#exploration challenge

[delicatelysublimeforester]

Treasure Hunting for the Curious!

Come out for two exciting geocaching events in Saskatoon on Saturday, October 19, that promise adventure, learning, and community connection! Kick off your day with GCAYRTC “Pooh in the Forest” Geocaching Nature Event at George Genereux Urban Regional Park from 9:00 am to 10:00 am. This family-friendly event invites you to explore the beautiful natural surroundings while learning the basics of…

[hinamie]

u should think of tiny megu. To keep the stress at bay. You should draw him actually. Ooooo you wanna draw tiny megu getting the love he deserves so bad /j

he's with his 2 best friends

[jollyparaphernalia]

*Inhales* Hey there, wanna see my 'In Stars And Time' AU? I call it 'Kingswap'

Hey, What's This?

My Brainrot <3 This is Kingswap: Also known as 'Hey lets swap The King and Siffrin's roles around in this play, and go from there'. There's more to it than that, but that's the premise. While 'The Guy Who Would Be Siffrin' has their life derailed in such a way that leads to them becoming the Main Villain, 'The Man Who Would Be King' likewise has his life play out in a way that has him in the shoes of a Saviour of Vaugarde.

WARNING This AU chatter post has spoilers for pretty much all of 'In Stars And Time', including stuff from 'Two-Hats'! and 'Start Again: A Prologue'. This is the Spoilers Zone. Also any Content Warnings that apply to In Stars and Time also applies to this post, just to cover my bases.

Let's Take a Look at The Stranger Who Could Have Been Siffrin:

Meet The Stagemaster. Potentially known as 'Sulking One'/SM/Don't Call Me Shirley Siffrin'. While the King and Siffrin in baseline ISAT woke up on a beach with no memories, i've decided it would be interesting to put 'Siffrin' in Corbeaux as a young adult when The Island disappears. He wakes up one day with no memories of his past, no name, and only a vague idea that he had a community in the city...that has forgotten him completely. He takes this Very Normally over the next 10 years (alongside some other...complications) and after some travelling, returns to Vaugarde to be a Menace.

He's also got some funny 'Craft Hands' that let him do things even when he has his hands in his cloak. These hands are also capable of conjuring wires/strings that allow him to physically bind/control people as an added bonus (For the Puppeteer motif) Watch the hands, Heroes!

But Wait, I thought The King Was Big, Why Isn't Stagemaster Big?

Because this tiny form isn't their 'true form'. THIS is what the Stagemaster ACTUALLY looks like, trapped in the House of Dormont by the Orb Door.

The Stagemaster...really isn't a person anymore. It's sort of debatable he was still human even before Big Mode. He can fly like this, and can control his cloak as though it's a part of himself (But he can still remove it) If you are looking at this going 'hey, he looks like a boss out of Kirby' then I did my job right. A theatre kid isn't very fun to watch unless seen, so, even before the Party gets to Dormont, it seemed fitting for SM to have a presence in Orbquest. So...Stagemaster controls a crafted avatar from afar - like playing a character in a game. There's a metaphor about disassociation from the self here. I personally love the idea of this nasty little guy interfering with the Orb Quest and antagonizing the Heroes - he is not NEARLY as powerful as his Big Form when he's Little Guy, so there's enough back and forth for Stagemaster to both be a threat, and also give some wiggle room for the Party to bully the Villain. Build up some rapport for funsies.

Stagemaster's a real piece of work. Imagine if Siffrin took all his self loathing, and then transformed that into outward loathing. If you took the WORST impulses from Loop and Act 5 Siffrin and put them in a blender, and then added a huge chip on his shoulder against the Universe, you might get the rancid creature you see here. Wet Meow Meow has transformed into a Feral Cat With Mange. And Rabies. And an impulsive urge to monologue. He doesn't even like puns!! Horrible!

The Party eventually calls him 'Smaster' for short before arriving in Dormont.

So if 'Siffrin' is in Kings place...Who or What is travelling with our beloved Party?

Meet Clovis (Named after an old King of Franks because I am very subtle). While Siffrin was a wet meow meow stray cat, Clovis is more a nervous dog. The King's explanation behind why he called himself The King seemed very utilitarian to me in ISAT, like he wanted to embody his role completely. So...here, Clovis puts all his eggs into his identity as 'Knight'. He doesn't serve anyone, he's just really into the idea of a brave, heroic persona. He's...very awkward and nervous, and often falls back onto 'what would a more brave, knightly sort do?' to make up for the fact his entire life was carved out of his skull with a spoon.

Look at this, took a perfectly good villain and made him a blorbo. Look at him, I gave him anxiety and sword autism. Like Siffrin, the party grows to love their weird wet dog. Mirabelle bonds over swords and anxious 'do it scared' behavior, Isabeau shares a 'battle bros'/'two bros sitting in a hot tub' dynamic, Bonnie treats him like a Substitute Teach ("yeah this is fine for kids c'mon lets go' 'uh, if you say so, boniface...') and Odile merrily bullies him (Paper beats rock)

Of course we need the Don Quixote reference. (He lost the fight, for the record.) Clovis is more than just a cute face, of course. Even he has his secrets.

Something is wrong here. Something wrong with him, maybe. Maybe he isn't supposed to be here.

Much like the King, Clovis also knows he's missing important things from his life, and has taken great effort (and personal injury) to keep what bits he can close to him - even when he really shouldn't.

The Party keeps Clovis from the Headache books not because they don't think they matter, but because the party doesn't want Clovis to hurt himself. They joke that he's an amnesiac prince from a far off land, but, well, at a certain angle, that's sort of the truth, isn't it? Clovis isn't a trap master like Siffrin, (or nearly as fast) but tends to walk as the lead of the Party because he's a Very Durable guy with some armor and protective Craft, so, any traps that explode in his face are easier to shrug off, and those that aren't...well, he's got quick reflexes.

But Wait! If The King is the looping hero, and Siffrin is the Big Evil Bad Guy, who does Clovis get as a Guide?

It's good ol' Loop! Our Loop, the Loopert we love and adore. SURPRISE! I fooled you!! This AU isn't meant to be a thought experiment, it's actually an overly elaborate way to give Loop as much psychic damage as physically possible!!

What's worse than having Another You take your place? Having a Tiny Version of your Nemesis take your place, earning the love and affection of your beloved family instead of you!

(They call him 'Princeling')

Needless to say, Loop and Clovis' dynamic is what we call in the scientific community fucking atrocious. Clovis wants to put his trust into this Guiding Star, and Loop is far, FAR worse to Clovis than Loop would be to a Siffrin. Loop may not be able to guess every single thought Clovis has, but any anxiety that is a reflection of Loop/Siffrin will be mercilessly picked apart with a smile. It's hate at first sight. At least Loop can take solace in the fact that Clovis is just as clueless as Loop/Siffrin was in their loops.

Clovis meanwhile is just intimidated. A guiding star of the universe?? And they hate him already??? 'Ohh...I really messed up already, haven't I? What'd I do???' Anyways, that's all for now. I just really wanted to get my initial brain worms out of my head and into the world. Please enjoy. If I do more posts like this, i'll prolly tag it as 'isat Kingswap au'. okay byyyyyyyyyeeeee thanks for reading! And thanks to the AU channel of the ISAT Discord for being so supportive of my brainrot!

[cheeky-peach-sims]

Hi Simmers! This is my second legacy challenge called the Sims Townie Legacy Challenge

The 25th anniversary of the Sims series and the re-release of the Sims and Sims 2 inspired me to create this legacy. Throughout the years the iconic townies and family's lore has made the game so special. With so many timelines for characters such as Bella Goth or the Landgraabs I combined all versions of these Townies for each generation, as well as added some fan favorites from the Sims 3 & 4. Use hashtag #STLC or #SimsTownieLegacy if you decide to play! Happy Simming :)

See my current progress of the legacy here

I made a little edit to generation 4 - pollination technician #9. I felt like I didn’t add as much goals as I should!! But anyways carry on lol

[heavyheavycream]

hi.

(based on this masterwork that i discovered through this post)

[midstpodcast]

CAN YOU DRAW-MLET? ✏️ 🐈

Our anomalous narrators attempt to draw a perfectly normal cat against the clock as #UNEND Season 2 kicks off!

Experience Season 2 on YouTube, BEACON, and wherever your favorite podcasts are found today! ☀️

https://bit.ly/4kBEqiB

[braceletofteeth]

You underestimate me too much.

[victusinveritas]

[clumsypuppy]

whatever. go my scarab

ive been watching scruffys pikmin 4 playthrough (go check it out!!!!)

[livwritesstuff]

written for @steddie-week day 2 (managed to tap into both hands and touch starved i think)

Eddie didn’t like to be touched, didn’t like how it made him feel.

Didn’t like the lingering ghost of a poke or a prod, didn’t like the way his spine itched when someone hugged him for too long, didn't like the way his screwy childhood had him flinching if someone moved a little too fast a little too close to him.

Sure, Eddie had no problem getting up in someone’s face, in throwing barbs he knew would hit close to home, in putting on a show whether the audience wanted it or not, but, for the most part, he kept his hands to himself.

He figured nobody noticed.

Steve did. Of course Steve did.

Steve noticed and he kept his hands to himself too for a while, and then their friendship started to morph into something more, and then Steve started to push just a little.

It started with just one hand on Eddie’s thigh while they watched a movie together – not that Eddie remembers the movie at all, because Steve’s hand was warm and he squeezed just a little during the scary parts and sometimes he mindlessly ran his thumb over Eddie’s skin, and it was making his insides churn (and maybe turning him on just a little in a way he didn’t have the wherewithal to unpack in the present moment).

And then that something more became something real and one night, after Eddie had a more heinous than usual nightmare, he called Steve because…he could do that now because Steve told Eddie that he could and because Steve wanted him to. 

So he called Steve, and Steve told him he was on his way over and Eddie said he didn’t need to come and Steve told him tough shit, I already put my shoes on and Eddie knew that he had.

When Steve eventually showed up and let himself in, he pulled Eddie into a hug, and by no means was it their first hug – not even close – but Steve was holding him a bit tighter, holding him in a way that made Eddie feel like he’d been gathered up, had him thinking this is what I needed, this is what I needed, and he waited for that itch to tell him when to pull away, but for the first time in maybe ever it didn’t come.

So Eddie relaxed into Steve’s hold, gave in a little to the weakness in his knees, and Steve’s lips fluttered against his neck as he murmured things that Eddie wasn’t really hearing, things about how it’s okay and he’s safe, which Eddie doesn’t really need to hear because he feels it now, feels it in Steve’s arm around his waist and in his hand curved around the back of his neck, and Eddie is feeling so much more than he’s ever felt before and it’s good and it’s boiling itself down into three words that Eddie knows he’d be saying too early if he let them slip out.

Steve’s gonna know though, even if it's too early to say it out loud, because Eddie’s gonna hug Steve just as tight when he needs it, and he’s gonna hold Steve’s hand over the gearshift while they drive together, and he's gonna grab his waist whenever the opportunity presents itself, and he's gonna run fingers through Steve's hair, and he’s gonna zip up his jacket when it’s cold out, and he’s gonna kiss him soft and slow, and oh, he’s gonna know.

[kithj]

some stories are written precisely to elicit strong emotions from the reader INCLUDING negative ones. some stories and characters are meant to be upsetting, they are meant to challenge you and make you uncomfortable!! when a story makes you feel Big Feelings sometimes you are meant to sit in those feelings and ask yourself why! fiction is a great space to explore these emotions in a safe environment. you, as the reader, are meant to think critically about the art you are enjoying and that includes asking yourself questions like why has the author presented their art in this way and what are they trying to tell me. and then you get to have fun picking it apart and figuring it out and deciding what, exactly, the art means to you.

[simspaghetti]

Next Stop: Paradise! 🏝️🌞

I'm gonna be using @pudding-parade's 'aruba' setting for NRAAS Tempest, which means this town will stay nice & hot all year round :)

[vaggieslefteye]

ᴍᴀᴋᴇ ᴍᴇ ᴄʜᴏᴏꜱᴇ ↳ anonymous asked: HUSK and ALASTOR or angel and valentino?

[diyasgarden]

merry christmas, please don’t come

“Oh, golden boy, you shined a light on our home and at your best you were magic we were sold. But don't tell 'em what you told me. Don't even tell 'em that you know me.I would rather burn forever”

from “Merry Christmas, Please Don’t Call” by the Bleachers

“What do you mean Patrick isn’t coming?”

Art doesn’t know how many times they’ve had this conversation. (He stopped keeping track after the fifth time)

Memory loss, a dwindling attention span, and blanking. All problems the doctors said his grandmother would struggle with after her stroke. He’d expected difficulties with remembering her routine or where she was. Even the people around her. General things, he could walk her through. Not something so specific. And frankly, considering all the things she could forget, this feels like a cruel joke.

He lets out a steady exhale, stepping closer to where his grandmother stands by the small fir covered in lights, tinsel, and other markers of the Christmas season. Sebastian, the old tabby, is nuzzled right by where his grandmother placed the small, wrapped box under the tree, looking up at him with a cautious gaze.

“He isn’t able to come this year,” Art repeats, reaching to the home-made popsicle candy cane ornament hanging at arm’s length on the tree. It was the decoration he made with Patrick when he came to visit Christmas in 2000 — the first of a long line of ornaments they’d make together for the holiday. 

His grandmother lets out a gentle, albeit unbelieving scoff as she shakes her head. “He always comes,” she remarks, a blatant dismissal of Art’s words. 

His thumb rubs aimlessly over the painted birchwood decoration, as he looks back at her with a tentative gaze. She wasn’t wrong, Patrick would always come for the holiday. After spending Hanukkah with his folks, he’d fly out to the midwest by the twenty-fourth and spend the rest of winter break with him. “For a proper Christmas experience” he’d tease, although Art knew that he just didn’t want to be at home.

Now it’s the twenty-third and he was nowhere in sight. 

“Well he isn’t this year, grandma,” Art sighs, eyes quickly darting back to the tree. The ornaments he made with Patrick are there on nearly every other branch. His thumb presses down harder on the candy-cane popsicle, continuing it's steady back and forth motion, as his eyes jump from one decoration to the next.

Her eyebrows knit and she looks down to the present she placed for Patrick, Art’s gaze trailing behind her’s. In smooth, cursive black sharpie, the word “Pat” is written on top of the metallic red wrapping paper. It's small enough that Art can’t figure out what it is, but its presence may as well take up the whole room. 

“Did he say why?” she suddenly asks, instantly looking back up to him. 

The question is ironic. As if Patrick had any say in the decision. As if he chose not to come. Really Art should just say "he isn't welcome here" and move on. But that's an over simplification in itself.

Art turns his head up to her and settles with: “He’s busy.” 

t wasn’t a lie. The last time he checked, Patrick was somewhere in the Mediterranean, probably trying his luck with the European tour. Or at least that’s what Art gathered from Patrick’s recent facebook posts. (He allowed himself a peek every once in a while to keep his curiosity at bay)

His grandma takes in a soft inhale, looking back down at the present. Sebastian moves away from the box to rub against her leg with a purr, and she looks down at the cat, before shrugging. “We’ll keep it in case he comes.” 

He supposed the danger of going no-contact with Patrick meant that his old friend really had no way of knowing what Art expected.

And Patrick always had a tendency to see what he wanted.

we'll keep it in case he comes

Suddenly, Art feels a sharp poke in his hand, and he turns back to where his finger holds the popsicle stick decoration to see a splinter in his thumb.

He stares at it for a moment and then yanks the decoration off the tree.

It’s around midnight when he goes to properly handle the decorations.

He tip-toes down the stairs, cautious to avoid Sebastian on the railing who is already looking at him with an accusatory gaze. If it wasn't for the cat's general hatred of him, he'd assume it knew exactly what he is about to do. When he walks to the kitchen to grab a trash bag, he can hear the cat hiss. Drawing out an eye roll as he creeps towards the tree in the living room.

The place is only illuminated by the yellow-toned string of lights on the tree, and he just stands there, taking in all the ornaments he is about to take down. 

Some wash pin-figures

Couple of snow globe bulbs

Many paper snowflakes. 

And the candy cane popsicles.  

He lets out a deep exhale before quietly pulling each decoration from the tree and placing it gently into the trash bag. He moves quietly and focuses his eyes on the motions of his hands, not allowing himself to look at any ornament longer than he has to. Only Sebastian’s displeased purrs filling the room.

By the time he’s done, his stomach churns at the sight of the tree now mostly decorated by store bought figures, tinsel, and lights. It’s a foreign sight he keeps looking at, up and down, until eventually the little present with the cursive “Pat” written on-top catches his attention. 

The metallic red wrapping of the little box reflects the Christmas tree lights back like a kaleidoscope. Art just stares down at the sight, still unsure of what the present is. 

Hesitantly, he bends to the floor and gingerly reaches for the box, picking it up in a sluggish motion. It fits into the palm of his hand, and makes no noise. There's a certain weight to it that he can’t place. and his thumb deliberately runs against the tape of wrapping paper.

Then with the same sluggish movement from before, he puts it back down underneath the tree. His hands flex against where he holds the trash bag, and he remains on the ground. Eyes tracing the loops of his grandmother's handwriting and the fractured reflections of colored light.

When he eventually pushes himself to go back upstairs, he puts the bag in the back corner of his closet. Tucking it away behind some old duffle bags from his time at the academy before dragging himself to bed.

Patrick posts a photo of a Turkish marketplace on the twenty-fourth. Somewhere in Istanbul. Or Izmir.

Art doesn't really care where.

At least he was right about it being the Mediterranean. 

authors note: this is me fighting the art donaldson hater allegations!! not really sure how i feel about this, but i think of art and patrick everytime i hear this song and knew i had to write a fic based on it for them. although i did change the line for the title, just so it would fit better with the final product. many mixed feelings on this, but i hope you enjoyed it!! tell me what you think!!! and if you want an edit of artrick to this song...check this out!

art credit: from the December 1960 issue of the new yorker

[metamorphicmuse]

Barefoot Walks (pt. 2) - Unburdened Exploration

[uwhe-arts]

light traces . . . | uwhe-arts