#aib layout
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midoriizx · 1 year ago
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The character:
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The actor:
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chocotama · 16 days ago
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Shuntaro Chishiya Themepack ♡
Bright color warning!
Request!
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Non GIF banner here, chip mask by faithametyst.
Requested by ➜ @bandagewastern
F2U! No credits needed, but appreciated. Please don't claim as your own. No reposts.
Art credit ➜ None needed
Likes and reblogs appreciated! ♡♡
♥️🎮♦️ // Thank you for requesting!!! I tried some new things out such as doing replycons and adding GIFs, I hope they're alright!!! 🔥 Also, you're free to recolor them if you wishhh
Moot tags! :D (Feel free to ignore/ask to be removed) ➜ @bitterrbytes @rwanrui @xxdollette @tunasandwichs @bunayasu @caramellpurin @jaylovesyouu
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tr-mha-fan · 1 year ago
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i watched the Tokyo Revengers live action, and now I'm obsessed with this man 😍
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dance with me; ああ the tragedy of you and i.  
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patternpostcas · 1 year ago
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Omg I haven't posted in so long😭😭😭 my layout is still my aib hyperfix. I'll change it in a bit
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triggerhappymilitant · 2 years ago
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🌈💻 🌼 🎙️ 🎀 🥇 📌🏆
 𝑺𝑯𝑶𝑼𝑻-𝑶𝑼𝑻𝑺 𝑶𝑭 𝑨𝑾𝑬𝑺𝑶𝑴𝑬𝑵𝑬𝑺𝑺.
🌈 ― aesthetically pleasing blog
@daikichixkarube. They've done a great job with the layout. I know how much of a pain it is to code and edit code with Tumblr.
💻 ― excellent writing
@hoodedchishiya. My baby. The reason I joined the AiB fandom on Tumblr. Hes a fantastic writer and I'm lucky to get to write with him.
🌼 ― creative headcanons
@niragixpsych. I love seeing the ideas he comes up with for Niragi.
🎙️ ― great to talk to
I don't talk to a lot of people ooc, it's mostly @daikichixkarube and @hoodedchishiya who have to put up with my ass constantly annoying them. But they're sweet and great and never make me feel like I'm being annoying.
🎀 ― all-around kind person
I will give this one to you, sweets. You're a sweetheart.
🥇 ― well-developed oc
@hinataxsunshine / @thewildsorcerer. Hinata fits in perfectly that it's hard to remember he's not canon. And I adore Cas.
📌 ― a staple on the dash
I can't give this to one person. Everyone I follow. I recently did a purge of my following list, so those who I'm still following, I absolutely adore.
🏆 ― 10/10 blog, would recommend
Everyone I've mentioned here. I could take an hour tagging people I think are 10/10 but I'll stick with the people I've already tagged atm.
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spacebambl · 2 years ago
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╰┈➤ 𝑰’𝑴 𝑻𝑯𝑬 𝑱𝑶𝑲𝑬𝑹 𝑰𝑵 𝒀𝑶𝑼𝑹 𝑫𝑬𝑪𝑲 𝑶𝑭 𝑪𝑨𝑹𝑫𝑺 ⁀➷
writers account for 𝕊ℙ𝔸ℂ𝔼𝔹𝔸𝕄𝔹𝕝.
twenty seven. she/her. gemini. i sing, write, and play music. i sell movie props for a living. i write in the aib, sw, scream and stranger things verses ᥫ᭡
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Credit
HUGE thank you to the admin team at ONWITHTHESH0W for the beautiful layout they created for this page. i love it so much and am so grateful. i love u. u all have my entire heart ᥫ᭡
Muses
Currently I write for the following muses:
Chrissy Cunningham (lareinaherida)
Eddie Munson (hoodedcultist)
Nancy Wheeler (artinarticle)
Vickie Taylor (copperbrass)
Stu Macher (somadatme)
Ghost (ghostofaman)
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tokyocyborg · 2 years ago
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wonflirtz · 2 years ago
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  ҉ ๋⠀◌ ⠀♟️⠀◯𓂂⠀⠀Late⠀Night⠀Walks
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midoriizx · 1 year ago
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//🎐 aina yamada layout !!
likes/reblogs are appreciated!!
layout made by @midoriizx
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wormbea · 3 years ago
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㝐͏
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chuova · 2 years ago
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かしら ー you still love me
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mnheil · 2 years ago
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nijiro murakami
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atin-y · 2 years ago
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dance with me; ああ the tragedy of you and i.  
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iconsfilm · 2 years ago
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kento yamazaki icons | like or reblog if you save
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xiaotails · 2 years ago
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##DORI SAKURADA🦷LAYOUTS!¡
[old draft] like or reblog if you save
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hollyoxleylevel6 · 2 years ago
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Hierarchy and page structure
Before starting to experiment with the page structure of my outcome, I have decided to research the hierarchy and how we read pages. This will give me a refresher on how my audience will interpret information, allowing me to create an outcome that is easy to navigate. By using hierarchy I can convey the information clearly without room for misinterpretation.
How we read a page
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Western audiences start looking for information in section A, then move on to section B before finally looking at section C (Ambrose and Harris, 2015, p. 80). Based on this diagram, I will place the start of my narrative in section A before moving to section B for the middle then C for the end of my narrative. This will make it easy to follow my narrative.
According to Ambrose and Harris (2015, p.101), there are two methods to creating hierarchy:
Typographical - Can be formed by using different sizes and heavier weights to place emphasis on titles and headings.
Positional - The text is set at the top of the page with large space around it to draw more attention that the main body of text.
Positional hierarchy will make the information content of my zine easier to read and understand. However, to show the change of emotion in my conversations it will be more effective to use a typographical hierarchy because it will allow me to change the tone by using a bigger and bolder font, or making it softer by using a thinner font.
4 examples of how to create hierarchy with in a page arw:
Neutral - This is using columns to make the text legible but all the text is the same size and weight. The reader will naturally read information from the top left to bottom right (Ambrose and Harris, 2008, p.39)
Position - Using a lone heading or a separate sentence on one page will draw attention to it (Ambrose and Harris, 2008, p.39). This creates a break in the main layout, making it appear more interesting and giving the reader a chance to breathe
Position and size - Making text larger and placing space between it and the main body of text, will draw the audiences attention to it (Ambrose and Harris, 2008, p.39). This will make it easy for titles and headlines to be read first, giving the audience an introduction into the subject.
Position, size and emphasis - Adding extra emphasis to text by giving it a higher weight will place it higher in the hierarchy (Ambrose and Harris, 2008, p.39).
Using these examples will create a base for my hierarchy. This will allow me to experiment further to develop the hierarchy to a concise and clear information layout.
Ambrose, G. and Harris. P. (2015). The Layout Book. [Ebook]. Bloomsbury Publishing. Available from: https://ebookcentral.proquest.com/lib/aib/detail.action?docID=4636427. [Accessed 27 November 2023].
Ambrose, G. and Harris. P. (2008). Basics Design 07 : Grids. [Ebook]. Bloomsbury Publishing. Available from: https://ebookcentral.proquest.com/lib/aib/reader.action?docID=4654047. [Accessed 27 November 2023].
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