#anyways time to go to bed
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witty-username-here · 3 months ago
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Social media addiction? You mean Pinterest/Tumblr scrolling that keeps you up until horrible times of night but you can't stop because it makes you feel so much when normally you barely feel anything happening where emotions should be?
...Nnooooo, of course I don't have that...
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gotta-bail-my-quails · 1 year ago
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i should be working on my finals
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dragon-babe · 19 days ago
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I think Toriel is an alcoholic. The scene at the very end of chapter 4 where she's dancing with Sans, I wanted to highlight Kris's reaction.
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They're disappointed and embarrassed Suzie has to see this, but they're not surprised like she is. They don't want to engage in this situation at all.
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She's a happy drunk, having a good time, sure. She offers Kris some food, but doesn't engage with them at all. Doesn't check in why they were out so late or on their mental state. There's so many themes of neglect in deltarune that this clearly isn't just a one off event.
This scene is just a Lot, it just struck me mostly because I watched nearly this exact same scene play out with my own mother.
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candycatfalls · 4 months ago
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you are coming down with me,
hand in unlovable hand
[prints]
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mando-abs · 1 year ago
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I am writing this for peace of mind tonight
I have performance anxiety when falling asleep now that I’m seeing a specialist
I’m having performance anxiety when filling out my first resume at stupid 24 years old because the doctor said my sleep quality might improve if I’m working part time
I put so much work and fear into my school for all my life and now at 24 I’m scared of what comes next.
It’s pathetic. It’s privilege and what thankfulness have I shown? What do I have to show for it? Nothing.
I know I’ve had legit physical health issues this past year but we all know I’m just delaying the inevitable. I’m scared that I’ll just become my ball of anxiety again when I work and I’ll never get a moments peace again
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inkskinned · 23 days ago
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i'm a little afraid to go to pride this year. many of us are, a little. sitting around our tapas and video games, the silence that hangs over the discord server. it feels different, we say.
we're privileged. the community that came before us laid the groundwork so i could be raised in a different world, and i will never forget their sacrifices and dedication. they gave us this: a pride that feels like community and celebration and joy. i remember the first few times i went to a queer event - i'd been raised so catholic. feeling safe like that, for the first time... it saved my life. i go to pride to celebrate that feeling - my people, laughing. out in the sun, the way we couldn't have been even 25 years ago. that feeling: no wonder we call it "pride."
who am i to be afraid anyway. there are parts of the world where people are doing much better work than i am. but it's just: i felt at home there, you know? and this year feels different. we are waiting on the dam to break. last year, at boston pride, there was a whole gaggle of sign-holders shouting about jesus. you walk around them and try not to let it get to you.
this year, i'm going to DC's pride with my girlfriend. google sends me concerns about if it's safe to exist in trump's america, if World Pride is a bigass target on all of us. every article uses the words "safety concerns" many, many times. three days ago i witnessed a shooting.
even straight people keep telling me - people are weird lately. sometimes we blame it on Covid and sometimes we blame it on the full moon. but i do remember a time before this, right. it's not just that people are more comfortable being rude. it's this strange, outwards violence. a comfort in being cruel.
it's a big hole to fall down anyway. it's not like they're going to do anything to make pride safe, not really. i don't want a police presence as the solution. and what if this is just fearmongering! what if this is just to get us to stop attending our own events! what if everything is actually fine, and i'm just freaked out by the stated intentions of our president!
and what if i'm just listening to things that are being said. what if i'm weighing the shape and size of this america accurately.
my mother calls me. she's been getting the articles too. i assure her i'll be careful, but i put the phone down and stare at it. i'm going to go to pride. other people made it safe for me, it is my duty and my honor to show up for my community. the only thing we've ever had was each other. it was always an act of bravery. being ourselves is brave.
but i am afraid. i lay out my outfit and i kiss my girlfriend. i cut my nails and clean up my undercut. i hold her hand and hang the sunset flag. the sound of this america feels different. like a volcano trembling. i will love her and i will love being queer and i will sing over the noise of it.
but ... still. in the back of my mind. that feeling, like something terrible has been shifted. like somewhere in the night - they remembered we're different.
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iamthemess · 18 days ago
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I've been thinking about this for too long
DC x DP
Could be any batmember, but I'm using Tim because he's a liar and a scoundrel, and one of these days, it's gonna come back to bite him.
Danny and Tim are boyfriends, and they're been together for a while, but the rest of the bat fam doesn't know. Why? Well, it's not for lack of trying to tell them.
Tim did tell them. They just didn't believe him. They thought Tim was making up an imaginary boyfriend.
He's lied a lot in the past, and Danny does sound super made up, but how else is he supposed to explain his boyfriend is a half dead ghost king who is super obsessed with him.
It didn't help that Danny spent a lot of time being invisible, so it looked like Tim was talking at the air, which got more than a few odd stares.
And that whenever Danny sees any of Tim's family he disappears along with all his belongings.
One minute, they're on a date, and the next Danny is gone, and he's taken his hot chocolate and doughnuts with him just in time for Dick to walk up and bother Tim about his day.
Danny makes a bet with himself to see how long this can go on before they realise he's 100% real and Tim's boyfriend.
The batfam are trying to figure out if Tim is trying to gaslight them, doing a very unfunny bit, or he's actually lost his marbles.
They start drawing lines when Tim starts yelling, "HES RIGHT THERE!" While gesturing to empty space beside him and insisting there is another person in the room.
They sit Tim down and have an intervention which makes him wonder if he is actually crazy and Danny isn't real.
One very confusing spiral later and some heavy reassurance that yes, Danny is a real person, and Tim isn't crazy. Danny promises to introduce himself soon before they start trying to put Tim on anti psychotics.
I literally just realised that this didn't need to be romantic at all. Idk where that came from, perhaps it sounds more fun, but this could also be 100% platonic batmember and their not so imaginary friend.
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syoddeye · 1 month ago
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knight!ghost x reader. hand-waving details. all vibes, as usual. cw: noncon touching, manipulation
After years beneath your mother’s watchful eye—less a daughter than a jewel kept safe under lock and key—you are at last released.
Invited to accompany your elder sister to court following her marriage to the esteemed Lord Garrick. Your first steps beyond the confines of home toward something far grander. The world opens before you like a storybook.
It’s a rare opportunity for a young lady of gentle birth. The kind of chance your mother spent years safeguarding you against, fearing the pitfalls of courtly life. An opportunity your sister now extends like a gift.
You intend to follow in her footsteps. To make the most of it.
As his carriage ferries you across the countryside, Lord Garrick indulges in his role as guide and guardian. He names estates and their residents you pass, calling out their banners and bloodlines, reciting them from memory like a living codex, its margins filled with his own notations and stories from years of soldiering in the King’s service and court.
Most names you know from lessons or gossip: daughters and sons married off, the odd spoiled reputation and scandal, matriarchs and patriarchs pulling strings. But being the sheltered girl that you are, one name catches your thoughts like a burr. 
Lord Garrick slips a miniature into your hand. It is no larger than your palm, with rich watercolors painted on smoothed ivory: a large man, almost comically set in the tiny frame.
His skin is pale, his eyes a warm, untroubled brown. He wears a slight smile, and his armor gleams with the seal of the King.
“An old comrade—Sir Simon Riley.”
You run a thumb over the edge. “Is he as handsome as his portrait?” you ask, shy as a girl should be when entertaining fancies.
Lord Garrick only grins. “He is, dear one.”
“And noble? Chivalrous?”
“The very image,” he assures. His wry expression is lost on you.
You are too steeped in fantasy to notice. Already imagining the weight of his hand around yours, already composing the vows he might whisper when he asks you to dance. Him, tall and solemn. You, breathless and giggling. 
You do not yet understand how generous portrait artists can be, the choices they make to soften a mouth or warm a gaze.
When you arrive, you trail in your sister’s shadow, a daisy behind a rose, trying not to stare too openly at every knight that turns his helm. Try not to appear too eager.
You curtsy. You dine. You take your place among the constellation of other young and unmarried ladies, each one a little star burning with her own hopes.
Time passes. You thrive. You charm. You are granted permission and invitation to winter beside your sister, a small victory. Come spring, you’ll be presented formally.
On the morning of the first frost, Lord Garrick finds you in the solar, where you sit with your companions and needlework, your thoughts pleasantly idle.
“There’s someone I’m due to introduce you to,” he says. “Sir Riley.”
He offers you his arm, and you take it. He guides you through the winding halls, past tapestries older than your bloodline. The keep quiets as you tread through an unfamiliar wing. The room he stops at is narrow and dark, the hearth cold, the shutters drawn.
It rouses an unsettling feeling in your stomach. A wrong note, a song sung off-key. Doubt prickles, fine as thorns. The chamber is too plain, too tucked-away for an introduction. 
But the man you’ve come to love as a brother—steady, kind Lord Garrick—pats your hand, and the doubt recedes, momentarily quieted.
He bids you wait. He’ll fetch Sir Riley himself.
You let him go with a wobbling smile.
When the door creaks open again, it is not Lord Garrick who enters.
It is Sir Riley. You know him at once, though the helm conceals his face. Your heart skips.
“‘eard you been wantin’ to meet me, girl,” his low voice rolls thick like smoke. Heavy, like the blade at his hip.
You do not move. The knight fills the doorway as he did his portrait frame. Your hands knit loosely before you, trembling.
“It’s…an honor, sir,” you manage. Your eyes dart toward the door, hoping Garrick will follow, show his face. “I wasn’t expecting…That is, I thought Lord Garrick would–”
“Thought he’d stay? Look after you?” Sir Riley asks, stepping inside. “Nah. Garrick’s a busy man. ‘Sides, if it’s lookin’ after y’need, no one’ll do better.”
The door shuts with a click, and the bolt sliding shut might as well stick between your ribs.
You offer a smile, trying to summon the composure that’s served you well in the halls. Yet even your propriety has teeth, and it gnaws at the edges of your nerves. This isn’t how introductions are made. You know that. A lady does not meet a man alone, knight or not, not without a chaperone.
And yet here you are. 
He moves further in, slow and certain, untroubled by the circumstances and its consequences. He unfastens one gauntlet, then the other, metal clinking as he sets each piece aside.
You step back, heart kicking against your ribs.
“I only meant…we’ve only just met, and I’m sure your time is better spent elsewhere—”
He says nothing. His fingers move next to the clasps at his shoulders. One pauldron. Then the other. Each piece comes away with unhurried care, as though he has all the time in the world.
The bulk sloughs off like a shell, revealing more and more of his frame until only the breastplate and helmet remain. You realize then that you’ve backed into the wall.
“I should go,” you eke out. “I’ve no doubt you’re very tired from your duties, and this isn’t right—”
Sir Riley laughs, rough like the scrape of flint.
“You’re a nervous one.”
He reaches up and unhooks his helmet, slow as sunrise. When it lifts off, you are not prepared.
He is not unhandsome, no, but he is not the man in the portrait, either.
His nose has clearly been broken more than once and healed crooked. A jagged scar bisects an eyebrow with a fleshy knot on the end, mirrored by another that pulls taut across his lips. His skin is a map of violence—keloids, silvered cuts, and pitted lines all speaking to a life earned inch by brutal inch.
He tilts his head, eyes catching yours. Rich brown, as the painting promised—but the warmth there is tempered with something else. Hunger. The kind you’ve spied in the King’s hunting hounds. Not the gentle yearning or tender longing you had quietly imagined for yourself.
“What’s wrong? Kyle said you found me pretty, pet.”
The word—pet—snaps like a ribbon.
In its reverberation, you feel the whole truth of it: you are very much alone, and Sir Riley is very much not what you were told.
You open your mouth, but no sound comes. You are caught between alarm and something stranger. It burns low in your belly, confusing and unwelcome.
You look at him again, truly look this time.
And realize: perhaps the artist hadn’t lied or embellished. Not entirely. Perhaps the man in the portrait once matched reality, before war carved itself into his skin. Before duty hardened whatever youth he’d once had.
You try not to flinch when he steps closer, but your body betrays you—a stiffening of the spine, a renewed tremor in your limbs.
Sir Riley notices.
He watches you the way a wolf watches a fox kit or rabbit. Clearly delighted by the prey he’s cornered. He lets the silence sit, lets your discomfort curdle before breaking it.
“You’re more beautiful than your picture,” he murmurs, almost to himself.
Your mouth dries. There aren’t many portraits of you beyond your family’s walls. Yet months ago, Garrick had insisted on one—a secret commission, a memento for your sister, a gift. All before your invitation to court.
You never questioned what became of it.
“I—I should go.”
You move to slip past him, but he doesn’t allow it. One step, and he cuts off your path with his bulk, the door now out of reach. Trapped between the edge of the room and him, the air tastes different—ash and smoke, hay and wet dog. It wrinkles your nose.
You try again. “Lord Garrick—he didn’t say—he never said you—”
“Yeah?” 
He smiles. Not kindly.
“That I-I,” you whisper, heart beating hard enough that you’re sure he must hear it. “That I’d be alone. This isn’t right—”
“Not alone, pet,” he shakes his head. “I’m here, aren't I? I’ll see you well looked after.”
Without pause or permission, he takes your hand.
You could faint.
Your bare hand disappears, swallowed by his callused palm. His thick knuckles are as battered as his face, broken and reset countless times. His thumb brushes the inside of your wrist and applies a brief and slight pressure, just enough to remind you of his strength.
You jerk instinctively, a soft tug.
He doesn’t let go. Instead, he brings your hand to his mouth.
“No need to shy from me,” he rasps.
Your breath catches. 
(You really could faint, but a deep, sharp fear urges you to stay upright. Awake. That to fall now—the alternative—)
He kisses each of your fingers, one by one, unhurried. His lips are cracked. Chapped. Your skin burns under each press. You can’t move. You should, but your feet fail.
He smiles into your knuckles. Almost fond. “You’re shaking.”
You don’t answer. Can’t.
“You don’t know what to do with yourself now, do you?” he drawls. “Bet you had a whole story in that pretty little head. Knight in shining armor, riding in to sweep you off your feet.”
His grip tightens, and he leans in, breath fanning over your cheek.
“Want me to do that, pet? Sweep you off your feet and take you away?”
Your heart screams no.
But nothing comes.
He watches you in that awful silence—measured and methodical. Like he’s trying to decide what to do with you first. His hand, still curled around yours, begins to move again, with new purpose.
He lifts your fingers and guides them toward his face.
You resist, weak and instinctive, and he overcomes it with barely a flick of his wrist.
“Go on. You’ve been staring.”
Your fingertips brush the ridge of the scar across his lip. It’s rough, raised, healed poorly. You flinch, but he doesn’t let go. Instead, he shifts your hand higher, until your touch ghosts over the thick welt at his eyebrow.
“Ugly, isn’t it?” he asks, almost amused.
Your throat tightens. “No—no, I—”
He clicks his tongue. “Don’t lie. Don’t like liars. You scared?”
You are. You’re mortified, shaking with it now—caught between a girlhood fantasy and the brutal reality of the man standing before you. There’s something violent in your own confusion. In the heat crawling down your neck and into your chest, in the tears prickling hot behind your eyes.
He sees it. Of course he does.
And he pounces.
One blink, and then his mouth is on yours without ceremony. It’s a brutal kiss, a claiming thing, harsh and sudden and full of heat. Devoid of the romance you once imagined.
You gasp, startled, but his free hand comes to the back of your head, fingers spanning your skull to hold you in place. He doesn’t let you pull away. He licks into your mouth and steals the air.
It’s too much. He is too much.
When he finally pulls back, your breath is ragged and your tears have finally broken free, hot trails slipping down your cheeks. The horror of what’s just happened crashes over you all at once, like a bucket of cold water sloshed down your spine. Your legs nearly buckle.
He stares, thumb wiping spit from your chin.
“There she is,” he says quietly, near reverent.
You stand there, unmoving. Caught. The pounding of your heart drowns out every thought, each beat frantic, panicked. A bird slamming itself against a windowpane in desperation. You don’t know what to say. You don’t know what you’re allowed to say. The room grows smaller by the second, the walls pressing in.
He studies you, a delicate thing worth examining up close.
“Didn’t think you’d be this sweet,” he mutters, mostly to himself. “Garrick said he had a girl for me. Said you were pretty. Polite. Court-bred. Figured I’d ‘ave to steal into your rooms, take some insurance to make you mine, you know. But Garrick said there’d be no need. That you’d behave. A proper good girl. That what you are?”
His eyes flick over your features—warm cheeks, wet-eyed, lips parted in confusion and fright. His thumb grazes beneath your chin.
“Look at you. Shakin’. Precious thing. ‘Course you are.”
He kisses you again. Harder.
No longer exploratory, no longer testing the waters. His moves as if owed. He takes and takes, lips dragging against yours, breath hot and heavy through his nose. Teeth sink into your lips, imprinting themselves on the pith of your mouth, sucking your tongue. You whimper, but his hand is already sliding down the line of your throat, splaying wide to feel your pulse.
Another panicked noise makes him smile.
He sighs. “Didn’t guess you’d be this soft. Bet you’re soft everywhere.”
Then—
The door bursts open.
A gasp of startled voices—servants. They freeze in the doorway, wide-eyed at the sight of the two of you locked together.
Panic explodes inside you. You jerk back from him, gasping, desperate to speak, to explain—this isn’t what it looks like—but you never get the chance.
Sir Riley doesn’t release you. His arm tightens, his grip anchoring you in place. He turns toward the intruders, unbothered and unashamed. Cold.
In a few short, lethal words, he promises consequences. He names each one of them—their roles, their kin. Swears they’ll feel his hand and blade personally should they utter a word of what they’ve seen.
They flee. Mute. Terrified.
When the door shuts again, it’s like the last breath is sucked from the room.
You’re a mess. Shaking, weeping, mouth swollen and burning. You are ruined. You know it. They will talk. People always do.
With the cuff of his sleeve, Sir Riley dabs your cheek, and then your chin. A mocking taste of the tenderness you’d dreamt of. He hums, too soft for the wicked glint in his eye, and tips your face back up with two fingers beneath your jaw.
“What a predicament we find ourselves in, hm?” he murmurs against your damp skin. “How fortunate that Garrick and I already ‘ave an audience with the King.”
He plants a chaste peck on your cheek.
“Dry your tears, pet.”
He smiles. A pleased shape that rekindles the hunger in his eyes.
“By spring, you’ll be Lady Riley. That’s a promise.”
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aashidoodles · 5 months ago
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heartorbit · 8 months ago
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figure skating set right now please. thanks
#project sekai#pjsk#prsk#emu otori#proseka#tsukasa tenma#nene kusanagi#rui kamishiro#wxs#wonderlands x showtime#GUYS I AM PUTTING OFF WORKING ON MY COSPLAY SOMETHING STUPID. im tireddddd i like sleeepingggff i want to play and drawwwww#after work ​I literally ate a giant bowl of mac n cheese and climbed into bed. lifestyle choices of a 9 year old#anyways i want figure skaitng set. bad. PJSK HAS A WEIRDLY LOW NUMBER OF ACTUALLY WINTERY SETS... like 3. kind of.#i have some thumbnail sketches but im kind of stumped on composition for them. my idea was a nene focus set#(IF HER NEXT FOCUS ISNT PHANTOM OF THE OPERA THEMED INWILL DIE. BADLY. THEYRE GOING TO AN OPER AHOUSE. PLEADBR)#originally my idea was for nene to be biting a medal i was very sold on it bc i love nenes competitive side#however her outfit is so nice i want it to also be part of the art .. its heavily inspired by that one iconic eunsoo lim dress#from her somewhere in time program iirc. im really undatisfied with emus dress tbh my origimal idea was to give it a phoenix look#but a lot of the firebird/phoenix skating programs have very sleek dresses and i want emus to be fluffy. the balance is hard ..#and since i want her program song to be once upon a dream from sleeping beauty i swerved to make it look a bit like auroras ? but again#it definitely feels like the weakest of everybodys ... maybe i just love her too much and want her to look the best. sorry wxs.#tsukasas outfit is supposed to look like a shooting star. easy. program music moonlight sonata 3rd movement like from dazzling light. easy.#actually i like takahashi daisukes moonlight sonata program its a medley of the 1st and 3rd movement.. i think the calm at the beginning#is best. maybe smth like that.. for his card inhad him doing a haircutter spin but again. the outfits good i want the outfit visible. damn.#ruis the one im very set on even now. girl why are you so phantom of the opera.#it has a lot of beautiful programs to reference but the outfit i didnt really have any solid reference i kind of just balled#my main idea was to make it look a bit like both christine and the phantom.... gender Fluid.#my yapfest... i should be SEWING!!!!!!!!#despite my yapping im not that well versed in figure skating i cant really distinguish jumps i just like it . and medalist#i only do normal skating. bc i played hockey for like 7 years LOLLLL inlove skating though Heart.
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pseudophan · 2 years ago
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anthony is dead: the funeral roast (paid content)
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lizardkingeliot · 6 months ago
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He had taken what he called un petit coup. The little drink. 
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cacaocheri · 1 year ago
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not one, but TWO moon kisses drawn by tumblr user cacaocheri????
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hashtagarting · 4 months ago
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Oh, stardust . . .
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xxplastic-cubexx · 5 months ago
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ok i finished it now what
bonus:
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dreamyblanket · 4 months ago
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GC n Pink Peppercorn!Y/N give much rival vibes in how they go about their greed
Lol what if they kiss-/j
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Pink peppercorn the kinda person to pretend to like gc for her spear then actually fall in love later tbh.
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