#because I am actually really excited to write the third chapter of that
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merlinfromberlin Ā· 11 months ago
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Currently working (among other things) on a story that is most likely going to be called "Nooks & Crevices" and is about Bumblebee as well as several other people playing Hide & Seek with him. It will have 6 chapters and fluctuate between fluff and angst.
This is not directly related to this but I'm always so pleased when my word count for a certain scene/chapter is a 'nice' number.
Like. I just now finished the first draft for exposition for the first chapter of this and it is exactly 650 words long. And that is just so very, very neat in my opinion. Makes my brain happy.
I'm aware that it will change because I will edit this at least once (probably more than once because I feel that it is a bit convoluted right now). But for now it is just very neat and makes me happy. :D
And now have a sneak peak under the cut for being so nice as to read this. ^^ And because it will probably be a while before I get to officially upload this. Even if I finish it soon.
Optimus still remembered the cycle he had first taught Bumblebee how to play Hide and Seek well. It had been in the first of those pockets of deceptive non-peace, which had become frequent in the middle stages of the War, after the Autobots had taken in the yellow minibot sparkling.
Early on in the War, when it had still been called a Civil War by the media, after only a few hexacycles of fighting, both Autobots and Decepticons had been forced to concede that the War would not end anytime soon. Rather, it had turned into their new, permanent reality. However, neither of the factions possessed the resources to keep up combat indefinitely. They needed time for their troops to recuperate and their energon reserves to be filled.
Thus, these undiscussed ceasefires had been established. They often lasted only a few decicycles and apart from some minor skirmishes, there would be no major combat. Instead, a cautious and deceptive quiet would settle across deserted battlefields across Cybertron as both factions waited for scouting, inventions or espionage to yield advantageous results before advancing on the enemy once again.
When Optimus and Ratchet had first taken Bumblebee into their care, there had been no more public media outlets left to discuss the difference between War and Civil War; there had not been any in a long time. Temporary ceasefires, however, had long since become a regularity of life.
Still, it had taken several hexacycles before uneasy, combat-free non-peace enveloped Cybertron for the first time after Bumblebee’s rescue out of a collapsed shelter. When the ceasefire finally came, however, it turned out to be one of the longest the factions had seen yet. As quiet cycles stretched into calm decicycles even Optimus had been able to catch up with the never-ending flood of reports and paperwork, allowing the Prime to spend time with his bonded–be they amicae, conjunx or sparkling.
No one could remember the last time they had seen Ratchet this content. When one of Sideswipe and Sunstreaker’s pranks went awry, resulting in a giddy yellow sparkling covered in paint splotches, he did not even threaten the twins with a wrench to the head. Instead, the medic took a photograph to comm to his conjunx before sending the younglings to clean up Bumblebee.
Nevertheless, no matter how good a mimicry of peace this ceasefire may have presented, none of the Autobots could forget that they were living on borrowed time. The fighting would, most likely sooner rather than later, inevitably start up once again, shattering their idyllic fantasy of domesticity. Nevertheless, no matter how much they enjoyed these calm decicycles, none of them could truly forgot the constantly looming threat of warfare–none of them except for Bumblebee.
The newest and youngest member of the Autobot faction had unabashedly relished the apparent peace, delighted by the unusual amount of attention the older bots were paying him. The sparkling seemed completely undaunted, unaware even of the fact that the War had indeed not ended, just slowed down momentarily.
Even if it warmed their sparks, Optimus and Ratchet dreaded the cycle the fighting would begin anew and what the sudden change would do to Bumblebee’s psyche. Still, neither Prime nor medic were willing to rob the sparkling of his illusionary happiness prematurely.
However, even without having to shatter his peace, allowing him to keep his innocence intact for just a bit longer, there were ways to prepare Bumblebee for the realities of the War he had been forged in. They had to. As soon as the Decepticons learned of the new sparkling raised by the Autobot High Command, bonded to Optimus Prime and Ratchet of all bots, he would be a prime target. Just as Hot Rod had been and still was.
Playfully teaching Bumblebee how to behave in emergencies, how to hide and stay safe, Optimus had decided, would just be the first of many covert survival lessons.
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evertidings Ā· 6 months ago
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— DECEMBER 2024.
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Accomplishments.
I thought I was forgetting something and then I realized it was my monthly update. Oops. So even though we’re a third into the month, here’s what I did in December.
To be quite honest, most (if not all) of what I did throughout the month was work on the Holiday Special. I’m really glad to see that it was well received (honestly, even though I’ve been doing this for a while, putting anything out is stressful so it’s always great to see positive feedback). I’m a bit of a slow writer so it took me a while, but I’m glad it paid off. I always love writing extra content for you guys anyway.
In terms of Chapter 12, I’m back at it this month and slowly chipping away at it. Still no estimated time for when it’ll be released, but I’m hoping Q1 of 2025. Of course, the break last month didn’t help in terms of productivity and word count, but at least it refreshed my mind. I had just finished up writing a big branch (probably close to 15,000 words) so I was pretty exhausted and tired of the content. That happened a lot when I was writing Chapter 11, which eventually led to a big burnout that I am trying to prevent this time around, because, well, it was not fun. But now that I’ve stayed away from Chapter 12 for a bit, I feel excited enough to go back.
I’m currently writing Eliana’s initial meeting with the Hunter and am trying to pinpoint how I want her to come off. Of course, I have a set personality for her, but determining character traits is one thing—actually making sure they are portrayed in writing is another. It’s been a bit challenging so far, but I do usually say that I like a challenge, so I think it’ll be fun.
I’m estimating the final chapter word count to be somewhere around 45-50k—possibly more if I decide to torture myself with another branch—so I’m at least halfway or a third of the way there. None of the chapters have ever surpassed 70k and I doubt this will, so I don’t have to worry there.
For the rest of January, I’m focusing on just getting as much done as possible. My four year anniversary (wtf) is also coming up for this game, so I’m trying to decide what to do for it. I want to write another short, but that would delay Chapter 12 even further so I’m not sure. Perhaps just a set of drabbles? Let me know if anyone has any ideas. As always, take care of yourselves <3
Stats.
Chapter Total:Ā 21,850 words (+1640)
Game Total: ~533,280 words
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simplifydefeat Ā· 9 months ago
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I’ve been meaning to write this for a long time because it’s something that keeps me thinking. So many people talk about the fashion in The Nanny, but almost no one mentions the MUSIC. I consider it a key factor in the show as it doesn't feature a lot of music in general. Sure, there are the jingles between scene changes, but I mean actual songs with lyrics. While they aren’t used often, the few times they appear are super meaningful. I recall three (there might’ve been more) but these stand out the most. And two songs are like clues for us to follow, even if indirect, that were supposed to fulfill in few another seasons into the future.
Let’s start with the most obvious one: the final episode and Barbra Streisand’s Memories. I hardly need to explain why this song was so impactful, but I will anyway. The choice of Barbra’s song is so smart as she was brought up in the show so many times as Fran’s muse and the lyrics match the storyline perfectly – it was such a thoughtful decision by the creators. The song ties everything together in the finale, closing the chapter on Fran’s journey in a such beautiful, sentimental way.
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Second song is from the Kindervelt Days episode when Fran is supposed to go to a reunion with Eric Estrada, but eventually Maxwell shows up and dances with her to Two Different Worlds. It took me some time to find the exact song, but I was determined to prove my point. Here we go with the lyrics:
Two different worlds We live in two different worlds For we've been told that a love like ours Could never be
So far apart They say we're so far apart And that we haven't the right To change our destiny
When will they learn That a heart doesn't draw a line Nothing matters if I am yours And you are mine
It’s clear that the song choice wasn’t random. The song is a foreshadowing of Fran and Maxwell ending up together, even though this was only the second season. Despite the ā€œwill-they-won’t-theyā€ tension that ran through much of the show, the writers were suggesting that Fran and Maxwell were destined to be together, not only by the actions but also by the words in the background.
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The third song, most important for me as a C.C. and Niles shipper, is from The Nose Knows episode. C.C. and Niles dance to Our Love is Here to Stay. Given how MEANINGFUL the songs in this show are, I believe this one was deliberately chosen to indicate where their relationship was heading. The title alone, Our Love is Here to Stay, tells us everything we need to know. Look at the lyrics:
It's very clear Our love is here to stay; Not for a year But ever and a day
The radio and the telephone and the movies that we know May just be passing fancies And in time may go But, oh my dear Our love is here to stay Together we're going a long, long way In time the Rockies may crumble, Gibraltar may tumble They're only made of clay But our love is here to stay
It was CLEARLY a planned moment, and for anyone who claims their relationship came out of nowhere, I think this song proves otherwise. I believe with my whole little cold heart that the writers were signaling, even if indirectly, that C.C. and Niles were always meant to end up together. Their love was supposed to be just like the lyrics say – I’ll defend that with my life.
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And you know what I love most about The Nanny? How it seems to be a silly sitcom, but in reality there are so many layers to uncover if you take the time to look. I really believe the writers used these little details – like the songs – to communicate something deeper. As someone with a literary background, maybe I’m prone to analyzing things a bit more intensely than most people, but it’s so exciting to find hidden gems like these in a 90s sitcom.
Of course, people can enjoy the show without digging into the hidden meanings, but for someone like me, bounded with words both professionally and personally, I can’t help but appreciate the writers’ craft. Eighteen years after I first started watching, I’m still rediscovering new things, and that’s part of what makes the show so brilliant.
So yes, I really do think the music (which is three songs lol) is crucial to understanding the show’s emotional depth. These tiny little details make the experience so much better.
PS. Professionally speaking: this essay sucks, cause there are too many points I’m debating about and there is no sensible conclusion. Thanks for reading anyway.
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0lympus-mons Ā· 2 months ago
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wip wednesday (thursday (but actually friday))
tagged by @sayheykid the lovely writer of delightful baseball oc's who recently got into boat racing which is even more exciting. I am on the struggle bus with exams and a bunch of new WIPs and a secret third special project that I want to get traditionally published that I will be writing over the summer when school stops beating me to death. For now, as a condolence for the fact that PLCW is going on a brief hiatus (maybe 1-2 weeks and hopefully no more) here are some snippets (and mild-ish spoilers below the cut) (also if you want to vote on what I write next that poll is still open for a few days I think) Tagging @aristocrating @talentpiper11 and anyone else up here because I don't want you guys to have to hide that below the cut. As always, no pressure. Happy Easter!!
Untitled WIP, Chapter One: Nausicaa
Reno, Nevada: June 2012 The divorce papers are waiting in a yellow manila envelope on the kitchen table, the day after the Reno Gunslingers win Game 2 of the Calder Cup Finals.Ā  AHL players on the first year of their entry-level contracts don’t make enough to not live with other people, so James Vickers isn’t the first person to get his hands on the end of his marriage. His roommate’s girlfriend is the one who sets it on the dining table face down. She knows what’s going to happen before it happens; she’s read the sender’s postmark, and she is the one who wrestles her boyfriend into their bedroom under the guise of ā€œcelebrationā€ when the two hockey players barge through the door an hour after midnight, still laughing.Ā  Jamie doesn’t read the postmark when the door shuts between him and leaves them alone in the kitchen. He swallows half an energy drink and calls Paige, who doesn’t pick up. His beautiful, brilliant wife, with her glowing blonde hair and sweet face and God, he misses her like a hole punched through his chest. Paige, who knows she’s too good for him and still lets him put a ring on the same finger he has been wrapped around for years anyway. With the benefit of hindsight, maybe that should have been his first sign of trouble.
Oh Jamie Vickers, you and me, we're really in it now. This will be my first time writing an american protagonist. i don't think i know how to do that. we'll find out together
Four Nations Face Off: Round Robin, CAN v. USA
This is Kent’s worst nightmare.Ā  ā€œThis is my worst nightmare.ā€ Across the ice, Augustin and Jack are staring at him, decked out in blood red with their heads leaned together as they whisper to each other. Kent wants to kill them both, but it’s probably too late. As far as he knows, he’s about to be murdered.Ā  ā€œI don’t like the way that they’re looking at us,ā€ agrees one of his alternates, Ethan Barker. ā€œI feel like they can see when and how I’ll die. Like, one can see when, and the other can see how-ā€Ā  ā€œI get it,ā€ Kent snaps. ā€œThey kinda look related,ā€ Pierce McMurray, his other A, muses. Kent needs to throw up right now, because he’s right. Augustin is like a skinnier, more elegant model of Jack’s broader, superhero looks. Still, they stand at about the same height in skates, and ever since Augustin finally started carrying weight through the season and cutting his hair short enough that it can't be tied into a tuft at the base of his neck���which Kent considers a crime against humanity, by the way—they look similar from the back, too. It’s worse when they’re wearing helmets. Kent’s going to have a heart attack. ā€œI’m having unholy thoughts,ā€ he says out loud, mostly by accident. Across the ice, Augustin is smiling, a flicker of white teeth against pale skin and red mouth, like he knows exactly what the two of them look like together. He puts his hand low on Jack’s back as their heads lean closer together, and Kent feels his teeth grind together. ā€œLike murder?ā€ Pierce asks. ā€œYeah,ā€ Kent replies faintly when Jack leans down to whisper something in Augustin’s ear that makes the grin more evil than it already is. ā€œLike murder.ā€
Yeah. like murder.
Pain's Like Cold Water, Chapter 21: Tout Est Juste (mild spoilers)
ā€œI have a question,ā€ Lily says gravely, her hands braced on her hips, ā€œFor you.ā€ ā€œOkay,ā€ Chris wipes the blade of his skate clean of wet, grey ice, watching it splatter across the rubberized floor the same way that it does every time, ā€œShoot.ā€ ā€œOur coach said that practice is cancelled next week before the big tournament,ā€ Lily rolls her eyes so hard that it moves her head, ā€œHe said he had ā€œwork stuff,ā€ but he said that if we can find another coach, we can have practice.ā€ ā€œOkay,ā€ Chris agrees, ā€œThat sucks. I don’t know any coaches other than Nils, but I can ask if he knows anyone-ā€ ā€œThe old guy?ā€ Lily asks, wrinkling her nose, ā€œI don’t want the old guy. I want Jordan Dunleavy to coach us.ā€ ā€œOh,ā€ Chris says, blinking at her. She just stares back at him, eyes wide behind her cage and her pink helmet matching her tape as she props her chin on the end of her stick, until he says, ā€œI mean…I think he’s probably busy.ā€ He goes back to untying his skates, but her pink laces don’t go anywhere. Her stick taps the floor impatiently until he looks up at her again. She’s scowling when she asks, ā€œWith what?ā€ ā€œUm,ā€ Chris says, nonplussed, ā€œHis own work stuff. Hockey stuff. And, like…other adult things. Like taxes, it’s tax season. Go ask your dad what a T4 is.ā€ ā€œCan you just ask him?ā€ Chris purses his lips, ā€œAsk Jordie what a T4 is? I don’t actually think he knows.ā€
Jordie my-mom-has-a-phd-in-economics-from-oxford Dunleavy does not do his own taxes. he does not know what a T4 is.
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bratbarzal Ā· 10 months ago
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On Your Side (NH13) / Chapter Five
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Pairing: Nico Hischier x Fem!OC Poppy Jensen*
*I say it's an OC, it's just a name and third person POV. I use minor character descriptions because I don’t get on with writing vague reader inserts/YN for long-form, story heavy fics, but I will generallyĀ tryĀ to avoid including race and body type or really any physical descriptors. I’m always open to feedback on my writing, or how to be more inclusive.
WC: 17k (holy moly)
Chapter Warnings: I tried to sprinkle some fluffy flashbacks and smutty references later in here just to lighten the mood but this is angsty!! probably cursing I honestly can't remember, and serious warnings rn mentions of hacking/gossip blogs/blackmail/cyber bullying/nudes being leaked, talia is her own warning tbh. I tried not to make a cliched ex comes in between them plot and idk how it comes across but yeah I was trying to toe the line between it being interesting/different and then going too far and not being able to write around it which is why the plot kind of fixes itself quick and is a leeeetle bit bad but there's some unresolved bitterness in that relationship for sure lmao she has a LOT 2 say!! did I mention there's angst in here? insecurity/self-doubt and miscommunication!!! in abundance!!! but!! luke is a cutey patootie in this I wrote his part with a lil smile on my face šŸ’– also a ridiculous conversation about huffing glue lmao
Series Masterlist
Previous Part (Chapter Four)
A/N: ok so in the grand scheme of things this is both a filler chapter and also like a pivotal point in the story to set something later up, but when I was planning this entire fic out, the only directive I gave myself for this specific chapter was insert angst. you wouldn't believe the amount of times I've written and rewritten and gone back and forth on what's in here. it's the kind of instruction only a complete melon would give themselves and I clearly just hate myself in ways that are spooky and strange to submit myself to this kind of torture.
and I hear your cries of hasn’t this fic just been angst so far??? yes!! you may be correct!! but you don’t get a rainbow without a bit of rain hun!!! grab an umbrella!!! I promise good will come of this lmao
I'm sorry this one took so long, it's the only chapter I didn't have any kind of plan or direction for obviously and I tried to come up with so many different options for the talia plot before I landed on whatever this is, but the next one I do have some scenes written out in my plan so shouldn't be as long in between. my goal has always been a chapter a week but like I said the other day work has been a lot for me the past couple of weeks so I am genuinely sorry for making you wait!!
you guys were very fun and very kind to me after the last chapter so please please please lets keep the good vibes going come chat to me about your thoughts about the fic about the weather about anything!! šŸ’“
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Nico
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When Nico and Talia had first started dating, there had been an element of excitement to the dynamic. Nico hadn’t properly dated anyone in a while - had casual flings here and there, and for the most part spent his time swallowing down his burgeoning feelings for his best friend - and there was a novelty to starting something with someone new.
He had all the intentions of building something serious with her. She was fun, got on with his friends, had ties close to home that meant he wouldn’t be putting a wedge between the two of them should he want to travel back in his breaks, and sinking his teeth into the challenges of a relationship was something that actually intrigued him.
He liked planning dates, liked buying gifts to see that buzz of joy and gratitude it would elicit, and he liked the companionship - liked having someone there when he came back from a long roadie or a tough string of games.Ā 
He liked it so much he never really opened his eyes to the fact that Talia didn’t.Ā 
She didn’t like the dates he planned - didn’t like the restaurants he chose, the movies he wanted to share with her, the bars him and the guys frequented. She didn’t like America, didn’t like their coffee shops, thought their pastries were packed with too much sugar, their portion sizes were too large for her ever to enjoy going for lunch, always complaining about feeling bloated and sluggish after every meal. She hated Jersey - wanted to spend all her time across the Hudson, looking down on everyone she met and everywhere they went together. She didn’t make much use of the gifts he bought her - let every bouquet of flowers die a quick, careless death, said the watch he bought her didn’t go with enough of her other jewellery and turned her nose up at every effort he made to make his apartment feel more like her home.Ā 
She wasn’t all that comforting when it came to companionship, either. Rolled her eyes when he came home aching and exhausted, went out without him on the days he was coming back from a roadie and returned home when he had long retired to his bed. She would always want to meet up with her girlfriends instead of hanging around the team, and only ever wanted to come to games if she could bring her own entourage - mostly to show off her connections and hardly ever to actually support him.
And so, despite the initial attraction, despite the excitement that first came with their blossoming relationship, Nico can only look at Talia with disinterest and frigidity now.
He barely greets her as he opens the door to his apartment, moving aside to let her in and waiting for her to trudge her small case in behind her before he closes it, leaning against the surface and watching her discard her bag and keys on the counter with familiarity.
When she turns to face him, running a hand through her hair and huffing out a big sigh, he takes in her dishevelled appearance.
Even when travelling, Talia usually takes great pride in her pristine exterior - hair blow-dried, outfit co-ordinated and steam-pressed to perfection, not a crease or stain in sight, and usually a light layer of makeup to cover the slight imperfections like the darkened under eyes and redness around her nose. This isn’t like her.
She looks like she’s been messing with her hair the whole 8 hour flight out and beyond, her eyes are rimmed-red with smudges of brown at the corners, her lips are chapped and swollen like she’s been crying, and her sweatpants don’t match her hoodie. It’s almost like she’d thrown on whatever she could find and caught the first flight out, fresh out of bed.
ā€œWhat’s going on?ā€ He cuts straight to the chase, losing all formality and courtesy. He should feel bad for his callous greeting, but she had broken up with him over text not even a month ago - she doesn’t exactly deserve outstretched arms and a warm embrace, he thinks.
ā€œHi Talia, how have you been, Talia? It’s nice to see you Talia.ā€ She mocks, a frown overtaking her features immediately. ā€œI’m absolutely amazing, thanks for caring, Nico!ā€ Sarcasm spews from her tongue like pure venom, and his eyes practically roll into the back of his head.
Nico pushes himself off of the door, heavy footsteps leading him into his kitchen where he can make himself a coffee to get through this. His watch reads 6:05 - far too early for her antics - and rising to her nagging is only going to make things worse.
ā€œDo you want a drink?ā€ He asks, as he busies himself with his coffee press, unable to look at her too long without the pricks of guilt irritating him.Ā  He doesn’t even know what he has to feel guilty about.
ā€œI’ll get it myself,ā€ she scoffs, venturing over to the fridge and pouring out some orange juice - her movements around his space eerily natural. She slams back most of the drink as he works out how to brew his coffee - but she sees right through him. He’s hardly ever used the press before, and he’s just doing so now to avoid her in whatever capacity he can. ā€œI need money.ā€
Nico’s almost positive he hasn’t heard her right - that there’s some kind of mix up between her standard German and his Swiss - and he slowly turns to properly face her, brows slanting into a deep frown as he assesses her expression.
She has a hand on her hip, her jaw set and her eyes darkened and serious.Ā 
ā€œYou have money.ā€
Talia comes from money - her father is some kind of film producer and her mother an artist, if Nico remembers correctly - and she makes good money, herself. She’s been a print model since she was scouted in some market in Munich since she was 15, has had her face plastered in ads in magazines and catalogues around the world. She’s hardly strapped for cash. She gets things gifted to her by whatever company she can get a hold of. What could she possibly need him to give her money for?
ā€œNot enough.ā€ Her tone is cold, her demeanour the same, and if Nico can still gauge her emotions correctly, there’s an element of blame that she is starting to shift towards him, and his whole body starts to feel tense.
ā€œNot enough for what?ā€
He can’t quite tell what feeling washes over him - worry, at the thought she’s gotten herself into some kind of trouble, stress, at the thought this could be a recurring thing, and potentially pity, at the way she’s so clearly carrying the weight of something heavy - something she’s lugged all the way across the Atlantic on a long haul flight with her.
ā€œNot enough to pay the guy who’s blackmailing me not to leak the videos that I sent to you.ā€
ā€œWhat vide-ā€œ he bites back, and the immediate arch of her brow tells him all he needs to know. ā€œOh.ā€
Shit.
ā€œOh? That’s all you have to say?ā€ She sneers, fury in her gaze and dismay in her tone. ā€œYou’ve ruined my life, and all I get is an oh?ā€
ā€œWhoa, slow down, I’ve ruined your life?ā€
Nico has never been one to shame any girl for sending explicit pictures - he’d been more than willing to receive them at the time - but he hadn’t ever forced her hand. He hadn’t even asked her for them, in the first place.Ā 
She’d taken it upon herself to spice things up, as she had put it at the time, when the team had gone on the road in early December. It was just after he’d returned from his injury - a time in which he’d spent mentally distanced from her as he’d focused so much on getting back to the game, their relationship consisting mainly of not-so-passionate sex to avoid aggravating his injury and hardly of any kind of meaningful conversation - and she had thought that keeping him on his toes on a roadie would mean he’d come back more interested than ever.
If he’d been looking out for red flags at the time, he might have caught that blaring one; needing to try new things only a few months into a relationship to keep it fun and light.
He’d been in his hotel room in Seattle, freshly showered and ready to throw himself straight into bed when his phone had started to ping. It was suggestive texts at first, are you alone? And I’m thinking about you. Then it had been pictures, hands over lingerie and fingers between glossy, pouted lips.
And then videos, one after the other before he had any chance to respond - her phone set up far enough away that her whole body was in frame, touching herself while laying on his bed and calling out for him.
He had called her instead of sending anything back, and as he realises the severity of the situation, a selfish part of him is glad he did so.
ā€œTalia, I didn’t even save those videos, and I definitely didn’t show them to anyone else.ā€
Nico could never. Not only for the fact that he was raised to be a decent human being, but he has a sister - if anyone ever did that to Nina, he’d tear them apart, limb from limb.Ā 
ā€œYou’re the only person I’ve ever sent anything to.ā€ She seems to have made her mind up, and Nico feels as if his heart plummets through his torso at the realisation. She’s travelled all this way because she genuinely believes he’s the cause of this - that he’s shared intimate videos of her without her consent, to someone who would extort her for them. ā€œAnd he sent me some pictures as proof, had information about me like the address of this apartment.ā€
ā€œTalia, I swear on my mother’s life, I wouldn’t do that to you - to anyone, not ever.ā€
Tears well in her crystalline eyes, and Nico waits with bated breath as she assesses the situation in her head.Ā 
He isn’t a liar - he has never given her a reason to think he is one. In their time together, he had always been honest, always been loyal, and he hopes at the very least - despite her obvious distain for him now, and how little she ended up caring about their relationship in the end to cut it off in the way she did - she thought of him as kind.Ā 
He can do nothing but be patient, let her come to whatever conclusion on her own, and it’s only when he spots the quiver in her bottom lip that he takes an apprehensive step forward, ready to console her if needed.
She practically throws herself into his arms, wrapping her own around his waist and bawling into his chest, and all he can do is hold her and wait. He tries to rub a soothing hand up and down her back, holding the other against her head as her body wracks with sobs. All he can feel is the pounding of his own heartbeat, pulsing throughout his entire body until it’s all he can hear, too.
Nico does his best to comfort her, shushing and cooing and whispering how it’s going to be alright, but it does little to help. She’s beyond relief.
ā€œThere’s a guy who said he can track whoever is doing this to me,ā€ she sniffles as she pulls herself away. ā€œHe’s in Jersey City Heights, he’s some sort of ethical hacker, whatever that means, I’m going to meet him and he’s gonna go through my phone.ā€
ā€œDo you want me to come with you?ā€ Nico doesn’t even hesitate to ask - if not to protect her, and make sure she isn’t unknowingly getting herself into an even more dangerous situation, then to protect himself too. If someone has Talia’s pictures, and she only sent them to him, there’s a possibility his phone had been hacked, and if this guy is as ethical as he says, maybe he can check Nico’s stuff, too, just to be safe.
She gives him an appreciative smile, eyes still glassy and cheeks flushed. ā€œI’d really appreciate that.ā€
ā€œI’m gonna shower, then we can go. You can grab whatever to eat while you’re waiting.ā€ He backs away from her completely, only just able to acknowledge the ache in his muscles once the intensity of the situation has settled a little, and he just needs to stand under the steaming spray and clear his mind before he properly immerses himself in her company.Ā 
He has a lot more than this whole mess that he needs to think about, and maybe a shower can bring him a little clarity on how exactly he’s going to explain himself to the beautiful girl whose bed he had abruptly left not even an hour ago.Ā 
ā€œWhy are you dressed?ā€
Nico stops in his tracks.
When he had got back to his apartment, he’d made a little effort for it to seem like he’d been there all night. He’d gone through to his bedroom, mussed up his sheets to make it seem like he had been sleeping in them - and not with the anticipation that Talia was going to be entering his bedroom, but with her, he never knows - trying to retrace the steps of his usual routine before he goes to bed, he had closed all the blinds, had moved his gym bag by the door.
But he hadn’t changed.
Still adorned in his sweatshirt and jeans from the night before, the clothing feels all that much heavier on his body as she brings attention to it, and he quickly racks his brain to come up with a valid excuse that doesn’t rouse further suspicion.
ā€œI fell asleep in these clothes.ā€ As easy as the lie comes out, he doesn’t feel great saying it. Doesn’t feel like erasing the night he had shared with Poppy is for the greater good, even if it is just to Talia, but avoiding another difficult conversation is a must right now - especially when he’d already lied to her on the phone. ā€œWas out late with the guys last night, Timo threw a party for my birthday.ā€
ā€œRight,ā€ she drags out, and when he turns back around, she casts a scrutinising glance over him, top to bottom. ā€œSorry, I forgot.ā€
ā€œNo worries,ā€ he shrugs, genuinely not offended. She has no reason to remember his birthday. Not anymore. ā€œLike I said, help yourself to whatever, I’ll try not to be long.ā€Ā 
When he undresses for his shower, he’s thankful he hadn’t had the foresight to change in anticipation of Talia’s arrival. He probably would have donned a t-shirt and some shorts, oblivious to the visible indents on his thighs where Poppy had dug her nails in as she took him in her mouth.
His chest and torso are littered with scratches, some faint, some a little deeper, and he can’t get the right angle to see his back but he imagines they’re the same - the memory of her clutching at him as both of their climaxes approached is vivid enough for him to picture the marks she left behind.
He groans as the thought of her brings back that swirling feeling in the pit of his stomach, as he notices the blooming arousal pool there, and feels himself harden as he steps under the spray of his shower.
If his phone had been on do not disturb through the night, he could be in the shower with Poppy, instead.
He could have woken up to her in his arms, could have pecked at her sleep-swollen lips until it brought her out of her slumber, and spent his morning making up for lost time just like he had promised her last night. He could have made light work of the pleasure he had given her the night before - could have had her underneath him in her bed, tangled up in the mess of sheets and falling apart before they shared a morning shower, where he’d have held her up against the tiles and would’ve moved into her until they couldn’t tell where he ended and she began. He’d have made her breakfast, something sweet, so that as she sat and watched him atop the kitchen counter he had tasted her on for the first time not even 12 hours before, he’d press his tongue into her mouth after she had eaten and savour the flavour of strawberries that had settled between her lips.
Instead, he’s here, turning the temperature of his water down until any and all excitement in his body is dampened, and all he can focus on is the effect the cold has on all his other aching muscles.
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Once he has showered and gotten dressed - and has come to the conclusion that any further thoughts about Poppy need to wait until the Talia problem is resolved and out of his hands, he finds his ex girlfriend sprawled across his couch, music playing from the speaker in the corner, and taking helping herself to a whole new level.Ā 
Her case is opened where she had left it by the door, and she’s set herself a little vanity up on his coffee table, fixing her appearance before they leave.
She’s changed out of her mismatched sweats, has dressed herself in jeans and a sweater, and has found an extension cable long enough for her to plug in whatever hot tool she’s currently running through her hair.
ā€œYou take the longest showers in the history of man,ā€ she rolls her eyes, not even casting a glance his way as she focuses on her own reflection in the little mirror she must have brought with her. ā€œI do not want to know what it is you get up to in there.ā€
ā€œI was barely 30 minutes, are you ready to go?ā€
ā€œYeah, almost,ā€ she runs the tool through her bangs until they flick out at the edges on either side of her face, and it reminds him of all the times he had watched her while waiting for her to finish getting ready. It makes him feel uneasy how familiar it all is, how she’s so quickly made herself at home again in his space.
He wants to tell her she needs to pack her stuff back up, that she won’t be staying here and needs to give his keys back, but the weight of the situation at hand dawns on him before he can open his mouth.
He’ll wait until they get back later, his decision depending on the outcome of their visit to her hacker friend.
As much as he doesn’t want her around, he isn’t going to kick her out with no place to go if her life is still shrouded in unsafe circumstances.Ā 
Talia unplugs her stuff, wraps the cord around the handle of the brush she was using, and places it on a mat she must have brought with her so it doesn’t burn through the surface of the table. ā€œKay, let’s go.ā€
She marches ahead of him, picking up her bag and keys on the way out and leaving him to lock up while she calls for the elevator. They wait together in silence, his heart thudding an anxious rhythm in his chest as he anticipates the arrival of the elevator - and thankfully, it arrives empty.
He tries to distance himself from her as they enter, him standing in one corner, and hoping she takes the other, but she doesn’t quite get the memo, standing obliviously in the centre as she types away to someone on her phone and he presses the button to go to the basement.
Nico watches the numbers go down with bated breath. His floor, the next, the next one after that, and he uses any good will he has left with the universe to hope and pray it skips the floor coming up - but, as is just his luck, the elevator comes to a stop with a soft thud, and the doors open to reveal the very situation he’s been hoping to avoid.Ā 
Jack walks straight in, eyes cast down to the phone in his hands, distractedly typing away and not even noticing the button for the parking level has been pressed before he pushes it, himself.
Luke notices straight away, halting in his movements to enter the space as his gaze flickers between the two people already occupying it.Ā 
He diverts his eyes when they meet Nico’s head dropping as he steps in and stands beside his brother, uttering a quick greeting of, ā€œHey, Cap.ā€
Jack’s attention is captured immediately, spinning at an almost dizzying speed to face his captain, phone disregarded into his back pocket. ā€œSchao! I thought you’d be at-,ā€
He’s thankfully able to tune into his perception before he carries on with his train of thought, a subtle movement in his peripheral diverting his gaze to the figure stood to the side of Nico.Ā 
ā€œTalia. Hi.ā€
ā€œHi, Jack.ā€ Nico cringes inwardly at how disinterested she sounds. ā€œLuke.ā€ Talia had never really cared for Nico’s teammates - especially not the younger guys like Jack and Luke. She was quick to pass judgement, making comments on their maturity, or apparent lack-thereof, and wasn’t the biggest fan of how close Nico was with the pair. Didn’t like the time or attention he gave them considering the close quarters they lived in, and had always been resentful. She always claimed her English wasn’t good enough to hold a proper conversation with them, but he’d seen her enough around her American friends to know it wasn’t true.
ā€œWe’re just meeting up with some of the guys for breakfast.ā€ Jack says, cautiously, in an attempt to fill the silence. The invitation remains unspoken, but Nico can tell in the way the younger boy cocks his head and meets his eye that he’s gauging his current situation for the morning.
ā€œWe have plans.ā€ Talia must be able to tell what he was getting at, too and Nico can see Luke’s eyes narrow as soon as the word resonates in his head. Plans. Pre-meditated. Made before she had sprung all of this on him within the last hour or two. Panic stirs within him, and his throat itches to speak the truth, but it’s just not the right time to do so with Talia stood beside him. If he starts getting defensive, she’ll start asking questions, and the boys will have to bear witness to him skirting around the matter of Poppy.Ā 
It’s not a good look no matter which way he swings it. He’s stuck in a thick, dark, tarry mess of not wanting to hurt anyone’s feelings but making all the wrong decisions. A minefield of not knowing how to explain himself without raising a million questions on either side, and hoping one of the brothers might toe the line of the boundaries of their relationship and just straight up ask why Talia is here.
He knows he has fucked up without the way neither of them are looking him in the eye.
He knew it the second Poppy’s door had locked behind him this morning - he doesn’t need Luke refusing to meet his gaze, doesn’t need Jack’s shifting side eye to tell him he’s made a mistake.Ā 
ā€œI’ll text you later.ā€ Nico says, mainly to Jack but still trying to meet his brother’s eyes with no luck. It’s an attempt to say something, without saying anything. A silent beg not to jump to conclusions about what they’ve seen - and, although he knows they wouldn’t, not to tell anyone else. Not whichever of the guys they are meeting up with, not anyone else on the team, and definitely not Poppy.
ā€œYeah, sure,ā€ Jack mutters in a poor attempt to hide his discomfort, and an even worse attempt at masking his relief when the doors ping open on the parking level.
ā€œHave fun with your plans,ā€ Luke huffs out, his tone like a tight fist clutching at Nico’s chest despite his courteous choice of words.
ā€œWe will,ā€ Talia forces a smile. Nico gets the feeling she isn’t as oblivious to the tension as he hopes she is.
The four of them separate into their pairs with mumbled goodbyes, Jack and Luke heading off to Luke’s car on one side of the garage, and Nico and Talia heading to his on the other, and Nico can’t even let out a sigh of pseudo-relief before Talia jumps on him.
ā€œThat was weird.ā€
ā€œWe broke up, they weren’t expecting to see us together.ā€ He quickly excuses as he starts the car up, turning on the heat and hoping the soft buzz of the air will fill the silence enough that she doesn’t feel the need to talk.Ā 
ā€œIt’s been like 3 weeks, most couples get back together after their first breakup.ā€
Has it only been 3 weeks? He thinks, shuddering at how little time had actually passed between her sending that text and him restoring balance to his life.
ā€œWe’re not most couples,ā€ he shrugs, shutting that train of thought immediately as he starts to make his way out of the parking garage, ascending the ramp where the doors open up to reveal the dull beam of the winter morning sun. ā€œYou dumped me over text a week before Christmas, we’re not getting back together.ā€
ā€œOh yeah, I bet you were real cut up about it,ā€ she jibes, sarcastically. ā€œProbably landed straight in the bed of some desperate puck bunny more than happy to take your mind off of how awful I was to you.ā€
His mind immediately goes to Poppy, to last night, to her bed - and despite the complete bullshit Talia has fabricated in her head, despite how much he wants to tell her she has it all wrong, he can’t bear to twist himself even further into knots to skirt around mentioning the girl who did make him better.
ā€œWe’re not having this conversation right now.ā€ He decides, tapping at the screen in the console of his car until he brings up the navigation. ā€œPut in the address you need, we’re not too far from The Heights.ā€
The location she enters into the system is for an unassuming condo in a quiet, suburban area. The neighbourhood itself is picturesque, the buildings colourful, the paths lined with trees that seemed to flourish even in the midst of winter, and when Nico pulls up across the street, he notices the amount of families around - parents walking their kids to school and couples with dogs getting their morning steps in. It’s the last place he imagines some hacker to be shacked up, but maybe that’s the point.
He still doesn’t entirely understand the ethical part.
ā€œIt’s the one with the red brick and the balcony,ā€ Talia points to the other side of the road as she unbuckles her seatbelt, and Nico looks over at the building as if he’s going to be able to see all the secrets stored within it.
ā€œAre you sure?ā€
ā€œYeah, number 414.ā€ She shows him the messages she has exchanged with the guy, and sure enough, the address matches up. ā€œC’mon, the sooner we get in there, the sooner we can figure this out.ā€
He follows her across the street, adjusting the cap he wears atop his head and making sure it conceals his identity from anyone with eyesight good enough to catch it, trying to shrug off the discomfort of the whole situation as he waits for someone to pick up the buzzer Talia relentlessly presses.
He hears a different kind of buzz, lighter, like the manual zoom of a camera, and cranes his neck to assess their surroundings as they wait, before he catches sight of the device in the top corner of the porch, facing directly onto them.
He hears the click of a lock as soon as his eyes make contact with the thing, and cautiously tries the handle on the door until it pushes all the way down, letting them into the building.Ā 
The door to the ground floor condo is open, and stood in the entrance is a guy no older than 20, dressed in all black with dark, beady eyes framed by wire-rimmed glasses. If Nico could find it in him to see the humour in the situation, he’d laugh at how he looks like Luke - a mop of curly brown hair, tall with a slim build and ever so slightly poor posture.
He straightens up as the two of them approach, Nico keeping Talia behind him as he assesses the safety of the situation. If they’re being lured into some kind of trap, he could definitely take this guy - he can’t even maintain direct eye contact, never mind manage to subdue a man of Nico’s stature.
ā€œYou didn’t tell me you were bringing someone, Talia.ā€
He’s soft-spoken, his voice ever so nasally, and despite the fact that he’s talking to the girl behind him, his gaze has settled on Nico’s chest.
ā€œMy name’s Nico.ā€ He introduces himself, holding out a hand to shake. He thinks he can write him off as a threat, for now, and if making him feel comfortable encourages him to help them, he wants to put him at ease. ā€œ
ā€œI know who you are.ā€ He doesn’t shake Nico’s hand. ā€œI’m Myles. Come in.ā€
Myles doesn’t wait for the two of them, marching back into his place and leaving the door open for Talia and Nico to enter and close behind them.Ā 
Nico isn’t surprised by the space - from his brief encounter with the resident so far, it fits him to a tee; neat, impersonal, furniture that looks fresh out of a catalogue. He follows him over to the corner of his living room, a PC set up with several monitors that he can’t tell are on until they’re standing straight in front of them.
Myles throws himself down into the large swivel chair, spinning until he’s facing the two of them and crossing his arms over his torso with disinterest. ā€œSo, nudes?ā€
Straight to the point. Nico can’t exactly be mad at it.
Talia steps out from behind him, handing her unlocked phone to Myles. ā€œThe messages started last week, just after New Years. Straight to my number, not in DMs or anything, but the number doesn’t even come up for me to call it from another phone or anything, just says unknown.ā€
Myles takes her phone and plugs it into his setup without even looking at whatever she has opened on it, and Nico watches as the screens come alive with mirrors of the device and some other apps that launch as soon as it connects.Ā 
ā€œThat’s more helpful than you think, they have to use an app to be able to anonymously text you, makes it easier to identify them.ā€
The way Myles talks is monotonous and detached, but the way he works is anything but. His fingers move quicker than Nico’s eyes can track on his keyboard, typing away at whatever as different things flash up and leave his screen. It like something straight out of a spy movie.
ā€œSo we can find out who it is just from that?ā€ He asks, arms folding over his chest as he watches in almost-awe.
ā€œNot exactly. If it is a hacker, I could identify their signature. Doesn’t mean I could identify them, but we can work around it potentially.ā€
Talia throws herself down on the couch behind them exasperatedly, sighing loudly and making her displeasure known. ā€œYou told me you could track them down, that’s what I’m paying you to do.ā€
ā€œI told you I could help you, I didn’t say I could specifically track anyone, that’s not how this works.ā€
ā€œHow does it work then?ā€ Nico asks.
Myles wheels his chair to the side to make room for Nico to get closer, and starts walking him through the process, pointing through the different apps he uses and explaining how he uses them. One deciphers which app the person used to message Talia. Once that’s been deduced, he uses another to enter a backdoor into that app’s servers, perusing through them until he finds the account that sent the text, making sure the date, time and then content line up. Once he’s found the account, he can see the other texts sent from it, and a gallery spreads across two screens, with maybe hundreds of pictures, videos, messages and transactions all to or from that same account.
ā€œYou’re telling me you have the power to do all this and you don’t use it to like rob banks or something?ā€
ā€œEthical hacker, clue’s in the name.ā€ Myles shrugs. Nico looks back to Talia, her jaw set as she picks at her nails out of boredom. It’s probably taken about fifteen minutes for this guy to work an absolute miracle, and she looks like she couldn’t care less. ā€œWe use all this information, and the access I have on the server, to shut this dude down and cut his con before he can do it to anyone else.ā€
ā€œWhoa whoa,ā€ Talia shoots up, ā€œWon’t that make him mad? Make him just post all the photos?ā€
ā€œI doubt it,ā€ the hacker comments, bringing up a couple of the photos on the screens, some of Talia, some of another girl, making Nico divert his eyes. ā€œThey’re not even real.ā€
ā€œI’m sorry?ā€
ā€œExcuse me?ā€
Talia and Nico both question at the same time, leaning in to get a proper look to confirm what is being told to them. The other pictures Myles had brought up, the ones of other girls, are actually kind of the same. The same poses, the same backgrounds, the same outfits, or lack thereof, just different faces and different hair.
ā€œThey’re called deep fakes. Photoshop, essentially.ā€ He has that aloof tone to his words again, and Nico can’t quite believe how simple it seems for him to say. ā€œThey put a bunch of your pictures into an AI generator and give it instruction, like put this face on a body posed like this or wearing that. I’d assume the video they have is the same.ā€
ā€œHow is that even possible?ā€ Talia gasps, pushing herself forward and snatching the mouse from Myles’ grasp. She clicks into what she assumes is the video, and it starts playing before she can think better of it, thankfully without any sound.Ā 
It’s Talia - that much is obvious from the initial close up of her face - but Nico doesn’t recognise anything else about it. He doesn’t recognise the room she’s in, the bed she’s on, the things she’s doing. He’s never seen this before. It’s definitely not one of the videos she had sent him, and when he looks closer, he realises the little moles on her ribs aren’t even there.
None of it is real.
ā€œYou said he sent you the photos? You didn’t realise they weren’t the ones you took?ā€ He can’t conceal the bite in his tone, his brows furrowing as he looks at her in disbelief. She’s flown out here, disrupted his peace, blamed him for blackmailing her, and she can’t even recognise what is or isn’t her own body.Ā 
ā€œThey looked real, I-,ā€ Her shock disappears as quickly as it had come about, her mood shifting and a glare all of a sudden being directed at her ex boyfriend. ā€œI wouldn’t have accused you if they didn’t look real, Nico.ā€ She snaps, frowning at him like this is his fault. ā€œYou have no idea what it’s like to be threatened like that, I won’t have you blame me for panicking.ā€
Slivers of guilt seep into his subconscious, and he takes a deep breath, diverting his gaze uneasily and letting out a big sigh.
He knows he should be a little more compassionate, but there’s panicking, and then there’s this.
She had accused him of ruining her life.
ā€œWhat about the rest of it?ā€ Nico asks, ā€œLike how did he get her number or have my address? You said he had other information?ā€
ā€œHe did,ā€ Talia nods, looking over to Myles.
ā€œThe address he probably got when he got your number, and he could have got that from anywhere. Could be something as small as you ordering something online and the store having a data breach, or clicking a link that shared your IP address, and getting your phone information from that.ā€ Myles starts his typing again, keeping a tight grip on his mouse so that it can’t be snatched again. ā€œI could probably find out actually, they’re pretty easy to spot, do you clear your history often?ā€
ā€œI wouldn’t even know how to do that,ā€
ā€œPerfect,ā€ Again, his fingertips work at lightening speed, and Nico watches as instagram opens on one of the screens. ā€œYeah, a DM sent to you from… Devils_tea. You opened a link to a shared drive to upload some pictures, the drive probably had malware and the pictures have location metadata.ā€
Nico rolls his eyes, that small ebb of pity washing almost completely away, and before Talia can stop him, Myles carries on. ā€œSome of the pictures you sent them are the ones they used for the AI photos, look your face in this one is the exact same as this photo they threatened to leak.ā€
Nico recognises these photos. The ones that had been plastered all over social media when their relationship had leaked. Pictures of them back in Switzerland, on a weekend trip to Ibiza, selfies of them in his apartment, and even a picture of the two of them with his parents back at his family home in Valais.
He has been far too oblivious to Talia’s games for far too long, he realises.Ā 
Of course she had been the one to leak everything - who else would have had those photos - but he hadn’t even considered it would be her; she had faced the harshest aftermath for it, why would she subject herself to all the subsequent grief that came with people knowing about their relationship?
Thank God for this guy’s lack of social cues, Nico thinks, or he would never have known that for as long as they had been together, she had been violating his revered privacy and trust.
ā€œNico, that wasn’t-,ā€ Talia’s panic is evident, wide eyes, trembling hands raised in defence, ā€œI must have been hacked,ā€
ā€œActually, there’s no-,ā€ Myles begins to interject, fingers working again to fact check, but Nico doesn’t need him to validate what he already knows.
ā€œShut up,ā€ Talia snarls, with a finger pointed at him, ā€œYou don’t know what you’re talking about, we’re done here.ā€ She reaches forward to snatch her phone back, yanking out the wire that connects it to his monitors and throwing it onto the desk. ā€œWe’re leaving, and if you think I’m paying you anything, you’re deluded.ā€Ā 
Talia marches past them and straight out of the condo, slamming every door she possibly can behind her. Nico can only cringe as the sounds of her stomping footsteps echo until they fade out - until she’s probably outside and waiting for him back at his car.
ā€œDoesn’t she want me to shut this thing down?ā€
ā€œI’ll pay you.ā€ Nico sighs, reaching into his pocket for his phone and trying to push down the feeling that arises when he’s met with a blank lock screen.
Poppy hasn’t messaged him.Ā 
Not that he deserves for her to make it easy, to let him off the hook and pretend he hasn’t royally fucked things up with her.
ā€œIf you stop him, does he still have all the photos? He could still release them?ā€
ā€œYeah, but they’re pretty easy to validate as fakes, especially when you have the source material. I don’t think this guy is sophisticated enough for a full blown hack into her phone for the real thing. I couldn’t find evidence of any breach of her cloud or her device.ā€
Nico nods, but the information does little to quell the anxiety that squeezes his chest in a vice-like grip.Ā 
This whole morning has been nothing but a giant waste of his time. From the second his eyes opened, to this moment right now, he’s made nothing but mistakes.
Not putting his phone on sleep mode before he and Poppy went to bed had been a mistake. Taking Talia’s call had been a mistake. Not waking Poppy up had been a mistake. Leaving without a note, without a text, leaving at all - it had all been one error after another, and all he has left to do is face up to the fact.
He can’t do anything to dwindle the panic rousing in every fibre of his being, the scarring marks left by torturous lashings of regret that whip at his skin.
He’s never felt so ashamed of himself, in such disbelief at his own decisions.
Why didn’t he just wake her?
She’s the most level-headed, acceptable person he knows. She would have understood. He hadn’t had a reasonable explanation at the time, and he doesn’t really have one now - but she would have accepted it, whatever he could have told her, she would have listened, waited until he could give her more.
He needs to see her, to explain, before it’s too late.
If he thinks about the feeling settling in his stomach, if he can compare it to anything, it’s like running from a blazing inferno of doubt and insecurity, licks of fire racing to catch up to him, the soles of his feet pressing into the sizzling ground - and Poppy is the cool embrace of safety.
She is light cracking through a window he just needs to break through to make it out.
If he can get to her quick enough, if he runs, and runs, maybe he’ll make it before he’s jiggling at a red hot handle that won’t move, won’t give, won’t budge.
If he can just talk to her, maybe the morning from hell will be outweighed by the days of resilience, weeks of efforts, years of loving her in whatever capacity, and the promise of something better.
He just needs to get rid of Talia.
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The car journey back to his apartment is carried out in a deafening silence. She had tried to talk to him when he’d made his way out of Myles’ condo, when he had found her waiting by his Mercedes with crossed arms and a sour look on her face, but he’d told her he didn’t want to hear it, that they’d deal with it in private.
He hardly wanted a showdown with her in the middle of the street.
And so, she sat in his passenger seat, jaw set, glaring out the window and letting out the occasional huff or puff for attention that he wasn’t entertaining.
The elevator ride up to his place had been the same. Silent, filled with the type of tension you could cut with a knife, and all he could do was ignore her continued petulance and take deep breaths to calm himself down. In through his nose, out through his mouth, overlooking the way she tapped her foot in his peripheral vision, and almost audibly rolled her eyes every few seconds.Ā 
ā€œWould it have killed you to defend me in there?ā€ She scoffs as soon as the door closes behind them in his apartment, ā€œYou just let him accuse me of all that stuff and completely invade my privacy!ā€
Nico screws his eyes shut and pinches the bridge of his nose.
He can’t blow up, can’t stoop to her level. He won’t feel good after the fact. He knows how Talia operates, should have known she’d immediately play the victim card, and he isn’t falling into the trap of arguing to the point of being in the wrong.
He’ll say something he regrets and she’ll use it to her advantage, somehow.
ā€œYou asked him to go through your phone, Talia.ā€ He sighs, making his way over to the kitchen and getting himself some water. Chugging at it does little to soothe the burning feeling prickling at the back of his mouth, or the itch of his tongue to spit out a scathing retort. ā€œHe’s shut down the guy behind it, he can’t message you or anyone else with any more threats, you should be happy.ā€
ā€œI should be happy?ā€ She follows him wherever he tries to get away, crowding his space and jabbing a pointed finger into his arm. ā€œYou have no idea what I’ve been going through this past week. I thought my career was over! How was I supposed to know it was fake?ā€
ā€œYou didn’t even look at the pictures-,ā€
ā€œBecause I was panicking! I was upset, you can’t expect me to be able to recognise what’s been photoshopped when I’m scared like that!ā€
ā€œBut you can fly straight over here and pin the blame on me for ruining your life? You weren’t too upset to point the finger, Talia,ā€
ā€œDon’t be an asshole, Nico, it doesn’t suit you.ā€Ā 
ā€œI’m being the asshole? You don’t even care about the trail of destruction you leave behind you, do you? You send private pictures of us, of me, of my family to random people online who you don’t even know, for what, Talia? For money?ā€
ā€œI don’t need their money-,ā€
ā€œSo it was just for the attention? You get to parade our relationship around like it means nothing more to you than a title, and once you get your fifteen minutes and a few more instagram followers, you just jet back home and dump me over a text?ā€
ā€œOh my God,ā€ she cries, flailing her arms dramatically, following him yet again as he makes his way into his living room, picking her stuff up after her that she had discarded here before they left and throwing it into her travel bag. ā€œStop playing the victim, for Christ’s sake, you’re hardly heartbroken over it. I know for a fact you’ve been hooking up with someone, one of the girls messaged me that they saw you leave a party with her on New Years!ā€
ā€œSo that’s what this is?ā€ Nico snaps, pointing to her, to her stuff, ā€œYou think I’m moving on so you fly back out here and spring this bullshit on me, try to make me feel bad?ā€
ā€œYou have some nerve, Nico,ā€ Talia scoffs, folding her arms across her chest and levelling him with a darkened glare.
ā€œI have nerve? You’re the one who broke up with me out of nowhere and think that you can just march back here and make demands, Talia, blaming me for something that was entirely your own doing.ā€ He’s getting sick of walking on egg shells around the topic. If she hadn’t have been messaging people she wasn’t supposed to, this would never have happened - it’s no one’s fault but her own, and as harsh as it may be, he wants to wash his hands of the whole thing. ā€œCalling me in the middle of the night, telling me I ruined your life, saying I need to give you money?ā€
ā€œOut of nowhere?ā€ Of course she would only pick up on that, he thinks. ā€œMy God, you are so self-absorbed.ā€
ā€œWhat the hell is that supposed to mean?ā€
ā€œDo you think that dating you is easy?ā€ She questions with a measured step toward him. ā€œDo you think I want to spend my life waiting around for my boyfriend, only for him to only ever come home grumpy,ā€ another step, ā€œOr whiny,ā€ and another, ā€œOr too tired and achey to do anything? And that’s when you do come home at all and aren’t half way across the country with the communication skills of a candle. It’s a constant uphill battle trying to get even a second of your attention, Nico, so God forbid I tried to gain some kind of advantage from being with you.ā€
Her words are starting to cut, but he tries not to react, tries not to bite back. He can count several ways in which she gained an advantage being with him, just off the top of the head - a girl like Talia is never shy of attention. Her courting gossip blogs and sending them private information is probably just scraping the barrel of the ploys she made for exposure while she was with him.
ā€œI didn’t break up with you out of nowhere, I put up with you and the whole circus that comes with you for months, but God, is it exhausting being with you.ā€
ā€œYou knew what you were getting into, Talia. You knew my job, knew my life.ā€ They had met initially through mutual friends - hockey friends of his back home, even - and she has other friends who happen to be wives or girlfriends of athletes. She can’t say she came into the relationship completely oblivious to the downsides of dating a professional player.
ā€œNot really,ā€ she shrugs, ā€œAll the other guys can find some sort of balance, but not you. All the other girls get a proper boyfriend, someone who spends time doing what they want to do, who sticks up for them when their psycho fans start to turn on them, who doesn’t keep them hidden away like some dirty secret.ā€
ā€œThat isn’t fair, I can’t control that stuff, Talia, it’s not my fault.ā€ He wants to point out that she was the one engaging in their gossip and riling them up, but he can’t keep harping on about something she refuses to acknowledge. He doesn’t have the time, patience or energy for it anymore.
The initial ā€˜leaking’ of their relationship had caused their first major fight. Fans online had somehow - although Nico can now hazard a guess as to how - found out about the two of them, had dug into Talia, her background, her family, her job, and had found some pretty toxic posts on her social media. They had been old posts, and she had told Nico that wasn’t the kind of person she was anymore - and he had no reason not to believe her, had never seen or heard her act in the ways she had online in what she called her misguided youth - but someone in the PR department at the Devils had cottoned onto the topic, and had warned Nico of speaking out in her defence when the pitchforks started to raise.
He’d told her he supported her, but he couldn’t do so publicly - not without upsetting people within the organisation he had worked so hard to gain the respect of - and she had told him she understood. They hadn’t been together that long, it would have been a little unreasonable for him to put her above his work in the ways she was expecting, but she clearly doesn’t see it that way, now.
ā€œMaybe not, but if I’d have known that being with you meant having my life invaded, my career ruined, I never would have followed you back here, Nico.ā€ She sounds more solemn now - regretful, even - and as deep as her words cut, she says it like a piece of advice, ā€œI just hope whatever poor girl you’ve got tangled up in your mess this time knows what she’s getting herself into.ā€
ā€œAnd what’s that?ā€ His throat feels tight as he speaks all of a sudden, his resolve in defending himself fading, and he tries to gulp down whatever lump is forming there but the feeling doesn’t budge.
This is what she’s good at.
Turning the tables. Reducing him to uncertainty of himself, of his actions, of his memory of their time together.
ā€œA one-sided relationship with a guy who will never be able to put her first.ā€
There’s a point in every game he has ever had the misfortune of losing, as the seconds count down in the final third, where he has to come to terms with the fact that there’s no possible way for him to win. It’s sort of comparable to the way his insides churn when he’s on a plane and it drops into descent, like his body is falling at a different speed to his surroundings, or the feeling he gets in his gut when he’s hiking, and he dares to take a peek over the edge of whatever mountainside he’s trekking up, where his body can predict the fall, and his mind has set on there being nothing he can do about it.
This feels like all those feelings.
ā€œWhoever she is, and I know she exists, she doesn’t deserve that. It’s not fair.ā€
Nico’s heart pounds in his chest, echoing and thrumming in his ears until all he can hear is the beat reverberating, ricocheting around his skull.
He can put Poppy first.
So many parts of their lives are intertwined, it would be so easy to make it work. They work together, they live close, he speaks to her more than he speaks to anyone else in his circle. They’ve spent more time together as friends than he has with any other girlfriend he’s had.
He’s wanted her for years, of course he can do it.
Except, deep down, he knows he can’t. Being in a committed relationship with someone is an entirely different ball game to a friendship, no matter how close he and Poppy have been over the years.
He knows there’ll come a point soon into the season where he has to knuckle down and focus, can’t let anything or anyone distract him, and he’ll close himself off. It’s what he has always done. He gets in his head, starts to carry too much weight that he can’t shift until that final buzzer blows - and he can only hope that it happens with his team in the playoffs. Winning, thriving, succeeding. And for that to happen, he can’t prioritise anything other than the game he’s already dedicated his life to, his training, and most importantly, his team.
It isn’t about what he wants.
What have you done? He thinks, his chest aching.
Talia is right.
Poppy doesn’t deserve that.
She doesn’t deserve him only being there in the physical sense, if she even gets that at all. Doesn’t deserve him getting snappy and stressed, doesn’t deserve him not being able to give her time, or give her attention or affection like he wants to, or like she’s worthy of.
ā€œI need to go.ā€ He manages to choke out with a shake of his head, shouldering past her to pick up his jacket - needing to be out of this conversation and away from Talia. ā€œLeave the keys, I don’t want you here when I get back.ā€
He needs to see Poppy.
He never should have left her - he wishes with everything in him that he had soaked up the time he had with her before everything came tumbling down around him. And somewhere deep within him, there is a fragile, wilting piece of hope that clings to the belief he can make things right. He just needs her to hone in on it. If anyone can reach into the deepest cracks of his insecurities, can show him he’s overthinking things and everything is not as hopeless as he has made it out to be, it will be Poppy.
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Poppy
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The first time Poppy had ever fallen asleep beside Nico was at a movie night in Jack’s old apartment he shared with Ty Smith. Jack had invited more people round than could reasonably fit in their living room, and so everyone was smushed in - each chair and every inch of floor space used to its full capacity.Ā 
Nico had attempted to save Poppy a space, to give him credit. He had scowled at each of his teammates who tried to throw themselves down in the tiny slot beside him - prime space, corner of the comfiest couch, facing the tv directly, a small table to the side where one could keep their drinks and snacks - only, by the time Poppy got there, he had barely gotten away with man-spreading to make room, so the small section of the couch between Nico and the arm rest had become her designated spot.
It was cosy, to put it nicely. He had to swing his arm over the back so that she wasn’t being assaulted by the hard dig of his shoulder with every laugh, and her closest leg was pretty much on top of his for most of the film.
She’d known the guys for almost a year - had been working in media, attending every game, home and away, and had integrated herself into the group pretty closely - and she felt pretty comfortable around everyone.
It wasn’t the kind of dynamic she had anticipated falling into when she first got the job with the Devils. She was supposed to start getting serious about her life - cracking down on mingling with co-workers and throwing herself into new social circles, and focusing on building a career for herself, climbing through the ranks and attaining the kind of success and happiness she could shove in her family’s disapproving faces - but the guys had charmed her.
Jack had been somewhat relentless in his pursuit of Poppy’s friendship. He rarely took no for an answer when it came to inviting her out. He was new to New Jersey - a much younger player in a slightly older team - and his rookie season had been rough, so it came naturally to Poppy to want to provide comfort. She introduced him to some of her friends, showed him her favourite spots close to his apartment, found him a decent barber, picked up extra fruit whenever she went to the farmers market near her parent’s house and took it over to his and Ty’s place when she came back home so she could mother him into having his 5-a-day as if he didn’t have access to the best nutrition coaches in the country. Despite her best efforts, Jack had weaselled his way under her skin in the way only a brother could.
Nico’s charm was entirely different.
Nico’s charm came in the form of convenience at first - in the oh I live that way, I can drive you and I have some time, I can do some media stuff for you type of way. Convenience blended into companionship - I haven’t eaten either, we should go for lunch together and I’ve been wanting to watch that movie, do you want to watch it with me?
It turned into grabbing food together, even on days neither of them were working - breakfast, brunch, lunch, dinner, even coffee or sometimes drinks if they could meet up with the rest of the team. It turned into him spending time at her place, whether it was helping her paint her apartment, putting up her new wardrobes, or just binging whatever crazy long series Poppy had decided to start over from the beginning - she provided him with a sense of familiarity and calm he couldn’t really find in anyone else he had met in his time in the states. She became his person, his home away from home, away from home.
And he became hers.Ā 
There wasn’t as much she had to escape; her job not as strenuous, the expectations of her not as high, but when things built up for her - when her mother became overbearing, or her latest endeavour into a relationship crashed and burned - Nico was there. He’d make sure she had a distraction, made sure she was looking after herself, and, in turn, would look after her as well. He made sure she got home safe on nights out, or when they returned from a roadie and landed late - he would always make sure to see her off into the comfort of her own home before he went back to his own.Ā 
And that first time she’d fallen asleep beside him, he’d done the same.
He’d wrapped an arm around her to make her as comfortable as possible for as long as he could, and when the movie had finished - when her face was burrowed into the side of his chest, soft snores falling from between her lips - he gently drew her back to consciousness with his hand stroking at her cheek.
She’d been a little startled, hand shooting up to wipe at her chin and thankful she hadn’t been drooling on him - although with the easy smile he was giving her, she had thought he of all people wouldn’t have minded.Ā 
ā€œMovie’s done, do you need a ride home?ā€ His voice had been low and soft as not to worsen her apparent disorientation, and his hand was still lingering by the side of her face.
She had nodded, blinking away her sleepiness, and working her way up from the couch and onto her feet, stretching out her muscles as Nico did the same.
The two of them bid their goodbyes to the rest of the guys, made their way together to Nico’s car, and he had driven her back to her apartment, chatting on the drive about work and training.Ā 
Poppy had been cramming to prepare for her interview for the Foundation at the time - had been getting herself seriously worked up, staying up late, getting up early, barely allowing herself any time for anything fun - and Nico had seen right through her.Ā 
He’d stopped her before she got out of the car, had held her hand, rubbing at her knuckles with his thumb, and had told her that she should get some proper rest, and that she was going to absolutely rock their world in her interview in a few days time. And, knowing she was going to ignore any instruction he gave to make herself some decent dinner and go to bed early, had ordered her favourite Japanese takeout to be delivered a good half an hour after she got inside, with a text that followed telling her to sleep straight after she had finished.
She’d never expected to drift asleep with him on Jack’s couch - had never expected to open her eyes to the sight of his looking so warmly back at her.
And she hadn’t expected the same thing this morning, because, as her eyes drifted open to the intrusive light peaking through the cracks in her curtains, it wasn’t the first time she had woken up.
The first time had been to subdued movements, a slight groan of her bed frame, and the soft pattering of footsteps leading away. It had been to a hushed voice, the creak of her bathroom door, the flush of a toilet and the uttering of a name she had hoped she would never have to worry about again.
Talia.
The rest of his words had been uttered in his own language, but that she could understand.
She had acted purely on fight or flight instinct, laying back and pretending she was asleep - although as soon as she did, she regretted it, her mind racing at the million and one other possibilities she could have gone with. Sitting up, waiting for him to come out and asking him what was going on being the most rational.
But when had she ever gone with the most rational thought?
She tried not to react as she felt his presence, felt the soft press of his lips to her skin, or the placement of her bunny in her arms. Tried not to follow him as soon as he departed her bedroom, beg him to come back and whatever was going on could wait until the proper turn of the morning. Tried not to get up and go after him when the click of the lock to her main door echoed throughout the empty apartment.
And she tried not to cry as she laid in bed, overthinking herself back to sleep, thoughts racing to the point of exhaustion, and hoping when she woke up again it had just been a god-awful dream.
But it hadn’t.
The spot beside her in bed is empty, not even a crease in the pillow to prove he was ever there - only the t-shirt of his she still adorned, the one that when she takes a deep inhale, still smells like him, and the distinct aching between her thighs.
She finds more evidence of their night together in the bathroom, where she undresses herself with sore muscles and glances in the mirror to see the spattering of purple marks forming on her chest and neck. Her fingers trace over them lightly, her fleeting touch bringing vivid images forth of his lips pressing to her skin, practically able to feel the pressure of her flesh being nipped and bitten again.
He had been so attentive to her - so in tune with what she needed and wanted, and so ready to give her whatever that may be. He’d been gentle at some points, and purposeful at others, and every little thing he did, he did it with sweet disposition.
The kind of man who treats a girl like that doesn’t just leave her in the dead of night with no good reason, right?
Her mind races despite her body going into auto-pilot throughout her morning routine. Her shower is over in the flash of an eye, she strips her bed, starts her laundry, makes herself some tea and gets herself dressed - all the while weighing out all the possibilities of what could have taken him away from her, and what she would be able to understand.Ā 
That quickly turns to her imagining the worst, and a tight, constricting feeling starts to consume her chest.Ā 
There isn’t a single part of her apartment she can get away from the thoughts buzzing around her brain - her kitchen marred with the memory of what had happened on the counter, her couch, her bedroom, her bathroom - all carrying distinct memories of Nico that she needs to bench until she knows the truth.
She mistakenly thinks her escape might lie in her phone. There might be a text there waiting, explaining everything and relieving all the anxiety that has welled up in her very core.
Nia’s warnings from the night before don’t ring quick enough in her mind as the screen comes to life, the immediate barrage of notifications flooding in.
2 missed calls from Mom
Mom: Just calling to remind you of proper table etiquette in case it has slipped your mind, I won’t have you embarrass me in front of a Lyon.
Mom: Cutlery going from the outside in, hold your wine glass by the stem and dab with your napkin, don’t swipe!
Mom: Also let the man tuck your chair in and pay the bill, this 21st century woman nonsense is very unbecoming!
Mom: And I don’t want to have to bring this up but for the love of God, Poppy, have some class. I don’t want to hear mutterings of your promiscuity at the next luncheon.
Whoever taught her mom to text deserves a prison sentence, she thinks.
Tucker Lyon standing a girl up and ghosting her attempts to contact him is what’s unbecoming, not her trying to pay her half of the meal.
She can picture her mother as she reads the texts, sipping on her Manhattan on the couch in the great room, her dad already having retreated to bed at that time, and her having nothing better to do than sit and stew on her daughter’s sex life.
If she knew what was really going down last night, her mom would probably have a conniption.
Knowing she’ll no doubt be getting a call later that evening, Poppy swipes away at her text thread with her mom, immediately checking the notifications she hasn’t long received from her best friend.
Nia: hey if you happen to release yourself from Nico’s wandering hands at all today me and Kelsey are grabbing breakfast by my work!!
Nia: if you need refuelling we’ll be at Marco’s at 9 😘 
Perfect. Therein lies her escape. Breakfast with her best friends, where they can hopefully talk her down from the ledge she’s precariously placed herself on.
A catch up with her girls, and then she can distract herself with work.
Poppy: I’ll be there!!
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ā€œHasn’t he text you or anything?ā€ Nia asks, covering her mouth as she chews on her breakfast bagel, the three girls sat around a table inside their favourite cafe close to Nia’s office.
When Poppy and Nia had first moved in together, they rented an apartment in Hoboken, not too far, and their tradition of grabbing breakfast at Marco’s carried on despite Poppy living further down the river and working even further away in Newark.Ā 
Kelsey had lived in Manhattan at that time, but she stayed over so often with the other girls that she practically spent majority of her week there, and so Poppy and Nia’s routine became hers.
Poppy had given the two of them a brief rundown of her night with Nico, a safe-for-work version of events, all leading up to the mysterious early morning phone call and swift departure.
ā€œNope,ā€ she sighs, swiping to refresh her messages as if she hasn’t put her phone on loud just to be alerted when he does reach out.
ā€œHave you text him?ā€
ā€œNope,ā€ she repeats, putting the phone down and leaning back in her chair, running a hand through her already messed up hair. She’s going to have to throw it up if she wants to look any sort of presentable when she gets to work later.
ā€œIs he usually this pathetic at communicating?ā€ Kelsey asks, manicured nails swiping at a bunch of Sweet’n Lows like she’s trying to play Tetris with the packets.Ā 
Kelsey hasn’t met Nico before, not that Poppy can remember.
Despite considering her one of her closest friends, their personal lives have never quite intertwined like that - not like hers and Nia’s.
In college, things were different. They were coming into their own together, figuring out just what they wanted their personal lives to be, and so Kelsey, Poppy and Nia would all share pretty much everything, just to have someone there to validate their feelings.
But that changed once they graduated.
Kelsey moved in with her boyfriend, Liam - who just so happens to be Poppy’s idea of hell-spawn.
The kind of guy her mother would probably love.
Liam worked on Wall Street, couldn’t go five minutes of conversation without talking about stocks or investment funds. His native language was risky money moves and belittling remarks, and he treated Kelsey like an accessory to parade around in public and discard in private.
Poppy had tried a few times to open Kelsey’s eyes to the way that it was, but it soon became apparent that she had to let her friend make her own mistakes, and some parts of their lives didn’t have to cross over.
They broke up around Thanksgiving, and Poppy had tried with all her might not to show her relief, but it has made her somewhat resentful when it comes to other relationships - like no one can be happy if she isn’t.
She knows it isn’t malicious, but she restrains from letting Kelsey all the way in, all the same.
ā€œNot really,ā€ Poppy lies, not wanting to clue her in on the Big Freezewhere he didn’t speak to her for months on end. It doesn’t entirely help her case. ā€œI just don’t get why he’d sneak out to see her of all people, he told me they weren’t ever that solid, that he wasn’t happy with her.ā€
ā€œOoh, what if she’s pregnant?ā€ Kelsey is entirely oblivious to the horrific realm of possibility she has just opened Poppy up to, evidenced by the casual chuckle and subsequent sip of her coffee. ā€œMaybe she’s back to baby-trap him.ā€
Poppy thinks she would have to flee the state.
Nico is a family guy - if Talia is pregnant, he’d force himself to love her again, if he ever even stopped, for the sake of their gorgeous brown eyed, floppy haired baby, and push Poppy to the side just like he had before. And she’ll have to watch him from the sidelines, yearning for what she had just managed to touch the tips of her fingers to before it was violently yanked from her grasp.Ā 
Maybe she’d have to flee the country even - move somewhere remote where she doesn’t even have the chance of being reminded of hockey, let alone of him.
Somewhere with no coffee shops that she’d enter, and the smell of fresh pastries would remind her of all the breakfasts they had together. No railways, where she’d be reminded of his love for model trains every time she came across the tracks. No weird club music that he loves so much, or dorky wizard franchises he chastises her for never having seen.
Maybe Antarctica. They only have penguins there. No real civilisation that she knows of. No brown haired, dark eyed Swiss Gods with deep, honeyed voices that make her knees weak and dimpled smiles that do even worse.
She wouldn’t be able to cope with losing him like that, living her life in an endless mental cycle of what ifs and maybes.
ā€œKelsey, I beg of you to read the room,ā€ Nia chastises, swatting the girl on her arm before taking Poppy’s hand in her own. ā€œDon’t listen to her, she just wants us all to be single at the same time.ā€
ā€œSue me for wanting to have fun! It would be just like college, you and me full-body plunging into the dating pool. Imagine the chaos, Pop, you don’t wanna be tied down to a guy hung up on his ex right now.ā€
ā€œDating pool?ā€ Nia scoffs, turning to glare at her, ā€œYou’re hardly dry from your last relationship.ā€
ā€œI’d rather be a grape than a raisin, Ni.ā€ Kelsey chides back, and Poppy can’t help the twitch of her lips at the horrific comparison.Ā 
ā€œYou’re really gonna listen to a girl who says that?ā€ Nia asks, unable to mask the glint of humour in her eyes, and Kelsey bites back a smile, too.
Despite the ache in her chest at the thought of any of it - of Nico leaving her this morning, filling her up with empty words and false promises, potentially knocking up an ex girlfriend he is still secretly hung up on even though he told her otherwise - she manages to crack a full smile.
ā€œYou are terrible at analogies, Kels,ā€ Poppy tries to hide the grin behind her cup, sipping at her tea and letting the warmth of it soothe the pain in her throat.Ā 
ā€œI’m trying to encourage you to be a strong, independent woman here!ā€
ā€œShe is a strong, independent woman,ā€ Nia defends, ā€œShe also happens to be a chronic over-thinker with a deep seated fear of confrontation.ā€
ā€œI don’t fear confrontation.ā€
ā€œThen why are we here chit-chatting about hypothetical scenarios when you could just text him and ask what’s up?ā€
ā€œMaybe ā€˜cause that’s scary?ā€ Poppy scoffs, only half joking. ā€œWhat am I supposed to say, hey I just so happened to eavesdrop on your private conversation before you fled my apartment this morning, and despite me not understanding most of it, I definitely heard you mention someone, so could you just let me know if your gorgeous model ex girlfriend is pregnant with your perfect specimen baby?ā€
ā€œSounds like you’ve got it all figured out, you don’t even need us.ā€
Poppy rolls her eyes. Ā 
She could text him. Could be casual about it, a good morning or even an are you okay? Those don’t warrant the alarm bells she’s afraid of raising - the ones that blare out with the siren sound of run, this girl is unhealthily attached to you already!
But she doesn’t want to be the pathetic girl chasing after the guy sending her clear messages that he doesn’t want her.
It’s easier said than done not to overthink the whole thing - not to second guess everything he had said, or everything she had done last night.
She feels like she had rushed things. It was so impulsive, so charged, and after spending the majority of her week away from him, she just hadn’t been able to help herself. And that makes her feel like a hypocrite. She had told him that night he had first kissed her that things between them had gotten intense. It had been the whole reason for spending a few days outside of each other’s company, and in the first possible instance, she had thrown herself at him.
It was desperate.
And maybe that scared him.
It sure as hell scares her.
ā€œI don’t know what to do,ā€ She groans, throwing her head into her hands and scrunching her eyes shut to try and drown out the endless doubt.Ā 
She feels two hands rub at either sides of her back, ā€œListen, Pop,ā€ Nia is the first to attempt to console her, as always, and Poppy holds her breath for the harsh reality check she’s about to throw her way. ā€œYou know I am the one person who would usually be trying to convince you to cut your losses and run when it comes to guys who are no good, but this is Nico. I’ve watched the two of you ignore your feelings for far too long to let you get in your own way, now.
ā€œAnd you’re forgetting I saw him last night, before you got there, there isn’t a chance in Hell he would have left you like that without a good reason. I don’t for a second think he’s still hung up on her.ā€ Nia casts a side eye to Kelsey.
The only problem is that Poppy isn’t sure there’s a reason good enough. Not when it comes to Talia. Not when the memory of those months of radio silence is still so fresh for her.
ā€œI have to go to work in a building where his face is plastered everywhere, Ni, I can hardly forget his entire existence until he deems me worthy of an explanation. Who leaves after a night like that without even a note or a text?ā€
ā€œAn idiot,ā€ Kelsey mutters around her drink, rolling her eyes when Nia sends her another death-glare.
ā€œI’m not asking you to forget, I’m telling you to wait.ā€ Nia frowns, but her tone remains consoling and warm. ā€œYou need to stop letting what this thinks,ā€ she flicks at Poppy’s forehead, ā€œGet in the way of what this knows.ā€ She points to her chest on the left side. ā€œYou know him. You know how much he likes you.ā€
She does.
She knows Nico, she trusts him.
She can only judge him based on his actions so far - the ones that tell her that he cares. He leads with his heart, it’s his most attractive attribute. He’s gentle and loving and she needs to focus on those things over anything else.
ā€œUgh, corny,ā€ Kelsey drags, and despite her repeated efforts to discourage her, Poppy knows she isn’t being entirely serious. ā€œIf he has any non-stupid hot athlete friends though, I’m first in line when the two of you kiss and make up for double dates.ā€
Guilt pricks slightly at Poppy’s chest - for making her recently single friend sit here and listen to her complain about something so monumentally small compared to the breakdown of the long-term relationship Kelsey had just endured. Even if it was perceivably toxic.
ā€œYou’d make such a good WAG, Kels.ā€
It’s a poor attempt to make up for it, but it seems to console her friend all the same, a giant grin breaking out and flashing her perfect pearly whites.
ā€œI know.ā€
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Poppy tries to distract herself with work. Tries to make her way through her inbox of seemingly never ending emails and her list of ever-growing tasks. She types up lengthy responses, puts together a presentation, makes a bunch of phone calls she’s been putting off for God knows how long, sorts all her invoices out - she even sends a fax. In the year 2024. It’s her most productive work day she thinks she’s ever had.
She zeroes in on the ground every time she moves through the building. Ignores the pictures that line the walls of the Rock, pushes down the memories of all the times she’s walked these very halls by Nico’s side, and she thinks she’s done just about enough to clear her mind for the time being.
She hasn’t thought up some heart wrenching scenario in at least an hour by the time she’s wrapping up for the day.
She’s making her way back to her office after dropping some files off for Elaine when she catches sight of a mop of curls over the top of the chair by her desk.
Luke is sat in her chair when she enters, swivelling around and staring at the ceiling.
ā€œYou’re gonna make yourself sick doing that, you know.ā€
ā€œYou’re such a mom,ā€ he scoffs, standing up and clearly trying not to sway, ā€œYou ever tried having fun? I think I saw a glue stick on a table out there,ā€ he points through the door into the wider office space, where there are a few, less private cubicles and a common area. ā€œWe should go sniff them, let loose a little.ā€
ā€œIs that why you’re here on your day off? To huff glue?ā€
ā€œYeah, I don’t get to let loose enough. Being a rookie in the NHL is hard, Poppy,ā€
ā€œBummer for you.ā€ She pouts, mockingly, swerving past him as he rounds her desk and sits on the other side, flicking at the bobblehead version of his older brother that stands by her computer. ā€œIf you’re chasing a high can you do it with one of the other departments, it’s not a good look for the Youth Foundation.ā€
ā€œI won’t tell if you don’t.ā€
When Luke had first joined the Devils, she hadn’t expected that she would warm to him the way she has - but, surprisingly enough, considering the fact they’re brothers, their relationship recently has started to mirror her and Jack’s.
Luke is funny. He’s sarcastic and a little silly, and it can be nice to have him around when work gets a little stressful. He doesn’t let the pressures of his own career outweigh those of hers, and, despite the gap in age, she actually enjoys his company.
But he never seeks her out like this.
Their interactions have always started through other people. Group conversations that dwindle to just the two of them, or he usually accompanies Jack to bug her and carries on when Jack’s ever-so-busy schedule takes him elsewhere.
She can’t think of another time he’s just shown up in her office alone.
Especially on his incredibly rare day off.
ā€œWhy are you actually here?ā€ She asks, casting a suspicious but half-playful glare his way as she starts to pack up her things.Ā 
ā€œCame to see if you wanted to join us for dinner.ā€
ā€œAw Lukey,ā€ she reaches over her desk to pinch his cheek, ā€œI’m flattered and all but I’m a little too old for you.ā€
ā€œHa ha,ā€ he swats her hand away, ā€œUs. Me and Jack. Maybe a couple of the others if they’re free but you can pick where we go if you make a decision quickly, we were thinking a steakhouse.ā€
She narrows her eyes at him, expecting him to crack a joke about her being old, but he just looks back at her awaiting a response. ā€œWhy?ā€ She drags out the question, her movements stopping completely.
ā€œMaybe ā€˜cause humans need sustenance to live? What do you mean, why?ā€
ā€œWhy would you want me to tag along on your bro date?ā€
ā€œDon’t call it a bro date,ā€ Luke cringes, ā€œJust remembered you were working today and we were in the area, don’t know why you’re being weird about it.ā€
ā€œYou’re being weird. You guys never let me choose where we eat. Don’t you remember that time we grabbed dinner when you guys drove me home and Jack told me to stop being a pussy about my seafood allergy ā€˜cause he wanted sushi.ā€
ā€œDon’t blame me for the crimes of my brother, Poppy, he was obviously joking.ā€
ā€œI had to eat tofu, Luke, I don’t find that very funny.ā€
ā€œAre you coming or not?ā€
ā€œThat depends, how do you have your steak?ā€
ā€œWell done.ā€
ā€œOh! Then absolutely not.ā€
ā€œRemind me never to try to be nice to you again.ā€ He scowls as they make their way out of her office, and she locks up behind the two of them.
ā€œGladly, it’s creeping me out.ā€ She grabs at his elbow before he can carry on, stopping him in the otherwise empty common area where she knows no one is around to listen in. ā€œIs something going on, seriously?ā€
Luke rolls his eyes, but she knows him well enough that it’s only done in an attempt to avert from her gaze.Ā 
Bingo. He’s hiding something.
ā€œI just thought you might want some company.ā€ He shrugs, shoving his hands into his pockets and twisting his lips to keep from saying much more.
ā€œWhy?ā€
If Poppy wanted to spend her life getting a straight answer out of people for a living, she’d have become an interrogator. What is it with these guys and their inability to answer a simple question?
ā€œJack said you left the party last night with Nico.ā€
Poppy’s eyebrows scrunch so close together that she can feel a deep crease form between them. What on earth does that have to do with asking her to dinner? Or being overly nice to her?
Unless-
ā€œYou’ve seen him?ā€
ā€œThis morning.ā€
ā€œOh.ā€
All of her efforts from throughout the day seem to have been for nothing - an immediate rush of insecurities flooding her mind.
Where did he see him? What did he say? Was he okay? Was Talia there?
She feels like she can gauge an answer from the way Luke looks. Sheepish, almost, like he doesn’t want to say something he knows will hurt her feelings.
She had to have been with him. He wouldn’t just show up to her office like this if it wasn’t something that would seriously hurt.
She wishes she wasn’t the kind of person who did this - who filled in the gaps of conversations and always came out with the worst possible outcomes - but she can’t help it. She’s been doing it all her life, and there’s rarely ever an instance where her instincts have led her astray.
She knows it’s some weird part of her mind protecting her, but she needs to do something here. Nia’s words from earlier ring like a warning. Don’t let what her brain thinks get in the way of what her heart knows.
Her heart knows Nico wanted her. Knows Nico liked her. Knows Nico wouldn’t do anything to hurt her.
She needs to figure things out for herself and stop running, stop letting her mind fill in the gaps of a situation it can’t even comprehend to begin with.
She reaches her arms around Luke’s shoulders, stretching up on her tip toes to pull him into a hug before rubbing her knuckles into his curls, affectionately.
Luke Hughes is sarcastic and silly, and he cares enough about her to not want her to be alone if she’s going through something.
ā€œThank you for the offer, Luke, but I’ll be alright.ā€
ā€œAre you sure?ā€
She nods, a tender smile tugging at the corners of her stubborn lips. It takes over her face, eyes glinting fondly and cheeks warming.Ā 
ā€œYeah, you can walk me to my car if you’re that worried about me though.ā€ She loops her arm through his elbow as they make their way to the parking lot, and when they get there, he makes sure she’s in her car and has set off before him and Jack leave.
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As if her day can’t get any worse, the elevator in her building is cordoned off with tape and a sign when she gets home, and she has never regretted moving up a floor as much as she does when she’s trudging up 6 flights of stairs.
She’s exhausted. Emotionally and physically, and she just wants to throw herself into bed and pretend the last 24 hours were a terrible dream.
Only, as she rounds the final corner to get to her door, any hopes of that go straight down the pan when her eyes land on Nico, standing in front of her door with his hands buried in his jacket pocket.
He looks tired too - hair messed where he’s no doubt been taking his cap on and off for however long he’s been stood here, running a hand through the tresses until they’re all askew.Ā 
His shoulders are slumped, and he doesn’t even greet her with that pretty smile he usually gives her.
His lips do curve up a touch - limp and half-hearted, not even enough for a dimple to form - but it doesn’t provide the comfort she had thought it would.
She feels anxious. A culmination of the day’s emotions washing over in one go. Sad, regretful, nervous, disappointed - all things she shouldn’t be used to feeling when it comes to Nico, but are all too familiar when she takes the last few months into account.
ā€œHi.ā€ She gives a weak smile of her own.
ā€œCan we talk?ā€
She wishes he’d have just said hi, back. That might have relieved the tightness in her chest just a little.
Nothing good ever comes of can we talk?
He steps aside as she approaches, maintaining a safe distance as she opens the door and enters her apartment.
The Nico from yesterday might have brushed past her, the graze of an arm or a lingering hand, but this Nico doesn’t. He barely even meets her eye.
He closes the door behind himself, watching as she discards her bag and keys to the console table on the side, and while she’s turned away from him, she tries to let whatever emotions need to come out cross her features where he can’t see them.
She needs to be cool about this, she thinks.
If she doesn’t get her back up, doesn’t get agitated, she won’t scare him off.
ā€œAre you okay?ā€ She asks once she’s turned to face him, not liking how he stands unmoving by the door. He hasn’t made any effort to settle in - his jacket still on and his hands still hidden in the pockets.
ā€œShouldn’t I be the one asking you that?ā€
She realises now that she can get a good look at him that the expression he wears is one of shame. Guilt. Apprehension. She needs to be careful and toe the line before he gets consumed by it, she realises.
She steps toward him a little, and he doesn’t back up - not immediately, not obviously - but he hardly welcomes her approach, either.
She doesn’t like feeling this way when it comes to talking to him - feeling uneasy and unsure, but there’s a part of her that’s tired of having to prompt him for answers.
He had been the one to leave this morning. Why can’t he just come out and tell her why?
ā€œI’m alright,ā€ she shrugs, not wanting to scare him off with the truth. ā€œSuper tired, though, can we sit?ā€
She wonders if he thinks about the same things she does as they make their way to the couch. Wonders if he can feel the scratch of her nails on his torso, or the brush of her lips against his, as they sit in the spot where not even 24 hours ago, their bodies had been intertwined.
He doesn’t sit right beside her as he normally would, and she finds herself missing the way his thigh usually brushes against her own.
She doesn’t know where to start or what to ask, and so she basks in the silence for a little - finding comfort in the fact that, despite the mess they’re currently in, they aren’t quite at the end yet.
But a part of her feels it coming.
She’d known it this morning if she lets herself listen to the rational voice in her head. As soon as she’d heard him say her name, as soon as he’d left, a part of her knew that was it, and maybe if she’d let herself believe it at the time - hadn’t talked herself down and convinced herself she was being irrational - she could have protected herself from all the ways this is going to hurt.
ā€œI’m sorry.ā€ He says, and when she looks up, he’s looking down where his large hands are now clasped together in his lap.
ā€œFor what?ā€ She manages to choke out.
ā€œLast night, I,ā€ she digs her nails into the palms of her own hands to stop herself filling in the gaps as he figures out what he wants to say, but it’s no use.
He’s sorry for last night.
Last night, he made a mistake.
Last night, he was drunk, he was confused, he was just looking for something or someone to keep him occupied.
ā€œI care about you so much, Poppy.ā€
That sentence shouldn’t be the one that fills her with dread, but it is.
ā€œYou’re my best friend, and I love you,ā€ he does look up as he says this, eye meeting hers in an attempt to convey his honesty, but she sees more of the truth in his glassy gaze than she hears in his words. ā€œThis morning, I panicked, and I just needed some time to figure out what I want.ā€
No, no, no.
She’d rather he tell her what actually happened than do this. Than pretend he left because he doesn’t want her.
ā€œI love you-,ā€
ā€œYou said that, already.ā€ She can’t help the bite in her tone as she prepares herself for the hit. The I love you, but.
ā€œYou’re so important to me. Being your friend, it’s like it’s what keeps me sane lately.ā€
She chews at the inside of her cheek as she feels the tears start to well at her lash line.
ā€œPoppy, I don’t want to mess up what we have,ā€ he shakes his head as his gaze drops, dark eyes darting to focus anywhere but on her own, pleading and watery as she watches him slip away. ā€œI don’t want to hurt you.ā€
ā€œYou don’t think this is hurting me?ā€ She feels weak as her voice breaks, ā€œYou don’t think this is already messy?ā€
She reaches out to take his hands in hers, digging in to unclasp them, to try thread her fingers through, but he doesn’t make it easy.
ā€œNico, I love you, too, you know I do, we can figure it out, you don’t have to run away from me.ā€
It’s a desperate attempt and she knows it is, but she needs to know she tried. When she’s sobbing into her pillow and crying herself to sleep tonight, she needs to know she didn’t just let him go without a fight.
ā€œI can’t give you what you want, I can’t be in a relationship, I’m no good at it.ā€Ā 
Regardless of what she had told herself earlier, about taking what he says at face value, and trying not to fill in the gaps like she does so often with everyone else, she can’t help herself. When he says, I can’t be in a relationship, he means with her. He can’t be with Poppy. He would be no good with Poppy.
ā€œWhy are you doing this?ā€
ā€œI told you-,ā€
ā€œNo, you said before that you’ve wanted this for as long as you’ve known me, you don’t just wake up and change your mind, not after-,ā€ Poppy starts to feel panic building within her like a flipped over sand timer. Rising and rising until she starts to feel nauseous, getting harder with each second not to jump to conclusions.Ā 
The voice inside her that tells her he got what he wanted and decided it wasn’t for him sounds caustic and bitter, and if she hadn’t wound herself up so much about this whole situation over the course of the day - the past week, even, or the months before - she might have been able to fight off the way it so easily convinces her.
ā€œI have to put the team first, it doesn’t matter what I want, I have to focus on them, on hockey.ā€
She’s too caught up in her own emotions to notice how weak he sounds - glassy eyes unable to catch the glint in his. All she can hear, all she can see, is the minute hints of a cover-up - that she isn’t getting the whole story, that he’s lying to her, and that the excuse he’s giving is cowardly.
He still hasn’t mentioned the call, hasn’t mentioned Talia, hasn’t explained why he left her, why he didn’t say anything, why he didn’t come back.
ā€œAnd you didn’t know that before?ā€ She scoffs, pushing herself up off the couch and stepping away from him, ā€œI can’t believe you would do this to me.ā€ She wipes the tears from her cheeks as soon as they fall, but she can’t rid her skin of the feeling that they were there, her flesh damp and sore.
ā€œI know we took things a little too far last night, but that doesn’t mean-,ā€ She almost thinks he notices how bad that hurts her, referencing the night they shared as a mistake - an instance where they got carried away, and not where they followed through on years worth of built up tension and adoration for one another. She doesn’t even have to fill in the gaps, this time. Took things a little too far is clear enough. ā€œWe can still be friends. I want to be friends.ā€
ā€œFriends?ā€ Poppy jeers in disbelief, turning completely away from him now and missing the tears that drop from his own cheeks - missing the way his chest cracks and stretches open in a last ditch demonstration of his vulnerability, his desperation not to lose her completely. ā€œYou should go.ā€
ā€œPoppy,ā€
ā€œI can’t,ā€ she tries so hard not to cry, knowing she won’t be able to stop, but the words come out in a choked sob, and her voice carries on in the whiney way she always hates. ā€œYou told me you wanted more, you said I was yours, and I’m supposed to just act like it never happened? Just accept you didn’t actually mean the things you said?ā€
ā€œI meant them,ā€ he says, defiantly, so sure of himself that it makes her head spin. ā€œI wouldn’t-,ā€
ā€œNo, you didn’t. You’re a liar. You were either lying then, or you’re lying now. I don’t know which is worse. I can’t be your friend. I can’t pretend like you can that I don’t feel the way I feel.ā€
ā€œPlease, Mohn,ā€ His fingertips just manage to reach out to land on her forearm before she shucks him off, wincing as if his touch has pained her.
ā€œDon’t.ā€ She takes an immediate step back, arms crossing over herself as a defence mechanism, body language screaming at him to go away, and she watches his pleading eyes drop to her arms just as she feels the cold of the metal there - so in tune with her every thought despite his denial of their true connection. Her arms move before her mind can make the decision, before it can remember what even sits on her skin, and her shaking fingers fumble to unclasp the jewellery adorned on her wrist. ā€œYou should take this back.ā€
Nico shakes his head, stepping back and away from the outstretched hand that holds her gemstone bracelet like it’s an actual danger to him. ā€œNo, that’s yours, Poppy.ā€
ā€œI don’t want it.ā€ She knows she’s the one that’s lying now. She wants the bracelet. She wants him. She doesn’t want him to leave. She wants to be his friend over being nothing.Ā 
But she doesn’t want to hurt.
Looking at him hurts.
Remembering last night, remembering their kiss, the things he has said, the things he has done, it all hurts, and she can’t keep hold of a constant reminder of the pain, can’t wear it on her person at all hours of the day just to know deep down that the man who gave it to her will never want her the same way.
ā€œI want you to leave.ā€
ā€œPlease,ā€ he begs again, head tilting as devastation floods his features, brows pushing together, tears welling at the corners of his eyes, ā€œWe need to talk about this-,ā€
ā€œNo, you were right, we went too far, it was a mistake.ā€ Her voice breaks as she says things she knows she doesn’t mean, but he’s already put it out there, so she doesn’t see the harm in echoing his own opinions. ā€œThere’s nothing more to talk about.ā€
She can’t look at him anymore, and so she drops her gaze to his hands, stepping and reaching forward and forcing him to take the bracelet from her before she rounds the couch and heads to the door.
If he isn’t going to give her the whole truth, she isn’t going to entertain part of the story, and she needs him gone so she can give in to the way her body wants to fold in on itself.
It takes him a minute to gather himself, but she refuses to look his way, waiting by the open door to her apartment and staring at the floor in front of her until his shoes appear.
ā€œI do love you, Poppy. I’m leaving because I don’t want to upset you any more than I already have, and I’ll give you space if that’s what you need, but I’ll be here when you want to talk about this. I mean it when I say I can’t lose you.ā€
Ā She doesn’t say anything. She can’t say anything.
There’s a stabbing pain that’s building and building in the centre of her chest, and she doesn’t even think she can breathe in his presence.
He clasps a hand around her upper arm, and leans into her, his lips pressing a firm kiss into the crown of her head, and he lingers there for a moment before he retreats.Ā 
She manages to push the door closed behind him, the click of the lock louder than ever, and waits a good few minutes in silence before her body is wracked with a silent sob.
The one time she had tried to be brave and fight her own intuition, and this is where it gets her.
So much for Nico wouldn’t do anything to hurt her.
Next Chapter
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whinlatter Ā· 1 year ago
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author's note | chapters 13 & 14: the moult & the vulture
now the dust has settled... thank you for reading chapters 13 and 14 of beasts! thank you also to the askbox angels who asked for the author’s note (it is still mad to me someone reads these). now, it's inquiry time, baby - and boy are the gloves coming off, and the secrets spilling out. the wait was long; so were the chapters. sorry, again, about that. so - kindly read on for discussion of some major themes and plot points, a little on song choices, and some juicy deets and a sneak peek of chapter 15... and 16…
✨ spoilers for this chapter below the cut  ✨
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writing notes and headcanons
first - that cliffhanger (and some context): now up in a separate post. read it here!
second - a thank you! the reaction to these chapters has me in absolute bits. i'm a soppy sentimental shit at heart and this really did make me the happiest little girl in the world. so thank you forever and ever for that.
third - an acknowledgement, as ever, to @saintsenara, whom i bounce all the inane details off of, whose takes absolutely slap and who i hope will forgive me for making her boy rookwood such a flop.
divide and conquer/accidentally wrote two chapters again: what am i like! the trouble is - life-stuff aside - i was excited about these chapters (and the reveals), but also put far too much pressure on them to do a huge amount of heavy lifting, and to get the story to a place it wasn’t yet at and needed to get to quick. the writing challenge for these chapters was that i needed a series of plots to hit a rolling boil so we can get to the flashbacks to ginny’s war and all the reveals. and it took fucking ages to work how to structure and serve them as each needs at this point in the fic, and try to find a set of themes/devices to tie those plots together into something cohesive (especially because writing fic is much more like dropping tv show episodes in structure rather than actually sharing a novel, in part because you drop them one at a time at intervals, and i think the more successful ones can stand alone while also serving the overall body of work). i have - i confess - knitted, in my time, and you know when you have really thick wool and thick needles and you’re trying to slowly eek off one stitch onto the other needle and it actually really starts to hurt? it felt like that :)Ā 
two inquiries, both alike in dignity: god, i love an inquiry. the truth being dragged out kicking and screaming by Ā the state, buffeted by political winds and a rapacious press? inject it. at last, the past is getting properly dredged up, and all sorts of buried secrets are getting unearthed in the process. so: in the present, the hogwarts inquiry is under way, and the wizengamot has assembled to hear what exactly has been going down in that cursed drafty old castle. in the past, though, we have flashbacks to a separate inquiry, into the events of 1992-1993, after the chamber of secrets was opened, where it wasn’t hogwarts on trial, but ginny herself (in a way). the events of ginny’s first year have haunted her in diffuse, quiet, private ways in the flashbacks throughout this fic so far, but we’re moving into the part of the fic where we see just how much they changed the course of her life and who she is as a person. in canon, ofc, we only see harry’s view of the aftermath of ginny’s ordeal in the chamber - dumbledore is reinstated, lucius gets kicked off the governors, ginny weasley is ā€˜perfectly happy again’... but would that *really* be the end of it? doesn’t it seem perfectly plausible the ministry would investigate given the scale of publicity and threat to student lives, given (as discussed previously) the ministry canonically holds inquiries of varying scales for all sorts of things in canon? wouldn't they hold one for this?
ginny's guilt: in CoS, young harry never blames ginny for any of it: she was hoodwinked, he recognises, and not at all culpable. it’s very harry, and it’s a compassionate read of the situation. but given how little we know dumbledore tells anyone about what the diary actually was (even lucius didn’t know), wouldn’t ginny expect to face at least some questions about her own involvement and culpability, even if she was clearly to some extent also a victim? (the nod to colin’s mum is there as a reminder that there were real victims of the basilisk attacks: ginny could easily have been responsible for the deaths of several children, including her own friends, and if it were my child i think i’d want to ask at least a question or two). what i wanted to show with these flashbacks was this very formative experience for young ginny grappling with her own guilt and her place between two wars, having to face difficult questions about her own complicity in dark magic and attempted murder; for there to be echoes of ginny’s experiences in the experiences of young death eaters during the second wizarding war, and to start to properly draw these themes about choices, moral agency and grey areas, about children’s radicalisation and wars fought both by and through them, and, in particular, where ginny weasley sat within them. what i wanted to show was how ginny’s political and moral worldview was shaped in those pivotal years: her guilt, her sense of her own failings and inadequacies, how discontent she was to be a victim, how obsessed she is with being an agent and a soldier, how much she feels she has to prove. i might bash out a proper meta on this but i think it’s so telling how ginny talks about her second year later on in canon - how haunted she is by the forgetting (in OotP), and how much she sees it as having ā€˜[taken] orders’ (in HBP), rather than thinking of her possession as just playing host to another entity. here, it’s dumbledore who points out the key traits that led ginny into riddle’s path: her loneliness and isolation, her many insecurities that made her so vulnerable, her fear, a certain desire for self-preservation. even though we know most hogwarts students don’t seem to really know what happened in CoS, and certainly not ginny’s part in it (terry boot in OotP is like ā€˜lol did you kill a basilisk with a sword!’ which seems to be the extent of the student body’s knowledge of what went down). but i like the idea of there being a record of ginny’s darkest moment in her file, ink and paper proof of this most formative experience in her life, dumbledore dancing around her defence but keeping his cards close to his chest - and also there to pursue if anyone planning a hogwarts takeover was interested in finding someone close to the order of the phoenix who might be a weak link in the chain and be persuaded to flip…
dumbledore: dumbledore appears here only in flashbacks - he’s still absent from his portrait in the present - but it was sooo fun (re)introducing him as a character for the fic for the first time. what i liked about writing dumbledore’s dialogue (though it’s actually much harder than i expected, and i don’t feel that great about some of the lines) was that it was a chance to get a bit meta with the dumbledore bashing tropes that circle around fandom - you work through child soldiers, you monster etc - and try and do something a bit more interesting with them, or at least ask some questions (child soldiers or human shields? can children fight for what they believe in? how you fight a fair fight when the other side sees children as fair game - do you confine children to victimhood, or do you acknowledge, or even encourage, their own moral agency and desire to fight back?) dumbledore is walking a very difficult moral line here: defending ginny, but declining to disclose information that might conclusively exonerate her - eg. the existence of voldemort’s horcruxes - in the name of his most favourite thing, the greater good. in dumbledore’s mind, ginny deserves a defence, but not the whole truth, because that’s too important and bound up in a much bigger picture. dumbledore is always playing 3D chess while everyone else plays chequers. should dumbledore have revealed the horcruxes to conclusively exonerate ginny here? no, right? and yet. one day ginny will name her middle son after this man, and we might start to think about why. is it just loyalty to harry? or something else? i wanted us to see ginny’s political worldview being built, and her view of war and a soldier’s role in it, all themes that will be super important as we go back in time to see her war as she lived it in future chapters.
the intellectuals: one of the least developed but most interesting parts of the wizarding world in canon are the ideas and the people who have em. the series has a lot of important characters that are supposed to be eminent thinkers, but it doesn’t ever really linger on ideology, in the end settling on a kind of boilerplate liberal universalist good vs evil message which is fiiine but much less interesting than actually playing around with the concept of political thinkers and political thought in wizarding culture. it’s why i find the department of mysteries so interesting and so ripe with potential; the idea of a space of intellectual inquiry and investigation, but also a place where the staff’s moral allegiance is kind of a question mark. i loved introducing rookwood here and playing with a different kind of death eater, especially juxtaposed with dumbledore’s reflections in the flashback testimony. rookwood isn’t a bruising thug for fire, or a self-serving machiavellian real politik type or a coward acting out of fear, but someone who really believes in magical supremacy and has built a robust political worldview around it. there’s something really chilling about that. we’ll be seeing him again and i unfortunately am now so rookwood-pilled i worry i will never recover. i knew i’d get hegel in there somewhere! and they said it couldn’t be done! ariana carl schmidt what are you doing here!
kingsley vs minnie: delicious to reignite the minnie discourse, especially to come out to try and beat the minnie-bashing allegations that have jovially dogged me thus far. so far in this fic, kingsley has been an unrelenting goodie, someone who came to ginny to get her endorsement of the inquiry and framed that approach as the righting of a moral wrong in letting the victims of a death eater-run hogwarts have their day in court. minnie, on the other hand, seemed like ginny’s opp, defending a toxic status quo and making wild suggestions like ā€˜do your homework’ ā€˜don’t play quidditch when you might die’, like some kind of fucking idiot. in the series ministers of magic are canonically not to be trusted - harry certainly never meets a minister who doesn’t try to put the squeeze on him - and it’s extremely fun to sow these seeds of doubts about kingsley’s motivations here, especially when using ginny the protagonist as canon harry’s mirror (ie. a narrator who is frequently a dumb bitch). what’s kingsley up to? answers on a postcard. but i’ll die on the kingsley is a slytherin hill i’m so sorry! and speaking of minnie…
mother figures (or: the pitfalls of shipping your mum out to the dominions): look i bummed myself out with this one. i have had that the mrs granger knife crime incident scene written for SOoooooo long let me tell you. i’ve written elsewhere about how much this fic is really so much about the girls, and - especially - the girls and their mums, or the people they make mother figures out of. one of the least satisfying of the ā€˜all was well’ aspect of the series was that actually, at the end of DH, you have a whole host of people who were probably never going to be well again, and i very much see hermione’s parents in that camp. the world and his wife has an opinion on hermione’s decision vis-Ć -vis her parents. hermione’s stans see it as her deepest personal self-sacrifice; her haters take it as yet more proof of her monstrousness. even if you imagine the grangers were totally mentally well after having their muggle brains messed around with by powerful magic, it is hard to imagine how their relationship with their daughter could ever really be the same again after hermione played god with their minds. but also - as ron says - hermione was motivated by a desperate desire to protect two people who would never really be able to wrap their heads around the peril (such was their distance from her life in the magical world), and who conceivably did need to be yeeted halfway across the world to get them out of harm’s way. the choices made in war - the inglorious, imperfect decisions not of purist heroes but of soldiers in the grimmest of circumstances - are so interesting to play with writing post-war fic, and i have found it so interesting and so sad to play with; especially the idea of girls coming of age and learning to see their mothers clearly, and - in the case of both hermione but also ginny - having to wrap their heads around the possibility that they may never really be ok again, and asking what that means for them, their daughters.
(also hermione brawling at ballet is a tribute to a very dear friend of mine who was in fact asked to leave our ballet lessons for pulling another girl’s hair in a fight over the barre in a pre-primary exam. monstrous competitive precocious stroppy madams unite!)Ā 
hinny: i’ll answer some of the Qs i’ve had about this in a separate little from the postbag post shortly, but i do want to say: the thing with these chapters is that it was really important they happened after harry and ginny have had some breakthrough in the preceding chapter, where ginny has agreed to be honest and harry has asked her to let him help her and not to protect him from the truth. i always wanted harry and ginny to write these letters each other and promise to be honest to work on bridging the gaps between them and overcoming their own failings to work to do better by each other, and for those letters to now look like contracts they have to hold each other to. how will harry take it? they’ve made a commitment to each other. now they’re testing that commitment, and that’s going to take a lot of work, especially on harry’s part. (also ofc he had to find out at shell cottage, the official place of harry realising stuff. he’s going to start declining bill and fleur’s dinner invitations fr.)
ron weasley is our king: this whole fic is just ron apologism and i will never apologise for it. helping his girlfriend's traumatised mentally scarred mother with a bit of tlc and a spot of gardening! rescuing neighbour's children from trees! you will never be able to convince me ron weasley wouldn't be a great fucking boyfriend to one ms hermione granger. do not ever try!
last thing - sodding quidditch: fucking hate writing it!!! hate it with my whole heart!!! i see why everyone writes hermione now. you don’t have to give a shit about those stupid balls if granger's your gal. the mystery of what’s going on with ginny on her broom continues, with ginny’s apparent ability to seek (just about) but not chase throwing up more questions than answers. what was fun about writing this bit was getting to write ginny the captain and the team player, taking on great risk for the team - of injury, of humiliation -Ā  and also place her in this surround that the trio never really operate in: a character who is canonically very popular and liked by her peers, who has played the thoroughly selfless and unrewarding role of backup seeker and potter understudy for years for her house, and who will saddle up at enormous personal expense not just because she is brave, or inherently self-sacrificing, but because she wants to make the people around her happy - her gryffindor family, but also the hogwarts student body at large. the trio are much less motivated by the well-being of the other children around them - they have higher-minded self-sacrificing tendencies about a more abstract moral good. neville and luna, the other two members of the silver trio, are goodies but unpopular oddities. it’s an underplayed part of the series that harry and the trio turn around in their sixth year and clock that somehow ginny turned out to be very liked and respected by the popular and unpopular of hogwarts alike, admired for being a) a laugh and b) someone who cares about other people and wants to get on with them. (makes you realise how often protagonists are removed from their peers in a slightly lofty they don’t understand me or being popular is beneath me vein.) this isn’t just a Nice Thing: i think it’s important for who ginny is as a character, and will be important for thinking about her wartime motivations, too.
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reading list:
not done one of these in a while! but most things should come with a reading list, and these chapters are no different.
on ministry bureaucracy and the state (actually read this after these chapters were done but desperately wish i had read it before ffs):
Subluxation by @saintsenara
on hermione's mum/parents:
alone now by Kyra Along the Way by ElizabethCulmer you were broken-hearted and the world was, too by celaenos
on post-war justice and difficult questions:
what you're not to do by irnan
on the potters and the sea (more vibes than subject matter - this is next gen - but this one is gorgeous, and really got me thinking about harry and ginny's family by the sea):
Eyes like Sea Glass by @clerical3rror
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songs from the playlist for these chapters:
for chapter 13 i went all moody, building dread, bit of a throwback to michael corner calling ginny a tryer with the taylor swift choice (i've never been a natural/all i do is try, try, try). that kate bush song basically got this chapter written i swear to god:
she is like the swallow by karan casey | waking the witch (2018 remaster) by kate bush | house of the rising sun by joni mitchell | bane by alt-j | afraid of everyone by the national | mirrorball - the long pond studio sessions by taylor swift | what if the birds aren't singing they're screaming by aldous harding
for chapter 14, much more abstract, a bit more instrumental, and out to sea (watershed moment; the tide is rolling in, kids). tortured poets is a deeply flawed deeply uneven album by a deeply un-self-aware artist convinced she knows herself well but but i'm afraid the albatross is very good (so is guilty as sin but it wasn't the moment for a matty healy wank anthem now was it):
the opportunity passed in less than a minute by roy montgomery | the albatross by taylor swift | first of the tide by erland cooper and benge | wash by bon iver | escapism by a. blomqvist
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about chapter 15 (and 16…)
the next chapters are ginny's war. they're (almost) all flashback, and i am sooooooo excited about them (and desperately hope you will like them jfc). i am in the unusual position of now picking up great enormous pieces that i wrote over a year ago and dusting them off and sorting them out and rewriting bits and writing new bits around them. there's probably two chapters in it, so am currently expecting chapter 15 and 16 to drop at the same time (that might change, but for now, that feels right to me). i'm tip-tapping as fast as my little fingers can carry me. here's the least spoilery sneak peek i could rustle up!
'I'm not smugglin' in nuthin", says Hagrid. He raises a large muddy finger at her. 'I want yeh to listen to me, for once in yer life. Keep yer head down. Go to yer classes, have yer dinner, put up, and shut up. They're lookin' fer a reason to go after yer family. Reckon the best thing yeh can do for the Order is to keep to verself and stay out o' trouble. Reckon that's what yer mum wants yeh to do. Reckon that's what Harry wants, too.'
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phoenix-downer Ā· 2 months ago
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My Writing Process
1. I am either possessed by the Spirit of WritingTM/some creative muse and churn out a ridiculously high word count while losing complete track of time OR it takes me a ridiculously long amount of time to finish a single chapter or oneshot because I keep fiddling with it.
2. I wait a couple of days, read over it again, and wonder why it sucks compared to everything else I've written.
3. I remember that everything else has already been through the editing process. Sometimes multiple times.
4. I have a moment where I wonder why I always forget this.
5. I start editing the chapter/oneshot and wouldn't you know, it finally starts to become something closer to what was in my head.
6. I lament how it will never quite be what was in my head.
7. I remember my readers can't see inside my head and won't know the 30,000 different versions I considered with slightly tweaked wording and will only know the final version I post.
8. I wish for the hundredth time I could experience what my writing is like from a reader’s perspective. What it's like to experience the plot twists, jokes, heartwarming and romantic moments, for the first time. Are they actually landing the way I want them to, am I building up my plot points well, etc.
9. I make my peace with reality. This is what alpha and beta readers are for. Off to them the chapter or story goes.
10. Time for further edits and tweaks. Now things are really starting to come together, especially if I take a second or third crack at a specific scene.
11. When the chapter or story is ready, I think up a summary, tags, etc., and post. How detailed my author's notes are depends on a number of factors, including my overall excitement level, how tired I am when posting, my sources of inspiration, how many people I need to thank, etc.
12. No matter how many times I looked over the chapter or story, no matter who I asked to look over it, there is an inevitably a typo somewhere, like some unwanted stowaway I didn't ask for. Sometimes I do not discover these until years later.
13. I stealthily edit these upon their discovery and wonder how many people saw them in the meantime.
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cal-daisies-and-briars Ā· 5 months ago
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Also here’s a few more of the gift ones! I just think they’re neat :p I find it so fun to learn a bit more about how you feel about each of your stories!
šŸŽšŸŽšŸŽšŸŽšŸŽšŸŽšŸŽ (for the chapter you’re currently most excited to share)
šŸŽšŸŽšŸŽšŸŽšŸŽšŸŽšŸŽ (for the story whose plot you’ve had the most fun figuring out)
šŸŽšŸŽšŸŽšŸŽšŸŽšŸŽšŸŽ (for whichever story is calling you to write at this second)
I hope you have fun! And I know this is technically a rouge way of playing your make me write game, so if you’d rather I not send more of these ones in the future just let me know.
Thank you as always for sharing your amazing talent and the stories that bring me such joy!
- PCA <3
HI PCA! Doing this one first because matching the fic to your questions is so fun for me. I love this.
First šŸŽ: chapter I'm currently most excited to share - would be šŸ”¼ because we're about to hit A POINT.
21 for šŸ”¼:
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ā€œAnd, uh… And Jane. She… I mean, you’re doing such a good job, Shannon. She’s so beautiful.ā€
ā€œIsn’t she?ā€ Shannon chuckles.Ā 
ā€œIt’s the same over a screen.ā€
ā€œNo,ā€ Shannon says. ā€œIt never was.ā€Ā 
Eddie sighs. ā€œI really miss you.ā€
ā€œYou just saw me,ā€ she teases, but he can hear that her heart isn’t really in it.
ā€œStill,ā€ he says. ā€œI do.ā€
ā€œI really miss you, too.ā€Ā 
He smiles. ā€œWe’ll be back soon. For the veggies.ā€
ā€œCan’t wait to up my salad intake.ā€
ā€œYeah, this is really for your health,ā€ Eddie jokes.Ā 
---
Second šŸŽ: story with the plot I had the most fun figuring out, I'm gonna have to say āš”ļø, because it was like my ideal ending for them when I was watching season 6.
21 for āš”ļø:
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Buck knows the moment he sees Captain Bowman that there will be trouble today. It’s not going to come from him, but there will be trouble. For one, he never tried to make trouble when he was at the 114. Captain Bowman threw it at him. For another, he’s sure as shit not going to make today harder for Eddie. He’s so proud of Eddie. Running this call like he’s been doing it forever. Buck will sooner drown Bowman under his boot in this flooding than make Eddie’s job more difficult.Ā 
It takes Captain Bowman a moment to see him. He exchanges a few words with Hen. Buck can see the smug, superior sort of look on his face. He thinks he’s better than Hen. Buck can tell. Well, of course he does. He thinks he’s better than everyone he encounters. After he’s done trying to condescend to Hen, he finally looks past her and looks at her team.Ā 
They are, of course, still working. Trying to free a trapped couple in a flooding house. They can’t go in through the halls, and the room has no windows. A hastily constructed divider put up in one larger bedroom to rent it out for more money is the reason for that. Always such a pleasure when first responders get to bear the guilt of not saving someone in time because of shit like that.Ā 
---
And for the third šŸŽ? What am I called to write? Of course🌲! So 21 for 🌲:
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Her voice is like stone. Eddie hardly recognizes her. ā€œYou’re going to release Dad from this hypnosis right now. If you don’t, I will. What happens, happens.ā€
ā€œAdriana,ā€ Sophia pleads.
ā€œMmm, no,ā€ Adriana says. ā€œI’m sick of this game. This has been our whole lives. She doesn’t actually have any power over us anymore.ā€
ā€œJust our father,ā€ Eddie reminds her.Ā 
ā€œShe won’t kill him,ā€ Adriana says.Ā 
ā€œYou don’t know that!ā€ Sophia hisses.
Helena just stares her youngest daughter down, challenging her. Willing her to call her bluff.Ā 
ā€œYeah, I do,ā€ Adriana says. ā€œMom, have you ever killed anyone?ā€
ā€œOf course not!ā€ Helena snaps. ā€œI kept myself under control.ā€
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hauntedcoyote Ā· 2 months ago
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Traffic Lights Tag Game
rules: talk about something creative you're working on of any kind.🚦 green: what is it about, what excited you about it, what sparked the idea? orange: slow down and share something from it: a photo, a few words, some more background info etc. red: what is the roadblock currently? what is one thing that is a necessary evil in making it?
GREEN
The basic idea for "Love Is A Many-Splintered Thing" came from the February prompt of the Year of the OTP Challenge. I wanted to write a small one-shot but one of the prompts I wanted to do required a third person... At the same time, several of my mutuals were creating different JonElias polycules all over my dash, but none of them sparked enough interest in me to write about them myself. However, being the local Jonah-whore that I am, there soon was the idea of "what if there's time travel?". What if it's post-MAG200? What if it's an AU? Which is how we ended up with Regency Era Jonah/Jon/Elias. I began to write and one scene became two became three became ten... until I realised "oh shit, there's a plot". And character exploration. And that's what it ended up being: a multi-chapter beast with more plot than porn.
One thing which I absolutely loved about it right from the beginning was the idea of Jonah having to confront himself at another stage in life. On one hand we have this walking Ship of Theseus that is Elias and on the other a young Jonah still on his way to avatarhood. It's also fun to explore the parallels between Jonah and Jon more. Especially since they all can be so weird about each other <3
ORANGE
Fun facts about marks:
With Jon basically having gotten a "new" body, some of his more physical marks faded and need renewal (just to be sure, really - they're actually fine). These are mainly the ones of the Corruption, Desolation, and the Hunt.
Elias was marked by the End during Mag200.
AU Jonah has a fresh mark of the Corruption.
Here is one of the snippets which were written first:
Jon buried his hands in the auburn locks of Jonah, mewling softly into the kiss. A familiar tingling ran up his spine, causing the hairs on the back of his neck to stand up. The power of the Beholding was still strong, but he didn’t think that it was coming from Jonah. No, someone else was enjoying their little show. Jon pulled away from the kiss, his cheeks flushed from the alcohol and Jonah’s proximity. ā€˜I’m not sure about this…’ Jon began but it was already to late as he felt the couch dip behind him. ā€˜It’s okay,’ Elias muttered, wrapping his arms around him from behind. ā€˜I… uh…’ Jon stammered but both of the men were already covering his neck with gentle kisses. Elias had pulled him close in a possessive manner while Jonah was gently rubbing along his sides. ā€˜Just tell us when you want to stop,’ Jonah sighed against his skin. Jon squirmed against Elias in discomfort. The thought that he could stop at any given time made this all worse, because he didn’t want to stop. Elias gently turned his face towards him and pressed his lips against Jon’s while Jonah began to unbutton Jon’s waistcoat with skilled fingers.
RED
My main roadblock is my work and me being constantly tired as soon as I get home. My schedule is all over the place, shifting from early morning (5AM) to late evening. Not only does this majorly mess with my sleep schedule, but I also do a lot of physical work and... I'm exhausted when I come home, which is why I waste most of my free time scrolling through tumblr and listening to the same five songs on YouTube while feeling bad for not writing. When I am writing, I feel bad for neglecting my other projects. I'm behind on three self-imposed deadlines as it is right now. Unread books keep piling up on my table along with DVDs, TTRPG notes, and material for book binding. On my days off, I tend to get some cleaning and gardening done. My weekends tend to be for meeting up with relatives and friends. Most of my writing gets done sometime during the week between 10PM and 1AM when my house becomes quiet and my thoughts start to sort themselves at last... It would really be nice if I could just sit down and write.
One necessary evil while writing this story is calling our Jonah Elias in the narration for distinguishing reasons. The alternative would be Jonah Jonah Jonah Jonah all over and, honestly? *long sigh* No.
I was tagged by @distracteddream thank you!
No pressure tags @cwritesfiction @tea-moth11 @buried-in-the-archives @beheldandcompelled
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sad-olive-girl Ā· 16 days ago
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i just finished Midnight Dreary and i wanted to tell you a feel things that i felt reading the last two cap
(1) The concept of all the mentors sharing the same room was really well done! while it’s exactly how i imagined it, you’ve done it in such an unique and creative way that i need i to say —you’re brilliant.
(2) You write one of the most resourceful Effie i’ve ever read. i can’t get more in love with how truly competent and smart she is. thank u so much!
(3) Peeta, Glimmer and Selkie, plus the girl’s death, was diabolical. you fucking broke my heart. istg!
(4) speaking about diabolical things, how can you sleep at night? really, after writing one of the most heartbroken mentor-and-tribute scenesof all times? Cashmere tapping the scream, asking Glimmer to wake up because of the Tracker Jacker or Jax begging the gamemakers to kill Cato, because he was suffering too much, and Haymitch stopping him and helding his head to his chest so he wouldn’t have to watch the boy being thorn apart will haunt me forever, and i will blame you for that (loved it, though)
in short, i love you. Chapter nine is one of the best things you’ve written so far (which says a lot, since everything you write is good), and i’m sooooooooo excited for chapter nine. I don’t know how it came from Haymitch losing his virginity to this massive emotional damaging fanfic, but i am in love with it.
[please, make the kids, aka hayffie, reconcile before everything goes to hell in the quarter quell. Please!]
Oh my gosh thank you so much for the commentary!!! I always love to hear what people think about Midnight Dreary, it brings me such joy!!! 1. Thank you!! This is literally just how I imagined it since I was a kid. I feel like it's kind of similar to TBOSAS but more desks and then just the mentors actually knowing what they're doing + having relationships built on the Games and strategy. I like the weird juxtaposition of "this is kind of just a normal office/work place comedy but also murder is happening???" 2. Sometimes people don't know where pearls come from and are still smart !!!! 3. I'm still crying about Glimmer and Selkie tbh. Just got to the part in the Catching Fire audiobook where Peeta is showing Katniss his paintings, and there's specifically one of Glimmer in her mutt form and I just? Started sobbing ??? That's his friend!! I'll never see Glimmer the same. 4. The amount of times where I've just been doing something normal and started crying because I love Cashmere ?? And agreed about Jax, that was incredibly evil of me. This was an idea I had where I thought it, shed a tear, and then started dancing with glee because I was so excited to bring on the pain. Honestly lock me away for that scene. Really though, seeing Wiress as a mentor in SOTR really reminded me how YOUNG some of the mentors would be. It's crazy!! I'm glad you liked Chapter 9 so much! I was so scared to write it but I'm really happy with how it turned out. I think my definitive chapter ranking would be Chapter 5 with Burdock, then Chapter 1 because it's near and dear to me, and then Chapter 9? But I always hope my best real best chapter is still to come! I'm about a third of the way through the next one, so hopefully it's up soon!!
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goldeneyedgirl Ā· 4 months ago
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Hello Lexie! I don't know why you've been off, but I really hope you are okay. I was thinking about StL the other day and how much this story gets me. It's been years since I first read it and I still remember how I thought that could actually be a book. You are, without a doubt, one of my favorite writers and I hope you come back to us soon <3
Anon!
I have honestly been off writing fic! I tend to go into a hyperfocus when I'm working on fics - especially STL - and go quiet on tumblr. I have a pile of asks to finish off, but I'm so excited about the new chapters I've got - Variable Stars is effectively being rewritten from scratch for a third time; Jar of Hearts only needs 4k left to finish it off; and STL has about 6k left to write - I've been intensely overthinking the new chapter, and that's what has slowed me down entirely.
And what you've said about STL makes me so happy, Anon. The idea that anyone could compare STL to a book just makes me wiggle. I never set out to write it this way, and I never expected so much love for it. It still catches me unaware how much people care about this story and love it, and I am so humbled by that reaction.
I promise you that I'm here, I'm just in my little writing cave getting these chapters finished before I show my face on tumblr again.
...but have a snippet of the new chapter for your lovely message <3
ā€œI saw you might want to speak to me.ā€ She sits on the cliff face with her legs swinging casually, doesn’t get up or offer for Edward Cullen to take a seat beside her because she knows he won’t. ā€œI do.ā€ Edward looks down, his hands in his pockets to appear casual but she can see the tension in his shoulders and jaw. ā€œI’m surprised Jasper let me get this close to you.ā€ The flashbacks, he worries I’ll hurt someone. Edward lets out a puff of laughter. ā€œI don’t think that’s the reason, myself,ā€ he says. She cocks her head in confusion. ā€œI think it’s an even split between being viciously overprotective of the one person who could kill us all before we even realised what was happening, and wanting your full attention all to himself.ā€
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aspionagee Ā· 20 days ago
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Hello! I am just in love with your series. It's literally my highlight of the week.
May I ask how you schedule writing, and plan your fic? I've also been working on a fic, but I'm all over the place and unable to plan properly lol. I post as soon as I finish a chapter, and it's very hectic.
May I ask if you have any writing tips?
Hello, thank you very much for asking! This reply has turned quite long but I hope you can get some useful tips from what I've put below :)
So, when I first begin to write a fic, I rarely start with the first chapter. I almost always have a very specific scene in my head that I can vividly visualise. For example, with A Patchwork Family, the first scene that I wrote was Severus finding Harry in that alleyway and trying to convince him to go back to Spinner's End. So, I start off by writing this scene.
By doing this, I get excited about writing the rest of the fic and I start to build up ideas around the scene. How does Harry get to Spinner's End? What makes him finally crack and run away? What is going on in the background that makes Severus realise that the Dursleys are abusive?
I answer these questions by coming up with more scenes, and this helps me to develop actual chapters! I typically will do a heading and a brief note under of what I want to do in the chapter. It'll look something like this:
Chapter 1 -Dumbledore tells Harry he's going to Spinner's End, house tour
Chapter 2 - Harry and Draco argue, Harry wonders why Draco is living there
I keep my plan really short at first, I just like having a vague idea of what I'm doing. Then, as you write, you can shift scenes or split up chapters depending on how it goes!
My biggest tip: work out how/when you're going to end the fic before you start uploading it. I knew that I wanted to end A Patchwork Family with Harry realising that he thinks of Severus as a father, and I knew I wanted to finish at the end of third year. I find this stops me abandoning fics, because I know what I'm working towards.
For uploads: I upload weekly, because getting comments on fics always gives me a little boost and makes me start writing more. However, I do not start uploading until I have a MINIMUM of 5 chapters. This number is personal preference, because it means I have a month's buffer for a difficult chapter, or when life gets in the way. If I can't hit 5 chapters, I also already know I'm not keeping that fic up so I don't start uploading.
I don't actually schedule times when I write - I just try and get something down whenever I can. I have a long train journey today, so I'm going to write True Blue while I travel. The most important part for me is just scheduling uploads and having a buffer of chapters for when things go wrong. I know that if I don't upload consistently, I am going to lose momentum and stop writing.
I hope some of this was helpful! If there are any other questions feel free to ask, this was very interesting to think about :)
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invisiblewille Ā· 10 months ago
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Maybe it’s because I’ve only written for young royals so I just never noticed, but I like really don’t remember other fandoms I’ve been in having such an issue with people constantly commenting asking writers to update faster.
Like there’s literally nothing worse than being insanely busy and stressed about irl stuff and then you get an email that you got a comment and get excited only for it to be someone commenting that you’re not uploading fast enough.
And I feel like at this point so many of us have like tweeted about it or posted on other sites like this saying how it makes us feel that it’s just crazy to me that it’s still happening.
Like are we just slower than other fandoms or why do people in this fandom keep expecting us to write things in three seconds and not have jobs/lives 😭 and I know we all mostly assume that they have good intentions but it’s still ridiculous how much it’s an issue. I don’t know any of my writer friends atp who haven’t gotten those comments no matter how fast they’re uploading.
I sometimes go like a month in between bc of how long my editing process takes / the fact I often work 70+ hours a week so like I guess whatever for me maybe I am slow, but I know people who update literally every week or sometimes more frequently and still get those which is crazy
Anyways… I’ll get to my fics some time in late September / early October if you are someone who’s waiting on me but is nice enough not to tell me. Currently juggling more work and exam prep hours than there are in the day so until I have more than 4 hours a day to sleep fanfic isn’t gonna be on my list of things to do lol
But the third chapter of there is no hurry and the 7th(?) chapter of thou wilt whisper (or religion fic if you’re fun) are both like mostly ready and I’ll get to them when I have time again :)
(And thank you to those of you who do leave actual comments on fics. They do make me smile in the midst of trying to not drown in accounting work/textbooks)
Okay rant over sorry
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nonwal Ā· 2 months ago
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writing updates? writing updates.
so as we know, the sea, the stars, the dreamers got put on hold because I needed to finish the final third, and then said hold ended up longer than anticipated because I wrote 100000 words of an entirely different fic. I've since spent the latter half of 2024/2025 working on it again. unfortunately, when I was writing the original (super) rough draft there were a bunch of parts where I went "ehh that's problem for future me" and I am now future me. chapters 36 and 37 nearly doubled in size. I hit a pivotal scene in chapter 39 that was so fucking boring and unappealing that I stalled out for two months and ended up having to re-write it as a 1200-word play, which also took a while because iambic pentameter is tricky. (I am now very excited about that chapter instead of wanting to light it on fire, though, which is ultimately what's important.) there were two scenes in chapter 40 and 41 that I hadn't even completed the rough draft on, and I'm neeeaarly done with ch40 but ch41 is still. daunting. I need to finish that scene before I can shift gears back to final edits/publishing again, but the end is within sight and I've finally built up some good momentum again
I've written a ton of smallish fics set post-a body in absentia (as well as some prequel snippets and alternate POV during the main fic) but a) I've yet to actually finish any of them and b) many of them reference each other, so even though they don't form a single thematically-coherent sequel per se, I'd need to publish a lot of the sequel fics in order. currently on the backburner while I'm working on tStStD/daydreaming about putting my favorite scourgers in a blender
a wolf is a ghost with teeth is the blender in question (this is both the Astrid/Beau/Yasha and Eadwulf/Fjord/Jester fic.) I've still barely written anything for either half and idk when I'll actually have time to really work on it, but boy do I have a lot of Thoughts. truly just kicking my feet and giggling while imagining wizards in acute mental distress over here. Eadwulf gets a religious crisis and lot of people asking about his feelings but I think all he really needs is some unethical BDSM. (seriously. if he just got drowned and resuscitated a few times I knowwww it would hit the reset button in his brain. unfortunately(?) for him, Jester and Fjord are more fuzzy handcuffs and pirate RP people.) meanwhile, Astrid is actively suicidal and really should talk about her feelings, but instead she gets unsafe and insane BDSM <3 #girlboss #feminism
(I also really want to do CR Summer Wildflowers this year, but whether I sign up for the main event or just do treats depends on how far I get on tStStD in the next couple weeks, because I know I cannot juggle more than one active project at a time. we shall see.)
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miraclegel Ā· 2 months ago
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I've been working on outlining aftermath fic lately cos ngl, I just got a liiiiittle too burnt out on the rewrite to keep going for the moment. I'm stressing over it in the back of my head because I need to get it dooooone and keep moving forward with this fic, but oh man, it's been such a fun break to just be plotting and outlining instead. Even if some of it is lighter/fluffier scenes that I know I'm gonna dread when the time comes to actually write them lmao. Like the aquarium date. And the museum date. And the festival date... whhhhy do I do this to myself, I hate writing fluff xD But dammit, Noct is getting better! He deserves to have fluffy dates here and there!
Knowing me, they won't even be pure fluff lol. They're not even really supposed to be cos boy still working on his trauma. He just gets to be spared any panic and/or breakdowns and/or PTSD triggers and have an overall good day while being slightly on edge. The things we writers do to our characters...
I'm aaaaaalmost done outlining the second arc (this fic has arcs now!! T^T). Fic goes from April to April and Sept-Dec is the second arc... I'm kinda hung up on winter holiday stuff, because I made up a holiday for it ages ago, and then I wrote monsters, and for some reason I made up a similar but different winter holiday for that fic??? And I like having consistent worldbuilding between my fics but I kinda like the stuff in aftermath fic better but it would also make the fic a little longer and one thing is also a little too similar to a thing I made up for the not-halloween holiday which, admittedly, Noct didn't get to do cos trauma said no so it's not like it would read the same... Yeah hi I'm torn and it's stopped my outlining because I don't know which one to go with and neither of the two people I usually ask for plotting help are available rn so here I am rambling on a blog post instead dksksk
The outline is up to eighty-nine chapters so far. lmao. keeping in mind it's the second arc. there's a whole third arc after this that covers january to mid-april. genuinely what the fuck is wrong with me. why did I ever write such a ridiculously long fic. still feeling/fearing it'll hit a million words, but maybe it won't. it'll get close though. I mean it's at 650K and it's only just started the second arc??? yeah I'm doomed.
That said, it's been really satisfying having stuff come together while outlining and taking what was disjointed plot points and making them flow smoothly into one another and realising how one will lead to another... feels like fitting together a puzzle and I get so excited when I find the two pieces that naturally connect. I think about my early days of writing fanfic and pantsing it and getting frustrated and stuck and having to abandon fics and I shudder. Outlining to spare my future sanity, my beloved.
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mossker Ā· 4 months ago
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i’m a spidey fic writer with chronic insomnia and a need to constantly be writing, and i have 3 active (and insanely different) WIPs right now ^_^
1. the sunshine universe (4 of ? parts posted) - fluffy parkner series with CEO peter and intern harley
2. I Want You All The Time (4 of ? chapters posted) - dark parksborn featuring possessive peter and oblivious harry
3. Hold Us Together (1 of ? chapters posted) - post blip spideychelle with a lot of angst and hurt/comfort
i am loving writing all three of these. they’re all so different and they all challenge me in different ways. the first two have actually been so awesome to write and the response has been awesome!!!
the third is one that stems from an idea i got at 3am in one of my bouts of insomnia. i’m so excited to share it even though i know it’s such an out there concept. i’m not expecting for it to receive as much love as any of my other works because it features a messy, complicated family trying to navigate messy, complicated times. but i’m also writing it for me. just me.
it’s something i’m writing to show myself why i even got into writing in the first place. it’s a passion story in a way. i’ve spent weeks on it, had literal dreams over the story progression, written and rewritten chapters until they felt perfect. it was supposed to be 5 chapters in my original plan. no more than 15k words. now it’s at 35k on my editing doc (and it’s unfinished)
i know Hold Us Together isn’t going to be everyone’s thing. it’s not as fluffy as what i usually write. it’s emotionally charged and full of projection and trauma. but in a fun way. in a way that i honestly hope comes across in a way that isn’t overbearing, not uncomfortable. there’s also so much fluff and comfort, proof that even in the worst of times, there will be something worth staying for
it has nice moments, proof that family is more than just blood. it has moments where even when everything seems to be going wrong, there is always someone by your side. it’s a way for me to express how change isn’t always world ending (even when it quite literally is). i just really like the fact it’s so out there. different.
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