#and short to medium term projects

[misskamelie]

Okayyy sent this thing, don't think I'm the strongest candidate out of the bunch, but maybe they will accept me because I look promising?

[moonlitrogue]

Full Moon x Pick A Card : What you need to hear 📝🌛

Some channeled messages that this full moon’s energy brings to the collective. All specific and general details are meant for a certain part of the collective. Take what resonates, leave what doesn’t and if you are drawn to more than one pile feel free to read them! Let me know if it resonates. 👒

pile 1

angel number : 555 | song : blooming today by sung ki kyung

hello, pile 1! i see you have had an exhausting cycle. some of you have been identifying with external conflicts and the sludge of other people’s projections with your own vibe. this group is either young, or sheltered. or you may have limited interactions with the world. holding and understanding pain is not your purpose right now. if you have been tangled with other people’s shadows or confronting their unhealed behaviour, remember to take due care of yourself. i hear, “drop the anchor”.

you need a little more muscle and structure in you, to not be blown away by things you dislike or bring disturbance. we can’t avoid being agitated or moved by the currents of life, but you also need to find stillness so that, you are able to receive the wisdom that comes out of situations which are ‘threatening’. how will you find this stillness? 

deep, regulated, conscious breathing. the one thing you have been doing, since you came into this world, it is the one thing connecting us within. and regulating our functions from the chaos. 

some of you have artistic abilities and talent. you are called to explore any creative medium during this cycle. this stage of your life calls for introspection and exploration of your creative side. creating a sanctuary, a paradise for yourself is closer to your life’s purpose.

“curation��, im hearing that word a lot. curation of knowledge and resources. in this cycle, you will be provided with opportunities to expand and learn. you’re called to deepen your understanding of yourself. you need a ‘base’ to work on and have a footing in this world. don’t be afraid to be a beginner, a learner. the roots need to go deep to ensure your growth and survival, and to keep the flower above the ground blooming.

masterlist

pile 2

angel number : 1111 | song - antenna by hyukoh, 落日飛車, sunset rollercoaster

you feel restless pile 2. im channeling the placements for sun in taurus, moon in pisces, saturn in cancer/virgo and north node/8h scorpio. if it doesn’t resonate with your placements, that’s alright, it is only a specific vibe i got for some of you. i was told, “your quest, your mission is on its way.” 

some of you are recovering from ill health. im hearing you need more of omega-3, so include some tuna, mackerel, flaxseeds, chia, walnuts and edamame beans in your diet, whatever your preferences may be. 

i feel a lot is going at the mind and body level - maybe, anxiety, you’re in need of fresh air and good ventilation, maybe even a clean-up of your surroundings. there could be a change of scenery, traveling, it could even be a short-term movement. 

why am i channeling so many things for you?

you could be at a crossroads. preparing to enter a transformational phase. for this reason, you are looking for answers and the universe wants to tell you : the answer is now, the answer is you.

you have worked on something for a long time. and you are getting close to its fruition. you may not have noticed how much you have grown during this journey. what a wonderful job! the universe is so proud of you! 

you have come a long way and with all the challenges you have overcome, you have also acquired all those skills. it feels like you have absorbed the know-how and have it in your inventory. 

keep being in the flow, soften your mind, keep reminding yourself that you have got this. your dream is closer than you know. this is a moment to rest and refine, that is all. 

masterlist

pile 3

angel number : 1221 | song : pined for you my whole life by matt maltese

there is wonderful news on the horizon for you pile 3. you guys have such a charming and dreamy energy. such romanticists. why do i feel some of you are being pursued or courted? there is a cloud of pining around you!

now the message coming through for you is that you gotta not be so slippery lol. why are you putting so much energy into daydreaming and pining when you have people for you, willing to lay themselves at your feet? you have the opportunity to live out your fantasies, so what are you waiting for?

ah, the comfort of your imagination is hard to leave? i get it, pile 3. believe it or not, you coy mfs make it hard for some people to live and breathe. it is not just the case of desire but the gift of being able to connect with you, genuinely.

and because you are so blessed with intelligence, you know who is good for you. you know who complements your energy, and this person is itching to spoil you. 

give yourself the permission to be seen. vulnerability is challenging and you are allowed to take baby steps. and you don’t even need to initiate, it seems. i hear “don’t complicate it, keep it simple, simple is so attractive”.

on a more general note, i hear how “blessed” you are and how “lucky”. you are mostly grateful and don’t take things for granted. so, it creates these ripples where things come to you “with ease”. maybe your own personal efforts could be dismissed, or the hurdles be discounted from your achievements. 

you may have to deal with expectations or people diminishing your success. that invalidation is really uncalled for. don’t use that excuse to undervalue what you do, okay? 

validation is only an added bonus, people are not always qualified or observant or compassionate. 

a lot of this pile’s wounds seem to be related to wanting to be recognized. we were never meant to be alone, afterall. you will always be the first witness to your journey.

i recommend journaling. there are a lot of ways to go about documenting your life and you can look for less effort-intensive ways. “one line” journals are also helpful. you can even record your own voice narrating a week or a month in your life. 

there is no need to be ashamed of your achievements, pile 3.  people will learn to recognize it in due time but in the meanwhile, keep going and celebrate with the ones who DO recognize and cherish you. 

masterlist

pile 4

angel number : 1010 | song - the flood by aurora

have you parted ways with someone who meant a lot to you? im sorry my dear, pile 4. i know how much they meant to you, and vice versa. you each carry so much of the other’s love and quirks. yeah, you guys seem inseparable. in fact, this break may be necessary for you to look at the world and take a breather from the expectations and influences of each other. to some of you, this break can even bring peace or a different perspective. i’m getting that this is a professional break. maybe one or both of you could be exploring opportunities, pursuing a career or work that has placed a lot of demands in a way that has led to this separation. 

im a little confused with the contrast because, i sense this loyalty and connection, but also sadness. for one group, it is possible you will both do your own thing for a while. this connection is one of a kind and i do see reunion of sorts on the cards. you both have so far had the front seat privilege of cheering each other, witnessing the highs and the lows. this period will be a reset. if you are seeking reassurance, i hear better days are coming. 

for another group, you will sort of realise this person was idolised and now you will be able to drop that idea. if they have triggered you, this will be an opportunity to reflect on it. the other person is also going through an important lesson, and i hear the word ‘illusion’. it is possible if you guys ever do make the decision of reuniting, you will drop any illusion, or be more honest and clear with your communication. 

this theme also extends to the rest of your own identity. you are thirsting to know what is ‘real’, and what is ‘true’. you want to slither between the gaps and know things on an intimate level. you want to savour this world in its raw form. how delightful. this could be the start of something new. a new pathway forming in your brain, the way you see and connect with the outer world. 

are your interactions merely reactive, or are they coming from a place of curiosity, wanting to understand better. are you in a glass wall, only seeing the other person from within a closed space, or can you see the light dancing in their eyes and the weight they place behind certain words? these are the questions, the energy of this full moon prompts you.

masterlist

dividers by @strangergraphics

[songoftrillium]

Likes don’t increase visibility to others! Please reblog this to spread the word! 

I think Werewolf is an inherently queer medium

This is all a part of a larger long-term project.

I am trying to hold the World of Darkness to higher standards of inclusivity

Read our introductory comic here

Werewolf: the Essentials Project Update 04/02/2025

Hello, Kinfolks. Woof. What a time to be alive. This is a period that's been reflected many, many times in the past under many different names. It seems like every time I pick up my phone there is always some new awful thing awaiting us. The intentional composition of the writers on this team are diverse and come from cultures across the world, and what ties us together has been our queerness, our passion for Werewolf, and our commitment to let our passions fuel our writing. The result has been a product that shows the passion from one page to the next.

In short, the state of the world has impacted the pace at which we're working on the book. The priority right now is survival, and surviving is the task that has consumed most of the attentions of those helping with W:tE. It should come as no surprise that people who passionately care about Werewolf also care about the world around them at large, and that is exactly what many of us are doing.

All the same, what's agreed between everyone on the team is that we all feel the work we're doing matters, and in many ways it can be a good way to keep one busy when the other option is the good-old doomscroll. And so, work is still happening, and beyond that, its starting to pick up again.

So, what work remains?

Writing

Writing is more or less finished. Editing is ongoing and as small issues or missing mechanics come up we've been working them in. Chapters 1-7 are complete, and Chapter 8, our storytelling and chronicle section, is in its last few pages before calling it done. We have a small number of writers still working on this, and so far we're looking at 100 Rite of Passage Story Seeds, and 40-60 Cliath Story Seeds. All in all we're handing Storytellers enough game material to be able to keep their tables plenty busy for at least a year of weekly game sessions. Also as a spitball number, by the time this book hits shelves we are looking to be at around 450 pages.

Layout

We are at the 75% complete mark! Chapter 6 of 8 is underway. Due to an influx of support, we're able to have one of our editors pick up work on a more daily basis, so this process should similarly be speeding up in the immediate future. It always feels like the work is neverending, but slowly and surely we're making progress. I've promised myself once this book enters preflight I'm taking a long vacation.

Now, onto the fun stuff:

New W:tE Preview - Meet the Gaians!

With our full tribe writeups completed, we're happy to entice you with a new preview. For those ko-fi subscribers on the Fostern tier or above, you can now read not just our society and history dives, but can now see all the new tribes as written for Werewolf: the Essentials! This massive 80 page preview encompasses all twenty tribes of Gaians represented in Gulaka'i including background, territories, patron, and an all-new cultural outlook section!

All proceeds from ko-fi supporters help fund our commitment to using cultural consultants on our project!

To sign up and gain access to previews and our exclusive BTS discord to our project, subscribe to our ko-fi today! We've already raised $2,450 of our $3,500 goal!

I'd like to also extend a special thank you to my Adren and above supporters Durodragon, Tobias, Madame Badger, The Bohemian, and SmilingCoder for helping make this passion project a reality. THANK YOU!

[troublerats]

Tell me more about hotdog

hhHOh boy, okay, I'm just gonna start this off with a brief recap.

TL;DR: "Hotdog" Aka. Damara Lalonde, or "Mara" for short, is the adoptive daughter of Roxy Lalonde.

She is the same Damara raised by Doc Scratch who would later become The Handmaid, but was spared this fate when Roxy plucked her directly off the meteor using her void powers.

But I take it you're explicitly not here for a tldr so-

LONG AS FUCK EXPLANATION BELOW

Due to the bizarreness of her situation, a lot of the surviving cast post-game had some part in her upbringing. But most prominently were her mom's (Roxy and June), and Dirk, who served as an uncle of sorts. The latter being where she gets all the Stridisms in her design.

Personality wise: She's still extremely crude like Beforus Damara, but it's from a more direct ironic place meant to catch one off guard or to be absurdly overdramatic, rather than attempting to scare people away. A lot more snarky and confident, but not jaded or mean unless given reason to be.

Her interests include: Godzilla and similarly campy kaiju franchises. Practical effects in general, but mostly anything big dumb and explosive. Any Shonen slop Dirk showed her. Parkour and any reckless dangerous physical activity that would nearly give her friends a heart attack seeing her attempt. And starting sudden random indie projects in a medium she never returns to once she's finished.

Mara lives life fast and doesn't take time to dwell, especially as she's well aware of her own lifespan in comparison to her peers and her family. After highschool, she didn't want to bother with anything academic or to pursue some grand project to leave behind in her wake. Aside from flings, she doesn't really want to pursue a committed relationship either, as the last thing she wants is someone else fussing over her being careful, or bemoaning her short life in the last years she has of it.

It's her's, and her's alone. And she intends to live it to the fullest.

As for the concepts behind her character and creation-

In the shortest terms, Mara is a direct foil to the faults in Rose and Dave's upbringing. As well as an optimistic look to who Alpha Roxy and Dirk could have become despite who they were in the Beta Universe.

Both getting a chance to take supportive parental role's in Mara's life, Roxy more directly in being her mother, and Dirk more indirectly as someone Roxy could depend on to look out for her daughter, and who saw himself in another "out of place" kid.

Mara never had to wear the scarf of her dead mom, or mourn the fact they never truly got to know eachother due to her addiction. She had a loving mother who she knew for a fact supported her interests, and didn't keep things from her.

And instead of a shadowy violent figure that made her feel like she was never good enough, and without Cal's influence, she had someone to teach her to protect herself and who felt more like a trusted friend than another parent.

The parallels continue when brought back to her original upbringing under Scratch, a fate she narrowly avoided in this timeline due to Roxy pulling her off the meteor.

The idea for the whole AU actually initially came from the fact that Damara and Rose have a lot of direct parallels:

-Both use Needle-kind.

-While Rose would threaten suicide, Damara has a parental figure that actually would push her to suicide.

-John makes a comment about Rose seeming more "witch-like" in comparison to Jade, being a Seer and Witch respectively. However Damara actually is a Witch of Time when looking at her role in Beforus.

It makes it almost seem like Scratch will directly fit anyone he manipulates into a specific mold, but that's beside the point.

There are also parallels in Hal/AR being a piece that makes up Scratch/English, despite his initial role being one of sacrifice. But instead of knowing a sliver of Dirk that got ultimately corrupted and morphed into something cruel and unrecognizable, she got to know Dirk in full who never mutated into some kind of sick beast.

Lastly, though this is more of a side note:

Initially, I actually planned Mara to be raised by Scratch for a brief period, but taken before she could serve English. I.E. Instead of spawning green boxes, Roxy pulling a girl out of a green box.

I'm still mulling it over, but me and my wife most of the time lean towards her never having to suffer under Scratch bc Roxy with her stupid hotdog baby is nice fluff. But the narrative of a kid narrowly avoiding a grizzly fate and having severe repressed trauma she can't remember despite her currently good life, is a story element I still gravitate to as someone with DiD, who also headcanons Dirk as having DiD.

So it's sort of up in the air at times whether or not, Troll named Hotdog. Ever actually was. Hotdog shaped.

At least under Roxy's care.

[teh-tj]

Greenbelt Maryland. Or, how America almost solved housing only to abandon it.

**I AM NOT AN EXPERT! I AM JUST AN ENTHUSIST! DO NOT TREAT MY OPINIONS/SPECULATION AS EDUCATION!**

During the Depression America faced a housing crisis that rhymes with but differs from our own. It’s different in that there wasn’t a supply issue, there were loads of houses in very desirable areas, but they were still unaffordable as people’s incomes collapsed causing a deflationary spiral. While the housing supply subtly grew and succeeded demand, people simply couldn’t pay the meager rents and mortgages. Herbert Hoover failed to manage the Depression, while his inaction is greatly exaggerated, his policy of boosting the economy with works projects and protecting banks from runs failed and the depression only got more pronounced in his term. In comes Franklin Roosevelt, a progressive liberal much like his distant and popular cousin/uncle-in-law Teddy. Franklin’s plan was to create a large safety net for people to be able to be economically viable even if they’re otherwise poor. These reforms are called the New Deal and they did many controversial things like giving disabled and retired people welfare, giving farmers conditioned subsidies to manipulate the price of food, a works program to build/rebuild vital infrastructure, etc. One of these programs was the USHA (a predecessor of America’s HUD), an agency created to build and maintain public housing projects with the goal of creating neighborhoods with artificially affordable rents so people who work low-wage jobs or rely on welfare can be housed.

In this spirit, the agency started experimenting with new and hopefully efficient housing blueprints and layouts. If you ever see very large apartment towers or antiquated brick low-rise townhouses in America, they might be these. The USHA bought land in many large and medium-sized cities to build “house-in-park” style apartments, which is what they sound like. Putting apartment buildings inside green spaces so residents can be surrounded by greenery and ideally peacefully coexist. Three entire towns were built with these ideas outside three medium-sized cities that were hit hard by the depression; Greenbelt outside DC, Greenhills outside Cincinnati, and Greendale outside Milwaukee. The idea was to move people out of these crowded cities into these more sustainable and idyllic towns. There were many catches though, the USHA planned for these towns to be all-white, they used to inspect the houses for cleanliness, they required residents to be employed or on Social Security (which basically meant retired or disabled), they also had an income limit and if your income exceeded that limit you were given a two-month eviction notice, and you were expected to attend town meetings at least monthly. While the towns didn’t have religious requirements they did only build protestant churches. Which is an example of discrimination by omission. While a Catholic, Jew, Muslim, etc could in theory move into town they also couldn’t go to a Catholic church, synagogue, or Islamic center without having to extensively travel. Things planned communities leave out might indicate what kind of people planned communities want to leave out. Basically, the whole thing was an experiment in moving Americans into small direct-democracy suburbs as opposed to the then-current system of crowded cities and isolated farm/mine towns. This type of design wasn’t without precedent, there were famously company towns like Gary and Pullman which both existed outside Chicago. But those lacked the autonomy and democracy some USHA apparatchiks desired.

The green cities were a series of low-rise apartments housing over a hundred people each, they were short walks from a parking lot and roads, and walking paths directly and conveniently led residents to the town center which had amenities and a shopping district. Greenbelt in particular is famous for its art deco shopping complex, basically an early mall where business owners would open stores for the townspeople. These businesses were stuck being small, given the income requirements, but it was encouraged for locals to open a business to prove their entrepreneurial spirit. Because city affairs were elected at town meetings the city was able to pull resources to eventually build their own amenities the USHA didn’t originally plan for like a public swimming pool or better negotiated garbage collection.

These three cities were regarded as a success by the USHA until World War II happened and suddenly they showed flaws given the shift in focus. These towns housed poor people who barely if at all could afford a car, so semi-isolated towns outside the city became redundant and pointless. The USHA also had to keep raising the income requirement since the war saw a spike in well-paying jobs which made the town unsustainable otherwise. During the war and subsequent welfare programs to help veterans, these green cities became de facto retirement and single-mother communities for a few years as most able-bodied men were drafted or volunteered. Eventually, the USDA would make the towns independent, after the war they raised the income limit yet again and slowly the towns repopulated. As cars became more common and suburbanization became a wider trend these towns would be less noticeably burdensome and were eventually interpreted as just three out of hundreds of small suburban towns that grew out of major cities. They were still all-white and the town maintained cleanliness requirements; after all they lived in apartments it just takes one guy’s stink-ass clogged toilet to ruin everyone’s day.

By the 1950’s these towns were fully independent. Greendale and Greenhills voted to privatize their homes and get rid of the income limit all together so the towns can become more normal. Greenhills, Ohio still has many of these USHA-era houses and apartments, all owned by a series of corporations and private owners. Greendale, Wisconsin property owners have demolished most of these old houses and restructured their town government so most traces of its founding are lost. But Greenbelt, Maryland still maintains a lot of its structure to this day. Greenbelt has privatized some land and buildings, but most of the original USHA apartments are owned by the Greenbelt Homes, Inc cooperative which gives residents co-ownership of the building they live in and their payments mostly go to maintenance. Because Greenbelt was collectively owned the House Un-American Activities Committee would blacklist and put on trial most of Greenbelt’s residents and officials. Though they didn’t find much evidence of communist influence, the town was a target of the red scare by the DMV area, residents were discriminated, blacklisted, and pressured into selling their assets. While Greenbelt did commodify some of the town, the still existing co-ownership shows the town’s democratic initiative to maintain its heritage. The green cities desegregated in the 50’s and 60’s depending on state law, Greenbelt was the last to desegregate under the Civil Rights Act of 1964, while discrimination persisted for years by the 1980’s the town would become half non-white, today the town is 47% black and 10% Asian.

Though these towns largely integrated with a privatized and suburbanized America, they do stand as a memorial to an idea of American urbanism that died. They were designed for walkability and were planned to be more democratic and egalitarian towns, with the conditions that came with segregation and government oversight. You can’t ignore the strict standards and racism in their history, but you can say that about many towns. How do you think America would be different if more cities had green suburbs that were more interconnected and designed for community gatherings?

[sitp-recs]

Thank you for all your lovely recs. I have been reccing for a friend who doesn't do Tumblr, using my own loves and some from you. However, they have a much lower tolerance for angst than I do, and I have kind of run out. Do you know any gentle loooong fics? Have you got a previously made list...I wasn't sure what to look for.

Hello friend! I’m honoured that you’ve thought of my recs, I hope your friend is enjoying them! Long fics usually come with significant angst to drive the slow burn so I can’t think of many, but maybe these would be a good fit? I also have a list for tender fics that might be helpful, although most of them are short/medium length. I hope my followers have more recs to share!

On Our Way by evils (E, 30k)

Draco is trying to spend the summer keeping his head down, but a repair project and a certain snowy owl have other plans for him.

All Things Go by @sorrybutblog (E, 33k)

Draco’s back at Hogwarts by court order. Harry’s back for no particular reason at all. Some things change, some stay the same.

Like Lightning at Your Fingertips by potterwatch (T, 43k)

The problem with living with another insomniac is, eventually, they find out you’re one, too.

The July Tree by @oknowkiss (E, 51k)

Neither rain, nor snow, nor sleet, nor hail… nor well-meaning friends, nor questionable communication skills, nor seven years of hating each other’s guts can keep Harry Potter and Draco Malfoy from falling in love.

Sweeten to Taste by @saintgarbanzo, @babooshkart (E, 51k)

It starts with Draco's buckwheat crepes with honeyed oranges. Or maybe it starts with his porridge with toasted walnuts and homemade apple butter. Or perhaps it starts with the cinnamon buns Draco made from scratch with mascarpone icing. Harry just knows he's hungry for more.

The Promise of Summer by Omi_Ohmy (M, 67k)

How was Harry supposed to know that coming back for eighth year would be so confusing? Everything is the same, and yet not the same. And nowhere is this more obvious than with Draco Malfoy.

Home Truths by @skeptiquewrites, @fantalfart (E, 67k)

In the off-season Harry decided to fix up Grimmauld Place and found that Draco Malfoy was the only person who could help him.

Headlights in the Snow by Saras_Girl (M, 71k)

What’s big and purple and smells like tea? Harry is about to find out.

Among Ancient Pines by @graymatters (M, 74k)

In his final term of Healer training, Draco is unfortunate enough to find himself on a plane, the only means of traveling to a small, magical town in rural Alaska.

Helix by Saras_Girl (E, 93k)

Seven months after the end of the war, Harry is feeling lost. Fortunately, he is about to be offered an unexpected and sparkling chance to find himself again.

Little Deaths and How to Avoid Them (or Draco Malfoy's Guide to Stop Dying and Start Living Instead) by nerakrose, dustmouth (T, 96k)

Malfoy is way too interested in coroner reports for somebody who's definitely not looking for ways to die, Harry wants to be friends with him, and Ginny wants to break up with Harry.

The Liars Department by DorthyAnn (T, 103k)

This is a story about Harry meeting up with Draco Malfoy four years after the war. And a story about Harry, well, not hating his job per say, but it's not like he has much to compare it to and it seemed fine.

When Times are Dire by @aibidil (E, 130k)

Magical Britain is screwed, and it's once again up to Harry to save it. This time, by marrying Draco Malfoy.

The Brightest Constellations of Our Souls by @thecouchsofa (E, 256k)

Harry doesn’t know how to cope after the War. The only things that make him feel even remotely normal again are taking risks while flying and fighting with Malfoy. It’s not likely to end well.

[voxceleste]

hiiiii you’re one of my favorite fic writers ever and i admire you so much. i wondered if you had any advice for other writers of how to improve? especially for someone who has been writing for years but feels like they’ve hit a point of stagnation/knows they’re “good” at writing but feels like they’re just not hitting their full potential. also, if you had any advice for the differences in working on shorter pieces vs longfics, any guidance or methods that worked for you would be so appreciated!! your work has been very genuinely inspirational to me and i hope you have a great day <3

thank you for your kind words! <3

mileage varies more with regards to writing advice than maybe anything else, so it's possible none of this will work for you.

a common framework in education theory/neurobiology/psychology/etc is that there's a goldilocks zone between comfort and frustration wherein most learning happens. games studies has a similar idea, that a game has to be mentally engaging enough to keep the player invested without making it so punishingly hard that they quit.

writing is pretty much free. unlike most other creative mediums, the scope of a project has no relationship to the value of the materials or tools needed to produce it. you're only limited by your own energy, time, and effort--which can be formidable restrictions, to be fair, but it's not like being a filmmaker, where good-quality equipment and collaborators simply take more resources to afford. writers should take advantage of this. we're really lucky in this way.

the best thing you can do to improve your writing is to attempt projects that feel a little too big for you, or that you're not confident you can pull off. it doesn't have to be "big" in terms of length; a short piece could qualify if the style, tone, structure, subject matter, etc is outside of your comfort zone, but in my experience this has often looked like longer and more complex projects. then again, i love writing long stuff, so take it with a grain of salt--some people just don't, but you mention wanting to try your hand at longfic, so i assume it's relevant. the point is that in order to grow your skills, you have to stretch them.

past fic projects that stick out in my mind for having pushed me to grow as a writer:

story with 4 POV characters, alternating POVs at a regular cadence, where goings-on in each section would affect the other chapters

story with a real-world historical setting that required research wrt material culture as well as timeline/"who was where when"

story that blended a codified and formulaic genre template (het romance novel) with seemingly incongruous story elements (protag being a passively suicidal closeted trans woman and ex-evil mastermind)

the common denominator is having a very specific story i wanted to tell about these specific characters, and digging my teeth into how to do that in a way that felt specific and not just a recycling of common fanficisms… though in all cases, there were at least one or two other fics i looked at for inspiration, if only in a distant way. (those fics, in turn, are often what i'd consider examples of "fanfic that is also just good, ambitious writing," whether or not they would stand alone as original fiction--but that's a different post that's already been made by others.) (they are also full of tropes and are very fanficcy in their own ways!) i had to put a lot of thought into how to approach them in a way that was most true to what they wanted to be in my heart, and usually had one or two specific touchpoints of non-fanfic media that i used to get my bearings, which is a good habit to get into whether or not you're interested in branching out into original fiction writing.

with regards to the transition into longfic writing… writing processes are idiosyncratic and whatever advice i give you has a good chance of being totally useless. it'll probably involve a lot of trial and error, unfortunately. some tidbits:

the worst thing a story can be is boring and this is doubly true for long stuff. i would always rather an author turn the dial a little too far than not far enough to be impactful

can't overstate the utility of a good beta reader as well as a good cheerleader or two to whom you can dump your 2am story thoughts and troubleshoot your plot issues

start the story at the latest possible point in time; many a longfic idea dies on the vine because the author thinks they have to do way more setup than is actually required. this doesn't mean you have to open in medias res with an action sequence, but if you're opening on something more quiet or "expositiony," you should know *why* you're starting there, and should be able to draw up that scene vividly and characterfully

putting a little bit of effort into fleshing out your setting and side characters can help you a ton if you write yourself into a corner. if you're stuck, it's hard to come up with a story element from nothing when your story revolves around two floating heads in featureless rooms

the period between being 1/3-2/3 done is the actual fucking worst. it's miserable every time. the story is no longer a beautiful shining thing in your head, it's an ugly blob of misshapen clay, and you haven't seen it all start to come together yet. it's not you or your project, it just sucks and there's no way out but through

trust your idea! trust your own ability! trust the magic that can be worked in the edit!

if you bite off more than you can chew with a project and aren't able to finish it, or you're disappointed by how it turns out, that's really disappointing and difficult, which i don't want to downplay. but it's not wasted time, even if no one else sees the results of your work. that effort and experience will make you a better writer.

other advice that may or may not work for you:

read a lot of fiction; read fiction that is not fanfiction, especially; read outside of your usual genres/favourite authors; read authors who are known for unusual or singular styles. challenge yourself to write something imitating one of their styles, even for a page or two. what are the characteristics of a paragraph by octavia butler? how does she approach sentences? how is that different from a similar length of text by victor hugo?

read about writing craft, not from bloggers but via well-regarded books. even if you don't agree with all the advice (which you probably won't) or it's not all directly relevant to you, these texts will address fundamentals that apply to almost all kinds of prose and prompt you to develop unglamorous good habits. steering the craft by ursula k. le guin spends each chapter on an element of writing, such as sound & rhythm or punctuation, and includes exercises to put her principles into practice. on writing well by william zinsser is a classic--its focus is nonfiction, but much of the advice is widely applicable. both of these texts are full of example excerpts from great english prose stylists. books like this aren't likely to introduce groundbreaking new ideas so much as train you to become more consciously aware of elements of style you may be less attentive to than you could be.

your only hard limitation as a writer is your own creativity; drive your stories like cars in GTA. you're here for a wild time, not a long time, and if it blows up you can just get a new one.

[mumuscae]

ARTW: EXTRATERRESTRIAL! SPICA

Sorry to the people who voted for vega to be next in the server but hes not the birthday boy and this was the perfect chance to post spica 💔

I am so sorry for the slow updates on this im a busy person with a job and 300 hobbies unfortunately 💔 UPDATES WONT BE SO SLOW ANYMORE I SWEAR IT WONT TAKE MONTHS 😭😭😭😭 very sorry

Disclaimer! A lot of this is my own personal tastes and how I, Mimi Mumuscae, would write and design these characters. If you do not like it, you do not have to! That is fine if you like the canon and original versions! I like them too! This is a completely self indulgent project.

More info below! :3

Design changes made:

Coat change! Gave him a long coat because I want him to stand out as the leader of the guide committee with a distinct silhouette, and it makes him look like a more imposing authority figure.

The boots. Because i can. I like drawing them. Sorry to his horse girl boots he had before but he can have those for a diff outfit <3

Longer hair!! Bro is 200+ years old let him have super long hair

Nothing else really!! His canon design already got the point of his character across otherwise. I did tuck his hair behind his ear but thats just to make it easier for me to draw since i suck 💔

Other character changes/tidbits!!

Spica!! Leader (or, one of the leaders..) of the Guide Committee!

The Guide Committee is the middle management between the Great Sorcerers, and the average sorcerers. (including those outside of Contell, much to their dismay.) They are basically the errand boys for the Great Sorcerers, and also their PR team. They have authority on paper, but none of that is respected or acknowledged by majority of Sorcerers.

Spica is in simple terms, Schedars personal assistant.

For ET Spica, acknowledgement from his superiors is a motivating factor for him in everything he does as a sorcerer. Of course he has other goals and ambitions, but feeling important and how he’s percieved by authority figures matters very much to him due to reasons that ill delve into later

However he’s very average in the magic department, so he can’t receive acknowledgment from anyone in that area. So instead he builds his character around being a hard worker, and a good worker. He’s very good at immediately switching from “stern boss” to the committee, to “good employee” to his superiors, as well as overall people pleasing attitudes when he must. He’d do great in customer service!!

He’s also managed to get himself in the position of Fili Pfeper’s Contell Representative, and is seeking out to take position of the head of the clan in place of Regulus. (Who continues to refuse him)

Onto his magic :D

He specializes in Traditional Magic, which is the form of magic that was widely used prior to the Great Disaster. It’s considered the fundamentals of magic, the medium all future spells were built upon. It focuses on drawn out sigils, rituals, and incantations, that have long been lost amongst modern sorcerers. The current climate of magic was caused by the revolution of magic created after Polaris’ studies were publicized. Spica would claim his reasonings for using it are for a deeper understanding of magic…

And thats all!! I want him to have more character motivation… and overall interest..??? Hes very bland unfortunately. Most of his potential was cut short by the abrupt ending sorrytaco gave to him 😔 i love spica a lot. I have more for him. But its for later.. when i get to it… which i will…

Other characters completed: POLLUX

[unbidden-yidden-deactivated20240]

I hate how hard it is for me to retain medium term memories, like.

Extremely short term (7 seconds or so?) Got it ✅️

Short term memory (minutes to maybe hours if I'm hyperfocused on it?) Mostly got it ✅️

Long-term memories (jokes from literally 10+ years ago including my actual childhood, plotlines of certain favorite stories, posts from months or years ago)? When I've got it, I've got it 😎 ✅️✅️✅️ 👍

Medium term memory (Important Thing I need to do this week, errand I need to run on the way home, names, month-long projects,

[shsl-tsumugi]

I understand where people are coming from about t9’s eos in terms of “so, what now?” but we need to remember that t9 has always been a multimedia project (the anime, webcomics and short novels that can be found on the archive website are proof of this) and that the game just so happened to be its most successful medium by far

all im saying is, please continue to create what you love for this project even if the game itself is going under, im sure in some way the characters stories will be continued in some other medium (think voice dramas, more novels or manga) in the worst case scenario that this game cannot be saved (and I have hope that it will! just not so easily)

Im seeing alot of sentiments repeated about giving up on creating fancontent for this game but personally I believe that now more than ever we should still be doing what we love, its understandable to feel like the motivation to create things for this game has been zapped away from us but I dont want to see more people throwing away what they’ve been working on/planning to work on because they feel like its for nothing because theres still a community of people who cherish what the game left for us

Your love for this game, its stories and characters is more than enough for these works to exist and for people to continue doing if thats what you truly enjoy

EDIT: if anyone is curious about the multimedia aspects of tribe nine, I would suggest checking out the archive site! you can access it by going to the https://tribenine.tokyo/en/ site, scrolling down and clicking this button!

the archive site is entirely in japanese but scrolling through the main page, you can find them listing the anime, game and webcomic as its main mediums

additionally the webcomic (which is an adaptation of the anime currently up till episode 4 where minato tribe goes against adachi tribe) can be accessed through an app called Hyke Comic (a japan exclusive app), you can purchase additional chapters to read via an in-app currency but certain chapters are made free to read!

BUT if you go to the menu tab and click on “SPECIAL” you can find a ton of additional neat stuff including twitter icons/banners, wallpapers, video archive (including trailers and insert songs for all the tribes) and short webnovels based on illustrations

BTW THE NOVELS ARE REALLY COOL BC THEY DETAIL STORIES THAT ARE NOT TOUCHED ON IN THE ANIME NOR GAME!!! ex. theres a detailed version of the events at the facility for ojiro and kazuki including the conversations leading up to kazuki’s defeat against ojiro as well as his escape from chiyoda to minato. So far only minato, chiyoda, taito and adachi tribe have novels here!!

please take the time to check out the rest of the multimedia aspects of tribe nine!! i’m 100% sure that the game’s story can be continued through similar means and i’m here to spread the word on the other parts of the project people might not know about!

[batboyblog]

Things Biden and the Democrats did, this week #11

March 22-29 2024

The Administration, with Transportation Secretary Pete Buttigieg in the lead responded to the collapse of the Francis Scott Key Bridge in Baltimore. Working with Governor Wes Moore and Mayor Brandon Scott (both Democrats) The Department of Transportation promises to clear the harbor and rebuild the bride. DoT has already released $60 million in emergency funds as a "down payment" and President Biden is expected to seek $1 billion from Congress.

Vice President Harris announced a number of actions and investments designed to improve the quality of life of the peoples of northern central America. driven by poverty, lack of economic opportunities, and out of control crime people in Guatemala, El Salvador, and Honduras are taking great risks and trusting criminal human traffickers to try to reach the US. The Administration is working to improve conditions in the Northern Triangle so that is no longer necessary. Vice President Harris announced $1 billion dollars in new investments as part of the Central America Forward public-private partnership, since 2021 it has invested $5.2 billion in the region. Harris also announced $175 million dollars of direct aid from the US to Guatemala at a meeting with Guatemalan President Bernardo Arévalo.

The Department of Energy announced a $1.5 billion dollar loan to help restart the Palisades Nuclear Plant. This would mark the first time a nuclear power plant was brought back online after being decommissioned. The hope is keep the plant running till 2051, this 100% green power source is projected to prevent 111 million tons of CO2 emissions in its new life time, the same as taking 100,000 cars off the road. Michigan Governor Gretchen Whitmer touted it as key for her state reaching its goal of 100% clean energy by 2040.

Vice President Harris launched a social media push to inform the public about the Biden-Harris Administration's SAVE Plan. The Saving on a Valuable Education (SAVE) Plan was launched last year as part of President Biden's efforts to bring student loan forgiveness to millions of borrowers. Currently 7.7 million people are enrolled in SAVE, under which anyone making $16 a hour or less has a monthly payment of $0 on their student loans. 4.5 million SAVE enrollees are making $0 a month payments and another 1 million pay less than $100 a month on their loan repayment, over 150,000 people so far have had their loans totally forgiven. Republicans are suing to try to shut down the SAVE Plan

President Biden took keep steps to ensure quality healthcare this week. Biden extended the window for low-income Americans to apply for Obamacare. The original deadline of July 31st has been pushed back to November 30th. Biden also rolled back Trump era rules that allowed subsidies for "Junk Health insurance" These plans offer very little coverage and often mislead consumers into believing they have insurance when they aren't covered. These short term plans also don't have meet Obamacare standards and can refuse coverage for preexisting conditions.

The EPA announced new regulations aimed at "turbocharging" the number of electric trucks on the road. The new rules aim to have 25% of new long-haul trucks, the heaviest often diesel trucks on the road, and 40% of medium-size trucks (box trucks and landscaping vehicles) be nonpolluting by 2032, currently just 2% are. The regulation would apply to more than 100 types of vehicles including tractor-trailers, ambulances, R.V.s, garbage trucks and moving vans. The new tailpipe limits are expected to prevent about a billion tons of greenhouse gas emissions by 2055.

the Centers for Medicare & Medicaid Services  announced that thanks to President Biden's Inflation Reduction Act, 41 different drugs will coast those on Medicare Part B less money than it did last year.  An estimated 763,700 people on Medicare use at least one of these drugs every year. Some enrollees will save as much as $3,575 per dose.

The Department of Energy announced $6 billion for an effort to decarbonize energy-intensive industries. The investment in 33 projects across 20 states will eliminate 14 million metric tons of CO2 emissions each year when finished. Each project is meant to be highly replicable and serve as a blueprint for future private sector ventures. 

President Biden signed an Executive Order to Strengthen the Recognition of Women’s History. The Order will launch a review of all historic sites run by the National Parks Service to determine ways to better highlight the role of women, from all backgrounds, in American History.

The Senate Confirmed President Biden's nominees, Ernesto Gonzalez, and Leon Schydlower to federal judgeships in Texas. This brings the total number of federal judges appointed by President Biden to 190.

[jojo-schmo]

hi jojo! im just wondering but ive been wanting to make a comic for a little while but im not too sure where to start 😅. i really love your style of art and your forgotten land roleswap, and i was wondering if you had any tips for beginners?

Hello, hello! Thank you for enjoying my Forgotten Land Roleswap comic, it means a lot! <3

I'm very honored that people have been asking me for tips and advice. All of this is coming from a hobbyist who draws these comics purely for fun outside of my regular day job. Some of my methods would probably deal psychic damage to a professional, LOL. But I'm more than happy to share some things I've personally learned! :)

First of all, the book, "Understanding Comics" by Scott McCloud ROCKS. It literally gave me a new dimension to understand the medium of comics and how it presents ideas and emotions to readers! And I haven't even had the chance to finish it all the way! I'm very happy I own a copy and I recommend having one of your own if you can, but it's archived here if you want to read it :D

I also like analyzing other comics and thinking about how they get information across to me as a reader. It's helped me learn more effective ways to visually tell a story, like what to include in a frame, how zooming in or out affects the feeling from the panel, maybe building a scene by focusing on other stuff if someone is talking a lot... etc.

ANYWAYS-! Some other tips I've learned through my personal experience-

I had to overcome a lot of negative self-talk in order to tackle a huge comic project like this and stay committed. I was a pretty severe self-deprecator for most of my life so far, and getting help has allowed me to catch myself when I'm slipping back into those habits, look in the mirror, and go, "NO, JOJO! You pour your heart into what you make and that is a wonderful thing! You are appreciated and loved and you deserve to have fun making something you are passionate about!!" Some examples of the negative self-talk I catch myself in....

"I'm a noob at writing and making a story interesting... What's the point of even trying?"

When it comes to starting a project, whether it's 2 pages or 2000 pages, is to just jump in and start! It's okay to be a little insecure or nervous about your technical art skills, writing skills, etc... But writing a "bad" scene is better than no scene- because you can always edit a "bad" scene down the line, but what can you do with nothing? Nothing!! I also put "bad" in quotation marks because I am trying to use that term less, and instead call them "early drafts." or "works in progress."

The first Roleswap scene I fleshed-out was the first Bandee boss fight, in May 2022. I made this drawing on an impulse, getting my ideas down on the page without thinking about the technical stuff like comic panel borders. I consider it like a "pilot episode" almost, haha. The final project is going to be very different from how things play out here. But it got me interested in the concept and excited to see where I could take it, and I made the decision to commit to an entire game plot's worth of AU comics!!

Also, what's the point in trying you ask? The point is to have fun! Making a fan comic in my free time means I don't have restrictions like deadlines, nobody's telling me what I can and can't write, and I can make the story as long or as short as I want! I have full control, which means the world I'm writing is all mine to create! Yes, with a fan comic there is a pre-established world with existing characters. But a universe like Kirby has enough open-ended concepts for people to take basic concepts in the world and take them to whole new levels! I think that's why there are so many amazing fan interpretations of Kirby characters and OCs. The rules are so vague, you can just make up your own a lot of the time!! And it's a wonderful exercise to learn skills for someday building an original world with all original characters from scratch! Magical!!!

"I'm not good enough to make a comic. I don't understand perspective or color and other stuff. Anything I make will look bad.

I once read a two panel comic on here. I can't find it anymore but I remember most of it. First panel showed the artist looking at what they're drawing on their tablet, looking defeated and sad. "Man, I don't even know how to draw this....."The next panel was like them smiling and shrugging, I think rainbows and sparkles were coming out of their tablet, ".....I GUESS I'LL JUST HAVE TO DRAW IT SHITTY!! :D "

IF ANYONE KNOWS THIS COMIC I'M REFERENCING, PLEASE TELL ME AND I'LL LINK IT!!! Because it permanently and positively changed my brain chemistry.

No kidding, making the decision to just do my best even if it's not perfect, helped me a LOT. I was always waiting to "reach a certain level" to tackle a huge project because I felt like I'd never do it justice at my current state. Except I had been telling myself that kind of stuff for years and I still didn't start any projects!!

So the day I said, "Oh well! If I draw backgrounds shitty, then it is what it is! I'll learn from it and draw the next background a little better," Was the day I could commit fully to the project. I'll keep studying how to draw them better for my own benefit, but I won't let my skill issues stop me from even trying!

And for my limited confidence in full-color art, I solved that by making the comic in black and white with no-to-minimal shading lolol. Because I can only address one skill issue at a time before it takes me 25 years to finish this HAHAHA.

It saves a BUNCH of time to work with skill issues rather than against them! Because at least experience is gained in other ways, and who knows, maybe that new knowledge will help address the skill issues someday! So identifying your personal skill issues and deciding which one to try to grow stronger, and which one to work around, could help with big projects!

"Nobody will read this. I'm going to put months or years of my life into a dumb little thing nobody will even care about."

Learning how to draw for my own enjoyment instead of somebody else's was one of the biggest breakthroughs I ever made. Enjoying the feeling of being challenged artistically and just doing my best, even if it's not technically perfect, is the reason why I was even able to start this!

And just because someone doesn't directly like, comment or whatever on a post doesn't mean nobody saw it! I used to get really down on myself for the lack of engagement on my art on other websites.

I was a lurker for pretty much my entire teenage years and never posted my own stuff or commented much. But that didn't take away the fact that I really enjoyed the things I saw online. Those positive feelings were real to me, even when I didn't know how to articulate it in words. Granted, I grew up into a Words of Affirmation main, and I use words to tell people the positive things I think about them as much as I can! But I know not everyone prefers words to express themselves. So I think about the people that I don't know enjoy my work- that just because I don't see it doesn't mean I didn't make a positive impact on someone by sharing my stories.

THIS IS GETTING LONG-- UHHH, STORY TIPS!!

If you work best on technology, start building the story in a Notes app, or a Google Doc! If you work best with pen and paper, start a notebook and rearrange stuff as you need to!

Or if you're chaotic like me, a mix of tech and paper!! I bought a notebook with ring binding so I can remove and rearrange pages of drafts as much as I wanted to! Like here's two very rough concept pages of one Chapter 1 scene made months apart.

I'd say planning out the biggest basic plot points and then filling in between as I went was most helpful! I also have separate notes for character motivations, important story-changing events, etc... So I can have my own reference when I'm writing new scenes!

Okay this was a lot, sorry about the yapping! Hopefully it helps even a tiny bit. If you have any specific questions I'm happy to talk about my experience in the creation process! Or elaborate on anything I said above.

And finally, because I'm not a professional there are probably plenty of other tactics that could work better for some people. My ADHD probably doesn't help with the chaos of my process either, HAHA. But thank you for reading this far and enjoying the peek into the rainbow glitter and soap bubbles that inhabit the right side of my brain, heehee.

[genericpuff]

So Webtoons is getting sued by a bunch of law firms in class action lawsuit. Saw it on reddit. Apparently they lied to shareholders about revenue which is like one of the worst things I could imagine doing to your shareholders. Then their stock dropped again. Wow....wonder how this is gonna effect readers going forward or how they're gonna be more exploitative in the future. Not saying the down of Webtoons has begun but I wonder if it's gonna be the start of it.

Yep, I've been following this since the initial investigations began.

All that said, we likely won't see anything of this for a while, if anything even comes of it. The reality is that Webtoons... really didn't actually lie about being bad at making money. It's literally outlined in their IPO documentation:

So these lawsuits, at least in my opinion (*I AM NOT A LAWYER NOR AM I ANYONE WHO HAS ANY EXPERIENCE PLACING WALL STREET BETS, TAKE WHAT I HAVE TO SAY WITH MOUNTAINS OF SALT) is less about Webtoons 'lying' to shareholders and more so about them kicking the debt down the road which these lawyers want to try and hold them accountable for. It's not uncommon for startups to seek out private and/or public funding to help them stay out of bankruptcy, but such practice is incredibly shitty because if a company was already near the point of bankruptcy to begin with, what exactly is going to change to ensure that they actually make that money back with an additional net gain for those investors?

So in that sense, either something will come of this, or it won't, nothing's really a guarantee as of now. It's just as common for startups seeking public investments to get sued within their first 1-2 years because a company not returning on their initial investments within 3-6 months is a prime cut for lawyers to drool over. Despite their attempts to be honest about their earnings, the vast majority of Wall Street investors are paranoid little fuckers who invest in whatever's new and exciting with the hopes that it'll turn them a profit quickly and without headache. Unfortunately, Webtoons isn't a company that's known for having huge profit margins, which these investors would have realized if they knew anything about this industry or at the very least, bothered to read the fine print that Webtoons was obligated to lay out for them in their documentation. At best the majority of them saw Webtoons' offering that covered buzzwords like "content generation" and "AI" and went "yes please, I love money!" without realizing that webtoons, as a medium, have some of the highest production expenses to lowest-paying demographics out there and therefore companies like Webtoons aren't going to be a short-term gratification. It's more like waiting it out for the "next big thing" that will make that stock valuable again, a massive gamble that isn't guaranteed to payoff. And that's just the game of Wall Street in general.

That said, it's because of how difficult it is to directly monetize digital comics that Webtoons often has to rely on selling merchandise and IP rights in the hopes they'll land a whale - but even their pre-existing whales like Lore Olympus and Let's Play have either nothing to show for themselves, or have left the platform entirely. Of course, they'll vaguely claim that two of Netflix's highest-performing projects came from their platform, but any peek at an aggregated Top 10 list will prove that that is simply not true, and at best, they're referring to True Beauty's live action adaption, which is simply not even close to breaching that list of all-time top-performers (except probably in Korea but this is Goldman Sachs and their American investors they're trying to convince), All of Us are Dead (see above, same situation as True Beauty), and Heartstopper which is... not even an Originals series. Of course, that didn't stop Webtoons and Tapas from boasting about Heartstopper's Netflix adaption and its success on the platform, but literally none of its success is exclusively owed to either of those platforms, Alice Oseman flies solo and if anything, Heartstopper never would have gotten to the point it's at if it were tied down to a Webtoon Originals contract.

So in a sense, until anything comes of these lawsuits, they're more so just lawyers jumping on their own investment opportunity - the opportunity to get settlements from Webtoons for both their clients and themselves by extension. At best what they feasibly have against Webtoons is the company getting way too high on their own supply without anything to feasibly show in terms of profit for their IP's. Considering how many IP's they sold to television and film production studios back in 2019-2022 when they were at their peak over the lockdowns - a peak that is long in the rearview mirror - they are incredibly behind in actually paying off those promises. Even in a recent meeting they held just the other day with Goldman Sachs, they're quoted as saying: "When Rachel Smythe was a graphic designer in New Zealand, 4 or 5 years ago, and she had a story to tell, we enabled her to not just tell it in one part of the world, but globally. She became a NYT Bestselling author, she is rumored to be releasing soon as a major animated release."

When even the company that hosts Lore Olympus as its prize pig can only say that its long-anticipated TV production that both Rachel and Webtoons have been assuring people on repeat that the show is "still happening" and that what they've seen so far "looks amazing" is simply 'rumored to be releasing soon'... I don't even have the words to describe how embarrassing that is for them. Never mind the fact that Lore Olympus has been over for months and both it and its creator, Rachel, have been falling into the pits of irrelevancy. They don't have any other home-runners to bet on, they're just continuing to bank on Rachel as their own example of someone who "got big" even though it was years ago and that fame is now shrinking with the passage of time, you can even see the performance of the series dipping in its own front-end metrics over time. They are trying so hard to convince people that they're worth investing in when the one thing that actually DID have that kind of allure has now come and gone.

Never mind the fact that again, most Wall Street investors probably don't even participate in webtoon culture so the name "Rachel Smythe" isn't some golden ticket to fortune. Lore Olympus might get a bit more of a reaction, but it's going to be a lot more mixed due to how divisive the series became in the end, and general audiences who are new to Webtoons as a public company (and the medium as a whole) are still not so likely to know what the fuck that means or why it's significant. The best time to pull the "we have Rachel Smythe!" card in the public investing pool was, like many other things Webtoons has fallen behind in, years ago. Now it's clear Webtoons thinks that Rachel is their own personal J.K. Rowling, but they forgot the part where Rachel is creating for an incredibly niche and historically unprofitable medium that is nowhere near as big as what Harry Potter was back in its prime, and - personally speaking - that Rowling and Rachel are both, well... terrible at what they do.

Webtoons also has the added burden of not being a startup company. They're not some grassroots Silicon Valley tech startup run by a bunch of friends "with a dream", they're an extension of an industry that thrives overseas but barely has any infrastructure to support it here. They've been bankrolled for years by an overseeing tech company - Naver - but have consistently failed to get out of the red and so of course, now they're turning to public investments to help them out and subsequently, are passing that debt off to the next highest bidder, which is Wall Street. They had nearly a decade to figure their shit out here in the West and while they had their opportunities to thrive, those opportunities have come and gone, a lot of doors have closed and now this all feels like their own attempts to rip those doors back open again.

There is a LOT to insinuate already that Webtoons - a Korean-hosted platform - wasn't ready to enter the Western market and this fumbling of their public stock image is yet another great example of that. Even outside of Webtoons, other Korean-run platforms like Tapas have relied on private investments to keep them afloat (and still do, Tapas is still operating privately) and have routinely struggled to get a real foothold in the greater Western industry despite how much they hyped themselves up as the "next big thing". They're all playing the same game over and over again expecting better scores even though the playing fields are entirely different than what they've come to expect in Korea, where much of the entertainment industry is built around webtoons, much like how our entertainment industry in the West is built around comic giants like Marvel and DC (and even those giants are faltering as we've been seeing over the past several years).

Anyways. I don't know if this lawsuit is gonna go anywhere, there's a lot to the legal process that could lead to a variety of different outcomes, but at the very least, their plummeting stock value and the lawyers circling them from above is yet another notch on their belt of fuck-ups over the past few years. I know it's easy to say this in hindsight and I'm not the kind of guy to say "I told you so", but considering I've been following along with the bullshit of these major platforms for years and knew as soon as Webtoons was rumored to be going forward with an IPO that it would lead to disaster, I'm pretty confident in saying, "No really, I told you so." And I don't entirely blame the investors for that (except for the ones that clearly didn't read the fine print) - I also blame Webtoons for that, because they are a chronically unprofitable company run by a bunch of clowns who manufactured their own demise by getting in WAY over their heads and clearly don't even have a concept of a plan let alone an actionable one.

And that sucks, because the people who stand to get hurt the most are the ones who were made those empty promises years ago, long before the platform entered Wall Street - and that's the creators who were promised that their livelihoods would be secured and their work would be protected.

I will forever bully and make fun of Webtoons for everything they've done in and to this industry. I hope at the very least those investors learned an expensive lesson, and that the damage these lawsuits have already caused to Webtoons' public image - regardless of whether or not these lawsuits win - empowers others who have been screwed over by them to speak up and make their moves. They are not a monolith. They are a brittle business operating from the trunk of a clown car on their way to becoming a penny-stocks sham.

Fuck Webtoons <3

[zeehasablog]

Indulgent Living - Curtain recolour + more

I recently found these curtains by @xsavannahx987 which are two-tone and draperies which other versions of the curtains don't have. There was only one swatch and size (which I call "short-wide"), so I decided to take it on as a little project.

I present the "Indulgent Living" curtains in Wide: Short, Medium, and Tall; and Skinny: Short, Medium, and Tall.

I have also added an additional 12 swatches, so hopefully you can utilise these in a number of different room colour schemes!

Here you can see some of the swatches, as well as a comparison of the different sizes:

You can download the entire Indulgent Living set here.

Download my recolours &c. for free from my Patreon here!

Enjoy!!

~~ Terms Of Use ~~ 

[solarpunkbusiness]

Since 2011, the StEnSea (Stored Energy in the Sea) project has been exploring the possibilities of using the pressure in deep water to store energy in the short-to-medium term, in giant hollow concrete spheres sunken into seabeds, hundreds of feet below the surface.

An empty sphere is essentially a fully charged storage unit. Opening its valve enables water to flow into the sphere, and this drives a turbine and a generator that feed electricity into the grid. To recharge the sphere, water is pumped out of it against the surrounding water pressure using energy from the grid.

Each hollow concrete sphere measures 30 ft (9 m) in diameter, weighs 400 tons, and will be anchored to the sea floor at depths of 1,970 - 2,625 ft (600 - 800 m) for optimal performance.

[monstersdownthepath]

Herald of Asmodeus: Basileus

CR 15

Lawful Evil Medium Outsider

Inner Sea Gods, pg. 278 (though the picture is from Council of Thieves: Mother of Flies, pg. 79

Yes, Medium sized. You see, Basileus is NOT the terrifying, diabolic apparition with multiple snakes emerging from it, but the tiny figure settled in its ribcage. Crafted from the very essence of Hell itself to fill Asmodeus’ lofty expectations--expectations which spelled death for at least six other Heralds before--Basileus represents the power of Hell incarnate, which includes the ability to cow any lesser being nearby into submission with nothing but a look. While his Veil of Forms normally keeps his true nature hidden from onlookers and makes him look attractive to anyone who can see him, he can raise or drop this comforting veil as a free action to wreak unholy terror on everyone that draws too close... but we’ll get to that later. First, a bit of background!

Basileus (or “Basil,” as I’ll be calling him from here on out) is Asmodeus’ perfect doll, crafted from Hell’s essence and, some say, the best parts of his past Heralds, all of whom disappointed him in some fashion. For a tyrant who desires absolute control, the only solution he would accept is the creation of a being who would follow his orders without question, hesitation, or creative interpretation. Basil does exactly as Asmodeus commands, following orders in accordance with both their spirit and letter with an efficiency that rivals machines, and thankfully for the mortal plane, these orders usually have him serving as an envoy and diplomat between Asmodeus and other powers across the Great Beyond. He is explicitly stated to rarely ever step onto the Material Plane, and even then only long enough to complete a task which directly benefits Hell and its infernal master. He tolerates mortals in the same way a sculptor tolerates dust and stone shards all over the floor, in that dealing with them is a side-effect in the process of creating something worthwhile, but they’re ultimately waste to be brushed aside and disposed of the instant the main project is finished, and certainly nothing to cozy up to and talk with. Basil’s contempt for mortals is one of his most famous aspects, to the point that even Asmodeus’ own followers hesitate to beseech their god for his Herald’s assistance, seeing the diabolic abomination as a last resort despite the power he offers his summoners, which includes the ability to grant a Wish once a day... but only for a mortal.

There is some delicious irony in Basileus having the most powerful spell available to him 1/day, a power no other Herald approaches, but he can only use it on the very mortals he despises. No matter how pitiful their lack of imagination or careless their wording, this power belongs to them. Unfortunately, he’s quite clever in manipulating people into getting what he wants out of their wishes, and only grants them in accordance with Asmodeus’ desires anyway, so the irony isn’t AS delicious as it could be.

Despite being a glorified mailman in terms of purpose, Basil nonetheless embodies perfection in every respect, both physical and mental: He possesses the strength to bend iron with his bare hands (26), arrow-dodging levels of dexterity (22), an indestructible constitution (25), staggering intellect (26), and enough charisma to clash with the most boisterous personalities and lay them low at his feet (25). The only stat of his that’s lower than 20 is his Wisdom, sitting at a 19. While many Heralds have one or two of his stats beaten out, no other Herald has such towering ability scores across the board, truly showing off Asmodeus’ craftsmanship... pity that he falls short in many other areas including, ironically, his hit dice. Though he has a nearly-unequaled stat distribution, he actually has less HD than the average Herald at 16, whereas most have 17 or 18 (though Sunlord Thalachos and the Menotherian both have 15 for whatever reason).

Of course, such flaws in his form aren’t evident to anyone not looking directly at his statblock. To everyone in-universe, Basileus is something like an advancing wall of death, something to be desperately avoided at all costs, because coming too close to the Herald of Hell may see one slain before they can even draw their weapon.

As previously mentioned, Basil normally hides behind a Veil of Forms, a specialized illusion which makes him look attractive to whomever is looking at him, regardless of their individual tastes and preferences. If he cannot be attractive then he will appear powerful instead, and oftentimes he combines the two... just not intentionally. Basil has no control over what onlookers see, nor does he gain any supernatural insight into whatever they’re seeing, and truth be told he doesn’t really care (if he did, he has a +23 Sense Motive to try and hash it out). The more important part is what happens when he drops his veil.

Basil can raise or lower his veil as a free action on his turn with no limit, allowing him to lower it and expose his true, diabolic form just enough to focus his crushing Gaze onto a creature within 30ft before raising it when that poor victim drops to the floor, dead as a doornail. You see, any being subjected to his Gaze must succeed a DC 25 Will save or be subjected to the illusory sight of the most terrifying thing they can possibly imagine, a sight so overwhelmingly horrifying that any creature with 6 HD or fewer is slain instantly if they fail the save, while everything above the threshold becomes irrationally panicked for 2d4 rounds if they fail, and REGARDLESS if they pass or fail, victims take 6d6 points of damage from the strain of seeing their worst fears brought to life before them. While he normally uses this power to snuff out a select creature like a candle, in pitched combat he can simply leave the veil down, blasting everyone around him constantly as long as they keep looking at him; the damage and panic recur every round a creature remains within 30ft of the Herald of Hell while also looking at him, as there is no 24 hour immunity clause.

You may notice a couple harsh limits to this otherwise overwhelming power: A strict 30ft limit, and victims must be able to see him. So long as you’re either keeping your distance or keeping your eyes closed, his terrifying gaze can’t affect you, and he lacks any ability which explicitly punishes a creature trying to blind-fight him like Sneak Attack... though this isn’t to say that the embodiment of Asmodeus’ will can be beaten by simply closing one’s eyes, no. He has plenty of other tricks up his horrible, horrible sleeves.

First and foremost is his least impressive aspect, his melee: Basil can cause horrible wounds to open up on any creature he touches, inflicting 1d8+8 damage. This is less than impressive, especially when stapled to his Medium-sized frame, but he has other options. Five of them, in fact! When his veil is down and his true diabolic body is exposed, he produces five additional, monstrous limbs which can slam anything within 15ft of him for 1d8+8 damage each, making his melee offense much scarier. However, this isn’t where he truly shines. No, his magic is the scariest thing about him.

As a being of illusions, Basil has quite the menagerie of illusion spells. At-will, he can use False Vision to prevent people from scrying on him or anyone he’s talking to, Mirage Arcana to shape the terrain to his liking, and Persistent Image for basically whatever distraction he needs. At 3/day, he can use Phantasmal Killer to terrify someone outside his 30ft aura of terror to death, but more dangerously he can use Greater Invisibility 3/day, which prevents him from using his lethal gaze but combines in a bad way (for everyone else) with his supernatural 60ft flight speed, his natural +25 to Stealth, and the rest of his offensive prowess, mainly consisting of his melee slams and his at-will Scorching Ray for any distant foes.

Cheating is only fun when the devil does it, so of course Basil can both Greater Teleport at-will and use Ethereal Jaunt 3/day BUT he has Dimensional Anchor to prevent anyone else from doing it. Likewise, all of his illusory power can be defeated with True Seeing, so he has THAT available at 3/day, and Greater Dispel Magic besides to destroy whatever spells or effects he cannot maneuver around. It’s especially fun to shuck buffs off anyone trying to fly up and harm him or use spells to make themselves immune to fear (his Gaze is a mind-affecting fear effect, so immunity to fear prevents the entire thing!), fire, or poison.

Poison? Oh yes. I forgot to mention the poison, didn’t I? It’s the very first spell you’d see in his statblock, as well! Cloudkill. At-will. The mist covering alone would be valuable enough, but the poisonous cloud slaughters anything too low-HD for him to care about in a single breath while sapping 1d4 Constitution slowly but surely out of everything else. Immune to poison himself (and Fire, but that’s besides the point), Basil can spray Cloudkill in every direction and even in his own space without fear every single round, and it makes trying to fight him through his Greater Invisibility all the more dangerous, as the twisting mists further hide his movements. And as mentioned, he enjoys cheating, which is why he has Blind-Fight for himself when he battles in his own poisonous clouds, giving him a much higher chance to actually connect with his melee or Scorching Rays than he’d otherwise have.

Basileus is a terrifying and potentially frustrating foe, often able to spell the end of a battle as a free action just by lowering his veil and blasting the entire party with 2d4 rounds of panic and 6d6 irresistible, typeless damage which will continue to grind down anyone not completely immune to fear. Then, when everyone is fleeing screaming from the awful thing, he fills their spaces with Cloudkill, blasts them with Phantasmal Killer or Scorching Ray, or simply LEAVES with his teleport or jaunt. The guy is a jerk, but you have to admire his efficiency; every other Herald needs at least one standard action on their turn to send the whole party packing!

You can read more about him here.