#Second Contribution

[jt1674]

[kdo-three]

Shawn Phillips - Lookin' Up Lookin' Down (1971) from: "Second Contribution" (LP)

Singer-Songwriter | Folk Rock

Tumblr (left click = play) (320kbps)

Album Personnel: Shawn Phillips: Vocals / Guitar Anello Capuano: Various String Instruments John Michael Palmer: Multi Instruments Ann Odell: Keyboards Paul Buckmaster: Keyboards Peter Robinson: Keyboards / Percussion Gerry Salisbury: Horns Jim Creegan: Guitar Harvey Burns: Guitar Barry Dean: Guitar / Bass Brian Odgers: Bass Bruce Rowland: Drums

Orchestra Arranged by Paul Buckmaster Produced by Jonathan Weston

Recorded: @ The Trident Recording Studios in London, England UK 1970 - 1971

Album Released: March, 1971 A&M Records

[ayilings]

🏳️‍🌈🏳️‍⚧️ happy pride month. smash the world’s shell!

[quantumghosts]

garrus is just mad shepard won't let him use her widow

[orbch]

c!thomas: somehow this feels like third wheeling…

[its-a-me-mango]

WOTFI 2025 predictions start now, heres mine.

[otome-dissection]

Dude I can't Luka's expressions in wiege fuck me up so bad all the parallels between Luka now and himself as a child get me so fucking bad like:

The wiege MV (for the mostpart) is about going back to the beginning. It's about the in-betweens we didn't get to see. It's about the journey and it's about all the small moments that built all the characters (most importantly Hyuba and, imo, Mizi) up into what they came to be. For better or for worse, Hyuna and Mizi both grew up so far from what they used to be, went through the whole spectrum of experiences that humans in their position could possibly have, and its shown by the wide range of scenes/experiences/flashbacks they have just how much they've lived.

Meanwhile Luka, who is, objectively, on top of everything, far above what Hyuna, Mizi, and everyone else could've been or ever was, is by far the most stagnant as a person. Where we see Hyuna and Mizi go through all the motions of loving and losing and loving again (and losing again), Luka has always been stuck on Hyuna, and the second he sees her everything he's built up to is all thrown to the wind without a second thought, without any fanfare, because nothing for him as changed.

Internally, Luka's still sitting against that tree in the garden and watching someone else grab his hand, Luka's still watching Hyuna count with his fingers and making him laugh for the first time ever, still clinging to her arm, still crossing the grass field to reach her.

Even years later, even as an adult, he's still looking at her like she's his salvation. When he sees her again on the stage he looks at her like he's just found his way back home after far too many years away from it, and when that gun is pointed at his head to stop him he looks at it like he's wondering why he's not allowed back inside.

And then when he looks at Hyuna more and remembers the moments with her that he's been clinging onto more he forgets about it entirely. And then you know what happens from there. I'm sickkkk

The fact that a lullaby. A Fucking Lullaby, and presumably a song that most if not all kids of Anakt know and learned when they were still young (see: that scene of the main 4 singing it) was the song choice for this video. The fact that seeing Hyuna, just seeing her again like that is what brings that lullaby back, a melody from the beginning of it all that should be so far beneath Luka by now, but isn't. I can't bro.

Luka, live with love. Or whatever. Augh I don't even know

[sleazyjanet]

this was supposed to be that sexy stock photo but it turned silly, i'm sorry

[dorkja]

[charafansmile]

Bad soriel for bad comic day

[jt1674]

[kdo-three]

Shawn Phillips - Second Contribution (1970) (Full Album)

Singer-Songwriter | Folk Rock

@Archive (left click = play) (256kbps) (Size: 69MB)

Personnel: Shawn Phillips: Vocals / Guitar Anello Capuano: Various String Instruments John Michael Palmer: Multi Instruments Ann Odell: Keyboards Paul Buckmaster: Keyboards Peter Robinson: Keyboards / Percussion Gerry Salisbury: Horns Jim Creegan: Guitar Harvey Burns: Guitar Barry Dean: Guitar / Bass Brian Odgers: Bass Bruce Rowland: Drums

Orchestra Arranged by Paul Buckmaster Produced by Jonathan Weston

Recorded: @ The Trident Recording Studios in London, England UK 1970 - 1971

Released: March, 1971 A&M Records

Tracklist: 01) She was Waitin' for Her Mother at the Station in Torino and You Know I Love You Baby but It's Getting Too Heavy to Laugh (4:54) 02) Keep On (3:21) 03) Sleepwalker (1:33) 04) Song for Mr. C (3:49) 05) The Ballad of Casey Deiss (6:13) 06) Song for Sagittarians (3:41) 07) Lookin' Up Lookin' Down (4:00) 08) Remedial Interruption (1:57) 09) Whaz' Zat (1:57) 10) Schmaltz Waltz (1:43) 11) F Sharp Splendor (0:41) 12) Steel Eyes (4:19) (left click = play) (256kbps) (Size: 69MB)

[astroi]

[ohmyminsung]

"ATE" visual film 🖤 lee know ver.

[cozylittleartblog]

400% sure he would love steven universe

[stolenviolet]

'...Drop something?'