#Roco Films

[jontheblogcentric]

VIFF 2024 Review: The Thinking Game

The Thinking Game is a documentary that makes understanding A.I. pioneer Demis Hassabis to be as much about trying to understand how A. I. came to be and how it evolved to what we have now. The topic of A.I. is something to provoke a lot of discussion. Some will regard it as a revolutionary breakthrough in technology. Others see it as a threat that devalues human abilities. The documentary The…

[craniumflight]

I agree, Manila Sa Kuko ng Liwanag is indeed a very very good (though heavy film)

the acting and directing is awesome

each shot tells a story, there is no wasted moment.

poignant and raw and

harsh

[silenthillmutual]

do you have any recommendations for non-serious/silly media. if not, that fine! i just wanna hear your recommendations

certainly!

Young Frankenstein (dir. Mel Brooks) - a sort of... spoofish sequel (?) to Frankenstein. Victor's grandsone returns to his lab and winds up carrying out the same work.

Monty Python and the Holy Grail [<- IA] (dir. Terry Jones & Terry Gilliam) - Monty Python's goofy take on Arthurian Legends. really fun to watch while high.

Mortal Kombat [<- Tubi] (dir. Paul W. S. Anderson) - is this movie good? absolutley not. but i have a fun time watching it.

My Cousin Vinny [<- Tubi] (dir. Jonathan Lynn) - two young adults get accused of armed robbery and get the help from a lawyer in the family who is. well. joe pesci.

Clueless (dir. Amy Heckerling) - basically the same plot as Jane Austen's novel Emma, except they're high schoolers in America.

The Addams Familiy & The Addams Family Values (both dir. Barry Sonnenfeld) - live action Addams Family films from the 90s are a classic to me. i also recommend the tv show from the 60s.

Clue [<- PlutoTV] (dir. Jonathan Lynn) - an adaptation of the the board game Clue

A Night at the Opera (dir. Sam Wood, Edmund Goulding) and Duck Soup [<- IA] (Leo McCarey) - they're Marx Bros films so they're silly as all get out.

The Hitchhiker's Guide to the Galaxy by Douglas Adams - very silly sci-fi story about a human who winds up saved from Earth's destruction because his best friend is an alien. And he didn't know.

Mort by Terry Pratchett - a kid who isn't really good at anything gets taken on by Death as an apprentice. Discworld book but you don't have to know anything about the world to read it.

if you're okay with kid's lit, i was a big fan of the Bunnicula books as a kid (family cat thinks family rabbit is a vampire) and have been meaning to reread them.

the original Spyro or the Spyro Reignited trilogy - very comforting series to me

Unpacking - there is a story here all through environmental storytelling, though i mostly just sort of fell into the need to organize things with this game

Elite Beat Agents - pop music rhythm game for the DS with made up scenarios to go with the music

Loco Roco - platformer where you're just some little guys.

Haunt the House: Terrortown - cartoony game where you play as a ghost to scare people (sometimes to death) (i play this when i'm having panic attacks)

i've been enjoying putting on Way of the House Husband when I'm having a bad time

also the manga/anime of Chi's Sweet Home

and Skull-face Bookseller Honda-san

the music of They Might Be Giants, especially the album Flood [<- Spotify]

MandaloreGaming's video on a weird adventure game called Mystery of the Druids [<- YT]

hbomberguy's classic Sherlock is Garbage, and Here's Why

TF2 Yeah Toast! [<- YT]

TB Skyen reads an article about how Millennials are Killing Mayonaise [<- YT]

hope one of these clicks for you!

[colorfulprincewombat]

22 DICEMBRE 2014 moriva JOE COCKER, quel soul che arrivava dalle miniere

Oscurò i Beatles con "With a little help from my friend".

Un tono inconfondibile, un crepuscolo da Sinatra del rock

Joe Cocker, il "leone di Sheffield", la più grande voce blues della storia del rock britannico, è morto all'età di 70 anni.

Per oltre cinquanta (aveva esordito nel 1963 con la band degli Avengers, quando aveva solo 15 anni), aveva segnato la storia del rock con il suo tono roco e caldo, insegnando a un paio di generazioni di cantanti come si potesse cantare il blues ed il soul pur non essendo afroamericani, anzi arrivando dal cuore minerario dell'Inghilterra.

Impossibile non amarlo, come fecero tutti quando salì nel 1969 sul palco di Woodstock e cantò, strappando le note con la carta vetrata della sua gola, una versione incredibilmente intensa di "With a little help from my friend", facendo diventare la sua versione l'originale e cancellando addirittura quella già famosa dei Beatles cantata da Ringo in "Stg. Pepper".

Cocker aveva uno stile inconfondibile, chiaramente ispirato alla lezione dei grandi bluesman afroamericani, ma riportato nel pieno dell'evoluzione del rock, venato di gospel e di psichedelia, sostenuto con l'elettricità e caricato con la passione.

E con queste caratteristiche era riuscito negli anni a diventare la voce più riconoscibile del rock, soprattutto all'alba degli anni Settanta quando con Leon Russell e i mad Dogs & Englishman aveva conquistato l'America con uno straordinario tour e, sull'onda di quel successo, aveva spinto legioni di giovani cantanti a mettersi sulle sue orme. Imitatori del suo stile ce ne sono stati tanti, ma nessuno è riuscito a eguagliare il maestro, che sapeva essere interprete sopraffino, in grado di prendere una canzone scritta da altri e trasformarla in qualcosa di suo.

Era successo così con molte canzoni dei Beatles, dei quali era diventato eccellente interprete, ma anche con molti altri classici del rock, del soul e del ryhthm'n'blues che nei primi anni Settanta aveva inciso in album molto belli, ricchi di brani come la leggendaria "You are so beautiful".

Poi gli eccessi, l'alcol e la droga, molte crisi e difficoltà prima della rinascita, negli anni Ottanta, prima con la clamorosa vittoria dell'Oscar per "Up where we belong", cantanta con Jennifer Warnes e compresa nella colonna sonora di "Ufficiale e Gentiluomo", poi con album del calibro di "Sheffield Steel", e poi ancora con la planetaria affermazione di "you can't leave your hat on", che diventa il brano trainante del film "9 Settimane e 1/2".

Da quel momento in poi, complice la ritrovata serenità personale e familiare, con l'amore della sua vita, la moglie Pam, Cocker ritorna al successo, si trasforma in una sorta di "pontefice" del soul bianco, diventa il "Sinatra" del rock, in grado di invecchiare con infinita classe e saggezza, producendo dischi di ottimo livello, dei concerti sempre emozionanti e attraversare il passaggio del millennio come una star.

Ci manca Joe Cocker, il suo stile appassionato e travolgente, la sua inarrestabile simpatia, la disponibilità di un'artista di altri tempi, per il quale il rock non era mai morto, il soul era il sale della vita e la musica la cosa più importante del mondo.

[rocofilms]

My Omaha (Trailer) from ROCO Films on Vimeo.

[josh0555]

This is the 2017 Summer Station ID of GMA. The Summer Station ID was themed “Kaya Join Na Sa #Araw”.

The Summer Station ID theme song is The Touch from the 1986 animated film The Transformers: The Movie which was performed by British rock band Europe.

The Summer Station ID contains Willie Revillame, Belle Mariano, Pauleen Luna, AC Bonifacio, Cianne Dominguez, Zia Marquez, Ryzza Mae Dizon, Julia Barretto, Joyce Ching, Donny Pangilinan, Hiro Peralta, Josef Elizalde, Kit Thompson, Alwyn Uytingco, Prince Stefan, Dominic Roco, Felix Roco, Drew Arellano, Joross Gamboa, Arnell Ignacio, RJ Padilla, Alexa Ilacad, Kristel Fulgar, Gabbi Garcia, Mika dela Cruz, Prince Villanueva, Arron Villaflor, Maine Mendoza, Xian Lim, Luis Manzano, Matteo Guidicelli, John Lloyd Cruz, Kokoy de Santos, Mark Herras, Benjamin Alves, Enrique Gil, Kiko Estrada, Paulo Avelino, Liza Soberano, Kim Chiu, Edu Manzano, Jericho Rosales, James Reid, Nadine Lustre, Victor Silayan, Julia Montes, Martin Escudero, Slater Young, Iza Calzado, Billy Crawford, Vhong Navarro, Teddy Corpuz, Heart Evangelista, Erich Gonzales, Dimples Romana, Arra San Agustin, Rufa Mae Quinto, including twin sisters Anne Curtis and Jasmine Curtis-Smith, Super Junior as the rowing crew, NCT as the cyclists, Chris Tiu with Momoland as his football team against his rival Kai Sotto with Twice as his football team, Ogie Alcasid with his wife Regine Velasquez and cameos of the Super Sentai cast like Hiroshi Fujioka, Ryo Ryusei, Keisuke Soma, Kane Kosugi, Yumi Sugimoto, Chise Nakamura, Yasuhisa Furuhara, Hiroki Aiba, Gaku Sano, Jun Toba, Rina Aizawa, Kenji Ebisawa and Masahiro Usui.

The Summer Station ID features Lightning McQueen the silver and blue Nissan Skyline as he is about to enter the race. Somehow, The Summer Station ID also features child actors in the very end like Joem Bascon, Long Mejia, Miko Sotto and Rico Yan including Dr. Eggman from the Sonic the Hedgehog series at the very end as he jumps off from the rooftop as he barks saying “Bye!” similar to the Cartoon Network Studios logo variant of Miraculous Ladybug during the Scarlet Army two-parter.

Somehow, The former TV5 stars and former GMA stars also also seen as well. Eventually, Regine Velasquez was seen as a guest of GMA in 2005 when she sang the highest note while recording the 2005 Christmas Station ID “Kapuso, Ikaw ang Star ng Pasko” but when she sings the highest note, the lights bursted out which surprised the GMA crew members.

This is also the only Summer Station ID to feature the clips from the 2009 Summer Station ID of ABS-CBN which is “Summer sa Mundo ng Pilipino”, the 2010 Summer Station ID of GMA which is “All-Stars and the Sun” and the Summer Station ID of TV5 in 2012 which is known as “Iba Ka-Summer Ang Kapatid!”. Eventually, The clips are also recycled in the 2012 Summer Station ID of ABS-CBN which is known as “Iba Ka-Summer Ang Kapamilya!”. Somehow, This includes the clip of Just Lose It by MC Hammer from Art Attack where Vice Ganda waves at the end with child actors in the past like Joem Bascon, Long Mejia, Miko Sotto and Rico Yan jumping on the bed but Miko Sotto and Rico Yan appeared posthumously since they died in the past.

Somehow, This was also the fourth Summer Station ID of GMA to feature the crew of ABS-CBN, GMA and TV5.

[ulkaralakbarova]

Australian journalist Guy Hamilton travels to Indonesia to cover civil strife in 1965. There—on the eve of an attempted coup—he befriends a Chinese Australian photographer with a deep connection to and vast knowledge of the Indonesian people, and also falls in love with a British national. Credits: TheMovieDb. Film Cast: Guy Hamilton: Mel Gibson Jill Bryant: Sigourney Weaver Billy Kwan: Linda Hunt Pete Curtis: Michael Murphy Colonel Henderson: Bill Kerr Wally O’Sullivan: Noel Ferrier Kumar: Bembol Roco Kevin Condon: Paul Sonkkila Hartono: Domingo Landicho Tiger Lily: Kuh Ledesma Immigration Officer: Hermino De Guzman Ali: Ali Nur Betjak Man: Dominador Robridillo Palace Guard: Joel Agona Sukarno: Mike Emperio Dwarf: Bernardo Nacilla Pool Waiter: Coco Marantha Ibu: Norma Uatuhan Udin: Lito Tolentino Moira: Cecily Polson Hadji: David Oyang Embassy Aide: Mark Egerton Naval Officer: Joonee Gamboa Officer in Cafe: Pudji Waseso Security Man No. 1: Joel Lamangan Security Man No. 2: Mario Layco Doctor: Jabo Djohansjan Roadblock Soldier (as Agus Widjaja): Agoes Widjaya Soedjarwo Airport Official: Chris Quivak Film Crew: Screenplay: Peter Weir Novel: C.J. Koch Producer: Jim McElroy Original Music Composer: Maurice Jarre Director of Photography: Russell Boyd Editor: William M. Anderson Screenplay: David Williamson Executive Producer: Freddie Fields Art Direction: Herbert Pinter Continuity: Moya Iceton Camera Operator: Nixon Binney Second Unit Director of Photography: John Seale Sound Recordist: Gary Wilkins Boom Operator: Mark J. Wasiutak Production Accountant: Elaine Crowther Production Supervisor: Mark Egerton Production Coordinator: Carolynne Cunningham Second Assistant Director: Chris Webb Third Assistant Director: Michael Bourchier Gaffer: Brian Bansgrove Best Boy Electric: Paul Gantner Key Grip: Ray Brown Costume Design: Terry Ryan Costume Supervisor: Anthony Jones Makeup Artist: Judy Lovell Hairstylist: Cheryl Williams Assistant Art Director: Anni Browning Casting: Alison Barrett Still Photographer: Jim Townley Movie Reviews:

[popcornpicks]

BLOG ENTRY N0.5

The Intense Power of "Babae at Baril"

"Babae at Baril," directed by Rae Red and released in 2019, is a striking Filipino drama that explores themes of violence, empowerment, and societal oppression. This film offers a gripping and thought-provoking narrative that resonates deeply with viewers. Its raw portrayal of a woman's struggle for agency in a male-dominated society makes it a standout piece in contemporary cinema.

Plot Overview

The story centers around a nameless woman (Janine Gutierrez) who works as a saleslady in a department store. She lives a monotonous and often harsh life, dealing with everyday struggles and harassment. Her life takes a dramatic turn when she finds a gun on her doorstep. This discovery sparks a transformation in her, as she begins to reclaim control over her life and confront those who have wronged her.

As she navigates the complexities of her newfound power, the woman faces both external and internal conflicts. The film delves into her psyche, exploring how the presence of the gun influences her actions and decisions. "Babae at Baril" portrays her journey from a passive victim to an empowered individual, highlighting the societal forces that shape her transformation.

Characters and Performances

Janine Gutierrez delivers a compelling performance as the nameless woman. She captures the character’s vulnerability and strength, making her transformation believable and impactful. Gutierrez’s portrayal is nuanced and powerful, conveying a wide range of emotions as her character evolves.

The supporting cast, including Felix Roco and JC Santos, add depth to the film. Their interactions with Gutierrez's character reflect the various societal pressures and injustices she faces. The performances contribute to the film's realistic and immersive narrative.

Visuals and Special Effects

"Babae at Baril" employs a gritty visual style that enhances its intense and raw storytelling. The film uses a mix of handheld and static camera work to create a sense of realism and immediacy. The urban setting is portrayed with a stark and unfiltered lens, reflecting the harsh realities of the protagonist’s life.

The use of lighting and color is particularly effective in highlighting the emotional tone of the film. Dark, shadowy scenes contrast with moments of intense light, symbolizing the protagonist’s internal struggle and moments of clarity. The visual style complements the film’s thematic focus and enhances its emotional impact.

Themes and Impact

"Babae at Baril" tackles themes of empowerment, violence, and societal oppression with sensitivity and insight. It explores the impact of patriarchy and systemic injustice on women’s lives, offering a powerful critique of the social structures that perpetuate inequality. The film also delves into the psychological effects of violence and the complex nature of empowerment.

The film’s portrayal of a woman reclaiming her power through violence raises important questions about the nature of justice and self-determination. It challenges viewers to reflect on the societal conditions that drive individuals to extreme actions and the moral ambiguities that accompany such choices.

"Babae at Baril" has received critical acclaim for its bold storytelling and powerful performances. It has sparked discussions about gender violence, empowerment, and social justice, making it a significant and influential work in contemporary Filipino cinema.

Overall Ratings

Plot/Storyline: 9/10

Script/Writing: 9/10

Cinematography: 10/10

Acting: 9/10

Attraction value/Rewatchability: 9/10

Why do i recommend this movie?

"Babae at Baril" is a powerful and thought-provoking film that combines strong performances with a raw and realistic portrayal of important themes. It is a significant contribution to contemporary cinema, offering a profound exploration of gender, violence, and empowerment. Whether you are familiar with these issues or looking to gain a deeper understanding, "Babae at Baril" is a film that will leave a lasting impact.

So, find a quiet place, open your heart, and step into the intense world of "Babae at Baril." The emotional journey awaits!

[kalakian]

Ministop Aesthetics

Ang mga larawan ay kuha sa pelikulang "Sleepless" na mapapanuod sa Netflix.

[renais-sands]

Liway (2018)

MASASABI KO LANG NAKAKAGOOSEBUMPS YUNG REVELATION NUNG MGA CHARACTERS SA POST OR AFTER END CREDITS. LALO NA SI DAKIP.

Madalas ko na rin makita si Dominic Roco ha. Nagiging crush ko na sya char pati si Glaizaaaa ang galing nila. Effortless. May political agenda kaya marahil marami ang hindi masyado inclined pero sa mga ganitong films kaya nagkakaroon ng bagong perspektibo. Pero para sa mga sarado ang isip, syempre ito ay isang propaganda sa kanila. Totoong hindi naman natin nakikita lahat ng nangyari sa kasaysayan pero hangga't merong nagpapatotoo at apektado sa mga nangyari, dapat ba isawalang bahala yun? Lalo na sa mga martial law victims? #Never again #Marcos diktador

I'm not very vocal sa mga gantong usapin lalo na nung active pa ako sa simbahan pero para saan ang prinsipyo at pakikipagkapwa-tao at pagmamahal sa kapwa at bayan kung magiging bulag o magbibingi-bingihan sa pagpili ng dapat na maging lider ng Pilipinas? Hindi dapat palagpasin ang mga ganitong uri ng palabas lalo na base sa totoong pangyayari. Maeelibs ka rin siguro kung papanoorin mo hanggang dulo bakit ko yun nasabi. Pero sana marami sa pilipino ang mamulat talaga.

Wala namang rebelde kung tama ang sistema. Wala namang magrereklamo kung tama ang trato. Wala ring mag aaklas kung walang dapat iaklas. Kaya sa mga nagsasabing epal lang ang mga activists, pakyu kayo hahahaha jk coming from me talaga to. Ewan siguro dala ng emosyon (lalo na sa part sa film na pinatayo maghapon hangga't sa naihi na lang yung pinarusahan. Kahit wala namang kasalanan. Kahit ako bata makasaksi ng ganun mawawalan din ako ng gana maglaro)

Spoiler alert!

Pero on the positive side ng character, nakakahanga yung katapangan at aruga ni Liway bilang asawa at nanay. Kahit na kailangan niyang iwan pamilya niya dahil sa pinaglalaban nila, ginawa niya para sa kaligtasan ng lahat. Sakripisyo. Tapos yung nawawalan ng pag-asa asawa niya, sya nagsilbing liwanag kahit sa mga iba. Yung pagmamahal niya sa anak niya, gagawin niya lahat para maproteksyunan at mabigyan ng kaligtasan. Kung ako sa panahon na yun at nandun ako at ipaparanas sakin yun, di ko alam kung makakasurvive ako. Pero naitawid nila yun hanggang matapos ang panunungkulan ng halimaw. Pero the point there is that, however bad your situation right now, that is not final. Makakausad ka rin. Makakaahon ka rin. Basta matutong lumaban at manindigan. Higit sa lahat, laging tandaan ang rason sa lahat ng iyong paggising sa umaga. Yun lang di ko na pahahabain kasi isusunod ko naman sleepless hahahahaha

[abispostsstuff]

The Darkness in Light: Manila in the Claws of Light

            Of the various movies which deal with factual situations, "Maynila sa mga Kuko ng Liwanag," is meritorious. This Lino Brocka film is one of the best classic films ever.            The motion picture is an adaptation of the book, "Sa Kuko ng mga Liwanag," written out by Edgardo Reyes. It describes the societal glitches encountered in the 70s, focusing on disparity and exactly how prostitution became an escape to those who sought for a better life and be freed from poverty.            The lead role of Julio Madiaga was portrayed by a novice actor, Rafael Roco, Jr., now popularly known as Bembol Roco. The female lead, Ligaya Paraiso, was played by Hilda Koronel.            The movie depicts some kind of symbolisms. The character of Julio represents the Filipino's vision of having more in life, of being fascinated by the glitz Manila is seen as a city of dreams only to discover that it actually was a cemented jungle where the vulnerable ones would be an easy target to those who were always prying for victims. Ligaya Paraiso, on the other hand, stands for the Motherland, a supposed place of happiness and paradise but was molested by a foreigner symbolized by Ah-Tek. Because Julio cared so much for Ligaya, he slayed Ah-Tek after finding out that Ligaya's death was not due to an accident. This indicates affection for one's motherland resulting from hostile act unto the offenders, even using one’s own hands to conquer injustice. Julio at the latter part of the film is seen being chased by the people who were trying to catch him for the killing until he reached a dead-end. He wept with an ice pick in his hand. The dead-end could symbolize Julio's end in the hands of those running after him or in his own hands. It could also mean hindrance and obstacle which would eventually be overcome.

           Although the movie was set in 1975, it offers an image of the harsh realities in life. It visualizes related issues that are still prevalent nowadays. One of them is injustice. Julio suffered prejudice because of the meager salary of 2.50 per day he received for a hard day of labor as a construction worker. Ligaya also suffered same from the hands of an abusive Chinese. As a result, both Julio and Ligaya were exploited. Nowadays, we heard of injustice being committed to those innocent ones. There are instances wherein those affluent ones who have the influence and money are spared of and do not get penalized for their offenses. Justice is oftentimes elusive and in jeopardy for the Julio and Ligaya of these days. How ironic that Ligaya was abused by a Chinese which is the same nationality who would like to abuse our territorial land, the Ligaya Paraiso of our heritage. Ah-Tek, a Chinese who took advantage of the frail woman that was Ligaya. Nowadays, the Chinese are seemingly taking advantage of the pathetic Philippines for they are aware that our arms depot is of no match to their weaponries and artilleries.            Is it correct to think that in the midst of gloom there is sunlit and that within inconspicuousness there is hopefulness? Are we only made into thinking that we can still hold on for the days ahead or will it still remain just a dream for most of us? Life at times gives us so much to bear. Instead of being despair, one must be confident and optimistic that everything would turn-out differently as time goes by. In order to better appreciate the good things in life, obstacles and hindrances must be looked at as part and parcel of life.            The darkness in light would mean that despite the bustle of city life it could not be denied the existence of manipulation and exploitation. Maynila gives us a vivid picture of how darkness is visible and evident amidst the light. Kuko or claws could hurt or spike someone. It is sort of a representation of hardships or darkness in one's life.

[popcornworthy]

|Sleepless (2015)| ★★★★✩

|MOVIE ENTRY#| 38/100; first watch

|SUMMARY| Gem and Barry are two lonely people who can't sleep. They spend hours lying awake while everyone else is asleep. They are both stuck in a rut, both of them working dead-end jobs at a call center. Gem can't seem to let go of a stifling relationship while Barry can't let go of a great loss. They explore the city at night and find ways to kill time.

|GENRE| Drama

|CREATORS|  Prime Cruz,  Jenilee Chuaunsu

|STARRED BY|  Glaiza de Castro, Dominic Roco, TJ Trinidad

[ruleof3bobby]

THE YEAR OF LIVING DANGEROUSLY (1982) Grade: C+

You could see why Gibson became a star in America soon after this. The rest of the film is a lot of Information jammed in, felt cluttered. 

[maixmaixmaix]

Liway Kip Oebanda Nung Cinemalaya 'to eh. Hindi ko napanuod! Shuta! Kaya eto na! eto na! Actually, hindi ko alam kung anong mararamdaman ko. Nastress ako pagkatapos ng film. Gusto kong magwalwal! HAHAHAHA! Shuta! Buti na lang may mga funny moments pa rin. Kasi shuta! Ang dami kong naiisip na kwento talaga nung panahon ng Martial Law. Inang yan! Ang cute cute ng gumanap na Kip! Infairness, parang natural lang. Hahaha! Lalo na pag bumabanat siya ng nakakatawa. Hahaha! Bumalanse sa bigat nung mga eksena eh. Pero hindi ko talaga kinaya yung bagong warden. Kingina non kungsinuman siyang hayup siya! Sobrang sakit ng puso ko non. Shuta!!!! Pero inabangan ko rin talaga yung tugtug ni Glaiza ng Bayan Ko. Huhuhuhu. Tangina talaga! Like shutangina!!!!! Alam mo yung parang wala ka na talagang makitang pag-asa sa Pilipinas pero meron at meron pa rin talagang kukurot sa puso mo na shuta ka, meron pa ring pag-asa kahit papaano. Kahit konti. Huhuhu. "Meron po ako kaninang nakita, manekin. Hindi siya nagsasalita at hindi siya kumikilos, akala ko totoong tao. Akala ko ang mga tao dito sa labas, hindi nagsasalita at hindi kumikilos, hindi naman pala." SHUTANG INA NG LINYA NA YAN NI DAKIP! SOBRANG SHUTA! I SEE WHAT YOU DID THERE! Sobrang solid ng kuda ni Kip dun sa rally eme eme! "Pero minsan, ang batas ay walang hustisya. Minsan ang sistema ay mapang-api." Grabe 'to! Grabe tong kuda ni Liway kay ex-warden! Huhuhu. Alam mo yung gusto mo silang igrouphug kasi shutangina ng sistema. Okay naman si ex-warden eh. Parang neutral lang siya. Tinutupad ang tungkulin at the same time may puso pa rin. Huhuhuhu. Nastress din ako sa eksena nung tinipon na lahat ng rebelde sa kampo. Shuta yan, akala ko papatayin na silang lahat. Huhu. Ang sakit sa puso non. Pero hindi naman, nakalaya naman sila. Kaya nung nabasa/napanuod ko sa facebook yung after ng screening nitong Liway sa CCP, nag chant ang mga tao ng "Ang tao, ang bayan, ngayon ay lumalaban", tumindig balahibo ko. Shuta yon. Totoo nga yung feels after film! Punyeta! LABAAAAAAAAAAN!!!! Solid to! Sobrang solid! Hanggang sa susunod na mga kwento/pelikula noong Martial Law! PADAYON!

[rocofilms]

Fortunate Sons (Trailer) from ROCO Films on Vimeo.