#getout

[boringbones]

After a few days, my Coming Together mod is finally available for everyone! I apologize for the delay, I was supposed to post it this weekend, but as you know, I'm deep into fascinating discoveries to make The Sims 3 bigger and better! I hope you enjoy it, and please follow the recommendations to get the best experience!

DOWNLOAD

[reincarnated-angel]

does anybody know how to un-yassify your artstyle.

😭😭😭😭 is this pannacotta or pannaCUNTa💜 like

and with them glasses im getting office siren ive officially oc-fied him helpm

[wildernezz]

each time there is an unnecessary layout change to tumblr a part of me dies just a smidge.

[illumoria]

https://www.tiktok.com/t/ZP8hQadq7/

genuinely going insane.

[camocountrymossyoak]

[ralpheliena]

THE CREATURE APPEARS

[stillsuchathing]

Get Out and Sinners both had no white saviour character. 

Amen. Amen. Amen. 

[hibunnybachi]

I restarted my laptop and was greeted with this fuckass squirrel

what you looking at you Alvin looking ass mf

[ladyinbl00d]

okay guys act normal my irl follows me on here now

[maximallowzz]

so when are you and tord getting married? whos wearing the dress? whos not showing up at the last minute? (i'm not a coward so I'm not anon)

Some time in February since that’s when the plush gets here, I’ll be wearing the suit. Tord doesn’t have a date of when he’s showing up yet so probably him. I’m demoing you to best man Charlie.

[raurquiz]

#happybirthday #danielkaluuya #actor #wkabi #blackpanther #SpiderMan #AcrosstheSpiderVerse #skins #chatroom #johnnyenglishreborn #suckerpunch #doctorwho #psychoville #thefades #blackmirror #kickass2 #getout #sicario #widows #achristmascarol #judastheblackmesiah #nope #TheKitchen

[blackgirlslivingwell]

One of these horror movies has to go. Which one would you choose?

Ma

Us

Get Out

Candyman

[romqnticstylez]

who brought the word crush on my dash

[natashamagrefte]

Blog Post #1: How Black Horror Tells a Bigger Story

This class has already been eye opening for me in so many ways. I had never really thought about the significance of horror films from the perspective of race and how they can reflect the broader struggles and history of Black people. Before diving into works like Bree Newsome's "Wake," "Get Out," and "The Comet," I viewed horror as something just meant to scare or entertain. However, I now realize that horror, especially Black Horror, can be a powerful tool when it comes to social and racial issues, exploring deep fears rooted in history, identity, and the collective Black experience.

One thing that really surprised me was learning how horror as a genre can serve as a reflection of real world trauma and systemic oppression. "Wake," for example, is about the idea of a post-apocalyptic world and the consequences of erasure, the disconnection of the past, and the struggle for survival. It made me think about how Black people have always had to fight to keep their stories alive in the face of systems that try to silence or wipe them away. The film helped me to understand how horror stories often reflect the unhealed wounds and fears of a community, and the way these narratives are used to reclaim power, identity, and history.

Get Out was also really interesting to me, and our discussion of it really furthered my understanding. Peele uses horror to expose the ways that racism operates, under the surface and masked by seemingly well-intentioned liberalism. The sunken place becomes a metaphor for how Black people are made to feel voiceless or invisible, and the film’s exploration of Black bodies being commodified and objectified was something I hadn’t fully appreciated until now. It’s terrifying, not just because of the physical horror, but because it highlights something that is all too real in the world, a form of violence that is so damaging.

In "The Comet," the idea of the world ending and the two characters, who represent different races, being left to rebuild the world together was also really thought-provoking. The story taps into the historical tensions between Black and white people, but it also creates a moment of reflection on the potential for unity and coming together in the face of devastation. I had never really looked at the idea of the apocalypse as something that could symbolize a chance for social transformation. Overall, this course has definitely been different from what I expected. I’m really starting to see how horror acts as a space for Black voices to confront historical traumas, question systemic injustices, and process fear in unique ways. I’ve learned so much already, and I’m excited to continue exploring these themes.

[ang31icaure]

[blackhorror101]

My thoughts and experiences with microaggressions and how that relates to "Get Out"

This week, I rewatched the movie Get Out, which was my first major introduction to Black horror. I originally watched it with my friends on Halloween night, and I obviously loved it. Normally, I’m not the biggest fan of horror because I’m really squeamish ( I was scared of the color green for a year after watching a Scooby-Doo movie), but Get Out was incredible.

In my Black horror class, we discussed how the film was originally written about general social discomfort, but Jordan Peele gradually realized it was really about race. I found that so interesting because it mirrors how a lot of people experience microaggressions. At first, you just feel uncomfortable, like maybe you did something wrong. But the more you think about it, the more you realize it was a microaggression. I know I’ve felt this way many times.

I’m half Black and spend a lot of time with my white family, whom I love. It’s important to say that not all of them act this way, but some have made subtle (and not-so-subtle) racist comments or behaved differently toward me, my sister, and my dad, the only Black people in the extended family on that side. It started with little things, like not asking us about college but asking my younger white cousins. Or being surprised that my sister and I enjoy school and learning. These things seemed small at first, but they added up over time.

The breaking point for me was when my aunt asked my sister who had just gotten into Berkeley if the Supreme Court ruling against affirmative action would affect her admission. She said that to her face! That feeling of discomfort, especially when it comes from people you’re supposed to feel safe with, is perfectly represented in Get Out. The movie captures the creeping unease of realizing that people who seem nice on the surface might not actually respect or value you. In my class, we talked about how the film portrays this through subtle microaggressions, like the Armitage family’s overly friendly but uncomfortable comments, and how those build into something much darker.

One thing I love about Get Out is how it uses horror to make the audience confront these issues. It’s so effective because it blends tension, humor, and social commentary. When I first watched it with my white friends, they didn’t pick up on any of the racism in the first act. They were genuinely surprised. So, we rewatched it and talked through scenes like the cop pulling them over and the parents’ racial microaggressions.

I think this is both good and bad. It’s bad because not everyone might get the message, but it’s good because the ending might encourage people to rewatch and think more deeply about seemingly “normal” conversations. It’s also brilliant how Peele keeps the audience guessing just like Chris, the protagonist, we don’t know who to trust.Overall, I loved watching Get Out for the third time and really enjoyed the class discussion. It’s a film that sticks with you and makes you think in ways you didn’t expect.