#c: jemima

[junkyard-gifs]

Admetus (Sammy Fossum) is a swampy boy! (Admetus is a separate character to Plato, who's the Mac double.)

(and Sean McManus as Mungojerrie is just out there being Sean McManus, with a mohawk and a bi pride badge)

and Macavity (Brian Binion) is as beautiful as he is charismatic as he is terrifying.

(Also, the swing/teen characters have equally individual and beautiful designs and also a lot of fun new names, like Juniper and Merlin... and Calliope!)

Bestie, i don't know if you've heard of the Cats Fulton non-rep/regional production BUT Sean McManus, Sammy Fossum and Paul Giarratano are in it! The US Tour 6 boys are back in the Junkyard! *Cries for joy*

EXCUSE ME NO I HAVEN'T HEARD ABOUT IT PLEASE TELL ME ABOUT IT

[junkyard-gifs]

Shiki Mistoffelees is suave and cocky and always confident, and Munkustrap will just... make sure sillabub doesn't get too close to whatever he's cooking up.

... but when he succeeds... suddenly even this cheeky little Munk-assistant just can't be sure of it.

Munkustrap encourages Sillabub toward their returned leader, and only then notices Mistoffelees' terror...

The careful tender approach...!

And there are our happy zoomy spinnies again. 😌

(Can't forget priorities though: must retrieve our beautiful assistant Bombalurina!)

Shiki production, Nagoya 20/7/2000.

?Tokihiko Sakamoto as Mistoffelees, Shoichi Fukui as Munkustrap, ?Tomomi Hayashishita as Bombalurina, Kenzo Ishii as Deuteronomy, Eriko Murata as Sillabub.

[onlyattractivewomen]

[variousqueerthings]

something very aromantic coded in s2 of good omens is that crowley and aziraphale canonically take their cues of what a certain kind of relationship ought to look like from books and films. firstly, very relatable, I did much the same thing throughout my teens (and in some ways still do although I'm not trying to make myself "fit" by taking cues that I've been studying to be the correct way to do a relationship, I just enjoy performing them in the same way all life is performance when you're not-doing-body-and-relationship-to-other-bodies correctly inherently)

secondly, how it plays out in them messing unintentionally with nina and maggie. they don't understand the structure of nina's and maggie's whole thing as it applies to the reality of relationship structures in the world they're in; that nina is initially in a romantic relationship and wouldn't just jump from it -- no matter how bad -- straight into another one that was presented as "more" correct. because of course standing under an awning or dancing at a ball makes people "fall in love" (whatever that is) because... well, that's how it happens in the stories all the time, that's what these sorts of relationships are all about, "one fabulous kiss and we're good" -- it's a shock to crowley that he misread all the cues "you were crying and she was..." isn't that what this romance thing is that humans are always talking about????

thirdly it of course eventually circles around to be about what in the world their relationship is, but when they're trying to figure out what's going on between the two of them, there aren't any words that can neatly sum it up beyond "us" -- whatever it is, it's "us" against "them" (although aziraphale isn't quite ready for that) -- the them being heaven and hell of course, but to be honest, from an aro perspective, the "them" takes on certain human connotations to me as well, because it's all about how these two don't fit into structures and are punished for this not-fitting-in, and while they're not punished by the humans around them, they also aren't... human. they still operate somewhat from the outside of everyone else, even though aziraphale manages throughout history to create a fair few connections from the sounds of things

similarly to how they do it to nina and maggie, they try on these tropes with one another: aziraphale invites crowley to dance, crowley kisses aziraphale, and it doesn't fit quite right (the first because crowley is concerned with all the demons outside and so isn't paying as much attention to the dancing part of the whole thing, and the second because [insert another bunch of analysis here that's its own post]), but they've already been us the whole time. their attempts at explaining using alloromantic shorthand fall short, because they're hampered by needing to define themselves and their relationship with terminology that's suitably correct for whatever dominant structures they're in

fourthly, the fact that their cues for what their relationship needs to be shouldn't even really be coming from movies/books and humanity in the first place, it should be coming from gabriel and beelzebub. gabriel and beelzebub don't even try all of that "this is what romance is," they don't call one another romantic or kiss or even say words like partner, they're not interested in doing human-based customs or "fitting in." their language for one another is based around that song, and that's as much defining as it needs. whatever aziraphale and crowley are to one another is equally all their own thing, but aziraphale and crowley struggle with definitions constantly. they don't fit into heaven, they don't fit into hell, and humanity -- while more the place they've adopted for all its wild wonders -- isn't quite right either, because they're still being put in a box

it was fun to look out for as I was rewatching, because the way they interacted with alloromanticism really did read like two people who have exactly zero idea of how this applies irl, but that's okay, the fiction's got it handled, all they have to do is copy-paste = result, but then the stuff that actually is the romance in those texts becomes a series of contextless tropes, kind of like how amatonormativity often has those exact same tropes recycled in story after story that can't figure out why it worked the first time but not the next hundred times, except in this story it's on purpose. one fabulous kiss did not in fact solve things at all (nor was it fabulous)

[junkyard-gifs]

Honestly on the two preview shows I saw I was waiting for the kittens to be offended but none of them seemed to notice that Grandpa was being rude! They were just happy to be talked to/about. Nobody ever expected Charlie's Bill Bailey to know what's going on in front of him, and Guy's Carbuckety just giggles at everything.

Munk definitely checked in on Jemi multiple times though. 😌

And, uh. The demestrap in general had a lot of “geez you two get a room” moments.

(witness: me just missing the key eye-sex moment between these two photos I managed to grab before interval was officially over and I had to put away my camera. 18 June, Olivia Carniato and Jarrod Draper.)

Demestrap fam crumbs from some different angles of the media promos

Jemima and Demeter paw touch before joining the group.

Munk comforting Jemima after Gus pokes fun at the kittens these days

[cassiopeiasfreckles]

What's in a name?

Because I have no chill, too much time, and a scientist's curiosity and love of a spreadsheet I've gone through all the YouTube longforms and noted down all the names used because it felt like some came up oddly often. To vaguely justify this insanity I figured I'd share the results:

Given Names:

Used 5+ times: Hans (6), James (6), Jemima (5), John (5)

Used 3+ times: David (3), Johnny (3), Michael (3), Penelope (3), Terry (3), Toby (3)

Used 2 times: Amanda, André (both as André Beetroot but he's in two separate longforms), Bill, Clarissa, Derek, Dmitri, Gavin, Helga (there are two Helga's in the same longform), Javier, Jeff, Jimmy, Krampus (Big and Little), Lucy, Maria (one is part of Maria Clarissio as a compound name), Mark, Martha, Marty, Mary, Mildred, Otto, Peter, Rupert (Sr and Jr), Sherlock (again, the same character in two different longforms), Tarquin, Tony, Xavier

Surnames:

Used 3 times: James, Jenkins

Used 2 times: Beetroot, Holmes, Johnson, Lestrade, Moriarty, Rogers, Twilliger, Watson

General Things:

There are 172 distinct given names used across the longforms on YouTube

There are 79 distinct surnames

For given names they bloody love ones starting with J because there are 24 of those and the next closest is M with 19

The least favoured are Z, Q and U with none and E, I, O, V and W which all only have 1

For surnames most common is B, C and R which crop up 9 times each, followed by J again with 8

Their least used are F, I, N, Q, U and Z all get no entries and E, G, K and X have just the one

The longform with the most given names used is The Milkman with 9, the The Hobnob Affair and And so it Begun both with 7

The most surnames are given in The Final Baker of Baker Street with 9, then The Mystery of the Midnight Circus with 7

The longforms with the least given names are The Midnight Mystery and The Meringue Haberdashery which both only have 1 first-named character

7 longforms have no surnames in at all (Oopsy Daisy Bulge, Wine Under the Bridge, Moist & Magical, Marigolds, Bluebells & Hugh, Divorces & Teddybears, Wild, Wet & Worrisome, and Susan's Holiday)

[bil-daddy]

Help a Family of Five in Need!

URGENT! DON'T SCROLL PAST THIS!

Posting on behalf of my old friend Job (@blameless-job) and his wife Sitis (@sitisonmyface) They are an interracial couple with three children currently busy weathering the wrath of @the-almighty-god

All of Job’s blameless goats were destroyed by columns of flame (I had nothing to do with this btw) and his house burned down.

Job’s blameless children, Ennon (Gay AF), Keziah (literally autistic and a minor), and Jemima (makes really cool pots), are next on God's hit list (don't ask me how I know), so we are raising money for fertility treatment in case Sitis (56) has to bear seven new children (God likes sevens). Also, if you see any lizards around, no you didn't.

So please, good people of Tumblr, consider giving whatever you can afford to this lovely family who has literally done nothing to deserve God's wrath (She won't even tell them why!)

p*yp*l

c*sh*pp

v*nmo

0/666,666,666.666

Please Reblog to Signal Boost!

[goosemixtapes]

max's february reads

fiction

finished rereading Station Eleven for class (review)

reread Hamlet for class (hence the recent insanities)

started rereading Baldwin's Go Tell it on the Mountain

started Eon by Alison Goodman

nonfiction

Paper Cuts: A Memoir by Stephen Bernard (review)

Split: A Child, a Priest, and the Catholic Church by Mary Dispenza (review)

specifically the Hamlet chapter of This is Shakespeare by Emma Smith

A Mathematician's Lament by Paul Lockhart (reread for kicks)

stuff i read in my trans studies class that blew my fucking mind

Evil Deceivers and Make-Believers by Talia Mae Bettcher (on the idea that trans people's gender expression and self-definition is inherently dishonest)

Is Transmisogyny Killing Trans Women of Color? by Elías Krell (on transmisogyny, white feminism, and Black trans women)

The Biopolitical Birth of Gender by Jemima Repo (on the formulation of 'gender' as a separate concept from sex, as constructed by sexologists in the 1950s abusing intersex children)

Heterosexualism and the Colonial / Modern Gender System by María Lugones (on the construction of heterosexuality and the binary gender system as a specifically white supremacist, colonialist structure)

The Future is Kid Stuff by Lee Edelman (gonna be so real half of this went over my head. but the observations on the rhetorical construction of The Child are really good)

chapters 1, 2, 4, and 5 of Black on Both Sides by C. Riley Snorton (on the violent use of Black lives to explore and construct gendered science, and on Black trans histories)

chapter 2 of Histories of the Transgender Child by Jules Gill-Peterson (what it sounds like; specifically in this chapter in the early 1900s, pre-WW2)

misc

Installation Piece by Latanya Queen

The First Lie by Robert Wood Lynn

i thought about putting movies on here but this month i watched both kenneth branagh's hamlet and the cgi mufasa movie so that's enough about that i think

[junkyard-gifs]

Ella Fitzpatrick as Jemima, 2025 Australia tour. Posted by her on instagram on 20/6/25, at 7:15 pm. Girl, your show was meant to start a quarter of an hour ago, get out there and flash some green eyes at that audience to scare them into their seats.

(To be clear, there have been two preview shows and a media day already, but this is the official opening night.)

[racco0n-d3tect0r-beep-beep-beep]

Am I a raccoon?

sOmethingsOmethiNgdgRonpA when you forget something you say "something something" when you forget something it's called dementia Dementia ends with TIA tia means aunt aunt Jemima Jemima? more like Jerma Jerma = sCout from tf2 tf TWOOO so c=2 so cc THEREFOREEEE

RACCOON

[onlyattractivewomen]

Jemima C Robinson

[variousqueerthings]

good omens s1+2 like

"oh nooo what if we were so undefinable to the structures around us that constantly try to put us into boxes that they feel threatened by us without being able to explain why and can only react with a projected disgust and mockery that hides a deep insecurity"

"oh nooo what if we just existed as us and it posed existential questions about what is worth living for and good that rippled through the narrative and affected everyone around us to either make change in their own lives or lash out and attempt to destroy us"

"oh nooo what if the discomfort felt by others at our intrinsic connection caused them to try to box us in and/or tear us apart because they cannot conceive of its validity even as they feel it affecting them and their dominant structures of allowed and easily understood labels and hierarchies"

"oh nooo what if we got trapped by the expectations of who we were meant to be as definable binary and hierarchical beings that despite ripple affecting outwards and creating positive change by our very existence we couldn't see a future for ourselves because there are no words and contexts for who we're able to be"

"oh noooo what if this undefinable connection that was so powerful it saved the world was used against us by the status quo in order to destroy what we are via our insecurities about whether we should even be allowed to exist together, even though it was that very undefinable nature that once helped us be able to break out of hegemonic structures to begin with"

and I'm not supposed to filter this through the infinitely complex and varied aspec queerplatonic experience as perceived via a framework of hermeneutical injustice and religious trauma???

[askbuttonhouse]

to any ghost that’s willing to answer — who’s your favourite person (dead or alive) in button house? :^>

or, if you’re feeling a bit mean, who’s your least favourite?

Favourite ever was Annie. Favourite who still be's here be Mike or Robin.

(~MG)

I don't know about favourites or least favourites, but Robin and I have got a bit of a love-hate relationship.

(~HB)

Favourite: Fanny and I get on well. As do Patrick and I, most of the time. I've also got a soft spot for Katherine, of course. Least favourite: Don't tell her I said this, but Jemima always gives me a fright.

(~C)

Picking a favourite would feel mean, so I'll just say it's a draw between everyone. But Alison's winning the draw a bit more than the others.

(~KH)

Favourite is myself.

(~R)

It should come as no surprise that my favourite is you, Alison. It would be quite unkind of me to say that Michael is my least favourite, though. (Long pause.) And therefore I won't.

(~TT)

(Posted by Mod A)

[variousqueerthings]

@mimupf

<3

[handyowlet]

The definitive (as best as I could do after transcribing all of S2 myself) list of when Crowley calls Aziraphale by his name versus calling him Angel.

Aziraphale

- [ ] S1E1- 2007- phone booth, we need to talk about apocalypse

- [ ] S1E3- 3004 BC- Noah’s ark (crowd)

- [ ] S1E5- 2018- Soho, bookshop fire, calling out to him to find him

- [ ] S1E5- 2018- Bar, confirming it’s Aziraphale’s spirit after discorporation (background patrons)

- [ ] S1E5- 2018- Air Force base, greeting Aziraphale when he is possessing Madame Tracy (Shadwell, guard)

- [ ] S1E6- 2018- Walking in to AF base, lick/kick butt line (Tracy, Shadwell)

- [ ] S1E6- 2018- AF base, telling him to shoot Adam (Them, Tracy, Shadwell)

- [ ] S2E1- present day- in Bentley after Beelzebub tells him about extreme sanctions, talking to himself

- [ ] S2E3- 1827- Edinburgh, in the crypt to get Aziraphale’s attention when he’s babbling about saving Wee Morag (technically Elspeth is there but not paying attention to them)

- [ ] S6E6- present day- Bookshop, when angels and demons are talking about war because of the halo thing (Michael, Uriel, Saraqael, Muriel, Dagon, Shax, Furfur, Maggie, Nina)

3 private, 7 public, 2 in public but likely not overheard (so his name appears to be the more public option)

Angel

- [ ] S1E2-2018- Tadfield, dropping Anathema off at home (Anathema)

- [ ] S1E3- 1793- Bastille, time is frozen

- [ ] S1E3- 1862- St. James Park, holy water scene (background park-goers but they’re kind of whispering)

- [ ] S1E4- 2018- Soho outside bookshop, run away with me argument (background pedestrians)

- [ ] S2E1- present day- outside coffee shop after hearing Maggie call him an Angel (technically background pedestrians, Maggie has walked away by then)

- [ ] S2E1- present day- back room of bookshop trying to convince Aziraphale to abandon Gabriel

- [ ] S2E2- 2500 BC- Job’s palace, saying Aziraphale sounds jealous about having choice

- [ ] S2E2- 2600 BC- Job’s palace, asking if Aziraphale is sure he won’t kill the kids (Ennon, Keziah, Jemima)

- [ ] S2E2- 2500 BC- Uz, seeing God talking to Job (Job and God are there but not aware of A & C)

- [ ] S2E2- 2500 BC- Uz, when Aziraphale thinks he’s going to Hell

- [ ] S2E3- present day- In bookshop, pulling Aziraphale away from Muriel (Muriel)

- [ ] S2E3- present day, talking to Aziraphale through Bentley radio

- [ ] S2E3- 1827- Edinburgh, telling Aziraphale to give his money to Elspeth (Elspeth)

- [ ] S2E5- present day- Bookshop, during the ball, saying people will get hurt (technically the shopkeepers are in the background but they’re whispering)

- [ ] S6E6- present day- Bookshop, final 15, you’re better than that

6 private, 5 public, 4 in public but likely not overheard (so Angel seems to be the more private option)

[blxtchx]

Yoo I was wondering if you can do a TPN Ray x taller male reader? Just some good boyfriend bonding or a jealous ray ( fluff) ? :D

I wasn't quite sure if you wanted headcanons or not, but I settled for headcanons and a oneshot!<3

Pairing: Ray 81194 x Tall!M!Reader

Pronouns: He/Him

Note: Tysm for requesting bl00dyarak<3, I'm sorry I'm responding later, I haven't been on Tumblr in a bit! Also, "[E/C]" means eye colour!

Ray With A Taller Boyfriend

Headcanons

❁ He's probably the first one to catch feelings but when you confessed he was ecstatic.

❁ Like he was ACTUALLY kicking his feet and giggling

❁ You guys ended up dating, and he's not huge on PDA

❁ Ray always complains that you're taller than him

❁ Sometimes makes excuses to have you carry him

❁ If you're only a little taller than him, he'll start like, sitting on his knees and stuff to look taller

❁ But if you're significantly taller than him, he just resigns himself to his fate

❁ That doesn't mean he's not petty though

❁ He'll hide books in lower shelves so that way you have to ask him to get it for you

❁ It's how he shows love<3

Oneshot; The Envy Effect

You and Ray recently agreed to start dating. He'd sit with you in the library late at night sometimes to read books with you. That boy absolutely adored when you'd fall asleep with your head ontop of his.

Sometimes he wished you'd fall asleep on his shoulder, but he knew he was too short for that.

As of now, though, Ray was resting against a tree and reading a book about physics. He was at peace for the small moment while his siblings ran and played tag.

When Jemima came running from the woods toward the ravenette, his peace had been disrupted.

The short girl had a pout on her face, and she looked slightly upset. This caught Ray's attention.

He closed his book and set it down, allowing her to sit in his lap and speak.

"Rayyy! Y/N is cheating!" She complained about your skillset. You'd agreed to play tag with everyone, and you were the one tagging them. Your height was also a huge plus during the childish game.

Ray laughed to himself, gently stroking Jemima's curly hair. "How is he cheating?" Not many of the other children knew about your relationship with Ray, but the younger kids had managed to figure it out, often using it against you both.

Jemima had a look of defeat on her face. "He got me so quickly, even while Don was distracting him!"

The words caught Ray slightly off guard. "Hm?" He hummed quietly to express his interest in the topic, and Jemima perked up to explain. "Y/N was talking to Don! He looked distracted, so I thought I could sneak by, but he got me!" Her words were complaining, and slightly frustrated.

Though, Ray was focused on something else.

He smiled at Jemima and comforted her, before standing up and making his way through the forest. The short girl was his guide as they passed children who'd been tagged already.

The ravenette spotted his boyfriend, and took a look at the situation for a moment. He'd patted Jemima's head, and she giggled before running off.

"Yeah, I wanted to talk to you about something important!" Don spoke to you with a slightly blushing face, and Ray narrowed his eyes at the boy.

"Oh, go ahead!" Ray ended up walking up behind you as you responded to Don. He'd sent Don a silent glare as he stood beside you. "Ray! Hi!" You two weren't open about your relationship because nobody had asked, but neither were opposed to showing affection.

You rested your chin on Ray's head with a happy smile. "Hello Y/N." Your boyfriend spoke with a warm voice as you wrapped your arms around him.

"Oh, right. What did you need, Don?" Your [E/C] eyes darted to Don, who's blushing face had faded into confusion. "W-wait... what's going on..?"

An eyebrow raised on your face, before Ray answered for you.

"He's my boyfriend." The boy spoke bluntly, and you blushed at how direct he was with his answer. The answer had caused Don to sputter.

"What do you mean he's your boyfriend!?" His words were stuttering out carelessly as he spoke to Ray. The shorter narrowed his eyes.

You'd blushed and rubbed the back of your neck, knowing how jealous Ray could get sometimes. "It means what it sounds like. He's mine."

Don raised his hands in surrender, understanding the situation quickly and rushing out an apology. "Ah! I-i uh... sorry!" He shouted as he turned around and ran off, feeling embarrassed.

You let out a sigh and looked at Ray. "That was unnecessary." You whispered to your boyfriend, feeling bad for Don.

"It was very necessary, darling," He said hugging you and nuzzling into your chest. "Like I said, you're mine."

You blushed and hugged him back, running a hand through his hair lovingly. "Alright, alright. Fine."

The two of you stood hugging in the forest, before a familiar voice shouted out to you. "Time's up! Y/N lo~ses!!" It was Emma, standing next to Norman who was holding up a pocket watch with a ringing timer.

"Uh oh."

Aahh!! I loved writing this so much. Thank you!!<3 I hope you enjoyed reading this if you did all the way through♡ I tried to incorporate all of what you mentioned but I might've missed some things.

Anyways, love you guys! Thank you for reading and have an amazing day or night♥︎