#exploding plastic inevitable

[undergroundrockpress]

Nico & Andy Warhol, San Francisco (1966)

Photo by Bill Young.

[bitter69uk]

“Mary Woronov burned herself into my brain when, as a college student in 1966, I first saw her smouldering, imperious performance in Andy Warhol’s epic film Chelsea Girls. She was one of the most original, stylish and articulate sexual personae of the royal House of Warhol. I never forgot her, and I followed her subsequent movie career with great fascination … Warholism, which is my philosophy as a critic, merged the visual and performing arts and closed the gap between high and popular culture. Thirty years later, it can be clearly seen that the Warhol Factory, with all its riveting decadent excesses, was as seminal an avant-garde circle as that of the Dadaists and Surrealists after World War I in Paris.”

/ Camille Paglia from the back cover blurb on Mary Woronov’s 1995 autobiography Swimming Underground: My Years in the Warhol Factory /

Born on this day (8 December 1943): insolent Warhol Superstar turned queen of cult movies, actress, writer, visual artist and recovered amphetamine enthusiast … Mary Woronov! I love the strikingly angular Woronov’s deadpan performances, resting bitch face and witheringly contemptuous voice in Silent Night, Bloody Night (1972) (recommended Christmas viewing), Death Race 2000 (1975), Rock’n’Roll High School (1979), Eating Raoul (1982) and Scenes from the Class Struggle in Beverly Hills (1989). (I just recently caught Woronov in the apex of lurid 1980s exploitation cinema, Hellhole (1985) (tagline: “CAPTIVES … stripped naked. Forced to submit to the ultimate experiment … pray they don’t succeed!”). Even in a cast including Edy Beyond the Valley of the Dolls Williams and Dyanne Ilsa: She Wolf of the SS Thorne, Woronov totally dominates as – what else? – the sadistic villainess). But hell, Woronov is even great value doing guest spots on episodes of Charlie’s Angels (1976) and Murder, She Wrote (1985). One of the best things she ever did was play the mother in punk band Suicidal Tendencies' 1983 video “Institutionalized” (“All I wanted was a Pepsi, just one Pepsi, and she wouldn't give it to me”). Pictured: cute couple! Woronov with Lou Reed, when she was one of the Exploding Plastic Inevitable stage dancers.

[coeurdeverre82]

dorothy gees seckler interview with john cale at the exploding plastic inevitable in provincetown mass sept 1966

[bestfrozentreats2]

Velvet Underground & Nico "The Nothing Song" Warhol/Smith (BATMAN/DRACULA) Pt.2

Andre Perkowski films Andy Warhol films Jack Smith in BATMAN/DRACULA Excerpt two - 2000 superimpositions and cutup projections of Andy Warhol and John Palmer's 1964 footage set to "The Nothing Song" by the Velvet Underground & Nico, Exploding Plastic Inevitable -  Live '66. Hopefully they'll put out a bootleg series cd set of it, as this improv goes on three times as long and is gorgeous beyond belief.

[the-cricket-chirps]

Jack Mitchell

Gerard Malanga

1971

[thezonestalker]

The Velvet Underground - White Light White Heat.

[mannymuc]

Plastic Fantastic

Inventing the 1960s Happening.:Andy Warhol's Exploding Plastic Inevitable with The Velvet Underground and Nico

[rhq2744]

Sorry for the ugliness of the view, or should I be the one sorry or the occupation? Of course, dear reader, you could not bear the ugliness of the scene, but what should I and my family say? We have been here since the third of December,

[ vertified by @nabulsi and @el-shab-hussein , num.221 on fundraising list ! ]

See the evidence below !

Note, the iron thing in the picture in the back is the primitive oven in which we bake our daily bread using firewood and plastic. CAN YOU IMAGINE ????!!!!!!! Is your food covered in sewage, urine and feces? Sorry for the words but this is crazy, I'm going to lose my mind!

We have been here since the third of December,in addition to the filth and waste, it explodes daily due to the presence of 30,000 thousand displaced people. It explodes and the place here is flooded with filth, sewage and dirt. It is definitely a hotbed of diseases. Why do I and my family have to live, sleep, eat and cook here?????? Do you see this little threshold? A few centimeters that separate us and it's not enough, a lot of insects and worms,If you go out with your shoes, they will get dirty and dirt will enter inside. We are inevitably stuck in dirt. Is there a decent person who would be satisfied with a life like this? I am tired. We are all exhausted by the disease. Everyone is here with yellow eyes and epidemic hepatitis. Everyone is like a zombie because of this tragic and inhuman situation in which we live. My family does not leave the bed due to the severity of illness and fatigue. [is there a bed? Of course NO, we sleep on the floor, specifically on dirt, but unfortunately we have begun... We get used to the tent like a house and we use its terminology. This habit and habituation is killing me. I cannot accept and do not want anyone to accept the humiliation we are experiencing Or try to beautify it in any way.]

If you would like to help even a little for my family, please do not hesitate for a moment. It is an unbearable situation. Our lives have been destroyed. Or you can help spread the link to our family to someone who might be able to help. Thank you for reading. Have a good day. At least someone should be happy today.

https://docs.google.com/spreadsheets/u/0/d/1yYkNp5U3ANwILl2MknJi9G7ArY4uVTEEQ1CVfzR8Ioo/htmlview

[undergroundrockpress]

The Velvet Underground/The Exploding Plastic Inevitable - The Dom, East Village, New York April 7, 1966 by Larry C. Morris.

[lo-real-maravilloso]

El cine provocador y agresivo de Andy Warhol.

Cuando iniciamos la serie de Arte contemporáneo, asumimos de forma directa que: «El fin confeso de muchos artistas contemporáneos era escandalizar (épater), es decir, realizar conscientemente provocaciones mediante la transgresión estética. Desde su inicio, la búsqueda de sucesivas formas de ruptura de las convenciones nunca ha tenido fin. El arte contemporáneo es un torbellino dispuesto a hacer…

[bitter69uk]

“Mary Woronov burned herself into my brain when, as a college student in 1966, I first saw her smoldering, imperious performance in Andy Warhol’s epic film Chelsea Girls. She was one of the most original, stylish and articulate sexual personae of the royal House of Warhol. I never forgot her, and I followed her subsequent movie career with great fascination … Warholism, which is my philosophy as a critic, merged the visual and performing arts and closed the gap between high and popular culture. Thirty years later, it can be clearly seen that the Warhol Factory, with all its riveting decadent excesses, was as seminal an avant-garde circle as that of the Dadaists and Surrealists after World War I in Paris.”

/ Camille Paglia from the back cover blurb on Mary Woronov’s 1995 autobiography Swimming Underground: My Years in the Warhol Factory /

Born on this day 80 years ago (8 December 1943): insolent Warhol Superstar turned queen of cult movies, actress, writer, visual artist and recovered amphetamine enthusiast … Mary Woronov! I love the strikingly angular Woronov’s deadpan performances, resting bitch face and witheringly contemptuous voice in Silent Night, Bloody Night (1972) (which is recommended Christmas viewing by the way), Death Race 2000 (1975), Rock’n’Roll High School (1979) and Eating Raoul (1982). But hell, Woronov is even great value doing guest spots on episodes of Charlie’s Angels (1976) and Murder, She Wrote (1985). One of the best things she ever did was play the mother in punk band Suicidal Tendencies’ 1983 video “Institutionalized” (“All I wanted was a Pepsi, just one Pepsi, and she wouldn't give it to me”). Pictured: sullen young Woronov as Hanoi Hannah in Chelsea Girls (1966).

[coeurdeverre82]

from the seckler interview with john cale at epi sept 1966

'guitars, pianos, organs, there's a thunder machine, crystal glass, car horns, an arab bagpipe..'

[malsmind]

antisocial!reader 𝐛𝐚𝐛𝐲𝐬𝐢𝐭𝐭𝐢𝐧𝐠 vampire!matt 𝐚𝐭 𝐚 𝐩𝐚𝐫𝐭𝐲

✰ - content warnings: ✦ underage drinking ✦ mentions of social anxiety ✦ mentions of injuries & blood ✦ pet names ✦ a LOT of tension ✦ male masturbation ✦ getting caught ✦

wc - 3.2k

the party was loud. too loud. bodies packed into some random kid’s house like sweaty sardines, music shaking the walls, the sticky scent of cheap beer and perfume making your throat itch. you’d been trying to keep your distance—stuck close to your best friend while chris hovered nearby, trying to keep a lid on matt’s temper before shit inevitably exploded. and it was already close. you could tell. you were leaned against the kitchen counter, plastic cup in hand, watching it all from across the room. matt was all sharp edges tonight. jaw clenched, hands fisted in the pockets of his hoodie, his stare practically burning holes into the side of some douchebag’s face across the room. you didn’t even know what set him off, but he was on edge—restless, dangerous, way too close to snapping. every little thing seemed to piss him off. his lip twitched when people got too close. his knuckles were white.

chris was already trying to calm him down—had been for the past twenty minutes, whispering shit to him with an annoyed look—but matt wasn’t listening. hadn’t even spared you a glance. not that you expected him to. not after that night. you hadn’t spoken since. hadn’t texted. hadn’t even looked at each other at school or when you studied with your best friend. it was easier that way. pretending nothing happened. pretending you didn’t kiss him. that he didn’t let you. that the heat in your chest from that moment didn’t still flicker up at the worst possible times.

but tonight, that flicker turned into full-blown flame. because not even five minutes later, you heard it from the living room. loud. angry.

“oh yeah? why don’t you shut the fuck up before i give your fucking face a redoing?”

you turned your head so fast you nearly spilled your drink.

matt.

your stomach dropped when you pushed through the crowd, chris already halfway in between them, trying to hold matt back, but it was too late. matt lunged—shoved the guy hard enough for him to stumble, and then fists flew. people gasped, pulled back, drinks spilled. you felt your heart in your throat.

fucking idiot.

your social anxiety evaporated with the rage that took its place. before you even realized it, you were grabbing matt’s arm—tight, firm—yanking him back from the chaos.

“come the fuck on,” you hissed, ignoring the mess of voices around you. he jerked at first, trying to resist, but you weren’t having it. your grip was unrelenting. “dude, stop,” he snapped, trying to pull away. “get off—”

“no. shut the fuck up and move.”

he blinked at you, caught off guard. but you didn’t give him time to recover. you dragged him out of the house, past gawking faces and hushed whispers. you could feel his eyes on you as you stormed toward your car, yanked the door open and shoved him into the passenger seat like a damn toddler.

“jesus christ,” he muttered, breathless. but he didn’t stop you. didn’t argue when you started the car and peeled out of there.

the silence was thick. the kind of quiet that made your teeth grind. you didn’t speak, hands clenched on the wheel, heart pounding too loud in your chest to think. and matt didn’t say a word either. which was weird. for him. he only looked at you, and kept looking. even when you pulled into your driveway, even when you stepped out and slammed your door. he followed like a shadow. no protests now. you threw open the door to your house, letting him in without a glance, heading straight for the bathroom. he didn’t sit until you pointed at the couch like you were dealing with a dog. he sat. you came back with the first aid kit, slamming it down on the coffee table. his lip was split. cheek scratched. knuckles bruised. stupid fucking boy.

“don’t move,” you snapped.

he raised an eyebrow. “what the hell is this, the ER?”

you pressed a cotton pad to his lip and he flinched hard. “jesus—ow, fuck. you’re hurting me, dude.”

“well fuckin’ stop squirming like a little bitch and we’re good,” you muttered, pressing harder. “could’ve just kept your stupid mouth shut and none of this would even happen. fuckin’ dickhead.”

he went quiet. mouth shut. eyes on yours. for once. finally. his breathing shifted. heavier now. more deliberate. you noticed, even if you tried not to. your hand hesitated just slightly, hovering near the cut on his cheek.

“why’re you nervous?” you muttered, voice low. “the fuck’s all that attitude gone now?”

his cheeks flushed. just faint, but enough.

he swallowed. “i dunno. you’re all up in my fucking face… who wouldn’t… get nervous…”

your breath caught. you pulled back slightly, trying to ignore the way your hands shook. “just relax, matt, please.” your voice was quieter now. raw.

you bit your lip. old habit. always did it when you focused. hard enough this time that you tasted blood. and that’s when everything changed. his pupils dilated. breath hitched. he tensed—every muscle in his body pulled taut like a bowstring. his eyes weren’t on your face anymore. they were locked on your lips. and not in a horny way. in a dangerous way. your heart stopped.

“…matt?”

his eyes snapped back up. he blinked. twice. like trying to shake something off.

“you’re bleeding,” he muttered, voice thick. not quite his own.

you licked your lip out of reflex, the taste of iron sharp on your tongue. “yeah, it’s nothin’. i do that sometimes—”

“don’t,” he cut in quickly. sharply. his voice cracked, like it hurt him to speak. “just—don’t.”

you stared at him, silent. frozen. he turned away. dragged a hand down his face. shook his head like it might clear the fog.

“i should go,” he said after a second, standing too fast. but you caught his wrist before he could bolt.

“wait.”

he froze.

“just… just sit for a second. please.”

he turned, eyes narrowed, expression unreadable. still flushed. still tense.

“why?” he asked. and it wasn’t sarcastic. wasn’t smug. it was almost soft. like he needed the reason.

you didn’t know how to answer that. because you didn’t want to be alone tonight? because something about him made you feel less… cracked? because when you looked at him, all angry and broken and bleeding, it made something inside you ache in a way that wasn’t painful, just familiar? you looked up at him, unsure what he saw in your eyes. but whatever it was, it made him sit back down without another word. you finished patching him up in silence. and when it was done, he didn’t move. didn’t speak. you didn’t either. you just sat there. both of you bruised in different ways. both of you pretending not to feel whatever this was. whatever it was becoming.

the blood was still there. matt’s eyes hadn’t left your mouth in minutes. dried now, but stark against your skin—this tiny, dark smear across your bottom lip where your teeth had broken through earlier. and it shouldn’t have mattered. it was barely anything. but to him? to what he was? it might as well have been a full-course fucking meal. he was trying. fuck, he was trying not to look. jaw tight, hands clenched into fists in his lap, shoulders drawn up with the strain of it. but the scent of it—metallic, warm, yours—lingered in the room like smoke, and his fangs ached just below the surface, a dull, familiar throb that scraped against every inch of self-control he had left.

you were still so close. crouched in front of him on the coffee table, legs tucked under you, your fingers stained with a little of his blood from the cleaning, your lip still bitten, your face so damn soft in the low light. and you were looking at him like that—like you weren’t scared. like you trusted him not to do anything stupid. he was going to lose it. but then—

“you’re staying the night.”

his head jerked up. “what?”

you just blinked at him, flat, unimpressed. “what what?” you echoed, like he was the dumb one. “knowing you, you’d go back there and beat that guy’s ass. again. you’re staying.”

he blinked. once. twice. that soft flush returned to his cheeks, and he rubbed a hand over the back of his neck, glancing toward the door like maybe if he looked hard enough it’d open and he could ghost out of here before he did something stupid.

“and your parents?”

you rolled your eyes. “not home.”

he was silent. for a long beat.

you stood up, stretched a little, then disappeared down the hallway—leaving him alone in the quiet hum of the living room with the smell of your blood still hanging in the air, and the echo of your command in his head. you’re staying. it shouldn’t have gotten under his skin the way it did. shouldn’t have made his stomach twist with something warm and uncomfortable. but it did. it always did, with you. the way you talked to him. like you knew him. like you didn’t buy his act.

he heard your voice again after a moment, muffled from the hallway. “you want something to wear, or are you gonna sleep in your bloodstained hoodie like a psycho?”

he snorted, loud. “i am a psycho.”

you padded back in with some oversized t-shirt in your hands. one you probably slept in, he guessed, and that thought alone made him feel something tight settle in his chest.

you tossed it at him. “shower’s down the hall. towels under the sink. don’t bleed on my sheets.”

he raised an eyebrow. “you planning on tucking me in too, sweetheart?”

you gave him a blank look. “you wish.”

he huffed a laugh, caught the shirt, and stood—shoulder bumping yours as he passed. your lip was still stained. and he still couldn’t look away. he didn’t move for a second. just stood there in front of you, holding that old, stretched-out t-shirt in one hand, the other still balled into a fist by his side. the space between you throbbed—full of something he couldn’t name, like a pulled wire ready to snap.

your lip. still stained red.

and fuck, it wasn’t fair. you were standing there, all casual and stubborn, in your little tank top and shorts, like you hadn’t just dragged his ass out of a party like a pissed-off girlfriend, cursed him out in your living room, cleaned up his mess like you cared, and told him to stay the night like it didn’t mean anything. like it wasn’t driving him insane. matt wasn’t used to being looked after.

especially not by you.

and now, here you were. blood on your mouth. still touching his skin in places—his jaw, his temple, the side of his neck where your thumb had pressed in too hard. and you didn’t even seem to notice. but he did. god, he fucking noticed.

“matt,” you said finally, voice a little more cautious now. like you could sense the shift. “go shower. you’re gross.”

his lip twitched, but he nodded, saying nothing, and moved down the hall. he wanted to leave the bathroom door cracked, needing the faint sounds of the house to stay grounded. needing the space, but he closed it anyway. the water ran hot, nearly burning, but it helped. the sting reminded him to stay in control. reminded him he was still human enough to pull it back. barely.

𖤓

you knew he’d been in there too long. at first it didn’t register—just the sound of the water running behind the closed door while you sat on the edge of your bed, half-heartedly pretending to scroll through your phone. your fingers were idle. your mind wasn’t. you kept replaying it. his face. that stupid fight. the way he let you drag him out like he wasn’t twice your size and full of rage. the way he sat still and let you clean him up, even when you weren’t gentle. especially when you weren’t gentle. the way his breath stuttered when you snapped at him. when your lip bled and he couldn’t take his eyes off it. he hadn’t said much since. just listened to you mutter and nodded, eyes dark.

but now it was pushing thirty minutes, and the sound of the water hadn’t stopped. you blinked down at your screen again. a minute ticked by. another. your stomach twisted. you didn’t know what the hell possessed you to get up. maybe it was just genuine concern. maybe it was that same stupid tug in your chest you felt every time he looked at you too long. or maybe it was the part of you that needed to know—needed proof that you weren’t just imagining the way he was staring. like he wanted to bite. like he wanted to fuck.

your feet were quiet on the hardwood, like you were doing something wrong. your breath caught a little when you got close enough to hear it—not just the water—but him. low, quiet sounds slipping through the half-cracked bathroom door. you froze. his breathing was uneven. heavy. labored in a way that had nothing to do with steam. you stepped closer, barely. heart in your throat now.

then you heard it.

a soft curse. the distinct sound of skin on skin. a sharp inhale. a low groan, almost swallowed by the water pressure. you should’ve walked away. fuck, you should’ve.

but you didn’t.

you stood there, knees weak, face burning, biting down on the inside of your cheek hard enough to sting. you imagined him leaning against the tile, water pouring down his back, head tipped forward. imagined his fingers around his cock, jaw tight, lips parted, thinking about—fuck.

you turned around so fast you nearly tripped over your own feet, stormed back to your room and slammed the door a little too hard, heart hammering, thighs clenched, pulse between your legs. you sat on the edge of the bed again, tried to breathe through it. but your mouth was dry. your whole body was buzzing. you could still hear him in your head—those sounds. that voice. quiet and fucking desperate in a way he never let anyone see. you didn’t know how long it was before the water stopped. you didn’t know how long it took before you heard the bathroom door open, the sound of his footsteps in the hall, the faint creak of your door as he pushed it open without knocking.

your eyes snapped up. he was standing there, towel low on his hips, hair wet, chest rising and falling like he’d just been through hell. his eyes locked with yours. and you knew. instantly. he knew you’d heard.

you could see it in the way his mouth twitched, in the way his pupils were blown wide, like he hadn’t really finished what he started.

“couldn’t find the clean towel,” he said, voice rough. teasing. but low. darker than usual.

you didn’t say anything. couldn’t. just swallowed hard and looked away, blood rushing in your ears.

“you good?” he asked, stepping a little further into your room. towel still barely holding on. water dripping down his chest.

you nodded, still not looking at him. “fine.”

matt let the silence stretch. let the tension crackle like a live wire between you. and when he finally spoke again, it was low. almost soft.

“you heard me.”

your eyes snapped to his.

“i—”

“it’s fine,” he cut you off. but his voice was tight now. jaw clenched again. not angry—something else. restrained. careful. “fuck, angel. it’s not like i don’t want you to know.”

you stared. breathless.

he smirked, tired and wrecked. the kind of smirk that wasn’t smug—it was desperate. worn down. his eyes raked over you, slow. “you gonna tell me to get dressed, or you want me to stay like this?”

you didn’t answer. and he didn’t move. you stared at him—dripping, flushed, towel hanging too low on his hips, eyes dark and pinned to you like you were something worth sinking his teeth into. and maybe you were. god, maybe you wanted to be. your thighs clenched involuntarily at the look on his face. like he wanted to devour you. like you were the reason he’d been in the shower so long, with the water turned all the way hot and his hand moving over his cock, head thrown back against tile while your name probably slipped past his lips like a fucking prayer.

“matt,” you breathed, throat dry.

he took another step forward. slow. deliberate. his smirk was gone now. whatever bravado he walked in here with? it cracked beneath the weight of the silence between you, thick and humming.

“come here,” he murmured.

your heart stuttered. “matt…”

he leaned down, towel shifting a little with the movement. his fingers ghosted over your jaw, barely touching, but it was enough to make your skin light up like a struck match.

“we both know you want me too, baby.” he said, voice low, breath brushing your lips now. “you’re looking at me like you’re starving.”

you were. and he wasn’t wrong. but that didn’t mean—

you turned your head, jaw tensing. “you’re drunk.”

he exhaled sharply through his nose. like he expected that. like he hated that you were right.

“i’m fine.”

“matt.”

“i know what i’m doing,” he insisted, fingers tilting your chin back toward him. “and i want you. have wanted you. even when you drive me fucking insane.”

you stared at him. at the honest desperation in his voice. at the sheer want he wasn’t bothering to hide anymore. and god, it was tempting. every fiber in your body screamed to give in, to feel his mouth against yours, to drag that damn towel off and crawl into his lap, into his skin, into whatever the fuck had been building between you all summer long.

but no. not like this.

you pressed your hand to his chest, firm. “matt. you’ve been drinking. and you just fought someone. and you jerked off in my fucking shower.”

he blinked. laughed once. kind of breathless. “you weren’t supposed to hear that part.”

“i know,” you said, trying not to let the warmth creep up your neck. “but i did. and you’re still dripping water all over my floor.”

“you’re changing the subject.”

“yes,” you snapped, hand still on his chest. “because i’m trying really hard not to do something really fucking stupid.”

his gaze flickered. softened a little.

you swallowed hard. “don’t make me be the responsible one right now.”

for a second, neither of you moved. his fingers were still near your face, your hand still pressed to the heat of his chest. the air between you felt like it might snap. but then matt exhaled. slow. pulled back a little. ran a hand through his wet hair, muscles tight with restraint.

“you’re right.”

you didn’t expect him to say it. you just blinked at him.

he dropped onto the far end of your bed with a heavy sigh, towel hitching up slightly but thankfully not abandoning ship. he dragged a hand over his face. groaned softly. “fuck. i hate when you’re right.”

you tried not to smile. your heart still hadn’t slowed.

“get dressed, asshole.”

“yes, ma’am,” he muttered. “wouldn’t want to ruin your precious self-control.”

you rolled your eyes. turned toward your dresser, mostly to hide your face. but deep down, you were already dreading how much harder it was gonna be to pretend nothing had shifted between you. because it had.

you both felt it. and next time?

next time, you weren’t sure you’d be able to stop it.

dividers by @issysh3ll

[reidmarieprentiss]

Heyyy so this is very specific 😅

Remember the fisher king part 2 episode when Spencer escapes the bomb? So imagine the bomb part happened in a different case (because I need Emily and Dave in) and he had to go to the hospital because of some wounds (he’s really fine but the team insisted) So they go to the hospital.

They could see Spencer was nervous looking around like he was scared, Morgan, JJ and Emily just thought it was the germaphobic thing. While Hotch and Dave (the only ones who knew) already had a bet on: how long will it take to Spencer’s partner, a doctor at the hospital they’re in, showed up screaming at Spencer for risking his life (again).

And guess what happens? They show up with steam coming out of her ears. Ready to scold Spencer. They ask him what happened and he keep it simple “I just got fell” and she turns to hotch and Dave “is that true” you choose who ditches on Spencer. While all of that happens JJ Emily and Morgan are like “wtf is going on???? “Reid has a partner???!”

I told you it was specific 😭

Love Doctor

Pairing: Spencer Reid x gn!reader

Category: fluff

Warnings/Includes: mentions of a bomb

Word count: 712

a/n: this was so cute i love this ask!!!

main masterlist

As the team walks into the hospital, Spencer tries to hide the unease coursing through him. The incident with the bomb was behind them, but his nerves were anything but settled. He knew what was coming, and it wasn’t just the doctors poking and prodding at him. Morgan, JJ, and Emily exchange glances, assuming Spencer’s discomfort is due to his well-known aversion to hospitals and germs.

“You’re gonna be fine, pretty boy,” Morgan says, patting Spencer on the shoulder. “Just a few scratches, and you’ll be out of here in no time.”

“Yeah, Spence, it’s not like they’re gonna make you stay the night or anything,” JJ adds with a reassuring smile.

Emily nods, her tone light as she says, “You’ll be out of here before you know it, probably before they can even make you wear one of those hospital gowns.”

Spencer forces a tight smile, his eyes darting nervously around the busy hospital hallway. His heart races, not because of the minor injuries he sustained but because he knows who works here. Hotch and Rossi, walking a few paces ahead, exchange a knowing look. They’ve both seen this play out before, and although they’d never admit it, they’re both wondering how long it will take for the inevitable confrontation to occur.

Just as Spencer is about to sit down on one of the uncomfortable plastic chairs, he hears a familiar voice, sharp and filled with exasperation.

“Spencer Reid!”

The sound of his full name, spoken with that particular tone, makes Spencer cringe. He turns slowly, already bracing himself for the storm about to hit. You, his partner, a doctor at the hospital, storms toward him, your face a mixture of relief and fury. The rest of the team watches in shock as you approach, eyes blazing with anger.

“What were you thinking?” you demand, not bothering to lower your voice. “Do you have any idea how dangerous that was? You could’ve—” You stop yourself, taking a deep breath, clearly trying to calm down but failing spectacularly.

Spencer rubs the back of his neck, looking sheepish. “I, uh… I just fell.”

You narrow your eyes, turning their attention to Hotch and Rossi, who are both standing with their arms crossed, attempting (and failing) to hide their amusement. “Is that true? Did he just fall?”

Rossi, not missing a beat, smirks and says, “I’d say he more or less threw himself into harm’s way, but ‘falling’ works too.”

Hotch, with a slight nod, adds, “There might have been a bomb involved.”

Your eyes flash with irritation as you look back at Spencer. “A bomb? You said you fell!”

Spencer shrinks a little under your gaze. “Well, I did fall… after the bomb went off.”

You look like you’re about to explode, but instead, you take another deep breath and pinch the bridge of your nose. “Spencer…”

Meanwhile, Morgan, JJ, and Emily are standing off to the side, their jaws practically on the floor. JJ is the first to speak, her voice low with shock. “Wait… Reid has a partner? A partner who’s a doctor?”

Emily, eyes wide, whispers back, “And they’re yelling at him… like he’s a kid caught sneaking out of the house.”

Morgan, unable to contain his amusement, chuckles. “This just got interesting.”

You turn back to Spencer, your voice softer now but still firm. “You’re coming home with me after this, and we’re going to have a serious talk about you risking your life like this. Again.”

Spencer nods quickly, knowing better than to argue. “Yes, my love.”

As you usher Spencer towards the examination room, Morgan, JJ, and Emily exchange looks of bewilderment and amusement. Hotch and Rossi follow at a distance, satisfied with how things have unfolded.

Emily, still stunned, leans over to Morgan. “I think we just met the one person who can actually scare Reid.”

Morgan grins. “I think you’re right.”

JJ, shaking her head in disbelief, murmurs, “I didn’t even know he was dating someone…”

As they all watch Spencer disappear into the examination room with his partner, a new wave of curiosity and respect for their genius colleague washes over them. They’ve just witnessed a side of Spencer Reid they never knew existed, and none of them are sure how to process it.

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[blueishspace]

Grian could be an avatar for most of the Magnus Archives entities if you think about it.

The Eye is the most obvious one cause he's a Watcher and his obsession with knowing everything all the time doesn't help his case.

The Web, you could nake a cause about being the mastermind for so many events. The civil war happened because of him, the mayoral elections happened because of him, the life series also him, the crossover was because of him. Also the soulbounds are usually represented as spider like strings forcing players together so there's that.

The Lonely too, especially life series Grian. Always finding teammates, burying them and then abandoning them. Not only that though, he was isolated in highschool and being abandoned sticks with him as a theme everywhere he goes.

The Dull is the newest one and...yeah, permit office Grian is all I have to say about it. Doubt anything else is needed.

The Corruption makes me think of Mother Spore, honestly that's just the most obvious example of it though. There's also the morbid attachement and codependency that links to the already mentioned issues with isolation. And the snails, the snails too.

The Vast, there is his season 6 base. A tall spire to the clouds in the middle of the ocean. There is constant connections to both sky and the sea, how good he is at flying, soo good that the fandom gave him wings.

The Dark, the mooners and not sleeping the night away, the connections to the void, the boatem hole. He doesn't even have eyes, just holes filled with pure darkness.

The Stranger, there are all his skins and dusguises. From being forced to impersonate Taurtis to Ariana and Sherlock Grian and the fisherman and every other outfit and persona he has played. He's a natural born imitator, no wonder his power was that to copy other's own.

The End, what can I tell you about this? There's demise, a constant reminder of the inevitability of death. There's the life series which is literally demise but worse. Even the way the permit office is designed is very Terminus-like... Well that and also Spiral-like which brings us to:

The Spiral, there's the permit office of course, there's also the white voids rooms made entirely to trap and confuse people inside them. Sure BigB is so much better at it then Grian is but not all avatars are the same so...

The Flesh too is pretty obvious, there's the weird forms like the backward one and the side one and the upside down one that are in canon pretty horrifying. There's also Butcher/Cannibal Grian from that murder mystery video which I feel alone should be enough.

The Slaughter, the man is literally known as the guy who starts war. Also he created a series of very violent death games where people are forced to fight eachother to the death again and again and again, this one is pretty obvious.

The Buried definitely has It's connections, from chocking on plastic showed down is throat to shallow breathing in a cell deep underground to falling breathless into the void beneath the world to living at the bottom of the ocean in multiple series.

Even the desolation fits considering the whole exploding an entire desert and exploding the mansion and settings his own base on fire and summoning the wither and just...so much uneeded destruction done only for It's own sake.

The Exctinction is a little harder but the man did kinda get involved with the end of two different worlds and almost caused the destruction of Empires as well trough Grumbot so ...

The Hunt is really the only one I can't think of a connection.

[holdoncallfailed]

the velvet underground and the exploding plastic inevitable at the trip in los angeles, shot by steve schapiro in 1966 (via)