#also they both need the affection

[artsymeeshee]

Anyone order another round of hospital sketches? Was thinking about it again and needed to make more. Happier ones this time!

Again, please DON’T tag as ship :T

[rika-mortis]

Headcanon: Deep down they both want to be their fairy godparent/godkid again after losing them, but don't believe they deserve each other and feel like they aren't worthy to be their companion anymore

They both need counseling and therapy as a whole package

[vaguely-concerned]

can you even imagine what a fucking horror show the early game is from spite's perspective, though. not only is this funky forcibly severed little slip of the fade having to deal with the reverse cosmic horror of physical reality as perceived by a spirit and being trapped in it against its will -- existentially confused and disoriented and hurting and nothing makes any kind of sense, at the mercy of human cruelty at its most deliberately sadistic. and then the one source of comfort and compassion and some kind of safety and clarity that lucanis surely must have been to him in the ossuary despite everything just goes and shuts himself in his room inside with a seemingly passive aggressive number of locks between them and no explanation and won't speak to him and they're STILL in the fucking ossuary. rook came and found them and they could be free now (rook is here!) and still lucanis keeps them in the ossuary even though he PROMISED he promised they'd get out of there together!!! what the fuck DO you think at that point? like did he trick me that whole time??? he wasn't like zara before, so why is he doing this to me now? why isn't he saying anything? 'he won't move. I can't reach him'. at least in the ossuary they had a deal, a goal, a hope -- each other. at least he wasn't entirely alone, before.

this poor poor poor little spite spirit really was ferried into the real world like 'hey welcome to reality! as your first introduction to it you're first getting horrifically tortured and then getting to vicariously experience one of THE most distressing and harrowing psychological conditions the human brain can cook up for itself (a fully fledged and deeply entrenched freeze response flaring up with catastrophic severity due to an unbroken ongoing and unlikely to let up any time soon chain of Unfortunately... Recent Events). I think spite is being extremely reasonable and patient about the whole thing, when you put it into perspective. I'm not saying let him eat the self-lighting candles or anything, but he's got some extremely valid points along the way lol. spite is not only child-like, the metaphor work going on is a lot more pleasingly flexible and complex than that, but he is also helplessly existentially dependent on lucanis in a way that, if anything, is a heightened version of the way a child (or child part) has to depend on a parent to navigate the world and survive.

tl;dr: we truly don't give enough sympathy to spite for having to live in the head of lucanis dellamorte. a place even lucanis dellamorte would prefer not to be. to be fair to him I think lucanis would be the first person to agree with this lol

[poorly-drawn-mdzs]

Don't Wormy About Me.

[First] Prev <–-> Next

[rodentlegalteam]

While I do think using the four sword causes some bad physical/mental side effects, I ultimately think that the biggest drawback ends up being that none of Four’s colours ever do what he wants unless it’s a life or death situation. Four has a lot of work so he decides to spilt to get everything done on time. It does not go well.

Red and Blue both run on emotions so they immediately get distracted by whatever’s more interesting and leave. Red might eventually get back on track (if he remembers) but there’s still a 50/50 chance that he goes “oh but I don’t wanna do that now.. hope the others do it for me! <3”. Blue’s better at remembering but if the conditions for doing The Task are slightly Off it’s going to make him want to rip his own hair out so he just calls it quits. Green and Vio are more likely to actually get stuff done but the second someone asks Green for a favour he’s gone. He’ll end up spending the entire day running around delivering pastries or something cause people keep asking him for things and hes incapable of refusing. Vio will spend thirty minutes coming up with some sort of convoluted loophole to avoid The Task before disappearing into the woods for the next three days. He could’ve completed The Task in those same thirty minutes but he just didn’t feel like doing it in the moment. Four eventually reforms and literally nothing had been done. The real reason he keeps the four sword a secret from the chain is because he’s embarrassed about the fact that all the colours are literally so fucking stupid on their own

[somegrumpynerd]

I like the idea that Cross realised Killer was touchstarved (he didn't have the words for it but he noticed how much Killer would settle down from it) and started giving him very small basic affection. Pat on the back, hand on the shoulder, maybe a quick friendly hug, all things he probably learned through royal guard training and thinks of as normal friend/coworker stuff.

But as they both got more comfortable in the routine of it, Killer started instigating touches and he was not shy about it (like not just leaning into Cross's side during movie night, he looks like he's trying to get into Cross's jacket with him)

And that this more intense affection made Cross realise he might also be just a little bit touchstarved

Bonus:

[chipper-smol]

progress is incremental bUT ITS PROGRESSING

[torchstelechos]

I love that In Stars and Time gives the nonconsensual kiss a proper horrified reaction, by the way. Most media where a character can kiss someone out of no where either make it a funny thing or the "romantic" thing, but here Siffrin kisses without permission out of no where and Isabeau reacts correctly! He pushed them away! Because thats surprising, and fucked up to do to someone with no lead up and no permission! Isabeau had no context, and at the time when the kiss happened, was under the impression that Siffrin didn't like touch which can have a variety of horrible reasons for it. Not only that but... We don't know what face Siffrin was pulling and I don't think it was a nice one. Which, again, means that we don't have all the context either! This is a horrible event that has horrible consequences and I love that it does. Because it's something that is horrible and objectively one of the worst things Siffrin did to one of the others in the loops, so I'm just!!! So excited it had bad consequences!!!

[bumblingbabooshka]

Inspired by this post: What if B'Elanna reveals to Harry that she feels insecure about not knowing much about her Human (Puerto Rican) heritage after two interactions at the beginning of the episode - one with Chakotay and one with Tuvok where they both display a deep connection to their heritages and cultural practices. Harry then reveals that he's also mixed - his mother being Chinese while his father's Korean. Like Chakotay, he wasn't very interested in cultural practices as a kid (he seems like he'd find them boring at a young age) and his parents didn't push him to participate or learn which was fine when he was a kid but as he got older he began to feel a sense of displacement, guilt, and frustration. It's easier to just be 'Human' rather than taking ownership of anything more specific, especially since to most people he's not visibly mixed, but with being away from his family he feels now more than ever that he wishes he'd connected to that heritage. He expresses the same yearning that B'Elanna brings to him - he's also noticed that Tuvok and Chakotay can connect to their parents, their people, their faith even so far away...that connection gives them a strength and assurance that both Harry and B'Elanna envy. He tells her about the Alter Ego coaching incident and B'Elanna tells him about the Meditation Fail. They both tease each other good naturedly. B'Elanna tells Harry about how Chakotay instructed her in some of his cultural practices (we see in 'Cathexis' that she has knowledge of these practices) and how she started being jealous then, specifically of how he can connect to and sort of amend his relationship with his father (which was rocky in life) THROUGH these practices and the faith he carries in them. She sometimes tried to do the same privately but it felt like acting, uncomfortable. B'Elanna's different from Harry, having been bullied for her Klingon side heavily, she wanted very much to claim her Human (Puerto Rican) heritage. She never saw it as something boring and often tried to connect with her cousins etc over it but they always pushed her away, asserting she was 'Klingon' and as 'Other.' After her father left, she seems to have been entirely cut off from her Human side of the family. When she grew enough to do her own research into her heritage, she felt overwhelmingly that it was already too late for her to connect to this side of herself. People already only call her "Klingon" though she's half Human. If she were to attempt to claim anything more specific, she'd surely just be laughed at. Harry smiles and bumps her shoulder with his own. "I'm not laughing," he says. "You're smiling." "I usually am." Then B'Elanna smiles too. Throughout the series (from that point on) we can see B'Elanna and Harry practicing Mandarin, Korean, and Puerto Rican Spanish. Though they start off just helping the other, they start to learn all three languages between them and sometimes have conversations as they're working together which become less and less stilted as time goes on. Harry even learns a bit of Klingon! This leads to B'Elanna's Human grandmother or something being the one to contact her instead of her no-good-space-racist-daughter-abandoning-terrible-scum-father and B'Elanna opening the conversation by speaking to her in Spanish, to the woman's unabashed delight. B'Elanna quickly wipes away a tear at hearing how proud the woman is of her, how she grew up so beautifully, how she was afraid she forgot all about them or hated them for what her father did to her family but she's so pleased that obviously isn't the case, not if she took the time to learn their language. Afterward, we see B'Elanna restless in her quarters. She gets up and begins a letter. It's to her mother, whom she still doesn't know the status of (her grandmother hasn't been in contact with her or B'Elanna's father). She starts in Standard then pauses and has the computer erase that entry, beginning again in Klingon. End.

[satoruxx]

the way i was staring at my screen when mc threw a whole ass cup at caleb and he just stood there after it shattered and said "did that help you calm down?" in the most relaxed voice ever..

[fist-of-vengeance]

thinking about how essentially every relationship john locke formed in the early seasons of lost has completely disintegrated by the time of his death.

of course there's his relationship with jack, which starts tense but manageable and culminates in jack pointing a gun at john's head and pulling the trigger. but even his smaller, less narratively prominent relationships either implode or drift apart. he bonds with walt in season one but then walt leaves the island, which is itself a severing of their bond since it was mainly based on being the only two people who wanted to stay. still, he goes and visits walt off the island so this is probably john's most successful relationship. I dont think i need to explain how he fucked up with boone, "the sacrifice that the island demanded." charlie viewed john as a mentor and claimed to trust him more than anyone on the island, but after the events of fire and water, that trust is destroyed and charlie despises him. at the same time we get john bonding with claire and having a pseudo-paternal dynamic with her, but their closeness basically drops off the face of the earth as he gets less and less involved with the other survivors.

his arc in the series is essentially a gradual distancing from everyone around him. it starts when he abandons hunting (providing for the others) in favor of trying to get the hatch open (it's extremely clear his primary motive isn't any survival applications but getting answers to the mystery). when they do open the hatch, he spends more and more time inside, underground, cut off from other people. he spends more and more time interacting with ben, a human mystery box that he's obsessed with cracking even if it gets him killed. he follows the proverbial white rabbit deeper down the hole and leaves his connection to humanity behind. the island and its mysteries become more important to john than anything or anyone else.

then in season three we get him claiming to go undercover with the others only to unceremoniously tell sawyer that he's actually going to join them. and it doesn't feel shocking, it feels inevitable. because john has spent the entire series becoming less and less connected with the people he arrived with. in that sense he actually makes a fascinating foil to juliet, who is introduced as one of the others and yet never really fits, she's increasingly sympathetic and kind in a way the rest of them aren't, her redemption arc feels so natural that she actually starts referring to her old people as "the others" like she's been one of the crash survivors from the beginning. her and john basically have inverse arcs, which is probably accidental but very neat.

in season five john tries to convince everyone to go back to the island, and fails spectacularly. and of course he does, because he was so consumed by obsession that he stopped maintaining his relationships, and in many cases actively alienated people (this is also basically what happened with helen) and now he can't wrap his head around why they're all so hostile to him. i am forever obsessed with the scene where he confronts kate and she brutally calls him out for wanting to return to the island because he doesn't love anyone. it actually struck me on rewatch how well the two of them got along in season one, and how badly their relationship has degraded by this point. john repeatedly casts aside interpersonal relationships in favor of his obsession with destiny, so when said destiny actually involves persuading the people he once shunned, he's at a loss. this is because john treats purpose as a supplement for connection, destiny as an alternative to love.

as an aside, this aspect of john's character kinda ties into my opinion that several lost characters can be read as allegorically neurdivergent under a certain lens. i know this was absolutely not intended, but as an adhd former gifted kid who struggles socially, there is something uncomfortably familiar about a character who allows their relationships to burn around them because of a single-minded obsession, especially as a result of being promised the fickle status of "special."

tl/dr: john locke is a doomed idiot and i love him

[annikathewitch]

Upsides to making Garak and Bashir talking about Frankenstein a loadbearing part of my Garashir fanfic: Thematic relevancy, angst potential

Downsides to making Garak and Bashir talking about Frankenstein a loadbearing part of my Garashir fanfic: I have to actually write Garak and Bashir talking about Frankenstein

[moeblob]

Shockingly I named some OCs recently and fleshed out the deity lore a bit for my "guess i'll marry the demon lord?" plot.

Solei has existed since near the start but Mehra and Valdas are new to the concept and all three? Petty. They're technically the Trio of Peace cause that's kinda their goal and duty to their world but really, Trio of Pettiness is suitable as well.

[cipheramnesia]

Probably the most heartbreaking thing about my big all any queer gendery wendery sexery wexery donations post is how many people put "i don't know if i count" somewhere in their reblog. I'm just... like, of course you count, ya always count, c'mere lemme hug you.

[golby-moon]

how it started:

how it's going:

horrible things are happening on my canvas guys and it's all @irondeficientf3r0ck's fault. good luck reading my terrible handwriting (if you care enough to look at it) which explains some design choices but mostly is just me yapping tbh. overall I think my art style works well for this type of thing but man horse anatomy is hard :/ (though this is still better than my first and only other nightmarish attempt at mlp fanart when I was a little kid. still haunts me to this day)

also here's a bonus drawing I made where Dean and Cas are 2 inches apart as usual but it takes place in a cheap motel room appropriately pink themed for the show and also Sam is there and wants to diee but what's new. also logically Sam should've probably been an earth pony as well but something something demon powers and anyway I wanted to have all three types in there so this is what we got

I probably should've added some furniture or literally anything else to the motel room. oh well

(06/08/25)

[ladysatoru]

this ace and sanji parallel of feeling undeserving of love, your honor