#Virtue Is A Weakness
Explore tagged Tumblr posts
Text

Both the Blorgons and Circuit Chaps have long viewed empathy as a fatal flaw.
So, why is it that they, the supposedly superior beings, are the ones who end up dead?
#Inspector Spacetime#Virtue Is A Weakness (trope)#Virtue Is A Weakness#Lack of Empathy (trope)#Lack of Empathy#Blorgons#Circuit Chaps#view empathy as#fatal flaw#so why is it that they#supposedly superior beings#are the ones who#end up dead#disregard the fact that they always come back#Joker Immunity (trope)#Joker Immunity
3 notes
·
View notes
Text
The weak project their incapacity as virtue, extolling characteristics such as humility and submission. While condemning qualities they cannot achieve - such as pride and self sufficiency.
Nietzsche
#weakness#morality#Christ#religion#masses#power#will to power#luck#refusal#denial#limitations#tradition#quotes#quote of the day#self knowledge#delusion#dishonesty#pride#virtue#morals#moral#philosophy#psychology#will#human spirit#spirit#friedrich nietzsche#nietzche#the antichrist#lit
47 notes
·
View notes
Text
If I wasn’t pursuing my faith in Jesus, I probably would’ve crashed out a week ago and said and did some foul stuff. On me, fam.
God, please keep giving me strength!
#catholic#catholicism#christianity#jesus christ#love#faith#life#virtue#strength#weakness#the human condition#funny#humor#but also serious
9 notes
·
View notes
Text
anonymous hating on ao3 is like next level loserdom ngl
#someone who can’t spell coming into my comments talking abt how there’s virtue signaling in my fic 💀#like bitch……. you’re a pussy lmao#never finna check me#every chance you get bet yo weak ass won’t address me!
24 notes
·
View notes
Note
what ambition would you do if you were in fallen london
the secret fifth "death" ambition. it's called death because i exist in the neath for 0.5 seconds and immediately die
#jokes aside uh#probably heart's desire? purely because that's the one that wont put me in too much direct mortal peril?#ask#fallen london#i mean i dont know shit about poker so im out in 5 minutes. but if i exist simultaneously to the scoundrel maybe i can get an in with them#by virtue of knowing all of their emotional weaknesses
14 notes
·
View notes
Text
A/N: Hello again, and with this I think (?) I may have succeeded in writing enough bionicle fic to get it out of my system (unless another plot bunny hits me like a cannonball, but... eh, we'll see) and thus, here is the companion piece to the Vakama & Roodaka oneshot.
This time, exploring the scene where Vakama entered the Great Temple, from his side of things! This was also partially inspired by the scene in Challenge of the Hordika where Nokama is almost physically repulsed in trying to enter the Great Temple :)
x
In the tunnels beneath the temple, Vakama must stoop.
At first he shuffles, mutated arm tucked against him and his sole hand brushing only briefly along the floor to steady himself, but the passages are dark and deep and lined with creatures which seek out the weak. The eyes that watch him are not hungry. They keep their bellies too full for that.
In the end, it is easier quicker to drop to all fours, to share the weight between claw and tool that feet alone cannot. His altered form folds into the new stance with frightening familiarity. It's comfortable.
Natural.
The crown of his mask grazes the tunnel's ceiling, but only in passing. His gait is sure. Well. Surer than the ungainly slouch it had been before.
It was said – back when Matoran were awake to say such things – that even the strongest swimmers of Ga-Metru would hesitate before plunging into the depths of the protodermis sea. Not because the creatures there had any fondness for the taste of Matoran. In truth, it was thought that the rahi actively disliked the flavour. No, it was because the way Matoran swam was indistinguishable from the rahi's usual prey. Only when they had sunk tooth and jaw into their meal would they realise their mistake.
It was an annoying, if harmless mistake for the rahi.
Matoran couldn't say the same.
Vakama's early crawl through the passage had been like that of a Matoran swimmer: functional, but slow and indiscernible from wounded prey. Creatures drag themselves down into these depths to die, in hopes that they will be devoured only when they are too far gone to feel it. The eyes are patient. They will wait to see if this newcomer is similarly inclined.
And so when Vakama drops to his haunches, the eyes blink. Reassess. He moves less like the hunted and more like the hunter now, more predator than prey, and the eyes – and teeth – keep their distance after that.
The path Vakama stalks through was once a protodermis pipe, made obsolete even before the cataclysm. Newer conduits had been built, more efficient, more resilient, and this one had been disconnected but never dismantled. When he reaches its origin, it takes some effort – and his blazer claw – to break the seal across the hatchway, but when he does, one of the temple's protodermis purification chambers looms above him.
The room beyond is quiet.
Unmarked.
He doesn't realise he's stopped until the chittering of his audience draws closer. The snarl he throws back echoes off the pipe's walls, and the eyes retreat, but do not leave.
Vakama curls his hand around the lip of the hatch, and then falters.
Something is wrong.
It's not a pain, because the feeling does not hurt as it ought, but something is undeniably, fundamentally wrong. It causes his breath to catch, his hand to flinch, and it would be so easy, so easy, to turn and walk away, only...
Only he came here for a reason.
The wrongness flares, amplified for a moment, and then he pulls himself up. The eyes watch, but do not follow. Do they feel it too? Can even such base creatures sense the innate malice the temple exudes?
He clambers out of the purification chamber – empty and abandoned now – and stumbles upon his landing. He catches himself, but does not rise back to his feet.
Wrong.
This is wrong.
And at the edge of the wrongness there is a strange sort of terror. It dreads the same way the fire fears the sea, the same way the prey fears the predator; it is the meeting of two primally antithetical forces where only one can survive. It whispers turn back through his mind.
He moves into the next room.
It's one he knows well. Light filters down from the rot-stained windows, centering – as it had the day he'd first seen it – on the suva, and casting long sentinel shadows of the columns standing to attention around it. A crack mars the suva, its stone dome now split cleanly in two from the quakes, and – drawn by some desire he cannot identify (instinct, curiosity... nostalgia?) – he approaches.
It seems so small now. Even bowed and altered in his Hordika form, he looms over the Ta-Metru symbol he'd once had to stretch to reach.
Unbidden, his hand moves to the niche where once he'd placed a Toa Stone – where once he had though himself chosen, duty-bound, destiny-gifted – and falters a breath from the stone.
The wrongness spikes.
Screams.
And with a twist of something he will not call horror, he understands it is not originating from himself.
But from the temple.
It is repulsion. It's alienation. It's recognising him, but as other, as rahi.
It's disgust that a monster would dare enter its sanctuary.
In the Ta-Metru carving, stone once polished to the point of fragmented reflection, he sees a glimmer of his own face. Neither Toa nor Matoran. Nothing blessed by Mata Nui.
Vakama recoils.
And then a wave of his own disgust, propelled by that fury that runs so close to the surface now, rolls through him. If you didn't want us as the Toa, you should've stopped Makuta from choosing us, he thinks, and digs his claws into the stonework.
The wrongness sings.
But he knows it for what it is now, and his morphed, clawed hand gorges scars through the carving. The stone is soft. Its makers had never imagined someone would take a blade to it.
There comes a tapping from across the room, echoing brazenly off the ancient stone walls, and Vakama retreats instinctively into the shadows. A Rahaga enters.
Norik?
No, this Rahaga's armour is more akin to a Po-Matoran than a Ta-Matoran's, the colour of dust and stone. Vakama tries to recall the Rahaga's name – and then dismisses the attempt.
It won't matter, in the end.
The Rahaga walks as he always has, stooped and slow, but clearly unhindered by the temple. He passes by the suva and runs one gnarled hand across the stonework, his movements marred by curiosity rather than reverence.
The rage arrives a fully-formed creation. It drowns out the wrongness, floods the apprehension, and he is moving before he's decided that this is the path he wants.
It is not pain, for it does not hurt as it ought.
But it does still hurt.
x
Whatever the Rahaga might once have been, they are old and weak now. Four are captured before Vakama's rage has a chance to cool, but the ire is no less dangerous when it does.
(That's the thing about Ta-Metru; it's not a place of fire so much as it is of magma. And magma doesn't extinguish with the cold; it sets. It moors itself into place, an unmovable, burning force.)
The rage settles, solidifies around his heart and lungs and carves a home between his breaths.
(Magma is not fire. It does not leap blindly from one source to the next. Instead it advances. Slowly. Steadily. It finds a channel, a destination, and it engulfs all in its path until it reaches it.)
He finds the last two remaining Rahaga, pathetically ignorant to their brothers' fates and still scavenging the temple for answers. He hears the way Norik appraises his sister's translation, relief clear in his voice that they are one step further on this wild rahi chase. Relief, surely, that the Rahaga are one step closer to regaining their Toa form.
(And Vakama's anger has found its destination.)
He does not descend on the Rahaga's leader the way he has the others. No. Norik will know what's coming for him first. He gets to fear. Vakama waits until Gaaki has gone, until Norik is alone, and then he circles. The wrongness thrums in his veins, weighing him down and labouring his breaths. It doesn't matter. Let Norik hear his approach.
Norik doesn't try to run. Vakama will give him that much. (A wise choice. Vakama intends for this encounter to last, but if Norik runs, Vakama cannot be sure he won't chase.) Instead, the malformed once-Toa calls out and actually tries to approach him. Stupid. Doesn't he know that he won't win any fight, transformed as he is? As both of them are? No, instead, he tries to talk. As if they are equals, as if Norik has done anything to deserve his respect rather than his scorn. As if he has earned the temple's forgiveness for his trespassing.
Even when Vakama raises the fate of Norik's fellow Rahaga, Norik attempts to sway him with the illusion of reason, talking of duty and unity, as if he's not using the other Toa Hordika to chase after a rahi myth for his own desires. As if their roles are in any way comparable, both Toa of Fire once, both leaders, it's true, but Vakama hasn't forgone his duty to chase after selfish needs.
And it stops now.
Vakama circles closer, and Norik is still talking, unease in his voice, but not fear. Still searching for the right words to turn Vakama to his bidding as he has the other Toa Hordika. Ever the voice of two-faced logic.
Why won't he just shut up?
Does Norik think him to be as gullible as the others? As quick to desert his duty as them?
And Vakama knows he wants – needs – to shake that assurance, that arrogance out of Norik. Needs to see that facade of self-righteous wisdom crumble into the terror of his situation.
The growl begins deep in his chest and, unleashed, it becomes a roar. He rears out of the darkness, into the weak sphere of light surrounding Norik – and there, there he finally sees true fear fill the old fool's eyes.
Something slams into Vakama and he reels, his roar cut short. His hand reaches automatically, defensively, to his mask. He finds only water there. It clings to him, imbued with some sort of power – he can feel something other in it – but otherwise impotent.
"Leave my brother alone," Gaaki snarls. She stands in the doorway, small and hopelessly overpowered, but her shoulders are tensed with a stubborness Vakama recognises. Already, her spinner is powering up for another shot.
Well. Two can play at that game.
Vakama's rhotuka fires into motion, but the water has seeped into the mechanism, and dowses the fire before it has a chance to catch. He gives it a withering look, before turning the expression onto Gaaki. "Very clever."
Another water spinner hits him, but this time he is braced for it and all it does is wash harmlessly off him.
"Is that all you have?" he asks. His blazer claw splutters, but the claws on his hand flex. After all, there's more than one way to defang a muaka...
Gaaki steps back. Good. She knows she's outmatched. "It's a devastating attack underwater," she offers, and her words are strong but there is a cracked edge to them.
"Then you'd better start finding a puddle," Vakama growls, "before my claws find you," and he drops into a run, feet pounding and fangs bared and that ever-present wrongness humming about him.
She doesn't flee. Just like Norik, she stands her ground, gnarled fingers wrapped tight around her staff. Her eyes are hard, but he sees the way her hands shake.
How long will her resolve last, Vakama wonders. Before or after the claws find their mark?
He never finds out.
He's knocked off his feet before he reaches her, and when he hits the ground, ropes of energy pin him to the earth, like a water-bound rahi caught in a net.
What–
Norik.
He'd forgotten Norik.
He thrashes against the restraints, but they hold strong – for now. His blazer claw splutters again, but it does nothing to the energy that binds him.
He stills as he hears footsteps approach.
The two Rahaga hobble into his line of sight. Gaaki is breathing hard, as if only now is she allowing herself to feel the fear. "You left that late, Norik," she says, and even the breath that follows sounds more like a shaken wheeze than a nervous laugh. "Almost too late."
"I only had the one shot. I couldn't afford to miss," Norik replies. "He's got our brothers. Gaaki, go find–"
"I'm not leaving you alone with him," she retorts. "I only went for a moment before, and look what would have happened if I hadn't returned."
Vakama tilts his head as well as the energy net will allow. He grins at the Rahaga, anger curdling it into a sneer. "Yes, Gaaki, you're very good bait, congratulations." He shifts his gaze to Norik. "But you've always been so good at getting others to do your dirty work, haven't you, Norik?"
Norik doesn't even have the decency of guilt. Instead, he simply looks tired. "Whatever you think you know–"
"I know the truth! You don't care about the Matoran, you only care about yourselves!" He strains against the ropes, and although they do not break, there's a little more give in them than before. He slumps back to the ground, breathing hard. "You might have the other Toa fooled. You might even have the temple fooled, but not me," he growls, and the temple's hatred presses down on him, straining his last words.
Gaaki places a frail hand on her brother's arm. "Norik," she says, and there is such unbearable sorrow in her voice. "He looks in pain."
"It's not my doing," Norik assures her softly. "My snare spinner only binds."
Vakama snarls. "I don't need pity from the likes of you. I know what you are."
"We're allies, Vakama," Norik says, in that insufferably reasonable way of his. "Friends."
"You're frauds," Vakama snaps. He twists against his restraints. They slacken, just a touch. "Liars. You don't deserve to walk these floors."
And the Rahaga stand there, unburdened by the temple's hate, strangers to this land, to Metru Nui, and yet it is Vakama the temple repulses? After everything he has forgone, the life he's abandoned, the friendships he's lost, Mata Nui punishes him?
His rhotuka fires off a fire spinner, and it goes wide, cracks a wall. Norik and Gaaki stumble back, Norik preparing another snare shot, but the energy net holding Vakama snaps. Vakama lurches forward, suddenly free, and slams into Norik.
The snare spinner wraps itself around a column. It lights up the room with crackling energy.
A blast of water grazes past his shoulder, too shy of hitting Norik to commit to taking the easy shot, and Vakama reels towards Gaaki. He fires with a snarl, but hears the snare spinner coming again and ducks at the last moment.
Again his own attack misses and the shot cleaves clean through a wall. Something on the other side begins to smoulder.
Then it begins to rumble.
It's a low sound at first, as deep as the earth and just as vast. Almost like a distant growl. But then the cracks begin to spiral out across the roof, along the columns, and the room buckles.
The light flickers. The frames of the high windows above collapse.
The world becomes fragmented, filled with flickering images. Falling masonry and toppling pillars and dust – but the sounds never relent. Even in the depths of the passing darkness, the thunder continues.
And when the dust settles, so does an awful silence.
Vakama straightens, or does his best approximation of it. Fragments of cracked protodermis fall from his shoulders, his head, his back. He withdraws the hand which has somehow found itself raised above Gaaki, knocking aside the stone slab caught against his arm.
Where's Norik?
Both Hordika and Rahaga stand side by side, that quietness disturbed only by the skittering of stone shards settling. There is wrongness in his breath, his head, and it's impossible to separate where the temple's ends and his begins. But any moment now, Norik will reappear from the wreckage, bearing that ever-same holier-than-thou look, and the anger will rise anew in Vakama.
Any.
Moment.
Now.
"You've killed him," Gaaki says, and her voice breaks that terrible stillness. She draws in a half-breath that cracks into a sob. "You've... oh, Norik..."
No.
No, it was an accident. He hadn't meant to– Norik had simply been in the wrong place. It wasn't as if he'd taken a blazer claw to Norik, or hit him directly with a fire spinner. He'd only meant to... what? What had he only meant to do?
Something swings towards him and he grabs the staff before he even registers what it is.
"He's not dead," Vakama says, and maybe if he says it, he might even believe it. He snaps his gaze to Gaaki, as if her grief is bringing it to pass. "He's not. He's not as easy to kill as that. When the others– when the Toa find him, he'll be fine. Fools like him always find a way to survive."
Gaaki attempts to pull her staff free, but her strength is no match for Vakama's. He wretches it out of her grasp and tosses it aside.
"Stop that."
She doesn't listen to him, only steps back and charges up her rhotuka. The grief in her eyes fogs into hatred.
The water spinner hits him but does little more than rock him.
"Stop."
Gaaki screams, a sound of rage and anguish, and releases a volley of spinners as ineffectual as the first.
Vakama's patience – or whatever had held him in place until now – snaps. He lunges forward. His claws close around the joints of Gaaki's rhotuka and pins the mechanisms harmlessly into place, in the same manner one might pick up a baby ussal crab by the widest edge of its shell. She thrashes, but Vakama's grip holds.
"I said, stop," he snarls.
She's breathing hard, her gasps sharp-edged with agony. "You killed him," she says, voice hoarse and hateful.
His insides twist, and – Gaaki hauled by his side – he starts the ascent to where the rest of the Rahaga are trapped. He doesn't look back to the rubble. Doesn't glance for one last glimpse of Norik's resting place.
He's not dead. He's not dead he's not dead he's not
The wrongness, the hatred, has woven so deep into him, it's almost a part of him now.
Toa don't kill. Vakama can't remember who taught him that (he recalls, briefly, the flash of a gold mask, but it comes with pain – grief – and he pushes it aside before it can take root) but it gnaws at him like a trapped stone rat. Toa don't kill.
But he was never meant to be one.
And if the Great Temple – if Mata Nui – thinks a mistake was made in Vakama's destiny....
Well. That's somebody else's problem.
x
The Hordika that returns to Roodaka is different from the one she sent out. There's something new in his eyes... or perhaps something lost.
"How was the temple, Vakama?" she asks when it's just the two of them.
He looks to her. Beneath the anger, beneath the rahi, there's almost a haunted look to those eyes. It vanishes a moment later, but Roodaka never doubts her own eyes.
"Unwelcoming," he replies, and Roodaka smiles. She could have suggested Vakama pick the Rahaga off one by one in the chaos of Metru Nui, outside where her Visorak could have been an aid... but the temple had been too good an opportunity to miss.
"Good." She sets a hand on his shoulder. "You owe no loyalty to Mata Nui, Vakama. Not anymore."
He rolls his shoulder, but not sharp enough to dislodge Roodaka's hand.
"One thing I do not understand," she says. "What happened to the sixth Rahaga?"
The Toa growls. It is a gutteral sound, rooted deep in the chest and at home in a way it wasn't before. "You wanted a message left for the other Toa. I needed a messenger."
"Alive?"
Vakama shrugs his shoulder again, and this time she lets him roll her hand loose. "Does it matter, so long as they understand?" he growls.
No, Roodaka concedes as she surveys the remains of the Toa before her. She supposes not.
#bionicle#cat writes#lego bionicle#do i have a weakness for the hordika arc? you'll never know#(yes. look i was a well behaved 12year old kid who loved plots about characters going feral. i ate the hordika plotline up)#(and two decades later or there abouts i still have nostalgic fondness for it)#heya so how do we feel about vakama returning to the temple and finding it is repulsed by him?#a discovery that might not only confirm he wasnt chosen by mata nui but has been forsaken#and yeah this was the fic i technically titled 'damned'#but also casually thought of it as 'god called to let you know he hates you personally'#because that's definitely a normal thing to name a fic#also yes i like the idea that roodaka pushed vakama to enter the temple knowing he would feel abandoned by mata nui#and thus helps sever the 'destiny' part of the three virtues#i like the idea that just like matau had to invoke the three virtues to get vakama back#roodaka worked on severing vakamas ties to the three virtues to get him to turn his back on the others#and while she succeeded with unity and destiny#duty she could only derail or corrupt rather than sever entirely#and that (esp since duty is vakamas whole shtick) is why matau reminding him of his duty finally worked#i'll probably add this and the stasis tube au to ao3 in time#but for now it goes here
20 notes
·
View notes
Text
The most Mark song to me

#The rest of the song I can also make work but the beginning is just so perfect for him#HIS HEART IS ALWAYS ON HIS SLEEVE!! HIS GREATEST VIRTUE HIS BIGGEST WEAKNESS!!!#invincible comic#mark grayson
9 notes
·
View notes
Text
i’m convinced the “soft is also strong” rhetoric that is so popular in fake deep rupi kaur-esque instagram poetry is designed to keep young women complacent
#like. in what way. just because you say something in the structure of a poem or quote doesn’t make it true#and like of course the world wants you to be soft???? it makes you an easier target#or it makes you easier to manipulate or just completely turn into a doormat WHY would you want that#of course they want you to think your ‘strength’ is weakness lmao#and it’s also so self congratulatory for no reason#like great you’re overly sensitive. that’s a virtue now!#smh girls we have got to get meaner
14 notes
·
View notes
Text
machiavelli was cooking a little bit. mamma mia cunt
2 notes
·
View notes
Text
"The relegation of art by modernity to the status of an essentially minority activity and interest further helps to protect us from any narrative understanding of ourselves."
Alasdair MacIntyre, After Virtue (1981), Chapter 16: From the Virtues to Virtue and After Virtue
2 notes
·
View notes
Text
Those "modern fairy tales where the princess saves herself" types of books not only misrepresent the gender roles in fairy tales (there are tons of stories where girls get to save the day), but they fundamentally misunderstand the entire genre.
Fairy tales aren't about saving yourself.
These aren't epic myths or heroic legends about the great warriors who slay every monster in their path because they're so awesome. Fairy tales are almost always about ordinary, even incompetent, people who get thrown into strange situations where they only succeed because of the help of others.
It's not a gendered thing. The boy who goes off to seek his fortune is usually the dim-witted third son whose older brothers are the strong, smart ones. The third son succeeds because he is kind to the magical helpers who then complete the tasks for him--and the exact same thing happens when a girl is the main character.
The characters in a fairy tale rarely succeed because they embrace their own strength and take their own path. Much more often, they are told step-by-step what to do, and they succeed because they obey--respecting the wisdom of others.
The core virtue of a fairy tale is not pride, but humility. It's not a story about the strong, but those who are weak, small, helpless. The people who can't do it all on their own, but can recognize the worth and wisdom of others.
Turning this story into a "girl power" (or even a "boy power") story warps it into something that is fundamentally the opposite of a fairy tale, and it has nothing to do with the gender of the main character.
#random thought of the day#fairy tales#i saw another one of those anthologies that rankled me#and then something said at mass this morning really crystallized the issue for me
8K notes
·
View notes
Text
this reply is really weird because it reads like you didnt actually read the post you’re replying to. to summarize that post, broadly it takes for granted that women tend to be smaller/shorter than men, and then argues that there are sports where that is infact an advantage, and that its suspicious that even these sports are often gender segregated. saying “well yes but most women are shorter than most men” is literally not replying to the post at all.
but additionally, is it really just arbitrary and unopinionated that sports which prioritize upper body strength and speed and size are so dominant culturally? is that just the natural way of things? do we think perhaps that this is at all related to patriarchy?
(also basketball is a funny example bc to me it seems like one of the sports that should most obviously have height brackets like come on lol whats the point of a sport that just selects for extremely tall people.)
crazy that in the 1970s they were like, "fine, women can play sports. but because they're innately less athletic than men, only in a special ghettoized League For The Frail And Delicate where they get paid less 😊". And not only is that still the system in 2023, but viciously lashing out at the smallest challenges to that system gets framed as Feminist Praxis
#also if it really is so upsetting might i suggest trying testosterone#also the tone taken here is so funny i hear people take it a lot in these discussions like#like ‘its very sad. but true. women are short and weak’#like honestly i dont think its that sad because i dont valorize physical strength as a virtue#that sounds like a you problem#(and like a general society problem to be fair lol)
140K notes
·
View notes
Text
also also i wanna play ultrakill
1 note
·
View note
Note
How is Alasdair MacIntyre's work? I've been considering reading "After Virtue." What do you recommend?
i think it's great. i've only read his after virtue. been wanting to read his second book "whose justice? whose rationality?" but haven't gotten to it yet. i definitely recommend after virtue though. i don't fully agree with him but i appreciate what he's trying to do and i do think he makes some very important criticiques of modern morality. the book is worth a read just for that alone.
0 notes
Text
The Chimera of Excitement: A Stoic and Buddhist Perspective
Daily writing promptTell us about the last thing you got excited about.View all responses To profess a state of perpetual equanimity might appear paradoxical, something beyond common human capacity. As a Buddhist Priest who also follows Stoic virtues and principles, I find this assertion to be, counterintuitively, entirely plausible. Photo by Prince Kumar on Pexels.com Buddhism offers a…

View On WordPress
#acceptance#awakening#awareness#Buddhism#Buddhist priest#buddhist wisdom#dailyprompt#dailyprompt-2039#desire#enlightenment#equanimity#excitement#freedom#knowledge#learn#non judging#Philosophy#Raffaello Palandri#reason#resilience#Stoic#Stoicism#strength#Study#virtue#weakness#wisdom
0 notes
Text
Anyone care about Fabula Ultima
Game design exercise: You've been tasked with creating a non-trademark-infringing version of the beholder. The design brief specifies that your version should have ten creepy eyestalks with ten distinct magic powers, like the standard beholder, but these powers must not overlap with even one of the standard beholder powers.
For the purpose of this exercise, assume that the forbidden list consists of exactly the ten magic eyeball powers that are present in the Dungeons & Dragons 5th Edition Monster Manual. (i.e., you don't need to research every magic eyeball power that's ever been attributed to a beholder in every iteration of D&D ever published.)
For reference, these ten powers are:
Controls your mind
Paralyses you
Makes you afraid
Slows you down
Makes you weak
General purpose telekinesis
Puts you to sleep
Turns you to stone
Disintegration ray
Just fucking kills you
These are all off limits.
So:
What ten magic eyeball powers do you give your legally-not-a-beholder?
#do NOT try to come at me about Steely Eye being the same as number 5#i looked up the actual 5th edition monster manual entry for this thing#quote:#5. Enervation Ray. The targeted creature must make a DC 16 Constitution saving throw#taking 36 (8d8) necrotic damage on a failed save#or half as much damage on a successful one.#unquote#it's not “makes you weak” in the sense that Your Attacks Are Lessened;#it's “makes you weak” in the sense that You Lose A Bunch Of HP#if you wanted to accuse me of copying Beam Power Number Five you'll have to point at Bloody Eye.#and when you do i will point out that Bloody Eye is distinct from Enervation Ray by virtue of only being able to drop you to Half-Max HP#rather than just A Large Amount Of Damage No Matter What Your Current HP Is.#long post
4K notes
·
View notes