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dcxdpdabbles · 2 months ago

Note

So I had an idea for a snippet series if your interested🫣

Danny is actually Bruce's brother, but nobody knows until they meet him, when he comes to Gotham to create music videos for his song series EPIC. (Through a combination of his Space obsession and his mentoring with Pandora Danny gets hyper fixated on Greek mythology) (I can see him going throughout the DCU for each Saga and Gotham would definitely be the Underworlds Saga)(They only know about him because Diana becomes interested)

Btw ABSOLUTELY LOVE your stories, they make slogging through my Christmas MET at work SO much easier. 🫶🏻

That man has his mother's face.

It's an odd thought to have about a stranger, but Bruce has it all the same. He spotted him after noticing the other man setting up some recording equipment, checking the camera with the same smile his mother used to make whenever she was writing songs at her piano.

It was the kind of smile that hid a smirk in the corners of her lip. Like she already knew that she captured Bruce's and Thomas' attention simply by approaching the piano bench. It was her special talent that she was willing to gift to them, one they loved dearly and she knew it.

Martha Wayne wasn't known for her musical talent, not in the way she was known for her charities or her horrific death. People always talked about her in those two ways, or sometimes, they reduced her to just Thomas Wayne's wife.

None of them knew of the hours she spent writing up songs about her life. The way she told stories with lyrics, and how Bruce knew how his parents met, their first date, their first kiss, and the feeling of their first dance, all within one of his first lullabies. She hummed mindlessly throughout her day, so much so that Bruce often figured out her mood by the way she raised or lowered her hums.

It was her own piece of theme music. Her little touch of love echoed throughout the manor. When she died, Bruce realized how loud silence could actually be. It felt like drowning, that silence, and no amount filter noise could ever save him from it.

It wasn't until he took in Dick, who has a habit of beating his hands against items in makeshift drums, did his drowning finally end. Even if his son is tune deaf.

In fact, none of his kids are talented in singing, not even Damian. It wasn't a bad thing, but sometimes he wished one of the children could join him in his mother's duets. The ones she wrote for Thomas (his father wasn't the best singer around but Mom always had a way of masking that with her melodies) , and the ones she wrote for Bruce.

She even wrote some songs she wanted to sing at Bruce's wedding, always talking about it, never being too early to have the perfect song for his perfect dance. They were all half finished, because she got distracted and figured she would have time before Bruce actually needed them.

He kept her songs and her music sheets, tucked away in his office behind a fire proof vault. Sometimes he would pull them out and attempt to sing them.

Bruce knows he has an amazing voice, has had multiple people burst into tears after hearing him, but he could never bring himself to partake too long in each song. It hurt too much to think of his mother.

How she sounded better them him, and how he could not remember her speaking voice, but at least her singing lived on in his memories.

The man finishes setting up, moving to stand in front of the camera. He offers the curious crowd a slight wave- he's behind some ropes with a permit hanging off of it, permitting his shoot. The official setup and the strange outfit- robes and a white sheer clothe around his eyes- has gotten the attention of walkbyers. It's why Bruce had looked as well.

He shakes his whole body, before he taps the microphone he has on his scarf. It's adjusted so it's hidden behind cloth, before the man climbs onto the rock statues that are designed to resemble a human skull, it was one of Gotham's oldest and most famous works of art. He sits inside the hole of the skull's left eye, draping himself dramatically on the ledge of it while dangling a leg and facing away from the cameras.

A murmur goes through the crowd, mostly appreciative of his pose and physique. A couple of teenage girls beside him giggle helplessly as the music feels the air.

It's a soft pick up of strings, piano, and it blends well with the man's voice as he gracefully moves his hand through the air, speaking about a prophet giving a warning of a future.

Bruce is mesmerized as the man's voice rises and falls, swaying in the skull. He carefully tilts his head towards the camera, his singing voice rising as the more emotions carefully blend into his warning.

By the chorus, the singer lets himself fall gracefully out of the skull, walking slowly towards the camera, speaking now of a castle in red, and his face slowly gaining more urgency.

Just as he leans into the camera, he spins on his heel repeating the same prophecy, a gripping tragedy of overcoming trails and still failing. It's ends with the man leaping back into his eye, slowly untying his blindfold to reveal glowing green eyes staring and reaching as if the sky was the future he spoke off.

It must be contacts, and yet, Bruce feels like someone kicked him in the chest. Those were his mother's eyes, the same shape and the same color, even if they had a special effect. The song ends with a choir of people singing as he bows his head but Bruce doesn't hear anything over the sound of blood rushing his ears.

The crowd goes wild, clapping and cheering as the man breaks character to grin and smile at everyone, taking some cheeky bows. His mother's hidden kiss and sparkling eyes dancing with the warmth he remembers her by.

Without really realizing it, Bruce steps over the rope, walking towards the stranger as if in a trance. The singer spots him, smiling, dropping as Bruce gets near, "Hey, I rented this area for recording. You have to get behind the rope-"

"Who are you?"

"I'm sorry?"

"Who are you. Why do you look like her?" Bruce breaths more then asks as he pulls out a photo of his mother from his pocket. The man's glowing green eyes- and now that he's close enough, Bruce can tell they are contacts, can see the slight ring around his pupils- blink slowly.

"Wow, she's a female version of me." The man gasps, touching his own face as if he could feel the similarities through his fingers. Holding out the picture makes this so much more uncanny, because the man's effeminate features and age almost makes it seem like Martha Wayne has come back to life.

"She was my mother." Bruce realized with a jolt that they are both at the age his mother died, and it makes something cold settle in his chest as the man blinks up at him.

"Were you ever adopted? My birth parents gave me up when I was born because of some twin superstition. At least that's what my adoptive parents said. I never bothered looking for them. All I know was that her first name was Martha."

Bruce steals some hair to confirm it but he knows deep in his heart the answer long before Danny Fenton, inspiring musical writer, test results come back.

This is his twin his parents gave up.

It takes months of investigation before he finds a centuries-old contract. The Wayne's had long ago promised the Court of Owls the spare of any twin born into the family, and to protect Danny from such a fate, Martha and Thomas faked his death and gave him away the day he was born.

His mother's song, "My lost little song," finally makes sense. She always cried when she sang that song.

#dcxdpdabbles #dcxdp crossover #My lost little song #Part 1 #Danny and Bruce are bio brothers #Danny inherited his mother's musical talent #Bruce canonically is a great singer #The Waynes gave him up to protect him #If I continue this I'll focus more on different songs cause I don't like too big crossovers #Danny Fenton looks like a male Martha Wayne\#Slight angst?

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djarinova · 27 days ago

Text

five times he wordlessly knows what you need and one time words are all he has — din djarin

˗ˏ✎ synopsis: a collection of moments between you and din that show your developing relationship and his ability to know what you need without so much as a word.

˗ˏcontent - pre relationship, slow burn, mutual feelings but they go unspoken, little bit of angst in the final part (reader is surrounded by mercenaries), canon typical violence, cute mando family moments

˗ˏwords - 882 + 1018 + 765 + 849 + 827 + 1438

˗ˏnotes - i started this in dec and got alll the way to the last part and my ability to write for him just disappeared... but im back babey (semi inspired by a conversation me and @stevebabey had before christmas)

one, the blanket —

Another shiver rakes your body, your skin prickles with bumps as it tries to help warm you, but you're too drawn into what's in front of you to notice. The child is ready and waiting for his last meal of the day, and as he stretches his little arms out towards your hand you see his mouth open with the tiniest yawn you've ever seen, and your heart sores. The little man is tired, you can see it in his movements—much slower than usual and lacking their typical cheekiness.

"It's okay buddy, you're almost there now, just a couple more bites and I'll get you all wrapped up for bed." You yawn, the child's tiredness is infectious, and you laugh a little at the way his eyes light up when you mention bed.

It’s not long before your promise is fulfilled. The child ate up every last bit of his dinner and he was so polite and well mannered that you gave him a glass of warm milk before tucking him into his soft sheets. He asked—although perhaps asked is the wrong word—for a bedtime story and of course you happily obliged. You read a short one, one of his favourites, and he was out like a light before you even made it halfway through the book.

You had wandered back to the makeshift dinner table and were now clearing up the plate, spoon and cup that had been left behind in the wake of the meal. There wasn't a lot of mess, so you let your mind wander as your hands got to work wiping and cleaning and washing. You spare only a second thought to the mandalorian, you know he's up in the cockpit at the moment, he so rarely shows himself during the child's dinner time—he proves to be a distraction more than anything else, to both you and the child—but it's clear to you that he wishes to be more present during meal times. Sometimes you think about how heavy the weight of his creed must be, and how it must hurt that he can't sit and eat with his family—the child... and you hope yourself—at mealtimes.

A deep thudding stirs you from your thoughts, your eyes feel heavy and the whip of wind is rattling against the outside of the crest—you must have landed somewhere, too preoccupied to notice. You turn your head towards the sound and you see the mandalorian disappearing down the hallway. He pokes his head through one doorway, as silently as he can, checking on the little one. You can hear the lightest of snores if you listen closely, and a smile graces your features at the thought of the mandalorian watching over the child as he sleeps.

The door to the child's sleeping quarters shuts softly, and the mandalorian spares a quick glance over to you—although you don't believe he will actually be able to see you properly, you still smile—before turning the other way and disappearing down the hallway. You lose sight of him quickly, and although you hear the far away sound of a door opening and closing you don't give it much thought.

You've just about finished clearing up when the sound of footsteps comes back into focus again. You don't turn to look this time, you've just got one last glass to put back in its place and then you'll be free to put yourself to bed for the night. You hear the mandalorian scuffling around behind you, then a soft pat, and then the sound of footsteps continues and he's leaving again, disappearing back down the hallway as fast as he had arrived. You're puzzled, but don't pay it too much mind. He's tired, and you all have a busy week ahead, you need all the rest you can.

You sigh, a good sigh, one that says ah, finally, I have finished my little tasks and I'm free to rest. The wind whips against the side of the crest again and it sends another shiver over you.

God, when did it get so cold?

You stretch your arms out in front of you, trying to get your muscles to relax a little and–my god, my hands! they're freezing!

You turn, intent on getting yourself into bed as fast as you can, when a flash of blue invades your periphery. You look around, as if trying to find the owner of this mysterious blue square or perhaps looking to make sure they wouldn't catch you as you wander slowly towards it. (Of course, you know who the owner is, if it's not yours—and it isn't—then there aren't really many other options for whose it can be). It’s possible, you suppose, that it could just be an old rag used for cleaning, or maybe discarded material from one of the mandalorian's old capes, although it's more likely to b—

Oh.

It's a blanket. Soft, navy, and a little tatty on the edges, but it's definitely a blanket.

You shiver again.

But... Did I forget that I brought that out with me? Surely I would've–

Oh.

A second realisation hits you.

Your cheeks warm and suddenly all of the Mandalorians shuffling and disappearing into doorways makes sense.

He was looking for this blanket.

Looking for this blanket, for you.

two, the breakfast —

Your eyes flutter open, and the gentle, warm light from the corridor floods your vision as you slowly sit up in your bed. You blink at the clock on the shelf next to your head, and it blinks back at you:

0822

You yawn. It's not late by any meaning of the word, but it's enough of a lie-in that your heart thumps a little faster than normal at the thought of the child patiently waiting for you to get him his breakfast. Mando would be busy by now; flying and plotting a course in the cockpit, talking with people about possible jobs on the spare comm-link in the far left side of the crest, cleaning his weaponry, or one of the other hundreds of things he busies himself with on the days he finds himself without a bounty to chase. You know he'd love to spend his mornings with the little fellow, talking with him and feeding him and cleaning up after him. But Mando's never been one for slow mornings, always preferring to get up and immediately start trying to provide.

You burrow to the bottom of the small cabinet by your bed, rooting around for a fresh set of clothes. You suppose it's possible that the child won't have even woken up yet, last night wasn't the easiest night for him. It was the first night in a while that bedtime had fallen while the crest was still mid-flight, which meant that Mando was tied up in the cockpit and you were on bedtime duty solo. And, to be fair to the little man, he had done well to begin with, you barely even noticed a change from his normal bedtime behaviour until the crest went through what you can only think to describe as a heavy patch of turbulence and then it all went a bit lopsided from there.

His blanket slipped out from his grasp, just as he was drifting off. The chill must have woken him up and even though the blanket was only separated from him for a few seconds it had snapped him back to being wide awake and you had had to calm him down once the ship began to shake again. The metal walls had been creaking, it had been loud enough to freak you out as well, so you tucked yourself up next to the child and ran your hand soothingly up and down his side while reciting to him his favourite type of story—a story about the brave, strong Mandalorian who fights bad guys and keeps his family safe on his big, fun spaceship.

You think you managed to get yourself to bed at just after 3 o'clock this morning. Mando was still flying the ship when you tucked yourself into your own bed and you had wondered briefly about when he planned to sleep before your tiredness had overtaken you and you had drifted off.

The smell of food is the first thing you notice as you slip out of your room. It's not strong, nor is it a burning smell, but it's there, and it's food, and it makes you uneasy.

Your emotions hit you in waves, first, the panic (that the child has somehow gotten his way into the kitchen and is making food on his own), then the anxiety (that he will end up hurting himself and all because you had slept in), next the guilt (that you had allowed yourself to be selfish and now the child was potentially in danger) and then, finally, the relief.

You sigh heavily when the kitchen comes into view. There is the child, happily playing with his homemade spaceship toy, there is a three quarters empty plate lying an arms length away from him on the table and there's a glass of juice placed next to it.

He is fine.

"Morning." Mando says. His voice is deep and it sends heat across your face.

"Good morning." You reply, smiling at them both.

Your eyes meet Mando's visor and he nods at you before turning away, busying himself once again. You walk gently towards the child and he coos as you sit in the seat next to him. You now realise that the scattered bits of food left on his plate are bits of pancake, blueberry pancakes by the look of it, and you feel your stomach pang with jealousy.

"And how was your breakfast this morning little one?" You run a finger behind his ear, which earns you a delighted giggle. "It looks delicious."

You turn your head back towards Mando, about to ask him if he has had anything to eat yet, and if he managed to sleep last night at all, but when you look over to where he was a moment ago you are surprised to find that he has disappeared. Your eyebrows furrow, a question ghosts your lips, and you're about to stand when your eyes glance upon something perched on the table.

A full plate of food is sat merely an inch from the tip of your fingers.

You glance around the room again, but you know Mando has already slipped away to some remote corner of the ship. Your stomach growls, and you suddenly realise just how hungry you truly are.

The food is for you, there's no question. The plate is coupled with your favourite caffeinated beverage and the pancakes are garnished with a singular piece of fruit—the one you had ogled at during your last market visit.

You didn't know Mando had gone back for that...

You had wondered that afternoon why he had left you and the child at the baked goods stall, he so rarely leaves the two of you unattended while you are out. You had thought maybe he was getting word on a bounty and didn't want the child to overhear. But as you stare now at the mouth watering piece of orange fruit in front of you, you can't help the warm feeling that blossoms in your chest.

I never even told him this was my favourite fruit. How did he know?

three, supply run —

There's something wrong.

You can't quite put your finger on it, but in the last few weeks you have felt… off. The bed you sleep on that usually has you drifting off within minutes now feels lumpy and hard. The blanket that never fails to give you comfort now makes you agitated and irritated. Your favourite part of the day, meal time during the evening, now leaves a sour taste in your mouth (and it's not the food).

Something is wrong. You just feel wrong.

And you know Mando has noticed. You catch him staring at you when he thinks you're not looking, when he thinks you're too preoccupied to notice him. He's always watched over you and the child, he's your protector, and he knows that if you’re safe then the child is safe too. But it's different now, not bad, just... different. His gaze isn't fleeting anymore, you think it watches you as you move about the crest, just trying to go about your day—help the child, prep the crest, sort through the mess of Mando's inventory—and it makes your chest ache.

You feel something tickle your cheeks as you move silently towards the cockpit. Tears sweep across your skin, as warming as they are confusing. The child is resting peacefully in his cot and it gives you some extra time to mull over your supposed wrongness. And, unsurprisingly, that makes you feel worse.

You can tell by how the crest is moving that you're about to land somewhere, you should probably pause and take hold of something for balance, but something deep inside you is spurring you forwards, telling you to keep moving towards the cockpit. And so you do.

The light is harsh as you enter through the doorway, it takes your eyes a second to adjust to the change. Mando huffs out a small greeting and you do the same. You take a step forward, about to ask where the pilot has landed the crest today, and what his business will be here, when your eyes finally pay attention to the view in front of you.

"Mando... are we in my hometown?" Your voice is thick with emotion, you swallow hard in an attempt to regain control over your voice, but your waterline is already lined with tears and they're threatening to fall fast.

He doesn't look at you, still fiddling with the controls as he docks the ship and sets her to park. "I–" He coughs, something burns within his chest. His focus is still on the console and so his words tumble out in a rather clunky way. "I... I–it was just an–uh, yeah–I thought that it'd be a good stop for supplies." He finishes. His cheeks feel hot and he's worried that he just made a complete fool of himself, but when he turns to face you—the crest now completely still and parked—he finds your eyes are still trained on the view from the window.

He notices the tear stains on your cheeks, and the way you are trying too hard to steady your breathing, but he says nothing. He brushes past you on his way out of the cockpit and his breath hitches, his fists tighten and you apologise in a dazed way as he steps around you.

The opening beeps of the cockpit door snap you out of your trance and your eyes flick around the room wildly. You brush your tears away, hoping that Mando didn't see them—but deep down, knowing that it would've been impossible for him not to—and your eyes meet his visor again. You're shocked to find him already looking at you, or more accurately, you're shocked that he didn't turn his head away when he saw your head moving around to face him.

"Supplies, you say?"

Your voice already sounds brighter to Mando's ears, and he smiles to himself—thankful just this once that you can't see past his metal headgear. You are able to read him better than anyone else he knows, and a little voice in the back of his head is telling him that the look on his face right now would be impossible to read as anything other than what it is—adoration.

Mando nods before turning away, leaving you alone in the cockpit while he preps the few things needed for a market visit. And you sigh, mind reeling over the possibilities of showing Mando your home again, already feeling lighter than you had a mere 5 minutes ago, and your wrongness is now being drowned out as you follow the mandalorian's footsteps and exit the cockpit.

four, the chores —

You finish wiping the blade and place it down gently onto the fabric you had laid over the table. The pile of assorted guns and daggers, along with the three spears and singular pulse rifle, is rather large now. The two small, circular shields (that you've never once seen be used by anyone) are also polished, although you were unable to pop out the large gashed dent that covers almost the entire left side of one of them.

You feel a slight twinge in your foot, the beginning of a cramp, and you jump up quickly, shaking your leg wildly and trying to stop the string of curses that are desperate to leave your lips. The room is oddly silent, apart from your grunts of pain, the music box sits an arms length away, you must not have noticed when the record stopped... You hesitate, torn between hitting replay and leaving it silent, but the decision is made for you when you look at the clock and see just how late it is.

I've been working for... how long?!

Your heart suddenly thumps wildly, your foot cramp long forgotten, and you move quickly from the table to the weaponry, your arms full with as much as you can manage to carry.

God, how could that have taken so long? I've still got to change the sheets on all of our beds, give the child a bath, wipe up the cooking area and oil up a few of the door hinges!

Your movements are hurried, and you manage to get everything back into its rightful place within 5 minutes (although you do almost lose a finger once or twice). You rush towards the basket that holds your bedding... but you don't see any.

Huh?

You bury your hands between the odd capes and spare blankets, searching for those familiar sets of bedding, and your hands come back empty. You huff, confused and a little ashamed that you've somehow misplaced the bedding, and you decide to just go to the kitchen and start wiping up instead, to take your mind off of it.

But when you get to the kitchen, the whole place is spotless! The cooker is polished and the plates and bowls from breakfast and lunch are all clean and placed back in their spots in the cupboard (and you definitely know this, because you checked each and every cupboard and counted the number of dishes... twice!). Even the sink is empty!

You spin around on your heel, deciding to go find the child, who should be in his playroom this time of the day, and take him to the washroom for his bath. Safe in the knowledge that at least this will be one thing you are actually able to do, and still confused as to why you haven't been able to complete anything else on your checkless since lunchtime...

But the child is not in his playroom. And now you're really worried. You race around the ship, sticking your head into every room you can think of, only to find the child is not in any of them. Your feet refuse to stand still and they carry you (almost subconsciously) towards the washroom, and as you get closer and closer you begin to hear the familiar sounds of an excitable child and the splashing that comes along with said child in a bath.

The door opens with a whack! and you grimace at how loudly the sound echoes through the room. Mando turns towards you, he is kneeling next to the tub, his armour is nowhere to found and he instead dawns a loose undershirt, a pair of dark trousers and his beskar helmet.

"Sorry." You whisper, as if trying not to wake a sleeping baby. Your eyes flit from Mando to the child, and back again. "You're bathing him."

Mando nods.

"You didn't ha—"

Oh.

And that's when it dawns on you.

"And you also changed the bed sheets?" You question, although you think—hope (dreading the potential embarrassment that will come if you’re wrong)—you already know the answer.

"Yes." He replies. He's not looking at you but it feels like his eyes are looking straight through you.

"And the kitchen..."

"Yes, that was me."

"Oh. Okay, thank you." Your voice is small, but it's hard to fight the smile growing on your face.

Mando turns to look at you briefly, "you don't need to thank me," and then he's gone again, back to giving his full attention to the little guy hiding amongst the bubbles.

"I-" You start, but you don't know what to say. Thank you anyway? I owe you one? You didn't need to do that for me?

Your thoughts swirl. There is so much you could say to Mando right now, and lord knows there are plenty of other things you could busy yourself with, but the look on the child's face when he saw you enter had your heart glowing and the opportunity to sit and enjoy a nice—if slightly wet—moment with Mando in relaxed mode was something you couldn't turn down.

five, babysitting —

Breathe... Just breathe. You tell yourself over and over again.

She's not even technically late yet, you and Mando—Din, to you now—had agreed on a midday pick up and here you were at... a quarter to the hour freaking out over nothing. He trusts her, he's known her for years at this point and hell, even you've met her– what... 2? 3 times now?

Everything is fine.

So why do you feel so on edge?

You hear the familiar clanging of the ship door as it opens, followed by echoing footsteps and the beeps of the door closing. Din comes to rest next to where you stand, his shoulder almost touches yours and you know, even without looking, that his eyes are trained on you right now with that familiar tilt of the head that he does so often.

Din can sense your nerves, even before he saw you he could tell something was different this time. He usually comes down to the bottom of the ship and finds you tinkering with something during the last few minutes of the child's miscellaneous playdates. He usually walks out of the ship door with you and wanders down the ramp while you perch on the edge with your legs dangling down beneath you. Sometimes he strikes up a conversation, other times you ramble about the child, and occasionally the two of you wait in a comfortable silence.

But not this time.

He felt uneasy when he came towards the ship door and he didn't spot you, even more so when he came outside to wait with you at the bottom of the ramp and you didn't say as much as a word to him.

He sees the anxiety you feel, it's written on your face as plain as day. You keep readjusting how you stand—left foot crossed in front of the right, then both feet facing straight with your knees in line and then back to left foot in front of the right—and whenever you do pause your movements Din can see your ankle bouncing up and down. You've had your arms crossed in front of your chest since he came to join you and your finger keeps tapping your elbow in a rather rhythmic pattern.

Tap. Taptaptap. Tap tap.

You know you shouldn't be as worried as you are, after all, you have no legitimate reason to feel so scared. Peli is a perfectly safe person for the child to be with, she invited him over for a playdate with her two young nieces—and you've actually met them, and they are quite sweet, if not a little excitable (but what kid isn't?)—and she's even babysitted him before as well, when you and Din have had to go away for a bounty together.

The thumping in your chest begins to get louder and it feels as though your heart is about to leap out from your throat. You can barely breathe. Your chest starts to heave and your knuckles turn white from how hard you are gripping onto your shirt sleeves. You don't know what—

Something touches your arm and you almost yelp in surprise. You glance to your right, ready to jump or flee or fight. But all you see is Din's helmet, head tilted, looking at you. You can only imagine the expression on his face—pity? Confusion? Sympathy?

You straighten your head. His hand doesn't leave your arm.

You take a deep breath.

Just beyond the nearest hill the faintest outline of a person begins to appear. They walk slowly, but undoubtedly in your direction, and they seem to be holding two things. One is a bag, you think. And the other is...

"They're back," you sigh, your voice is small but excited, and full of relief.

The tension is already beginning to lift from your shoulders. Din's hand is still resting on your arm, and if you hadn't been so distracted by the figure in front of you, and if you hadn't been wearing such a thick jacket, you would have felt his thumb rubbing small circles delicately across your arm. He only does it for a few short seconds, but he does it nonetheless.

Once Peli comes into better view you give her a wave and a smile, she waves back and then the child's hand peaks out of his sleeve and he waves back as well. It's enough to cause the smile on your face to widen, and you even let out an almost silent chuckle. Din slips his hand from your arm wordlessly, thinking that you probably wouldn't want his touch any longer and he takes a step away from you just as Peli arrives. He gives her a quick nod and then leaves the two of you to exchange pleasantries, quietly sneaking off to the crest's ramp and not so sneakily opening the crest door—the clanging is an issue; he wonders briefly if he should ask Peli to fix it soon.

six (one b), the bad job —

Din knew something wasn't right with this mission from the get go. There was something shifty about how the guy had spoken, demanding repeatedly about how both Din and you were necessary for what was needed. The man—Din has forgotten his name now, like it even mattered to begin with—had approached him just after he'd been turned down by another barman when he'd asked about possible jobs. The man was fast. Too fast. But Din had brushed it off at the time, too keen to get the job, too keen to earn some money again, too keen to get you and the child off this godforsaken planet.

Too keen to notice when the barman had signaled to the guy sitting at the table by the door, a small wink and a thumb pointed unsubtly in the Mandalorians direction.

“Din–Din, please. Are you there?” You curse, smacking the comm link against the wall and hoping the whack isn't hard enough to break the stupid little device.

“Ar–there–I–ca–hea–” Din’s voice hisses through the comm, followed by a high pitched whining noise that makes you jump back in surprise.

A strangled laugh escapes your throat, it’s thick with fear, and a half conscious thought flits across your mind—that if someone was listening and trying to find your location that the sound of your laughter would be a dead give away, and you’d be… well–dead.

You smack the comm against the wall twice more, for good measure.

“I’m here, Din, please–Maker–please hear me.” You beg, your voice is hoarse.

Multiple nearby blaster shots cause your head to snap upwards, sure that if you could just see the end of the alleyway, hear the sound of people milling around the market, smell the fresh baked goods at the stalls, your heart wouldn't be beating as fast as it is right now.

But the thing that would reduce your anxiety the most, allowing you to take a breath or a moment to recompose yourself, would be if you were able to see Din.

"I hear you, I'm here." Din's voice breaks through the blaster noise.

Another shot lands to your right and you retreat further into the corner between the wall and the crate that you're crouched behind. Your dominant hand holds your blaster tightly, your knuckles are pale. The cool metal against your palm keeps you focused, as you rise onto your knees to get a better aim another shot races past your ear. You waste no time in firing a returning shot and the stupid bastard goes down within 2 seconds.

Serves him right for not ducking down after firing at me, amateur.

“Cyar'ika?"

You're about to respond when you hear a loud crash. The loose pebbles on the street floor start to vibrate, sending a shiver down your spine. The noise is almost loud enough to drown out your own thoughts. Your resolve cracks when you realise the reason for the sudden lack of shots fired.

They've got a heavy repeating blaster cannon. And they're somehow pushing it down the alley you're trapped in.

"Din, I-" You cough, a lousy attempt to get your voice under control. "I don't want to die."

Your voice cracks on the last word, your mouth is suddenly as dry as a rock in the desert.

It feels like eternity before you hear Din's voice again, your only company the static sound from the comms and the low rumbling as the cannon makes it way closer to you. There's nowhere for you to run, you can't press yourself any further backwards, you have no jet pack, no grenades, no fire blaster and you never even said goodbye to the kid. God.

Tears fill your eyes, you bring a shaky hand towards your face, about to confess through the comm link something that you wish you'd had the guts to confess when you weren't 2 inches from death, when the familiar static is interrupted.

"You're not going to die, cyar'ika, I won't let that happen. I'm going to get you out of this, even if it kills me."

"Din, please-" You start, about to beg him to stay away, to tell him to think of Grogu. He can't lose his mother and father figure in one day, he just can't.

"Don't tell me to stay away." He interrupts, his voice hoarse, "this is my fault, if I'd been more careful, done my duty, then you would never have been put in this position-" He cuts himself off, you hear him take a deep breath.

"But-" You try.

"No," his voice is firm, "I'm coming for you and I'll be leaving this planet with you. The child still needs you and... I still need you."

If you had the capacity to think about anything other than the group of mercenaries currently moving towards you, then you might have questioned the last part of Din's sentence. You might have blushed and wondered at what he could mean, you may have even considered the possibility of him returning your feelings... But the sudden silence around you had your thoughts billowing towards one conclusion, and it wasn't good.

"Din... The cannon–god, help me–the cannon–they"ve stopped pushing it. I can hear them readying it."

You gulp and ready your blaster, not willing to go down without a fight.

"When I tell you to duck, you duck, okay?"

"What?" You question.

"I told you, I'm getting you out of here." Din curses and you hear the sound of blaster shots again, but this time they're coming though the comms link.

"Din, what are you doing? Maker! I told you to protect the child!" You try, pleading to the stubborn mandalorian.

"The child is safe. It's your turn now." He states, giving you almost no room to argue.

Almost.

The blaster shots continue over the comm link. You hear the mercenaries up the alleyway begin to ready their cannon, but before they have a chance to fire—

"Duck! Now." Din demands.

You obey immediately, falling backwards onto your ass and tucking your head between your knees. Your blaster still sits in your hand.

The muffled sound is hard to place but the vibrations through the floor and the dust movements between your legs are easy to follow. You lift your head and rise to your knees just as a dark figure emerges from the cloud of dust. You drop your gun immediately when your anxiety ridden brain finally allows you to recognise the familiar glint of beskar in front of you.

You jump to your feet and slam yourself against the mandalorian with no regard to your body. His armour is hard, it almost knocks the wind out of you, but no pain or threat of attack could have stopped you from seeking out your chosen solace once you locked eyes on him.

"I'm here, cyar'ika, I'm here." He pauses and hesitates for only a moment before wrapping his arms around you.

From what he can see of you you seem to be mostly unharmed, just a few small scrapes across your arms and a large bruise across your cheek. He knows you'll need a cool press against your face soon or you'll run the risk of the bruise swelling badly, but the cuts are manageable and he'll be able to leave them a little longer before dealing with them.

"You're okay," he whispers.

You're unsure if he's reassuring you or reassuring himself, but you nod.

"Yeah, I'm okay. We're okay." You whisper against his chest.

Din swallows, his fear about your safety finally easing, his chest suddenly feeling not as tight as it had 5 minutes ago.

"Hold on, it's time I take you home."

You nod again, squeezing your arms tighter around Din's waist and looping them through the holsters and belts he wears at his sides. As the two of you begin to rise you manage to catch a glimpse of the alleyway. It's as you expected. The bodies of the four mercenaries lie surrounding their weapon, and the weapon itself has been blasted into several small pieces, one of which is lodged into the chest of the one that was closest to it.

You shudder, turning your head away from the mess as you continue to rise higher and higher.

The higher you fly the more the ache and anxiety in your chest eases. And when you land aboard the razor crest and lay your eyes on Grogu you find the only pain left is physical, and you're finally able to take a breath—unaffected by the anxiety and adrenaline of battle, safe and content with your family once again.

divider by @/saradika-graphics

#oh din ☹️☹️☹️🥺#i love him too much #Husband no.1 always #this was so fun to write and the last part makes me sooo happy #idk why #im just rrly happy with how it turned out #sage.fics #din djarin x reader #din djarin x you #din djarin fic #din djarin imagines #the mandalorian x reader #the mandalorian x you #din djarin imagine #the mandalorian fic

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