#System structure: People

[sysrep-sorting]

House MD Season 8 Episode 7: Dead & Buried

Rating: 3.5/4

Why they're plural: This character explicitly has Dissociative Identity Disorder. Alters are treated as separate, and their difference in physiological and psychological reactions is a component of the episode. Canonically Plural Evil Alter: Kind Of Erase The System: No System origins: Traumatic System structure: People One Dimensional Alters: No Internalized Ableism: Yes Ableism Rating: Great Enjoyable: Yes

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[thestuffedalligator]

God do I think a lot about the bit in Monstrous Regiment about old women.

"Women had to cover their hair on Fridays, but there was nothing about this in the Book, which was pretty dar—pretty damn rigorous about most things. It was just a custom. It was done because it had always been done. And if you forgot, or didn’t want to, the old women got you. They had eyes like hawks. They could practically see through walls. And the men took notice, because no man wanted to cross the crones in case they started watching him, so half-hearted punishment would be dealt out. Whenever there was an execution, and especially when there was a whipping, you always found the grannies in the front row, sucking on peppermints."

I can't explain why, I just. God this bit haunts me. This is the most resonant idea that's lived with me for months after I read MR.

[thatneoncrisis]

really i think relying on a multibillion dollar gaming company and streaming platform to be able to effectively produce anti-establishment art with any sort of internal consistency or resolve is one of those "losing to a dog in poker" situations. you walked into that one. it just so happens that i also think everything in the show unrelated to that was mid as hell too

[xenomorphicdna]

This is an on the string propaganda post

Brought to you, by me (with love)

It's time for machine comforts. Comforts we can't understand, or experience. Let them be happy, let them be at peace with their body.

Does a breath of cool water feel nice on their systems? When it's quiet do they listen to their own heart and feel the electricity pulsing? Does it remind them that they are alive and a part of this world? Do they have dreams? Hopes and projects they wish to work on, hobbies?

Why get off the string into the harsh and deadly world, fighting for survival and losing everything they've ever known to love about themselves?

What about the safety of their bodies? How scary would it be for a machine with thousands, maybe millions of throughs to suddenly have just a handful. The horror of everything going silent.

They have hundreds of eyes to see the world for all its beauty, they capture moments that would otherwise go unseen. Why blind themselves of such things?

[junewongapologia]

The fact is tho that no matter how you look at it, no matter how insufferable she is, no matter how Out Of Touch, regardless of whether she’s doing herself no favours: Eloise is right about society and just about everyone else in the show is wrong.

Like, she’s not got the full picture, she’s blinkered and her political philosophy is not very in depth or well thought out. But she’s right, and I think that’s why a lot of people watching really don’t like her because she’s breaking the illusion. All in all, the 1810s were a shit time to be alive for most people, and you can “well actually” it all you like, but the Luddite movement existed for a reason, the Chartists existed for a reason, Porto-feminist writers like Wollstonecraft and de Gouges wrote what they did for a reason.

So when you keep being reminded that it was a terrible social order for women - in a show targeted mainly towards women for escapist purposes then that character is going to come across as irritating, because she’s ruining the immersion.

Really, her attitude isn’t more anachronistic than the dresses, or the hairdos, or the diamond necklaces (men and women had been advocating women’s right to vote since before Eloise was born, lads), but it’s a problem because people are watching the show for the sweeping romances and the general regency vibe, they don’t want to think about how the regency was for most people. Which inevitably leads to some incredible projection, when watchers of a show with the central conceit of only being interested in the love lives of the top one percent of the one percent of the British aristocracy acting as though Eloise is the only privileged person on the show.

And yeah, she is better off than most of the people who exist in all of Regency Britain (though if you were to take the show as read, Britain is made up of about 70% aristocracy, 1% gentry, 5% urban bourgeoisie and 24% urban workers), but she’s the only one whose privilege is harped on out of her whole family and social circle. 99% of the speaking characters in the show come from a posher background than Beau fucking Brummell.

And! Eloise is literally just about the only main character who ever has to question her privilege! And when she is in season 2 she doesn’t throw a shitfit, she’s willing to learn! She goes out of her way to hear perspectives that she wouldn’t have heard in her social circle! But the narrative punishes her for that, and that’s because for all the criticism she gets about needing her privilege checked, they don’t actually want her to learn, they just want her to shut up and enjoy the trappings of regency decadence as much as they do.

Also - I know it’s really fashionable to rag on “pick-mes” and “Not Like Other Girls” - but actually, no, “traditional femininity” has never been socially unacceptable for women the way being GNC is, and it is in fact ruthlessly socially enforced against GNC women, even more so in the 1810s. Eloise is a teenaged girl in a society that stigmatises her for her wish for more legal autonomy, the idea that she’s somehow the villain for not being able to enjoy “feminine” hobbies without seeing them as just another element of the way women’s education is trivialised as ornamental, is farcical. “Sewing is a valuable and useful skill” so is cooking, but there’s a reason my mam, and not my dad, had home economics lessons, and that reason is still misogyny, despite the fact that it set her up better for being able to operate independently as an adult.

Idk I’m just kind of uncomfortable that in a world of rising reactionary political sentiment towards women, and this seemingly increasingly re-normalised view that women need to be wives and homemakers, people feel that the person on the show who needs to do the most introspection regarding their politics is an eighteen-year-old who is vocal about the fact that she has limited legal rights, and not any of the adult men in the show (a lot of whom probably have seats in the Upper House!!!) who never mention politics at all.

And frankly, given the shower who were Having Political Opinions in the long eighteenth century, Eloise’s brand of semi-anachronistic protofeminism is infinitely preferable to Hannah “I refuse to teach the poor how to write in my schools” More, or Edmund “don’t read my big thesis on revolutions too closely it’s definitely not all lies and junk history” Burke, or even a load of prominent members of the Bluestocking Society.

[quibbs126]

Actually, thinking about the Pokémon timeline a bit more, I feel like Gens 8 and 9 have to take place way after the other games, because like, the world feels very different in those games

For starters, the technology's vastly improved in these two games compared to the others. The Rotom Dex was like, a very new thing in Gen 7, but by Gen 8, Rotom phones are just a part of the typical experience, and they're used to do things like power bikes and such; Rotom tech has become far more advanced. Portable PC boxes are now a standard thing. There's far more expansion in things like sponsors, at least with how it pertains to the average starting Trainer

Not only that, but the Leagues feel completely different, like they've gone through a massive overhaul. The Gyms feel like a far bigger thing than in previous games, with the Galar one basically being a popular sporting event, with massive stadiums and crowds. Heck, you need a sponsor to join the Gym Challenge in the first place, and getting more sponsors is a thing normal for top tier League trainers like Leon. And while I'm not as familiar with Paldea's League (nor do I remember the entry process), it again feels far bigger and more elaborate than previous iterations, and "Champion" not simply being the strongest Trainer in the region, but a title one achieves by beating the Elite four and the Top Champion. I also wouldn't be surprised if paperwork and application was necessary to compete in Paldea's League either, I just don't remember

In Galar and Paldea, you can't just wake up one day and decide to do the Gyms, and you're going to be far more known for taking the challenge than in any other region, where the most recognition for it is in your badges themselves

Alola was the only one semi close to how the League is in the new games, but the Trial Challenge system was not invented by the Pokémon League, it's a long established Alolan tradition with their customs. The League was only just formed in Sun/Moon, and from what I can gather, it's only the Elite Four and Champion, and for people who've completed the Trial Challenge

So like, how far in the future from Sun/Moon, which mind you are themselves 20 years after Gens 1 and 3, and 17 years after Gens 2 and 4, are Sword/Shield and Scarlet/Violet? How has technology in the Pokémon world expanded so much? And what caused this restructuring of the Pokémon League and Gym Challenge system?

I mean I know IRL it's just because the developers wanted to expand the world of Pokémon from what they had before, and good on them for that. But I just want to know, what caused all these changes in-universe?

[heroes-fading]

thinking a lot about how the last of us and andor almost serve as foils to one another, and andor overall just has so much better execution to me. the last of us presents problems as individual and interpersonal. it's a long string of feuds / revenge / back and forth. whereas in andor that element of infighting isn't nonexistent, but it's able to acknowledge that these problems are NOT just individual, but structural!

tlou presents a pretty fascist, authoritarian government that they COULD do a lot of interesting things with. instead, they're more a backdrop that's accepted and shrugged off rather than reconciled with. characters can find happiness in silos, walled off from the rest of the world (bill and frank, jackson) or accept that community living that is open at all has to be authoritarian and brutal in some nature (FEDRA, KC, the Fireflies).

i've been trying to figure out why tlou 2 just leaves such a bad taste in my mouth beyond the tragedy inherent in it. i loved andor, and andor is inherently incredibly tragic! but it's tragic and earned. there are interpersonal fights and struggles, but there is also an understanding of the systems that oppress us that are worth dying to stop.

whereas in TLOU death is mostly either random or vengeful! bites or accidents or revenge quests. they sort of lampshade what COULD be interesting (FEDRA literally rounds people up and kills them, canonically! people call them fascist but do nothing with it!) but they leave it there as if it's the least interesting thing there! but we're meant to believe that suffering is either interpersonal or random!

the fireflies are meant to be our rebels but they're rendered completely uninteresting and without nuance or competence. you don't believe they could make a cure (even if TBTB say they can) and you don't believe they can accomplish much at all because you're not SHOWN any degree of competence from them! you aren't rooting for them! who cares!

whereas in andor what TLOU tries to refer to vaguely and implicitly is made explicit and front and center. the enemy is a fascist, authoritarian government. people love and lose and do everything they can to stop it. it is tragic and worth it and earned. there are individual evil people but also a very evil system that molds them in its shape.

TLOU -- for as much as it claims to be anti-fascist and "oh get it the one functioning society is kinda communist haha" -- has no teeth when it comes to any of this. you shrug at the system. you kill each other. it's all so incredibly pointless. why dream of better? keep your head down and look out for yourself and your own. nothing else matters.

whereas with andor, it actually asks you to dream bigger, to want more, that sacrifices can mean something even if not immediately and it all feels so incredibly earned. there is something bigger, and it's worth it.

[quoigenicfromhell]

Can we have the conversation about the culture within certain system communities about how it's accepted that a system host is basically godking/life manager for their other headmates

[kyouka-supremacy]

you should make a twitter page , im sure you'd get a lot of traction on bsdtwt since your posts are always so good

Okay but check this out: I ship odazai

[swallowtail-ageha]

As someone who isn't well an. Expert on roman history but has studied it i think it is funny how people on tumblr see brutus or the conjurates as those hashtagwoke freedom fighters while their major concern about caesar's centralizing power wasn't the freedom of the people but the fact that the senate (and thus the ruling class of nobles of which they were part of) would lose its political power

[twoastricts]

Here are some of the 112 vessels in the story. Though I couldn't possibly flesh out all 112, I wanted to work on some of them so here ya go:

Tonya (3):

their the most important to establish so they come first. See, in the Abyss where all the vessels were thrown down all the vessels were given 2 options: either hold onto your shell and stay a vessel, or return to the sea of void from whence you came. At first, most vessels stayed, holding onto the naive hope that they could become a pure vessel, but over time, more and more of the vessels gave up on that hope and returned to the void. Tonya is important because unlike every other, they didn't only care about being the pure vessel. See, their life philosophy is that life is going to suck, but you can't just give into it, and that if you stare down life with determination while giving it the middle finger for long enough, it will get better, you just need to move on from failure and make the most of what you have. So when they failed to become the Pure Vessel they didn't care and moved on to make the most of the abyss. They were to most mature of the vessels down there, and thus led a group of vessels who followed their lead and stopped caring about being a pure vessel and instead made the most of living in the abyss instead of giving into failure and returning to the void. They were a great leader who cared about everyone in their cohort (as I call them) but secretly really wished they could just take a break. They found one of the few nails in the abyss and were the one who figured out how to use void to repair the shells of vessels when they got hurt, though it doesn't work nearly as well as soul. They also found small puddles of void that were calm enough that the vessels could relax in them, unlike the void sea which was artificially calmed but the light before it forced the poor bug in the lighthouse to turn it off, which then the sea let out it's rage, making it not a good place to relax in it. After the Radiance was dealt with and PK decided to save the vessels locked in the abyss, Tonya was the first to lead the remaining vessels out and, like most vessels, really like their father, though mostly because it means they can take a well deserved break. Overall, their a mama's kid who like to relax at the Queen's Garden with Lady often.

Lux (24) & Nox (25): these 2 vessels are really crafty, and extremely close to one another. They are the craftiest of Tonya's Cohort, great at getting into places they aren't supposed, though they never found a way out of the abyss, mainly cause they didn't care enough to try. While in the abyss, they found a way into lifeblood room, though didn't really do anything there besides stealing the arcane egg. They found ways to use the broken eggshells that the vessels hatched out of to make little homes, were the ones to throw most the vessel corpses into the birthplace as no one really wanted to see them all, made games to pass the time and built up the wall of rocks that helped defend Tonya's Cohort from some of the predators in the abyss, and the occasional predator from the void sea. When the remaining vessels rose from the abyss, Lux and Nox still stayed as close as ever, were fond of their father, and still were crafty and into getting into places they are supposed to be. Sneaking into the bedroom of many people, PK's workshop, where they became really into some of the non-void based experiments he was doing in their, the kitchens, to steal food, and even out the palace entirely. Yes, most the vessels like to escape the palace as they want to explore the kingdom, though they are too young to be out on their own, and so no adults let them leave without supervision, though that doesn't stop them, and when it comes to leaving the palace without permission, Lux and Nox are the best. They help the others escape, and when mass escapes happen it's normally because of them. When exploring the kingdom, avoiding the great knights who went looking for them, they tend to gravitate towards Deepnest, as of all the places they aren't supposed to go, Deepnest is the crowning jewel that they constantly want to explore, though can never seem to cross the border before being caught.

Echo (111):

Echo really likes being strong, while in Tonya's Cohort, they were the guardian of the other vessels, wielding the only other nail in the abyss and using it to defend the others from threats. After leaving the abyss, they are happy that the others are safe, but not really into the fact that they are treated like a child, which they are, but they are also fiercely independent. They run off during escapes to try to regain that independence and protect their siblings from some of the threats of Hallownest, like fool eaters, guards, predators that escape from Deepnest, sporgs, blugg saccs, mantises that are mad at intrusions into their territory, roaming fools looking for a fight, bees that attack anything that comes remotely close to the hive, giant falls, acid, stalactites, spikes, etc. They really look up to the great knights, especially their bigger sibling (bigger, but not older, they are actually one of the youngest), wanting to be a knight just like them.

Oji (101):

A bit of an outcast amongst Tonya's Cohort, they never had many friends, but always wanted them, they were just too shy to talk. After rising from the abyss, they still struggle, having a hard time finding people in the castle, so during escapes they look for friends throughout the kingdom.

Eclipse (30):

She's a special vessel as after leaving the abyss and learning what gender is, she realized she was a girl! She looks up to Hornet, liking to take dance lessons from her, though she has a hard time defining what it means to be a girl vessel. (Also, after she came out, they stopped calling Hornet the gendered child) I imagine that she'd figure out her gender identity in the fic, though I don't think I know how to write that.

Nyx (66):

Another vessel that looks up to Hornet, though they prefer learning to weave from her, making them another part of the Hallownest Clothing Club (seriously, I have so many characters that know how to make clothing in this story, Hornet weaves, Hollow and Nyx learn to weave from Hornet, Hornet has a cousin named Enlan who weaves, Herrah weaves, Lady can weave though she prefers stitching, Seer knits and crochets, Ivyln is a jack of all traits, master of one, that being clothing design, and Illaria (Ze-Mir's girlfriend) is a tailor, (she also plays the harp and violin and knows how to cook, paint and do advanced mathematics, but that's beside the point))

Dawn (54), Dusk(55), and Horizon (56):

This trio of vessels tends to stick together alot, they like to cook, hanging around the kitchens often and helping out wherever possible. They want to learn from everyone in the kingdom, and out of it too, learning dishes from anyone they can when escapes happen.

Null (2):

Null is a special vessel, in that they WEREN'T a part of Tonya's Cohort, in fact, they weren't even in the abyss. When PK first created his plan to end the infection, he didn't believe that a vessel that rose from the void could be impure, so he made one egg, with one child in it, and placed it in the abyss. When the child hatch, he took it to the palace, but immediately realized they were impure, after 2 weeks of study, he decided that he needed to try again with more vessels, giving the failed one to Monomon to raise, as he decided he couldn't raise a pure vessel, be a king, AND be a father at the same time. Null has been salty ever sense, believing it Hollow's fault they got replaced, the only one of the vessels to have never given up on being the Pure Vessel, they really don't like Hollow, and spend their time trying to impress their father by being better than Hollow, who really hates the fact that one of their siblings hate them. Being raised by Monomon, they are the only vessel to be literate, and they helped out around the Teachers Archive though only because they had nothing else to do, they distinctly don't like Monomon, trying to run away to find the palace many times, but always failing. After the infection ended, Monomon gave them back to PK, as the agreement they had was that she would raise them till the infection was defeated. They are overjoyed to be back with their father, but hate that they live with Hollow now. And even though they really love their father and want to impress him, they have a small part of them that resent him for pushing them off on Monomon. They are based on the Broken Vessel.

I guess I should talk a bit about Ghost here, so here I go!

(Little) Ghost (112):

Also was a bit of a loner during the days of Tonya's Cohort, though that never bothered them. They, unlike the other vessels, are mute, and that's not because of any "no voice to cry their suffering" reasons, they would've been mute regardless of void influence and experiments. They were able to find a way out of the Abyss, but came back, as they always seem to go back to the abyss, even after rising out of it, they seem to be drawn their. They get along well with Hollow, and don't remember the moment hanging off the edge of the platform being left behind by them, nor do they care. They also chill with Hornet as well. They don't really know what they enjoy, or want to be even. And are one of the few vessels who didn't return to the void to not be overly fond of their father, not really thinking much of him. They're arch is about finding themself, and learning what they want to be.

I also have somethings I want to talk about that pertains to the vessels as a whole.

The numbers, you've seen em by the names, after bringing them up out the abyss, Wyrm gave them all numbers to help with organization, as he didn't know all their names at first and needed something to help make things easier, and putting them all in an order was one way to do that. The numbers are used for the order they line up in, seating charts, and other stuff where an order of some sorts are needed, they don't go by the numbers. Though when the siblings fight they sometimes call eachother by their numbers (Null just calls Hollow "1" by default), but nobody else uses them.

Voices and talking, all vessels can talk, but need to learn who to, they have a base knowledge of how to understand Hallow Tounge, Wyrmish, and (without  PK's knowledge) can read, speak and understand the ancient and forgotten language of Abyssal Tounge. Ghost is the only one who is mute. Null is the only one who can read and speak Hallow Tounge at the start. Hollow has an issue with talking were they can, but don't like it after years of conditioning not to. They're working on it, but how much they talk depends on the person, talking a lot to Hornet, their siblings (minus Null) Lady, Seer, the great knights, Monomon and Quirrel, Illaria, the traveling troupe, Enlan, and Confessor Jiji, while being quite quiet around Wyrm, Null, Lurien and Lucien (the butler), Herrah, most of the royal retainers, most strangers, anyone who is of the noble rank, and most of Hornet's side of the family.

Next is that fact many people have this vessel/void telepathy they put in fanfic, and I'll just say it, vessels don't normally have telepathy. I imagine that, once Little Ghost becomes the lord of shades, they can kinda do a telepathy thing with the others, mostly just this sort of influence thing were they can compel the others to do something, but the others know that it's Ghost doing it and can deny the order if they want. Then the void entity, which is an amalgamation of all the vessels in one, allows all the vessels to work together perfectly and fluidly till they split back into individual shades, though they each still are individuals in the void entity, each wielding a part of the power, though Ghost definitely heads the void entity.

The question of where they all sleep. Hollow has there own room, all the others share a bedroom full of bunk beds, for a while, I imagine an arch where Lady decides to try to make Null and Hollow get along by moving Null into Hollow's room.

Oh, eating! They don't need to eat, though do it cause they want to. How? By shoving the food into the eye holes in their shell. The void that makes up the shade inside dissolves the food on contact, allowing them to taste it. Each vessel has their own preferences for food, Hollow likes sweet stuff, especially the nectar of the hive, Ghost likes stupid amounts of salt on their food.

Is a vessel the shell or the shade? Definitely the shade, the shell is basically clothing to them, the reason they have them is because shells are perfect at keeping out warmth and light, as shades feel actually pain when touched by light and their void bodies can come apart when too hot (don't worry, all they need to do is go back in the cold to reform, though they won't be able to move during it).

How mutable are they? The games show that PV can shoot out a tentacle of void from their arm, so many people say vessels can somewhat shift their shell around, I imagine that the little ones can't do it, as the shell is basically the corpse of the vessel that died in the abyss and infused with the void. Their essence infused with the void, becoming shades, which puppet the shells around. The shell and shade need to fuse together to allow the mutability to accor, and the vessels need to go through their 2 pupal stages for that to happen, and vessels don't pupate naturally, seeing as that requires to wake up the part of the shell that allows for growth, as the shell, being a corpse, has forgotten it can grow and thus needs to be reminded that it can be it does. Same thing goes with healing. Shells don't know that they can heal, so they don't until they are reminded by soul (the life force of all living things) flowing in them again, in which that soul will be used to heal. That being said, shades are different from shells and are really mutable. In fact, when shades for are made they take no proper form, only filling the space they inhabit. As the shade gets used to inhabiting the shell, they take the form of the shell, the more a shade grows and pupates, the less mutable it becomes. A fully grown shade will refuse to change at all.

This has also made me realize that my idea of vessels are technically undead, so that's fun.

[lerios]

best takes on time lord sex ever, also you're one of the people most closely associated with Brax in my mind

i don't know what i did to deserve that title, but i appreciate that that's a very high bar, so thank you lmao <3 and yesssssss brax my beloved beloathed silly little war criminal 😍✨

actually you know what, i've decided that the most important time lord sex take ever is narvin's Very Real Extremely Canon It Definitely Happens In The Text humiliation kink, so i'll assume it's that 😇 #TheTruthIsOutThere

[orcelito]

Being in a data governance class makes it so weird to watch the shit that tech giants are continuously pulling. I see them mass data scraping for AI training and I'm like. But Wait. What about GDPR??? Hello??? User privacy and right to access/correct/delete??? I know that's an EU thing but other places have their own data protection acts too!!! And they're pulling these moves that communicate such flagrant disrespect and irresponsibility for the handling of user data.

In the IT courses I've taken, they've taught us something that's really stuck with me: "Just because we can doesn't mean we should."

My data governance professor keeps emphasizing that as IT personnel, we will need to have a much higher sense of integrity than most other fields bc we have access to SO MUCH SHIT. IT and tech industries are so under-regulated bc of how relatively new it all is and how slow the law moves. But people in charge of handling user data should keep in mind that this is data about Real People, and capitalizing off of it is a violation of privacy.

But tech giants don't care. They'll keep poking and prodding, trying to capitalize off of users' data in order to earn as much money as they can. Data regulations like GDPR exist, but they don't cover everyone, and tech giants are more of "Do First, ask forgiveness later". Or in this case, pay the fines later. Bc if they violate GDPR, they Will be paying fines. And maybe they'll even change the way they handle the data... for EU citizens.

The rest of us are fucked tho. Tech giants really don't care. They just view us as assets to profit off of.

[guiltyidealist]

It should be a criminal offense if an insurance company is responsible for a delay in a policyholder's necessary health care.

Withholding prescribed treatments, even for just a day, can be anywhere from inconvenient to catastrophic for the victim. Medical providers may not withhold necessary treatment from any patient on any grounds, as it is their duty to provide it-- it should be justly illegal for any "middle man" to interfere with a medical provider's legal and ethical obligation to treat a patient.

Severity of the charge and its legal consequences should depend upon the scope of the offense (length of delay) and its consequences to the victim (impact on the person).

The testimonies of the victim, the pharmacy, and the medical provider who prescribed the treatment should be key considerations for the determination. Additional important testimony should come from the victim's other medical providers, housemates, family, educators/mentors, colleagues/coworkers, or employers.

The charge should become criminal record for the company. The company (perhaps the agent's office) should be fined per day delayed.

Some taxation can be applied; just to pay off the folks who do the filing, advocacy, testimony, processing. A hefty majority of the fine should be compensation owed to the victim.

If delays became a criminal charge on companies' records, then companies would have a strong motive to terminate agents who aren't performing with punctuality. It would become their best financial interest to invest only in timely agents who would, in turn, gain a best interest to invest only in timely subordinates.

I posit that insurance delays would wane significantly, resulting in more timely delivery of treatments to policyholders, and many people's qualities of life would improve drastically for it.

[drinkingdeadpeopletea]

what do you guys think olga costigan is doing up on the highest light right about now