#don’t get me wrong the diss was a lot of fun to write but also so draining

[ezrasimp]

as much as i loved writing my dissertation, being able to just enjoy mash again without having to worry what episode something was from or find a very specific bit of an episode to reference is just so nice. i can look at gifs of hawkeye looking like a wet cat, or read wonderfully written metas about the show, without getting that pit of despair that i should be working on the diss. sorry, just rambling and needed to get that out. i love this show

[mskinkyafro]

Natasha doesn’t bother me for pursuing Stefan — I do not want that man. But it really irks me that she’s constantly gossiping, both about MC and her relationship w Stefan, and just about everyone in general. Her beef where it was revealed she had all this to say about all the other women rubbed me the wrong way; why are they making that her only personality?

I’m not doing a Natasha route but she’s so pretty and she seems really fun. I just wish the writers would let her expand her topics of conversation from MC/Stefan to literally anything else. Does that make sense?

I’m not trying to diss Natasha. Again, she’s gorgeous and I couldn’t care less who she couples with (I’m flirting with her man Hamish so what can I say about her and Stefan). I think more than anything the writers hate her and are making her kinda gossipy, which feels… icky considering she could be a LI. Idk. I think I’m crazy

1. To answer your point she’s always gossiping, maybe I’m forgetting things or not reading into it enough, but I don’t feel like she gossips a lot. I feel like the part that was capture on the PDA Awards was the bulk of it. And also the moment with Melissa. I feel like her gossip level is similar to everyone in the house bc they have nothing to do BUT interact with each other and “gossip”. You can apply it to literally everyone else. Shit even my man Finn, was desperate for some tea during the kiss during hide n seek between Kat and whoever. Like they all do.

To your credit, I agree with the writers have had her bring up Stefan and Mc relationship too much. Which is annoying. That I wish they would have done better at feeding that to the player without using her as much. I think they needed to a certain activity discuss more about what went wrong in everyone past relationships or instead of paywalling it, airing out what happen in everyone season since some people are in the loop or out of it regarding the other islanders season.

And Natasha shared a season with Mc so even though she constantly bring them up, I see it as her way of trying to discuss or compare their different journeys navigating the same season.

Now this might be my bias coming in, but I feel like her commentary or “gossip” isn’t any different from like mc’s own that typically we see in the thought bubbles or comebacks during challenges. So I guess it just boils to personal preference and how we perceive the writing, but I just see it as no different from Mc commenting or being savage to people’s face. Hers just got aired in the most messy way.

2. I agree and ultimately still blame the writers as a whole from keeping her as our go to lore character. And therefore we hardly get more about her personality. We see that a lot with the entire cast.

Especially when there’s so much more interesting things about her. She’s a dog groomer, is it high end or specialized in certain breeds. She’s really flexible, was she a gymnast star?

Like so many things. I guess for me, I tend to really hone in on those things and run with it to help fill in the gaps. But it’s annoying that as a player I HAVE to do that bc they don’t give them more time to talk about more things.

3. But lastly, You’re not really the demographic target for my rant LOL. I just was annoyed by moreso ppl who don’t even want Stefan or on a non Stefan route pissed off at her when in my eyes , the very qualities they claim that makes her snakey or bad friend is the very same ones Mc can have and typically does. Ones that we later revere.

Or better yet, Kat still gets hate typically but we got some who prefer her over Nat and I’m like, Kat has been the absolute WORST compared to Nat. Like cmon now.

And yes, honestly the writers once again set up the black female character for mistreatment. They know damn well a certain chunk of this fandom can’t resist it. So yknow. It is what it is. 🤷🏾‍♀️ I’m never surprised.

But appreciate your reasonings, nonny. Like I said, you’re not who I’m aiming my critiques to but still. I see where you coming from and appreciate it nonetheless.

[bonsai62]

I just realized something... I was talking to this person one time on a post before and as I was typing that’s when i realized something:

This is for my fellow Nobamaki & Itafushi shippers! If you guys don’t ship it then it’s okay! This is just like a small analysis in my eyes and the way I read things! I can be wrong or just love reaching on a shit ton of things but this is all for fun and I love sharing with you guys!

Let’s get started! Also, this contains spoilers!

Do you guys realize that Nobamaki/Itafushi actually parallel to each other? Let me explain in shitty English and basic grammar and vocabulary lol:

As I watch and read Jujutsu Kaisen I see a lot of parallels between characters; Gojo with Megumi or Yuji, Getou with Megumi and Yuji or Nobara and Maki... but what I want to parallel between characters is:

Yuji & Maki

1. Raw strength:

Both are hella fucking strong and for people who don’t have cursed techniques, they know how to kick fucking ass. What made me realize that both of them are the same is honestly during the baseball game. I like how we were able to see Maki and Yuji making a home run... okay well Momo fucked up Maki’s groove! Haha! But during the Tokyo vs Kyoto event, Maki and Yuji go ham on their enemy.

Yes, Maki used weapons but still, we can’t deny she got good speed and strength that is similar to Yuji’s. That’s why I wish I can see them both doing a bad ass duo fight together.

I have a small headcanon that Yuji actually enjoys training with Maki the most because I feel like he can understand someone who shares similarity in natural raw strength and speed. And Maki feels the same way and it’s a good excuse to bully Yuji as a joke. I would honestly love to see that! Lol!

2. Their story:

Yuji and Maki honestly have it bad. Yuji loosing his only family member (his abuelo) and becoming Sukuna’s vessel which leads him to a future execution. For Maki is the fact that her family treated her like garbage and having to leave her sister behind and eventually her sister dying.

Both Maki and Yuji share that same pain when it comes to loosing someone. We saw Yuji with Junpei and in the Shibuya Arc with Nanamin and Noabra. Again, Maki the same with Mai.

I think what made me even realize it MORE on how alike and how they parallel with each other are these images right here and how they worded their final saying:

In the Shibuya Arc, Yuji lost it. He lost it with Nanamin and Nobara (but luckily for Todo, he was able to pick his feet back up).

If I was Yuji, I would’ve reacted the same way because imagine having the idea you want to save people no matter what but people keeps dying around you or by you? It’s tiring and I would’ve had a mental breakdown too.

After kicking Mahito’s ass, Yuji says there is no reason anymore. For me, when Maki’s arc came it really reminded me of this:

When Mai died and was killed by her own dad. Her dad took away someone who was precious to Maki no matter how much they didn’t get along. Maki really wanted to create the Zenin clan just for Mai to be safe and free.

Again, same with Maki, I would’ve killed the whole clan too because of how in general the Zenin clan is and how they treat people.

3. Having a “curse”:

Nanamin to Yuji: “You’ve got it from here”

Mai to Maki: “destroy everything”

I don’t necessarily mean a curse curse but it’s more like final words that someone important to them said before dying.

For Yuji, he won’t die because Nanamin believes that Yuji can move forward and save the world.

As for Maki, Mai tells her to destroy everything in order for things to change (I might be wrong). It’s for the Zenin clan to start fresh. That is another way I kinda Interpreted (again, I can be wrong). Maki still isn’t done with destroying things plus she is going to move forward just like Yuji. 

I have a thing that if the higher ups find out about Maki, she would be on the verge of being executed as well. So imagine both Maki and Yuji together being executed.

Now on to the next pair!

Megumi & Nobara

Again, this is just me analyzing. But if you ship Itafushi and Nobamaki, you can actually see another pair that parallels to each other but so far I haven’t seen anyone compare them yet, or it’s just me lol!

1. No rivalries:

I think what I love about these ships so damn much is that there is NO RIVALRIES. Even if you don’t ship them you have to admit it is amazing seeing a m/m or f/f getting along without being damn rivals. I’m glad Gege decided not to do that especially towards the women because it does get so tiring that two women don’t like each other for no damn reason or fighting over the main guy or other main guy. At least when Nobara didn’t like Mai or Momo, she had a reason for not liking them.

And don’t get me started with Megumi and Yuji. I was so happy to finally see two boys be friends instead of the usual, boring rivalries. I’m a be honest with you, I was pretty shocked that Gege was able to make Megumi and Yuji be so close and trust each other as friends. It’s a breath of fresh air for the two ships like omg I was happy not seeing the basic shonen bullshit with the f/f and m/m relationship.

2. Hyping up their pairs:

What I mean by hyping them up, I’m talking about the potential that Maki and Yuji has that Nobara and Megumi sees from them. Nobara since the start acknowledge that Maki is strong and vice versa with Megumi with Yuji. What made me see that Nobara knows that Maki is just amazing and strong was during the baseball when Maki was able to hit almost a home run. Nobara just knew that Maki would be able to make that home run but again Momo ruined her moment! Lol!

As for Megumi, we see while the Tokyo students came up with a strategy to win against the Kyoto students, we see him saying that Yuji can actually beat all their asses without curse energy or energy(one of those). Megumi reassures to people that Yuji can take care of himself and is very useful. Another time Megumi reassured that Yuji is strong is when he was in his bed healing from Hanami’s attacks and when they fought tiger against that one dude (forgot his name)

3. Thinking about them/defending them:

Now… this is really what made me think why Nobara and Megumi parallel with each other

It’s becasue I feel like they’re the ones who are more attached and over protective with Yuji and Maki than how Maki and Yuji are with them.

Now, I’m not saying it’s vice verse with Maki and Yuji. But I’m talking about how Nobara and Megumi expresses it. Let me explain:

While reading and watching JJK, we see how Nobara is with Maki compared to anyone else. And no, I’m not saying that Nobara isn’t overprotective with Megumi or Yuji but just the way she is towards Maki. I would honest love to see how these girls got along and how they became close!

Ever since Maki and Nobara had that deep conversation about why Maki choose to be a sorcerer, that is when I actually started shipping them because of how much respect Nobara has towards Maki and it continues to develop more and more with the two of them. We saw how Nobara got super defensive when she fought against Mai (First time) and started dissing Mai. The second time was with Momo, when she was straight up talking shit about Maki.

I love how when Nobara was talking about Maki and Yuji when fighting against Momo. However, I felt a different vibe towards it as well. What I mean by that is that I got more of a “big sister vibe” toward Yuji and a “I love and respect Maki”

But again, I feel like Nobara had some sort of feeling and attachment toward Maki ever since that fight with Momo and more than anyone else too. However, that is just me though! You do t have to agree with my reaching!

For Megumi and Yuji… First of all… Megumi would not hesitate to pull a trigger if anyone is trying to harm Yuji. What made me see that was against Kamo and the Kyoto students. I swear that day Megumi was literally about to commit murder.

Yeah, Nobara got pissed but she went easy on them, but Megumi didn’t. Oh no, he was about to commit a felony. He wanted all the smoke. He wanted that curse. I swear I even felt how pissed he was. I just feel like every time and separates, shit goes down the wrong way and everything goes wrong.

For me, shipping Megumi and Yuji is a whole ass different post but I won’t do that lmao same with Nobamaki because I can write a whole ass essay why I love how compatibly/perfect for each other lol

Bonus:

But guess what… during the Kyoto and Tokyo event, same shit happened with Megumi like Nobara: Megumi was thinking of Tsumiki and Yuji. And again, I felt like it was still different when Megumi was thinking of Tsumiki and Yuji. I find it crazy how Nobara and Megumi were thinking about two people during that event:

Nobara: Maki & Yuji Megumi: Yuji & Tsumiki

This is my personal favorite image of Nobara and Megumi. *wink wink* it’s basically the same image on who is important to to them.

Again, for Nobara and Yuji’s relationship, I just love the way it is. She gives me “big sister” energy towards Yuji and vice verse. Yuji and Nobara are those chaotic siblings that are the hyper ones while Megumi and Maki are the chill ones that can actually keep them down. There has been one occasion where both Megumi and Maki calms Yuji and Nobara down because of how they were acting and I’m not gonna lie it’s kinda cute lmao:

4. Not leaving them:

During the Shibuya Arc, Maki and Nobara separates but at one panel, Nanamin was telling Nobara and Nitta that he was going to join the Zenins. Nobara quickly picked her head up and suggested that she wanted to join him in order for her to be with Maki (this is a stretch but hey Iike being dramatic) however, Nanamin quickly declines her and tells her that it’s too dangerous. I think she was disappointed that she couldn’t go, but hey, Nanamin is a gentleman and he knows when a child is gonna end up getting hurt. I thought it was cute that she was super worried about Maki and just doesn’t care and wanting to join her.

Now, up the recent chapters, Megumi really shows us that he doesn’t want Yuji leaving him or he wants to stay by his side. Those few chapters really made my heart feel some type of way because it just the way Megumi is for Yuji and I can honestly feel how much he cares for him. As I mentioned above, I feel like everything goes to shit when those two aren’t together and I hope that they develop more and more. There has been two more occasions where Fushi doesn’t want Yuji to be left behind; one during when they were in prison and the second during the fight against Hanamin. The eyes that Fushiguro gives Yuji is full of trauma and careness.

In conclusion, I can’t wait for Nobamaki and Itafushi to develop more and more in future chapters. Again, you guys don’t have to agree with me on this. This is just for fun and sharing is fun too! If I’m overreaching then I’m sorry I just can’t help it :(!!

I hope you guys enjoyed my lil analysis! I’m sorry for the bad writing, I’m not very good at translating my feelings as I’m typing because my brain goes all over the place lol! But please, feel free to comment or give me an ask! I’ll be happy to elaborate more for you guys!

Stay safe y’all! And good night or morning!

[storiesforallfandoms]

pushing buttons ~ eminem

word count: 1912

request?: yes!

@thatonegirlthatlikesthings “Hi me again I literally love your writing so much omg I was wondering if you could once again indulge my Eminem obsession cuz my baby don’t get enough love🥺🥺 I was thinking like a angst/fluff where MGK tries to hit on the reader even though he’s with Meg Fox now and Em loses it and dr Dre and Paul try to call him down but it doesn’t really work and the reader has to chill him out. I love you I love your writing and I love you bye!🥰☺️❤️❤️”

description: in which his enemy tries to push his buttons by flirting with his girl

pairing: eminem x female!reader

warning: swearing

masterlist

“What the fuck is that prick doing here?”

Marshall glared at the tall blonde standing across the room with his arm around a familiar actress. It was the night of his launch party for his new album, and he thought it was just supposed to be personal friends of his as well as his friends from the industry. However, a few others from the industry had arrived as well, including the infamous Machine Gun Kelly.

“Paul invited him,” Marshall’s girlfriend, (Y/N) responded. “Said you two should try and squash the beef. Fans are getting tired of it.”

“Squashing the beef and becoming friends with the enemy are two totally different things,” Marshall hissed.

“You don’t have to be friends,” (Y/N) told him. “Just...shake his hand, look friendly for the pictures, end the beef.”

Marshall rolled his eyes as (Y/N) wrapped an arm around his waist and gave him a slight squeeze. “I know, I tried to tell Paul he should run this past you first. But him and MGK’s manager think it’s best for both of you to end the beef. He wants to move on with his new punk pop genre, you should move on too considering the fact that you absolutely destroyed him.”

She lowered her voice to a whisper for that last part, causing Marshall to smirk.

“This is gonna push me to drink,” he muttered as he noticed Kells approaching him.

“Don’t you fucking dare,” (Y/N) hissed. “If you break your sobriety, I will be your worst nightmare.”

Marshall smiled at her before dropping it to glare at Kells.

“Hey man,” Kells started. “Listen, thanks for the invitation. I know things have been rocky between us, but I hope you know I never meant any harm by my tweet about Hailie, and I still view you as a massive inspiration to me. I just thought...maybe I’d get more recognition with the diss, and it worked. It just sort of fucked up my rap career in the process.”

(Y/N) gave Marshall a quick look before sipping on the drink she had in her hand. They were both shocked by such a mature response from Kells, especially after the stuff Kells said about Marshall following the drop of Not Alike and Killshot.

She was watching her boyfriend expectantly as he processed what had been said to him. He glanced back at (Y/N) finally before saying, “No hard feelings, man. Tensions ran high, we both said some shit, I think it’s time we get past it.”

Kells smiled and offered a hand to Marshall. Although reluctant at first, Marshall took it and shook his hand. Kells soon left and went back to his girlfriend, knowing not to overstay his welcome.

“Was that so hard?” (Y/N) asked. “At least he’s being mature about it, too.”

“A little too mature,” Marshall said.

“Stop it, you just don’t like him. Let’s get a non-alcoholic beverage.”

~~~~~~

As the night continued, Marshall was pulled from (Y/N) as people kept coming and congratulating him on the album. She wasn’t too shocked, it was a normal occurrence. Luckily enough, she had come to know most of the people at the party through Marshall, so it wasn’t like she was awkwardly standing around for any amount of time.

She was at the snack table when a tall stature came to stand next to her.

“You lost your boyfriend, huh?’

(Y/N) looked up to see Kells stood next to her, a friendly smile on her face.

Despite the feud between the two, (Y/N) never had any sort of opinion on Kells. She hadn’t listened to his music - besides that one song with Camilla Cabello that blew up - and she didn’t want to form an opinion based on a beef she wasn’t even a part of. So, him standing next to her didn’t make her as angry as it had made Marshall earlier. Instead, she smiled back at him.

“Yeah,” she said. “Nothing new of course. Everyone congratulating him on the album and whatnot.”

“Seems like a lot of people just trying to kiss his ass.”

(Y/N) shrugged. “That may be true in some cases. Most of the people here who have already worked with him and known him for so long know better against that. Maybe it’s because they’ve already worked with him though, who knows. Where’s Megan?”

Kells gestured aimlessly into the crowd. “Also pulled away from me. Talking to...someone I guess.”

He didn’t sound too concerned over it, although maybe it was just the same situation (Y/N) was in. Megan was pretty popular as an actress, this was probably nothing new for Kells either.

“So, how did you and Em meet?” he asked, offering her one of the two red cups he had in his hand. (Y/N) didn’t think much of it at first. She figured he had probably gotten a drink for Megan then realized he had lost her in the crowd.

“We met through a mutual friend, actually. One from back in Detroit,” she explained. “I knew who Marshall was, obviously, but I was never really a hip hop fan. We got to talking and before I knew it, he was asking me out on a date. We were official within a month, and we’ve been together ever since. That was like...three years ago now, I think.”

She took a sip from the drink Kells had given her and cringed at the strong taste of alcohol in the cup. Noticing this, Kells asked, “Too strong?”

“Just not used to alcohol,” she explained. “I’ve mostly given it up in solidarity with Marshall. I’m proud of his sobriety, even if I’ve only been here for the tail end of it.”

“That’s lame,” Kells scoffed. “The old man shouldn’t hold you back from doing some fun shit.”

The tone of his voice plus the subtle diss caused a slight feeling of annoyance in her, but she pushed it down. Be the bigger person, she had been telling Marshall all night. She couldn’t go against that.

“He’s not holding me back from anything,” she responded. “I chose to do it. I just know it sucks to have to be sober when everyone around you is drunk or high. I want to be that one person he can confide in in those situations, you know?”

“You’re too good for him, man,” Kells said. “For real, you have a heart of gold and the body of a smoke show. You shouldn’t be wasting it all on that fucker. You should be getting with a real man.”

(Y/N) shuffled uncomfortably, now putting her cup down on the snack table. “I’m perfectly happy with Marshall, thank you. Besides, you have a girlfriend. One who is literally at this very party right now.”

He waved off the comment, as if it weren’t a real concern. (Y/N) looked around the room, desperate to find someone she knew who could save her from that situation.

Across the room, Marshall was glaring daggers into the back of Kells’ head. He could see the uncomfortable look on (Y/N)’s face, and saw the drink she had just discarded on the table. He knew something was happening, something he didn’t like.

“Why the fuck did you invite him?” he asked Paul. “Why didn’t you warn me first?”

“It needed to be an authentic meet up to end the beef,” Paul responded. “After tonight you won’t see or hear from him ever again.”

“You bet I won’t, because I’ll have him six feet under the fucking ground if he doesn’t get away from (Y/N).”

Paul looked over at the two. His face grew concerned upon seeing (Y/N)’s. “It can’t be anything too serious. He’s here with Megan, remember?”

“Do you see Megan anywhere around here, Paul?” Marshall asked.

He was so furious you could almost see the cartoon smoke coming from his ears. He was clutching his plastic cup so hard that it would’ve shattered into a million pieces if it was glass. It dropped from his hand suddenly when he saw Kells grab (Y/N)’s waist, trying to pull her closer to him. Both Paul and Dre had to grab him to stop him from going over and beating the shit out of Kells right then and there.

“Calm down, man,” Dre told him.

“He’s fucking touching her, Dre!” Marshall snapped. “She’s obviously uncomfortable, let me go over there and beat the shit out of him!”

“Not here,” Paul said. “Not in front of all these people. Go over and get her - peacefully - then you guys can just leave. This was a stupid idea from me.”

“Really fucking stupid,” Marshall hissed as he pulled away from the two. He tried to keep his anger at bay as he went over and wrapped an arm around (Y/N), effectively pulling her from Kells’ grasp. “Come on, babe, let’s go home.”

“What’s wrong, Marshall? Don’t like another man talking to your girl?” Kells challenged.

“I don’t like other men grabbing my girl when she’s obviously uncomfortable, no,” Marshall responded.

“Sounds a little insecure to me. Maybe you should work on that, man. You’ll be able to keep up with this absolute bombshell when you’re not so over jealous of her.”

Marshall’s grip on (Y/N)’s waist tightened. She tried to calm him down, but it was obvious he was past the point of no return.

“Fuck you,” he snapped. “Man, I don’t know what your fucking problem is, but you’re the one who started all of this shit. Now you’re coming here, to my launch party, trying to flirt with my girl, and now you’re insulting me?! Must be a sad existence you live, Kelly, when you can’t even be happy with your own success.  You have to keep trashing on someone else who’s doing much better than you.”

Kells’ cheeks were tinted pink with anger as he glared at the two of them.

“I suggest going to find your girlfriend while you still have one,” (Y/N) told him. “Because I will be telling her about this whole...incident between us.”

Before any other words could be said, Marshall took (Y/N) and guided her out of the building. When they got to the car, he sat in the driver’s seat for just a second, trying to make himself calm down.

“I should go back in there and fucking kill him,” he said, more to himself than to (Y/N).

“No you shouldn’t,” she told him. “He was just trying to push your buttons. He seems very happy with Megan, and there were so many other girls at that party he could’ve flirted with if he just wanted to be a scumbag. He only chose me because he knew it would get to you.”

She reached over and put a hand over one of Marshall’s that was clutching the steering wheel. On contact, he loosened his grip and realized how much his hands hurt from holding the wheel too tightly.

“Whatever his intentions were, they don’t matter,” she assured him. “I love you, Marshall, and only you. No other asshole will ever come in and swoop me away from you.”

He chuckled at her slight insult, their own way of flirting with one another. He leaned across and kissed her gently on the lips before finally starting the car.

“Let’s get the fuck out of here.”

[defdaily]

Arena Homme+ Magazine September 2021 issue featuring JAY B: Nature, Dreams and Music

Translated by defdaily.

That day, JAY B’s world was filled with grass that came up to his knees, sunset that briefly peeked through the dark clouds, and ghosts of the silent campsite. Insects flew about in the intimate conversation of creation, dreams, and the future. An interview with JAY B amidst the passing seasons.

So you are working on an album?

The album is almost finished. I couldn’t release it at the beginning of the year, so I’m releasing it now in the second half of the year. I’m thinking of preparing things early on for next time so [we] are preparing for the production of another album.

There was a big change this year, you moved from JYP Entertainment to H1GHR MUSIC, right? What did you expect before becoming a part of H1GHR MUSIC?

At first I was worried. and was concerned over what to do if I couldn’t adapt. My goal for this year was to adapt to the agency and its artists, but everyone has made me feel comfortable. I thought I would have to do a lot of adjusting to the new agency staff, but I was surprised by how understanding they were of the system I had experienced. The way there has been no problem in our communication has far exceeded my expectations. Things are flowing smoothly.

It must feel like a fresh start. You must be looking forward to getting to do what you couldn’t do previously, but on the other side you must also have hopes to learn more. Is there anyone that could provide you with blunt advice?

I’m not the demanding type. And I have never strongly demanded anything from the company either. But that doesn’t mean I accept anything the company makes and provides me. The difference is that my opinion is reflected in my work more than before. If I was going to lead everything at work, there would have been no need to join an agency. Joining the agency means communicating with their staff. I also think we should listen to other people's opinions a lot. And you have to give feedback too, of course. I am working well with the company. Be it a push or advice as help, I learnt a lot from my previous company. Since I have learnt a lot from there, I should trust myself a little more now. I try to relay what I know and learn about things I’m not knowledgeable of. I rely on Jay Bum hyung a lot. I contact him right away when there’s something I don’t know, and we have a lot of conversations.

Is it important that an artist is stubborn? Do you feel the need to emphasise your own music and personality?

Artists have different personalities, just as people have different preferences. I don't want to diss an artist who is stubborn, nor do I want to tell anyone who isn’t stubborn that they are not an artist. I acknowledge everyone. I, personally, want to express the way I live. I like making music. An artist should be clear about what they want to do. Whether it be to become a star, or to express themselves through music or to earn money, it has to be clear.

What is your clear stance as an artist?

Whether it’s fiction or reality, I want to make stories. I’m the type that wants to tell a story. It was like that too in my GOT7 days. I believe one should create and establish their own path in life. I think that's fun. It's hard, but it's worth it. It adds more meaning to my job and I think it becomes more valuable. If I didn't do it myself, I would feel less attached to it.

There’s nothing more fun than one’s own work. Showing your work and waiting for the response must also be thrilling.

Exactly. I love hearing that my music is good. I’m very shy so I cannot express it very well but I’m very thankful and proud too. And it reassures me that I’m not going down the wrong path.

It does feel like all the hard times disappear when you hear good feedback. But feedback isn’t always good. There are even people who avoid them because of fear of criticism.

To be honest, when it comes to unpleasant feedback, it kind of makes me feel… “ouch!” But I accept it because it is still an evaluation. It also gives me a boost. It’s fun.

You are a solo artist now. Do you feel a burden or pressure?

I don’t feel pressured, but I do feel the burden. I joined H1GHR MUSIC and I feel a sense of belonging. I gain something from this company, but I think this company should gain something from me, too. I have worries about things like whether I’ll be able to benefit the company or not. I feel slightly uneasy about possibly not meeting expectations too.

You feel a sense of responsibility.

There's always a reason and a purpose to start anything. Everyone starts music because they like it, and if they start, there must be music they want to make. So if there is criticism, one would feel down, but if the final product is good, the people that worked on it would feel good. That’s what I hope for.

You uploaded a bunch of your Def. songs onto your YouTube channel. There was quite a lot. Are you the prolific type?

I used to be but… I guess I’m still the type to make many songs. (Laughs). But compared to back then, my production has decreased a lot. My stamina can’t keep up. (Laughs). I used to be able to start and finish working on a song at dawn and when I felt like I could do more, I made more. Nowadays, even when I’m working on only one song, not only is it hard for my body, but I also feel drained so I can’t make many songs.

Isn’t it really fast to make even one song at dawn?

Ah, that’s true. I used to work like that three or four times a week, but now I work once or twice a week. Come to think of it, I don't think I'm the prolific type anymore.

Being able to make a lot of things means you have a lot of ideas.

Having run out of ideas is also a reason for having less work done. There are five mixtapes I’ve uploaded onto YouTube with four to five tracks each. At the time, I not only worked on those but music for GOT7 too. After hustling so hard, I feel like I’ve run out of material. I look around wondering where to find inspiration. When I finish making the melody and want to write lyrics, I feel lost.

In order to be prepared for those situations, creators keep a collection of material. How do you collect resources?

I often read or use my imagination. These days, I often put myself in others’ shoes. When watching a movie, one would empathize with the protagonist. It’s only natural since the plot revolves around them. But I would pay attention to the supporting roles or passerbys in the background and think about the story from their point of view. I would think about what I would do if I heard those words and if I were in that situation. I also pay close attention to any words that might be a good source of inspiration. In the past I would focus on how the plot developed, but now I look at the words that the author uses repeatedly. When I think of any useful words or ideas, I jot them down.

Observing the supporting roles instead of the central narrative is such a novel idea.

I suddenly thought of it while watching a movie at home. The protagonist had said some harsh and rude words to a supporting role. It was something like “Get out of my way.” I thought “How would it have felt to be the one moving out of their way? What would they feel?” These were the thoughts I had.

Has anyone told you that you have a unique perspective?

I’ve often heard that my personality is very unique.

People can say they don’t like something despite others saying they like it. That could come off as unique and fresh ideas come from an uncommon perspective too.

I think it’s 50/50. There are times when something might not feel like much for me while others like it, and times when everyone else seems quite indifferent while I like it. A song I recently liked the idea of is “Smile, Wait for the Flash” by Giriboy where he used the ‘kacha’ shutter sound as gunfire. Using ‘kacha’ like a gunfire as a metaphor for wrapping up your feelings after a breakup was a refreshing idea. It was great.

Do you also often use your instincts?

I try hard to. I don’t naturally use my instincts, but I try to look at things through a different lens. I tend to have random thoughts, and I had one today during the shoot too. This is a camping site, but there was no one camping. So I imagined how it would look when full of people moving about. Also during the shoot, there was a long blade of grass under my feet on a field of grass. I should have avoided it but I accidentally stepped on it. I felt sorry for the grass that got stepped on and out of instinct I said “sorry…”

Seems like you have keen sensibility.

I wish I could be sensible. I’m too cautious to say that I am sensible, though.

I think you would be considered a sensible person because you make music. But I noticed that the comments are disabled for Def.’s mixtapes on YouTube.

The songs that I make under “Def.” are 100% music that I personally wanted to make. I didn’t want to receive feedback, so I disabled the comments. If I release an album under “Def.” in the future, I probably won't be able to disable the comments. I don’t know. The reason I have disabled the comments is because I don’t want to see any praise nor criticism. I don’t look at the comments for my SoundCloud tracks either. Because they’re very personal projects, I’m worried I could be swayed by it so I don’t look at it on purpose. I don’t want to be swayed by anything when it comes to my personal projects. I guess that’s my way of being stubborn.

So it sounds like you’re saying the songs that are made under the name Def. are like a part of you. I can feel your sincerity towards your music.

I would pretend to be indifferent to evaluations, but I’m really scared of receiving negative comments. Not the criticism but I’m scared to look at comments that decide something as ‘not good.’ If they say that it’s not their style, then it’s just personal preference. There may not be songs that match their preference within my discography. But it’s difficult for me to hear people say ‘this is not good, bad, or meh.’ After all, those songs came from me and are like my children.

I remember many tracks with gentle melodies and discovered JAY B’s delicate side. Is this surprising to hear?

This is the first time I’ve been called delicate. I do have several sensitive/vibey songs. I want to try something like a pop, hip-hop, or smug and cocky vibe but I’m not good at that. I don’t think it’s my personality.

What is considered a good melody to you?

Something that feels good at the first listen. My music taste has been so diverse recently that even when I talk to my friends about music, the songs that we all like are different. It’s hard to reach a consensus. In the creator’s perspective, even if something doesn’t sound good to others but it does to the creator, I consider that to be a good melody. I used to stress over how to write a good melody, how to sing it, and if the company would like it. As I move on step by step, I found a standard where at least the melody should sound good enough to me to not abandon the song since everyone has different preferences.

Personal preferences are important but it must be an important job to cater to the general public too. No, I mean, a difficult job.

That’s right. I think I still lack the ability to create melodies that the general public would like. I will have to learn step by step. One thing I feel is that there must be a part that sticks. I can’t exactly describe what type of melody it would be, but to set a minimum standard, it would be ‘a melody that I’m satisfied with. If it’s one that I’m not satisfied with but the public likes, I should follow that.

Do you tend to use many tracks when making music? There’s lot of songs these days that use dozens of layers of tracks.

We used a lot of harmonies with GOT7. Because there were so many harmonies, there was a crazy number of tracks too. These days, I try to be minimal and reduce harmonies. I don’t layer many tracks. I usually have the main track with a few harmonies and some adlibs.

K-Pop in particular mixes many genres and harmonies to create complex music. They are very flashy. What do you think of this phenomenon as someone who prefers to be minimal?

I see it as a good thing, because it means that the general public’s preference is expanding to a variety. It’s rather better. Of course, the basics are also important and I do feel the necessity to study them but we also need to agree with change. We should accept change. Who knows, I might grow old to be someone that can’t accept change and wonder, ‘what kind of music is this?’ But I feel that now is a time to open our eyes to change. When I find that a song is difficult to listen to, I will purposely listen to it repeatedly.

It’s been 10 years since you’ve debuted. How much have you changed over these 10 years?

In the past I was ambitious and had high expectations, but now I am more relaxed. With age, I think my sensitive side is becoming more and more dull. When I let go of some desires, I get to be accepting of more things. The scope of my activities also seems to have widened. I used to have a stubborn side to me in the past. Now I’m like ‘don’t expect too much, don’t anticipate too much,’ just do my job diligently!

There are many artists that use other creative hobbies to ease the burdens of their main job. What do you do to cope with your fuel for creativity?

My hobby is photography so I take many photos. I also learned how to draw at one point but nowadays, I don’t have time to draw since I’m busy. I also make records of things often. I write down my thoughts, even useless things. I also use an audio recorder to record my mood, thoughts, and things I’m currently doing. I also write letters to my future self. Things like ‘this is why I’m struggling, this is what would be good for me now but how it would be for my future self?’ Wondering what I will be thinking about and what I would look like. I write letters to myself about stuff like that. I put them in envelopes according to the year and on the envelope I write down the year the letter was written.

So It’s like an archive of your time. Writing, journaling, letters, photos, music, it’s interesting. A very organised way of saving your thoughts to not lose them. Having said that, is there anyone else you would like to show your records to besides your future self?

Ah! I can’t show this to people. They’ll cringe. (Laughs) It’s sort of embarrassing. I can show the photos to everyone but I want to keep voice messages to myself. I hope that when I am older, I can look at them as I laugh and reminisce about my life. They’re records for myself.

Do you also record everyday life in any way?

I record when I find it interesting the way I thought about something. Even looking at my journal from last year or the year before, my thoughts were different from now. I find it intriguing to see the way people can change like this. I think I tend to have many thoughts, so I record them every day.

From the position of a creator, I guess journaling can be seen as an activity to collect one’s senses and emotions to use them as material for inspiration.

That’s right. My brain isn’t good enough for me to remember everything. There are situations when I recall a memory and decide I could write this down.

What was the most fun thing you did lately?

It’s a bit dangerous, but it was when I rode around on my motorcycle with my friend. There was suddenly a heavy downpour. Since I needed to go home, I rode the motorcycle in the rain. I was completely soaked when I got home. The journey home was super difficult, but I was fortunate enough to not have suffered any injuries. It was a completely new experience so it was very fun. I don’t want to experience it again but it felt like an adventure.

Wearing the Burberry 2021 F/W collection in the pictorial today must also be a new experience. Slightly different from the refined and classic Burberry, the collection shows a lot of change. What were your usual thoughts on Burberry?

I thought of it as a clean and straightforward style. Ever since some time, I noticed their young and bold changes. Although today’s outfits contained many new attempts and changes, I felt that their style was still well refined. I felt that Burberry used their own unique perspective to cleanly interpret nature’s elements. Wearing the outfits, I felt like they had a lot of fun ideas.

Which outfit left the biggest impression on you?

Choosing just one is very difficult. There was one that gave off the feel of a medieval knight, and made me feel like a monarch. I’ve heard that in medieval times, people would also wear bearskin from hunting. I think that has some influence on the Burberry outfits that I wore today. Every time I put on an outfit, I always felt like a medieval knight or king. The fur on the clothes had a strong animalistic feel to it. The scenery, weather, and concept were all very harmonious with each other.

Going back to the topic of music, you said that you like to tell stories. Do you also create a universe with music?

Yes, I create a universe for each album. This album creates this universe, while that album creates another. The albums won’t connect to create one universe, though. Each album is its own world, nothing more. I can’t make them magnificently connect into a grand universe. I like to put my story into each album.

Can you use a keyword to describe the universe of the album you are about to release?

It would be “SOMO:FUME.” This is the first album that I made after joining H1GHR MUSIC. This album consists of my energy, feelings, and thoughts, so it contains the meaning of my hopes for people to consume (somo in Korean) this product and and my wishes for my emotions to smear on to you like perfume, which is why I combined [somo] with the [English word] perfume, and named [the album] SOMO:FUME.

In which direction will JAY B’s music flow from now onwards?

I’ve pondered about directionality for a long time, but I couldn’t come up with an answer. The important part is to participate enough for me to not have regrets and be careful. I may disappoint myself if I have too many expectations for the future. I need to work diligently to not be disappointed when I look back; so that in the future, I can see that I worked hard.

Translated by defdaily.

Please support JAY B’s 1st EP album [SOMO:FUME] coming out on August 26 at 6PM KST. jayb1stsoloep.carrd.co

[princessofgayskull]

Hi sunflower, what's your thoughts on T Swift's Betty being a catradora song???

Me, taking a break from spop to focus on my mental health and setting better boundaries:

Me, reading this ask:

This ask woke me up from like a deep, sleeping beauty type slumber, not joking. I don’t get asked to talk about Taylor Swift often, despite being a fan of hers since I was nine years old (I’m 22 now *wink*) and we are about to find out why. But I pride myself on taking any fiction piece of media I interact with and connecting it somehow to Taylor Swift. I can do so to varying degrees of success (usually depends on the ships and romance of the world) but there are so many songs of Taylor’s that have just fit Catradora so well for me, both in and out of canon. 

Some of my favorite examples: out of the woods (AND IT KEPT ME UP AT NIGHT WHEN NOELLE SAID THIS WAS HER TAYLOR SWIFT SONG FOR CATRADORA LIKE GAH CASUAL TS LISTENERS WILL NEVER UNDERSTAND) bad blood, lwymd, don’t blame, dancing with our hands tied, the archer, breathe, you’re not sorry, the way I loved you, forever & always, should’ve said no, safe & sound- I could go on.

But I won’t because I wanna stay on topic and talk about betty. Now I have a number of songs from the folklore/evermore series that are for me catradora songs (we’ll get to that in a minute) but this one is… challenging. Because I could be like “yes, because [insert casual reason here]” or “no, because [insert casual reason here]” but I can’t because Taylor feeds her children well and there’s several aspects of this song I feel like should be considered.

This biggest one to be considered, for me, is the love triangle aspect. Folklore features at length the betty/james/Augustine love triangle, each of them having one main song on the album from their POV. Betty's is cardigan, augustine’s is august, and james’ is betty. (also I’m going to throw out the gender component for a second; I know taylor says that Betty is about a guy’s apology and I totally vibe with her reasons why she wanted to write a song about a boy apologizing BECAUSE HOW GREAT WOULD THAT BE?) The love triangle makes the application of Catradora iffy at best. Because it’s like, who would be who? I am going to go out on a limb and assume that you’re seeing Catra as James? I think that personality wise, Adora as Betty and Catra as James is not a stone’s throw away from fitting actually really well. Adora’s canon journey is one of coming to realize “I know what I want and I know that it’s okay to want it” and a big part of Catra’s arc is her being like “Well shit… there goes my plans. Kind of feeling like a dumbass rn” especially in s4/s5. 

(That s4/s5 distinction is important; I’ll show why in a second) 

But for me, there’s no augustine. Or one that’s obvious anyway. I never imagined that either Catra or Adora dated or even had any inclinations with anyone else during the five season run- that’s just my personal opinion, people are completely welcome to feel free to disagree. I don’t think Catra acted even out of distraction with Scorpia or DT, and I think Adora was so focused on being She Ra that when she wasn’t thinking about failing/abandoning Catra when she alloted time to do so, she was thinking about the crushing weight of her responsibilities. So you know, not that much time to get back out there. So I rule out what causes James to apologize in the first place- cheating.

Side note about James cheating- I’m pretty sure Taylor confirmed this, in the long pond studio sessions doc, when she’s telling Jack Antonoff (MY BOY JACK) and Aaron Dessner ( GRAMMY AWARD WINNING KING) that James “was a fool!” And James did sleep with Augustine as confirmed in august, but cardigan makes it seem like he was definitely dating Betty before the summer. Maybe Taylor took inspiration from friends and they “were on break.” I also believe that the kiss in the Heart is the first kiss, that Catra and Adora were never ‘together’ together before Adora found the sword and defected (again, that’s just an opinion, but Adora just looks so wonderfully gobsmacked), so…

We can rule out cheating, and I think we can accomplish this and still reserve the essential meaning of the song of “I did something wrong, I see that now, I apologize for doing it, and I still love you” by widening the lens of what the “did something wrong” was (or “did something bad” you know *wink*). In that wider lens really you could fit either Catra or Adora into the song, but I’m still going to assume Catra is the James in this scenario based on how much of her redemption arc is formed around her refusal to say sorry and then eventually doing so. Of course there is no standing your porchlight but rather standing while wrestling a bunch of murderous clones…. Hmm….

But there are some stupid friends! I wholeheartedly believe Catra is James because of the dissing of Betty’s friends. That’s what Catra does to Bow, Glimmer and the rebellion et al., for most of the show and by the end of s4 she has no friends for Adora to even mock (terrible and cruel of me, I know, but it’s true). Also I know people are like “he called her friends stupid and then expected betty to take him back?” but I scream sing the line “WILL YOU KISS ME ON THE PORCH IN FRONT OF ALL YOUR STUPID FRIENDS?” every time. It brings me serotonin. 

Along those lines we can ask “Who’s Inez?” in this situation. When I think gossip no one from the show really comes to mind, well, expect for Double Trouble. But Double Trouble doesn’t ever speak to Adora about Catra. This happens vice-versa, and in Betty, James reveals that Inez told Betty he cheated on her. 

I want to say something controversial… Glimmer comes to mind when I think “who’s the Inez?” And this is based off of two things: 1) Inez’s closeness to Betty, and 2) Inez drags James out to dry, rightfully so. And when I think of that I think of Glimmer screaming “Do one good thing in your life!” directly in Catra’s face. James gives Inez a bad wrap in Betty. Not cool James. 

Of course there’s the pivotal, “would you tell me to go fuck myself?/ or lead me to the garden?” To me this a fun way of showing there’s vulnerability to what James is doing, so automatically I’m led to is the scene where Catra asks Adora to stay, or each time in s5 when Catra risks, basically an identity crisis to let Adora in how she really feels, but there’s always the potential that Adora could spurn her by not returning her feelings or rejecting her outright. 

I think the best argument that can be made for “is betty a catradora song” can really be encapsulated by the lyric(s): “the worst thing that I ever did is what I did to you” and “the only thing I wanna do is make it up to you.” That is what about the song SCREAMS Catra to me. And yeah, it could be argued that Adora hurt Catra pretty brutally (Shadow Weaver makes that point EVEN THOUGH SHE HAD NO RIGHT TO) that she messed up by abandoning Catra- but Adora feels guilt for... literally breathing. Adora is the quintessential embodiment of “pick your battles, no that’s too many battles, put some back,” but Catra picked one battle first and foremost (yes, she had a few others but this was the one) and that was Adora. Everything that motivated her was surrounded around a narrative of surpassing Adora for a multitude of reasons, and because of that she pretty much hurts Adora every chance she gets after Promise. Adora is really Catra’s first casualty, it makes sense that she has to be her first apology. And I think that after being vibed checked back to back by DT and Glimmer and realizing “oh hey fuck, I’m still in love with her” and then almost dying just to not die because Adora saves her, I think much of Catra’s motivation shifts to “how to do I get Adora to want to stay?” 

That’s my logic for how Betty could be a catradora song in canon. Now not all of my Taylor associations are with canon catradora, many of them do belong to uws catradora, because it’s a lot easier to apply the more modern details of Taylor’s songs to a modern au. The song Breathe is big that way. (it’s in Upper West Side, it’s the song Adora listens to and cries to after that first ride, I just never mentioned that it was taylor because my conditioned reaction to bringing up taylor is to have my head bit off with someone’s semi incorrect and slightly sexist opinion that I never, ever ask for) And this ask got me thinking about what it would look like if I applied not Catradora to Betty, but Betty to Catradora. What would it look like if Catra skateboarded and wore black lipstick, Adora wore a cardigan and they had homeroom together until Catra really messed up? What would it look like if they were seventeen when they admitted their feelings for each other instead of 21? What would it look like if they spent a summer fighting but dreaming of each other? What would their love story look like if Catra and Adora were in that town where Taylor envisioned this “same event that affected three people in different ways?”

I think it’d look something like this. 

https://archiveofourown.org/works/31141973/chapters/76952048

what do you guys think?

quick but INCREDIBLY IMPORTANT thank you to @gimme-tea-bitch for helping me with this, being my beta, and listening to me talk about folklore/evermore.

[themangledsans0508]

A bit on Camila Noceda: you're all wrong

For the past couple of days I've been hanging around the lumity tag and some owl house blogs and I've noticed a lot of talk about Camila as a mother. A lot of people praising her as a golden example of a mother and a lot of talk of people who were dissing her as a horrible mother.

Here's the tea: both are wrong.

Camila is by no means a flawless mother, nor is she a wicked one. She's a single mom trying her best and her intentions, while good, don't matter because it still hurt Luz. That's what makes her flawed.

The first we see of Camila is her in the principal's office praising her daughter's creativity but telling her to be realistic, or else she'd have to go to a summer camp that is marketed as a way to fix kids who were different. This is important because Luz makes it clear she does not want to go, yet Camila still sends her.

This is done for Luz's sake in Camila's eyes. We know that at school luz had no friends, she had trouble interacting with people, she had been banned from dances and it wouldn't be much of a stretch to assume she was being bullied. She lived in a fantasy world in her head instead of the real world and that worried Camila. She wanted Luz to go to camp to help her fit in better and make it easier for her, not because she wanted Luz to be easier to deal with.

Camila knows how cruel the world is. She knows it's only going to get harder for Luz. She wants to protect her even if it hurts her in the moment. That was why she sent her to camp in the first place.

After, we see her frequently texting Luz just little fun things. She checks in with her and she makes sure to give her a little sense of comfort through her being able to reach out to her mother.

When Vee takes Luz's place, Camila starts to get concerned with how much her daughter has changed. How she doesn't care about her old interests and how her personality had changed, but she writes it off as camp and leaves it at that.

At the end of yesterday's lie, she tries her hardest to pretend everything is fine for Luz's sake. She doesn't want to let on how scared she is because she's a mother, that's her job. She wants to support Luz but she is terrified for her safety. When she finds out Luz chose to stay she is horrified and livid because her daughter chose a world where she could die over being a home with her, and she panics. she thinks luz hated living with her and would do anything to get away from her and that's why she demands luz stays once she gets home, it's why she promises to change.

it's camila's actions that hurt luz, not her intentions. She tried to support and protect her but in doing that she also made Luz feel isolated and different. It's why she chose to stay in the Boiling Isles. Everyone is weird there, and they can still be happy. Luz isn't happy in the human world because she is different, and her mother sending her to camp made her feel worse.

Luz felt like she had to run away because her mom wouldn't understand the Boiling Isles. Her mom gets upset not because of how dangerous the isles are, but because Luz chose to stay there and was actively lying to her about it. Her lashing out then blaming herself pushes Luz farther away because it just makes her feel her fears were justified, her mom wouldn't understand.

Camila doesn't mean to do that, but she still does. It's what gives her flaws. The way she tries to help Luz continuously hurts her. That doesn't make her a bad mother, but what really makes her a great mother is how she supports Luz in other ways.

The little texts, her support of Luz's creativity in general, how hard she tries to understand Luz's interests despite the fact she doesn't understand. She takes the day off to spend time with her daughter, she takes pictures of places they spend time together to send her some bits of home, her concern when Vee gets rid of some of Luz's favorite things. It's those little things that make her great. She's a realistic depiction of a loving mother trying her best.

Camila reminds me of my own mom in so many ways, who I would describe in the same way. My mom has hurt me many times, but all those times she was trying to help me. She has always been willing to listen to my sister and me even when she has no clue what we're talking about. She tries to put on a brave face for us and that crumbles from time to time. When one of us does something that hurts her, she blames herself.

The flaws make Camila as a character more human, and that's something that I believe this fandom also needs to see. Camila has flaws, but she is not all flaws. She's not abusive like the Blight parents and Emperor Bellos, but she still hurt her daughter and that shouldn't be ignored. It also shouldn't be all she is.

[betweenlands]

and now: dreamsmp, as explained by a yogs/hermitcraft fan who only watches tales

note - i’m a yogs fan so all of this is, as the kids say, “c![name]” unless stated otherwise

general

these white men can have so many fucking wars

do any of them even... like each other? like. nobody fills in creeper holes, they’re constantly stealing from each other and griefing shit and half the time there’s not even plot reasons behind it

y’all don’t have access to the end? like at all? i mean i GET maybe if it was modded and people had access to, like, backpacks, but it’s vanilla

“dream thinks smps die when they get to the end” dream is wrong, a coward, and a baby boy man

no shopping district? no ECONOMY? this part is fucking BAFFLING to me hello i do nothing but strip mine while listen to podcasts, i could buy and sell these idiots in diamonds. i feel like you could just say “we’re using prismarine blocks for currency now” and everyone would go fucking off it

i’m. i’m still stuck on the fact that there’s NO ECONOMY. like NONE. what the fuck. how do y’all live like this.

IT’S NOT EVEN MODDED i cannot grasp this. how is nonmodded vanilla minecraft with NO sense of honor between everyone else fun for anyone?

if you’re gonna run an anarchy server you should at least put icbm in your mod pack so people can explode each other properly

y’all have to use withers? you don’t have antimatter? w

i’m surprised people don’t get the places they logged out deathtrapped, this might as well be demise

all songs are acoustic sadboy or indiepop. i’d say “please write a diss track” but i don’t... think i want to hear that

i know “my lmanburg” is plot important but i don’t listen to ANY dsmp music by choice so i can only imagine it to the tune of my sharona

plot/characters

three lives system except it’s retroactive and makes literally no sense

there’s three immortals -- the server admin, who’s a horrible green-screen fresno nightcrawler (and is also canonically abusive? what? why would you canonize this?), a bird dude who does hardcore sometimes also, and sonic the hedgehog

i’m rooting for sonic

two children. actually a lot more than two children but there’s two very important children.

tubbo is one of the important children. he has infinity dads and i think he’s related to sips because their last names are both “underscore”. other dads include captain sparklez and maybe schlatt and probably some others too

he can make armor out of radio waves. nobody talks about this

tommy is the other important child. he’s simultaneously an uwu baby boy and also a little shit gremlin

schlatt. he’s sips but more

he’s glatt (ghost schlatt) now. which i know because he was in tales and constantly shouting GLATT

the first season was written by (irl) wilbur soot and it was apparently just hamilton? i don’t like hamilton.

IRL - he also supposedly forgot to tell schlatt his character was dying. again do these people talk to each other at all? like are they friends?

lemon microburger started out as a british drug cartel and has since been exploded like, idk, five times. i forget vanilla players have to explode things on purpose because [antimatter wind-up noise]

karl jacobs exists. he’s a time traveler. he’s very cool

charlie slimesicle pulled a nanosounds and launched himself into orbit and hasn’t come back down since

me too, buddy

foolish! he’s like, a demigod slash Totem Of (Un)Dying. he actually knows how to build! he seems neat!

...unfortunately he looks like Bench Appearo (i’m sorry)

THERE’S AN EGG hi as an old redstoner/flux buddies fan i FULLY fucking approve of egg. i love weird minecraft corruption plotlines i think we should have more of them

egg will make the plot good. join egg

there was some sort of war involving pet murder and also a railway system? might as well be happening

other stuff

fandom has one hobby and it’s discourse about who’s justified in doing what, which is baffling to me

back in my day we pointed at the unethical clone scientist whose name was a pun on hannibal lector and who did SO MUCH MURDER and went “oh he did nothing wrong whatsoever”

everyone has done war crimes but none of the fun war crimes

so does nobody do like. psychological warfare? not abuse -- like, leaving 50 signs leading to different coordinates on a wild goose chase that ends with “made you look” or tricking someone into digging their own grave

have some PANACHE! march up to the egg and leave the entire This Is Not A Place Of Honor text on signs! mix it up!

apparently people don’t like it when the production values are good, because if it’s too well-made then it’s not dreamsmp anymore? baffling if true. let people minecraft roleplay! high production values mean better plot!

something about discs i guess

okay that’s all, if i missed anything i’m supposed to talk about just tell me when you reblog the post and i’ll explain what i know

also i still can’t believe you guys don’t have even, like, a barter economy

[snowboiwinwin]

Hello! If it's okay, can I ask for a "Day6 as boyfriends" post?? Thank you and take care 😘😘

Thank you very much for requesting! Hope you’re well and enjoy this little something I came up with 😘🥰

--------------------------------------------

Sungjin:

I honestly love this guy

he isn’t one to seek attention or one to speak up

but i feel like he truly cares and loves with his whole heart

he may seem a little cold on the outside but he is such a sweetheart

so please do not expect him to be huge into PDA

he might have an arm around your waist if you’re in crowded places but other than that? nothing

around the boys he is also distanced

his reputation as leader could be at risk

but when the boys tease him of how cold he acts, he sulks and defends himself but then smooches your face

just to prove a point, not because he is absolutely in love with you, lol

dates with him are always super laid back

a nice dinner at home, movies and snacks

not much but exactly how you like it

Sungjin might be distanced by day but by night he NEEDS your affection and touch

please hold him while sleeping, play with his hair and just love him

i also get the vibes from him that he is quite insecure

he might seem confident but he needs quite a lot of reassurance

just please love him and make him feel like the king he is

“Did you know, that you are the man of my dreams? Like seriously, there is no one else that has ever made me feel this way. I love you handsome, I truly do.”

*blushes hardcore and slightly slaps you shoulder* Ahhhh stop it! You make me feel all mushy and soft.... but I love you too and I’m a very lucky man to be able to call you mine.”

“Look at you, being a bluhsing mess... declaring your love for me. Cute.”

“I’m not cute, I am sexy. Now please shut up and focus on the movie.”

Jae:

dude, Jae literally screams boyfriend material

he would be an amazing byofriend

not too lovey dovey and he will roast your ass whenever there is an opportunity to do so

while Sungjin will give you cute nicknames like “love” and “babe”, Jae will just call you “dude”, “bro”, or “buddy”

but to be honest? that’s why a relationship with him would be so chill and refreshing, it’s different - in a good way

Jae is a sleepy boyfriend, so PDA is a regular occurence

he always holds you somehow

either your hands, or his body flung over yours

he is not too much into public kisses though

maybe he will kiss your cheek or your hand but that’s it

dates with him will be so fun as well

you guys will usually just play video games together

and even if you are not that much into gaming, you will be when you’re with Jae

sometimes, when you’re too tired, he will play and have you in his lap

nothing is more relaxing than leaning against him while he talks in his calm, deep and soothing voice

although he is a fun guy, he is super loving

he will brush your hair for you, tell you he loves you 90 times a day and he will constantly remind you of how beautiful you are

i feel like Jae also struggles with his confidence from time to time, so he knows how important reassurance is! 

please make sure to remind him that you love him and that he is more than just enough!

“Dude, don’t look at yourself like that! You look like an absolute goddess! And I’m not just saying this because I’m whipped for you but because you truly are a blessing to my eyes. If someone dares to say otherwise, they obviously have never seen your sexy ass and need to get their eyes fixed. Sheesh, I really got lucky.”

“Oh Jae, I love you.”

“I love you too, sexy beast.”

“Please... you’re ruining the mood.”

Young K:

oh please, he is an awkward baby

super loving and so head over heels in love with you

but SO awkward

he is always a bit torn between being the lovey dovey boyfriend and being a badass guy

the boys tease him constantly, even worse than Sungjin

so sometimes you will get showered with kisses and physical touch

other times he will treat you like one of his brothers

which is fine by you, as long as you get to spend time with Brian

btw, you also tend to call him Brian, which he loves

it makes him feel like a kid in love

i mean he is in love and sometimes a kid - but you know what I mean

PDA is as I said, something he isn’t always too fond of but sometimes he loves it and will show everyone that you’re his

weirdly enough, Young K is obssessed with your butt

when you guys are cuddling

he tends to lay his head on your butt and just relax there

butt massages are also a thing

he loves you, a lot

no doubt

dates with him are always a surprise

one day you guys will just chill, maybe write songs in the studio

and on other days you will do something more active 

like hiking, going to the arcade or just simply taking walks in nearby parks

he is a pretty confident guy and rarely gets jealous

so he does expect you to be the same

he wants you to feel confident cause he only loves you

there’s no doubt he would ever want anyone else

so when you get jealous, he will take it very personal

he loves you so much and you think he might be interessted in someone else?

“Babe, listen. I find this accusation very offensive. I love you so much, you are the only woman for me. Why would I be looking for someone else, when I have you? Aka everything I will ever need? Don’t let other peoples stares make you feel insecure. The only thing that matters is us.”

“I’m sorry Brian. It’s just... you could have anyone. Yet you chose me.”

“Because all I want is YOU. There’s no one else, you are my person! I love you.”

Wonpil:

omg he is literally the cutest

but probably also quite savage

idk i just find him extremely funny

i think he is more on the shy side

he isn’t too overly affectionate 

so please do not expect him to show any type of PDA

not in public and not with the boys

you will get treated like another member

this might be hard sometimes

especially if you are super affectionate (like me)

but he will make sure to make you feel loved to cease all your doubts

actions speak louder than words

definitely something he lives by, no doubt

he will spoil you with nice and romantic dates

omg for dates he will go all out

he will cook, decorate the house with rose petals, light candles

the whole shabang 

another thing i believe to be true is that he will treat you in a super gentle and respectful way (all the boys will, but just saying)

i think Wonpil is the type of boyfriend that will constantly ask for permission, no matter what he does and no matter how long you’ve been dating

he is way too scared to do something you will not be comfortable or okay with, so he will always make sure you are absolutely fine with everything he does

“baby? can I kiss you?”

“Wonpil, we’ve been dating for how long? 2 years? Yes, you can absolutely kiss me, no need to ask!”

“but what if you don’t want me to kiss you? and i just put my lips onto yours? I don’t want to force you.”

“Dude, as long as I am dating you, i want to kiss you 24/7! even when i’m mad, i will always crave your kisses.”

“Don’t dude me! You’re spending too much time with Jae... now please let me kiss you. Thank you.”

ugh I just love this guy

he is so cute and beautiful

and his vocals... imagine him singing you to sleep

i gotta go cry my eyes out now, cause I will never find myself a Wonpil 😭

Dowoon:

last but not least, our maknae!

he is literally so sweet and HILARIOUS

the vlog where the attempts to talk in English?

duuuude I died

so I feel like, althouhg he tends to be an awkward bean too, he will constantly make you laugh

he will make a fool of himself, diss the others, talk in English...

anything to make his baby happy!

he will also shower you with aegyo

i just feel it haha

PDA is also a no no for him, he rather saves all the love and affection for when you’re both at home

with affection i mean cuddles 24/7 in bed, kisses (even with morning breath cause nothing stops Dowoon’s love for you) and loads of head massages

ugh he is a sucker for head scratches

i can slo see him trying to teach you how to play the drums

he will even take days off, just to be able to teach you

let me tell you, he ADORES you

please do not play him

you mean the world to him and he appreciates you sticking with him throughout his crazy and hectic life

there will be moments where he just stares at you with literal heart eyes

he finds it hard to believe that he got this lucky

and please, do not ever try to make him jealous...

he will be the poutiest baby EVER

*pouts and waits for you to ask him what’s wrong*

*but you ignore him, so he starts making weird sounds*

“what? you big baby.”

“I’m hurt by you.”

“I’m so sorry that I breathe the same air as Jackson Wang. I will suffocate the next time he is close to me.”

“THANK YOU! it would be very much appreciated.” 

[filmmakerdreamst]

Xena: Warrior Princess Review

During Pride Month 2020, I finally got around to watch ‘Xena’. A show that had been in my to-watch list for years, but never got around to start. And when I finally did, I was pleasantly surprised. It was not what I expected and it was everything I think my 11 year old self would have loved.

The one thing that surprised me about the show, was the lack of packaging. Even though it was a fantasy, it also played with different kinds of genres too. I’ve talked about this before in my other review - ‘Xena’ was made at a time when TV had very few rules/rarely had a set audience, since there were parts of the show that were clearly for kids and there were other parts that were clearly for adults (therefore had much more flexibility). I admired how they weren’t afraid to break barriers and touch on deep themes such as religion, morality, redemption, spirituality, motherhood, forgiveness etc - even more than shows of today are able. I also loved how they played into the idea of ‘murder’ and how much it can damage a person - not just the person who commits the act, but the many people affected afterwards. I wasn’t expecting it to be that extreme. It made me think that this must of been the inspiration for ‘Game of Thrones’. 

I see a lot of comments here and there, saying how ‘cheesy and terrible’ it was but to just accept it because its part of the fun. And while like any show it does suffer from the occasional spell of bad writing (the whole of season 5) but it was also shown to be very aware of that fact and never took itself too seriously - unlike some shows I could mention. 

And regarding the ‘cheese’ factor (what 90s show wasn’t) It definitely can be, but I would call it ‘camp’ and ‘experimental’ more than anything else. (Don’t diss the poor use of CGI - I’m personally sympathetic to what was avaliable to them at the time) The style of humour reminded me of Taika Waititi’s filmmaking. If you’ve watched any of his films such as ‘Hunt for The Wilderpeople’ or ‘Jojo Rabbit’, then you know what I’m talking about. I liked how little they cared about being accurate or logical, which added to the ‘bonkers’ element in the show - which you can see in all of Taika Waititi’s films.

In all seriousness, a show centered around two women in their late twenties, who are realistic sizes (not trying to play teenagers). One of whom is a reformed mass murderer, who has lived a life experience, trying to do good in the world for the first time, picking the other one up who has no life experience prior (after they bugged them until they said ‘ok fine’) in their path to redemption. Just two women who become friends travelling the world together, fighting crime, having a laff, learning from one another without any toxicity - when suddenly when the stakes are raised - they realise ‘oh I'm actually falling in love with this person’ I have watched a lot of badly written shows in my childhood enough to know that, that’s not ‘cheesy’. I’ve never seen a story like that in my entire life. I’m not at all surprised that Russel T Davis was inspired by it while writing the Doctor and Rose’s relationship in ‘Doctor Who’ since he’s gay himself.

What’s more amazing about their love story is how they’re both develop as separate people as well. There was this video essay explaining ‘Why you should watch Angel’ the spin off series to Buffy; how ‘Buffy The Vampire Slayer ‘was all about growing up and ‘Angel’ was all about being an adult. With Xena: Warrior Princess, you have both of those stories at the same time. 

Xena’s character was such a multifaceted experience to watch. And I can’t imagine anyone else who could play her as well as Lucy Lawless. What planet did they get that actress from? She's flawless! The amount of skill she has to put herself into a very physical role is astonishing. I personally had a love/hate relationship with her character all series long. Not in the way that I hated her, just that I couldn’t trust if she was all good or bad, which I know was intentional on the writers part. I haven’t seen a character quite like her before. She felt very much like a fallen angel; almost like the villain of her own story. Some of my favourite episodes come from fleshing out her character and dark past (‘Locked up and Tied Down’ is one of them) which reminds the audience that's she's not the stereotypical hero everyone expects. I loved her transformation from being this incredibly stoic warrior to being content and happy with who she is in season six, all because of a woman she fell in love with along the way. 

I’ve always thought of Gabrielle as the real hero and narrator of ‘Xena’. She’s the prime example of ‘a normal person becoming extrodinary’. Gabrielle’s coming of age story starting out as an innocent girl from a poor village dreaming of adventure, and ending as this vicious warrior who realises the ‘adventure’ wasn’t how she made it out to be is honestly the best character arc that I’ve ever seen. I loved how travelling with Xena made her realise her passion for writing (which was never going to happen in her home town, given the ‘sexist’ and ‘heteronormative’ ideas) and that she became a amazon princess like Xena. In regards to her sexuality, which is more up for debate than Xena’s (which I think we can all agree is bisexual) I personally interpret her as gay, just in terms of how she was written. Theres this moment in season 4 where she's being held up her hair, and Xena “symbolically” cuts it off ‘freeing her’. And she never really gets with a man afterwards, unless she’s being ‘possessed. It reminded me of a moment in one of Hayao Miyasaki’s films ‘Laputa, Castle in the Sky’ where the bad guy Moska shoots Sheeta’s ‘princess hair off’ which symbolises her transition from child to adult.

The cinematography was breathtaking. There was some great utilisation of New Zealand as the scenery. So was the soundtrack. You could tell it was made by experienced filmmakers. One of my favourite things about the show was the domestic elements - moments in the show where time seemed to stop - which made the world around the characters seem very real and magical. Even though it was a show that featured a lot of action/adventure, there was also this gentleness to it as well. For example, you could feel the wetness of the rain, the warmth of the sun and the clashing of the waves. This technique is used in Hayao Miayasaki’s work a lot .

The technique is referred to as ‘MA’ 空虚 meaning emptiness in Japanese. ‘Miyasaki describes this as the time between a clap’

“If you just have non stop action, with no breathing space at all, its just busyness. But if you take a moment, then the tension building in the film can grow into a wider dimension” - Hayao Miyasaki

The episode ‘A Day in the Life’ in season two is a really good example of this technique being used.

To my understanding, they used a lot of the local actors in New Zealand, which according to Lucy Lawless, consisted of ‘African immigrants and other different ethnicites’. It was so refreshing to see such a diverse show (despite some slip ups) especially in the 90s. I appreciated the idea that if the actors or extras couldn’t do an ‘american accent’ people could just talk in their natural speech which was also very refreshing. 

The LGBT representation was surprisingly amazing. I never expected so many queer characters in one show - especially under the censors. There was this one episode where they had a trans woman - played by an actual trans actress - win a beauty contest. It made me cry. Not to mention the actress was an aids activist. It was actually Lucy Lawless’ idea to kiss her which was incredibly controversial at that time considering how everyone thought you could catch aids just by kissing. I can definitey see how it validated people back in the 90s.

When people told me that Xena: Warrior Princess was one of the greatest love stories, I thought they were exaggerating a little. But no, watching the show in context, I found out that it really is. Despite its obvious restrictions, It made me realise (regarding token gay couples today) how often television writers rely on physicality and drama to convey a ‘love story’ and how much of it is actually pandering the audience. One of the reasons why Xena and Gabrielle’s relationship felt so genuine is because it was built on mutual respect/compassion and they were also best friends. I felt like I was witnessing something very real and private. It didn’t need kissing scenes or drama to make it interesting. 

It really helped that most of the writers were queer also. There’s this opening scene in season 4, panning over to Gabrielle giving Xena a massage (metaphor for sex - because they weren’t able to show that on screen) which I consider to be one of the most iconic scenes in media - considering how I wanted to sick up my supper when I watched the 10 minute ‘empty’ explicit sex scene in ‘Blue in the Warmest Colour’. The difference when something is written by a queer women vs a straight man.

Because the creators weren’t allowed to write their love story in the normal way, due to the studio forbidding them to, they found creative ways to showcase that love on screen - which made for a very magical/sensual experience. And I can safely say, if anyone has doubts about watching ‘Xena’, whenever I expected to be queer baited at a few points in the show, I was proved wrong time and time again. It’s the most romantical show I’ve ever seen in my life!

[wri0thesley]

{Shorty Anon} If I offended.. That wasn't my intention! That makes senses that you were writing for generally short people, not just the midgets (a term that I'm used to hearing throughout my life). And I did enjoy your writing. I don't want you to think that I didn't, because I really did. The only reason why I mentioned it, even though it wasn't fair to you specifically, is because I always feel like that some writers I've seen misconstrued people with certain heights. That came out wrong too.

no harm done anon! i had a lot of fun writing them because i am short and chubby so it’s nice to be self-indulgent! i see a lot of writers who don’t write for specific types of reader which is of course totally valid and their prerogative, but one of the reasons i got into writing my own content is because i’d see people throw terms that i couldn’t identify with into their writing (like ‘slender’ or ‘delicate’ or ‘willowy’) and it made me sad that people would just consider like, thin white able-bodied cis people the default! that’s why i write for as many different kinds of readers as i can, and especially why so many of my fics are for explicitly chubby readers! 

(i’ve also been trying super hard recently to get rid of the things in my writing that point to it specifically being a white reader - using phrases like ‘heat rushed to your face’ instead of ‘your face flushed pink’, trying to avoid things about hair running easily through the other person’s fingers and talk about heads just being cupped instead, etc!)

Anonymous said: I wasn't the anon who requested the short headcanons. But as a short person, I thought those headcanons were so adorable. And it's nice to see people who are willing to write diverse appearances for characters, readers and inserts.

thank you anon! honestly self-insert and reader-insert has definitely been a confidence boosting tool for me and i want it to be the same for other people! i get people who write one specific reader or prefer writing readers that look like them - i definitely have a lot of fun with readers who remind me of myself! - but i want my blog to feel safe for everyone<3! i don’t want it to read like i’m dissing people who don’t write for certain traits in readers because i’m absolutely not, i’m just having a good time myself and i hope they are too! <3 

[your-local-bnha-writer]

Hello ur my favorite account😭! Can I request a HC with Tanaka, Noya, Tsuki, & Kageyama where u guys are dating but at a tournament, u run into ur ex boyfriend ( who is a huge douchebag) and is saying a bunch of garbage about u? How would they react? , how would it impact their playing style cause get this- karasuno is playing against ur ex boyfriends team🤭🤭🤭🤭

jealous bfs tanaka, noya, tsukki kags,

hey I’m gonna mash these two requests! I hope you enjoy this was a lot of fun to write!

also favourite account?? me?? 🥺🥺

➣ characters included : tanaka, noya, tsukki, kageyama (separately) x fem!reader

➣ headcannons

➣ warning : a lot of swearing 😳 like there’s a lot, your jerk ex talking crap, scary bfs

ryūnosuke tanaka

- karasuno had made it to the nationals, and right before their game against Tsubakihara, lil ol Tanaka had to use the bathroom

- a horrible decision really, just ask hinata

- he walks in and hears your trash ex talking crap abt you

“Yeah, can you believe it? I saw my ex here, Y/n. I think she’s the manager for her team? Karasuno. Is she really that desperate for attention from other guys?”

- Tanaka is p i s s e d like, no one gets to talk about his precious love without experiencing the wrath from Ryūnosuke Tanaka

- So mans just straight up walks to your ex, “gently” taps him on the shoulder to get his attention, and starts defending your honour

“Y/n? Y/n L/n? The most beautiful, gorgeous, precious girl in the world? That Y/n?”

“Uh, yeah? Who are y—”

“Hi I’m the new boyfriend, and let me just tell you...”

- Tanaka goes oFF he’s not letting this douche bag of an ex get his way, he straight up just goes on a 2 hours speech about how perfect you were

- and how much of a douche your ex was

- Eventually, Hinata finds Tanaka in the bathroom (since his stomach was actin up lol) and goes to alert the other guys + you

- So, the whole gang is here, Daichi and Suga have to drAG Tanaka away from your ex while Noya hypes him up

- You have to calm him down and ask him why the hell he was yelling at someone in the bathroom

“Your ex was talking shit about you, I’m not just gonna let them do that”

- You’re immediately like 🥺🥺 Tanakaaaa you didn’t have to do that omg I love you sm

- When it’s finally time play these guys Tanaka is surprisingly calm, like it’s actually terrifying

- Oh and you bet Tanaka’s going all out he is on fire, he’s landing every spike and you can practically hear the impact on it

- Right after he lands a spike he celebrates with his team and stares directly at your ex who’s shooketh 😳

“Yeah take that! You regret breaking up with Y/n now?”

“Tanaka stOoOoP omg—”

- After Karasuno wins he gives you the most passionate kiss, in front of your ex and you pull away blushing

- Your ex just rolls his eyes and goes to pack up with his team while Tanaka’s looking all smug and Noya’s hyPED

yuu nishinoya

- The boys were getting ready for the match against Johzenji, and were just doing some basic warmups

- You had to help Kyoko and Yachi with something so you weren’t in the gym at the moment

- But your asshole of an ex was talking shit about you, very loudly 😳 and very obnoxiously too

- This mf, instead of practicing and doing fricken warmups, he’s talking crap abt you, and you weren’t even in the vicinity!

- But your boyfriend was, oh and he heard everything, every single word that came out of you ex’s mouth

“Pfft yeah she’s still annoying as ever, not surprised she’s dating the dude that’s 5’2”

- Ohh big mistake bud, not only did you insult his perfect Gf, but his height as well? Like dang pick one or the other dude

- So, Noya can’t take it anymore he’s been holding back bc he’s supposed to be warming up for the game but at this point he just couldn’t

- He straight up runs over to the other side of the gym to knock some sense into the jerk

- Tanaka follows not to stop him (although he is a bit worried 😳) but to hype him up bc that’s his best friend’s gf you don’t get to do that

- Asahi is scared shitless so Ennoshita has to keep the horny tornado in check, while Suga is conflicted

“What the hell did you say? Don’t you dare insult Y/n again! This is why she left your sorry ass! Who are you talk shit about my beautiful girlfriend I’ll fight you right now—”

- Ahem well, as you can see he’s very pissed off and uh he ends up getting scolded by coach Ukai

- except at the very end of him scolding he gives noya a few pointers on how to defend your gf without showing bad sportsmanship

- You witness the whole thing and just go up to Noya to calm him down a little

“Thank you, but you didn’t have to go off like that,”

“Yeah I did, Im not letting that douche talk shit about my crazy hot girlfriend”

- noya stop this isn’t the time 😳🥵

- During the game he is extremely focused and there’s this terrifying aura that’s escaping him

- Like Asahi might actually shit his pants just standing next to him

- Karasuno absolutely destroys Johzenji bc Noya is not letting that ball drop on their side of the court

- After the game, like Tanaka Noya straight up kisses you in front of your ex, leaving you a blushing mess as Noya gives him a smug look

kei tsukishima

- aHEM um, alright get ready folks bc this is a scary one

- So it’s Kagugawa vs Karasuno and Yamaguchi is sort of wandering around with Hinata right before the game probably to try and cool their nerves 💀💀

- When they hear your someone talking abt you

“My ex is here we’re vs her team, I know yeah, she’s probably so annoying”

- Dude Yamaguchi and Hinata have never ran faster in their entire lives, they immediately go to tsukki and it’s just a scream fest

“TSUKKI THERES SOMEONE TALKING ABT Y/N!”

“yeAH!! and he was all like ‘she’s probably so annoying’”

“mHM AND—”

“okay I think I got it, where are they?”

- shits about to go down, when Tsukki gets mad, he doesn’t lose is cool, instead he keeps a level head and strategize on how to completely destroy his opponent

- so Yams and Hinata drag him to where your ex was and point him out, and he’s stILL on the phone

“Mhm, yeah she’s super annoying”

- Oh Tsukki is pissed off, he has this intimidating aura coming from him as he approaches the dude that’s shitting on you

“You’re the ex? Yikes...😬”

- Tsukki will wait for what he has to say and the whole time he just has the biggest smirk on his face, like it’s about to go down

- Yams and Sho are hyped uP but they’re waiting behind the door bc they’re babies and they’re scared

- Mm Tsukki does not hold back, he straight up roasts this dudes ass, mans just releases all the salt that’s stored in him

“Mhm yeah, that’s pretty pathetic”

“Heh lame”

“Wow...I can’t believe she really dated you”

- Yeah that’s not that much salt

- Tanaka find the three of them in the bathroom and as much as he wants Tsukki to keep going, they have to get ready for the game

- During the game, your ex tries to spike and he’s instantly shut down my Tsukki and his 6’3 ass, It’s quite hilarious 😌

- Anyways, Tsukki blocks your ex every single time wiTH A SMIRK, mans is not holding back on this bitch

- He says it’s bc he was predictable

- Later, Karasuno beats Kagugawa and Tsukki hardcore glares at your ex like it’s pretty scary since Tsukki is one to act all sassy rather than mad when he gets irritated

“You don’t talk shit about her, ever”

- SUDHDJD DAMN TSUKKI CHILLL

- You watch all of this happen and you immediately ask your boyfriend if something was wrong bc you’re a tad bit worried

“We just had a disagreement that’s all”

“uHH YEAH RIGHT TSUKKI WENT OFF EARLIER IN THE BATHROOM—”

tobio kageyama

- Um another scary bitch please do not talk trash about his gf when he’s around

- He’s probably filing his nails away from his team bc he needs his peace and quiet and doesn’t wanna get bullied by Hinata and Tsukki

- When he hears a guy talking very loudly to his friend, now usually he’d ignore them or move spots but like this dude is talking abt you

- So, he stays for a bit and listens to what he has to say. Who even is this dude? Why does he know you? Why is talking to loud like please shut the f—

“Pfft yeah my ex is here with her volleyball team, I talked to her earlier and oh my god she’s exactly the same when I first dated her”

- I’m not sure if that’s a roast sorry I’m bad at these

- Oh now Kags is pissed, see he was already a little irked that this jerk was your ex but he was also talking trash abt you? Nahh

- He throws his nail file on the ground and stomps right up to this douche to smack some sense in him

“Yeah she’s hella annoy—”

“Why don’t you shut the fuck up?”

“Who tf—”

- So Kageyama is also unusually “calm” about the whole situation which makes it even more terrifying

- Kageyama will most likely go off and tell this dude that he has no business talking abt his gf like that

- he’ll focus more on dissing the dude and let me tell you this dude’s roasts h u r t

- like his insults are like 90% swear words

“goblin lookin ass”

“long titty no nipple lookin ass”

“get outta here you abominable fuck waffle”

- Imagine this scary ass dude coming up to you, telling you to shut the fuck up, then realizing this is Tobio Kageyama, The King of the Court, the incredible setter that has precise aim, the 2nd half of the freak duo, going off on how you should stfu abt his gf

- oh and you’re facing him on your next game

- and he absolutely obliterates your sorry ass

- his sets are perfect, he blocks every single fuckin spike you make, and when you think he’s going setting to #10 think again bc he will do a setter dump

- basically he’s on fire and tear the other team to shreds it’s kind of scary actually, hinata was sweating buckets when kageyama served since he looked so terrifying at the moment

- after the game, kageyama would want to leave immediately he doesn’t want to see your ex anymore

“You doing okie? Did something happen with you and him before the game?”

“Yep, but it’s nothing don’t worry about it”

- kags you have that creepy smile again stop you’re scaring y/n

[galactichoneybee92]

The Problem With Spinning Out and Zero Chill

Okay so spoilers. All the spoilers. Go into this at your own risk because every possible spoiler for both shows. Also: I will be speaking about these two shows with the assumption that readers have seen both and as such, will not need a summary of either. Okay, still here? Cool. 

I have no big hot take, just some observations that I would like to put out into the universe in regards to Netflix’s two most recent ice skating shows. Because I have a lot of thoughts, and also one big question for anyone who can maybe help me? 

For starters, Spinning Out and Zero Chill are both Netflix originals that premiered around approximately the same time, both of which feature figure skating as a backdrop for a lot of interpersonal drama surrounding the characters. It’s wonderful, because while I’m not very invested in sports I adore figure skating- It’s beautiful and fun to watch even if you don’t know a lot of the technical aspects or the names of the moves. However, for centering around the same sport the two shows are very different. Also, Spinning Out has already been confirmed to have been cancelled after the first season, while the future of Zero Chill is still up in the air.

In regards to personal preference, I liked Spinning Out a lot more than Zero Chill. It had a love story for me to invest myself in, as well as some messy, dramatic family dynamics, and overall the show was a lot more mature. I suspect that this may have actually been to the show’s detriment but that’s for later. In contrast, I found Zero Chill to be fluffy to the point of an ABC Family special. 

Do you remember those? Shows like Switched at Birth or Secret Life of the American Teenager, that tried to tackle big mature topics while keeping things family friendly? Do you remember how the writing was usually pretty sub par and the drama all seemed super contrived because there was only so much they could actually do within their given boundaries, so they made a much bigger deal out of small issues than they deserved? Yeah. Zero Chill felt like that. For example, the “hazing” from the hockey team was to...put balloons in his locker? And that was a...major diss? Worth getting super pissed? Idk. It’s just that, without the confines of being family-friendly day time programing, I have come to expect more from Netflix original programming. 

Alternatively, Spinning Out may have veered too far into the dark and gritty spectrum. If I had to guess where it failed, I would say that it introduced A LOT of drama, all within the first season and at times felt, overwrought. I think Spinning Out could have done with slowing down and taking a breath. Draw things out. Have the mother slowly escalate her abuse, stop and start with her medication, stretch out the love triangle between Kat, Justin, and Marcus. When I first started watching I thought that maybe Marcus would be Kat’s Luke Danes. Like throughout the show she dates other people, but eventually she realizes that she loves him and they end up together but...nope. The show established pretty early on that we were not going to have an epic, interracial friends to lovers romance. And I loved the enemies to lovers romance we got between her a Justin (Though I really think it should have taken longer. I liked that they hooked up before and that he was kinda low key pining but stretch it out. Sloooooooow buuuuuuuurn. Make it goooood. I want to feel the pining.) but it did feel like the cop out answer. And then they immediately introduce a black female character because apparently in the year 2021 we still have shows with exactly 2 black characters that are there to date each other. Like fuck, even South Park has made fun of that trope, it’s time to move past it. 

Secondly I think that it’s super out of character for Kat to ever go off her medicine, even if it is to help her skating. It’s the same way I felt when they introduced Ian’s mental Illness in Shameless. Like, maybe it’s a thing that people do and if you’ve known people that act this was in these scenarios than sure, maybe I’m wrong. But it just feels like they go to so much effort to show the effect that their parent’s mental illness has on them and their life when left untreated, they establish the characters as grown up too quickly, forced to mature due to their parent’s poor choices, and then just decide to have them follow in their mother’s footsteps when the plot demands more drama. I hated that as a choice for Ian and I hated it for Kat. Partly because I feel like it’s very out of character and cop-out writing, and also because I feel like if they had to do it at all it should have been later on in the series. 

One advantage that Zero Chill had for me over Spinning Out is that at least the characters were consistent. In this case I’m speaking mostly about Kayla, but also some of the others. Sure, I found Kayla’s impulsivity annoying instead of charming like I feel was the intent, but I liked her friendship with Skye arguably more than Kat’s friendship with Jenn. Mostly because Skye was pretty chill throughout the entirely of the show while Jenn would go from hot to cold and back. Do I think it’s stupid that Kayla and Skyle’s big storyline was “I want to skate with my BFF but regulations don’t allow it?” Yes. You’ve already established that Kayla doesnt care about competitions. The only time she ever did was because she wanted to skate with her OTHER BFF. So like....just skate now? You have Skye’s mom’s approval at this point, it doesn’t have to go anywhere. But at least the two seemed to genuinely be friends. Kat and Jenn started off with potential but then turned fairly toxic. Kat was never that supportive of Jenn, always wrapped up in her own stuff and Jenn just got crazy at the end there. I understand her being upset about Justin but then she learns that Kat is bipolar, you think theyre cool, and then she immediately throws that back in Kat’s face at the first inconvenient moment. 

Can I just say though, how much more interested I was when I thought the secret figure skater was someone on Mac’s hockey team? I was trying to guess which boy it secretly was and I thought that there would be a subplot about her trying to convince him to figure skate with her, but he would feel pressured by his parents to play hockey instead. And that would work as a foil to Ava, who wanted to play hockey but was instead forced to figure skate. And there would be an eventual romance because what can I say, I’m here for the romance. But no...it was Skye and then there was just that subplot about Mac wanting to date his sister’s only friend. And like, when I was trying to guess who it was I thought it might be Bear and that would be her romantic interest but....no. Bear just, also likes Skye. 

Also, is it some unwritten rule that for every white girl figure skater with brown hair, there must be an Asian best friend? This isnt a complaint, just an observation. 

And clearly I don’t ONLY have complaints. I thought that both shows ahd a promising premise, and I loved the relationship on Spinning Out. When Zero Chill actually bothered with real issues instead of contrived nothing issues, I think it did it pretty well. I liked the friendships and family dynamic better in Zero Chill, but wished that it would have been a little more mature like Spinning Out. I liked that the characters in Spinning Out were mostly adults and that it had a more adult tone, but I wish that they had dialed the melodrama back just a bit. What I really want, I supposed, is a combination of the two shows which leads nicely into my question for you all: 

I remember browsing Netflix months ago and seeing a figure skating show advertised, however it wasn’t either of these shows. It feels like these two shows were once one, and then got split up into two because I am completely unable to find the show I originally saw a commercial for. 

In that original ad there was a brother and sister, one who played hockey and one who figure skated. But the hockey brother was jealous of the sister because he felt like their parents prioritized her figure skating. So one day, before a big performance of hers, he met her right before the performance and yelled at her about how unfair everything was and it shook her up and when she went out on the ice she wasn’t focused. She slipped and fell, split her head open on the ice, and her confidence was shaken. 

But like...that wasn’t either of these shows so what the hell was it??? Were they once one? Was there some other show that hasn’t been released yet? Did I see it in a dream???? 

[miraculouscontent]

(non-ml asks)

Anonymous said:

So the Pokémon anniversary a couple of weeks back showed two very different takes in the future of Pokémon. What are your thoughts on the Sinnoh remakes and Legends Arceus?

I really hate the Sinnoh remakes. It’s not that I hate the chibi style (I mean, Pokemon started that way), but like--remake the game but just make it “the 2D game but 3D”???? Why? And it feels disrespectful because every other remake has used the style of the other games they were in (so FRLG looked like RSE, HGSS looked like DPPt, ORAS looked like XY, and most of the time, the remakes looked outright better than the style they were based on). It’s a shame because I really wanted to see an improvement from Sword and Shield, which didn’t engage/interest me and... I don’t know if this will make total sense, but instead of an upgrade from Sun & Moon, it feels like an upgrade of XY? Like, XY’s problems but with better proportions.

I’m cautiously optimistic for Legends Arceus, if only because, “YES, AN ACTUALLY SINGLE GAME INSTEAD OF THE DUAL STUFF THEY KEEP PULLING” (which was absolutely unacceptable when they got to console stuff). I actually didn’t notice the framedrop issues because I’m used to running games on a laptop that clearly isn’t made for them, so I’m sort of immune to it. I haven’t decided if I’ll get it for sure but the premise intrigues me and I really like Arceus.

Anonymous said:

How is Moroha the Marinette of Inuyasha?

- needlessly tormented by the narrative

- things that other people do to her don’t get addressed

- people closest to her are usually awful

- awesomely overpowered yet narrative will constantly have her screw up and put her down/make her feel worthless

- gets sidelined/ignored in favor of other characters

Anonymous said:

In one of your Askplosions(don't remember which one, sorry), you said that you can't stand the Tomboy Lesbian stereotype, which, to be honest, I kind of agree with. But what about Tomboy Bisexual? I guess it's not as bad if a female character's tomboyishness/girlishness isn't used as a clue as to her sexuality(like "you know she's a lesbian because she's BUTCH!!!"), but there aren't really stereotypes associated with being bi that are based in masculinity or femininity(due to bi erasure sadly.).

kfdngjdfgd I like how you had to had that bis don’t easily get stereotypes as much due to bi erasure because you’re absolutely right.

“Tombis” are fine, I have no problem with them. Any stereotype to avoid then are just the general bi stereotypes.

Anonymous said:

I was just reading TV Tropes' page for "Gratuitous Princess" and holy shit the sexism on display here is really nauseating. It's exactly like "Improbably Female Cast"(there are too many female characters here and it's uncalled for, despite it being okay for characters to predominantly be men), in that it's basically insulting any story that has anything to do with princesses at all by saying it "isn't needed". TV Tropes has always had a way of including underhanded sexism when talking about female-dominated/aimed works or tropes having to do with female characters or anything designed to appeal to female audiences; the more feminine, the more ridiculed it is by TV Tropes, despite claiming to believe otherwise.

Similar to how I complained about their "Improbably Female Cast" trope, Gratuitous Princess claims that stories with "more princesses than is plausible for the setting" are this trope because any abundance of princesses is somehow bad or doesn't make sense, even if it would make sense for there to be that many princesses/all the characters to be princesses.

For example, they claim that an entire school of princesses is implausible and "gratuitous", but if the school is intentionally meant to be a "royal" school for girls to learn to be princesses(whether or not they were actually born into royalty), then it's not actually gratuitous and makes sense within the setting! If the story follows a monarchy, it makes sense to have lots of princesses, especially if it's aimed at young girls.

If the main characters are a group of normal girls who wish they were princesses and the story follows "fantastical" versions of their imaginary princess selves, then that also makes sense, especially if the story has "every girl can be a princess" as their moral or something. There's nothing wrong with stories like that, but TV Tropes claims they're unnecessary because anything involving princesses(stuff little girls like) are automatically shoehorned in.

Just look at the examples, which are all written in an unnecessarily derogatory way, with statements such as "for some reason, she's called a princess", or "the rulers should be queens, and yet they're princesses"(when it COULD just be a principality; do your research, TV Tropes), or "how this has anything to do with princessing is never explained", as if the mere fact that she's a princess is something bad or worthy of scorn.

They even claim Sailor Moon is this trope when Naoko Takeuchi simply wanted the story to revolve around a group of girls who just so happened to be reincarnated princesses who ruled over their respective planet. It's supposed to be a girl power wish fulfillment fantasy that appeals teenage girls by showing all the girly things they like as implements of power!

And yet TV Tropes disses it for just that, because anything that's made to appeal to girls can't ever make sense. Now, if they were complaining about how, in aggregate, shows about princesses or in which every female character is a princess can reinforce the notion that the only way for a female character to be noteworthy in any way is if she's a princess, then that would be different, but that's not what's happening. They're dissing princess stories just for existing. No matter what, TV Tropes always finds something bad to say about female-driven storylines.

Always. Just look at their page for "Most Fanfic Writers Are Girls", "Pony Tale", and "Frills of Justice". There's always a mean-spirited undertone, as if they hate the very idea of these stories and narrative devices existing just because they're designed to appeal to little girls. I'm not saying you're never allowed to critique those stories the way you would any other, it's just the WAY TV Tropes does it. They're not critiquing, they're sarcastically mocking. They're going about it all wrong! And it's especially obvious when they never do it to boys' shows, even though those shows often do have messages that can actually be harmful and even ignore or objectify women. But I guess the latter is why they don't care. Boys will be boys, am I right?

Oh joy, internalized/intentional misogyny!

Ugh, I’ve been lucky enough to stay away from those articles on TV Tropes. I hate it when opinions clearly start seeping into the article.

For example, “Kiss Your Hand” (I think that’s the name) sums up the whole “hand kissing” thing and goes into detail about how nowadays it’s considered more uncomfortable/creepy, which isn’t necessarily an opinion but just detailing how the times have changed.

AND JUST LET US FEMALES HAVE GIRL SHOWS WITHOUT MAKING BACKHANDED COMMENTS.

It’s the same thing with stuff like “chick flicks,” y’know? Maybe it’s just been having to hang out with my father and hearing him make dumb blond jokes and talks about how chick flicks are boring/bad but UGH, I’m sick of it.

Anonymous said:

Hi, so I was thinking about what you said about how there aren't words for guys who act either masculine or feminine, and I agree, it's totally unfair, but technically feminine boys are called janegirls(or femboys, I don't know if that's specifically an LGBTQ+ term or not, so excuse me if it is, but I've heard it used this way before), or tomgirls(even though last time I checked, the term "tomgirl" referred to either a girly tomboy or a tomboyish girly girl, but I digress).

As for masculine guys, I'm not so sure there's a term for it, I guess since deviation from masculinity is less acceptable for men than deviation from femininity is for women(because, you know, femininity=lesser. ;(), although there IS the term "macho"...but that tends to be used in a derogatory sense nowadays. I've also heard "boys' boy", "manly man", etc. TV Tropes has a trope called "Sensitive Guy and Manly Man" as the male counterpart to Tomboy and Girly Girl. So I guess there are terms.

I also just wanted to add that the term "tomboy" technically was originally a male phrase to describe a young boy who was boisterous, loud, mischievous, and out-of-control; in other words, a misbehaved, trouble kid. I don't know how or when it got attributed to girls, I think there was the term tomgirl at one point(though now it's just used for an in-between type of girl), but even that is barely used anymore. Not sure where or when the term "girly girl" came about, though, sorry to say. ;(

Yeah, that’s true. I’ve honestly never heard the term “janegirls” before, but I’d prefer if a “““masculine”““ girl was just called “tomgirl” instead. It feels less like “girl acting like a boy” and--yeah, calling a girl one thing or another just makes it look like they’re “““different”““ from “““normal girls”““ and I just roll my eyes.

Anonymous said:

Hi, I know the post you're talking about(in your fourth non-ml Askplosion) about a boy who related more to female characters! It was on BoredPanda and it was by Damian Alexander(it can also be found on his official Tumblr), and it was called "Guy Illustrates How Boys Develop Sexism From Seemingly Small Interactions With Adults" and it was all about how he loved female characters like Matilda, Alice, Mulan, Dorothy, Anne of Green Gables, and The Powerpuff Girls, and was routinely made fun of and discouraged from liking them, even from the teacher, who assigned everybody a paper(I mean not really they were probably in pre/elementary school but whatevs) about a fictional character they looked up to, but wouldn't let Damian write about Matilda, even though she let girls write about Spiderman, Harry Potter, and Peter Pan. And he basically talked about how this kind of societal attitude conditions boys to see girls as inferior and not worthy of being looked up to. It's really interesting.

Thank you! Now people can maybe go read it~

Anonymous said:

So you talked about how shows for women are considered lame and overdramatic, while shows for men are allowed to sexualize women and still be seen as good because they're MANLY, and it just reminded me of how TV Tropes has a page called "So You Want To Write A Shonen Series" and one of their points was literally that since teenage boys are horny, they'll relate to a male lead that pervs on girls and peeps on them dressing, but that you shouldn't have the girl be aware or actually hit the boy, because that has Unfortunate Implications. What were those Unfortunate Implications according to TV Tropes, you ask? Double Standard Abuse: Female-on-Male. Wow. So basically they're saying it's perfectly okay for a boy to sexually harass a girl and show absolutely no respect for her privacy because it's what "all" teenage boys want to see/do, but the second a girl actually defends her agency it's a bad thing, and they have the NERVE to say it's sexist against BOYS on top of that. Ugh. I just...

S...sexist against boys...

I can’t--I just--

Also, cue the girl punching/hitting and then the girl is immediately considering “aggressive” for defending herself from being perved on, and even if people say that the girl didn’t deserve to be perved on, they’ll be like, “bUT SHE DIDN’T HAVE TO GO tHaT fAr.”

Anonymous said:

I just realized something: the term "uncanny valley" literally comes from the Japanese words "bukimi no tani", meaning we LITERALLY wouldn't have the English term without the Japanese one. So, yeah, tropers can shut the fuck up now about tropes having Japanese names because "no one will know what it means!". -_-

These people DO know that words in the English language are compromised/inspired by a bunch of other languages, right???

eggchjf said:

someone probably pointed this out but ALSO not only does Marinette have Homura's VA, but Alya is voiced by Mami's VA (Carrie Keranen)

why did you have to ruin everything for me

aaaaaaaaaaaaaaaaaaagh

Anonymous said:

Hi, I'm the Madoka salt anon. And I just wanted to say that I'm really sorry for bombarding you with all those asks. I didn't mean to be a "monster", I guess I just got carried away because, let's face it: there aren't a lot of people who dislike this show. Almost everyone glorifies this show as feminist empowerment while dismissing other Magical Girl shows as lesser than or somehow less feminist despite being written by women for women. These people won't give female authors the time of day and so when a man shows up suddenly they jump on the Magical Girl Fan bandwagon and praise it for doing what the genre has already done.

And when you do hear a different opinion, that person gets told off, insulted, blocked, downvoted, whatever because how dare you hate this show written by men for men rather than the stuff written by women for women? I once saw someone on Quora ask why Madoka was so popular when all it did was use the cliche "time loops" concept in so many other plots, and the response was literally "You didn’t know what you were looking at, so mistook your opinion for relevant commentary."

Let that sink in. If you don't agree with people who like Madoka Magica, it's because you're simply too dumb to understand how deep and complex it is, and your opinion doesn't matter. I've also heard the similar "You have no idea what you just watched" or "You're not smart enough to understand it" or "It's too complicated for you" nonsense and I hate it. Because most of what Madoka does isn't even that twisted or hard to understand; it's relatively simple when you look at it. The show just makes it dark. Monsters stealing energy from teenage girls? Sailor Moon did that and did it better(and didn't just go after teenage girls/women, so it wasn't based off sexism and "teenage girls are hysterical"). Hardships of being a magical girl? Girls uniting against evil? Female friendships/romance? So many other Magical Girl shows did that, too.

Come to think of it, Madoka Magica didn't even have the girls fight back against the system because only Madoka found a way out and purified the girls souls? Girl realizes she's been going about being a hero the wrong way and is confronted with her own selfishness? Look at Utena, which mastered this much more skillfully. Magical girl gets in a love triangle with another girl, vies for the affection of a fragile white-haired boy, and loses? Princess Tutu, except that the other girl was also a Magical Girl, they became friends and actually rebelled against the system together, and Ahiru(aka Princess Tutu) didn't fall into the pit of despair because girls should be punished for their sexualities and compete against each other for men and if a guy doesn't like you, you're worthless.

Even the whole "these girls are liches" thing wasn't very complex and well-handled as a lot of people like to think: the gems are called Soul Gems because your soul is in a gem. Wow. So clever. And they're Grief Seeds because they're seeds released from grievous witches. Also(not) clever. Even the fact that the acronyms are reversed(SG, GS) because Magical Girls turn into witches just made me go "yawn, I get it".

The whole show is just very lazily done and designed and tries too hard to be scary and deep and complex and "not like those other Magical Girl shows" while also trying too hard to make the girls super cute but also super badass so that we both are led to think it's a traditional Magical Girl show AND feel bad when these girls die because whoops they weren't so strong and badass after all!

Not to mention the whole "Magical Girls become witches just like how girls become women" thing really pisses me off because it shits on the whole coming-of-age aspect of Magical Girl as well(strong girls embracing their agency as they prepare to enter womanhood) by instead demonizing the very concept so that "becoming a woman" is a bad, vile, horrible thing(because being a woman makes you "more powerful", so the more powerful a woman is, the more mentally unstable she is) and then topping it off by having Madoka save the girls from becoming witches, aka women, making sure they never achieve a more mature state and maintain a level of childlike naivete.

It has so many misogynistic themes and concepts(girls are emotional, girls are weak-willed, girls are impressionable, girls shouldn't be selfish, girls shouldn't try to be heroes, girls should be pit against each other especially over a guy, girls shouldn't achieve power or become women, and more, and more, and more), that are stated matter-of-factly within the story and always proven right by the narrative, and yet people gobble it up and anytime somebody points it out, they are met with utter hostility.

Some people even defend it by saying those things are true! People only like Madoka because it's written by a man and depicts women suffering, in a genre written by women and meant to empower girls, which they don't like. And also because anything a man writes is automatically deeper and more valid than anything a woman writes.

So that's why when I found out that you didn't like Madoka either I was more than happy to discuss it with you, but I realize now that I was going overboard. I was just so happy that there was someone who agreed with me and actually understood what I was trying to say and found it problematic, and the fact that you say you're not that well-versed in Magical Girl proves my point even more because you don't even have to watch much Magical Girl to know that this is fucked up.

If you want me to stop sending Madoka salt asks, then fine. I'll stop. I didn't mean to bother you with these asks, I just wanted to see your point of view on Madoka Magica when everybody else is singing its praises left and right and never stopping once to actually think about it(while also claiming that people who don't like it are the ones "not thinking".). Hearing someone who's actually critical of this nonsense show is refreshing.

Firstly thank you for the ask! It’s honestly not your fault, I’ve just been struggling a bit lately with ask overloads.

That doesn’t necessarily mean I want you to stop, but I’d rather discuss it over Tumblr DMs so things are more balanced. Walls of text can be a little overwhelming for me (that’s why sometimes I try to balance my own walls of text with screenshots).

Anonymous said:

I've been thinking of how much I hate the misogyny in Puella Magi Madoka Magica, so I decided that instead of just salting about it(even though I still do from time to time because they're legitimate critiques and boy is it fun), I'm going to start talking about what I would do to improve it. Now doing this may mean it won't be the "dark" anime many people have wanted it to be, but I've been thinking of it for a while and it's my personal opinion, so let's get to it:

First, I would still have the Incubators, though they would probably have a different name because the name "Incubator" is pretty skeevy and part of a lot of the misogyny in the show. They would still recruit magical girls(who are called "Puellae Magi" in-universe, at least in the English dub and possibly some other dubs as well), only they do it for a different reason: Incubators go after teenage girls who are leading rough, difficult lives, and the magical girl contracts help them to improve their lives and give them a reason to live. They still make wishes, but the wishes don't screw them over because of their secret "selfishness".

However, if a potential magical girl is unclear or unsure of what she truly wishes for, this may lead things to go haywire. Basically, the whole magical girl thing is more heartwarming and the Incubators truly want to help the ladies in need, not just leech off of them. There's also no Soul Gems, or at least, their souls aren't actually in the Gems. They're called such because the Gems are powered by their Souls, and rather than the girls losing consciousness and "dying" when their Gems are too far apart from them, they simply lose their ability to perform magic and their magic becomes weaker. They still have stronger bodies though, much stronger than average humans, because becoming a magical girl gives them super strength/speed/stamina and all that, just WITHOUT making them liches.

Their Gems are non-interchangeable, so you can only use your own, not another girl's. As for the witches, they still exist, but witches weren't the intention of the Incubators; they're due to a botched experiment and it's up to magical girls to not only fight and defeat them, but return them to their original selves, thus showing that hope always does triumph over despair. I would also have the magical girls fight not only witches, but ordinary criminals as well, because having them fight only witches gets a little boring and predictable.

And finally, while there would still be only teenage girls who are chosen to become magical girls, it wouldn't be because they're "the most emotional" or some Hysterical Woman shit like that. It would be something more empowering, like, maybe only teenage girls are chosen because they're the most capable of magic and are simply more powerful magically than everyone else. They would still have their powers as adult women, but you have to be a teenage girl(well, one with a difficult/horrible life) to be recruited in the first place, if that makes sense.

And maybe older magical girls(well, women) would be able to mentor and assist younger ones(which is very much in-line with the coming of age themes present in magical girl, women supporting and uplifting younger girls as they advance into womanhood). This would make the claim that women such as Anne Frank, Joan of Arc, Cleopatra, and Queen Himiko were magical girls less...iffy, but I still wouldn't make it so that ALL influential women were magical girls, nor that humanity would be in caves without the Incubators. There'd also be transformation/detrasformation phrases of course.

In short, the magical girl system exists more so as a form of wish fulfillment, both in and out of universe, since it's for teenage girls with rough lives who are "empowered" by becoming magical girls and getting to live out a fantasy of fighting crime while looking pretty, as an exchange for getting a wish fulfilled that will help them improve their lives. Only teenage girls have this ability because they're the strongest magic users, not because of "female hysteria". In other words, the magical girl system exists to support and benefit the girls, rather than exploit them.

Now, since I mainly went over the magical girl system itself, I'll talk about the characters. Kyoko still loves to eat, is still relatively selfish, and still has discord with Sayaka, but they overcome it and become friends MUCH sooner and in a much more natural way. Mami and Kyoko's relationship will actually be stated in-universe, not just in some side material. Sayaka still has a crush on her male friend, but confesses to him before Hitomi does. At this point, he either says yes and they hit it off but eventually don't work out and decide they'd be better as friends, or he says no and she's sad but perfectly fine with that, and encourages Hitomi to go after Kyousuke. Hitomi may do it if Kyousuke turns down Sayaka, or she may feel bad about going after him after her best friend just got turned down, especially if she's worried about getting turned down herself, since Sayaka has known him far longer so she has even less of a chance, right? If Hitomi does confess, Kyousuke WILL say yes, but because his arm was healed due to Sayaka's wish, he's more concerned about playing the violin than spending time with his alleged girlfriend and they eventually fall out. This is keeping in line with Gen's claim that Kyousuke isn't a good match for either of the two girls. Though they may get together in the future.

As for Sayaka...well, she gets with Kyoko and it's actually made CANONICAL in-universe. I don't know about Madoka and Homura though, if she's less possessive of Madoka than she was in canon then perhaps she has a shot. Either way, I would really love if the ships were actually canon and not just queerbaiting. Regardless, Sayaka and Hitomi stay friends. Also, on a meta level, I would really love it if there were more female writers on Madoka Magica, and that the show was targeted towards a female viewing audience, which would mean toning down the fanservice(if not removing it entirely), as well as the troublesome aspects, as I've talked about earlier. And no "torturing young innocent girls and restricting their agency" since that's not what the magical girl genre is about and it never has been. This probably means more episodes though. Anyway, there's probably more stuff I'm forgetting, but to sum it up, this is how I would fix Madoka Magica. What do you think?

I think it’s a really good idea!!! Refreshing~ You know I’m all about fix-its.

Plus, all I heard was “Madoka Magica without being edgy” and I’m like, “yes please, I’m here for it.”

Anonymous said:

About Improbably Female Cast, it has come to my attention that Madoka Magica has been removed from the list. Someone in the discussion section of the trope removed it saying that since it's a magical GIRL show, it having a majority female cast isn't "improbable". The Touhou example is still there, though, because there's apparently something wrong with stories that have less men than women or have next to no men in them. Because a prominent male character is a requirement to tell a good story.

They also removed Strawberry Panic! because it takes place in an all girls' school, and Y: The Last Man, because it takes place in a futuristic world where almost all the men died. But still, the fact that those examples were there at all speaks volumes about the double standard there at TV Tropes. Even if the story has a realistic and plausible reason for the setting to be mostly female, as the examples above are, TV Tropes still considered them improbable. It's as if TV Tropes doesn't just dislike/question stories about a mostly female cast when it doesn't "have" to be, they dislike/question majority female casts in GENERAL! And the closest they have to a Spear Counterpart is Cast Full of Pretty Boys, which is a totally different trope: a cast in which most of the characters are "bishounen" aka pretty boys, because it appeals to a female demographic.

So it's "justified" but female casts aren't. And the playing with section reeks of "Stay in The Kitchen" sexism, with statements can be okay or even exist is if it's a harem or exists to titillate men who crave girl-on-girl interaction(and in fact, the main page lists this as their FIRST reason such a cast would exist, appealing to little girls and/or queer women is secondary/tertiary in their eyes), and the situations they propose in which the trope could be played with almost all involve the few boys attempting to hook up with as many women as possible or manipulating the women to fall in love with them, with the so-called justification that "the viewers just like their lesbians". And almost all their quotes(same on the Playing With page) are about people whining and complaining that the cast has too many girls in it. The Image Links section even has a link to a picture of two boys griping and bleating about the lack of boys in whatever show they're watching("They don't appeal to our demographic!" "Why are there no boys in our story?"), which TV Tropes has the nerve to call a "witty observation".

But what pisses me off even more is the fact that a predominantly female cast even NEEDS a justification in the first place. They only pulled specific examples of shows that supposedly dictated that the cast MUST be mainly female: Magical Girl shows, all-girls school settings, stories in which the entirety of men were killed off...only in extreme circumstances can you "resort" to using female characters but if the situation was reversed, the male equivalent wouldn't be considered improbable to BEGIN WITH. And this is despite the fact that the discussion page is FULL of people saying the trope should be renamed because of sexism, detailing many things I'm detailing right now, to the point where it's even gone off TV Tropes and is right here on Tumblr itself(one troper called it "PC whining", just ugh)! I just wish TV Tropes would realize the inherent sexism in calling such a cast improbable, since it makes it look like they're unhappy with the representation. Then again, they might be.

I’VE NOTICED THAT TOO, YEAH.

show: *has predominately female cast*

people: oKaY I guess that makes sense bUT ONlY BECAUSE--

And because misogyny isn’t as widely discouraged as... example, people would be absolutely crucified for complaining about a show having “too many POCs”... it means that those comments usually get ignored.

Anonymous said:

The Improbably Female Cast talk, especially the part about men complaining when stories have mostly female characters/seeing spaces that are 1/3 female as "majority female", reminded me of how I saw a study somewhere talking about the differences between how men and women dream, and it was saying that men's dreams tend to have more men than women in them, while women's dreams tend to have an equal amount of members from both sexes. Yikes. Even in their sleep men want women out of the picture.

And just in case you're curious, I found the study itself! It's called "Gender Similarities and Differences in Dreams", though if you look up "differences in how men and women dream" it should be the second thing under the link that also includes a snippet of the article. To quote the study itself: "there is a gender difference in how often men and women include male and female characters in their dreams: men dream twice as often about other men as they do about women(67% vs. 33%), and women dream equally about both sexes (48% men, 52% women). This is the largest difference between American men and women." Ouch. Granted, it's specifically talking about Americans, but I don't even want to imagine how even more skewed it probably is in men's favors for men in other countries(not gonna name drop any ACTUAL countries obviously.)! Internalized misogyny runs deep, to the point where men can't even conceive of women having a more significant role than them in anything, even in dreams.

And it runs deeper than that, too. I saw a post on Micechat called "The Smurfette Principle" by JMora. You probably already know what that is, but just in case you don't(or anyone else reading this doesn't), it's a trope describing the tendency for works to have a disproportionate amount of male characters with only one female in the group, if not the whole cast(named after Smurfette, the only female Smurf). The entire article is really well written and it discusses the gender disparity in fiction quite nicely, but what I'd really like to call your attention to is near the end, where they talked about how this effects kids, especially boys.

Movies that make most of their characters male while shoehorning females in female-specific roles are treating maleness as the default while femaleness is a special case, and this leads to films about men being seen as "unisex" while films about women are seen as "for girls" only. As a result, this leads to little girls being willing to watch movies about boys AND girls, while little boys watch movies only about other boys.

This also extends to the stories they write. Girls write stories with male and female protagonists equally, while boys almost exclusively write stories with male protagonists. Girls' stories tend to have a mixture of boys and girls, whereas boys' stories have all boys in them. It relates to what I was saying earlier about how men's dreams have mostly male characters while women's dreams are equal: how our society conditions boys to think that girls just aren't important and don't matter much. To quote the article, "Girls already know they can be the main pirates; it's the boys who aren't getting the message". Thankfully my little(male) cousin likes shows about girls and shows about boys just as much: he likes Pirates of the Caribbean, and he also likes Enchanted. But the majority of boys still dismiss shows for girls as "girly" as if girly is a bad thing but boyish isn't, and when they don't it's weird.

The best part is that this led someone else to realize their own mistakes regarding overrepresentation of men vs underrepresentation of women. A guy named Mouse Macabre realized that the comic he was working on had 8 main characters, 6 male, 2 female, and had to go back and work so that there was an equal amount. All he had to do was make two of his male characters female, and there you have it! Four male main characters, 4 female! Then why is it so hard for the majority of men these days?

Ugh, I don’t know. Like, as soon as people hear “we’re adding more characters for equality/to give women more attention,” it suddenly becomes “““forced.”““

Alright then I guess we’ll just have a bunch of white male shows then because adding diversity is forced and uNnaTuRaL.

We had POCs and more female characters and suddenly certain white males feel ignored and disenfranchised. :|

Poor things, not like there are ten millions other things they could be watching instead.

Also, inevitable response to the dream thing: men agreeing to dream more about woman... but they’re sexualized.

[maggotzombie]

by the bar

PAIRING: Sebastian Stan x Reader (fem) SUMMARY: You’ve made plans to have a few drinks with some friends in your favorite bar downtown but things don’t work out as you expected. WORDS: 3,8k T/W: alcohol, fluff, language. A/N: Here’s something song-inspired. I had the time of my life writing this. Maybe 1 of 2... — 𝕸𝖆𝖘𝖙𝖊𝖗𝖑𝖎𝖘𝖙

IT DIDN’T start well, I might confess.

Ten minutes late turned into twenty and now they’re forty-three minutes late and I’m pouting at the bar, not even ashamed of that.

I sigh in annoyance and put my phone down, tilting my head to the side as I trace the rim of my glass with my fingertip.

Don’t get me wrong, I don’t mind if you send me a text to let me know how long I’ll have to wait. But if you never intended to show up at all, why would you even make plans in the first place?

Now I’m sitting all alone at the bar, pathetically I might add, waiting for friends that are a text away from canceling on me.

Why am I surprised, anyway? It’s not like they’ve never done this before…

As I sit and sulk in my bitterness, I don’t pay attention to the cheery group of people at a big table nearby, having the time of their lives. To be honest, I try to shut them down in my head because I’m pretty fucking jealous.

Why can’t I have friends like this?

“We're taking shots in here, you want one?” I take a moment to register that the stranger is, in fact, talking to me.

I turn to my side to look at the handsome blonde guy with piercing blue eyes.

“Oh,” I say in surprise. “Uh… No, thanks! I’m waiting for some friends,” I smile to not seem rude.

I’m not in the mood for flirting right now. Sorry, hot blondie.

“You can wait for them with us! I’m with my friends and fiancée,” He points at the table and an equally blond and gorgeous woman stands up, walking towards us.

Oh.

“Hmm. I don’t know about that,” I chuckle slightly, feeling my cheeks heat up in embarrassment. “Thanks, though,” I nod, looking at him.

“Want some help, babe?” The blond woman asks, stopping by the man’s side but not touching him.

Thank god, no cuddling right in my face!

“Hi,” The woman says to me with a huge smile.

“Hello,” I great back with the best I-don’t-want-to-be-here smile.

“I’m Alissa!” She reaches out a hand and I shake it, also introducing myself. “This is Will. Are you gonna join us?”

“She’s shy,” The Will-guy says to his fiancée and I stare back at him with ‘come on, dude’ face.

“No need to be shy! I promise we’re cool,” Alissa guarantees.

They stare at me expectantly, waiting for my answer. I groan internationally before smiling and nodding slightly.

“Alright,” I agree, reluctantly. “Thanks, but you don’t have to do that at all.”

“Ah, shut up, and let’s go!” Will says with a chuckle as if we’re longtime friends.

I chuckle too while his fiancée nudges him in a reprehensible way. They wait for me to collect my stuff so we can walk back to their table.

By now, the heat in my cheeks is permanent and I am planning on murdering each of my friends that are standing me up. However, things can always get worse and it does when I spot, at least, five TV stars at Will and Alissa’s table.

Why can’t Earth just swallow me whole right now?

My internal groan intensifies as I stop by the side of Will and the group’s attention shifts to me.

“Guys, this is Y/N!” Will introduces me and I wave sheepishly at them. “She’ll join us for shots while she waits for her friends.”

Seriously, Will-dude?! Why are you dissing me like that?

My smile doesn’t reach my eyes as I picture the exact way of torture I’ll use on the bastards I call friends.

“Hi,” I say very shyly.

Hey’s and welcome’s are cheerfully directed towards me. However, the next seconds are the most chaotic of my life.

Chace Crawford stands from his chair and motions for me to sit on it, by Alissa’s side. Then he tucks me in like a gentleman before walking towards the bar with the Will-guy, Sebastian Stan, and another handsome-looking man.

Alissa takes her seat by my left and introduces me to the remaining people at the table, which includes Jessica Szohr. Before introductions are over, the other men come back from the bar with a LOT of shots, lime, and salt, and I’m officially introduced to them.

“Here you go,” A couple of tequila shots are placed right in front of me and I look up to meet the eyes of Sebastian Stan.

“Thanks,” I smile shyly at him.

He gives me an adorable combo of a nod and a soft toothless smile.

The other glasses are given away to the others and Chace gets another chair for himself before sitting by my right side. Sebastian takes a seat right across from me and the handsome-looking guy named Ethan sits at the head of the table.

As we cheer and down the first shot, I don’t even make a face at the stinging sensation the drink leaves behind nor the bitter from the lime. After all, what’s hard liquor when you’re nearly dead inside? Exactly, nothing.

At first, I’m very glad they continue their chatting as if I’ve always belonged to the group. However, they wouldn't let me quiet for long and, soon enough, all the attention is at me again.

“So, Y/N,” Will starts and I put my beer down, sighing internally as I lean forward to look at him. “What brings you to this lovely place?” He asks.

“Booze?” I make a face and the others laugh.

He nods, pursing his lips. “Fair enough.”

“What do you do for a living?” Alissa chimes in. “If you don’t mind me asking, that is,” She adds quickly.

I shake my head as to say that it isn’t a problem. “I’m a fashion designer,” I reply nonchalantly.

That seems to catch their interest.

“Seriously?” Jessica Szohr asks. “What do you design?”

“Dresses and gowns...” I say, trying not to draw more attention to myself.

Of course, it has the opposite effect of what I intended.

Suddenly, they’re stalking my professional Instagram and complimenting me on my creations. My cheeks are so red that it could be used as a stop sign but I sigh in relief when someone suggests more shots. As expected, my friends bail on me an hour after they’re supposed to meet me but I don’t even reply to them as I gulp down another tequila shot.

The alcohol starts to flow in my bloodstream and I begin to loosen up a bit, the warmth of the liquor starting to take over.

I quietly whisper to Alissa that my friends aren’t coming and that I am going home but she – already inebriated – immediately shouts at me, prohibiting me to leave and then shoves another shot in my face. Without seeing another way around, I simply drink it to not seem rude.

I’m not having a terrible time either, so that counts.

“Dear Lord, how do you do that?” Sebastian Stan asks, frowning at me.

“Huh?” I ask, wiping the corner of my mouth with the back of my hand.

“You just downed two shots without even flinching,” He points out and I look down at the glasses. “How drunk are you right now?”

I make a pinching motion as to gesture a small amount. “Barely,” I reply. "Mildly,” Then a nod.

He squints his eyes at me. “What were you drinking before?”

“I had a glass of caipirinha at the bar, but that’s it,” I shrug off.

“Is that the Brazilian drink? Made of that thingy that comes from sugarcane juice,” Jessica quips in, sitting by the actor’s side and makes some faces twist in confusion.

“Cachaça,” Someone suggests.

“Yeah, that,” She nods. “That’s strong,” The woman makes a face.

“Not really,” I shake my head slightly.

My answer seems to trigger something as they start to coo and, now, I’m the one frowning. Thinking I did something wrong; I immediately start to apologize to Jessica but she just chuckles, shaking her head. I’m not even surprised when the guys go get more tequila shots.

“Okay,” A bunch more of full cups are placed in the center of the table and then handed out for each person. “Here’s how this game will work,” Sebastian pauses again, combing his hair back with his fingers. “You have to drink the shot and you can’t make a face, just like missy heavyweight here,” He places both hands on my shoulders and, if I wasn’t slightly inebriated, I’d light up like Human Torch.

“What if we can’t?” Joe Mazzello asks.

“You pay the next round,” Chace replies quickly and then howls in laughter, backed up by the others.

“Yeah, that sounds fair,” Sebastian agrees. “Now, a demonstration from Y/N just so you know what you’re up against,” He squeezes my shoulders and I wonder how the hell I ended up here. “Y/N?” Sebastian squeezes my shoulders again.

I shrug off, accepting my fate, then I do the three-steps: lick the salt, throw my head back slightly to down the hard liquor, and bite into the lime. As I do the latter, I put the glass back at the table, always keeping a straight face.

In the meanwhile, everybody was staring at me.

“Nah, that was water,” A guy named Philip, who I think it’s also an actor, says. “It was way too easy.”

I look at him with an unamused face. “What are you drinking?” I ask him, nodding towards his glass.

“Vodka,” He replies.

I snatch his drink. “In this case, nazdarovya!” I raise his glass as a toast before downing it just like my own shot.

Yeah, that was a mistake.

I realize it as soon as I swallow the vodka. Mixing liquors isn’t the greatest idea and my stomach roars in anger when the latest shot hits the bottom.

Nevertheless, I keep a straight face and I look up at even more surprised ones. “That wasn’t one of my brightest ideas,” I confess.

This makes them break in laughter and I get a supportive tap on the back by Sebastian. The simple gesture nearly makes the vodka turn back around, but I just bring my hand to cover my lips as a small burp comes out.

The drinking game starts after my reckless decision and it’s quite fun to watch them try to keep it together. I refuse to take another shot when it comes back to me, arguing that I’d probably end up in the ER if I continue in this spree.

I laugh as Will’s face contorts in pain or something. “This makes me wonder if you guys suck at poker, too,” I say, resting back on my chair.

“Oh,” Sebastian starts and my eyes fixate on him. “Is that a dare?”

I chuckle, adjusting myself in my seat. “It was a statement but, sure, it could be a dare,” I tease him.

“Alright,” He nods. “I’ll take it,” The actor says.

“Since when you play poker, Stan?” Chance questions with a serious-mocking tone.

He shrugs off. “Just found a great excuse to learn it,” Sebastian replies and I find myself blushing hard as I chuckle.

The light conversation keeps flowing. I chat mostly with the ones around me which are Alissa, Will, Chace, Jessica, and Sebastian. It’s really fun, they definitely embraced a stranger to their group without a second thought and are sharing personal details carefreely. While I feel a little uncomfortable about it, they also make me feel part of their “pack”, as weird as it is saying that.

However, I’m getting drunker as time passes, and further embarrassing myself in front of movie and TV stars is not in my to-do list. So, I excuse myself to go to the restroom – which I, in fact, need to. Thankfully, no one asks to join me or follow me there.

In the stall, while I pee, I dial my hotline. As always, it takes one ring and my savior picks up.

“I hate you,” She greets me with a groan.

“Sorry to call you, mom. Could you pick me up, though?” I whisper.

“It’s nearly 1 am, Y/N!” She points out with her voice thick of sleep.

“I know, I said I’m sorry!” I continue to whisper.

“Why are you whispering, anyway? Were you kidnapped or something?” She asks.

“No. But I’m hiding in the bathroom. They won’t let me leave if I say so,” I reply.

“That sounds exactly like kidnapping,” She emphasizes.

“It’s a long story, okay! I’ll tell you if you come to pick me up, so will you? Please,” I try to chuckle but I’m pretty sure it sounded like a shocked cat.

“You know I will. Text me your location,” She replies.

“Aw, that’s why you’re my favorite little sister,” I beam.

“I’m your only sister, Y/N,” She deadpans.

“Well, so that’s pretty accurate, huh?” I laugh.

“Ugh, I’m on my way. Goodbye,” She hangs up.

I look at my phone and purse my lips. “Wow. Rude,” I say, flushing the toilet and then stepping out of the stall.

Just as I’m carefully washing my hands – read: stalling to gain time for my sister to come to get me –, Alissa and Jessica come into the bathroom with huge grins.

“GURL!” Alissa says excitedly when our eyes meet through the mirror and she trots towards me. “Sebastian is SO into you!” She giggles like a teenager.

I scoff. “No, he’s not,” I shake my hands, grabbing a couple of paper towels.

“He so is, right Jess?! Tell her!” The very intoxicated woman props her friend to confirm by nudging her.

Jessica chuckles. “Yup, he is,” She agrees but I shake my head skeptically. “I swear to God, he is. And I think you two would be a cute couple,” She teases.

“Oh, I second that,” Alissa nods. “It’s perfect because he’s single and you’re...” She stops midsentence and frowns. “Are you single?”

“Yes, I am, but that’s not the discussion!” I shake my head quickly and I immediately get dizzy for it.

“See? Perfect!” Jessica points out.

“I guess that vodka is coming back to haunt me,” I say as I clutch my stomach, leaning against the sink.

“Are you okay?” The blond sobers up in concern.

“Yeah, just got a bit dizzy from shaking my head too hard,” I reply, taking controlled breaths to not throw up.

She giggles. “You’re not that badass after all, huh?” She pats my back and we walk out the restroom.

As we reach their table, everybody is packing up. “Where are we going?” Jessica asks, taking her purse.

“Some of us, home,” Will reply, looking down at his overly affective wife snuggling to his side.

“But there’s the last call at my place,” Chace says.

“Sweet,” Jessica nods.

I already had collected my stuff and was on my way to the bar to close and pay for my tab. “Hey,” I smile to the bartender who was attending me when I got here. “How much do I owe you?” I ask, opening my wallet.

“Uh, nothing,” He replies and I give him a puzzled look. “Guy in the leather jacket just paid for your tab,” He replies and I follow his nod to see Sebastian engaged in a conversation but staring at us – or is it only at me?

I sigh, looking back at the bartender. “So, how much did he pay?”

The bartender gets the receipt and I check it out. Then I smile, thanking him for taking good care of me when I was alone by the bar and wishing him a good night.

I pull out how much I've cost him and put the bills in my back pocket before walking back to the group. “Hey, Y/N! Are you coming with us?” Jessica asks with a huge grin on her face.

I stop, trying to remember what she’s referring to. “Last call at Chance’s,” Sebastian recalls.

“Oh,” I nod. “Yeah... No, thanks for the invitation, though,” I smile. “Mom is getting here anytime now,” I add and their expressions are priceless. “Oh, it’s not really my mother. It’s my little sister but she acts like our mom with me so...” I laugh and they join me, in relief. “Why am I explaining myself, anyway?” I shake my head slowly this time.

“Yeah, well...” Jessica comes in for a hug and I just accept it. “There’s always a next time,” She says and I simply nod. “Loved meeting you, girl. You’re rad!” The woman squeezes me.

I awkwardly step back. “Please, don’t let this one drink more,” I ask Chance and Sebastian, looking at them.

They laugh and I exchange more awkward hugs with the rest of the group, bidding goodbye. Each one of them tells me how awesome or nice I am and I think I’m blushing, but I don’t even know any more at this point. Alissa surprises me by tearing up a little when we hug – well, she technically nearly tackled me down, but okay – and Will has to physically unstrap her from me.

“That was intense,” I smooth my hair back and sigh.

“Tell me about it,” Sebastian says from my side and I almost have a heart attack for not realizing he was there the whole time.

“Jesus,” I say with a hand over my chest.

“No, Sebastian,” He corrects jokingly and I roll my eyes before a chuckle escapes my lips.

“Very funny,” I shake my head.

“Well, I’ve made you laugh,” The actor shrugs off. “It worked,” He winks at me.

Suddenly, I remember the conversation I had in the restroom with Jessica and Alissa. Then, I also remember he paid for my drinks.

“Yeah... Listen,” I start, turning my body fully towards him. “I really appreciate you guys inviting me to join you, even if you didn’t have to...”

“No problem,” He nods.

“And I had a great time, thanks for that,” I continue.

“You’re welcome,” Sebastian smiles at me.

Why is he staring at me so inventively?

I almost have a hard time focusing on the next steps. “But I really don’t need you to pay for my tab,” I say and a frown takes over his confident expression. “Don’t get me wrong, I appreciate the initiative but I’m not that kind of girl,” I finish, taking the money out of my pocket and offering to him.

“Uhm...” He pauses, trying to process it while looking down at my hand. “I’m sorry, did I misunderstand the whole thing?” He asks. “Because I’m pretty sure you were into it, too.”

I frown. Oh, my God! What’s he talking about? I’m that drunk?

“No! Not at all!” I quickly reply, not really sure what I’m saying. “I just don’t like people paying for my stuff,” I say.

Then I realize how rude I sounded.

I groan and, this time, it’s not internally. “I’m so sorry! I don’t mean to sound rude or pretentious,” I explain, trying to mend the situation. “It's a thing I set for myself...”

Why’s my vocabulary gone?

“A thing?” Sebastian frown intensifies.

Fuck!

“Yeah... Like a...” I press my fingers into my eyes, trying to search my scrambled mind. “Uh... What’s the name of it? Like a series of rules that we set for ourselves and we live by it…” I keep trying.

“Like a moral code?” He asks.

“Exactly!” I snap, pointing at him. “But that’s not what I was going for… What do we call the rules itself? It’s uh… Fuck, it’s at the tip of my tongue,” I cuss, frustrated at myself.

“Principles?” The actor suggests again.

“Yes! That’s it!” I snap again. “Not letting people pay for my stuff it’s a principle of mine. I pay for my stuff, you know?” I tilt my head slightly while explaining to him.

Sebastian nods and opens a side smile. “You’re so adorable,” He confesses.

Firstly, I’m shocked.

Did he fake the whole offended thing?

Then, I’m relieved. “You’re an asshole,” I whine, shoving him slightly and smiling shyly.

“But at least I can make you smile,” He continues teasing me. “And blush like a tomato, apparently.” Sebastian runs a finger over my left cheek.

“Stop it,” I slap his hand away playfully. “But, seriously, take the money,” I offer it to him again.

“You don’t have to, you know?” He insists.

“I want to,” I shove the bills into his chest.

“I won’t take your money,” The man shakes his head at me and I groan, fury in my eyes.

“Fine!” I say and look down at his clothes, folding the money. “You don’t have to,” I stuff the bills into his pocket and the look on his face is of pure shock. “Ha, sucker!” I laugh, pointing at him.

“So very adorable,” He shakes his head slightly, looking at me.

Suddenly, a car honk makes me look away. The sight of my sister in her bathrobe waiving a bottle of Gatorade through the open window makes laugh.

“You’ve got me electrolytes!” I grin. “You’re such a mom,” I tease.

“I’ll kill you,” She replies.

I giggle. “Right,” I nod and look back at Sebastian. “See ya!” I kiss him in the cheek and move away quickly.

Before stumbling down the steps of the bar, I remove my high-heeled boots and proceed to run towards my sister’s car most silly and pathetic way possible. I take the bottle from her hands and kiss her cheek before walking to the passenger’s side. I throw my boots in the backseat before opening the front door.

A happy squeal comes out of my mouth as I look at the seat. “You got me KFC!” I say as I take the fried chicken bucket in my hands. “I fucking love you!”

“Yeah, okay. Get in, psycho. I have to work tomorrow,” She replies.

“Tomorrow is Saturday,” I point out with a chicken wing between my teeth as I strap the seatbelt on.

“Does that really matter?” She asks, opening the Gatorade for me.

“Huh,” I huff, chewing the chicken and then taking a big gulp of the electrolyte drink to help down the food down. “Thanks!”

Quickly, she switches gears and we drive off: me, happily eating KFC on the passenger’s seat and drunk off my mind while she’s grumpy and sleepy.

In the meantime, Sebastian was watching everything with an amused smile on his face and hands inside the pants pockets.

“When’s the date?” Chance asks, coming behind him.

“What?” Sebastian asks, frowning.

Jessica frowns too, standing beside Chance and a few other people. “Didn’t you get her number?” She asks.

The actor's face drops and he looks back to where the car went. “Fuck,” He mutters and the others laugh.

“Oh, honey,” Ethan teases, patting his shoulder as he passes by.

“All that for a kiss in the cheek?” Alissa asks with her hands in her waist. “What the fuck, Sebastian?!”

The man frowns, looking at Will who just dismissively shakes his head.

Then he sighs, rubbing his face. “I’m a dumbass.”

[morwensteelsheen]

I’m starting grad school this autumn and honestly I’m getting nervous. Like yes I am v excited about the whole prospect overall and I do miss being a student but am intimidated by 3 hr long seminars and thesis writing and massive amounts of reading… everyone keeps saying it’s gonna be very different from undergrad so okay, but how specifically? Is it the large amounts of reading? I already had insane amounts of reading (humanities degree hurrah) especially in my last two years but could you expound on your own experience and how you take notes/read quickly/summarize or just how to deal with first time grad students?

Oh, yeah for sure! A necessary disclaimer here is that I'm at a certain poncy English institution that is noted for being very bad at communicating with its students and very bad at treating its postgrad students like human beings, so a lot of these strategies I've picked up will be overkill for anyone who has the good sense to go somewhere not profoundly evil lol.

So I'll just preface this by saying that I am a very poor student in terms of doing what you're supposed to. I'm very bad at taking notes, I never learned how to do it properly, and I really, really struggle with reading dense literature. That said, I'm probably (hopefully?) going to get through this dumb degree just fine. Also — my programme is a research MPhil, not taught, so it's a teensy bit more airy-fairy in terms of structure. I had two classes in Michaelmas term, both were once a week for two hours each; two in Lent, one was two hours weekly, the other two hours biweekly; and no classes at all in Easter. I also have no exam component, I was/am assessed entirely on three essays (accounting for 30% of my overall mark) and my dissertation (the remaining 70%), which is, I think, a little different to how some other programmes are. I think even some of the other MPhils here are more strenuous than that, like Econ and Soc Hist is like 100% dissertation? Anyways, not super important, but knowing what you're getting marked on is important. I dedicated considerably less time than I did in undergrad to perfecting my coursework essays because they just don't hold as much weight now. The difference between a 68 and a 70 just wasn't worth the fuss for me, which helped keep me sane-ish.

The best advice anyone ever gave me was that, whereas an undergrad degree can kind of take over your life without it becoming a problem, you need to treat grad school like a job. That's not because it's more 'serious' or whatever, but because if you don't set a really strict schedule and keep to it, you'll burn yourself out and generally make your life miserable. Before I went back on my ADD meds at the end of Michaelmas term, I sat myself down at my desk and worked from 11sh to 1800ish every day. Now that I'm medicated, I do like 9:30-10ish to 1800-1900 (except for now that I'm crunching on my diss, where, because of my piss-poor time management skills I'm stuck doing, like, 9:30-22:30-23:00). If you do M-F 9-5, you'll be getting through an enormous amount of work and leaving yourself loads of time to still be a human being on the edges. That'll be the difference between becoming a postgrad zombie and a person who did postgrad. I am a postgrad zombie. You do not want to be like me.

The 'work' element of your days can really vary. It's not like I was actually consistently reading for all that time — my brain would have literally melted right out of my ears — but it was about setting the routine and the expectation of dedicating a certain, consistent and routinized period of time for focusing on the degree work every day. My attention span, even when I'm medicated, is garbage, so I would usually read for two or three hours, then either work on the more practical elements of essay planning, answer emails, or plot out the early stages of my research.

In the first term/semester/whatever, lots of people who are planning on going right into a PhD take the time to set up their applications and proposals. I fully intended on doing a PhD right after the MPhil, but the funding as an international student trying to deal with the pandemic proved super problematic, and I realised that the toll it was taking on my mental health was just so not worth it, so I've chosen to postpone a few years. You'll feel a big ol' amount of pressure to go into a PhD during your first time. Unless you're super committed to doing it, just try and tune it out as much as you can. There's absolutely nothing wrong with taking a year (or two, or three, or ten) out, especially given the insane conditions we're all operating under right now.

I'll be honest with you, I was a phenomenally lazy undergrad. It was only by the grace of god and being a hard-headed Marxist that I managed to pull out a first at the eleventh hour. So the difference between UG and PG has been quite stark for me. I've actually had to do the reading this year, not just because they're more specialised and relevant to my research or whatever, but because, unlike in UG, the people in the programme are here because they're genuinely interested (and not because it's an economic necessity) and they don't want to waste their time listening to people who haven't done the reading.

I am also a really bad reader. Maybe it's partially the ADD + dyslexia, but mostly it's because I just haven't practiced it and never put in the requisite effort to learn how to do it properly. My two big pointers here are learning how to skim, and learning how to prioritise your reading.

This OpenU primer on skimming is a bit condescending in its simplicity, but it gets the point across well. You're going to want to skim oh, say, 90% of the reading you're assigned. This is not me encouraging you to be lazy, it's me being honest. Not every word of every published article or book is worth reading. The vast majority of them aren't. That doesn't mean the things that those texts are arguing for aren't worth reading, it just means that every stupid rhetorical flourish included by bored academics hoping for job security and/or funding and/or awards isn't worth your precious and scarce time. Make sure you get the main thrust of each text, make sure you pull out and note down one or two case studies and move right the hell on. There will be some authors whose writing will be excellent, and who you will want to read all of. Everything else gets skimmed.

Prioritisation is the other big thing. You're going to have shitty weeks, you're probably going to have lots of them. First off, you're going to need to forgive yourself for those now — everybody has them, yes, even the people who graduated with distinctions and go on to get lovely £100,000 AHRC scholarships. Acknowledge that there will be horrible weeks, accept it now, and then strategise for how to get ahead of them. My personal strategy is to plan out what I'm trying to get out of each course I take, and then focus only on the readings that relate to that topic.

I took a course in Lent term that dealt with race and empire in Britain between 1607 and 1900; I'm a researcher of the Scottish far left from 1968-present, so the overlap wasn't significant. But I decided from the very first day of the course that I was there to get a better grasp about the racial theories of capitalism and the role of racial othering in Britain's subjugation of Ireland. Those things are helpful to me because white supremacist capitalism comes up hourly in my work on the far left, and because the relationship of the Scottish far left to Ireland is extremely important to its self definition. On weeks when I couldn't handle anything else, I just read the texts related to that. And it was fine, I did fine, I got my stupid 2:1 on the final essay, and I came out of it not too burnt out to work on my dissertation.

Here is where I encourage you to learn from my mistakes: get yourself a decent group of people who you can have in depth conversations about the material with. I was an asshole who decided I didn't need to do that with any posh C*mbr*dge twats, and I have now condemned myself to babbling incomprehensible nonsense at my partner because I don't have anyone on my course to work through my ideas with. These degrees are best experienced when they're experienced socially. In recent years (accelerated by the pandemic, ofc), universities have de-emphasised the social component of postgrad work, largely to do with stupid, long-winded stuff related to postgrad union organising etc. It's a real shame because postgrads end up feeling quite socially isolated, and because they're not having these fun and challenging conversations, their work actually suffers in the long term. This is, and I cannot stress this enough, the biggest departure from undergrad. Even the 'weak links' or whatever judgemental nonsense are there because they want to be. That is going to be your biggest asset. Talk, talk, talk. Listen, listen, listen. Offer to proofread people's papers so you get a sense of how people are thinking about things, what sort of style they're writing in, what sources they're referring to. Be a sponge and a copycat (but don't get done for plagiarism, copy like this.) Also: ask questions that seem dumb. For each of your classes, ask your tutors/lecturers who they think the most important names in their discipline are. It sounds silly, but it's really helpful to know the intellectual landscape you're dealing with, and it means you know whose work you can go running to if you get lost or tangled up during essay or dissertation writing!

You should also be really honest about everything — another piece of advice that I didn't follow and am now suffering for. The people on your courses and in your cohort are there for the same reasons as you, have more or less the same qualifications as you, and are probably going to have a lot of the same questions and insecurities as you. If you hear an unfamiliar term being used in a seminar, just speak up and ask about it, because there're going to be loads of other people wondering too. But you should also cultivate quite a transparent relationship with your supervisor. I was really cagey and guarded with mine because my hella imposter syndrome told me she was gonna throw my ass out of the programme if I admitted to my problems. Turns out no, she wouldn't, and that actually she's been a super good advocate for me. If you feel your motivation slipping or if you feel like you're facing challenges you could do with a little extra support on, go right to your supervisor. Not only is that what they're there to do, they've also done this exact experience before and are going to be way more sympathetic and aware of the realities of it than, say, the uni counselling service or whatever.

Yeah so I gotta circle back to the notes thing... I really do not take notes. It's my worst habit. Here's an example of the notes I took for my most recent meeting with my supervisor (revising a chapter draft).

No sane person would ever look at these and think this is a system worth replicating lol. But the reason they work for me is because I also record (with permission) absolutely everything. My mobile is like 90% audio recordings of meetings and seminars lol. So these notes aren't 'good' notes, but they're effective for recalling major points in the audio recording so I can listen to what was said when I need to.

Sorry none of this is remotely organised because it's like 2330 here and my brain is so soft and mushy. I'm literally just writing things as I remember them.

Right, so: theory is a big thing. Lots of people cheap out on this and it's to their own detriment. You say you're doing humanities, and tbh, most of the theory involved on the humanities side of the bridge is interdisciplinary anyways, so I'm just gonna give you some recommendations. The big thing is to read these things and try to apply them to what you're writing about. This sounds so fucking condescending but getting, like, one or two good theoretical frameworks in your papers will actually put you leaps and bounds beyond the students around you and really improve your research when the time comes. Also: don't read any of these recommendations without first watching, like an intro youtube video or listening to a podcast. The purists will tell you that's the wrong way to do it, but I am a lazy person and lazy people always find the efficient ways to do things, so I will tell the purists to go right to hell.

Check out these impenetrable motherfuckers (just one or two will take your work from great to excellent, so don't feel obliged to dig into them all):

Karl Marx and Fredrich Engels (I'm not just pushing my politics, but also, I totally am) — don't fucking read Capital unless you're committed to it. Oh my god don't put yourself through that unless you really have to. Try, like, the 18th Brumaire of Louis Napoleon for the fun quotes, and Engels on the family.

Frantz Fanon — Wretched of the Earth. Black Skin White Masks also good, slightly more impossible to read

Benedict Anderson — Imagined Communities. It's about nationalism, but you will be surprised at how applicable it is to... so many other topics

Judith Butler — she really sucks to read. I love her. But she sucks to read. If you do manage to read her though, your profs will love you because like 90% of the people who say they've read her are lying

Bourdieu — Distinction is good for a lot of things, but especially for introducing the idea of social and cultural capital. There's basically no humanities sub-discipline that can't run for miles on that alone.

Crenshaw — the genesis of intersectionality. But, like, actually read her, not the ingrates who came after her and defanged intersectionality into, like, rainbow bombs dropped over Gaza.

The other thing is that you should read for fun. My programme director was absolutely insistent that we all continue to read for pleasure while we did this degree, not just because it's good for destressing, but because keeping your cultural horizons open actually makes your writing better and more interesting. I literally read LOTR for the first time in, like February, and the difference in my writing and thinking from before and after is tangible, because not only did it give me something fun to think about when I was getting stressy, but it also opened up lots of fun avenues for thought that weren't there before. I read LOTR and wanted to find out more about English Catholics in WWI, and lo and behold something I read about it totally changed how I did my dissertation work. Or, like, a girl on my course who read the Odyssey over Christmas Break and then started asking loads of questions about the role of narrative creation in the archival material she was using. It was seriously such a good edict from our director.

Also, oh my god, if you do nothing else, please take this bit seriously: forgive yourself for the bad days. The pressure in postgrad is fucking unreal. Nobody, nobody is operating at 100% 100% of the time. If you aim for 60% for 80% of the time and only actually achieve 40% for 60% of the time, you will still be doing really fucking well. Don't beat yourself up unnecessarily. Don't make yourself feel bad because you're not churning out publishable material every single day. Some days you just need to lie on the couch, order takeout, and watch 12 hours of Jeopardy or whatever, and I promise you that that is a good and worthwhile thing to do. You don't learn and grow without rest, so forgive yourself for the moments and days of unplanned rest, and forgive yourself for when you don't score as highly as you want to, and forgive yourself when you say stupid things in class or don't do all of (or any of) the class reading.

Uhhhh I think I'm starting to lose the plot a bit now. Honestly, just ping me whatever questions you have and I'm happy to answer them. There's a chance I'll be slower to respond over the next few days because my dissertation is due in a week (holy fuck!!!!!!!!!!!!!!!) but I will definitely respond. And honestly, no question is too dumb lol. I wish I'd been able to ask someone about things like what citation management software is best or how to set up a desk for maximum efficiency or whatever, but I was a scaredy-cat about it and didn't. So yeah, ask away and I will totally answer.