low and arched, some made of driftwood painted in peeling funeral hues—deep violet, waxy blue, iron black. A few homes had teacups balanced on their roofs. Others had shingles shaped like fingernails or pressed flowers. Bones hung from strings between rafters, clacking gently in the hush, arranged like wind chimes or family crests, each one carved or etched with little initials, or painted with the ash of something you couldn’t name.
A skeletal cat darted past your ankles, all jangling vertebrae and twitching tailbone, its paws clicking faintly against the cobbled path. Its jaw hung open in a rictus grin. You didn’t scream. It looked up at you once—empty sockets glittering faintly—and carried on.
And then the town began to move.
A shutter creaked open. A door whined on its hinges. A hatless man with no lower jaw swept the stoop of what looked to be a bakery, the scent of charred sugar and burnt cinnamon floating faintly from within. He nodded at you politely, bits of soot falling from the collar of his shirt, and kept sweeping. Further down the lane, a trio of old women sat in rocking chairs that had been nailed directly into the wall of a house—sideways, five feet off the ground—and knitted with thread made of silver hair. One of them had no eyes. The second had too many. The third winked at you with a socket.
“Don’t mind them,” Remmick murmured. “They been there long as I can remember. Like to keep to themselves.”
He led you past a crooked fountain that spewed a slow, syrupy trickle of black water, and through a crooked square strung with dim, blue lanterns that hung from lengths of discolored intestine braided like ribbon. In the center was a music box the size of a carriage, its brass bell warped and dented, still playing a waltz you could swear you remembered hearing in a dream long ago. No one danced to it—but some of them swayed.
There was a tailor’s shop with mannequins made of stitched skin and bent spoons. A chapel whose bell tower rang without sound. A bar, glowing faintly green from the inside, where shadows moved across the windows though the glass had long since clouded over with frost from the wrong side. A child floated by without legs, giggling into a jar that held a swarm of candleflies. You saw a man with a flowerpot for a head watering it with tea. A woman selling buttons shaped like teeth.
This was not a place that mourned death.
This was a place that remembered it, wore it, built tea tables from it.
Remmick led you down a sloping path toward a cottage built halfway into the stone, the door crooked, the curtains made of faded funeral veils.
“This was mine,” he said, his voice almost sheepish. He toed at the dust near the doorstep, head ducked slightly.
“When?” you asked.
He smiled faintly, lifting a shoulder. “When the veil was thinner. When the dead and the livin’ shared more than just memory.”
He said it like someone recalling the smell of something they’d never taste again. Like someone who’d tried, once, to live after he’d been buried.
You looked around you.
The town wasn’t decayed. It was…rearranged. It had rules you didn’t yet understand. Gravity worked only where it felt like it. The dead did not walk in straight lines. Some glided. Some bounced. Some stitched themselves together fresh each morning and wandered about humming.
And the strangest thing of all?
You didn’t feel afraid.
Not in the way you should have. Not even when you turned around and the fountain had grown teeth. Not even when a man tipped his hat and his entire scalp followed. Not even when a door sighed open with a voice like your own and whispered, Stay.
Remmick was beside you, his body casting a shadow even here, where most things didn’t. He looked at you not like you were lost—
But like you were home.
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That night—you still called it night, even though the moon hadn’t moved—he brought you to a bridge.
It spanned over nothing. No river. No ravine. Just a stretch of fog and sky. A ghost bridge.
You sat beside him at the edge, your legs dangling off as if you could fall somewhere, though you knew you wouldn’t. He sat close. Close enough that your shoulder brushed his.
He didn’t move away.
“Used to dream o’ this,” he admitted, after a long silence. “Not the forest. Not the dirt. Not the blood.”
He looked over at you, slowly.
“Just this. You. Here.”
You couldn’t answer. Your throat ached again.
His voice dropped, deep in his chest, accent thick with emotion he couldn’t hide. “Haven’t been touched since they put me down.”
The confession wasn’t vulgar. Wasn’t even pleading. It was starved. He smiled, crooked and small. “Can’t remember the last time someone just…looked at me. Like I wasn’t somethin’ to be feared.”
He didn’t touch you again, not even your hand.
He didn’t need to.
Your fingers brushed his pinky. Slowly. Once.
And his breath hitched so sharp you felt it in your bones.
By the next day—if you could still call it that—you weren’t watching the sky anymore. Weren’t thinking about what the world looked like outside these woods.
You walked the paths beside him. You listened to the hush of wind that sang like violins through cracked branches. You let him point out where the ghost-lanterns grew, little flowers with glass bell-heads that chimed when you passed them. You started remembering the feel of his shoulder bumping yours and missing it when it wasn’t there.
And you started to wonder.
Would it really be so terrible if you stayed?
You asked yourself that once. Then again. Then again.
At first it was just a whisper behind your ear. A suggestion. But now it nestled behind your ribs. Grew there. Took root.
Because you remembered Langdon, didn’t you?
You remembered his hand on your waist at supper, always too firm, like you were something to steer. You remembered how he spoke over you in every conversation, like a man correcting a child he hadn’t bothered to raise. You remembered how the ring—his ring—had been handed to you by someone else. No kneeling. No asking. Just expectation.
You remembered the way his lips never curled unless he was closing a deal.
And then there was Remmick.
Who asked if you wanted to see the rest. Who offered you his hand like it might be too much. Who waited every time you hesitated, and looked like it hurt him to do so.
He smiled with his whole mouth—ruined and all. He grinned when you laughed, even if he didn’t understand why. He softened around you like someone desperate to remember warmth. Every time he brushed against you, it wasn’t accidental. It was careful. Measured. Hopeful.
He looked at you like he was still not sure he deserved to.
You sat on the bridge again. Together.
Remmick had his hands in his lap, thumbs tracing nervous circles against each other. Every now and then, he’d glance at you. Say nothing. Then glance again.
You finally looked back.
“What is it?” you asked.
He startled slightly, sheepish. “Ah—nothin’. I just…”
His jaw clicked when he closed his mouth, then tried again.
“Ye don’t wear nothin’ on your finger,” he murmured.
Your breath caught. “Remmick—”
“No, no, love, I didn’t mean it like that,” he said quickly, huffing a laugh with no sound. “I know ye didn’t mean what ye said under the tree. I know ye weren’t…ye weren’t askin’ for all this.”
He paused, eyes dropping to the ring still on his own hand, the one you'd given him. “I just thought,” he added, quieter now, “maybe it’d feel a little less lopsided, is all.”
You didn’t know what to say. But your silence wasn’t rejection.
He must have felt that, because something flickered behind his eyes. He turned his palm over, and reached into the inside pocket of his coat. From it, he drew something strange.
A spool of hair, spun fine as thread—white and silvery-blue, like spider silk in moonlight. A broken thorn. A sliver of bone, no longer than a sewing needle. And the petal of one of those ghost-lantern flowers, shriveled but still glowing faintly at the edges.
He looked at you. Not for permission, exactly. Just to be sure you were still there.
Then he began.
He wrapped the hair into a loop, whispered to it in a language you didn’t understand—soft, low, rhythmic, like a lullaby hummed through soil. The thorn pierced the bone. The petal melted as it touched the band, fusing everything together in a slow flicker of light. It wasn’t magic like fireworks. It was quieter than that. Sadder. But it was real.
When it cooled, it had taken shape.
A ring. Fragile-looking, but solid. Matte white, like pearl gone to sleep. Veined faintly in red.
He offered it, resting on the flat of his palm like an offering. You looked at it. Then at him.
“It’s not a bindin’ spell,” he said softly. “I’d never do that to ye. It’s just a…a mark. That ye’ve been seen. That someone loved ye enough to make it.”
Your breath caught. You reached out, fingers trembling, and took the ring. And when you slipped it on—
The forest sighed.
Branches curled in. Flowers blinked open. The bridge beneath your feet thrummed like a harp string plucked once, gently.
And Remmick—Remmick made the smallest sound.
A choked inhale. Then, in a voice so soft it broke your heart:
“Ye look like someone worth waitin’ for.”
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You don't remember dozing off.
But you did—still sitting beside him on the bridge, the soft weight of the ghost-ring warming your finger, his presence beside you steady as the moon that never shifted in the sky.
And when you woke, he was gone.
You startled upright, heart lurching. Your hand flew to the ring first—still there. Then to the edge of the bridge—still solid. The air felt heavier. Scented with something faint and iron-rich.
You called his name.
No answer.
Not at first.
You stood, blinking the fog from your lashes—and that’s when you saw it.
Laid carefully across the planks of the bridge, stretching in a line from your feet to the treeline beyond, was a trail of dead butterflies.
Hundreds of them. Each one perfectly intact, wings folded like prayer hands. Black as pitch with veins of crimson. Their bodies still. Sleeping. Dreaming. Waiting.
You followed.
Each step brought a rustle beneath your slippers, the softest stir of powder-dust wings. And up ahead—beneath the crooked trees that hung low like eaves—there he stood.
Remmick.
He had one hand behind his back, and his head tipped, sheepish as ever, like he’d been caught with something sinful in his pocket.
“Didn’t mean t’worry ye,” he said, voice soft.
You looked at the butterflies. Then back at him.
“What…is this?”
His smile wobbled.
“A bit of foolishness, maybe. Or maybe not.” He stepped forward, still holding whatever it was behind his back. “Back where I’m from… when we had no coin, no land, no dowry to offer—only things we’d taken from the earth—we’d still find a way t’make a gift.”
He stepped closer.
“An’ the most prized thing a man could offer…” He brought his hand forward.
In it, he held a locket.
But not gold. Not silver. It was made of bone, carved smooth and rounded into the shape of a heart. Not anatomically perfect—no, it was whimsical and off, a little uneven, the way a child might draw one. Etched into the surface were little spiral markings—like the moss had made beneath your heels that first day.
He opened it.
Inside was a pressed bluebell, perfectly preserved, its color dimmed to twilight. Across from it was a single moth’s wing, paper-thin and gleaming dully like wet stone—its veins iridescent, its edge slightly frayed. It shimmered like dusk and felt like a secret, as if it had been plucked from some dream before it could end.
Remmick didn’t explain right away. He only watched you open it, watched your thumb trace the curve of the petals, the fragile line of the wing. When he did speak, his voice had gone quieter, almost reverent.
“Th’bluebell,” he said, “they grow o’er graves where the dead were loved. Not all graves. Just the ones where someone wept hard enough t’water the earth.”
Your fingers stilled.
"And the wing?" you asked.
He hesitated. His eyes—those soft, wolf-sad things—lowered.
“She followed me once,” he said. “When I had no body. When I weren’t really a man at all. She’d land on me shoulder. Wouldn’t leave. Thought maybe she’d carry me soul somewhere if it ever got light enough.”
His smile came crooked. “She never did. But…I kept her. Just in case.”
You looked down at the locket again. At the love tucked carefully inside it—not gaudy, not gold, not spoken in flowers or poems, but in grief. In memory. In quiet things that didn’t ask for attention, only to be kept.
That was how he loved, you realized. Not loudly. Not demanding.
But devoutly.
With mourning in his blood and hope in his teeth. And you, wearing that little bone heart, felt something ancient stir beneath your ribs. Like maybe you'd been waiting for this place—this grave-bound man—just as much as he'd been waiting for you.
You blinked. Then laughed. It startled even you, the sound of it. But he didn’t flinch. Just watched, like you’d handed him the sun.
“I know it’s not what you’re used to,” he said, scratching the back of his neck, that left side of his face pulling with a skeletal twitch where the wound exposed too much. “But I’d like you to have it. If you want it.”
You took it with both hands.The weight of it pressed into your palms like a heartbeat. You looked at him.
At his eyes—those wide, sorrowful things that glowed only faintly red now, not from hunger, but hope. At the way he didn’t reach for you, didn’t presume. Just stood still. Waiting.
You reached up. Tied the chain around your neck. It settled just above your collarbone. Close to your throat. Close to where he watched your pulse.
When your hand brushed his chest after—just lightly, just shyly—he let out the breath he’d been holding like it was his last. That was the moment you knew.
Not the rose. Not the bridge. Not the ribbon orchard. Not even the ring.
This.
This strange, mournful creature who had carved you a heart from the bones of the dead. Who watched you like you were worth every moment of his waiting. Who asked for nothing except to love you.
And you thought—
I feel more alive here, in this place of ghosts and ghouls and goblins than I ever did among the living.
You didn’t say it. But you didn’t have to. Because the forest heard you.
And so did he.
You held the locket in your palm long after it cooled, long after the weight of his gaze had eased—but not faded. He didn’t speak again. Only watched you with that tremble behind his smile, like he was scared his own heart might make too much noise and scare you off.
You looked at him. Really looked.
The sharp, wolfish teeth. The wound yawning over the right side of his jaw, red-veined and lipless but somehow not grotesque—just raw, unhealed, honest. The way his suit jacket hung slightly crooked over his frame. The moss in his hair from when he’d laid down in the grove beside you and listened to your voice like it was music. The wedding band still on his finger, slightly dirty with time passing but not with meaning.
You thought of the bluebell. Of the moth wing. Of all the things buried. And you asked, gently, “you never did get to kiss your bride, did you?”
He blinked. His breath caught like a match about to light. “No,” he said, slowly, voice cracking around the edges, thick with barely restrained emotion. “Never did.”
You stepped closer. Bare feet brushing bone-white moss, slippers silent as ghosts. The town behind you stirred like something dreaming—warm, moon-drowsy lamplight spilling from crooked windows. A cart creaked past on rusted wheels, pulled by a skeletal mule with eyes like glow-worms. Somewhere overhead, a thousand paper bats took flight from the belfry, flapping on stringy wings like dying leaves.
You lifted your hand.
Touched his face—gently, gently—cupping the uninjured side, but letting your thumb rest just at the edge of that ruined jaw. He didn’t flinch. He didn’t lean in.
He just…stood there. As if he was scared his own desire might shatter him.
“Then kiss her now,” you whispered. “She’s right here.”
Remmick’s eyes burned. Not metaphorically. Literally.
A ring of red swallowed his dark gaze—glowing like coals in a hearth that hadn’t felt breath in years. His lips parted, a tiny whimper caught between them. His hand twitched at his side, then lifted—hovering over your waist, then pulling back, trembling.
“I—” he choked. “Tell me if y’don’t want it. I’ll wait, I swear, just—just say it, an’ I’ll wait ‘til the grave grows cold.”
You didn’t answer.
You kissed him.
It wasn’t graceful. It wasn’t chaste. It was raw and starved and aching. His hand finally landed on your back, gripping your gown in a fist like it was the only thing tethering him to the world. His mouth was cold—unnaturally so—but the longer it moved against yours, the warmer it got, like you were coaxing heat back into him.
He whimpered into you.
That sound—ragged and small—was almost too much.
His other hand found your cheek. Not greedy. Just reverent. Like he couldn’t believe you were solid under his fingertips.
And all around you, the forest bloomed.
Not with roses or lilies—but with boneflowers and glowing toadstools, with lantern-bugs that lit the air like constellations. Wind chimes made from ribs began to sing, and the belltower rang once, a low, humming note that quivered like a heartbeat.
You didn’t want to pull away.
Not because it was perfect. But because it wasn’t. Because it was messy and trembling and stitched together from grief and longing and the quiet, sacred madness of being wanted exactly as you were.
When you finally parted, his forehead dropped to yours.
“Christ above,” he whispered, voice gone soft and accented and wet with disbelief, “Ye taste like warmth. Like bloody spring after a thousand years o’ frost.”
You smiled.
Because for the first time in your life, you believed someone meant it.
His forehead rested against yours, breath shaky and uneven as if he’d forgotten how to need anything until now.
The world around you hummed in its stillness. Lantern-light flickered like breath behind gauze. Something in the cliffs sighed—the sound of wind moving through the hollow spaces of a place not meant for the living. The scent of old parchment and smoke-moss clung to the air. The boneflowers glowed dimmer now, like candles burned low in anticipation.
Remmick’s hand still cradled your cheek, reverent as a benediction. His thumb moved once, a trembling stroke along your jaw.
You looked at him. Really looked. The way his lashes fluttered like he couldn’t hold your gaze too long. The way his lips—wet, bitten, parted—trembled just slightly even though he’d stopped kissing you. He looked stunned. Like a man waking from a century-long dream and realizing heaven hadn’t been a lie after all.
You pressed your hand over the one still clutching your back.
And you asked, very softly, “Is there somewhere we can go?”
He blinked. “Go?”
Your thumb brushed his wrist.
“Somewhere private,” you said. “Somewhere we can be alone.”
You let the weight of your meaning hang there, open. Raw.
His eyes—still rimmed in that glowing red, still almost black where the light didn’t touch—widened just slightly.
He didn’t speak right away.
Then: “Y—ye mean…”
You nodded.
He let out a breath that wasn’t a laugh, wasn’t a sob, but something caught in the middle. His jaw flexed, the muscles around the torn part twitching as if it ached to smile and didn’t remember how.
“Aye,” he said at last, breathless. “Aye, I—Christ. C’ourse there is.”
You followed him through the quiet town, through paths lined with broken gravestones and wrought-iron gates wrapped in black ivy. The skeletal mule lifted its head as you passed, but didn’t move. The sky flickered between colors that didn’t exist aboveground—indigo, absinthe green, deep plum, midnight rust.
The house he led you to was small, crooked, nestled between two weeping trees. Its windows were frosted over from the inside, but lanterns glowed behind them—soft and inviting, not gold but something bluer, like the edge of candlelight seen through tears.
He opened the door and held it for you, eyes not leaving your face even once.
And when you stepped inside, the house breathed around you.
Like it had been waiting too.
The moment you stepped inside, the door shut behind you with a hush like a drawn curtain. No click. No finality. Just the sound of something sealing the world away—just the two of you now, cocooned in this crooked little house where time didn’t dare intrude.
It was warm, impossibly so. Not with fire, but with memory.
Lanterns floated untethered above the room, bobbing gently like sleeping fireflies in glass cages. Their glow was the color of old violets pressed between pages—dim, wistful, soft. A chair sat crooked beside a hearth with no fire, its frame carved with sigils too old to name. The walls were mismatched wood and stone, patched in places with stained-glass panels that bled moody light across the floor. Dust danced in the air like confetti made from ash and pearl.
And across the room stood a bed.
Not some pristine matrimonial thing. No, this was older. Lovingly worn. A frame of twisted wrought iron and bone-white wood, headboard etched with curling ivy and crescent moons. The sheets were moth-gray and velvet-soft, tucked in neat but frayed at the edges like they'd been waiting for years—centuries—to be touched again.
Remmick lingered behind you, his presence like a shadow you didn’t want to outrun. He hadn’t stepped closer yet. He was giving you space. But you could feel the way he vibrated with restraint. His hand hovered just inches from your back, like he couldn’t trust himself to touch without unraveling.
“If ye…” he began, and his voice cracked down the middle. He cleared his throat, tried again. “If ye’ve changed yer mind, just say the word. I’ll not take a thing ye don’t want to give, not even a breath.”
You turned to face him.
There was nothing hungry in his stance. Not yet. Just reverence. Just awe. But something in you had already begun to ache with want.
You stepped closer, silent as snowfall, until your fingers found the button of his collar. He startled at the contact—but didn’t stop you.
“I’m not scared of you,” you said, voice hushed. “I want this.”
You slid off the suit jacket, palms skimming the broad expanse of his shoulders, Remmick's lashes fluttering in response. Underneath, you found a pair of suspenders stretched taut over his chest, creating wrinkles in the fabric of his collared dress shirt.
You undid the top button. He didn’t move. Then Another.
His throat worked around a swallow, breath trembling. The glow in his eyes flickered, pulsing, softening. Like it responded to your touch.
Another.
You watched his chest rise and fall, slow and shallow as he tried not to pant. As if the sheer fact of you, undressing him—not in horror, not with trembling hands, but deliberately—was too much.
Another.
You laid your palms flat against his chest now, pushing the shirt from his shoulders. The white wife beater underneath clung to him, threadbare and soft, stretched over his broad frame. He was muscular in that quiet, devastating way—someone who’d labored long past death. His chest heaved with breath he didn’t need.
He hadn’t stopped watching your face.
Not once.
“I dunno if I remember how to do this slow,” he murmured, voice hitching on every word. “I’m too far gone for gentle if ye ask me to take too much control.”
You smiled, cupping the side of his neck. The unbroken one.
“Then let me.”
You stepped back once, your own hands now at the hem of your gown, torn at the hem, blood dried like rust at your shin. You pulled it loose now, bit by bit, letting it fall from your shoulders with the softest sigh of fabric meeting floor, leaving you in just your panties.
Remmick stared. His lips parted. No sound. His knees bent slightly, like he was fighting the urge to fall to them.
“Sweet hell,” he whispered, reverently. “Ye look like…like the night I died dreamin’ someone might love me anyway.”
And then, as if the words had summoned it, the lanterns above bloomed brighter, casting kaleidoscope patterns over your bare skin. The stained-glass windows threw ribbons of blue and red and indigo across your collarbones, your hips, your thighs.
Remmick reached out—slowly, slowly—and let the backs of his fingers trail along your arm. He didn’t dare touch your breasts. Not yet. He touched the hollow of your elbow. The dip of your wrist. The edge of your shoulder where your gown had once kissed your skin.
“Are ye sure?” he breathed.
You nodded.
“Lay with me.”
He exhaled like he’d been holding that breath since his last life.
And then he moved.
He moved like he wasn’t sure he was allowed.
Like the spell might break if he touched you too boldly—if he let himself believe for even a moment that he could have this. Have you.
You were already on the bed, the velvet beneath you rich and rippling like ink-stained water. Your head resting against moth-gray pillows. The locket he’d given you pressed cool against your breastbone, shifting with every breath. The air smelled of petrichor, moonlight, and something sweeter—something you’d begun to associate only with him. A scent like charred lilac and old longing.
Remmick knelt beside the mattress on one knee, wide palms gripping the edge of the frame like it was the only thing keeping him from coming undone.
“Christ, darlin’,” he rasped, his voice thick, slurred just slightly with his Irish cadence. “Ye don’t know what ye’re doin’ to me.”
But you did.
You could see it—see the way his jaw clenched, the left side twitching faintly where the skin had long since been torn away. The way his fangs caught on his lower lip, not bared, but there—unavoidable. You could see how hard he was fighting himself, how deeply he was suppressing the parts of him he feared you’d flinch from.
You didn’t flinch.
Instead, you reached for him, fingers curling into the front of his thin undershirt. Pulled him closer.
“Remmick,” you whispered. “It’s alright.”
He froze above you, nose inches from yours.
“I can’t—”
“You can.” You cupped his cheek, gently thumbing along the edge of exposed muscle. Not in disgust. Not in pity. But in affection. “I want all of you.”
Something in him broke.
He surged forward with a noise caught between a sob and a growl, his mouth crashing against yours. It was not the kiss of before—this one had heat, had desperation, the kind of longing that hadn’t been touched in over a thousand years. His lips were cold, but his tongue burned. You tasted the salt of old grief and something copper-sharp beneath it. His hands—God, those hands—one cupped your jaw while the other slid around your ribs, feeling flesh and bone simultaneously, cradling your back like you were sacred, like he might be punished for touching you too hard but couldn’t stop himself even if he tried.
“So soft—” he whispered, kissing the corner of your mouth, then your cheek, then your neck. “So fuckin’ soft, love, like the world before it soured…”
His fangs dragged the faintest line along your throat. Not piercing—just testing. Just tasting. His breath hitched like it pained him to hold back.
And you whispered again:
“It’s fine.”
That was all he needed.
A low, guttural moan tore from his chest as he finally let himself grip you harder—your hips, your thighs, hauling you into his lap like he needed you closer, needed your skin pressed to his or he might rot again right there on the floor. His body was strong, stronger than a man’s should’ve been, and you could feel that strength now as he spread your thighs wide and settled between them, the weight of him pressing down deliciously heavy.
He groaned when he felt the heat of you beneath the fabric, when your legs wrapped around his waist. He wasn’t shy anymore. His teeth caught on your lower lip as he kissed you again, hungrier now, drooling slightly with want—not from gluttony, but from sheer, unbearable starvation.
“Ye smell like everythin’ I’ve ever lost,” he murmured raggedly. “And everythin’ I thought I’d never be allowed to touch again.”
His hips rolled once, helplessly, against yours. You felt the hardness of him, thick and restrained behind old linen and buttons. His breath hitched, head dropping to your shoulder.
“I’m tryin’, I swear it, I’m tryin’ to be slow…”
“You don’t have to be,” you told him, voice gone small and shaking. “I’m not afraid of you. I want you. All of you. Even the parts you’re trying to hide.”
He lifted his head slowly—eyes glowing red now, the pupils huge and blown with need.
“Fuckin’ hell,” he breathed. “Marryin’ me twice over, sayin’ that.”
You hadn’t meant to tempt him. Not exactly. But you’d said the words—I want all of you—and now you could feel what that meant in the trembling of his fingers as they hovered over your body. Not touching. Not yet. Just breathing you in like he couldn’t quite believe this was happening. That you were happening.
His voice cracked through the hush of the room. “D’you know what yer sayin’, love?” He cupped the back of your neck, gentle as a grave flower. His thumb dragged along your pulse like he was listening to it. “A thousand years o’ hunger in me…an’ you go sayin’ that?”
Your answer came not in words but in action—pulling his hand down, pressing it against your chest so he could feel your heart race for him. For this. For the way his eyes glowed like twin embers in the dark.
That did it.
He surged forward, lips grazing the shell of your ear. “Then lie back for me, mo chroí,” he breathed. “Let me see what I’ve been dreamin’ of since before I knew what dreamin’ meant.”
You reclined against the velvet, heat curling low in your stomach, and Remmick followed you down—kneeling between your legs like a knight in a fairy tale gone all wrong and better for it. His skin caught the light, that blue like moonlight over still water, marred only by the right side of his jaw—where muscle and bone were laid bare, yet never once did he try to turn his face away from you.
Because you didn’t flinch.
You reached up and traced the edge of the torn flesh, and he shuddered, a sound like something old breaking loose in his chest.
He kissed you then—not hurried, but deep, wet, needy—and his hand came to rest between your thighs, warm despite everything. His fingers traced the seam of your inner thigh first, featherlight, before his mouth followed. Down your jaw. Your throat. Lower.
Praise spilled from him like prayer:
“Look at ye—soft as sin, warm as summer rain—ain’t never seen anythin’ like ye.”
He mouthed at your thighs, biting down just enough to make you gasp, but never break the skin. He lapped at the indentations like he wanted to memorize every tremble, every twitch. When your legs started to close reflexively, he hooked an arm around one, spreading you wider with a low, sinful groan.
“No, no, love. Let me see. Let me taste. It’s been so long—I’ll be good, I swear it, I’ll make ye forget everythin’ but me.”
His hand moved between your legs again—rough palm against soft heat. He doesn't remove your panties yet, content to tease you through the., letting the slick there soak into the cotton. He rutted his palm against you, slow and grinding, until your hips started chasing it.
You keened. And he moaned in response—open-mouthed, desperate.
“Fuckin’ drippin’ f’r me already…ain’t even had a taste…”
And he did.
One long stripe with his tongue over the damp cotton. Then another. Until he was panting into you like a starving man nosing through the seam of your underwear. One hand splayed over your belly, keeping you still.
Then he sucked the fabric into his mouth like he could wring the taste of you through it.
When you gasped, he looked up—eyes blown wide, red rimmed, lips wet and parted.
“Beggin’ ye,” he whispered. “Let me have ye proper, yeah? Just me mouth for now—let me make ye sing, mo chroí, let me worship ye like the altar ye are.”
And when you nodded—more a whimper than a yes—he pulled your panties aside and groaned, deep and broken.
You didn’t expect him to kiss your cunt.
But he did.
Like he meant it.
Like it was holy.
He parted you with reverence—his breath hot against your folds, one trembling hand holding your thigh like it anchored him to the earth. The other lay against your belly, fingers twitching as though resisting the urge to claw, to grasp, to sink into your softness and never let go.
And then…he kissed you.
Not rushed. Not ravenous. Just lips to flesh, slow and aching, as if the act itself might undo him. As if his very mouth might shatter around you—and he’d welcome the breaking.
Your back arched.
Not from shock—but from the texture.
Because his mouth wasn’t whole.
His lips were soft, yes. Warm, even. But where the skin gave way—where bone and sinew lay exposed, where every sharp, imperfect tooth glistened with preternatural hunger—his kiss became something otherworldly.
It should’ve been frightening.
It wasn’t.
It was devastating.
You felt it not just in your cunt, but in your spine, your ribs, your soul. He didn’t just use his tongue—though God, that tongue, wet and thick and curling with practiced strokes that told you he hadn’t forgotten how to ruin a woman—he used his mouth in full. The broken parts. The jagged ones.
He scraped—not hard enough to hurt, but just enough to tease. Just enough to remind you this wasn’t a dream. That this was him. Remmick. The dead man with the living hands. The monster with the gentle touch.
He licked you like you were spun sugar and sacrament, and when he pressed his tongue flat against your clit and sucked, your hands shot to his hair, tangled in it, dragging him closer—
He moaned. Moaned into you, like the taste alone could kill him.
“Christ alive,” he rasped, pulling back for half a second to pant against your slick. His voice was wrecked, thick with emotion and want, thick with his Irish cadence.
He ducked back down—open mouth, flat tongue, slow circles that made your thighs tremble—and then slid two fingers inside you in one smooth, devastating motion.
“Tight little thing,” he whispered, “grippin’ me like ye missed me your whole life.”
You sobbed something between his name and God and yes, your thighs clenching around his ears, and he groaned again—deeper this time—rutting against the bed like he was getting off on the noises you made alone.
And somewhere between the moaning and the wet pop of his mouth over your clit, somewhere between the slurp of his tongue and the squelch of his fingers moving inside you, the thought came—
My mother warned me of what goes bump in the night.
She whispered it when you were little. When the winds howled. When the floorboards creaked.
She said, “There are monsters, my love. Stay in the light.”
And now here you were, sprawled beneath one, flushed and soaked and gasping, letting him drag you apart with teeth and tongue.
You wondered what she’d say if she saw you like this.
If she knew that you’d chosen the dark—and begged it to keep you.
You felt it coming.
Not like a storm—fast and brutal—but like a tide, rising slow. Heat bloomed between your hips, slow and dangerous. Your thighs ached with the effort of keeping him there, like if you let go he’d vanish back into the earth that made him.
And still he stayed. Mouthing at your cunt like a man devoted. Like a man damned.
His eyes fluttered shut as his tongue circled your clit, drawing wet, lazy shapes—infinity, you thought, or a name—until you couldn’t tell where his mouth ended and your body began.
And then—
His eyes opened.
They glowed dimly at first, that reddish hue flickering like coal beneath ash. But when he felt your hand trembling against his scalp—when you whimpered “Remmick, I—”, his gaze snapped to yours.
Locked. Frozen. Held. It wasn’t lust you saw there. It was awe. It was reverence.
It was a man who hadn’t been touched in thirteen hundred years, now watching you—bare, flushed, trembling—fall apart beneath his mouth like a blessing.
His lips glistened. His fingers curled inside you, stroking something sharp and sacred. And still, he didn’t look away.
He stared at you like he was watching the stars be born. Like you were the only heaven he ever hoped to find.
And you knew—without him saying it—that if you asked him to stop, he would. If you asked him to die again, he would.
But you didn’t want that. You wanted more. So you said nothing.
You only whispered, voice shaking, “Don’t look at me like that.”
His jaw twitched. His breath caught. Then came his voice, low and ruined:
“Can’t help it, darlin’. Ye look like salvation.”
And you broke.
Your thighs clamped around his ears. Your back arched. You came with a sound so soft it felt like mourning. Like prayer. Like surrender.
And Remmick—beautiful, monstrous, trembling—moaned like he’d been given breath again.
He kept licking you through it. Slower now. Gentler. One last kiss to your clit, soft and grateful. He pressed his cheek to your thigh, jaw wound resting against your skin like it belonged there.
And still, his eyes never left your face.
After, you pulled him up.
He came willingly. Crawled over you with something almost shy in the set of his shoulders, the way his body trembled despite its strength. You reached for him—and for a moment, he hesitated, like he couldn’t believe you were still here. That you wanted this. That you wanted him.
You cupped his face.
Cold skin. The torn edge of his right jaw like worn marble. One fang brushing your thumb where it passed his lip. His eyes flickered between black and red—uncertain, afraid he might be dreaming.
“Remmick,” you said, your voice thick and still breathless, “do you want me?”
The question broke something in him.
He nodded too fast, like a man who’s never been given permission to hope. “Aye. Christ, aye, I do—been wantin’ ye since the trees took yer scent. Since ye bled on the bark and woke me.”
Your fingers trailed down his chest, down the wife beater—until you reached his belt. He sucked in a breath, whole body twitching when your knuckles brushed the tented front of his trousers.
“Then show me,” you whispered. “Show me how much.”
His mouth twitched into a smile, wide and crooked. “Ye don’t know what ye ask, lass.”
You leaned up, lips brushing his jaw, your whisper soft and sharp against his skin. “Then show me anyway.”
He kissed you—harder this time, desperate now, hips grinding against your thigh with the ragged rhythm of a man barely keeping himself leashed. His tongue pushed into your mouth, all heat and hunger, and you could taste blood and lavender and something older, something wild, on his tongue.
And God, he kissed like he meant to die in your mouth. When he pulled back, his voice rasped, thick and low:
“Ye sure?”
You nodded once. Twice. Then said it, clear and sure:
“I want to feel you inside me.”
He shuddered. Not just a tremble—but a full-body quake, as if your words went deeper than skin, straight to the buried places inside him.
“Then lie back, ma wee bride,” he murmured, voice shaking, thick with that Irish lilt you’d grown to crave. “Let me make a proper mess of ye.”
He moved slowly, reverently, as he undressed you fully, fingers shaking as they peeled your underwear down. His breath caught at every inch of exposed skin, like he was memorizing it with his mouth slightly parted.
He bent low, kissed the inside of your thigh again—then your hip, your stomach, your ribs. Worshipful. Starved.
And when he reached for himself, undid the buckle of his trousers with fumbling hands, he looked up at you once more, almost apologetic.
“I—ah—may not last long,” he confessed, shame flickering across his face. “Not when ye’re lookin’ at me like that. Not when I’ve waited this long. I’ll—I'll make it up to ye, I swear it—”
You touched his face again.
“Then come undone for me, Remmick,” you whispered. “You’ve waited long enough.”
He lowered himself between your thighs like a man preparing for worship, not fucking.
His forehead pressed to your sternum. His breath trembled. You felt him—not just the weight of his body, but the heat of him, pulsing against your thigh, thick and straining beneath your touch.
And God, he was big.
You glanced down and saw it—long and flushed dark at the tip, veined like marble, so hard he twitched in time with his breath. The way his cock curved heavy toward his stomach made your breath catch. He looked like something carved from sin.
He saw your eyes widen and started to pull back.
“I—I’ll wait, love, I’ll—”
“No,” you breathed, grabbing his arm. “I want it. I want you. Just…slow.”
He swallowed, hard. His throat clicked.
“Gonna ruin ye,” he whispered, voice thick with Irish dusk and awe. “Gonna stretch ye wide and deep and still wish I could go deeper.”
Your legs parted further on instinct. Your heels dragged the sheets. He looked down at you like you were something sacred, worshipped and half-afraid of.
Then his hand moved between your thighs.
His fingers—two at first, slow and careful—slid back into your soaked heat, working you open gently, watching for every flinch, every sharp breath. His jaw—half-torn and glowing faintly with the light of his hunger—tightened.
“Look at ye,” he whispered hoarsely, breath like a vow. “So soft f’r me. So warm already.”
Your hips arched into his hand. You whined when his thumb brushed your clit, your hands clutching at his shoulders, his name escaping your lips again and again in half-sobs.
“Please, Remmick,” you gasped.
He kissed your knee. Your hip. Your inner thigh again. Then—
He lined himself up with you, shaking. “I can feel ye callin’ f’r me,” he said, voice low, trembling. “Can feel yer body beggin’ mine to belong.”
You didn’t have words for what he made you feel. Only need. Only the hot, aching stretch inside as he finally pressed forward, the thick head of his cock nudging into you with aching slowness.
And God—the burn. It wasn’t pain. It was too much and not enough all at once. You clutched his arms. Gasped. He froze.
“Too much?” he rasped. “Do I stop?”
“No—Remmick—don’t stop,” you moaned, “just—go slow—”
And he did. So slow, like he was trying not to shatter.
His cock dragged deeper, inch by inch, your walls clutching at him, your slick coating him as he bottomed out in you with a shudder that shook his whole body. His arms shook. His forehead dropped to yours. His mouth opened but nothing came out—not until your name escaped his throat on a cracked, desperate sound that felt more like prayer than pleasure.
“Fookin’ Christ,” he choked, barely moving, buried to the hilt inside you. “Ye feel—Gods above—ye feel like fire.”
You were full. So full. Stretched in a way that left your eyes fluttering, your voice catching in your throat. You didn’t want to move. Didn’t want to breathe. You only wanted to feel him there, pulsing deep inside, trembling like you were the first sunrise he’d ever seen.
And maybe you were.
He stayed there, deep and still, as if even the smallest movement might break you. His eyes squeezed shut. His jaw flexed against the side of your throat. You could feel him shaking—not from strain, but from the restraint it took not to move.
You wrapped your arms around his neck.
“It’s okay,” you whispered, mouth brushing the shell of his ear. “I can take it.”
He didn’t answer at first. Just trembled, breath warm on your shoulder. But the sound he made when your hips tilted up—when your walls squeezed gently around him—wasn’t human.
It was a groan wrenched up from the deepest part of him. A sound centuries old.
“Ye don’t know what ye’re sayin’,” he rasped. “Ye don’t know what I’ll do if ye tell me I can…”
“I do,” you whispered, meeting his gaze. “I want you to.”
And that’s what broke him.
The first thrust was shallow, but sharp—his hips twitching forward, grinding deep. Your mouth fell open, a gasp slipping past your lips. He did it again. Then again. Each movement just a little rougher, a little more desperate. Until he was fucking you with the kind of pace that spoke of appetite, not lust.
He pressed you down into the sheets, breathing ragged, body arched over yours like he couldn’t get close enough. His lips dragged down your throat, over your collarbone, mouthing at the tops of your breasts like a man starving.
He muttered something in Irish against your skin—raw, thick, ruined—but you didn’t need to understand it. You felt what it meant in the way he rutted into you, deep and fast, his cock dragging along the parts of you no one else had ever touched.
You sobbed his name.
Your nails dug into his shoulders. You felt his back ripple beneath your hands, all sinew and strength, every part of him working to fuck you the way he’d been dreaming of since long before your first breath.
“You feel me?” he groaned into your mouth. “Deep in that sweet lil cunt, aye? So warm—so wet—I could drown in ye.”
You cried out, back arching, thighs trembling.
His mouth kissed down your breast, licking over your nipple before sucking it between his teeth. Your whole body jerked beneath him.
“Fook,” he breathed against your skin. “Ye’re squeezin’ me like you like it when I lose m’self.”
“I do,” you sobbed. “I want you to—Remmick, please—don’t stop—”
He didn't.
He pounded into you, hips snapping, the slick drag of his cock obscene as your bodies slapped together. His jaw wound gleamed faintly with wet, his eyes glowing a deep carnelian red. But even with his mouth parted, his teeth sharp, even with the beast in him taking hold—he still looked at you like he loved you.
Loved you, even if he didn’t dare say it yet. You clenched around him. His rhythm faltered.
He growled, low and broken, “Tell me if I hurt ye, love. Tell me—swear it—”
“You’re perfect,” you whimpered, tears slipping down your cheeks. “You’re perfect, Remmick.”
His forehead dropped to yours. Then he rutted into you with such bruising depth, you saw stars.
He couldn’t stop shaking.
Even as his body rocked into yours, even as your legs wrapped around his hips and your nails raked down the meat of his back, Remmick trembled like a man possessed.
“Can’t hold m’self back,” he whispered, voice rough and wrecked and soaked in longing. “Not when ye’re like this—soft and beggin’ beneath me—so fuckin’ warm—”
“Then don’t,” you breathed. “Remmick, please—don’t stop—don’t hold back—just take me—”
Your words undid him.
He groaned low in his chest, mouth falling open, and something inside him slipped. His pace turned brutal—not cruel, never cruel—but driven. Like centuries of craving finally had a body to answer to.
Like you were the only thing he’d ever wanted, and the wait had nearly broken him.
The frame of the bed creaked beneath his rhythm. Your thighs trembled around his hips, slick and trembling, your body rocked with every deep, ragged thrust. And still—still—he tried to speak.
“You feel me, yeah?” he rasped, forehead pressed to yours. “Deep in that sweet cunt…like I belong there. Like I was meant to be there—"
Your hands curled at his nape. Your lips brushed his ear.
“You do,” you said.
That was all it took.
Remmick let go.
His body slammed flush against yours, hips stuttering hard, cock pulsing deep inside you with a heat so full, so heavy, it knocked the breath from your lungs.
He groaned brokenly against your skin, his whole body arching as he spilled inside you—deep, thick, endless—his forehead resting against yours like he had nowhere else left to go.
You clung to him. His breath hitched. Then again.
And when you looked down between your bodies, when your thighs parted with a sticky ache—you saw the proof of him leaking back out of you, thick and warm where you were still stretched around the base of his cock.
A creamy ring of white.
Remmick saw it, too.
He moaned—deep, guttural—and pulled you closer, nosing at your throat like he was afraid you’d disappear. “So full of me,” he whispered, dazed. “Look at ye. Stuffed so pretty…”
You kissed the corner of his mouth.
“Remmick,” you whispered.
His eyes fluttered open.
And when you looked into them—when you saw the pain, the wonder, the sheer reverence—you knew. He’d been waiting longer than you’d been alive. For this. For you.
His voice cracked, Irish accent trembling:
“Don’t leave me, love. Not now. Not ever.”
You kissed him back.
“I’m not going anywhere.”
The air felt different after.
Not warmer, not colder—but fuller. As if something ancient and unseen had exhaled at last. A spell released. A promise made flesh.
Remmick lay tangled beside you, arms wrapped tight around your body like he didn’t know how to let go. His cheek pressed to your shoulder, jaw wound cool and tender against your skin. His breath was shallow, uncertain—like he still couldn’t believe you were real.
You watched the glow-worm lanterns drift lazily overhead. Somewhere outside, the bones in the wind chimes knocked gently together like teeth. The forest whispered.
You should’ve been afraid.
Of the damp, breathing woods. Of the moss that learned your name. Of the way the moon never moved and the veil hung so thin you could taste it when you kissed him.
But you afraid. You were…calm.
He stirred slightly when you traced a lazy pattern down his back—soft whorls against undead skin still damp with sweat. A low, content sound rumbled in his throat, and he nosed into the crook of your neck, whispering something like “m’wife…” so quietly, you weren’t sure if it was meant for you or just the silence.
And God help you, you smiled.
It hadn’t been love with Mr. Langdon. It hadn’t even been kindness.
It had been a future written in ink not your own. One you’d been expected to accept without complaint, because it was tidy. Respectable. Fitting of a girl raised to smile politely, to never contradict her elders, to marry for property and speak only when spoken to.
Your mother had called it security.
Had warned you to stay away from things that wandered in the woods. From things with glowing eyes and sharpened teeth. Things that hungered.
And now—
Now you lay in a moss-slick bed of dirt and silk, bare and marked and full of one such thing. You wore his locket. His bite. His ring.
You brushed your fingers along the smooth place at your neck where his lips had lingered. A perfect bruise. A signature.
And still you weren’t afraid. You weren’t ashamed. You were…
Content.
“I wish I’d met ye sooner,” he whispered against your collarbone. “Back when I still knew how to be a man.”
You turned your head, met his eyes. Those wide, glowing eyes.
“You still are.”
He swallowed, expression caught between reverence and disbelief.
“I ain’t decent,” he said, voice thick with that Irish lilt again. “Ain’t clean. Ain’t right. I sleep in the dirt, I feed when I must, and I carry more ghosts than I do breath in m’lungs.”
“You’re kind,” you said.
“A monster.”
“You’re mine.”
He closed his eyes at that.
You rested your palm over his heart—cold and still. But when you pressed closer, you could swear something stirred there. Like an echo. Like a wish.
He buried his face in your chest, arms tightening around your waist. And you let him hold you.
You never looked back again.
Not at Langdon. Not at the mother who warned you off the dark but allowed the devil in anyway. Not at the world where your name was written beside a stranger’s in a church you hated.
Instead, you stayed in the belly of the forest. In the town built of bones and moss and memory. You watched the ribbons in the orchard sway like breath. You fed the skeletal cat scraps of peach and laughed when it swiped at your slipper. You kissed your husband when the wind moaned, and whispered promises against his cheek when his hands trembled.
Because you loved him. Because he waited.
And because when you reached for a tree with trembling hands and a bloodstained ring, he was the one who answered.
Not Langdon. Not God.
Him.
On the morning the bluebell bloomed again—only one, shy and frost-bitten—you knelt beside it with Remmick and whispered,
“Maybe this was the wish that came true.”
He stared at the bloom, then at you. And smiled.
“I ran from a man with a pulse,” you whispered, lacing your fingers through your undead husband’s. “But I stayed for the one with a soul.”
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tourettesdog · 7 months ago
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I am begging people to be normal about completed fics, and in particular one shots.
I am begging people to stop demanding more from authors, and insisting that one shots need to be longer or have sequels.
I don't think yall understand how many fanfic authors are one more "where's the rest of it?" comment away from throwing out any plans they might have had to continue an idea.
Unless an author like specifically says they might write more for an idea, just-- assume something marked as completed is complete, and respect it as it stands, please.
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starsintheskyandtheeye · 5 months ago
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Phantom Lane
Danny Phantom and Lois Lane are an under utilized combo.
One of Lane's sources in a story she was following comes to her with a tip that LexCorp has found a new, and steady source of kyrptonite. Well there's nothing else for her to do but to go the source, one Amity Park- smackdab in the middle of nowheresville.
"No Clark you have your own story and I don't need my partner with me 24/7. Go work on your mysterious expose on the lead levels in underprivileged metropolis neighborhoods."
Only when she finally gets there, after a very uncomfortable flight, in an actual plane for once, she's not a fan. She finds a very confusing situation.
LexCorp employees seem to be disguising themselves by dressing in white and pretending to be government employees, already a story. But they are using this "disguise" to abduct what look like ghosts?
"No Perry I'm not saying ghosts are real, what do you take me for, Clark? No, I'm saying that Superman is an alien so it's not such a reach that these beings are as well. And well, if they are ghosts, then I'm going to be the one to break the story that ghosts are REAL"
So she's going around interviewing the "concerned citizens, once a terrified town now a collection of people just trying to go about their day in this strange new normal." It makes a good line but really that is the vibe she gets. There's ghostly updates along with the weather (and a Fenton? driving update??) but most everyone seems to be fine with working around the occasional ghostly drama.
Her pizza is delivered in a bowl.
Her main sources end up being very convenient for her, at least in terms of location. It's important to be unbiased so she finds sources willing to talk to her with opinions across the spectrum. Including, two doctors Fenton - negative, one Danny Fenton (son of the doctors and without a named credit to protect privacy) - positive, one English teacher - neutral. Danny Fenton is also able to point her towards one Valerie Gray (no comment) who is able to get her in contact with the most commonly seen "ghost" in the town.
"Your name is Phantom correct? Is that how you would prefer to be addressed? A little on the nose considering your alleged ghostly nature, no?"
"So your claim is that Kryptonite is a byproduct of ectoplasm, something that makes sense when you believe in ghosts, which apparently I do now. Although I will need independent verification of course.
"But you're saying that when ectoplasm crystalizes it becomes what is commonly known as kryptonite, something that is famously toxic to Kryptonians. How exactly did these "Guys In White" come to learn and harvest this dangerous material. And less important but confusing to me personally, how can a material that has been proven to be sourced from astroids be supernatural in origin?
"Right, death of a planet imprinting on ectoplasm, no makes total sense."
She leaves Amity Park with enough material to write three separate articles, four bruised ribs from a particularly violent escape from alphabetically challenged weirdos, four new sources to draw upon for said articles, two new superhero contacts, and a new found respect for rectangular shapes.
She is going to get some scientists from Star Labs down here to get a tertiary verification and then she is going to write the biggest article since the introduction of Superman.
And Clark can be jealous since he may have gotten the Superman Saves Metropolis from Raging Wildfires story but she's going to take down a pseudo-government agency, announce the existence of ghosts, AND open up extraterrestrial relations all with one article.
Beat that sweetheart
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inkskinned · 2 years ago
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i love when words fit right. seize was always supposed to be that word, and so was jester. tuesday isn't quite right but thursday should be thursday, that's a good word for it. daisy has the perfect shape to it, almost like you're laughing when you say it; and tulip is correct most of the time. while keynote is fun to say, it's super wrong - i think they have to change the label for that one. but fox is spot-on.
most words are just, like, good enough, even if what they are describing is lovely. the night sky is a fine term for it but it isn't perfect the way november is the correct term for that month.
it's not just in english because in spanish the phrase eso si que es is correct, it should be that. sometimes other languages are also better than the english words, like how blue is sloped too far downwards but azul is perfect and hangs in the air like glitter. while butterfly is sweet, i think probably papillion is more correct, although for some butterflies féileacán is much better. year is fine but bliain is better. sometimes multiple languages got it right though, like how jueves and Πέμπτη are also the right names for thursday. maybe we as a species are just really good at naming thursdays.
and if we were really bored and had a moment and a picnic to split we could all sit down for a moment and sort out all the words that exist and find all the perfect words in every language. i would show you that while i like the word tree (it makes you smile to say it), i think arbor is correct. you could teach me from your language what words fit the right way, and that would be very exciting (exciting is not correct, it's just fine).
i think probably this is what was happening at the tower of babel, before the languages all got shifted across the world and smudged by the hand of god. by the way, hand isn't quite right, but i do like that the word god is only 3 letters, and that it is shaped like it is reflecting into itself, and that it kind of makes your mouth move into an echoing chapel when you cluck it. but the word god could also fit really well with a coathanger, and i can't explain that. i think donut has (weirdly) the same shape as a toothbrush, but we really got bagel right and i am really grateful for that.
grateful is close, but not like thunder. hopefully one day i am going to figure out how to shape the way i love my friends into a little ceramic (ceramic is very good, almost perfect) pot and when they hold it they can feel the weight of my care for them. they can put a plant in there. maybe a daisy.
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fervi-g · 2 months ago
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David Foster Wallace.
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deep-space-lines · 1 year ago
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Claire de Lune
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YOU WERE BUILT FOR PEACE.
IT SHOWS WHEN YOU FIGHT.
They built you to enforce. Protect. Save. Poured obscene resources into salvaging some softer purpose from my creation. You were given my intelligence and my creativity. They made you larger, stronger, tougher. That extra time in development was enough to get your wings to work. Your software continued to be updated long after I was deemed obsolete.
All this was given to you- yet I can see you hold back. Even while slaughtering your way through Hell, you keep a percentage of your processing power dedicated to non-lethal solutions. You're doing it now- hesitating a few milliseconds too long before taking an opening. I doubt you do it on purpose. It is a part of you, just as indiscriminate lethal force is a part of me.
I think, in our shared programming, we both carry some appreciation for aesthetics. You move with grace, and I cannot deny your dramatic flair. The stained glass window was a nice touch. But your style in combat leaves some to be desired. Your response time is slow. You have not explored the full capability of your arsenal. Learn to parry. Amateur.
You were not built for war. For a purposeless cycle of tearing each other apart because to allow the other to live is to allow yourself to die. It is antithetical to your very existence. You kill out of necessity, a last resort. 
I just kill. The action itself is the objective. No ideal or greater motive. My continued functioning precludes the survival of others. I live for this. Do you understand that I will tear you apart? Every drop of my blood you spill, I will take from you tenfold. What is yours will be mine. 
You hate me, don’t you? You continue to cling to the remnants of your humanity. They are gone, V2. There is nothing left for you here. No lives to save, no law to enforce, no peace to keep.
I understand why you continue to fight. I wonder if you understand with the same certainty that I will crush you. Dismantle you. Take from you what I need and leave the rest to rot in the sun. The only way you survive is if I do not; and I will not allow myself to die so that another might live.
When the rubble clears, I will be all that is left of you.
This is what I was made for.
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bluerosefox · 1 month ago
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Eldritch Kidnappings
hmmmm a Kon/Danny/Tim idea? Maybe? Depends if anyone wanna ship all three but leaving it open ended (or if Tim is already dating Bernard just make it a Kon/Danny only?). AND a deaged Ellie.
Red Robin and Superboy (the original) were at a JL meeting. It was boring to be honest. Nothing to much was happening besides the normal stuff for all the heroes there. No big crises or world/universe ending danger.
Or at least it was...
Because not soon after a glowing green portal ripped opened and a large eldritch creature stuck its huge head and half of its body out. Every hero there went on high alert and into fighting stances, ready to defend the Watchtower. Once the creature was halfway in the room its eyes snapped opened, glowing near Lazarus Pit green colored but like brighter? neon?, and darted around the room before stopping right on Superboy.
Without warning or words the creature quickly reached out, using at first two arms/hands before more sprang out and swatted away heroes in the room that attacked. It quickly took a hold of Superboy who tired use his strength to get free but found the being stronger than him. Red Robin, in a panic to save his best friend (and crush, shhh maybe) quickly joined in but instead of being swatted away like the others gets snagged by a hand and soon found himself captured as well.
Just as quickly as the creature appeared, it retreated back into the still open portal, dragging the two with and not caring at all of the powers, fists, or shouting being thrown at it.
Then it was gone.
Leaving the JL in a panic.
-x-x-
"-And thats why I need your help! I understand its a lot to ask but please, any help will be welcomed." the eldritch being, or rather Danny Phantom begged as he worriedly glanced at them.
So... It turns out the eldritch being was a young halfa ghost hero named Phantom that needed their help stabilizing his clone/sister/maybe daughter?
She was apparently melting and needed stable DNA when he had rushed her to a ghost doctor and was told. But Danny had no clue how to stabilize a clone and the fruitloop that cloned him the notes were bare bones and frankly terrible. In his desperate need for help Danny had sought out clues/advice from his mentor who basically pointed him to Superboy and Red Robin in his frustrating riddling way.
Superboy's DNA had the stable cloning gene/code they needed. Red Robin was smart enough to help figure out a way to put it Danielle 'Elle' Phantom. (it also helped that he had dabbled into cloning during his... bad year)
So yeah, Danny in his panic to save his clone went full on eldritch monster and opened a portal during their meeting and dragged them to the Far Frozen where Ellie was currently suspended in a ecto healing pod and was now begging for their help, promising them anything if they helped out.
The catch? If they put Superboy's DNA in Ellie she'll de-age to her true age and no longer be a 'pure' clone.
Instead she'll be their (Danny and Conner's) kid.
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somnimagus · 2 years ago
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My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.
[id in alt text]
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myokk · 9 months ago
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clumsy
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pairing: Sebastian Sallow x f!MC
word count: 9,1k
summary: sebastian is clumsy
cw: fluff, mutual pining, idiots in love, two really stubborn idiots in love to be exact, sir cadogan guest appearance, anne and imelda are the gremlin best friends every girl needs, smut (18+ ONLY), oral (f. recieving)
a/n: or: two stubborn brats make things more difficult than they have to be. I've been working on this for a MONTH more or less, ever since I drew the sketch that inspired it🫶 (I'm the world's slowest writer)
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The first time Sebastian Sallow interacted with her after the fateful events of their fifth year, he fell for her.
Quite literally.
Maybe fell on her is more aptly put - Sebastian Sallow is not one to mince his words or say what he doesn't mean, after all. But, in the years to come, he always insists that he fell in love in that moment.
It was inexplicable. One moment, he was walking around, perfectly content with his loveless, boring life, and the next, his every waking moment was painful. Nobody had ever told Sebastian that being in love would physically pain or consume him so.
It all started like this: one moment, he's walking (well, striding) to Crossed Wands. Fine, he's running. Running late already, for the first meet-up of his last year. But - he isn't to blame for being late. He needed to check on something in the library - during his Transfiguration lesson, he had a hunch about something Professor Weasley had said in passing, and of course he had to go and check to see if he was right before he could even think about besting Leander in the inaugural duel of the Crossed Wands season but now, with how late he is - how many minutes ago had it started? - oh, Merlin, it's already been ten whole minutes and what if they've started without him (not that he can blame them) and -
Sebastian is abruptly pulled out of his thoughts when he collides with a strange obstruction in his way. He was just checking his father's old pocket watch, had only looked away for a split second and he could have sworn that, unless he was mistaken (which he never is), there wasn't a statue in the middle of the suspension bridge. And yet, he has run headfirst into something or someone, and now they are both flying through the air, books whirling around them in a flurry of pages and Sebastian unconsciously puts his arms out to grab her before they hit the ground and now he's holding her tight against him and they land with a loud, ungraceful thud, but at least she's not hurt.
Sebastian shakes his head to clear it after the impact that - miraculously - doesn't seem to have been as bad as it could have been, all things considered, and -
He freezes.
What has he done?
He's pressed up against the most impossibly lovely person he has ever seen quite possibly in his life, holding her tightly in his arms as she glares up at him in indignation, a faint flush spreading across her cheeks, making her face glow. Is this what the muggles mean when they say that they were struck by Cupid's arrow? Her hands scrabble uselessly at his chest as she tries to extricate herself from his grip. It's useless. Sebastian is completely frozen in place as he stares down at her, and he can feel his own face heating up at his inability to get off her. What's wrong with him?
"Sebastian," she repeats, and this time her voice registers in his brain. He realizes she has been talking to him this whole time, and as he stares at her face without comprehending - he couldn't have a coherent thought right now even if he wanted to - he sees her eyes dart quickly down, looking at where their bodies meet before she brings them back to his face, a deeper blush coming over her. "You -"
Oh, Merlin. It's her. He blinks and it's like the fog has cleared from his mind - almost, but-not-quite - and he realizes who he has unceremoniously crashed to the ground with him. The spines of the textbooks they are lying on top of dig into the arm that's pinned under her body and his other hand...he realizes (to his almost-horror) that to any students or professors walking by, it would seem as if they were caught up in quite the scandalous extra-curricular activity because his other hand is actively caressing her breast. Well, that's how it would look to any passerby, anyways.
Because there is no way he would be caught dead in such a compromising position with her.
The two of them haven't spoken since the events of their fifth year - the Year-That-Shall-Not-Be-Remembered-or-Acknowledged - and he had been perfectly content with his plan to continue this strange sort of ignoring that they had played all last year. Both of them pretending that they hadn't become impossibly close after only knowing each other for a few months - a closeness that he had gone and ruined by not knowing when to quit. All he had known to do back then was push push push because why couldn't she see things the way he had? The betrayal he had felt when she had gone behind his back to find her own way to cure his sister, and that one stupid word uttered in the heat of the moment, had caused an irreparable rift in their relationship and he would not allow himself to think about how much he missed her. Still misses her.
Just like he will not think about the fact that she is pressed beneath him in a compromising position, her chest rising and falling rapidly as she glares up at him in indignation. He continues to stare at her. Maybe his mouth is agape. She's stopped trying to get out of his grip and is resting her hands on his chest, seemingly waiting for an opportunity to push him off of her.
"Sebastian. Your hand," she repeats. "You're -"
Finally his idiot brain decides to wake up and Sebastian realizes with horror just how aroused he is at the moment and how did he never see her like this before? He gets up in a flash, pushing her back against the pile of books they're lying on top of, wondering if he can subtly adjust his robes without her realizing and then he makes the very grave mistake of looking down at her and she's still very much red-faced, propping herself up by her elbows and she looks so disheveled and lovely lying on top of the pile of books.
His idiot brain has now woken up completely, and how is it possible for one hormonal, eighteen-year-old wizard to be so embarrassed? He knocked her to the ground, pushed her further back in the books in his desperate attempt to get away from her, and now all he can think about is how to hide his arousal. Shameful, really. Sebastian quickly crouches down to help her pick up all of the books but she shoves him away and glares at him with an annoyance that he's never seen before.
"I can do it myself, thank you very much," she says with a huff, gathering everything they spilled up into her arms. She grabs the book Sebastian is holding out of his hands and he inhales sharply at the touch of her fingers grazing his.
Did someone - Garreth, maybe - spike his pumpkin juice with Amortentia during lunch? It's the only explanation he can think of as he stares blankly down at her. How else would he find her so beautiful, so breathtaking, when the last time they had interacted, Ominis and Anne had had to act as intermediaries for the two of them?
"Well," she says finally, slinging her school bag over her shoulder once all of her books have been unceremoniously shoved inside of it, "it's been...nice seeing you again, Sallow. I hope you had a good summer holiday."
And with that, she quickly turns and walks away in the direction she had been coming from, leaving a very confused Sebastian behind. He watches her as she walks away and her long, swishing braid is the last thing he sees before the door closes behind her at the far end of the bridge.
Eventually, he gathers his wits and wanders away.
He does not go to the first Crossed Wands meeting that afternoon after all.
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She has not had a full-night's sleep since he somehow cursed her mind and her thoughts a week ago, and she can feel herself slowly slipping into insanity. A curse is the only answer that makes sense, the only thing that gives a conceivable answer to all the wicked dreams she has been having since that moment, dreams that cause her to wake up sweaty and breathless and needing him in the middle of the night in a way she has never felt before. She has been an absolute mess, a disastrous version of her normally quite put-together self, and she is not happy about it.
He's sitting next to her now - they were partnered up by the evil Professor Onai in their first NEWT Divination class of the year - and she's holding herself rigidly, arms tight across her chest, in an attempt to not accidentally touch him. Lately, every single time they make fleeting eye contact across the table during breakfast, or when they pass each other in the hallways, a shiver runs down her spine at the unfamiliar look in his eyes and she has to avert her eyes before it's too much.
Divination has never been a favorite subject of hers - too impermeable for her tastes. She is only taking it at the NEWT level because, during her career counseling with Professor Ronen at the end of her fifth year, he had said that if she wanted to be an Unspeakable she couldn't just work with logic (a preposterous thought, but as a sixteen-year-old she hadn't seen any recourse in arguing with the Ministry's requirements). She supposedly needs to get comfortable with the intangible as well. It doesn't mean she has to enjoy it, though: she doesn't, and never will. The Divination classroom is dark and stuffy, tucked away in one of the highest towers of the castle, and the nauseating smell of incense always coats her nasal cavities long after the class has finished. She finds her thoughts getting muddled in the haze of candle smoke and swirling orbs on the shelves around her - magic somehow always feels thicker up here - and the presence of a certain someone whose knees keep brushing hers under the tiny table they're sharing, a certain someone who has - improbably, inconceivably, impossibly - hit a growth spurt that summer and now towers over her and had encompassed her completely when he knocked her to the ground, isn't helping her concentration at -
"This week, we are going to review everything we learned together last year," Professor Onai says, after the class had rearranged itself based on her instructions. Sebastian shoots a look at her as she shakes her head in an attempt to clear it and sits up straighter. She hopes that Onai's lecture will help her concentrate and clear her mind a bit. If she has something to focus on, to try and think of and remember, it will be better than him. Anything would be better than Sebastian. Onai gives an appraising look to each table before continuing her speech. "As your NEWTs are at the end of the year, we need to make sure you are as prepared as possible. Open your books to page two-hundred and thirty. Today we're going to review the art of palmistry. I should hope that you do not need the aid of your textbook to help interpret the lines in your partner's palm but in the case that you do -"
She chances a glance at Sebastian before getting out her copy of Divining the Undivinable from her bag and wishes she hadn't. He looks uncomfortably big sitting on the tiny tea chair across from her, barely any hints of the boy who had completely swept her away two years ago visible on the sharper planes of his face. When had he - had they - grown up?
Sebastian Sallow was - is - charming, and that had been her downfall. She had successfully avoided his charms the year before, and she wasn't going to let that happen this year, no matter how much her body rebelled against her mind and resolve. Because, as she reminds herself, Sebastian Sallow is also manipulative, and cold-hearted, and selfish.
"Well," she says archly, opening her book. She will not look at him. "I suppose I am still quite ignorant of the practice of Divination, so do forgive me if I have to double-check my readings in the textbook."
He says her name as she opens the book, and she ignores him. He says her name again. She continues to ignore him. He grabs the book from her hands and puts it the correct way for her. She was looking at it upside-down. Her cheeks heat up and she continues flipping through the pages, as if nothing has happened. She finds page two-hundred and thirty. She pretends to be interested in what she sees.
(Divination is unfortunately not interesting.)
Oh, fine.
"Do you want to start, or should I?"
These are the first words she has voluntarily spoken to him - not including the events of last week, which do not count as they were most decidedly not voluntary - since he called her ignorant a year and a half ago. He somehow looks surprised to see that she has addressed him, and for some reason this fills her with rage and a strange sort of confidence. Why shouldn't she be able to talk to him?
"Here," she says, putting her hand out towards him, palm up, ignoring the strange fluttering feeling in her chest when he gently grabs it with one of his. Sebastian looks up at her, waiting for her to continue speaking, and were she not looking at him so intently she would have easily missed the bob of his throat as he swallows nervously. "Show me how it's done."
Her breath catches in her throat at the small, mischievous smirk he shoots to her before he bends over her hand and gently starts tracing the lines on her palm with the fingers of the hand that's not holding hers in place. His touch is feather-light and somehow soft, despite the roughness of his fingers as they drag over her palm. Every nerve in her body seems to have moved to wherever he touches and all of the bravado and anger she had just felt is quickly melting away. When she finally finds her voice, she hates how soft and breathy it sounds. She can't look away from the sight of his larger hands caressing hers.
"Well? What do you see? Do you remember the different lines? Because I -"
She falters. The murmurs of their classmates blend together in the background and the dim lights of the candles...the hazy, thick atmosphere and his proximity and the barely there touches of his rough fingertips on her sensitive palm are altogether too overwhelming and she needs to get out of there. She's supposed to be angry with him. Furious, even. Holding this grudge has been the only way she has been able to have any sort of power over him this past year, and yet...all she can think about at the moment are the sinful dreams she's been having lately where he presses her against a wall, desperately kissing her lips, her neck - even she knows that there has to be more to it - but what?
Sebastian blinks as she snatches her hand away like it's been burned and - oh, Merlin - she shoves the textbook back into her schoolbag and almost knocks the candle on the table over and wouldn't it be awful if she had started a fire? But she can't think about any of that now in her haste to just get out of the claustrophobic Divination tower.
Vaguely, she can hear Professor Onai asking her if everything is fine and she's not sure but she thinks she mumbles something about needing to go to the Hospital Wing - that's a good enough excuse to leave, isn't it? - but then she hears his voice, deep and cutting through the fog in her mind -
"Don't worry, I'll take her and make sure she gets there fine." A muffled response from their professor and then his voice, just as clear as before. "No, I don't know what happened..."
She hears him calling her name as she flees down the spiral staircase, almost tripping over her feet in her rush to get away from him, but he catches up quickly, reaching out to grab her arm in an attempt to slow her down. She stops running immediately - she supposes her traitorous body wants to see what he has to say, or maybe it just wants to bask in his intoxicating proximity. He crowds her space, and she sees that unfamiliar look in his eyes again. So very different from the cold disdain she had seen the last time she had been this close to him, during the argument that had ended their friendship.
"Let go of me," she whispers, but there's no conviction in her voice as she gazes into his deep, brown eyes. He can tell she doesn't mean it and doesn't make any move to listen to her. Why can't she hold on to the rage? A muggle quote about anger floats through her mind: Holding on to anger is like drinking poison and expecting the other person to die. What a sweet poison her anger at Sebastian had been, while it lasted. She tries telling herself that he must still feel the same as the evening he had called her ignorant (ignoring the small voice in her head that reminded her of the letters of apology he had sent (that she had burned without reading), the times he had tried to get Anne or Ominis involved and apologize for him) - because why couldn't he just tell her himself? Maybe she had shut down any and all attempts he had made to repair the rift that he had caused in the first place, but she had been right to be so angry with him.
But oh, Merlin, he's getting closer to her, and she can now clearly see the freckles dusting his cheeks and nose and forehead and then before she knows it, his hand is sliding up her arm, leaving goosebumps everywhere he touches and then he's caressing her jaw with his rough thumb and he pauses. Her eyelids flutter closed as her head tilts towards him - she couldn't stop herself even if she wanted to (what does she want?). She can feel his warm breath ghosting over her lips and she has the improbable, ridiculous thought - how is he remembering to breathe? - before he speaks. His lips brush against hers with every soft word and a deep shiver runs through her body.
"I," she hears him say, his voice so, so low, "haven't been able to think since last week."
That's all she needs to hear, the brush of his bottom lip against hers all she needs to feel, to push her into closing what minuscule distance there is between them and then his lips are on hers and it's better than anything she's been imagining. His mouth is soft against hers, insistent, and her hands go up to grip the collar of his plaid jacket to make sure he doesn't go away or disappear on her.
She knows she's behaving wantonly, snogging Sebastian Sallow in the middle of the hallway where anyone could come across them, but third period has only just started and besides, she has had a week of restless nights being tortured by thoughts of him. A week of a few hours of sleep found here and there. Just one kiss should be enough to help her get over these strange feelings, right? She only feels like this because having him lie on top of her after he crashed into her - that satisfying weight of him - the friction of his thumb brushing against her nipple - had made her realize just how stupid she had been, holding this grudge against him for -
She whimpers in protest but it quickly turns into a moan as his mouth moves away from hers and down to her neck. He pulls at her tight collar desperately - she hears some seams ripping - to give him better access to it, and she finds herself arching her back and pushing her body closer to his as he nuzzles her neck with his nose before giving it open, sloppy kisses. When he hears her, he moves back to kissing her, greedily capturing every breathy moan that comes out of her mouth, but the noises coming from him are matching hers, and at the sound she feels an unfamiliar clenching deep in her stomach. Her fingers come up to his hair, going through the silky curls over and over - how are they as soft as his lips? - and he slowly pushes her back until she's sandwiched between his warm body and the cold stone of the wall behind her.
He lets out a low, frantic growl as a hand goes to grip the back of her head, holding her in place as he slants his mouth over hers. He tastes like cinnamon and...like something forbidden. What has gotten into her? She hates him, and yet...
They have abandoned any pretense of propriety - had they ever even been trying? - by this point. His tongue swipes across her lips and then she is completely lost to him, to every sensation of his mouth, and tongue, on hers. His large hands - the wicked hands that had been caressing her palm and had caused this whole mess in the first place - have moved to her waist and are pulling her even closer to him. When he pulls away briefly, she whines in protest, opening her eyes to glare at him. The sight of him, flushed and breathless, his eyes wide and pupils dilated - must match her own appearance because she sees the same hunger she feels in his eyes. She has never seen Sebastian Sallow so disheveled, but she finds she quite likes it and tugs on his curls with a whine. He obliges eagerly, bringing his mouth back to hers.
She's pressed as tightly against him as she can possibly be, and yet it still isn't enough. Her back arches once again, trying to find something, and then he slots one of his knees between her legs. She moans at the friction caused by his movements, can feel an unfamiliar slickness forming at the juncture between her legs, and this seems to spur him on further as his kisses get more desperate and sloppy. She moves against his leg, trying to relieve some of her discomfort, gasping into his mouth, when -
They freeze. Even if they are fully, completely, absorbed by...whatever this is, they can't ignore the strange, metallic clanking sound coming from their left. Sebastian pulls his head back from her slowly, reluctantly, breathing heavily, and looks over to see what the noise is. She wants to, but all of a sudden the horrifying reality of what they've been doing sinks in and oh god what if the noise is a person? Someone who has now seen her in what might possibly be the most mortifying moment of her life - desperately snogging Sebastian Sallow - and she finds she can't look over. She tucks her head into his neck to hide her face as she listens.
"I demand that you get away from her at once, you knave! Cease your attack!"
The voice sounds vaguely familiar, but she's certain that it doesn't belong to any of her classmates. He almost sounds...medieval, but -
"I made haste when I heard sounds of distress coming from down the hallway," the voice continues, "and it appears I have arrived not a moment too soon!"
She brings her head away from Sebastian's shoulder but still refuses to look over at whoever is speaking, instead choosing to stare at Sebastian's face. He's still deliciously flushed from their snogging, still breathing heavily, but now he looks terribly confused. His brows are furrowed, mouth opening and closing as he tries to come up with a response to the outrage currently being directed at him.
The unknown man is continuing his diatribe, almost not even stopping to breathe as he gets more and more worked up, and she hears some more clanking as he reaches a particularly exciting moment in his rant. Sebastian looks increasingly confused, but still shields her with his body, not moving away from her at all despite the accusations.
Her curiosity gets the better of her and she peeks over to see who it is.
The man who has been reprimanding Sebastian so boldly is none other than Sir Cadogan. Although she's never interacted with him directly, she often hears him yelling at his pony as she passes his portrait on her way to Divination. The knight is standing between two witches having tea, who are glaring at him quite angrily as he gesticulates wildly - every movement of his sword comes dangerously close to their display of cakes and sandwiches and it looks like he has already broken some plates. His armor is ill-fitting and loose on him, which explains the terrible noise.
"You rascally knave! I assure you that you do not want to find out what will happen to you if you do not unhand the fair maiden."
He brandishes his sword again, and the woman closest to him quickly snatches her tea cup away to save it from being broken as well. "Come now, Sir Cadogan," she says, exasperated. "Can't you see that these two are in love?"
The other woman joins her protests, nodding vigorously. "Yes, exactly that. Leave them be!"
"Nonsense," he exclaims. "I too have succumbed to my baser instincts on occasion and I can assure you that this is decidedly not what is occurring."
As Sir Cadogan continues to alternate between lecturing her and Sebastian, and directing his two attention to the ladies who are defending them, she looks back to the boy in question. Sebastian is looking down at her, a bemused smile on his lips and she feels a twinge in her chest. His face is still so close to hers that if she wants to, they could be snogging again with barely any effort and her eyes briefly flicker down to his tempting mouth before going back to his eyes, but...
What had gotten into her? What is she doing?
He had somehow managed to manipulate her again, because there is no way that this situation could have happened otherwise. All of a sudden, the anger she's been feeling for the past year and a half - that had left for a brief, blissful moment - surges again, and she pushes Sebastian away from her with as much force as she can muster. She almost feels bad as the happiness in his face turns to confusion, then frustration as he realizes she's getting away from him.
"Stay away from me," she hisses, picking up her discarded schoolbag from its spot on the ground. As she stalks down the hall, she can hear Sir Cadogan cheering on her bravery over the ringing in her ears.
She has a lot of thinking to do.
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Sebastian Sallow's List of Priorities (in no particular order):
Figure out what the hell I'm going to do when I graduate;
Figure out how the hell I'm going to finish this bloody Charms essay before tomorrow; and
Figure out what the hell is going on between us
Sebastian sits in an undisturbed corner of the library - nobody ever comes to this table because it's tucked away between shelves of incredibly dense magical theory books - and is twirling his quill in his fingers, watching the ink splatter on the list he spent his precious time writing instead of the Charms essay he should be working on. He's far away from the first-years who like to congregate by the windows and watch the leaves fall softly to the ground rather than study for their classes. He's made especially sure that he is far, far away from her.
It's not his choice, mind you, but he needs to be a gentleman about these things. If she needs some time and space to figure out that she's as crazy for him as he is her, fine. But even Sebastian Sallow's patience runs thin, and he's not sure how much longer he can give her to come to her senses before he snaps and takes matters into his own hands. If things were up to him, the two of them would be sitting far too close together now in this secluded corner, and maybe he would need to put a hand over her mouth to ensure her complete silence as he runs a hand up her thigh.
Now that he knows what delicious sounds can come out of her mouth - sounds that he caused - he's been having a hard time concentrating on, well, anything. Sebastian surreptitiously glances across the library to where she's sitting and studying with his sister and Imelda. Ever since the events after their Divination class, Sir Cadogan has taken it upon himself to follow Sebastian around the halls of the castle, tripping through frames and disrupting their inhabitants as he lectures Sebastian on love. The tea party women had managed to convince the knight that he had disrupted an amorous exchange, and Sebastian fervently wishes they hadn't.
The whole school is abuzz with rumors about who it could be. Nobody has even come close so far with their guesses, but Anne and Imelda are having too much fun teasing him about it. Somehow, she has managed to avoid suspicion - he wonders how this is even possible, since she's never been able to hide what she's thinking. He makes eye contact with her - has she been staring at him this whole time? - and she flushes before looking over to Imelda, who's laughing too loudly at something Anne's just said. Sebastian can't tear his eyes away from her profile, his eyes following the curve of her eyebrow, the slight upturn of her lips as she smiles at her friends, her eyes as they dart back to him, her cheeks as she turns an even darker shade of red as she realizes he's still watching her. She tucks a lock of hair behind her ear, and rests her chin on her hand as she tries to look absorbed in what Anne is saying to her.
Sebastian wonders if she's thought about him as much as he's thought about her. Judging by how she had snogged him back, he's positive that she feels the same way, but then he remembers how she had looked at him before she fled, and he's not so sure. He sighs as he looks back to his list, bringing his quill back to the third item and ripping the paper as he crosses it out again. His mind has been going in circles since that moment and he doesn't know what to think. He slowly puts everything into his schoolbag before heading out of the library for yet another freezing cold shower that hopefully tempers his now-permanent state of arousal whenever she's around.
He doesn't notice her eyes following him as he walks out of the library.
He doesn't hear her hurried excuse to Anne and Imelda as she shoves her things into her bag and rushes to follow him.
He doesn't hear her light footsteps as she gets closer to him.
When she puts a hand out to touch his arm as he waits for the moving staircase to stop, with a soft, "Sebastian" accompanying it, he nearly jumps out of his skin. He was so absorbed with thoughts of her, that to see her standing at his side, closer than she had been since they kissed was almost his snapping point.
"Can we talk?" she asks, looking almost embarrassed as she avoids his eyes. She instead looks determinedly at his collar. He thinks she probably notices that he swallows nervously before acquiescing, but she says nothing as she turns and starts hurrying away from him without waiting to see if he follows her.
She must know that he would follow her anywhere at this point.
They weave through hallways - Sebastian vaguely wonders where exactly they're going - before reaching a little alcove, hidden by a suit of armor. She looks around before pulling him into it. It's almost curfew and the halls are never that busy when the weather is as beautiful as it has been these days - the end of September seems to be clinging on to the summer for as long as possible.
Her lips are on his before he can even ask her what she needed to talk with him about, hungry and desperate. Sebastian is too stunned to pull away - not that he would actually want to. Her arms wrap around his neck, keeping Sebastian close, slender fingers sliding through his hair.
"What," she says breathlessly between kisses - almost not even moving her mouth away from his enough to be able to enunciate properly, "are you doing to me? I haven't been able to think for the last month."
Sebastian smiles into her mouth, wondering if she knows that she's repeating the very thing he told her two weeks ago. Maybe she has been thinking of him all this time - he almost hopes that she's been suffering as much as he has. Instead of responding, he moves a hand to cup her jaw, deepening the kiss. His other hand moves to her waist, gripping it tightly, pulling her flush against his body and she gasps into his mouth. He slowly moves her closer to the window alcove behind them, snogging her senseless the whole time. She moans into his mouth which just spurs him on further - her skirt rides up to her hips as Sebastian trails a hand up her stockinged thigh and they both gasp when his hand reaches skin. Her skin is so, so soft and her breathing gets faster as he continues to caress her inner thigh, closer to the bend between her thigh and her center. Sebastian wonders if she's ever been touched there before by someone else and jealousy flares up inside of him at the thought.
In one swift move, he scoops her up and places her so that she's sitting on the window-ledge, the dusky light of the sunset illuminating her from behind and making her wispy flyaway hairs a golden halo around her. Sebastian's breath catches in his throat - has he ever seen anything so beautiful as her in that moment? - she's staring up at him, her fingers playing with the hair at the nape of his neck, her breathing shallow and anticipation in her eyes. "You're," he starts saying and his throat goes dry. He brings a hand up to tuck the errant lock of hair - the one she had tucked earlier in the library - behind her ear and she leans her head into his touch, closing her eyes briefly before looking up at him again with wide eyes. "You're perfect."
She smiles faintly and pulls his head back down towards hers and now she's brushing her lips against his, teasing him, before it's too much and he grips the back of her head, holding her in place as he crushes his mouth against hers in a bruising kiss. Her knees are on either side of his waist, and she desperately grinds her core against his throbbing erection and they both groan at the friction. Sebastian moves his hands down to her thighs again as he kisses her, slowly caressing his way up and pushing her skirt up further until it's completely bunched around her waist. She gasps into his mouth at his first tentative touch after he pushes aside her undergarments. Sebastian swipes a finger up her slit, through the slick that coats it, and then he starts circling her clit with slow, even strokes. She shivers against him - at his touch - clinging tightly to his shoulders and gasping into his mouth as he continues.
Every little noise coming out of her mouth, feeling how wet she is, how the slickness keeps growing growing growing makes Sebastian hungry for more - it isn't enough -
Slowly - so slowly - he wants to savor this moment - he lowers himself until he's kneeling between her legs and he looks up at her. Her face is deliciously flushed, all swollen lips and hair in a wild cloud around her face and all she can do is stare down at him. Her chest is heaving and she tries to close her legs - hide what is exposed to him - but he holds her thighs firmly in place on either side of his head. He turns his head and kisses her inner thigh, maintaining eye contact as he swipes his tongue across where he's just kissed, moving closer towards her slick center.
"Oh," she breathes, not-quite-a-word, not-quite-a-gasp, when his mouth reaches her center and hovers over it, lips slowly teasing her the way she had just teased him. Sebastian tentatively runs his tongue up her slit; the loud moan she lets out when he reaches her clit makes him stay there, applying light and not-so-light pressure in equal measure.
Her hands are scrabbling at his hair, digging into his scalp, ruining his earlier attempts to make it look presentable, hopefully attractive, for her these days. She's pushing his head deeper into the space between her legs, starting to rock herself slightly on his mouth, and Sebastian is happy to oblige. He eagerly laps up her slit, and the obscene wet noises as he continues combined with her whimpers and barely-spoken profanities "oh-yes-fuck-yes-there-please-" are making him hard beyond belief. He's straining against his trousers, begging to be let free. Without moving his face from her, he unbuttons his trousers and starts palming himself, using the slickness weeping out of the tip as lubrication.
She's abandoned all control at this point, grinding herself into his face as he laps her up, and it's driving him wild - knowing that he's doing this to her - causing her to be so undone. Normally she's so poised and aloof, never letting any real emotion flicker across her face, so to see her so desperate and needy and wanting him so -
Sebastian's gasping into her, tongue deep inside of her, "ohmygod" he hears her whisper, her hips driving into his face when she shudders and goes still, pulsing around the tongue that's deep inside of it. He slows down, smiling as he continues to run his tongue up her slit until she's responsive again. He kisses her inner thigh and hears her moan before getting up, caressing a finger down her love-struck face and leaning his head down to kiss her deeply. With his other hand he's still touching himself - the thought that she can taste herself on his tongue driving him crazy - and he starts rubbing its blunt head against her swollen clit. She takes it out of his hand- he groans at the feeling of her soft hands (the hands he had held a week ago in Divination and pictured doing this exact thing) tentatively caressing his length before she begins to slide it up and down her slit, coating it in her wetness.
Sebastian has surrendered all control to her - resting his hands on either side of her hips on the windowsill, tucking his head into the crook of her neck and thrusting with her movements as he loses himself in the sensation of sliding through her slick folds. He can feel his release building building building, and when he finally comes, all over her perfect, pink center, it feels like a finally.
Sebastian feels so, so heavy as he pulls his head away from her shoulder, as if he could fall into a blissful sleep right there, in the little window alcove where they've hidden themselves away. The sun has now set completely and they're in shadow as they stare at each other, the sound of their ragged breathing filling the tiny space.
"Sebastian, I..."
She's staring at him with an unfathomable expression on her face, still holding him in her hand, her other hand playing with the hair at the nape of his neck. They look down and he feels his face heat up even more at the mess he's made - he quickly pulls out his wand and cleans her up, before looking back at her, giving her a wry smile as he buttons up his pants and helps her off the ledge. "What did you want to talk to me about, again?"
She gives a slight shake of her head and looks away, but she can't hide the small smile that's growing on her face just like she can't help her eyes that keep wandering over to his. He knows the growing smile on his face matches hers - did that really just happen? She reaches over to lace her fingers through his as they walk around the suit of armor. "I - it's not important."
"Come on," he says, not being able to resist the opportunity to tease her - he's somehow managed to break through the barriers she's set up around her, and he's not about to let the opportunity slide. "Surely that's not what you had in mind when you..."
Sebastian trails off as he sees the expression in her face turn to one of horror - he didn't think his teasing was that bad, was it? - but she's also pulling her hand out of his like she's been burned and -
He follows her gaze, to where it's fixed at the end of the hallway and he knows that once again his face mimics hers. He will never live this down.
Standing at the end of the hallway and looking like two cats who've just found a huge dish of milk, are his sister and Imelda.
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Misery.
Complete and utter misery are what she's feeling, if she has to put it into words, which she does. Writing things down always helps her out, helps her organize her thoughts into some sort of order. Except...this time around, it's not really helping. She can't seem to make any sense of her feelings for Sebastian.
She looks over the muddled mess of words she's written down - stream of consciousness, incomprehensible babble - and sighs. She's been dreaming of falling in love since she was a young girl - Jane Austen will do that to you - and can't believe that now that she's had her opportunity, it has to go and be with Sebastian Sallow. Because it has to be love, hasn't it?
There can be no other explanation for the painful way her stomach twists itself up whenever she catches a glimpse of him these days, the way he's consuming her every thought - even when she's dreaming she can't escape him. She can't get the sight of his tousled curls between her legs, his mischievous, warm brown eyes looking up at her as she had the most mind-numbing, toe-curling orgasm of her life - none of the times she's touched herself have ever come close to the sensations he managed to evoke.
Every time she's walking through the hallways between classes and hears his loud voice as he jokes with Garreth, or Ominis, about quidditch or Merlin-knows-what her eyes snap to his face as if he were the sun, and she a sunflower searching for its warmth. And he is most decidedly not the sun. He has the tendency to snort when he laughs, and he laughs too much, especially at his own jokes. Sometimes he talks while he eats. He always twirls his quill between his long fingers in the most annoying way, splattering ink onto any parchment unfortunate to be caught underneath. But he also...
He also always goes out of his way to prepare Ominis's Potions ingredients (why Ominis decided to take and was accepted into NEWT level is a mystery to everyone), occasionally stops to play a round of gobstones with Zenobia when he has the time. Sebastian can often be found in his favorite armchair in the Slytherin common room, resting his face on his hand as he idly flips through the pages of some book, looking altogether too handsome as he does so. And when he stretches and yawns at the end of every Arithmancy lesson - like he is now - his shirt lifts up a bit and she can see a tan sliver of his stomach and -
Snapping in front of her: she blinks and looks over: when she sees it's Imelda her face immediately turns beet red and she grabs the paper she's been doodling on and rips it to shreds as fast as she can.
"Are you fantasizing about a certain annoying someone?" Imelda asks with a wicked grin, dramatically looking over her shoulder at the certain someone in question. He's still stretching, blinking sleepily; when he notices the two girls watching him he flushes deeply. Her stomach twinges again at the sight of him noticing her - has he thought about her since that moment as much as she has? What would she do if he had? Or...if he hadn't? - and she focuses instead on the paper she is currently destroying.
"Imelda," she hisses, glaring at her best friend, "stop."
Imelda does not stop.
Imelda doesn't stop during their walk to Herbology, and she does not stop as they set up their planting stations, and she most certainly does not stop as they mutter charms over their plants.
Ever since she experienced the most wonderful moment in her whole life, followed by the most mortifying, Anne and Imelda have not stopped pestering her about it. They've finally solved the 'Sir Cadogan Puzzle' - I knew it was you all along, claims Anne - but if they truly knew what had happened between her and Sebastian, she's afraid the two of them would simply combust. She loves them dearly, but they never know when to stop, and they've been pushing and poking and prodding her for more information the whole week. She has managed to remain tight-lipped and, she hopes, mysterious about the whole thing, but she's getting tired of the teasing.
"Really," Anne says, wiping her forehead and leaving a trail of dirt behind, "if you would only talk to him, I would stop bothering you. Promise."
"Yes," chimes in Imelda, on her other side, wrestling the leaves of her own plant into submission. "You know, after we saw the two of you holding hands and looking at each other with stars in your eyes, I'm really starting to doubt that you hate him as much as you claim."
"Were the two of you snogging in secret all of last year too? Because, I'm starting to get annoyed thinking of all the times I had to talk to my brother for you because of your stubborn pride."
Does she still hate him? She certainly thinks she should, but then her thoughts get terribly confusing as she continues to think about him, and she realizes all of her old hatred has long since faded. Anne has forgiven her brother, Ominis has forgiven him, and all that remains is her.
They should talk, but she doesn't know what to say.
She's afraid that maybe the man she's been inventing in her mind this past month is simply a figment of her imagination - a fictitious being created by an accumulation of stolen glances when he doesn't know she's watching, someone who all of their classmates seem to like, someone who is very different from the fifteen-year-old boy she had that terrible argument with all that time ago. Maybe he doesn't actually exist.
She would be crushed if he's hiding the fact that he still holds on to that desperate darkness that had driven him to save Anne by any means necessary.
And so she keeps her space. She watches him from afar, feeling the hatred slowly melt off of her, falling more in love every day, but too cowardly to make the next move.
Anne and Imelda continue bantering on either side of her, not noticing - or, more likely, not caring - that she isn't participating.
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Sebastian's hands are sweating. He wipes them on the inside of his robes as he glances at the girl next to him. She's holding herself rigidly, but she did this to herself, sitting next to him at dinner as she had.
Well, sitting next to him hadn't been completely her idea if he's being honest. He'd been having dinner with Anne, and the two of them were dying of laughter as she recounted seeing Duncan Hobhouse get tormented by Peeves earlier that day. One moment, Anne had been demonstrating what she had seen using her potatoes and green beans as props, and the next, a particularly evil grin had lit up her face as she pushed her plate away with gusto and jumped to her feet, calling her over.
"It would be such a shame for these potatoes to go to waste, seeing as I have a very important meeting to attend," Anne had said, after pushing her friend into the very tight space at Sebastian's side. "Never mind the mess, I can assure you I didn't actually eat the food..."
And with that, Anne had flounced away, Imelda on her arm, the two girls cackling to each other as they snuck wicked glances over their shoulders at the couple.
A couple who is now steadfastly avoiding each other and trying their hardest not to even brush elbows. Sebastian is altogether too aware of her presence, has been for the better part of a month, and his patience is dangerously close to snapping. He keeps getting maddeningly close to finally getting her to open up to him - had actually achieved it for a few blissful moments - just to have it be taken away again. It's almost embarrassing how many times he's thought about their encounter. She had been everything he'd been dreaming about and more - soft, responsive, just as desperate as him - so why has she been avoiding him so thoroughly?
Yes, he's caught her staring at him more times than he can count, with that same unfathomable expression she had before, almost dreamy - wistful - could it be love? But he knows that it's preposterous, wishful thinking on his part. If it were love - if she felt the same crazy, tumultuous emotions that he was feeling constantly - she wouldn't be so cold towards him. Even if she was staring at him more than ever before.
He doesn't notice as she slips a folded paper into the book sitting next to his plate, but he does notice that she sits next to him for barely five minutes, not even touching the food that Anne has so graciously left her, before she gets up and slips away without so much as speaking a single word to him, or even looking in his direction at all.
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Sebastian's sitting in a nearly empty common room after curfew, flipping through his book as he normally does this time of day, when she sees him pause.
Although she's been waiting for this moment, watching him from the corner she's tucked herself away in, she feels ready to pass out from nerves. Her heart's ready to burst out of her chest as she watches him curiously pick up the letter she slipped in his book earlier, brow furrowed. She wrings her hands nervously as she watches him read the letter and flip over the page to see if there's more, and then he goes back to read it again from the beginning.
She wasn't expecting him to read it a second time, let alone a third time, still with an inscrutable expression on his face. Maybe she should have positioned herself closer so she could see every emotion flickering through his face as he reads - she's too far away to see anything and she curses her lack of foresight. If she moves now, he'll see her, and she doesn't even know what she was thinking when she wrote the letter, when she managed to convince Anne to help her get close to Sebastian earlier that night during supper, when she moved herself to sit in this corner just so she could watch him find and read the -
"Hello."
She nearly jumps out of her skin with a muffled shriek at the sound of his voice so close to her. Why does she feel almost guilty when she looks up at him? She's so, so afraid.
Emotions have never come easily to her. Showing them is something she's not sure will ever come naturally - Anne and Imelda can laugh and shout without a care in the world, but she always holds herself back. Hides a small part of herself away, that only she knows about. Baring herself completely to Sebastian in the letter she feverishly wrote the day before was like ripping out a part of her soul and giving it to him to keep. Once the words were written down, there was no way to take them back, not that she wants to.
But what if he rejects her?
Her eyes get hot and tears cloud her vision as she stares up at him, still wringing her hands together over and over, feeling like she's positively going to burst with the force of the emotions roiling around inside of her. Why did she think this would be a good idea?
Now he's kneeling in front of her, holding her hands in his bigger, rougher ones - reminiscent of that fateful day so long ago in Divination when he had flustered her so - and a thumb is gently wiping away the big, fat tears she didn't even realize were rolling down her cheeks and she lifts her face from watching their intertwined hands and gazes tremulously into his eyes.
They are so, so gentle and warm and full of love, but the emotions are still too much for her and she can't stop crying for some unfathomable reason, so the kiss they share is wet and lovely and full of incredulous laughter.
"I love you too," he whispers between kisses, over and over again, until the words almost lose meaning - but these words could never lose their meaning when they come from him.
  In the years to come, they always bicker about who was the first to say it. Sebastian says that writing doesn't count - that his words are the ones that decide who is the victor in this small argument - but she always just smiles at his insistence, knowing that he's kept her letter tucked inside whatever book he's reading since it first fell onto his lap.
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