#had these ones ready to go

[enidtendo64]

More Stowaway AU

Pacifica dynamics with each Grunkle. Happy late Father’s Day and birthday to the grunks!

[bluerosefox]

Always Favors You

Another Sibling Danny and Jason idea!!

"Are you Jason Peter Todd?!" demanded a deep and commanding tone from the strange glowing being in front of them.

All the Bats stiffened and tensed, no doubt gearing up for a fight against the being that somehow knew Red Hood's full name.

Jason, Red Hood, decided to put on a brave front despite no doubt cursing in his head and wondering how the heck did this thing know his full freaking name.

"Whose asking." he snarled out, his hands twitching for his gun when the huge glowing knight with purple flames coming out of his helmet and cape, who was riding on a nightmare looking horse while they all had been in the cave going over tonight's patrol.

The Knight didn't seemed bothered by his response nor did he even seem to care or flinch when Batman made his own demand on 'Why was he there and who was he' or when Damian unsheathed his sword and pointed it towards him. Instead the strange glowing Knight reached to it side and pulled out... A glowing scroll? Huh. (Also he completely unnerved everyone in the room when the Knight didn't even react when Batman had tossed a Baterang when he reached for his side)

The Knight opened the scroll and spoke clearly with purpose.

"Jason Peter Todd,

You are hereby invited as a special guest of honor to the crowning of our future King of the Infinite Realms.

Daniel Phantom, once Daniel Jackson Fenton, and once Daniel Austen Todd.

Prince of the Infinite Realms, the Keeper of Balance, The Peacekeeping Halfa, the Defeater of the Tyrant King Pariah Dark, The Great One, Youngest of the Ancients, Ancient of Space, The Bridge between Life and Death.

You, the half-brother of our King, have been given the highest of honors for your past actions and will be given housing and food in the Realms and Phantom's Keep, for the week long event. Personal servants and attendants will be at your disposal and a seamstress will be on hand to tailor make your attire for the Coronation.

Signed: Clockwork. Ancient of Time. Watcher of the Infinite Timeline. Kronos. Mentor and Adviser.

PS: I shall have Fright Knight ("Me" the Knight bluntly said for a second) leave this scroll along with a personal one for you from Daniel to read over and once you make up your mind sign the bottom of the scroll.

I do hope in time you will pick the right choice Jason Todd, we of the Infinite Realms would like to reward you for your actions. After all, if you hadn't gotten young Daniel away from your father that night all those years ago, we would never had gained our Prince nor be free from our once Tyrant King.

Ah, one more thing.

The Infinite Realms will always favor you Jason."

Jason felt like he couldn't breath as Fright Knight? Rolled up the scroll, pulled a letter from his side, and held out the two items for him to take.

[poorly-drawn-mdzs]

Who is this sassy lost child?

[First] Prev <–-> Next

[xxplastic-cubexx]

og post

bonus textless/jeanless below:

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[jadewritesficshere]

Eddie rounds the corner with his drink and stumbles over the threshold when he sees Steve. Steve is wearing the most obscene white shirt- it's just a shirt a mere mortal might say, but Eddie knows better. It's a tight shirt, so tight that even not hard, the nubs of his nipples are pressed against it. So tight, the hair on his chest that runs down to his belly button and runs from that down- Eddie about chokes on his tongue thinking about where it goes- is faintly visible. So tight it looks like his biceps are bulging and so white he looks like a tanned golden God.

Except it wasn't a metaphorical trip. It was a literal trip. Eddie is literally falling as his eyes bless him with the most beautiful image he's going to think about in bed and the shower and- and he's still falling.

But Steve thinks fast and catches him, mostly with his own body. Except Eddie's water spills all over Steve and somehow ends up in Eddie's hair and its just a mess.

And Eddie is going to apologize, already is stammering out apology after apology, when he steps back after he gains footing and promptly goes mute.

Cause that once obscene white shirt is obscener- that may not be a word but Eddie is writing it in the dictionary with the caption "Steve wet t-shirt contest". Because Steve's shirt is now see-through. And because of the cold air and the water, Steve's nipples have started to harden. And his belly button is now visible and Eddie didn't even realize he had a thing for belly buttons but he does for Steve's. Every glorious inch of chest and stomach is visible to Eddie's wandering eyes, God his wants to kiss and bite it.

And Steve is just smirking at him and he should say something damnit anything but all he does is make a noise which Steve will later mimic and laugh about. But for now Steve is smirking and basically shirtless and looking so hot and-

[booasaur]

Renegade Nell (2024) - 1x06

[op-dumpstertruck]

Can we just get to the reunion art please? Hurts my heart so much

~~I love it but also whyyyyy~~

Sure :)

Zoro has an out-of-body experience, Kuina was the one who got out and is now finally home again and the stawhats 100% made quite the ruckus, so little eggplant was quite scared. This will eventually end well, but I never said the reunion would be fluffy :o)

[superbat-lmao]

Pt. 2 of this (back by popular demand).

When Jason wakes the following morning he feels gross. His face is tacky and he’s smushed in an uncomfortable position where he feels like he’s rolled to the edge of his bed.

When he blinks up at Bruce, the events of the day before come crashing back with alarming clarity. He goes rigid and Bruce immediately opens his eyes to check on him, pulling back slightly to give him space.

And that makes Jason’s chest hurt. Because everything that had made him uncomfortable Bruce had fixed. Because Jason had been telling Bruce what he didn’t like about him the whole time.

Jason had started to like Batman. He’d gotten dry reports about life in the alley from the guy but he’d also gotten questions about what more could be done to help out alley kids. He’d taken all of Jason’s brash criticism and actually tried to fix things. Jason had started to really like the guy.

And to now be faced with the fact that it was Bruce, the guy who read like, an actual newspaper in the morning and asked about his interests like he was having teeth pulled, it still couldn’t quite compute.

Bruce couldn’t seem to figure out if Jason was comfortable on the cot, so Jason solved his problem for him by tucking his face back into his shoulder. He knew they would have to talk about it. How Jason had been kidnapped and watched his- watched Bruce get shot and then cried about it. But that conversation was going to be exhausting, and his body wasn’t sending him into a panic being this close to Bruce, so he was going to enjoy it while it lasted.

Bruce seemed to get the message and started running his fingers through Jason’s hair again.

When Alfred came down with breakfast for the both of them, Jason knew his time was up. That they’d have to talk about it all. He wasn’t sure what they would do now that he knew, send him away? Or no, they’d need to make sure he never told anyone. Never let him leave?

Before Jason could spin out too badly, Bruce started explaining how he’d wanted to protect Jason by not telling him about his nightlife. How it was a dangerous secret to know since it could put people in danger.

Jason scoffed at that since he’d been abducted for his connections to Bruce Wayne, like that was any safer.

Bruce paled pretty quick at that but had that look on his face that said he was determined to get through this. Jason wondered which he actually preferred more, conversations or going to the dentist.

But Bruce continued to explain that he’d had concerns over Jason’s ability to trust adults and was entirely out of his depth on how to begin to repair that trust. That he thought Jason needed someone to talk to that would try and resolve his problems. And Batman could do what Bruce couldn’t. He had been scared Jason would run if he couldn’t convince him it would be safe, and that scared Bruce most of all.

And Jason had to acknowledge that Bruce wasn’t entirely wrong. He probably would have run if Batman hadn’t been checking up on him, at least in the beginning. Because Bruce didn’t make any sense. He wasn’t like any of the other adults Jason knew. His body wouldn’t calm down even if he knew he was safe, and he probably would have run from that feeling.

Most importantly, Bruce apologizes. For keeping secrets and also for getting shot in front of him in a “sorry you had to see that” sort of way.

And yeah, Jason could’ve done without watching the guy that’s almost his Dad get shot in front of him, but it wasn’t really anyone’s fault.

And Jason, like a dork, apologizes for crying on him and not being able to handle it.

That makes Bruce’s face do something complicated that Jason had a hard time reading.

Bruce tells him that it isn’t actually normal to not react to someone being shot in front of you. Especially for a child, crying is a very normal response and nothing to be ashamed of.

Jason comes to an odd realization that he isn’t the first kid to know Bruce’s identity. He remembers talk in the alley of Robin, the flashy distraction to Batman’s silent stalker approach.

He asks Bruce if Robin was Dick Grayson, his ward. The supposed “brother” he had yet to meet. He wasn’t sure what Bruce was waiting for there, but he supposed if the man wasn’t even sure if Jason actually wanted to stay that it would be fair that he was cautious about introducing him to everyone.

Bruce’s face shuts down almost entirely at the mention of Dick. He seems to catch himself pretty quick though and picks a spot over Jason’s shoulder as he starts to explain the last time he talked to Dick outside of mask business. How scared he had been his- his ward would be hurt. How he’d fired him from being Robin. How he’d gone off to Bludhaven to be Nightwing. That Bruce hadn’t seen him since he left.

Jason takes in as much of it as he can. He can’t quite process what it would mean to be a vigilante, to be Robin. He still feels dazed from yesterday and the environment of the cave is strange and foreign.

He asks what the plans for the day are and Bruce huffs. Says that he’s on strict orders from Alfred for bed rest. That there will be conversations, a debrief, about what had happened, but that can wait a few days. They will also have to talk about formalizing Jason’s living situation here and registering him for school. All sorts of things, if Jason would like to stay.

And Jason does.

Later, Alfred comes in to re-wrap Bruce’s bandages and move him upstairs. Jason hovers awkwardly, wanting to help but not knowing what to do. Alfred gently directs him in helping get Bruce back to the living room. He says they can move him to his bedroom later but it’ll be easier on his mobility if he stays on the first floor for a while.

Alfred also informs them he had taken the liberty to inform Dick, Barbara, and Clark of the incident, so there will be patrol while Bruce’s shoulder is healing. Bruce goes rigid at this information.

Alfred asks if Jason will accompany him to the kitchen and help carry out their lunch.

When they’re alone, Alfred apologizes for keeping their identities from Jason, and how happy he is the boy is safe. He’d been so concerned yesterday at the car but hadn’t had time to do more than bug the vehicle.

They talk for a bit about identities and Jason accepts that it was kept from him, but now that he knows, he’ll stay in the loop.

Alfred also asks if he wouldn’t mind helping keep an eye on Bruce and make sure he doesn’t try and sneak back down to the cave without medical clearance. If he’d be alright to watch a movie in the living room with him, or a board game maybe.

Jason recognizes the ploy for what it is and plays along, grateful he doesn’t have to go worry by himself in his room or in the library.

When they bring the food out to the living room, Alfred shows Jason their selection of movies and makes sure they’re settled in before going off to take care of dishes.

Jason and Bruce start out sitting on opposite ends of the couch, but by the end of the second movie, Jason is stretched out in a way where they’re almost touching, a pile of pillows separating them.

Jason falls asleep during the third movie.

Dick arrives at the manor halfway through the fourth.

Pt. 1 Pt. 2 Pt. 3 Pt. 4 Pt. 5 (sold separately)

[bluerosefox]

Eldritch Children

Hmmm

Wanna know would be a fun prompt.

So you know those stories where Danny goes all eldritch on a Gotham Rogue (mainly the Joker) after he attacks someone Danny cares for or him.

What if, instead of Danny, it's a deaged Ellie and/or Dan. What if Danny was hit by that one device that Vlad hit him with during that one DP episode where his powers were shut off for like 6 hours or something similar.

Basically Danny can't use his powers, he gets captured by a rogue, maybe it's being live broadcast or streamed, his tiny toddlers are there or while being babysat see the livestream/broadcast and decide to go save their 'Mama' from the 'baddy peoples'.

The Bats and Birds get there just in time to see a (or two) tiny toddlers demanding the 'baddy peoples' to give them their 'Mama' back or else. The Rogue laughs and says back like 'and how do you plan to make us?'

Then the child(ren) go full on (tiny) eldritch beast mode and takes everyone 'bad' out like it was nothing. (The cameras glitch out the moment they go eldritch so no one outside the room sees it happening)

Danny unties himself (he's been tied up so much he learned how to undo them even in his human side) or is untied and runs past the Bats/Birds ignoring them as they try stopping him and runs to his kid(s).

[pigswithwings]

You want to draw being objectum for lamps so badddd or the ocean either or

neat

[balleater]

one thing we've learned between this session zero and the menagerie's session zero is that travis' go-to for naming locations is to include the word loch

[itsmetheabnormalone]

Saw a comment on tiktok that said „he didn’t need any more self-help he needed community“ about Bob and I started sobbing bc YES. There’s only so much we can do for our mental health while going through life isolated.

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[hanalyrata]

'Lus

[trauma-bot]

sin eater