#ask adorkastock

[adorkastock]

hey, do you happen to have any shots of men doing, for lack of better term, feminine poses?

Of course I do this is one of my favorite things I have a model I'm hoping to book later this summer who I plan to do an entire "baby girl" pack with 🤞🏻

[piepiepiemag]

congratulations! you died! ✮⋆˙

or golden gear!monty serving cunt on his own grave, whichever you prefer honestly bdgjdyhdh something something context Golden Gear Midague Au Collection idk man!!

other versions cuz i can never pick one *explodes*

[ppenguinpperson]

something something dys has no attachment to his identity as a person either but he's still distinctly different from tang so. hits him with my non-binary beam too. maybe agender. i don't think he'd care about labels though. ANYWAY

blanketed him >:)

[thefinalsnart]

Wanna see that OC comfy af 🌁

Harvest in a Hoodie! It has probably been a month or more since this ask was sent in OOPS. But I’m so happy with how she turned out! Harvest is an old DnD OC, and I love her very much. Pose reference is from adorka stock and the tattoos are from various public domain resources from the British Library and the Internet Archive! Thank you for the ask Jay MWAH!!

[aptericia]

BESTIE the stock reference account reblogged your fat Partitio!

YESSSS I SAW THAT! I follow them so when it popped up on my dash I was like “oh razz must have rb’d it again—wait ADORKASTOCK??”

[stitchthesewords]

gooood afternoon! 🖊! maybe your most recent oc?

👀👀👀

Good afternoon moot, my most recent OC just so happens to be my minesona! So

^ Here is a picture of the in game appearance of her [that is redstone. She's an engineer] that my bestie made me [@satanslittlepogchamp beloved gremlin who just surprised me w this skin i am in love]

And here's a drawing of her that @atherix did [i love her so much she's so cute i am going insane AAAAH]

In my head her lore is sort of twofold because She's got her like Overall Lore and then the lore specific to our server bc I'm the admin right so

The Overall Lore: Her name is Pen and she's a redstone engineer by trade. I've kind of been toying w the idea of her being an avian but I almost wanna give her like mechanical wings instead lol. I have a tendency to perch up high when I talk to people or when I'm just sort of wandering around so - wings. I DO like the idea of her having like proper wings that can flap and are powered by redstone.

She builds a lot of farms with the intent to share the wealth. They might not always be the most efficient or effective, but she certainly can build them. And she is always wiping redstone onto her face and getting it onto her clothes.

Her one arm has a bandage because hse is. ALWAYS. getting injured. To no one's surprise anymore. Death messages from Pen are pretty common even outside of a keepinv on world. She's never attempted hardcore for that reason.

Pen is also fascinated with ancient redstone methodology and sometimes builds old, non-functional redstone machines for fun. She usually keeps a workshop or lab for redstone experiments, to see what still might work nowadays.

For my server: Pen is also, somewhat secretly but not really, a god. Not exactly an omnipotent one, but she likes to think she's benevolent. Sometimes her server mates find themselves teleported to hard to reach places where they died, or sometimes when they need something Pen is just there. Sometimes she just magically finds the one or two bits of materials they needed to finish their builds. Sometimes she accidentally wipes out the entity population and suddenly theres a cow boom. She tries.

[beastwhimsy]

"I should draw Māori Miku!" I said to myself. "Just a fun sketch, it shouldn't take me long" I said to myself. Six hours later I come to with this in front of me and a wrist begging for mercy but holy fuck worth it. I love this trend this was so much fun

PLEASE DON'T REPOST ON OTHER SITES!!! ASK ME FIRST!!!!!

DISCLAIMERS AND NOTES ETC.... I'm Pākehā, meaning I am not of Māori descent. I hold so much respect for Māori people, for their values and traditions, and for the fierce pride with which kapa haka is performed. I thought if I was going to design a Māori Miku, it makes sense to dress her in a kapa haka kākahu, as her whole thing is singing and dancing!!! The moko kauae is not based off any real person's. I referenced the temporary moko kauae a lot of kapa haka performers wear!! Was tricky finding out whether or not depicting her with a moko kauae was a good idea, so I went the safe route- showing an aspect of Māori culture without stepping over any boundaries!! Brown eyed Miku is everything to me shout out brown eyed Miku.... I referenced like seven different outfits to put hers together!! I really hope this looks accurate or at least passable. Thanks to adorkastock for the pose ref!!

[lackadaisycats]

Hello! Would you happen to have any recommendations for realistic anatomy books on humans (for art purposes)? A lot of the online anatomy references are very exaggerated and the models have only 'ideal' body types and don't depict any others (E.g. Online male anatomy references are extremely buff for no reason). Thank you for the help :)

I do have a small collection of anatomy-for-artists books, but honestly, those are also populated predominantly with people who look like living Greek sculptures. So, I asked around a bit for both book and online sources. Here are a few things:

Height Weight Chart -- A library that people have contributed multitudes of their own photos to. Some people took turnaround photos in form-fitting clothes. Some are just one-off snapshots of people in street clothes. But, both of those things can be useful in their own way, and there certainly are a lot of body types here. (Thanks for the link, Fable).

------------------------------------------------------ AdorkaStock -- Features a whole free pose gallery containing a really excellent array of varied bodies. The photos generally focus more on form than costume, and if anything, the extremely sculpted bodies you tend to see in other stock libraries are de-emphasized here.

------------------------------------------------------

Satine Zillah -- An expansive library of downloadable photo packs. Most of them feature athletic or thin body types, many are heavy on costuming, but there are some that focus on more variety if you take time to scroll through (elderly bodies, plus-size bodies, people with dwarfism, etc.)

------------------------------------------------------

Morpho -- I know a lot of people swear by these books by Michel Lauricella. Morpho: Fat and Skin Folds in particular seems to cover some ground that a lot of other anatomy/pose lessons just skip right over. Looks like it's available as an ebook too.

I hope that helps some! I'm sure there are other resources out there, though. If anyone has some solid recommendations, please leave them in the comments!

[lethesbeastie]

Hi, I saw your post about practicing drawing fat people and I was wondering if you could compile like a list of resources or references?

It can be difficult to find resources for drawing the wide variety of forms fat bodies can occupy, so I've done my best to bring together some resources I've been able to prove have some degree of diversity in the references they offer!

My primary resource recommendation for drawing fat people is Morpho Anatomy For Artists: Fat And Skin Folds! It does a wonderful job breaking down where fat accumulates on the body, how it interacts with the familiar landmarks of human anatomy, and what sort of shapes it tends to form under the influence of gravity. It's a phenomenal reference and my top recommendation for anyone seeking to improve at drawing fat people!

When it comes to finding decent photo references for fat people, the pickings are frustratingly slim. Most sites that specialize in pose references either don't have fat models or have all their images behind paywalls. Of the resources I looked through, the best sources for pose references were Adorkastock and Line of Action.

@adorkastock actively seeks to provide an incredible profile of pose references with diverse body types, and as an added bonus you can access a lot of their images for free on their site/Tumblr or join their patreon for early access to images! Line of action is a site aimed towards practicing figure drawing, providing images and a timed function to challenge artists to sketch within a set time limit. I took the time to go through roughly 300+ images and was pleased to find that during my session around two-to-three out of every ten photos were fat models. The only caveats to this was the fact that most of the images were of the same individual, limiting the applications for studying the variants of fat bodies. Still, it's an amazing tool that has a free mode and allows you to filter the types of references you want based on age and level of nudity.

Beyond sites that specialize in art reference photography, there's also the ever popular Pinterest, which is the site where I typically seek references for my personal studies. Due to the nature of Pinterest's extensive collection, there's a vast variety of references for different fat body types that includes a lot more "everyday" people. The primary issue with Pinterest however is the rampant reposting and lack of proper credits for images, which can make things dicey depending on how you wish to use the references you find. For personal studies this isn't really an issue, but for any sort of professional or paid work is something to be aware of just for the sake of accountability.

* For those who are 18+, porn photography of real people also offers an incredible wealth of visual resources for fat bodies and how they interact with gravity/movement/etc. The variety of positions and angles offer many opportunities to study human anatomy, and it's a pretty well-known fact that drawing NSFW art can be an important learning experience for those struggling with drawing anatomy. In the end, it depends on your personal level of comfort with viewing/drawing explicit images, but it's not something you should completely overlook.

Last but not least, look at the work of artists you admire who draw fat people! While I typically recommend sticking to photo references for learning anatomy, studying artist's portrayals of fat people is also incredibly helpful for learning different tactics for simplifying and/or stylizing fat bodies to better fit ones own style. There are also plenty of artists who've crafted tutorials detailing their approach to drawing fat folks, so I highly recommend you check them out as well! I hope the resources I've linked here can help you in your studies, and feel free to drop another ask if you have any more questions! I'm planning on posting a tutorial on how I do studies for fat people soon, so that will be an additional resource for you once I've got it posted!

[immortalarizona]

ok so i've been following your art for a bit now (which, by the way, it is amazing, i especially love your pen/pencil and ink) and i've noticed you always post who/what you used for a drawing reference with it and i'm wondering . . . do you have/could you post a list of places to go for good art references? maybe i'm looking in the wrong places but they are hard to find.

heyo!! sorry for taking so long to get to this ask, it's midterm season </3 here's a list (in no particular order) of my favorite drawing reference creators:

live people models:

@adorkastock

@jookpubstock

@null-entity

@nyxnaiastock

@blumineck (I Eagerly Await the drop of his archery reference packs)

drawn or 3D models:

@kingcholerarefs

@grey-fuckers-unlimited

@posemuse

all these creators are present on tumblr (duh lmao bc I linked to their blogs), but they also have links to their own deviantart accs / patreon pages / ko-fi pages / indie sites / etc. on their accs, and I would definitely recommend checking those out as well!!

[cereovo]

A set of very conceptual notes I drafted a while back for someone asking for advice on learning to draw humans. I'm entirely self-taught so this is less of a tutorial and more of a very rambling set of general principles I follow and ideas that helped while I was learning. I figured I'd post it in case anyone else could get use out of it!

I also recommend checking out:

Drawing East Asian Faces by Chuwenjie

How to Think When you Draw (lots of good tutorials in this series)

Pose reference sites such as Adorkastock

Transcript and some elaboration under the cut:

Img 1 - Drawing a face

The two most important elements (at least for me) when drawing a face are the outline of the cheek/jaw and the nose*. I often start with a circle to indicate the round part of the skull, then add a straight like and a 'V' to one side [to create the side of the face and the jaw]. The nose creates an easy template for the rest of the face's features to follow (eyebrows at the top of the nose bridge, eyes towards the center of the bridge, ear lines up to eye) and the placement/direction and overlap with other features is a very simple way to indicate dimension. [A sketch of a face that has been adjusted by moving its parts to create 3 different angles. The following text is underneath:] -Different 3/4th views can be created just by adjusting the position of and amount of overlap between the facial features. - The top of the ear usually lines up with the corner of the eye. Think of how glasses are designed [specifically, how the arms run from the eyeline to the ear] [I go on a tangent in these next few paragraphs] *One thing I see many artists do - not just beginners - is learn how to draw A Person. As in, one singular person with one set of bodily proportions and one set of facial features. It's an issue that runs a bit deeper than 'same face syndrome' because sometimes these artists can draw more than one face, they're just not very representative of [the diversity present across] real people. Part of the reason I'm talking more about how to think about approaches to drawing - rather than showing specific how-to's - is because there is no one correct or right way to draw a person. The sooner you allow yourself to explore variety - fat people, old people, people of color, people with [conventionally] 'unattractive' features - the easier it'll be! Artists often draw their own features honestly and without [harmful] caricature, so it's always a good idea to look at art made by the kinds of people you're trying to draw if you're ever unsure about how to handle something. In general, it's far more important to learn how to interpret a variety of forms than to learn how to replicate the Platonic Ideal of the Human Body.

Img 2 - Stuff that helped me

Jumping into drawing humans (faces or otherwise) straight from photo reference can be overwhelming. The trick is to simplify forms into shapes - but even this concept is sort of abstract and it may be hard to know where to begin. Good news - Thousands of other artists have already figured it out. [When starting out] I needed to learn from photo reference AND artists I admired in order to improve. [When looking at stylization you are inspired by] ask yourself: WHY does this simplification work? How can I translate it into a different pose? Instead of copying what you see in a photo reference exactly, try to focus on the general forms first. My two biggest style inspirations for humans while learning to draw them were Steven Universe and Sabrina Cotugno's art. SU gets a lot of hate [in this instance I was specifically referring to a time on tumblr when the art was knocked for 'losing quality'] but its style does a great job of simplifying anatomy in a way that still portrays a diversity of bodies + features. [Extremely simplified drawings of Lapis, Steven, and Amethyst] SU characters are still identifiable- and still read as 'human' - even when reduced to just a few lines!

Img 3 - Things I keep in mind while drawing side profiles

- Eyebrows + eyes close to the 'edge' of the face - Forehead needs enough room for a brain - Eye is > shaped from the sides - Mouth kinda halfway [between the nose and the chin] but closer to the nose - Skin/fat exists under the jaw [and connects to the neck] - neck is about one half the width of the whole head - the back of the skull always sticks out a bit further than you might expect - Sometimes less is more - contours exist on every face, but drawing them in may make your character seem much older than they're supposed to be. However, it's a good idea to use them when you *want* your character to look old! These are very general notes- every face is different and has different proportions [and playing around with them creates unique and interesting character designs]

[adorkastock]

So I don't know who to ask about this, and since it's your profession, I figured you'd know most! I like to use Magic Poser to help me draw my characters' poses, but I feel like I always wind up altering the proportions to fit the models rather than my style without meaning to just because I'm drawing what I'm looking at. It feels less like looking at a reference and more copying a picture, and it makes me feel really bad, like I'm cheating at art. Do you have any thoughts or word of advice on this? I'd greatly appreciate it. Thanks!

Hey Nonnie! Hmmm there's I feel like kind of two questions here. One, using Magic Poser or any other legit reference to make your art is not cheating. It's just using a tool the way it's meant to be used (as a reference). There's nothing at all wrong with that. ♥ However, if you are getting Not The Results You Want from this process that's another issue entirely. So, two: what do I do if the art I'm making from reference doesn't look like *my* art? If you find that working from a reference is changing your style in ways you don't like, I have suggestions: 1) do a sketch from the reference just like you normally would in whatever style comes out naturally using the reference 2) look at the drawing you did and put the reference away 3) draw another drawing from the drawing you did but try to make adjustments towards the stylization you prefer (your first drawing is your reference for your second) OR, if your brain will do this for you: 3b) after sketching from the reference (maybe a few times for good measure) put the reference away completely and try to draw the pose from memory* and see what happens. If you think you're overly reliant on references to the point you think it's holding you back then you can start to wean yourself off of them but doing more and more drawing without them. Maybe start with a 20min warm-up on my Sketch App drawing a bunch of poses really fast from reference, then pull up a new pose, look at it, and try to draw it without checking back in at all. Honestly the best way to get to a style you like is to just draw A LOT. Draw lots of different ways. Mess around with line weight and shapes. Make things swish, make them pointy, make lines that cross over a lot, make a mess, make it neat, keep going. Do a lot of drawing and investigate what feels and looks right to you. And if a tool isn't serving your goals, you can let it go. It might be hard at first but you will find your way. ♥ * Side note: I have aphantasia which means I don't have head pictures. If I look at a reference and walk into the other room, I am not going to be able to replicated it very well from memory. That being said, if I sketch a pose over and over and over a bunch I will retain it somehow, somewhere (I don't know how brains work). The next time I go to draw that pose it will be easier. Just popping this in here in case you have the same trouble.

[weekly-wingmits]

Cleo with half rotten phantom wings?

I don't know what it is but you are 2 for 2 on asks that make me hyperfixate on my art. I spent 4 straight hours on this lol.

Reference image from @adorkastock

(asks always open!)

[emilybeemartin]

Today's warmup, referenced from @adorkastock

I've finished my Sharpe rewatches, so I'll get back to more typical content soon, but I just think it's great how even though Sharpe and Boromir are both proud, strong soldiers, you'd never mistake one for the other. Boromir has a huge, soft heart and is revered throughout two countries, but tends to be an outsider within the Fellowship. Sharpe has a massive chip on his shoulder and is reviled by many in the army, but is respected by his small group of riflemen. They're background differences, but they come through in the writing and Sean's portrayal of them both.

Yeah, Sharpe would have carried Pippin and Sam through the snow on Caradhras, but he wouldn't have joked with them to put them more at ease. He'd have left that to Harper. Yeah, Boromir would have been outraged at the Prince of Orange's orders at Waterloo, but he wouldn't have lined him up in his sights. He'd have left that to Gimli.

I ask only for the strength to defend my people, you goddamn twat

[icarus-raymondepines]

I realized just now that my asks for this blog weren't open, I apologize. Now they are open.

Anyway, here you go @heavytf2tummy , I finally had time to draw :) I used a reference from @adorkastock for the pose. It was actually harder to draw this piece than I expected.

I was supposed to draw a reference sheet of Avi and his scars to accompany this piece, but things happened and I decided I'm going to draw Avi's reference sheet later.

Anyway, I hope you enjoy the tummy :)

[beansprean]

Hii!! Just wanted to ask how you get your poses on characters just flow so naturally? Is it like 2nd nature to you or does it take a really long time to get the poses right and natural? Bcs i've always struggled with that

Just wanted to ask since I really love the way you draw poses and perspective!! (Might be a weird complements but yeah sksnsksosj)

DJGGJHGIG ANON MY LOVE......YOU ARE SO SWEET

its DEF not 2nd nature lol ive been drawing for over 20 yrs now and still struggle with stiffness and line weight and foreshortening on a lot of poses. the best advice i have is to USE REFERENCES!! draw parallel to them, trace a sketch model over them to work off of, cut them up and splice them together to get closer to whats in your head, take photos of yourself, ask your discord friends with diff body types to show you their knees, etc etc etc.

@adorkastock is a FANTASTIC place to find both mundane and dynamic poses. I also recommend fatphotoref.com, publicdomainpictures.net, vishopper.com, line-of-action.com, and referenceangle.com as well as any free use stock photos.

(Protip: on image results on search engines, you can filter by creative licenses! go to the top of the results page; on google its under tools > usage rights, on qwant its under filters > any license, and on duckduckgo its in the 'all licenses' dropdown. u can choose 'creative commons' 'public domain' 'non-commercial' etc. This seems to help filter out AI results lol)

one thing that IS 2nd nature to me and i think helps put a lot of life into my drawings is that my sketch layers are very loosey goosey. when ur doing ur first sketch, dont worry about anatomy or anything, just doodle loose lines that have the shape/feel of what ur lookin for. THEN i worry about references/anatomy etc on a 2nd sketch layer, with my lower layer reminding me where to put emphasis and weight and what type of emotion/expression I was going for etc.

Its a lot harder for me to draw smth good without some kind of foundation, and a sloppy sketch layer gives me that AND lets me get out the idea quick and return to it later, while not feeling pressure to make it perfect! i tend to lose a lot of that whimsy and movement during the inking stage, which im still trying to figure out lol - but i think thats pretty universal? My example here is more cartoony so its less of an issue but you can see it a bit in the bend of the fingers and elbow.

Good luck on your drawing journey!!!! i hope this was helpful or at least interesting lmaoo