#anyway.. just my notes.. this was super fun to do!!!!

[timeslipcamp]

thoughts on episode 18

boy howdy can i just say how nice it is to read this when it's coming out and not when i'm like. at work and actively in meetings lmao

anyways we made it!! the festival of stars is here!! i'm going to cry when i see lyca's little bun i can just feel it. live reading here we go!!

spoilers through ep 18

i'm screaming already everyone pray for my roommate who is asleep

UGH THE CARDS RIGHT WHEN I OPEN THE APP they're all so prettyyyyyy i love them oh it's just towa hi jin

rip bunny girl. i was so ready for a jumpscare there lmao

VAGASTROM CAMEO RIGHT OFF THE BAT hiiii alan. note to self: get the vagastrom kids to help build my ikea furniture. stop wait are you telling me alan just carries around chicken. in his pockets. for the cats. chicken??? just in. his pockets??? BE CAREFUL AROUND DARKWICK GOD ALL THE GHOULS KNOW NOT TO TRUST THEM UGHHHH alan i love you

oh wow i've been so busy rereading chapters i forgot we got diamonds for new ones lmao

BLACK MARKET CAT TREATS god i love this game

oh canceled last year you say? perhaps because of the clash or a murder mayhaps?? looks like they're going with the traditional 7/7 date, that's cool. SKY KING IS REAL?? PROTECTION? oh she's still got two months okay interesting good to know. so potentially two more inter house missions then before they switch it up for the plot.

YES GRILL THAT LITTLE BITCH MC GO GIRL exhausting every avenue my ass.

the vibe hahaha i bet he learned that from rui. PLEASE tell me lyca is going to say "oh, truth!" at some point too. LOVE that subaru is suspicious. get him on my investigation team!! "choose a weaver" bitch who else would towa EVER choose hahaha except haru subaru blushing!!!!

towa is so funny dude

lyca will you please just tell me about my scent :( is it the kyklos be honest

omg zenji hi!! i feel like that meme whenever i see him, he's so fun. god i'm typing too much already i gotta chill. THAT LITTLE PERSON lyca i love you so much. zenji's actually gonna make me cry and we're like five chapters in dude i can't do this

FENYANG okay had to pause the fun music to look that up. apparently it's not a sheep but a river valley region in china lol. earth spirits in game though!!! that live in burial jars, that's super cool. someone remind me to add that to my anomalies list later. towa's little giggle is so cute ugh. such a fantastic group of ghouls for this mission im so excited.

ZENJI YOUTUBE VIDEO LETS GO i love that hes the one who tells us these stories. this is such a fun way to do this. who do you think draws the pictures for him? THREE OUT OF TEN hahaha towa PLEASE

ooo a riddle, that's fun. towa saying another wish is crazy. i wonder how powerful the sky king is? is there a limit to the wishes he can grant? is it a monkey paw thing? oh okay got my answer right away lol. oblivion and immortality....interesting. she could wish for the memory of the kyklos to disappear into oblivion. YES lyca we are on the same page!!! god lyca is so smart THATS MY BOY

NEW TOWA NICKNAME LUPIN making a post RIGHT NOW so i do that tomorrow. i mean lupin obviously latin root lup--wolf. so. anyways! it's actually so funny that zenji can't clap and make sounds hahaha i love that. fun detail. towa and lyca are so funny this is so good. "i'm good at jumping over things" omg the fox is back lyca said its on SIGHT

sho in a track suit????? the sky king is blessing me already HELLOOOOOOO BABY!! he's worried about salmonella ilysm sho

AND RIGHT AFTER IS THE MAN BUN oh god okay okay okay okay okay okay okay i can be normal about this okay okay

everyone looks so good!!! ugh top tier outfit design as usual. hodge and podge!! my favs!!! i love that they fixed her outfit omg. this is so sweet dude. subaru saying "carefully worn" makes me feel like someone's gonna rip theirs lol. my money's on towa. oh i bet the lantern floating is going to look so pretty.

STUFF LMAO HAKU STOP oh my god zenji might accidentally get laid to rest?? hello???

"here chimi take my hand" dude where. your hand is INSIDE your sleeve. love you tho. oh nvm he did that on purpose hahaha. "today, the line between our world and other worlds like the spirit world becomes blurred in hotarubi." FASCINATING. wait students get spirited away?? lmaooo at least they come back weeks later?? this is so funny. no big deal. super chill.

sky king is a smash. i am not taking comments at this time.

towa and lyca not sitting is SO funny i love these dudes. "child of beast," lyca; "shade" subaru??; "miraculous one" towa; "cursed being" mc; HELLO?? SHADE?? unless he was referring to zenji but like. shade? hello? as in a spirit shade or a shady soul or WHAT? i mean i've seen some stories where shades are like, reflections of beings so maybe because of subaru's stigma? oh that's so interesting. super cool that his stigma didn't work on the scroll, love that. can't wait to see what these challenges are!!

HARU HEY BABE omg wait are they rainbow toffee apples??? the gay apples we get to level up?? no way hahaha. omg lyca paying for us ill cry rn. little robot gear dude??? how much you wanna bet gen or mio or whatever made that? clockwork anomaly is adorable and i love them. THEYRE FROM DIONYSIA!!! ITS MIOS LETS GOOOO

does towa not like it because it's mechanical? more points in my nature being theory basket. also instantly pacified by haru complimenting him. love them

oh i bet it's ultio that fucked up the dorm then lmao. no wonder it hasn't gotten fixed.

love that someone's sabotaging this though, that'll make it fun. ramen buddies!! hell YES they're hanging together!! detective reaching shinjo lyca PLEASE subaru using his stigma to find the winning ticket is SENDING ME. romeo is going to kill him hahaha ritsu is so funny dude. too bad he ditched his date for legal matters sorry ren :(

oh cool subaru's controlling his stigma more! love powers that are tied to emotional states. it makes sense then, that basically confirms why jin's is on the fritz. zenji's been so worried this whole episode stop that you're making ME worried.

close up on sho don't mind if i do! lyca is so excited omg look at him. i love this episode everyone is so cute. oh my god the heart attack i just had when i thought sho could see zenji hahaha my jaw DROPPED. sho being so confident we'll be around next year please ill CRY. im so obsessed with him. i keep thinking other ghouls are my favorite but then here he is still being AMAZING. ugh.

magpie building a bridge!! story reference!! wishes on bamboo!! aw towa wants to be a hero :') lyca wishing for nero ughhh. "i would never again make a wish upon something i can't see." uh oh zenji, demonic pact reference? oh elias makes the soda that's funny.

SUNS GONE CONFIRMATION FOR TOWA i love having obvious theories proven. boosts my ego. anyways i hope this place is a spirit road this is sick. is the voice repeating wishes or something? repeating her thoughts???

oh hey alan. HAHA WAIT HE TOLD SHO HE WAS LOST oh my god i love you alan never change. whats the vibe between alan and subaru why is it weird. ALLY?? DISSIDENTS HAHAHA i just choked on my snack. "i'll return the favor" oh i can't wait to see that come back around. bye alan love you. zenji calling him dashing is great, who wouldn't have a crush on alan?

WATERMELON EXORCISMS?

kaito and luca festival date!!! oh my god i am eating GOOD today!! omg luca and jiro being buddies mention, fav rarepair if imma be real. it's up there. THATS WHAT ROMI CALLS HIM oh no lyca is getting the bar boys nicknames for everyone this is so funny. "toadstool here!" kaito i love you dude

i love when they make subaru taller than the gen ed students. he's like 5' nothing in my head. damn lyca you're cool as hell. can we eat the watermelons after we exorcise them. asking for a friend. OH MY GOD WE CAN

is the sky king the cowherd do we need to find his weaver? why is my mans crying :(

SHAMEPLANT??? oh my god towa. power rangers!!! omg this is so funny.

SUBARU SNAPPING LETS GOOOO i just had goosebumps hoooly shit oh my god. dude the music going quiet too was CRAZY. oh my god. ohhh my god. towa's immediately like "yeah you should have said it louder actually. i recommend lightning." oh that mask sequence was so cool i watched it three times ngl

dude the way i just got so sad that the wish isn't getting granted even though i knew it wouldn't happen smh. give us the panel of towa and lyca hugging cowards. oh what was with the creepy music behind zenji at the end there? interesting.

i really feel like this episode could have benefitted from like, two more chapters at least to wrap everything up. still though, good story, and i'm super bummed we never found out why the sky king was crying. what did zenji mean about the original japanese?? literally gonna be scouring people's posts for that, i'll link it here when i find one.

ugh such a cute episode this was all so so so cute. good episode. VAGASTROM NEXT LETS GO BABY!! maybe we'll get some more lore. mc said two more months, so we'll see where in the time frame this next one is!! posts coming tomorrow on towa's nicknames for lyca and subaru and i'm sure i'll do a couple theory posts on the new info once i've slept

the most important part of this episode was lyca's bun thank you and goodnight it's almost 2 am hahaha

[transferprotocol]

desktop wallpaper comm for @muppetghost !!!!! 💾💻

[crystalpallette]

frye inspires this sort of manic "i can do whatever i want" kinda will in people and god. I sure did do whatever I wanted here

[humlase]

Here's this fuckass animation project I didn't do then had to cram in 2 days.

If it looks bad I KNOW. Once again, crammed 10 weeks worth of work into 2 days. I did not sleep.

Thank you to my wonderful partner @agaric25 and super cool friend for doing the voicelines for me. It would be actual ass if I had to do those myself.

additional credits: https://freesound.org/people/M-Murray/sounds/723857/ for the background music.

[wackywatchdotcom]

i do think its funny that i like kinger so much. like pomnis my favorite but i have a soft spot for him and maybe its the bug thing or the loving his wife thing but at the end of the day like. he really feels like the type of older man character that, if ur a lesbian, ur like wow! i am taking you in as one of my own

[dataframe]

the system is such a fun narrative device because it's ultimately the author, the audience, the plot all wrapped in one. it adapts with what is necessary for the story to come; its strict boundaries, its lenience, all dependent upon the tale being told and just what standards must be set to make the 'chosen' characters act. whether that responsibility falls to the transmigrators (which readers/authors like ourselves will have an intrinsic connection to), or is otherwise warped to be understood by one of the fully fictional accounts. i love the meta to it. it's still a character, but one made best when you as the author input your intentions for it to follow -- no matter the cost.

[seaofreverie]

I listened to a new Sparks album and it was all I could think about for two weeks straight afterwards, a.k.a. My Hello Young Lovers Review

Okay, so here's my fabled review (I mentioned having written it once about three months ago, so I guess there's a chance that someone still remembers that). It's hecking long (seriously, it's long.) and consists mostly of me pointing out specific sections of the songs and raving about which specific elements of the songs I particularly like. And also attempting to make some sort of general statement on the style / atmosphere / themes etc. of the whole thing. I wrote this back in november, after 5 full listens of the album, over the course of about a week, and I didn't update it with any new opinions that I have formed since, to keep it true to that original form, besides some side notes where I thought they'd be useful to add. I hope you enjoy my yapping, however unprofessional and all over the place this whole thing probably is.

How to start album reviews? Well, I could sum up the general vibe / thing / feel / theme with the album but that seems much more fitting for the conclusion of the whole thing.

So let's kick this off with the first thing we see instead!! The album cover, the sleeve! (note: I got this album on vinyl for that first listening experience, the 2022? reissue) Ohh so pretty and cute, isn't it? Even inside, so much pink, even over-the-toply-so (for real though, I didn't even really think about what to expect from the inner cover, besides some photos that I knew would be there, but it was certainly not THIS. level of pink and cute), it looks so pleasant and sweet, doesn't it? And the band photos too, fun times all around!

Oh wow, ok, let's get back to reality here, I knew what I was in for (knowing just one track and excerpts of other two + reading misc comments on the album before already, as it is inevitable, you know. And frankly, that was actually the exact right amount of info from that commentary for a peak enjoyment here. Not going in totally blind but still encountering many surprises). This is a prime and, imo, very well executed example of mood dissonance. In a way where, idk, maybe it comes from me still having this even small amount of info beforehand, but it's the kind of situation that you can actually tell that something is off.

So yeah, the visual aspect of the album does fit it and I'd even say it does so VERY well, but as to how and why, maybe I should start exploring the atmosphere and themes and elements of individual songs first so we can make more general conclusions from that! So yes, I think it's time to dive in!

1) Dick Around ▪︎

Shortly put, amazing, showstopping and life changing song. And one of the earliest ones for me too! As a part of the extremely important and memorable playlist (note: my first time hearing a bunch of random popular sparks songs), it appeared somewhere in the latter half on the mix and oooh boy, was hearing this song for the first time, on the road in the dark evening too, an experience. I certainly found it intriguing to say the least, maybe I wasn't yet completely SOLD you know, and let's not forget that the second time I heard it (july) it actually kind of freaked me out in a way, but still, it certainly made an impression immediately. There's a reason this is one of the more well known / popular / important songs of theirs overall. This song is truly a journey and it messes with you in so many ways, oooohhh so many ways. I was super looking forward to hearing it again properly after being teased with some parts of it in the more recent weeks, so ok, maybe this is where I get to the individual parts I want to talk about.

Actually wait, first let's maybe say something about the placement. Of course it's the first song as I was pretty much certain it would be (and maybe already had kind of possibly spoiled..?), and it does work incredibly well as a mood-setter for the rest of the album, so it truly couldn't work any other way in my view. So yes, speaking of parts, there are so many different ones! Hearing this again was extra fun also because I would remember the main "point" / mantra of the song ("all I do now... is dick around") but not much else, then be reminded of another notable but very different part, then listen after this whole time properly on pretty much repeat now and be aware of those other little touches and bits that bring it all together...

So, let's start with the pleasant vocals & piano break near the beginning, it's, well... I just really like it (I hope I'll be able to say more specific things about other elements in these songs that I think need to be mentioned as I go on LOL), and right after that we have some very nice strings, then, suspenseful strings!! Idk why but I really really like it when those come in, they really set the unnerving classical tone that follows and returns throughout the album, then the same "calm" / bouncy vocal melody and a more "all over the place" piano returns (at least from what I remember, the notes are sort of more expansive in range in this part I think...). And soon enough... we reach the real moment of the song when it gets, well, real. And very intense. And this is almost jumpscare-like, ohhhh it's so good, even when you know you can expect it it still hits the spot amazingly.

So this is the rocking part that's honestly pure distilled joy and amazement to hear for me each time, the repeated echoey "hey hey"s for a second there are just the icing on the cake, so so so good. And, in fact, it doesn't get more rocking than this for the rest of the album. Dissappointing? Maybe it WOULD be, if there weren't other things still going on later, which were also in their own ways showstopping, so I think that yeah, those can make up for all that follows not really coming close to this level of unhinged. And this is the right word here I think, unhinged!! Damn, this freaking song. Like for a second there I remembered that in one of my early-ish hearings I just found it almost uhhh, unbearably raw? Idk if it's the right word but yeah, it gets... ugly for a second (I need to stop cringing at every more unusual / to the point word I use or I won't be able to write any genuine reviews in my life). Before going back to the main mantra of course! And then it goes on in a circle a bit more again, with more changes and some progression of the story and all that. And end on the mantra again. I don't know if I'm leaving out any super important bits here, I might be... Well, it comes back to full on rocking near the end too, with some variation too, so that's awesome! And very suspenseful and unnerving strings too for a moment!

So, should I talk about the lyrics / the story just a bit now? Ok, I won't go super deep into these or any of the following ones, I'll try to focus more on specific bits and the feelings that come with them and a general "theme" if anything. So, I think this song and its story is very engaging and I like it a lot and it certainly provokes further thoughts and ponderings, those 6 and a half minutes fly by super fast (guess that's just the power with sparks and their long songs, it's kind of incredible how maybe this goes ESPECIALLY for songs that rely a LOT on repetition, because those might work this trend the best), lots of variation, while still keeping some prominently repetitive / reoccurring parts balances it very well. You're really just thrown from one part to the next with this song. Ok, I wrote a lot about just one song and I feel like there's still more I could say if I thought about it hard, but let's move on now, we don't have all day (night)...

2) Perfume ▪︎

This is a favourite. An instant favourite. Right away this song grabbed me with its subdued, brooding and honestly pretty dark tone and sound. Low vocals, kind of ragged but driving guitar sound, and the DRUMS. They do SO much for this track, something about this specific drum pattern / style is very pleasant to me, very atmospheric. It's like a specific pattern that works to deliver some kind of effect (ok, I think through that, in a way, I just described the whole thing with repetition in sparks' music, especially in this era, nice, I guess that's how I view it and why it works so well) there's still a lot of interesting stuff going on there, plus it just sounds nice, idk. Once again, maybe "driving" is a good word for it. But now I need to mention that there is this one odd-one-out part that sounds much more cheerful, or maybe hopeful (and it returns again near the end). Because it has this specific thing, the different intonation of the SAME lyrics than the rest of the song ("and that's why...") feels strangely emotional. It certainly hit ME in the feels once I noticed it, so, yeah!!

So I think this is one of the darkest songs in mood and sound, while it also has something extremely COOL about its sound that I can't really categorize, I think I'm gonna feel like repeating this for every other song on the album but it just feels so CLASSIC, it's that typical song that always existed type of feel, yeah. But here it's less so due the melody necessarily, and more due to the whole picture. With some others it's also the song as a whole of course but they don't necessarily feel as much as a representation of a whole THING / genre / type of song / feeling in music of sorts (I'm really bad at articulating my exact views on these, am I not...) rather than those specific special moments that just bring it all to the next level. But OHHH I can't believe I almost forgot this, but the piano lines (I mean the post-chorus ones specifically) in this song, oh my goddddd!!!!!!! They're truly THE thing that sold me on this song completely, they're just so... something. So I guess this song also has that special "it" moment after all, doesn't it? Well, still possibly not quite as prominently as the next one, because...

3) The Very Next Fight ▪︎

Well, this is the kind of song that's completely made up of those specific parts making a very special whole. Starting with, of course, that melody line during the chorus "it's always the same. It's always the same". But maybe, just to be fair, I should actually start with where the song actually starts so, well, hmmm, the beginning. The very solemn piano and overall kind of heavy atmopshere here kind of slows down the momentum after the first two songs, and it delivers something quite different instead. So yeah, well, that chorus melody!! Oh wow!!! Isn't it so simple though? But it works so well!! It's simply beautiful honestly. It absolutely is! And later the electric guitar comes in for more effect and oh wow, it feels so incredible, yeah. And then some more solemnity with the... I think harpsichord?

This track feels very empty (as in the atmosphere, I'm not actually calling it empty as a bad thing or something like that, no no no!!) in some parts, then it has those emotionally charged bits, and let's not forget that it has some more really amazing guitarwork near the end. That kind of guitar "wailing" sounds beautiful in its own right too, it also kind of reminds me of some other rock-adjacent genre(s), I can't tell what exactly though...

4) (Baby, Baby) Can I Invade Your Country ▪︎

In all honesty, after my first listen I decided that this was probably the song I was the least impressed by? Kinda strange, yeah, because I no longer think that, and yeah, it was another one that I was only slightly familiar with already. Very slightly. It's a very interesting song once again, I think it's really unique after some thought actually (as are most all of the songs on this record tbh, obviously). It's unique, but it once again has this special classic quality to it that just feels like it represents a very specific type of sound.

I wanna say that the chord progression in the chorus might be some variation of one of the "usual" progressions although OF COURSE I might be very wrong here, it's just the feeling I get because maybe it's worth mentioning that 1) a while ago I started noticing this one type of progression in songs that made them sound very similar to Kiss Me, Son of God (They Might Be Giants song), so I figured it must mean that KMSOG is just in some kind of typical progression that is used a lot, especially in country-sounding songs from my experience 2) there was also an element of some classic rock / rock&roll (?) / punk (??) songs that also made them sound very alike after a while when I started listening to this one internet radio station recently, idk if it's the same progression or its variation or if all those songs use different variations mostly but are still based on a very similar thing at the end of the day, but yeah. I might still not understand chords or be able to catch them while listening, but there's now at least a little part of that whole section of music theory that I might be able to recognise in music just by myself, so that's some major music literacy development on my part I think... Anyway, maybe the progression in this song didn't even remind me of that usual pattern specifically, but it just made me think of that thing nevertheless, maybe it's similar, maybe it's not... So this was kind of an irrelevant tangent on my part, oops.

So ok, let's get to the jist of this... What exactly I like about this song and such, or just what I wanna mention. Well, I wanna mention that this is probably one of the more repetitive songs, also one of the longest I think, maybe the third longest, I wouldn't be surprised by that (the opener and closer are both pretty tough competition in the length department) but it doesn't feel monotonous, it flies by super fast, once again.

I think it's also possibly the brightest sounding song on the record, the word that immediately sprung to mind here is "triumphant". Certainly fitting with all those awesome horns!! They're truly what really sets this song apart. I'm especially a fan of the horns in the bridge part, I think it's the bridge. Sooo so cool sounding, kind of "descending". I also really like the layering of the different vocals and their melodies and such, the acoustic guitar also brings it all soooo nicely together, it's so pleasant sounding, especially in the quieter "baby, let's invade" part.

Idk what else to say, very awesome song though and I definitely don't mind listening to it twice (with the repeat as a bonus track, which I'll also get to briefly at the end) at all, in fact this might be the least "intrusive" song in a sense, so that makes the best choice for a repeat, if I had to choose, I could see myself going with this one, it's just very pleasant all around.

5) Rock, Rock, Rock ▪︎

So things get real once again, huh. This is one of the songs that I count in the category of kind of sick and twisted but in a way where I only respect them more for making it, so that puts it right next to, hmmmm, sherlock holmes for sure, maybe some others I can't think of right now. Big part of that factor is surely played by the repetition which just works, well, very well. Specifically the choruses.

One part of this song I was pleasantly reminded of on my first few listens were the short strings interludes, they really give it some of that pleasant classical feel (a separate thing from what i describe as classic feel here!) that I could say kind of contrast with the song and its atmosphere in general. Or maybe spruce it up, idk, we do have very dramatic strings during the verses too... The very deep drum sound is also pretty prominent in this track I think, pretty great.

As to some more notable parts in the vocals department... Let's just say that the way Russell says some words is very, uhhhhhh, effective (i think this sounds more cursed than it should, but i mean exactly that, the delivery just really hits you... and other times it's kind of silly instead). And also, with that repetition and it creating something great in mind, there's the repeated "and since you put-" part near the end that's also really great. The repeated "I"s in the bridge I think also need a mention. It's like they know exactly what word / phrase to repeat, what amount of times, and in which part of the song for it to work the best, like the perfect placement and number.

I think this song also has a bit of a fake ending, so that's also something of note, especially when it's supposed to sound as dramatic as possible (at least that's the idea I get from it). And actually, oh, so does the previous song! I forgot that part even though it's even more noticeable / memorable in that song than it is here imo.

6) Metaphor •

Second half of the album starts off with something that's very elegant and all the while very pleasant and melodic, all of which makes it a very nice track, even in a more usual pop song sense. Some very cool piano to start things off, and the electric guitar accompaniment, which also enters pretty early on. And then we have that slightly more strange part, kind of like an early bridge, that honestly has a bit of a comical effect imo (with no disrespect intended!!)? As in, I find it kind of funny and silly personally. Yeah, the "who's up for a metaphor" part, especially when we get the repeated "don't don't"s and "we we"s, and, well, what follows is what's definitely the greatest part(s) of the song, when Russell enters his falsetto mode and we get the "aaaaa-ªªªªª..." etc. backup vocals in choruses. Those are the moments of the song that are just, well, ONCE again that classic factor that makes the melody & everything else super special. But more specifically, I think those parts are just kind of beautiful. Yeah, I'd say this song is the prettiest in sound that this album gets overall. Truly wonderful and gets you excited for the remaining songs.

Meanwhile, the spellings of dig as d-i-g might feel kind of random I guess? But it works. Adds variety or whatever (note: it's also a very good moment of a rhythm change I believe, I think now that's what makes it sound as cool and satisfying as it does). So yeah, kind of a heavenly song I think, in a sense, also one of my top faves just for that factor (note: this song is now probably my favourite on HYL, and also among my top fav Sparks songs overall. It wasn't instant, but it grew on me quickly and oh man, I truly love this song so much now)

7) Waterproof •

I think this is kind of an odd-one-out actually? And why? I think it's probably the closest on the album to being sort of a fully, or at least MOSTLY, "normal" song. It doesn't have so many parts that are just downright weird and unexpected I'd say, it's just kind of friendly instead compared to the other ones (note: it took me perhaps too long to realize that this song just doesn't have quite as much repetition, which most other songs here rely on heavily, so that's definitely what makes it stand out the most). Not that it's an entirely bad thing! Sometimes you gotta slow down and relax a bit I guess...

I do appreciate the kind of sudden switch with the "the sky is starting to cloud up" part, and the little orchestral bit right after the first time the aforementioned switch happens (the second? or generally some later time it happens again there are also some very awesome horns! Really starts feeling like a quaint rainy street in some french town or something...) when, well, I was going to say that the vocals and the strings do the same melody, but they actually don't, at least not fully, still though, I did have that illusion before I made sure it wasn't the case with another relisten, either way, when it DOES happen, and Sparks do that a whole lot I feel like, it's always quite awesome, I mean, syncing the vocal melody with some other prominent intrument's melody...

The I think harpsichord also makes a return, yay! And then there's the guitar part, that does have some real surprise factor when it comes in, but this time for sort of the opposite reason - it sounds bright and nice this time around, and also it reminds me of Sparks' later style tbh, specifically in their following more rock-centric songs of course. And I think that's very nice, we see the always progressing evolution of their sound here I think. That guitar bit also has some album closer vibes, that kind of fake closer (or nearly-closer) situation kind of reminds me of a similar thing I experienced with Bon Voyage on Propaganda for example (note: I have since learned that Bon Voyage IS the closer on Propaganda, and the following two songs on streaming are just b-sides. So it makes sense that it would sound like an album closer because it IS one).

Annnddd the last thing that I just can't forget about here is Russell's another epic falsetto moment (waterwatereverywherebutnotadroponme!~) that part actually makes me smile. Yeah. Legit. I paid attention and I did smile on that part during my relisten today. ... Ok, let's go on.

8) Here Kitty •

When this song came on the first time during my vinyl listening I of course instantly knew exactly which song it was (bcs I've heard the title before, and a few words on it too) and had this little amused "oh no" moment. And, well, turns out this song is actually very awesome and veeeery interesting! It adds something really unique to the album. I saw someone call it quite impressive in the vocals / vocal lines layering department recently (in the last week, so already after hearing it myself I'm pretty sure) and I absolutely agree.

First off, let's settle that - this is a very strange song. But that's exactly what makes it so good of course. The strangeness keeps you so distracted from this fact, that when we reach the bridge of the song you suddenly realize that beneath all the "tatata"s, meows and unsettling rising piano notes we have the very much usual song structure with verses and choruses. Yeah, I think I actually sort of figured it out, what might be the verse, and what might be the chorus... Speaking of which, the parts that I identified as choruses have this, well, it's the same thing all over again (but each time the specialness comes from a different place and is totally different of course), but that very classic feel, indicative of maybe even some specific genre but idk what exactly...

Besides that, well, maybe let's go back to my oh no moment for a minute, and let me say that I either am very illiterate in that sense (and yeah I am tbh) or the lyrics aren't as overtly, let's say, innuendo-filled? as I expected. They actually have a semblance of a story you know... I mean, NO, not even a semblance, it IS a story! Let me also say that this is a very interesting song to have stuck in your head a lot over the course of pretty much an entire week. Yes, it got to the point where it could be annoying. One last bit of the song I really like is at the very end, when one vocal line starts to sound kind of echoey / distant, nice touch.

9) There's No Such Thing as Aliens •

The song that first cemented itself as being by far the shortest song on the album, sort of an interlude before the incoming epicness of the last one (that was quite literally my very first impression before I even heard either, looking at the vinyl this one was visibly much shorter than the last, and of course I expected the last one to be fittingly grand, and so it was obviously, but we'll get to that in a minute). The funny thing is, it's not even that short, as I figured even before eventually making sure how long it was in fact, and that's almost 3 minutes, which, well, of course that's still something around well over two times shorter than the last song.

But enough about its length, this song actually does kind of work as an interlude thematically too, which it is? it sort of even feels like it doesn't quite fit with the themes of the other ones, I mean, maybe not that it doesn't fit but just that it's defintely the furthest removed from the much more similar topics of the other ones (more about that also later!). Plus it's pretty sparse lyrically, once again, there's less you can fit in under 3 minutes anyway. Which supports the interlude argument also I believe.

Anyway, the music. First of all, waltz time!! Always a treat in sparksland to have that rare spooky 3/4 time track. The feeling I get from this track is: grand, very orchestral, anddd, hmmmm, elegant. But is it more elegant than the rest of the album... Idk, I wanted to use 3 different descriptors. I honestly don't think there's much more to say about this one, it's great, the melody is really great, the grandiosity of the choruses, the even more notable waltz time during verses. I think that yeah, I could pick this track as the most orchestral / classical inspired of the album. One cool moment I'll mention though would be the very ending, with the repeated "no"s going for longer than you'd expect them to maybe, and the deep drum accompanying all that. Very grand ending.

10) As I Sit Down to Play the Organ at the Notre Dame Cathedral •

Well, how do I even start on this one. I think I can say that with literally each single listen I become more and more in awe of this song. Could I even call it even more of a journey than the opener? In a sense, yeah. There's so much going on here. So much that I almost feel like breaking it down into individual parts and giving all of them their due because they all work for the amazingness of the whole. In fact, I might even already have this track roughly memorized (all... 7 minutes of this track) so it could be done. But ok, I'll just go with each part as I remember it, we'll see if I in fact do go over nearly all or all of them.

So. Echoey synth (?) intro, then the first melody part, with the individual words repeated, kind of "urgent" vocals part, very nice rhythm and something I just find very cool. As it progresses we get another part of just the synth / electric guitar-like synth / guitar or whatever this thing is, then a mix of both + this clicky instrument and / OR is it the harpsichord again? Giving it all more urgency and a nice constant rhythm. I also really like when the "byebyebye" vocal gets looped before the synth reenters. Overall, this part of the song has a very electronic, drony feel that I greatly enjoy and find very atmospheric and immersive already.

But, well, it doesn't end here. Because later, everything else stops and we hear a church organ. Even the melody it enters with is very much like something you'd hear in a cathedral, indeed! Good environmental storytelling, isn't it? But then... the organ transitions into this very very cool frantic melody (and by very very cool I mean that it's probably the #1 thing that stood out to me about this song right from the start) which returns consistently throughout the song and is just oh so very awesome.

So we enter the next part, what could probably be called the central part "as I sit down to play the organ...", tension is rising, the organ is doing its thing in the back, then some "hallelujah"s and BOOM! The chorus? The "I've got faith" part of course. And with it some epic strings, and I don't think I can really say what exactly it is about this part that makes it SO FREAKING GOOD & ABSOLUTELY SHOWSTOPPING but it's easily in my top 3 moments on the album at least. Then it's followed by the slightly considerably calmer "she's here..." section and we go mostly full circle for now, more variations on the same parts. Some grandiose "lalala"s & epic drum action too. And then, the "I believe" sections which I cannot let myself neglect, mostly just on the basis of them being kind of sickening to me. You know, in the "why did they do this (said respectfully)" way.

Ok, did I really just talk about all of the individual parts, I guess so. But before I move on I have to mention the moment when the very first major part, the "bye-bye-bye my baby" part, makes a sudden comeback. It's honestly just so good and satisfying, when completely different sections switch and make unexpected (or maybe you actually DO expect them on some subconscious level, and that's what makes them work so well??) returns like this, if a song has that it's very likely it will become a top top favourite or at least have a very big effect on me. Or even HUGE effect, like here.

So yeah, the song does eventually end (I mean technically unbelievable somewhat, since it's so long, but have I actually mentioned yet that this track goes by about just as fast as the first one, because it sure does, you do not notice the time passing WHATSOEVER) on some more "hallelujah"s. And the album's over. Wooo boy.

Bonus tracks

Well, it's not really over yet if it's not the vinyl but the streaming version. We still have just two more bonus tracks, technically just one? So I'll go over both quickly now for completion's sake.

First we have "We Are the Clash" which is a pleasant song for sure, can work as kind of a denouement after the crazy journey of the previous track, so you're left on a little less of a mood unresolution and can become a little less unsettled after all of this going down... Idk.

But yeah, I actually have this impression veering on pretty strong conviction that this song is a cover actually. It could even be a cover of the band whose name is mentioned in the song, which would put this version in a extremely funny area of how far stylistically it might be from the hypothetical original, if it exists (what's up with all these bands and their "we are the [band name]" songs, there's so many). Of course I could also be very wrong about this so all I just wrote could turn out to be absolutely hilariously off target, still, a fun little attempt at guessing things and connecting ideas on my part, whatever the truth turns out to be (I will learn the truth... in due time. My experience tells me that when I'm still fully in initial unwell mode over an album it's difficult for me to read and retain any outside information / commentary on it. So no need to rush it, heh) (note: yeah I was right for once. I meannnn I guess it was obvious anyway but still, let me have this, I've been fooled by assuming that a cover was someone's original song way too many times so I'm happy to not be fooled for once).

So ok, the last last track. Baby baby can i invade your country is baaaaaack, not much to say but it's pretty much the same other than the lyrics, since well, it is the "alternate lyrics" version, not "alternate" version. I do think that it might be slightly longer than the final version though but it's also likely I'm misremembering.

Anyway, lyrics, all I can or feel the need to say is that they seem to be definitely way more to the point on what this song's actual topic is (not... invading... countries . I don't need to explain it here do I) so subtlety win for the final one I guess. Just so it is known, I have not read these two songs' lyrics unlike all the main album tracks'. But I think I caught enough to get the main idea from both, you know. I do think also that the final version's lyrics just kind of sound better, idk if it's the rhythm of the words or what but they do just have a nicer flow. So, improvement, probably, still very nice to know this version anyway of course. (note: yeah i have learned since that most of the final lyrics are the US national anthem. Makes sense that if any song were to have alternate lyrics it would be this one)

To round it all up...

I think there's still a lot that can be said about this album as a whole but how do I go about that. Well, I did mention earlier that I'd come back to a) the overall feel / atmosphere here b) the themes / stories and how they connect. So those shall work as a guide to my conclusions part of this whole review.

First off, I could even say a bit about the main vibe / sound here in reference to Lil' Beethoven! Since it really does work as a sequel, at least in sound, by all means. I described LB with stuff like... cold, distant, cathedral-like, what else was there.... Ok, I have more, lifted directly from my LB write-up. (note: finally listening to LB a month prior to this was enough of a big deal for me that I wrote down my live reactions to hearing the songs) Impersonal / detached. Alien. Spacious.

Do those apply here too? I think so, yeah! Pretty much all of these words also feel like pretty good descriptors here. But honestly, the more I think about it.... Maybe it's just that the distance / the detachedness and alienated feeling is a bit lower here? Or at least in some songs more than the others. It's hard to explain honestly.... That similar atmosphere continues here but it's just..... not as pronounced maybe. Idk, maybe it will become clearer with this next point I wanna make which is that LB actually is less, uhhh friendly in sound. Less accessible! Yeah, I do think that this album could be seen as: LB started the experiment, HYL perfected it by taking it in a slightly more accessible direction. Or is perfected a wrong word here, who can say which was, or should be considered the better outcome here.... I think I actually have a problem putting concepts into the right words today. But maybe at least some of my feelings about this can still come across here...

So yeah, I don't think it's possible to tell if HYL is better or LB, it also depends on how you look at it! As it kind of always does when judging stuff per good / better. One thing that I can say sort of for sure though is that LB certainly started ideas / techniques that HYL expanded on and toyed with further, so in that sense, it could be considered an improvement. And so it is clear, I don't think I can say 100% that I like one more than the other. It's not that simple. I guess you could however say that HYL was more of an instant hitter and LB really just grows and grows more in power overtime....

So yeah, they kind of did take the LB concept and all of the avant-garde, experimentation factors that come with it, and made it more accessible, which is a form of art and an achievement and a testament of skill in itself. I think the somewhat friendlier, more palatable approach of this album also lifts off the coldness aspect a bit, but it's still there, especially on tracks 1, 3, 5, 10, off the top of my head.....

But maybe I should talk more about the album and its sound as it stands on its own before I move on though. Maybe we could jump from the words I already used: classic, orchestral, brooding, dramatic, dark, aggressive (yes, I somehow see it as friendlier than its predecessor despite also being much more aggresive in all senses. Raw even. How does that work? I can't tell you today. And idk if I'll ever figure it out. And also personal, YES, that's the word, this album feels soooo very personal and emotive. Not in the sense that I'm trying to say that it must be personal to them, more like it just shows some very personal feelings and struggles), triumphant (but that goes only for that one song really), driving, ELEGANT. I think the word elegant is the key here. In all of its subtler or less subtle tone shifts it keeps that very elegant, kind of graceful feel, all throughout. Even when it seems to be touching subjects that wouldn't necessarily bring that kind of atmosphere to mind, it kind of elevates them and gives them, idk, a new meaning?

So is this a good segue into the topic of themes? I guess the album name sits well with what I think is going on here, because my main impression of the whole thing was something like.... stories of fucked-up guys with self-image problems / feelings of inadequacy, which they try to go around fully convinced that they're right (and their messy love-lives too ofc). Or are they just, normal, regular guys actually. Who can tell. It certainly gives you an idea / a whole concept to work with and ponder here and to connect and visualize kinda.

I think that yeah, out of what I've heard so far this has to be the most thematically-consistent sparks album there is. It comes to a point where all the songs give this little impression of a whole universe where all of this takes place, and while I've had these kind of impressions from albums that are way more all-over-the-place conceptually with their lyrics (I mean like.... pretty much every They Might Be Giants album. You can create this sort of illusion with more than words, the music and its atmosphere and often also its stylistic consistency might be even more important actually), this comes, in my mind, almost close to concept album levels in that regard.

The definition of a concept album probably calls for something more specific than all the tracks being in sort of a similar theme but you know.... I don't think it really happens most of the time in music in general, that the whole album has this sort of a familiar idea / spirit throughout that makes a unique whole. (note: apparently wikipedia calls this album a concept album. Another win for me in that case, lol). You could probably try to connect different songs' themes and work with that in some way.... Which is something I already did in all honesty, but actually it's a between albums thing here, because I do believe that the dick around guy could be the same guy that the narrator from ugly guys with beautiful girls talks about. Similar ideas you can connect! That's what I'm talking about. I love it when songs tell overarching stories.... Make me think about characters from songs or little universes and vibes created by even the vaguest of lyrics and the ideas those create and the imaginings they bring, any day.

Ok, what else can I say. I think I mostly covered everything I could actually. Should I say something more about the cover with the added context now. I already said that it gives off a "something's wrong" feeling, but I think it's also compelling in how it conveys that elegant, non-threatening and polished image, sterile kinda. Well, I think only one of those four words I just chose doesn't really apply to most of this album's songs. I mean non-threatening ofc. Hmmm, maybe sterile doesn't really work here either, besides those prominent examples of the coldness of sound on this album, it would actually go more with LB, which also has a fittingly minimalist, all-white cover. Collected and orderly to a distressing degree. Just like here, it also gives off some.... distressing vibe. As I already said with the "this isn't right" feel.

What else can I say. In reviews you usually give your opinions, which I very much did throughout this thing here, everything like this is always somewhat subjective I think, but even then, a final verdict could also be said here. I think it's pretty damn clear by now what my opinion on this album is. I wouldn't spend several days writing a review and analysing every little detail if I didn't have a very strong (positive) opinion on this album (I guess I technically can imagine writing a very throughout review of something that just annoys you so much that you simply have to go through everything wrong with it and have some relief and closure through that. I can't see myself doing that kinda thing however, I'm not that kind of hater (or really a hater at all lol, i hope), I'd rather devote my time to things that I find actually cool and awesome and stand-outs in a positive sense, and worthy of attention and that dedication).

So this comment I fittingly found on tumblr over the last few days feels pretty relevant towards my opinion of writing "reviews" of stuff (this was more of a, very detailed analysis I know, but review just kind of fits, especially with how people call their recaps / commentary / writeups of concerts "reviews" a lot of the time):

(note: yeah I think I should come clean here that despite my very recent start of actual social media participation I've already been a serial lurker in various places for years now, lol, I mean, that's probably a normal thing to do though, I hope. I mean, probably lots of people do or did that at some point, but still. And I don't know whose post this is anymore sadly. But I thought I'd keep it here because it's a good summary)

And also, just for the record, this is my opinion on HYL pretty much. Yaaaayyy i loved it i had so much fun!! For real. i'm glad they're creating something!!!! Absolutely. One of a kind album that I will cherish as yet another great and unforgettable entry on the list of albums that changed me (TM) and brought me lots of fun and great memories / associations, even in such a short time. And the actual FIRST on the new list of albums that I'm happy to have brough the utmost attention to and dissected like that. It's out of love.

Thank you for reading this far! Here's a little bunny as a prize!

Whoa whoops this gif was supposed to be small! Have a huge bunny in that case, you deserve it! 🐇

[mithrandirl]

thought about writing then decided to just have a panic attack instead haha

[todayisafridaynight]

Dude ur cosplays are genuinely so good 😭. I don't think I could cosplay anyone from RGG because I look too fem for it, but you're killing it!

AW thanks fam that means a lot :']] tbh if you really want to cosplay a character, you should go for it! even if you dont plan to go anywhere or do anything crazy, even just putting on the outfits is pretty fun :]

[ajdrawshq]

on the note of you not getting the best grade at DMing (but a good grade at friend!!!) did you ever get around to reading Kay's zero escape fic I don't even remember when I mentioned it but surely I mentioned it to you right did I :0

... also I have been getting a bad grade in getting back into playing rpgs I'm sory 😭

OH SHIT DID I...... I DONT THINK I HAVE..... i swear i remember u mentioning it to me at some point but i mustve just completely forgot after a while im so sorry;; maybe its somewhere in our dms.. ill check for it there after i wake up (< FOR REAL THIS TIME..) but maybe itd be easier if u sent it again just in case? thank u SO much for reminding me bc i would Not have remembered this myself,,

[skelevision]

i kind of have an obsession with emulating amateur vocals with vsynths help

don't pay attention to lin lai at the beginning he's not tuned at all. massive wip and honestly as much as i love tuning like this i'm worried about being hit with hammers!!!! 🤷 1 million voice cracks and off tune notes. for fun. i swear i can tune pleasant style i just think voice breaking/struggling to work with a changing voice would be cool sicne i'm working with male banks on this particular song

[weezerlvr228]

Hello!!! I want to talk about weezer but im too shy! I wish i had more weezer friends

AWW ANON NO WORRIES!!! i was like that too!! best thing ive found is to just comment + interact w weezer fans on tiktok, like maladroitlover579 is super duper nice! :D people r very very nice on tiktok , but of course u could always dm me and we can talk abt weezer all you’d like !

[chisungie]

.

[liloinkoink]

hello hello ddvau fans if you do not know me i do edits for ddvau and i have Known about this chapter for weeks and have been sitting on my rage at HG the whole time. and now it is released i need the people to see he is a bitch ass mf

anyway. starting off here. the very first thing HG says to Grian when talking about what happened is a threat

"i'm here to help you. i'm the best option you got, no one else will"

when i was editing for Doody, this line was just "i'm here to help." but Doody wanted it to come across somewhere in this chapter that HG has all the power in this situation and that HG wants Grian to know that. it was decided that the best spot to include that was right here, right off the bat. HG is Grian's only option and that is as much a promise as it is a threat. no one else will help Grian, and that includes saving him from HG if he doesn't tell HG what he wants to know

and then there's this page. when Grian isnt super forthcoming w info, HG pulls out Jimmy. HG knows better than anyone that Jimmy is completely innocent and that he had nothing to do w the attack--he's a victim here, and HG knows that better than anyone. he also knows, from being Grian and Jimmy's friend as a civilian for years, that Grian cares a lot about Jimmy, and is using that against Grian

he also knows from being a civilian and Jimmy's friend that Jimmy's pro-mutant stance isnt popular, and Jimmy could be framed if HG said something bad about him. HG is trying blatantly to use anti-mutant sentiments against Grian and Jimmy so that Grian will talk, in a moment Grian is already convinced he's going to be arrested for hiding his status as a mutant

(which: note that HG says he heard "rumors" about Jimmy's stance about mutants and his protests against the university's policies--it isn't rumors, HG knows this from being Jimmy's friend and coworker as Scar)

and then here, HG is the only one who was conscious and who was fully present for and remembers what happened during the MS attack. yeah, Tango was also there, but Tango is a known mutant, adn we've already seen people do not trust Tango and think Tango is dangerous--he's certainly not as trustworthy as HG, Superhero, Emerald Soldier, face of the military. he's the one people will trust most. what he says happened is what happened

HG says that yes, Grian’s secret is safe, but only because HG is choosing to keep it. Grian is safe because HG is allowing him to be. HG told everyone that Grian gained wings from the attack, and so HG won't arrest Grian. in this narrative which HG made up, Grian did not lie to the government and he was not always a mutant. HG said it, so it's true, even if he's lying. all HG has to do is change his mind and say that Grian was always a mutant who lied and hid his status from the government, and then Grian will be arrested. HG could change his mind at any time if Grian doesn't cooperate with him. he's very blatantly blackmailing Grian

fun fact! the original version of this line didn't have the "for now," but it was added in editing when Doody said they wanted it to be explicitly clear HG is threatening Grian

what HG says here is the truth. he isn't just representing the law--HG is above the law, and he isn't shy about making sure Grian knows that. he's willing to use anything in his disposal to get the information he wants, and he's willing to use anything available to him to make sure Grian complies with him. disguising it in friendly attitude and cookies and a phone number does not hide the fact HG was incredibly ruthlessly manipulative here

anyway. incredibly fun chapter. one of my favorites. i need DDVAU HG exploded

[bitchesgetriches]

Hi Bitches! I have a fun food story I think you'll like.

So I recently discovered there's a produce rescue in my state that purchases unsold wholesale produce at the border to prevent it from being tossed in the landfill. They then sell it off at hella cheap prices. You don't get to pick what's in your box, but, uh. It's 70 pounds of produce for $15, you get what you get and if you're like me you will figure out what to do with it rather than let it go to waste.

Anyway, my last box included an absolutely insane number of Persian cucumbers. So I decided I'd try something I've wanted to try for years, because if I wrecked one or two in the process it wasn't as big a disaster as if I'd tried it with expensive store bought ones, and...

I can make my own glatt kosher dill pickles now, and holy crap, Vlasic can eat its heart out. Mine are crunchier, more flavorful, better-cut and kept perfectly good food from being thrown away, doing them with my produce box meant they were about 1/8 the price, and also pickling is very easy but people think you're amazing and fancy if you pickle your own stuff.

Also if anyone is in Arizona and wants in on this action, it's called Borderlands P.O.W.W.O.W. (Produce On Wheels WithOut Waste) and you can find them here. Here's what my last box looked like:

I should note that's what's left after I split the box half and half with a friend.

HOLY MOTHERFUCKING SHITBALLS THIS IS AMAZING!!! Thank you so much for sharing this extremely frugal win AND telling the rest of us how to get in on it. With grocery prices the way they are, this is sure to keep a lot of people from going hungry or missing out on necessary nutrition. I encourage everyone outside of Arizona to look for similar programs in your state! (Though I suspect it's mostly only applicable to border states.)

Also, drop that super crunchy pickle recipe, baby.

Here's more advice:

How to Shop for Groceries like a Boss 

You Should Learn To Cook. Here's Why. 

Did we just help you out? Say thanks by joining our Patreon!

[dawntheduckrb]

Low resolution borb chilling on the curb