#edit: coming back to tag this as ->

[hauntingofhouses]

hear me out. delusional post-canon taimizu idea. after mizu gets her revenge and helps akemi secure her position in the palace mizu retires and uses her mercenary money and whatever payment akemi gives her as thanks to buy a secluded land and house, maybe in the mountains or something. and ringo is there too because of course!

and every day she forges weapons and tends to her little bit of land feeding chickens and raising horses and training and meditating. every so often they get visitors who come to seek training from mizu and/or a sword made by her hand. and i like to imagine that mizu's presentation is still fluid so she'll dress feminine and let her hair down at night or on days when no visitors are around, and dress masculine and presenting as a man when accepting visitors. all in all it's peaceful and it's familiar and she is content with her level of freedom and this restricted contact with the outside world

and in this scenario (since it's taking place in my own imagined post-canon), mizu has already duelled taigen and there was the whole gender reveal too, and there may or may not have been drama but ultimately taigen was still her ally and helped in her revenge quest. but because taigen is taigen and all about following societal rules, he never quite knew how to navigate his feelings for mizu (who goes against ALL societal expectations) and so he never quite acted on his feelings and mizu with her deep self-hatred just figured that he didn't like her that way. so when she got the chance after finishing her quest and everything, she just left him a farewell note before cutting off all ties.

but of course taigen is a whipped mf who can NOT just let mizu go so of course he spends like. years. searching for mizu and pestering akemi for information before he FINALLY finds the abode of the legendary blue-eyed swordsman

so when he arrives mizu's life is now up-turned. reluctantly she greets him as her visitor because he's "travelled very far and he's very hungry" so as courtesy she has to feed him and besides it's late and it's snowy and ringo insists that taigen stay so reluctantly she lets him stay over.

so taigen stays. and mizu tells herself it's JUST for ringo's sake. cuz ringo is obviously happy to have an old friend over (and mizu feels a little guilty here because she feels that by staying by her side he's forced to also adhere to her reclusive lifestyle despite enjoying friendships and fun). and she watches ringo and taigen having fun sparring from afar before taigen notices her watching and throws her a sword and challenges her to a spar.

and then as mizu starts fighting taigen again something lights up in her again and like man she has forgotten what this felt like. because sure she practices every day and she always spars with her students and with ringo, but this is taigen. he challenges her and goads her on and with them fighting is a dance, a play, an art.

and of course it ends with mizu handing taigen's ass to him and they're both flushed and breathless and they can't tear their eyes away from each other and there's all this TENSION and the only thing that forces them to both remember their surroundings is ringo cheering mizu on from the sidelines, thus interrupting their prolonged erotic eye contact

and before she realises it taigen is staying another night, and another. and her traitorous heart likes him around, enjoys his company, their banter, their playful duels.

and i like to imagine taigen tricking her to spar only for it to devolve into tickle fight because taigen is a childish brat looking for any way to one-up her, but also he wants her to loosen up a little and this definitely takes off guard and then they're both giggling and rolling around like kids until they get interrupted again by like some other visitor who's come to request a sword from her

SO ANYWAY fast forward and eventually taigen moves in and now when visitors come over they get training from mizu AND taigen and everyone basically knows theyre fucking but since theyre two men nobody bats an eye the end send post

EDIT: I have written a fic out of this premise which you can read here :)

[eydilily]

would you bite the hand that feeds you?

[humming-fly]

The 2D vs 3D contrast of the sonic and shadow generation hubworlds cracks me up the more I think about it

Bonus:

[straightmundodiaz]

1x10 // 8x10

[lucabyte]

leering

[14dayswithyou]

a few months ago you talked about playing mouthwashing and I was curious if you had any head-cannons for the characters if they got sent to that universe

pls tell ren he's adorable and he owes me 19 dollars

⌞♥⌝ They would be friends I think :3

[b33tlejules]

using generative ai for fanart and fanfiction is literally so vile. where the fuck is the joy of creation.

[whyshooter]

are we serious right now

[nutmegpoid]

drawing everyone i'm interested in based off of appearance/vague memories from the original ds version...

[hokusu]

King of Pirates | Monkey D. Luffy

[resurrection-trait]

Some 𝔍𝔞𝔫𝔲𝔞𝔯𝔶 looks~

[malevolent-fruit]

the song is Death, Thrice Drawn

this is a redraw from 2023. i found the song and found the last bit really creepy. i think my headphones were broken because near the end the words started glitching out a bit which inspired this art

original art from 2023

[purpleleavesday]

This comic tried to kill me I think but I am VICTORIOUS so here's Susahao. For the greater good.

Thoughts and rambling under the cut!

THIS COMIC WANTED ME DEAD I SWEAR EJSJESJWJQJQ. Took me arounddddd a week ish and every time I tried to work on it I was assailed by pain or illness </3 BUT I PREVAILED!!

Pushing my artist rei agenda because I can

Rei's design for Sholmes is like a cross between how Holmes is often depicted and sholmes. He's older than sholmes and his hair is darker. And Wilson is pretty much just Yujin, but without the gray in his hair

The names Susato guesses should be the Japanese names of Athena, mia, and trucy! Not actually trying to mean anything with that just thought it would be fun

Anyways yeag <3 Susato Mikotoba I love you lots and lots but you are DENSE. Rei tried to be subtle which unfortunately will not work with susato. You need to be as subtle as a semi truck or she wil Not understand she will Never understand

Feel like I have more to say but I am so so tired so I'll add it tomorrow if it's important

[2hoothoots]

alright, here's my hot take on the Sasha-Raz dynamic: i think Raz represents a wish fulfilment self-insert figure for Sasha just as much as Sasha does for Raz.

Raz wanting to be like Sasha and seeing him as an aspirational future self is self-explanatory, right. Sasha is his hero from his favourite comic books, he even dresses up like the guy – it’s cute! there’s a fun hero worship angle there. but i think there’s also an aspect of it going the other way: Sasha sees Raz as an idealised past self. he's an excuse for Sasha to recast his own troubled childhood in a more flattering light, to imagine a version of himself who was more confident, more capable, more driven; and to explore the fantasy of that version of himself getting support and training and recognition, instead of the way things really played out.

here's something. when you use clairvoyance on Sasha, he sees Raz as a younger version of himself:

not as his younger self – specifically, a miniature version of his current self. there's a difference.

here's something else: from what we see in the memory vaults, I don't think younger Sasha was actually like Raz at all.

this part is heavier on extrapolation, because all we see of younger Sasha is a single memory vault; but i think the expressions and the body language tell a clear story here. the boy we see in these vaults is shy, uncertain, estranged, lonely. the distance between him and his father is palpable, physical and emotional. 

think about the things that Sasha says to Raz: your talents will always set you apart. sometimes, isolation is a good thing. those are very weird things to say to a kid as “advice”, and they’re very revealing about Sasha’s own mindset! i think it’s very easy to read Sasha as someone who had a very troubled, lonely childhood, and then sought to retroactively redefine and romanticise it. it wasn’t grief that stopped him and his father from ever forming a meaningful bond; it was just his talents, his father didn’t understand. if he was lonely and isolated growing up, well, maybe that was a good thing. just look at where he is now!

and i think Raz serves as a vessel for Sasha to project all of that onto. because their experiences aren’t that similar, not really. Sasha left home because he was unable to connect with his father; Raz ran away because his family didn’t understand or support his gifts. Sasha pushed things too far with his powers, and was shocked and unsettled by what he saw; Raz pushed things too far with his powers, and was rewarded for it. Sasha left home uncertain and afraid; Raz left home on a mission. the two stories aren’t the same, but they rhyme – you can draw parallels, if you squint, if you’re willing to change a few details here and there. and one of these stories is much more alluring, more satisfying, more compelling than the other. 

when Sasha says to Raz in the shooting gallery, “I would have done the exact same thing at your age” – sorry, but i absolutely do not buy it. younger Sasha was meek and conflict-averse, he faced one single unexpected consequence and immediately noped out. i think he absolutely would not have done the same thing. but i bet Sasha wants to think that he would have, y’know? i bet he wants to see himself in this boy, who’s driven and confident and focused and such an eager student – who has so much promise, and is in an environment where that can be recognised and rewarded and nurtured. Raz isn’t just a promising student, to Sasha – he’s also an opportunity to live out that what if, to explore the wish fulfilment of his own younger self getting that kind of recognition and support, instead of being left, lonely and alone, to fend for himself. 

one final thing: one of the big reasons i really like this reading is that i feel like it makes the scene where Sasha scolds Raz for messing with Hollis’ mind way more interesting: [screenshots from this upload of the game's cutscenes]

"You thought you could manipulate another person's mind, to bend their will to your own! There are few things worse, Razputin."

i’m not the first to point out that this feels a little hypocritical coming from Sasha, especially when you consider that this is basically the exact same thing he encouraged Raz to do in his own mind! and besides that, you could argue that it isn’t even Sasha’s place to hand out this lecture – Hollis was the one whose mind was actually messed with, and her and Raz have already hashed things out.  but if you think about Sasha as projecting himself onto Raz, then i think there’s more depth here. this isn’t just Sasha being upset because his protégé did something bad – he’s shaken because Raz did something unexpected. suddenly, Raz has broken away from the model that Sasha had built up in his mind, of the perfect, confident young agent that Sasha could easily see himself in. now he’s having to realise that Raz isn’t perfect – and maybe he isn’t just like Sasha, either.

[saturnniidae]

Other than the blatant sexism of it, I think part of why it bothers me so much that Valka was reduced to 'Mother figure' in the third movie because I've always felt that despite their efforts, Hiccup will probably never genuinely see Valka as a mother figure since she didn't actually raise him and he's an adult by the time they meet. Like yes, of course he knows she's his mom but they don't have that kind of relationship and likely never will.

I've always thought this based on a few things, mostly when she apologizes and says "can you give me another chance" because all Hiccup does in response is smile sadly, he never verbally forgives her (that I can remember) so she immediately starts going on about how she can teach him about dragons and that's what connects them, but very little else because they don't actually know each other (And it's so sad because you can tell Valka's trying so hard, she loves Hiccup and he loves her but no amount of talking about dragons will make up for two decades of absence).

The other main thing that I think about with this is that cut footage from when Valka was still planned to be the antagonist, where Hiccup says: "fine! I guess I kinda like the idea of having a mom, alright?" Despite being scrapped, it ties in well with how excited he was for them to all be a family again when Stoick shows up because that excitement is definitely based on the very unrealistic, idealized version of what a 'complete' family is, what Hiccup didn't get to grow up with but probably fantasized about having.

I think the way circumstances kind of forced Hiccup and Valka together could've been really interesting to explore, them mourning Stoick together, exchanging stories about him, Hiccup actually getting to know her outside of the very surface level 'expert dragon lady'. I think Gobber could've really helped with this, bridging the gap between them since he actually knew Valka and has known Hiccup for his entire life (and has experience doing this exact thing with Hiccup and Stoick years ago).

The single year between httyd2 and thw would definitely not have been long enough for it, but I think after a while Hiccup and Valka could be good friends. But they'll never be as close as they could've been and they both know that.

[copia]

endless ghifs 32/? ⛧ source — Ghoul hyping up his Papa for Absolution