#i don't know they've had so many discussions at this point

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[jubileebloom]

I aspire to be a lover not a hater. but

[starcurtain]

A Closer Look at the Phaidei Memory

I've seen so many people talking about this scene with Phainon and Mydei and making fun of how blatantly obvious Phainon is about his... respect for Mydei's... conspicuous body, but one thing I feel like a lot of people missed (or at least I haven't seen anyone discussing) is that this memory seems to come from very early on in their acquaintance.

Looking at it closely, it's clear that the two aren't particularly familiar with each other yet in this memory sequence. For one, Phainon questions things that he should easily know if he was well-acquainted with Mydei already.

First, very comically: "Do you even bathe, bro?"

And second, Phainon questions why Mydei isn't immune to the black tide:

This suggests that, up to the point of this memory, Phainon had not been in enough battles with Mydei (or at least close enough to Mydei) to see him be affected by the black tide. Apparently, this memory-Phainon-and-Mydei don't have years of rushing into battle side-by-side to defend Okhema yet.

It's also hilariously clear that the Phainon in this memory has absolutely no idea how to talk to Mydei.

Breaking this scene down, it's literally Phainon just trying really hard to strike up conversation, doing his best to try to crack the tough exterior and get Mydei to actually interact with him. He jumps around through topics rapidly--the baths, the black tide, their personal sparring--looking for anything that will catch Mydei's attention.

Meanwhile, we can tell that Mydei is not particularly familiar or comfortable with Phainon yet because his dialogue is so different from any of his other scenes in the game. Although Mydei is obviously not the game's biggest yapper, he does always have full sentences to contribute to other conversations and banters readily with Phainon whenever he's baited into it.

In this memory, he instead starts off polite but also completely aloof:

This is the exact sort of response you'd have to a vague acquaintance coming up and trying to talk to you like you're best friends. Phainon skipped at least four steps of familiarity here, and Mydei is obviously at a loss for why the conversation is even happening.

He responds by blatantly stonewalling, answering Phainon's (slightly pathetic) attempts to start an actual conversation in nothing but single word answers:

You can even see Phainon recognize how bad he's failing half way through the conversation, which prompts him to vocally declare that he's going to make a complete topic switch:

And this time, it works!

When Phainon brings up their personal duel or spar, whichever it was, finally, finally Mydei caves and engages in the conversation with him:

Which prompts Phainon to laugh (in relief? lol) and flat out crow about how he's finally cracked the code and figured out how to get Mydei to notice him:

Poor Mydei, however, did not seem to realize his slight display of interest was going to lead him into a full conversation, and he responds to Phainon's blatant invitation to keep talking with a confused:

Witness Mydei accidentally turning down Phainon's request for a date in real time.

The only thing that complicates the situation is what Phainon says late in the memory: that they've battled "all this time." However, looking at his earlier comments, this last statement may just be in a general sense, as in "two Chrysos Heirs who have been fighting the titans for years," especially as the rest of the line "How do you train? Would you consider teaching me?" once again indicates a lack of close familiarity.

(It's also possible this line is just poorly translated in English, and was actually meant to refer to their legendary ten-day-long duel: "We battled all that time, yet I never saw you fatigued." Given the rest of the lines in the memory, I think "dodgy translation" honestly makes the most sense here, and would also just have really funny implications: Phainon and Mydei didn't fall in love at first sight; they fell in comically-long-duel at first sight. Okay, maybe for Phainon it was both.)

Phainon's earlier statements in the memory make it clear that he isn't very experienced with fighting Mydei specifically, with the overall implication of the dialogue being that they've just had their first duel against each other recently:

So anyway, where I am going with all this?

I know a lot of people got distracted by Phainon's (accidental?) pass at Mydei in the first line, but I think taking a step back and looking at the scene as a whole, in context, makes it even more hilarious and off-the-cuff:

Phainon and Mydei aren't well-acquainted in this scene.

Phainon literally walked up on a guy he barely knows and the first words that fell out of his mouth were "Dan Nicky your bobbies." "I would know that body anywhere."

Even Mydei was weirded out at first!

Like, Phainon has absolute foot-in-mouth syndrome around his new "friend." He spends the whole conversation narrating his own attempts to communicate ("Ah, I see I am unwanted. Instead of leaving, I shall try another tactic. Is it working yet?" and "Yes, yes, yes, it worked!") like this is a remotely normal thing to do around a person you're not even close with yet.

You can see his puppy tail wagging. He wants to be friends with Mydei so bad.

He is actively making up excuses to try to get Mydei to spend time with him here--first the comment about "Yay, you're here!" at the baths like he expects them to bathe together, then the whole "Why don't we go somewhere and have a long conversation about the insights we gained from rolling around in the dirt together?" to finally just flat out asking Mydei to train with him.

It's so charmingly earnest, straightforward, and even a bit awkward that I think this scene is really under-rated by the fans. It's not just another example of Phainon commenting on Mydei's muscles--it's a glimpse into what they were like before they were close and just how much Phainon wanted to connect to Mydei, how willing he was to explore to discover exactly what Mydei would be interested in so that he could seize that common ground between them.

Really a masterclass in showing us fans characterization right on the cusp of changing, and for showcasing both Phainon's charming audacity and Mydei's surprisingly-reserved-around-strangers behavior.

And, since we know the future that memory-Phainon-and-Mydei are headed toward... we also know it worked! Mydei is smiling by the end of the conversation! He and Phainon are going to become vitriolic best buds--er, rivals--and Phainon is going to get all the spars he wants.

Persistence pays off!

[the-indigo-symphony]

Sometimes I want to use this blog to talk about pluralphobia but like. Where do I even begin.

Almost every system I've ever talked to has at least one story about being mocked/shamed/hated or worse for their plural traits. So many of us deal with those we're close to treating us like serial killers in waiting due to how media portrays us. Fandom spaces treat us like hypotheticals and act disgusted when you tell them their "totally Weird™ and Random™ prompt" is some people's lived reality. Medical professionals dehumanize us and marginalized communities follow in their footsteps to deny us any language or space to talk about ourselves, because how dare we say we're similar to them, how dare we treat our individual selves as individuals and not party tricks that need to be put away when we are having Serious Discussions. People will claim to support us, but in order to support us, they simply must insult us, fakeclaim us, send us gore and threats and suicide bait, threaten to make false reports of tax fraud against us (yes, this is a real thing that happened to me once), openly wish for our deaths, use any and every excuse they can to delegitimize us, compare us to slave owners and Nazis, demonize the tools we made for ourselves while using them for themselves or even claiming credit for their creation, mock our terminology, run us off emergency hotlines, even get us institutionalized – don't you know that's what "support" looks like, you silly little blogger that we will spin into either a helpless, manipulated child that must publicly admit every trauma they've ever endured to justify their existence online, or an evil, manipulative bigot that denies the latest science (no matter what those articles actually say), depending on whatever suits our latest narrative?

I know plurals personally who have had to choose between being open + receiving help they need... and remaining housed. Remaining fed. Remaining safe. And we can't even point out that a character is plural representation because then people clamber over each other about how plurality in media is never anything more than a metaphor – unless, of course, it's from a horror franchise. Then, at least, we might get an admission that they're sorta almost similar to DID, except totally not, so don't worry about it, there's nothing more to see here.

Where do you even begin when there's so much to talk about and yet just calling pluralphobia "systemic" causes people to start spitting out denials and dismissals and erasure at the speed of light?

I am an optimist because I have to be but oh my gosh it is fucking hard to be sometimes.

(Not looking for cheering up on this post. Please keep any reblogs on-topic regarding pluralphobia and erasure.)

[discodeerdiary]

There's a good reason why I try not to argue publicly with anyone under 18, and it's not that I think they're inherently stupid, it's not that I think their brains are "underdeveloped", it's not that I think they can "do no wrong", it's that I never know how much freedom they actually have to think freely, or how many of their opinions are actually their own. Of course, under-18s *can be* capable of thinking for themselves and developing their own opinions, but (here in the US at least) law and culture put a lot of roadblocks on their ability to do so.

Of course parents and teachers cannot actually control the inner thoughts of the children they wield power over, but they can restrict the information that they have access to, can punish them for saying the wrong things, can cut them off from healthy diverse social groups, and can convince the child their thoughts are being monitored through religion, psychology, and other appeals to higher authority.

Thus if a random teenager says some headass shit in my mentions I have no way of knowing if these are opinions they arrived at on their own, or if they are dogmas forced on them by the people holding food and shelter over their head. If it's the latter, there's nothing to be gained from a public confrontation: people are generally unwilling to change their opinions in a direction that threatens their social support system, and they are especially unwilling to do so at the behest of an internet stranger who cannot offer alternative forms of support. If a teen is genuinely curious about my opinion (that is *if they consent* to a discussion of disagreements) and if I have the mental bandwidth for a potentially emotionally loaded conversation, yeah I'll have it, but I'm not gonna maintain any illusions about my ability to change their mind until they can find a way to live independently.

This is also why my leniency toward the not-yet-adult tends to also extend to the recently-adult. Coming up with a system of beliefs that you're actually willing to stand behind? Shit takes time, and I'm not necessarily gonna expect it of a 20-year-old who may, for all I know, have been living under conditions of near-absolute control up until their 18th birthday. Sure they may be opening their mind in college, or college may be their parents way of keeping them too occupied with busywork to develop new opinions, as they continue to hold financial support over their head. It's around their mid-twenties that I'm willing to go full gloves-off antagonistic with strangers, knowing that they've had a few years of legal and social adulthood under their belt, and that even if they're still financially dependent on their parents it's a different sort of dependence, one where they're given default legal permission to run away from home.

A lot of people are deeply uncomfortable with this line of thinking because if you look too far into the factors that influence young people's thoughts, you eventually have to start asking yourself which forces of dependency are influencing your own beliefs and opinions. Yeah, as an independent adult you may have the option to quit your job, divorce your spouse, ditch your friends, move to another country, but realistically how many of these can you accomplish at the same time? How many do you even want to? And how are all of these forces *in aggregate* setting the acceptable limits of what you're allowed to think and feel? It can be upsetting to think of yourself this way, it can be easier to think of yourself as a true free thinker and children as mindless automatons, but I urge you to think of mentally coercive environments as a continuum rather than a binary. The point is not to free yourself from all influence, but to gain the ability to see yourself as an influenced mind, and to have compassion for those dealing with all the bullshit you don't have to anymore.

[capslocked]

KINKVEMBER DAY: 4

[prompt: roleplay] male reader x kang hyewon 8k words

“I need you,” Hyewon says in the uneasy dark of a hotel room, with two urgent fistfuls of your shirt, “need you to do to me all the things my husband never will.” “Yeah, I know,” you tell her, “you said that,” and her eyebrows move in all the wrong directions, “I’m just wondering if, you know, maybe we should give him a little more credit.”

-

Here’s the truth:

Hyewon doesn’t believe in leaving evidence behind and you don't find it particularly productive to doubt her; you’ve been talking in code for years. Parts and pieces of yourselves reduced down and bottled into set phrases that, to anyone else, would be totally incomprehensible.

"i've been thinking," she texts you, which you've come to understand means she's already made up her mind, "maybe we should do that thing we were talking about. tonight."

(You're not always so fast on the uptake.)

You send two back two texts, both of which ask "which thing?" because the hallway from the breakroom to your desk has poor reception and it never lets you send just one.

Then, right after you cross the threshold between signal-drowning-concrete and the glitzy glass-walled arboretum they've built to make you feel like you're not a total cog in their corporate machine, your phone pings the receipt of Hyewon's reply: a picture - her laptop, propped up on your coffee table with its screen angled for perusal, of a booking site that's filtered to show results for their 'king bed & view' room at a midrange hotel a forty-five-minute ride from your apartment.

"not really doing much narrowing down here hyewon."

She replies to you - her text bubble appearing over another couple still images, of herself in the vanity mirror as she curls her hair around her finger and holds this little black slip of a dress over her shoulder, black lacy lingerie in tow, the whole nine - with:

"i'm feeling kinda adventurous."

-

Five o’clock rolls around but you never really do figure it out. You spend the last three hours at work deciding which kink of hers (oh, does she have a few) this is all in service to.

There's nothing overtly sexual about her pics in the first place - not more than usual anyway, more showing off her curves and cut jaw than showcasing anything for her 'adventurous' intent. So that can't be the tell - you'd seen her in a corset once (you can't unsee it) and the angle of her hips to the mirror makes you think that if she was planning on pulling on a  pair of crotchless panties then she probably would've found her thigh high stockings, too.

You try and think of what the two of you had even talked about when discussing these little scenes - how many times you'd ended up 'in the mood' during or after such a meeting of the minds, how it'd snowballed from there, a whole list of filthy what-ifs that she'd probably put more thought into than you ever have - but you draw a total blank. It could be any of a number of things.

Until,

"i left you instructions on the kitchen island," reads a text on your phone which you definitely don’t check while you’re driving -

And then it hits you.

"ah."

"yeah, 'ah'," she replies.

-

A quarter past seven at the hotel bar is way too early for any real promiscuous activity, but then again, you're here playing at pretend and half the fun of games like this is in the setup.

Meet me at the bar, your instructions read, introduce yourself, and play it by ear.

There's some couples at the other end, some friends downing shots by the round, people musing over their aperitifs, and a woman sipping alone at the bar - Hyewon, appearing to you from the back first:

The pointed edges of her shoulders narrow out over this tiny cocktail dress that somehow covers less of her than if it weren't there at all, skin tight, accentuating even her softest curves. She has her hair fixed a particular way - teased enough to flip at the ends but still a single sweep down her shoulders, pulled together softly by a ribbon in the back, tied like a fantasy, allowing a wispy strand to fall to her face - glossy and dark and glowing to this rich, deep mahogany where it's cast in the lamplight.

The line of her throat, of her chest. Where her hips meet her waist in a rounding flare. The effort and beauty she's gone to, for you - that she puts in every day just because she knows it gets your attention, can do more than turn a head or two; Hyewon's appearance is almost indifferent of you, only coincidental, but she puts on a damn good act.

(You look a lot more worn in comparison: jacket thrown over dress shirt and khakis, tie loose at the neck. Standard office attire with just a step-outside-regulation. Disheveled.)

A drink, you suppose - approaching the bar to try and catch the bartender's attention to order a single malt.

But if Hyewon's been waiting long, she doesn't complain when you pull into the stool beside her and sit for a long moment.

"Do you mind if I join you?" you say over a pair of politely folded hands - and that's generally where her 'instructions' end.

The look she fixes you with is just this unashamed smoldering, her body language this contradictory kind of lazy - cool, like her night was going exactly the way she planned but she still had places to be.

"It depends," she replies, one slender finger curled around the stem of her martini glass - which historically, is a drink she hates. "Who's asking?"

"Just me," you offer, letting the gesture and your tone leave it up to her. And then slowly, perhaps awkwardly: "ostensibly a complete and utter stranger who knows a gorgeous woman when he sees one - and who could never pass up a chance to see how the rest of her is."

"Smooth."

"I guess it is, considering you didn't immediately run for the exit."

Hyewon nearly snorts.

"Hard not to." She tilts her head back at you, assessing. Her cheeks are rosy pink. "A handsome thing like you doesn't usually buy themself a girl's time with flattery -"

"Buy your time or your drinks?" you tease, and you can tell she wants to roll her eyes - but she keeps them carefully lowered. Eyelashes dipping down like blackened fans.

Hyewon shifts slightly, resting her chin onto the heel of her wrist like she's leaning against an imaginary windowpane and tipping her face a little sideways. It makes you smile. "One gets the other, if you catch my meaning."

Maybe it takes you a little too long to lift your gaze off her lips to find her eyes, or off the sweeping curve of the hemline sitting high across her long legs, but she watches you for just a breath. It's a more telling moment that she pretends she doesn't know you.

"You can look at me if you like," and then without further preamble, she introduces herself with a slight tilt of the head and an expectant expression: "call me Hyewon."

You figure that if you've gotta say one word to get the ball rolling you want to say her name, and as a little revenge for forcing you to think on this scene and think on what to say, what your character would say, how exactly she wanted you to go about 'meeting' her in a hotel bar, how her fucking scenario's been building up in her head for god-knows-how-long (even though, in the scheme of the two of you and your relationship, it’s nowhere close to being the most demanding sex you've had), you reply simply with:

"Pretty."

It's satisfying, how she hesitates - pausing a little longer on your face to gauge exactly what you meant. Studying. But the next beat of your heart - or hers - is effortless, easy.

"I know. That's what my husband calls me."

"Husband?" You keep yourself from raising an eyebrow. "And I don't suppose I'm also... married?"

"Different day, different you."

"Meaning I have a wife or a mistress of my own," and you flick your wrist at the barkeep for a top-up of what's in front of Hyewon. "You're telling me I'm the kind of man who'd only settle for two."

It doesn't sound quite right, though Hyewon picks up on it. Doesn't let on. "Aren't men like you always? Charming to a fault, but always voracious - insatiable, especially with women like me."

"Women like you."

"Married women. Unavailable," she simpers, and in a practiced little motion, draws her hand out to where you can see it properly, this sparkle on her fourth finger that catches the lowlight of the bar. The diamond looks real - not that you'd actually know - and your stomach flexes up mid-somersault thinking about the financial impropriety for what amounts to a gag. A practical joke. Hyewon the comedian.

Still, you go with it and take her hand in yours, admiring. "What a pity." The glint off its faceted surface - Hyewon's watchful as she allows it.

"Isn't it," she agrees.

The more unnerving thing - besides how composed Hyewon can make herself be - is how the narrative quickly becomes a whole hell of a lot clearer with the context of marriage in play. She's mentioned it before: the infidelity thing, the way it leads to the raunchiest, filthiest bits she'll dare to explore. In some ways, her desire for the untouchable makes a lot more sense -

And maybe that's what had been nagging at your mind since she brought up the idea of playing the part: you always end up kissing in that stupid 'caught up' sort of way. With an intensity that's hard to beat. Even though you wouldn't ever cheat on her. Not in a million years. You'd watch her leave before doing anything like that.

But it's thrilling, almost, and even more thrilling that this isn't entirely improvisation: how well the two of you might actually play this off, as two total strangers to this illusory little roleplay that you'd normally say was your very last interest.

"But you know there's something I've come to appreciate about married men," Hyewon continues, her voice in this conspiratorial sort of hushed.

You blink, drawing her out.

"They know how to tie a knot."

There's the flirty wink, an upward flick of the chin that draws your eye to the span of her chest. To her body in that skin-hugging dress and your fingers entangled in hers - the gentle bump and shift of the bodies behind her, moving between the tables - Hyewon a queen of circumstance, playing to the moment as it bends; as her lips part in a pleased smile, red and smooth, almost innocent, and you can't help but imagine tasting her on your tongue, the force that'd take for her to yield when you finally got your hands in her hair.

(What a character, honestly.)

"Tell me something," you say, "why would a married woman, this pretty little thing like you, be all alone in a place like this - without her charming husband."

Hyewon's smile curls at the edges like smoke. "I never said he was charming."

You raise an eyebrow. "Good-looking, then."

"Never said as much either."

“Why are you with someone you find neither attractive nor charming?”

Hyewon makes a face, slightly pitied. “If that Isn’t what I’m asking myself everyday.”

"Hm." You narrow your eyes into something more quizzical than suggestive. It works on her anyway. "That doesn't feel too much like it's in character, Hyewon."

She shrugs, but it's that coy kind of shrug. She thinks you'll let her off easy - you usually do. All considered, she's the type who thrives off the chase and, as of today, so do you.

"But he is cute." Her expression is just this side of sweet, as she takes a dainty sip of her drink. Like the taste doesn’t bother her, like she isn't pretending she doesn't hate it with every fiber of her being. Like this is easy. "And maybe -" she quirks an eyebrow at you, withholding a smirk. "-you're right. Maybe, I was looking for someone cuter to fill the bill. And luck would have it, here he is."

So - apparently - her character doesn’t mind a little light infidelity.

Hyewon takes in the vague sense that the message wasn’t as clear as she might have liked, her forehead scrunching as she tries to convey - in a way that would communicate even to an airhead - some realization to play your part.

"Maybe it's the wrong question,” you start over, taking it from somewhere near the top, “what are you doing here, with me?"

That's when Hyewon graces you with one of the soft, slow kind of smiles: the kind that manages both an air of 'you dimwit' and 'good question'. Her fingertips barely graze yours but it's noticeably electric. Just enough to feel your pulse fluttering.

(You don't care that none of it’s real - Hyewon looks to you through thick eyelashes like a goddess of temptation and sin - and it makes something wicked coil up warm at the pit of your gut. A curious thrill and a recklessness that you have to admit feels a little nice - being the man trying to talk this woman into bed. The challenge and the buildup, the want to work for it. It's new. It's fresh. Lo-and-behold, it's kinda hot.)

When you catch her stare, she fidgets. So slightly, so briefly, your chest is on fire and you're barely into the pages of her plans, of this night ahead.

"Wish fulfillment, let's say," and that is no less true. "See it’s my husband."

"Mhmm."

"He respects me too much to do the things I'm going to ask you to do."

"Like?" you continue to prod.

Hyewon lets out the tiniest shiver of a sigh, like a trickle of cold water down the length of her spine. "Take a good guess."

You finish the rest of Hyewon's martini, slow. Savoring the warmth and bitterness sliding down the back of your throat. The night's young, sure - and if you're supposed to be spending it all wrapped around Hyewon's finger. This means you can take your time.

"Show me your room?" you propose, gesturing to the empty glass.

"I thought you'd never ask."

At your offering, she stands up and throws on her coat - long, double-breasted, chic - but only really just off her shoulders to have the hem hit her legs mid-thigh. One of her many personal quirks. Hyewon knows how to move like there aren't two eyes staring at her wherever she goes: not the awkward side-to-side of a girl who wasn't made to wear heels - a loping gait - nor the assured click, click of the taller kind that totter like it's all they've got going for them.

Something totally different: a little careless and a little haughty and an assurance of the highest confidence.

She winds an arm round yours like they do in movies, this parody of a leading lady - Hyewon not a seductress as much as she is someone who'll look the part just to convince you otherwise. There is a pretty big discrepancy, you find, between her bravado and her smile, her figure and her artistry - you couldn't act if you wanted to; meanwhile, she does whatever she damn well pleases. And somehow that doesn't even begin to cover the things that turn her on.

The two of you make for the stairs, winding up floor after floor until it's perfectly quiet, perfectly out of sight - hidden away from prying eyes and ears.

The silence of an empty hotel stairwell is thick - Hyewon's hand comes off the railing, as she takes to the wall and turns to face you. It's a gentle tug at the tie loose around your neck, barely any give before you're already there, holding her by the hips.

"Might've gotten us lost there," you whisper, as her finger plays at your chest and finds its way round the collar of your shirt. Your top button is already undone by the time you notice she's not fond of it. "The elevators would've gotten us where we're headed faster."

"Don't worry." She hums, leaning in close - like a magnet, like gravity. "You're getting the scenic route."

"Anything to stall the inevitable," you tease, but it isn't a thread she seems interested in developing.

"Something like that."

Hyewon shifts her weight back onto her right foot, her skirt riding up just barely. The dip between her inner thighs and the smooth curve of her leg is open and bare to your sight, her dark stockings like an unspoken challenge: the panties, lacy, loose, no crotch.

And it gets... indecent, the way your lips connect, how you realize half-way into that kiss, she's still smiling. It isn't any one way that does it; maybe it's the clever use of her tongue, or that particular position you've coaxed her up against the stairwell wall that makes it seem like Hyewon can't be any more in danger - it's too much to handle and your mouth goes slack on the reflex of an apology; her hand has a hold on you by the jaw and it won't budge.

"My husband," she murmurs into you, the trace of the words ghosting into the breath between the both of you. "Never lets me."

"What," you rasp, barely recognizing your own voice, your hand heavy on her side - the very real fear that you might tip over a banister because Hyewon's got her heel half-way into the back of your calf and any less bracing would bring you down. Your thoughts are a fog, with her cheek in one hand and your knee already up between her thighs.

"His wife," she almost swallows down, kisses turning chaste because maybe it's just easier to gently peck out her intentions, how she looks to you with dark eyes, heavy-lidded and wanting, a thumb trailing down the plane of your cheek. It'd feel like pity if you weren't thinking exactly the same.

You try to finish it for her:

"She likes it rough."

"No." Her nose traces yours before she connects you again - gentle and slow, and a shudder rolls all down the expanse of her shoulders; you think you have it about right. Until she makes the slightest adjustment and her grip in your hair turns agonizing, perfect and burning on the edge of too tight - too much. You are straining against the wall of a hotel hallway and she's saying, "not rough."

She kisses you. Hard. Until you gasp for the stolen air in her lungs.

"Filthy," she manages against the heat and sting at the side of her cheek.

(Damn.)

Your voice has gone and lodged itself firmly somewhere between her lungs - but there's something that says she knows. That you've got it in you, the brimming potential that might just say everything you ever wanted but couldn't figure the right way to put it.

It's the tone of her voice or the spark in her eyes, but one moment into the next - you're caught in this pull - like gravity's increasing tenfold at her will; her heartbeat's so strong you swear you feel it against your ribs as she's demanding:

"Messy. Dirty. A little uninhibited," and the obvious thrill of that must flare up like lightning under her skin - the way it makes her moan, soft and breathless: "fuck me like my husband doesn't."

She’s not even waiting for the comfort of the room yet, which in hindsight is probably checking more of Hyewon's many boxes - it's the sex in public thing, the fear of discovery thing, the desire to have you ravish her out where anyone can come upon you sort of thing - the thought of which has your jaw go a little slack too. Her leg up is coiled up around your hip, your fingers tangled in her hair and sliding up the length of her thigh, until you're fucking kneading up her ass and drawing out that desperate whine in her.

"Fuck," she exhales into your shoulder - a hand on the metal bannister to brace against those little circles you start to rub inside her, pushing - slowly - one, two, three knuckles deep, testing - before drawing back, and plunging forward again. This ache, slow and purposeful, pressing just enough into her until there's a wet sort of friction that has your hand slick all down your wrist.

It never takes long, with your fingers on her clit, fingers inside her, a palm covering the moans out of her mouth -

She cums just like that.

Whining and broken and bent under you, and with an elbow hard against her ribcage to make the breaths come shallow.

"Stay quiet for me, sweetheart," you find yourself murmuring, as your teeth graze the shell of her ear - the short burst of hair and silky strands across the back of her neck; you're undoing the neat ribbon tied round the length of her hair and letting her waves settle on her shoulder in time for you to swallow down the sound of her sighs, the tension in her lips, and the frantic jolt when your fingers push through the wet, heat of her pussy again, merciless and quick. You have to be careful; she nearly bites your fucking tongue out.

"Can't." Her jaw's tight on it, the slight staccato to her breathing, murmuring and slightly dazed: "if we get caught, someone will see. Someone will notice."

Her next exhale is more shaky. "Anyone could see us like this," with just her toes curling and her stomach tensing on every second beat. Your grip leaves a bruise. "Please-"

"We're not supposed to be doing this at all, are we? If you've got a husband waiting somewhere?"

You hear yourself, and it sounds sorta degenerate, though in all the right ways, you figure, like something straight out of one of Hyewon's romance novels, the dirty, smutty ones that she swears up and down she simply reads for the plot, but the dazed, hazy kind of mood they get her worked up into suggest otherwise.

You trace the rough pad of your thumb over her pussy, this delicate, ghost of a touch. One you'd have to strain to even tell if it was there or not until she whines - eyes screwed shut like she doesn't mean to, just does. The sound of it bouncing around the stairwell.

And then, all this wet: her skirt's ridden all the way up to her stomach, damp and near-transparent with slick, and you can just imagine the puffy pink between her legs - between her stockings in the afterglow of an orgasm, spent and sensitive and sore and wanting for more. Your eyes linger a little too long -

"I shouldn't let you," she manages, half a moan on it - one of her heels comes up the stair you're standing on and the way Hyewon clings onto you for balance says enough, but still, she demands, with all the strength her throat allows: "make it fast. You're lucky I let you see me like this at all -"

And she cuts off abruptly, looking at you.

(She'll play coy for a while longer. Which, Hyewon being Hyewon, will look like as much an effort as her sprawl out on the bed for you is.)

"The room," you say to her, harshly, "where is it."

"Four more floors."

-

Room 1014 as it turns out is like every other room you've ever been in, each one perhaps a little more identical than the last - except this one has Hyewon sitting in your lap while you get comfortable on the bed, and there's also the way she looks in the mirror above the headboard, the desperation in her stare, right back into the reflection.

"What all," she says, "do you want to do to me?"

This time - no explicit instructions - just an implication. You have to figure it out.

See, the image of her is like every fantasy rolled into one, wearing this thin black bra that has her breasts just about spilling over. They're amazing - the color and shape of her skin. Soft. Cradled between the cups like a godsend, and maybe that's why it drives her a little crazy how good you look biting down the ridge of her breast and flicking your eyes back up to catch her expression.

It has you feeling, if nothing else, a little ‘adventurous,’ too.

Her belly tenses on a heavy sigh and it's one hell of a thing to have Hyewon staring you down, like you're an animal or an idiot, with her eyes flashing and a thinly veiled anger in the purse of her lips. There's a thousand things she'd like to do to you - for you to do to her - but it's about the predicament: the silk necktie she'd pulled off you as you both stumbled through the door has ended up around her wrists, pinning her arms behind her back in a way that suggests a loss of control. Just the mere suggestion of a little playacting, but she's almost keening.

You feel the touch of her right calf keep rising - curving down your waist, hooked behind the small of your back - her thighs smooth, and a hot line along your sides.

"I should fuck that pretty mouth of yours," you say against the shell of her ear, because you know better than anyone, the very concept gets her wet. Uncomfortably so.

And she leans her head against your temple like she'd love it. You could be imagining the little whimper as she clenches up round nothing - until a growl escapes the back of her throat and she's saying -

"Is that how you're going to cum? With me on my knees and nothing else? Cover my pretty face? How you’ll completely ruin me?. You’re more creative than that."

“I don’t know that I am.”

Her hips move to find some friction where there isn't any until you give her some, pulling your cock out through your pants and feeling it brush, once, twice against the seam of her. Hot, and hard. Ready. And if she only tried a little, the angle was made perfectly to slot your head in, but neither of you move. She doesn't yield.

"Let me fuck myself on you," she suggests, strained, almost pleading. "Then perhaps I will."

You could take her like she is. Any which way. But this is about getting a particular reaction - one that'll leave her spent and trembling - and nothing like that will happen without a little bit of preparation and prelude. You want to watch her writhe for hours. Until she forgets she's playing a character at all, until she's panting your name and whimpering for release, her cheeks burning.

But at least it gets her writhing on you, the heat and press of her body as she leans in close, your eyes locking:

"Get your cock inside me-" the urgency in her voice. "-fuck me right now, this second-"

"Say it again."

"Fill me with your perfect cock." The words land right on your lips, frayed at the edges as the tether to her control slips another notch. "Push my thighs apart until you break me," Hyewon tells you - and then with her legs twisted up in the comforter, the creaking mattress and the sweat on the sheets: she rolls her hips like they're pleading for it.

"Pushy."

"Gentle's got no appeal for us."

"Apparently not," you reply - but then it's suddenly a lot easier, to slide one hand in Hyewon's hair, and grip at the knotted silk wrapped tight 'round her wrists to hold her. There's no hiding the subtle arching of her spine, how the pressure off her arms pulls her chest in or makes it all the more comfortable, she doesn't let on, she'll probably keep pretending she doesn't like this, that she hasn't always wanted -

You run your tongue over her collarbone and thrust up inside her, once - a warning that you're not giving in to her quite yet.

The smile that runs her lips is brittle. Like her patience isn't what it used to be - she makes a quiet little noise, pained. A flash of discomfort. But there's a moan and a curse out of her:

"Like that. Harder."

"What does harder mean?" you ask, with a deliberate repetition in motion, thrusting upward, forcing her hips to shift a few degrees further back - her knees clenching around the sheets as you're met with no give - Hyewon's resistance through a dark smile, and her grip slackened in her hands, despite you keeping a fist wound tight in the hair on the back of her head, tightening the other around her restraint.

Her throat flinches: this shudder.

She takes a couple heaving, open-mouthed breaths, before she has it in her to glare at you again.

"Harder-" The way her mouth shapes around the word gets the better of you - cute little cupid's bow in pink, full and swollen and pursed up as if in pain. Or desire. Or both, the way her head is tipped back, hair half undone - an idea is already coiling at the back of your mind. "-until I can't stand."

"Or talk?"

And when your hand loosens on her wrists, her posture slumps like it's relief, that you're finally going to move along in a direction she's getting some satisfaction from -

Hyewon shakes her head in a moment that's almost blissed.

"You," her voice breaks on the tail end, "fucking wish you could shut me up that easily -"

In a motion almost gentle, you twist the length of hair down around her, from her scalp to her jaw, and wrap it around a hand. "Let's see if you'll change your mind, shall we."

There's a sharp draw of air in past her lips, just one sound, not a word. No proper rebuttal. She bites down, teeth clicking.

So you pull.

And this isn't some revelation, that Hyewon's cunt is heaven. Slick and tight, the fit around your cock and the gasp escaping the base of her throat - that isn't new. You've been here countless times, fucked her past her breaking point, beyond what should reasonably satisfy her or satisfy you, but that still doesn't take away from this incredible, heady rush that pulses through your entire body. It never stops getting better, not inch-after-fucking-inch the way you're bottoming out inside Hyewon's body and feel how hard the rest of her muscles tense up in the contact, how her pussy tightens and quivers, and grips around the entirety of your cock, the briefest taste of pleasure and release before it's pulled back just out of her reach - overstimulated, until Hyewon cries out.

You expect, predict the fight, the whimpers that spill out of her mouth with every slap of your skin and the breathless way she begs, pleads, like she'd rather her pride take it from her than have your fingers tug her hair up, right out of her scalp, with your arm locked around her lower waist. With your cock pumping faster, faster and a pressure, hot and inescapable, right there - the friction building - the slippery-wet heat sliding along your shaft with every stroke until you bottom out and her next exhale is a sob.

A goddamn fucking sob and the warm gush of liquid down her thighs - all on you. You fingers are pressed into her ass, pulling onto you, steading her bounce - and Hyewon finds her breathing uneven, as you smear wet across the curve of her backside, rubbing circles into her lower back as you catch up on the rhythm she'd lost.

"This tight little cunt, huh," you tease, and she nods so desperately it seems like she might snap. Like she might cry again and this time for real, a drop of her eye color past the blush, streaking down her cheek. You have the wherewithal to remember your character, your blocking, your lines: "this is what your husband won't do? Won't fuck you on every piece of furniture until you're a ruined fucked-out mess? Doesn't have the decency to work over his little slutty-wife until she's passed out, dripping with cum?"

Hyewon's fingers curl up into two balls of white knuckles and she chokes on her reply. "He won't."

"Tell him. He has a hot and dirty little piece of ass right under his own roof-"

"You think," and the string of words trails off when you manage to grind in, at this angle that has her reeling, trembling at every shift and jerk in momentum. Your knuckles drag against her soft and giving curves, almost gripping at her in the attempt to hold her down on you. "-my husband isn't enough."

"Well you wanted me to fuck the domestic housewife out of you," you murmur, taking two greedy handfuls of the ass bouncing in your lap, rubbing your palms along her hips, up and around the shape of her abdomen and her ribcage like you'd map it, memorize it. She wants this, you know this: your palms come around and over and brush your thumbs against her rising gooseflesh - she's putty in your hands. "No strings attached, remember, a one night kind of thing-"

"My husband loves me."

"Then it seems-"

"He makes me cum with his hands alone."

Your jaw works tight - Hyewon's cunt feels as good wrapped around you as she says your cock feels making a mess of it.

"Tells me he'd die happy hearing me moan his name."

"Oh, because no matter where he goes," you say, fingers wrapping under and around the back of her neck, forcing her to look you in the eye, "no matter what, your sweet cunt's the only one his mouth is ever watering for, isn't that right-"

A blink, lashes thick and feathering down and over the pools of her pupils as you have a hold of her tight. 

You're having a hard time with this, and you want to give it to her, the toe-curling-crescendo that would see her cumming at your will, or worse, losing the plot completely and your entire setup falling away from the charade of characters you'd both conjured. But she looks at you like she's never loved anyone like she loves you, the naked, barefaced devotion, the tenderness - a quick breath, a second - and the game is suddenly something far more personal, a truth. It isn't exactly fair: how your heart stutters. How much her heartbeat makes your pulse flutter, the electrifying rush you get when you fuck roughly up into her tight, wet cunt and make her bite down on nothing in the throes another orgasm.

You barely have a second to think of something coherent, let alone an out before she kisses you. If that isn’t totally disarming. So you move her into the next, flipping her onto her stomach, and she does nothing to fight back: Hyewon just lies there - the side of her face plastered to the comforter - exhausted, and gives a willing, malleable moan at the contact where your hand digs into the shape of her upper thighs, spreading them out as her elbows struggle behind her back.

"Here, baby," you say, finally unwinding the silk knot between her wrists, "I'll have you like the little desperate fucktoy you really are."

There's the bite to her bottom lip, the whole five seconds it takes for her hands to spread out and twist her fingers tight in the bedspread, before she whines - full-throated - and rocks back onto her toes to arch her back.

(See, the thing: Hyewon likes being fucked within an inch of her life. On all fours and pleading for more.)

With your free hand, you reach around her to run over her inner thighs.

Hyewon brings her grip to the bottom of the bed frame, for purchase, or leverage, you don't know, and in one simple motion, you slip your cock back deep inside her pussy.

You curse under your breath.

Hyewon fucking collapses.

It's a dangerous combination, having her begging and you nearly fully clothed while she's wearing barely more than this thin strip of black silk around her waist and a stocking on one leg, but you can't help it - she looks good this way.

"Fuck," she spits out, voice lost when your hips find hers in this wet, sloppy crash of skin that gets louder, faster and more punishing on each beat. "Like that, oh my God-"

Her whimpering only gets worse - when you start only pulling out halfway, until she's gasping like she can't breathe. You think there isn't a more wonderful, more obscene, more gorgeous thing than Hyewon spread out in front of you - the curve of her spine defining each and every one of the lines, dips, and rises of her body - and you would thank God or some higher deity right about now.

It’s fuck and please and every other little pliant utterance of “fuck my brains out, use me, make me beg, I'm so turned on right now I'll let you fuck me anyway you want - harder, faster, I can do whatever, just show me how, make me, push and fuck me hard until I'm raw and aching - god - like this, let me cum, please, let me - keep fucking going, oh my god, please, like this, fuck, just like this-"

You do thank God, actually - there's mirrors everywhere in this room, and you can catch the circular swing of her tits every time you force a curse and a sigh out of her: the bared teeth and the effort to push herself back on her arms, bracing for every thrust, fighting and fumbling to keep her balance and to make sure you have to pound her into the mattress until her cries reach a pitch.

Then, the thing you'd learned she'd never ask for but oh-so-dearly-wanted - you open your palm and bring it down hard on her backside. The impact of your flesh to hers, a crack, a moan and her whole body flexes - and it's then you do it again: matching the hit to the visible red outline of your handprint. The third time, she hisses, biting into the bed sheets so as not to cry out.

"Right? This is what you want? To be fucked and used?"

She doesn't reply with words, because she may in fact be biting her teeth into the cotton threadcount at the end of the bed, but she lifts her ass higher, angles her hips like she's waiting for more. Her brow is creased in a smile, even though a frustrated groan escapes her lips - so you give her that again, and again, until the back of her thighs are turning red and she's clawing one hand back along the length of your legs - pushing and pulling.

"You want me to fuck you senseless, sweetheart?"

And then, so needy and desperate she's just saying the first word that come to mind:

"More-"

"-when I've been railing into you so hard and your husband probably knows already, has to have seen, maybe he's listening at the door- oh," and your whole train of thought comes to a sudden halt upon seeing Hyewon's hand land on the perfect round of her ass, fingers pulling her soft, reddening skin taut, up and away from where your cock is disappearing between her cheeks - to allow more of your shaft into her hot, wet cunt - allow you to fuck her and fuck her up - allow the length of your shaft to slide deeper and hit all the spots that will send her reeling into this orgasm and the next.

Your gaze is stuck however, not to her curves rippling in excess, the damage of your thrusts pounding her body to ruin, or the look of flawless pleasure twisting up the pretty features of Hyewon's reflection, but instead it's the fucking flash and catch of the diamond that adorns her fourth finger. Even when you have her completely helpless, bent on your mercy, she's still wearing that promise, that intention to have and to hold, and you think, for at least a second, this whole roleplay thing isn't the worst idea: being a surrogate to fulfill someone's wildest fantasies. It might even be enough to make you hard all over again - the thrill and the debasement of your girl, lines quickly blurring between the Hyewon you'll take home and put back together and the Hyewon you're fucking pouding into a mattress - the here and now.

"Fuck, Hyewon," you find yourself swearing - steadying the hips rolling back in your palms, bending down until the flat of your chest meets her back, until your nose is in her hair, the long strands sticking to her lips and the back of her ears. Until you feel her shaking as you suckle against her skin, at her neck, hot kisses between the shoulder blades, finding a grip in her hands. Her grip in yours - as she's muffling these exquisite, needy sounds; she is perfect. Hyewon is perfect.

The first time you cum, it's this hot splatter of white: smeared across her ass and the crease of her lower back. It feels almost dirty to think that's just how you feel about it; your heart is stuttering in its erratic pace, but your eyes are drawn and enraptured, the sight of it all.

Then second, maybe your favorite: when she slips her hand to your aching shaft and simply takes you back inside her. This soft, wet, inviting heat that pulls you back to her.

"God- please," her head tips back, you feel the arch of her back through her ribs and stomach, the way her breath catches as you slide your cock through her creamed-out-cunt so much harder and smoother. "It feels so fucking good, baby," and there are tears now, welling in the corner of her eyes, "don't stop, God don't ever stop-"

She can barely finish her sentence before she's cut off, a moan ripped from the bottom of her lungs and a gasp straight from the pain-pleasure that has your balls slapping against her pussy every other stroke. And suddenly she's sitting, or rather, squirming into your arms, her face buried in your shoulders as she starts riding you, and not-quite crying and saying again - again, the whole filthy lot of things: about her wanting you to fill her, to plug her up with your cock. Every thrust she whines in your ears, clutching onto the fabric of your shirt and making a mess of herself in you.

It's this wild and reckless thing that makes its way around the room, on every surface and bit of furniture. You fuck her over the counter, let her ride you on the sofa, the chair, the two of you managing to find some sort of assistance in the wall even, the door frame, her legs up your sides and the slippery-sticky-heat of your mouths connecting and everything that isn't exactly meant to support that kind of strain buckling and nearly giving way - once when the wooden joints in the door-frame shift, once when she begs for release in that frantic voice that doesn't sound a thing like her. And the way she comes apart under you after, on top of you - is even sweeter; you imagine there's this endless possibility for love, for pleasure, a whole world in bundled in the notion that you could do it for her again, that it was always a question of Hyewon letting you have her that way, and the rest was mere foreplay - a stretch.

Only, on the bed again, Hyewon shivers beneath you, this full-body response, and you've got her stretched as she opens up - that the slightest of movements has her already whimpering out "fuck," and "please," and "right there," and "fuck you're going to make me come like this. You're so good, just fucking," and "more, harder, please, you feel so fucking good-"

The desperation for release is so palpable in her that it's curling into your stomach as your press Hyewon's knees into the points and edges of her shoulders and fold in her half - this perfect angle of leverage. Fucking her like she's yours and no one else's - the absolute delight of her cunt, wet, hot, and desperate to milk you empty - her body quaking at the force of each thrust, and the hungry grind of your hips into hers. Her fingers digging and knotting in the sheets around you until her knuckles pale, and your own grasp on her skin threatens to bruise.

"Inside me," she gasps out, because she can feel that edge just as well as you, "I want you to fill me, just cum inside, God, you always feel so amazing, fuck, like that, cum inside me, cum in me-"

"How could I say no, especially when you ask so sweetly," you tell her, kissing into her smile, "can you take another? Baby, look at me, look into my eyes, yeah? Look right back at me."

Her eyes blink and roll back a bit, almost losing focus and her eyelashes flutter - the creases in her brow, the elegant lines of her face locking up in the overwhelming tension, then, a peak.

And a demand, meekly asking you to fill her up. Until there's nothing left. "Cum," Hyewon moans, "for the love of fuck-"

You push her past her climax until she's practically weeping, sobbing through a litany of nonsense and slurred, unfinished sentences and almost howls, struggling beneath your weight and coaxing her fingers over the surge at the base of your spine. Before a hot liquid mess bursts out of you, into the deepest reach of Hyewon's throbbing cunt - cumming inside her, while you hold her down, not allowing her to move as your hips lock and you're both left groaning in utter agony.

(This was the thing you'd told her once - cumming inside her was almost always worth the effort it took to clean it all back out. You like the possessive aspect of it, maybe the slight humiliation, and more than anything, she'll just melt: once she's gone past the immediate discomfort. If anyone could really learn to get off on feeling a little filthy, it's the two of you. And she knows that too, Hyewon's eager little pout intimates, as she blinks down to watch where the two of you connect.)

You don't say much for the next while. If there's a line where this particular escapade blends back into your normal life, where the Hyewon curled up in the sheets is your own girl and not some half-conceived entity that didn't fit the reality of the rest of the evening, or how you see Hyewon everyday, even then, it’s not clear.

She's utterly boneless - this fragile, dazed thing that runs her palms all the way around her breasts and pulls up her stockings a little further up the line of her hips, as if you weren't going to peel them back and slip them all the way off when you had the wherewithal to handle it. But the strength in her isn't entirely lost either, she looks ready to burst: this air of pride and smugness - victory, right in her grin, which isn't totally surprising. Hyewon usually gets an odd satisfaction out of your participation in whatever hedonistic or obscene thing it is she wants to try.

This was her fantasy - maybe not a deeply rooted or unattainable one, but she'd worked out some kinks of hers and has walked away a far better woman for it, knowing what a sight she is to you. Like this.

"That was... fun," Hyewon eventually says, collecting articles of clothing strewn about the room.

Her shoes are one of two sets in the shoe-rack, but she'll have to look around and under the bed to find her dress. It would probably be some strange level of easy to play dumb and wait until she comes to the conclusion on her own that she should bend down and check down there, but she looks a little too worn out to really be interested in her clothes, more like, ready for the next part.

"We should do it again," her gaze lands, intent, and serious, back to you.

"Which part?" you have to ask, because you're probably still, a little slow on the uptake.

A small laugh, the sly smirk to herself; she knows she has you wrapped so perfectly around her finger, ready to bend to whatever game she can come up with: "whichever part you like."

[batmanisagatewaydrug]

would you like to tell us about your research on virginity?

but also...wdym STIs aren't as scary as we think??? I was told most of them are incurable? I know you can make aids untrasmittable and that they've even succeded in curing it a couple times but that's about it. I would love to be educated about this

yeah, the basic idea with the virginity project was that the whole concept of virginity is pretty bullshit in the context in which it was initially significant, namely cisgender women being penetrated by cisgender men, so as soon as you take it outside of that context by introducing gay and trans sexuality it totally falls apart. I mean, hell, it stops working if you even look at two cishet people doing literally anything OTHER than penis-in-vagina sex. I tripped up so many people initially when I started asking questions like "okay, so you don't think a woman loses her virginity from a man going down on her. so what if it's two women? what's the difference?" and just really getting people to face down their very penis-centered view of the sex, to the result of several people telling me that it kind of made them reevaluate what they actually think of as the first time they had sex. it's also fascinating to either read other people's accounts or discuss firsthand how queer people have either tried to make themselves fit into the binary of virginity - queer man disagreeing over whether or not you have to have penetrative anal sex to lose your virginity or oral sex is sufficient, a fascinating case of a lesbian who felt that have sex with other cis women didn't "count" and asked a cis male friend to have sex with her just so she could feel satisfied that she'd lost her virginity - or abandon it entirely. Hanne Blank's book Virgin was a formative starting point, and it really exploded for me from there.

as for the STIs - hey, bad news! you fell victim to the scare tactics used to make people afraid of sex! almost all sexually transmitted infections are very easy to treat and cure with the right medicine, which is why it's important to get tested regularly and check in with your healthcare provider at the first sign of something amiss. pubic lice, scabies, trichomoniasis, gonorrhea, chlamydia, syphilis - all of those are pretty easy to get rid of with some help from your doctor and a run to the pharmacy!

the major exceptions are the 4 H's: herpes, HIV, HPV, and hepatitis B.

herpes is with you forever but is an incredibly mild companion to share your body with, considering most people never experience any notable symptoms and those who do can curb the severity with medicine.

it's also worth noting that herpes is so common as to be virtually ubiquitous; the World Health Organization consistently estimates that somewhere around 80% of the world's adult population is carrying herpes simplex virus 1 or herpes simplex virus 2. a great deal of those people don't even get it from having sex, but rather by catching HSV-1 from a parent or other people they come is close contact with as a child.

you're actually thinking of HIV (human immunodeficiency virus) when you mention AIDS becoming untransmittable, but that's still a very good thing! the care available for people with HIV has come incredibly far since AIDS first became known and claimed so many lives, and today it's more than possible for people infected with HIV to live long, healthy lives by taking the proper medication to manage their viral load.

with management, people with HIV will not develop AIDS (which happens when the immune system is sufficiently depleted by HIV) and by consistently taking their medication people with HIV can become undetectable (the viral load in their body is too small to be detected or measured in tests), at which point they are unable to transmit the virus to other people.

HPV (human paillomavirus) comes in many different strains, most of which are absolutely harmless and go away on their own after a couple of months or years of freeloading in your body. I cannot emphasize this enough: HPV is so common that virtually everyone who has sex has, will have, or has had it in their lives, and the vast, VAST majority of those people will never be troubled by it literally at all.

the trouble comes from a few strains of HPV that can cause genital warts, and a few others that can cause cancers in the throat, anus, cervix, vulva, vagina, and penis. while HPV can't be treated, you can reduce your risk of developing cancer by getting the HPV vaccine if you haven't already and, if you have a cervix, getting regular Pap smears to catch early warning signs of cancerous developments.

hepatitis B is a viral infection that targets the liver. in rare cases it can cause chronic health problems that can be very dangerous, but I have to emphasize that's not common. in most adults who get hep B, there will be no symptoms and it will resolve itself in a matter of weeks. the infection is riskiest in children, but at least in America most people have received vaccines against hepatitis B as babies since the 90s.

in conclusion: get your shots, take your medicine, use protection, get tested, and talk to your doctor, but know that if there's one thing humans are good at it's figuring out how to manage STIs. we've been doing it for a long time - most sexually transmitted infections and parasites have been with us since before we we became modern humans - so we're really good at it!

[meanbossart]

ASK COMPILATION #385032: Shape-shifting genitals, mouth-mashing skillsets, who taps out first in the bedroom and the 17 different types of meat this guy eats.

I TRIED TO MAKE THIS A BIG ONE. Thank you everybody for your patience!

The truth of the matter is that I need one dramatic light-source or I will perish. HOWEVER...

Yeah, they seem the type to leave it purposefully ajar for the thrill of it. As well as the excuse to bring hell down upon anyone caught trying to steal a peek.

YES, actually! I've had the concept for a comic or two that's precisely about interactions they've had while younger. Comics take a lot of work, and there's a LOT of things I want to do, but that is definitely in the plans.

Yes! Or rather, as a shapeshifter, I believe she doesn't bother with them 99% of the time, possibly never, even though she has the habitability to form them if she so wished. The Orin DU drow knew was always doll-like in appearance when nude, and he did not particularly mind it or fantasized about anything different.

I believe this is both a preference in Orin's part (and across many shapeshifters, if I recall correctly) as well as a strategic choice.

And thank you so much!

[MORE BELOW THE CUT]

I don't know, kissing isn't that hard LOL I think they're pretty even-leveled in technique but Astarion is the tonguier one.

ALL IN DUE TIME, MY FRIEND, ALL IN DUE TIME...

Maybe 😊 🤫though I'm not sure how useful his powers would be in that context.

That said, Indeed! The irony of this match isn't lost on anyone. I'm sure Astarion would have some thoughts about the convenience of it.

I know this is more of a jokey message, but I don't think Astarion would be cool with that sort of thing, and DU drow most definitely wouldn't ask 😂

Whatever works, as he would probably say!

Astarion got drunk through DU drow on occasion while he still fed on him, yes LOL I don't care if that makes sense or not, It's a hysterical concept and definitely factual in my canon. To be fair as well, DU drow is a huge man and has to drink a LOT to get properly wasted - so Astarion wouldn't have to consume a whole lot from him to get on a similar level!

Post a few particular post-campaign events, Astarion gets drunk through strangers' blood that were either piss-drunk already or have been fed alcohol forcibly by the pair.

He likes thick stews, braised pork, and meat-pies the most. Don't ask me when or why I've decided this but he likes octupi as a every-once-in-a-while treat - I think he mostly enjoys the experience of eating it more than the taste.

For drinks, he likes beer, red semi-dry wine, and mead the most. He also likes a GOOD whisky - none of the copper-coin garbage they serve at most Inns.

Hi! Incredible question. DU drow can go indefinitely but when he stops he knocks out in record speed. There usually comes a point where Astarion flops over and lets him do all the work.

You know how, shortly after you find out about it, if you tell Astarion that you're frightened of your origins you get that really heartfelt bit of dialogue about how yourself and him are so much alike, and how he feels similarly powerless before Cazador as you do toward your father? Well, I never got that, because DU drow was too busy squinting into the horizon and contemplating the logistics of his conception which prompts Astarion to, essentially, say something along the lines of "Okay, if all you want to do is discuss your dad's cum I'm out"

So, like that.

They didn't smash in the graveyard! I'm hoping to either write a short thing about it, draw something inspired by how the scene went down in my head, or, ideally, both!

That IS kind of a wild comparison but I'm guessing you know about my origins, LOL.

Not... Quite. I'm reluctant to say more because I would like for it to be a surprise that I bring you all through art (even if you can make a pretty accurate deduction based on what has been said so far) but suffice to say that this is the flipside to the Bhaalist DU drow AU.

I don't think I could find the time 😭😭😭 but that's a hysterical idea and I would gladly mash together a bunch of clips if someone else was willing to highlight them!

Hello and thank YOU for humoring me in my nerdy little forays!

I hadn't heard about Model/Actriz but I had a little sneak-peek and, indeed, this might just be right up my alley LOL

It's hard for me to remove these characters from their intended universe so I have a difficult time picturing what they would listen to if the options didn't all sound like string-y bardcore music. I'm sure there are more genres to speak of in DnD lore, I'm just ignorant of them!

That said I do have some thoughts about which of them even enjoy music at all.

REALLY enjoys music: DU drow, Jaheira, Misc, Karlach, Wyll.

Modestly enjoys music: Gale, Shadowheart, Minthara, Halsin.

Generally doesn't enjoy music: Astarion, Lae'zel.

No notes just canonical character information being shared

I forgot what this one was in reference to for a moment and I was so aghast.

I really, really hope you weren't hoping for me to give you work-out advice because both, if you were, you've come to the wrong man.

But if you're just wondering about lore here, I think it's a solid 50/50. I think he's predisposed to a really well-built physique because Daddy Bhaal said so AND he's incredibly active and incidentally does a lot of manual labor. If he's had a few too many sedentary days in a row (which is rare) he pretty much has to tire himself through at-home routines or he goes a little cuckoo-bananas as well.

And thank you for being interested in my little freak!

He's pretty thoroughly desensitized, and thinks far too little of Orcs and half-orcs to be intimidated by them, even when that lack of fear is downright stupid. He's not impervious to fear, however, despite how hard he tries to be - Myrkhul, Grym, the giant Steelwatch, the brain, and even Cazador AFTER he snatched Astarion away were all encounters that made his blood run cold to varying degrees. I think it takes an unfamiliar foe for his sweat to run a little cold.

(Ironically, Raphael had no such effect on him.)

[writingdevil]

Fic idea of Cold learning to be vulnerable

(Yesss I love that. I need that bird to be rattled with the realisation that he Does feel emotions, and I decided to make it burned bridges because I wanna get better at writing them, so enjoy!)

Cold often spent his days bickering and riling the others up, because it was always interesting to see how they would react, without directly involving himself and why he did what he did. There usually wasn't a reason.

But for some reason, Smitten had a problem with it, and would consistently be there to smooth things over when what Cold wanted was a fiery reaction.

He would swoop in, ruin all of Cold's work, and then guide Cold to a much tamer and less fun activity to do, like he was a fledgling in need of supervision.

One day, Cold had tried to get out of it, right when he noticed that Hero looked particularly grouchy today.

"Smitten, leave me be," he ordered the bird, attempting to move around the barricade that Smitten had made with his arms.

Smitten just gave him an apologetic smile and shook his head. "I'm sorry, my friend, but it wouldn't be good to upset Hero of all people, don't you think?"

Cold shrugged. "I've never seen him angry before. Maybe he's got a temper worse than Cheated, and I want to see that."

Smitten completely ignored the dark threat in Cold's voice, merely waving him away with a smile.

Smitten took him by the elbows, and started to direct Cold elsewhere, and despite how soft and passive Smitten may act, his grip on Cold was unbreakable, forcing him to go along to wherever he was being guided to, which was very quickly revealed to be Smitten's bedroom.

Cold sighed as he was pushed inside, grimacing at the amount of flowers in his room and the overwhelming scent of plant that Cold could hardly breathe in.

"There! Now we can do whatever we want in here!" Smitten declared cheerfully, making Cold roll his eyes and turn away from him.

"I wanted to talk to Hero, but you wouldn't let me."

"Because you and I both know that it wouldn't have been a nice chat you would've had with him," Smitten pointed out, and Cold shrugged. "What's the problem with that?"

Smitten sighed deeply, because they've had this conversation many times at this point. "Cold, you know why that's a problem." Smitten put a hand on his elbow that was probably meant to be comforting, but Cold just didn't want the softness of it.

"It may seem like harmless fun to you, but the others get genuinely upset and frustrated when you poke at them that way."

"So?"

"So," Smitten continued pointedly, "the others do not appreciate you making them feel such a way, and it would make it easier to live with them if you refrained from doing that."

"Why should I care about how they feel?"

Smitten stammered on the spot at Cold's callousness, feathers puffing up in disbelief, before he sliced an arm through the air and exclaimed, "Well how would you feel if somebody forced you to confront you at your most vulnerable?"

Cold's eyes widened, and Smitten's face fell to shock at what he had just said.

Cold wasn't exactly known for being vulnerable.

Smitten took a deep breath in, and his voice was much more calm and collected now as he said, "Forgive me, I didn't mean to be that harsh, but I still stand by my words."

"Really?" Cold said, a hint of surprise in his tone. Smitten nodded, gazing at Cold gently, as if Cold wanted that.

"Allowing yourself to be vulnerable is a sign of weakness," Cold stated, and although Smitten winced at his words, he didn't interrupt him. "Anything and everything can make you crumble, make you susceptible to any threats- being numb is just the right way to live."

Cold didn't want to discuss this anymore, so he immediately moved past Smitten to the door, but then Smitten's voice made him abruptly stop in his tracks as he asked, "But what happens when you've exhausted all your other options?"

Cold paused, but he didn't want to give Smitten the satisfaction of asking for elaboration. Thankfully, Smitten didn't make him wait for long.

"What happens when you've pushed everyone away to satiate your numbness? What will you have left other than your own chilly core, and all that you choose to ignore? You'll have to face yourself at some point, my dear."

Cold clenched his fists, then immediately released them once he realised what he was doing, and instead turned around to give Smitten a dull look.

"What are you saying, hm?"

"I'm saying that you could learn a thing or two from being vulnerable every once in a while, because one day, all you'll have left is yourself and you won't know how to handle it."

Cold never really considered that his behaviour could drive his flockmates away, but the possibility of Cold being alone with nothing but his thoughts was a harrowing concept. Even worse than the prospect of actually feeling something he didn't want to.

But then there was Smitten, walking up to him with nothing but fondness in his eyes, offering his hands to Cold. "Opening yourself up to others isn't always a bad thing, dear. In fact, it can make people understand you more, and them to you."

If they understood Cold, then they could tolerate him, was the unspoken reason between Smitten's gentle words. Cold doubted that he'd ever need to actually let something into his heart one day, but the thought of seeing how it would affect him was just strong enough to give it a try- and it definitely wasn't because of the pleading look Smitten was giving him.

Cold sighed, and watched as Smitten brightened up. "Would you have me spill my guts about anything?" he asked, and Smitten shook his head. "Oh no no, that's much too intense for you right now."

Smitten hummed in thought, pacing up and down his room, briefly glancing at Cold every now and then, and Cold just stood there and allowed Smitten to do whatever it was he was doing.

Eventually, Smitten stopped, tilting his head to the side with a knowing smile. "I assume intimacy is something you don't indulge in often?"

"If I did, I would be you." Smitten laughed even though Cold wasn't joking, and reached out to take his hands. "Well then, we'll start there-and we'll take it slow, as to not overwhelm you."

"I don't mind if you overwhelm me."

"Well I do," Smitten argued, and Cold blinked at the conviction in his voice, but didn't have time to dwell on it as Smitten gently tugged him closer, right up until their chest feathers were touching.

Smitten smiled up at him warmly. "How does this feel?"

It felt dumb. It felt like a waste of time, just standing there holding hands-what was that supposed to accomplish? If anything, Cold was beginning to feel itchy from their feathers touching.

"It feels pointless," Cold replied, and Smitten lightly squeezed his hands and said, "Yes, but does this feel alright for you, or would you like to do something else?"

"What else would we do that's tame by your standards?"

"You tell me. I can't predict your vulnerability."

Cold rolled his eyes, but tried to think of things he wouldn't want to do. What did Smitten do a lot? He kissed people on the cheeks, he made dramatic declarations every other day, he danced in the air-

Wait. "I suppose dancing is a form of intimacy."

Smitten's face brightened at Cold's response, and Smitten started to bounce on the spot. "Yes! Dancing is such a beautiful art of love and trust between two people! Whether it be a fast paced tango or-"

"I don't have the energy for that," Cold interjected, but Smitten didn't deflate like he expected him to, instead meeting his bored stare with fiery determination, tugging him just that little bit closer, making Cold's breath hitch, and he desperately hoped that Smitten hadn't noticed.

"A slow dance it is," Smitten softly said, wrapping an arm around Cold's waist, the other guiding Cold's hands to around Smitten's neck, to which he loosely wrapped them.

Cold sighed, making sure the cold air hit Smitten in the face, but it did nothing to stop Smitten from softly swaying them from side to side.

It had barely been a minute, but Cold was already done with this whole thing. Smitten started humming a tune for them to dance to, but it didn't make the experience any better for Cold.

"Dancing is such a useless act," Cold complained, if only to break the silence in the room. "You just move your body left and right until you're out of breath. What's exciting about that?"

Smitten shushed him, closing his eyes and resting his head against Cold's chest, who tried very hard not to stiffen at the contact. It didn't matter. Cold didn't care what way Smitten touched him, or how close he got to him.

"Don't focus on how exciting the dancing is," Smitten mumbled, "focus on how the dancing makes you feel." Cold sighed, but obliged.

He took a deep breath in, and focused on the slow dancing that Smitten was guiding them through. The swaying wasn't exactly spectacular or interesting, but the way that Smitten was brushing his hands over Cold's lower back was.

When he realised that, suddenly the close proximity was beginning to make his head spin.

He gulped, only now feeling the warmth of their bodies pressed together, the way the swaying was lulling his mind into a fuzzy, relaxed state, making him want to rest his own head against Smitten's. It scared him. How was something this insignificant making a tightness form in his chest?

He squeezed the back of Smitten's neck to get his attention, and when Smitten looked up, he tried to keep his voice as level as possible as he said, "This isn't working. Try something else."

Smitten's eyes narrowed at him playfully, and there was a sudden rush of fear of Smitten seeing right through him. Why should Cold care, though? Why did the idea of Smitten being able to reduce him to a trembling mess, with only a few words or touches, both excite and terrify him? He couldn't be that afraid of intimacy, right?

Something wicked sparkled in Smitten's eyes as he whispered, "Would you like me to make you truly vulnerable right now?"

"Yes." The answer was instant.

The next thing Cold knew, Smitten had dipped him, leaving Cold to claw and grab at his shoulders for support- and then Smitten brought their lips together.

Cold hadn't known what kissing would feel like, but he hadn't been expecting this.

Cold's body shook from the new sensation, having no idea how to handle it, and honestly, Cold's brain was having a hard time understanding it as well, turning to an incoherent mess the moment their lips met.

Smitten was firm yet soft, kissing him with enough passion to make him dizzy, but not enough to have Cold flailing to keep up. Smitten was holding back, he could tell.

Cold could do nothing but grip him tight and make quiet, but mortifying noises that Smitten kept grinning at while they kissed.

Cold wanted more.

He wasn't sure why his body was suddenly starving for this, but it was, and it wouldn't be satisfied anytime soon.

He tried to get Smitten to be more aggressive and rough, licking his bottom lip for permission, and Smitten hummed in amusement-and that really shouldn't of sent such a shiver down Cold's spine- before Smitten bit his lip teasingly-and then pulled away.

Cold gasped, both from shock and the lack of oxygen. Smitten pulled away just enough to smile at him playfully, and it felt like that smile was setting Cold on fire. The way that smile was making him feel was maddening, and Cold wasn't sure whether he loved it or hated it.

The warmth of their bodies. The way Smitten managed to send Cold's head spinning with just some swaying and relatively light kissing? Was this what being vulnerable did to someone? Was this how it felt to confront the things you were scared of?

Smitten chuckled, and Cold wanted to hear it forever if Smitten let him, and pulled Cold more flush against him. "Well? How was that for-"

Cold, breathless and terrified, just pulled him down into another desperate kiss.

[guppybibi]

Tattoo artist!Johnny who had already met you a year ago when you made an impulsive decision of getting a tattoo with your current boyfriend's name.

This was nothing new for Johnny having seen this numerous times before, in both men and women, and he knows they'll come crawling back to get them covered up after a nasty breakup. It's been a running game in the shop, all of the workers betting their money on how long it'll take before the customer comes back to cover up the tattoo.

Nothing new, right? Then why was Johnny so surprised when he saw you walk into the shop, the door chimes ringing when you swing the door open to reveal you. Eyes still red and puffy while you sniffled, not doing a very good job on hiding the fact you had been crying. His coworkers shot him a knowing look, recalling the bet from last year.

"Pretty thing, ain't she?" One of Johnny's coworkers commented, looking at the back of your figure as you stepped out of the shop with a huge grin on your face. Probably excited to show the tattoo of your boyfriend's name to him.

"Yeah, too bad she's taken. Lucky man better be treatin' her right." Johnny remarks, noticing the look he was given. "Not for long, I bet. I'm giving them a year max." Johnny blinks once, then again. "Fine, I'm giving them five years." Of course, his coworker was pretty shocked from that. Out of all the people they've bet on, this was probably the longest bet Johnny had ever put.

"Seriously? Don't ya think that's too long?" His coworker asks skeptically, raising a brow at Johnny. "Aye, the gal is lovely. If her boyfriend drops her then that's like committing a war crime." Well, his coworker couldn't really disagree with him on that.

Johnny shoots his coworker a glare that simply said he had more important matters to attend to. Luckily, Johnny was a charmer so cooing a birdie like you into comfort shouldn't be that hard, right?

I mean, it's a break up, not exactly the end of the world here. Plus, you're a gorgeous gal, plenty of fish out there you could probably catch in less than an hour.

"Morning, lass! Welcome back, I see that you've got a little problem, huh?" He points out, seeing you nod subtly. "Alright, I'm assuming it's a cover up for the tattoo you got done a year ago?"

He clearly wasn't surprised when you nodded, having seen this too many times before. He wrote down some stuff, not caring about the paperwork much..before leading you further into the parlor.

The two of you discussed how you wanted the previous tattoo to get covered up, Johnny nudging in to suggest some stylistic choices a few times, which you gladly didn't mind.

Then began the process once you agreed with the design choice, you wanted to get this over with. To remove a past mistake from your life.

Johnny cleansed your skin, disinfecting it with a cold gel. He could see you squirming and struggling not to make a sound. He also does notice another tattoo covered up above your previous tattoo, curiosity swirling around in his mind now.

He tried hushing it, it wasn't any of his business. He's here to do his job, nothing else.

He was quiet for most of the process, aside from some rather awkward small talk about the weather and a few details of what happened between you and your boyfriend. Not that it helped, it really just made Johnny even more curious.

And finally, after who knows how long, the tattoo was covered up now! You seemed to have gotten rid of the nerves from earlier, looking a lot more calmer now.

"Alright, lass. I'm sure y'know how the caring process goes so I'll leave it up to ye." He said, cleaning up all his materials in a snap. He gives in to his curiosity, finding the courage in him to ask you about the other covered up tattoo.

"Uh..before you go lass, mind if I ask ye somethin'? It's about the other tattoo you got 'ere.." You immediately knew which one he was referring to, face reddening in embarrassment as you recalled the immature decision..

"Aah..sure, go ahead." You replied awkwardly, a sheepish smile gracing your face. "Thanks, lass. Mind if ye tell me what was written on there? I- I just noticed that the way it was covered up. The artist did a great job, I'm jealous."

Yeah okay he was just making excuses to get things flowing..never mind that.

"Oo..oh! I don't mind at all, don't worry. That's all in the past..can't really reverse it, you know? It was my ex-boyfriend's name." You answer, shrugging it off. Seems like you were the type of gal to move on from a relationship quick.

"I see, glad you were willing to share that. I wonder if I know who he is." He chuckles, evidently not expecting you to actually tell him who it was. Sure, Johnny was the type to encourage people to loosen up and get comfortable. But..maybe not to this extent.

"His name was Simon, Simon Riley—" And practically everything you said after that was unheard of.

Looks like Johnny needs to pay Simon a visit at the pub tonight.

[danielwaldorf]

observations from grading hundreds of american college students' discussion posts and essays about film

before i get into this i want to be SO clear that this is not meant to be a "kids these days" thing, but more a commentary on the contemporary media landscape and the impacts of new media on young people's consumption habits. i think that young people's expectations of film are primarily a reflection of how they've been taught to watch and process film.

also, i teach intro, so these are not necessarily film or even humanities majors. many of my students are in computer science, engineering, etc. okay yay let's go <3

most american college students have quite literally Never seen a single movie that was not in english, and are very resistant to reading subtitles.

i've had multiple students comment that non-english language films which require them to read subtitles force them to actually look at the screen, which makes them notice more details in the film. they are not accustomed to actually Watching films, and doing so is novel to them. they're used to just turning things on in the background before doing other tasks/scrolling on their phones.

students frequently comment upon whether or not a film was able to hold their attention, and many consider it a failing of the film itself if not. many students also lose interest when they are confused or uncertain about what is happening in a movie, rather than becoming more invested or intrigued.

some do note that they have short attention spans, and will clearly state that they do not watch or enjoy many movies because of this.

things which students see as inherently boring include black and white films, silent films, non-English-language films, and films more than twenty years old. many students were shocked when they enjoyed a film within any of the aforementioned categories.

a lot of students will see all of the pieces of the puzzle, but struggle to put them together. for example: they will note that a detective character seems to care more about pinning a crime on somebody than they care about actually solving it, that the detective is bad at their job, that the detective brutalizes suspects, but they will not quite reach the conclusion that the film is doing these things intentionally. rather than concluding that the film is criticizing the police, they will be upset that the character is so awful.

one student insisted that mad max: fury road is a deeply misogynistic film because the women were treated as objects and wore skimpy clothes. the fact that the entire plot of the film is about said women asserting their personhood and overthrowing the patriarchal order to establish a more egalitarian and empathetic matriarchy was not relevant to her; what mattered was how they looked, and no amount of explanation could change her mind. i don't really have a clear theory of what was going on here, but i wanted to share it because it feels. poignant. in a way i cannot articulate.

many students see "old" films as inherently worse than contemporary films. they will often say things like, "the movie was really good for something from the fifties."

a lot of people have never heard of alfred hitchcock. i don't rly have a take on this it just stunned me.

and this last one isn't necessarily film-specific, but i do think it's relevant to discussing media literacy and the quality of k-12 + STEM-focused university education: so many students do not know how to format a paper, and do not know how/do not think to look up a style guide or even consult the syllabus or assignment sheet.

students often add additional spaces between paragraphs, and/or use 1.15 pt. spacing rather than double spacing their papers. they'll use calibri or arial rather than times new roman, in 11 pt. font rather than 12. they'll write out their thesis separately from their paragraphs, or not write in paragraphs at all, instead writing something that looks closer to stream-of-consciousness bullet-point notes.

it seems to me that many students somehow make it through high school and into university without ever learning how to write a paper. what really concerns me however is the fact that this information is extremely available to them; in the class syllabus, on their assignment sheet, even if you just google how to write a paper. i'm no expert in education and i don't want to be alarmist, but i do think that there is a concerning lack of curiosity and care in many students, primarily those studying in STEM fields. part of this is just the fact that many of my students are used to writing lab reports and this is a different sort of writing, but the lack of flexibility and ability to engage with other subjects is very sad to me.

plenty of my students are curious and read the syllabus and pay attention to the films and know how to write! but the number of those who struggle to formulate a coherent paragraph, let alone paper, who cannot identify basic themes, indicates to me that young people are seriously suffering from shortened attention spans, the lack of popular non-english language film and television in american culture, and the proliferation of "second-screen" streaming content designed to be "viewed" by audiences who are not paying attention.

i don't have a remedy for this. i don't totally know why i'm typing this all out, except that my tenure as a teaching assistant is coming to an end and i felt an irrepressible urge to reflect upon the experience. idk i suppose i hope this will be interesting to somebody. if you made it this far, thank you and i hope you're well <3

[truuskn]

the transformers uk, #42-44

a confrontation between close friends

part 1: prowl and jazz

first i would like to make a note of the fact that prowl is written preeetty out of character in this story. but i won't focus on that because even such atypical (for marvel prowl) behaviour can be easily justified and even organically woven into the narrative. this arc actually gives depth to this version of prowl, we can see - no matter how endlessly compassionate, noble, benevolent this guy is, even he has a dark side, even he makes mistakes, even he has a lot of cruelty deep in his soul. no one's truly perfect

there's a rift in the autobot ranks. and prowl is the cause of it. he's openly conflicted, he doesn't hesitate to express fierce displeasure and anger, he rallies people around him, he doesn't let the subject go, even when optimus puts a stop to the discussion. a wild episode of defiance for prowl. caused by a trivial moment of weakness. he's so tired. so tired of the grueling pointless battles and eternal losses. and he's not the only one! he and many others realize, they cannot keep ignoring harsh reality - they're in a dangerous position. if they don't act decisively and firmly, they're gonna lose. it is time for a change, it is time to put an end to this war and the decepticon menace, they have a chance to finish it all and they should take it, before it's too late

but optimus is too afraid to see the truth. he’s hesitating, missing the opportunity to stop this conflict once and for all, not understanding that his insecurity is dooming his people to pain and suffering, leading them to their deaths. don't get it wrong, prowl realize why prime is so uncertain, god, he's not heartless. he knows exactly what he's offering, he knows he's asking too much, he knows he’s suggesting to go against all their ideals and believes, so close, so important to his own self, he knows he’s unjust and merciless, but he acts from the finest intentions! he's just trying to save what they have left. everything he does, he does for his people. at least that's his main excuse. but no matter how sure he is of his rightness, no matter how much he tries to justify himself, his conscience cannot be silenced. in the future prowl will deeply regret that he ever had the nerve to propose such a disgusting notion to his prime, he will see how wrong he was, he will be horrified that he went against all his principles, against everything he fought for, against optimus, jazz, his friends and against this fragile, innocent planet. but that time has not come yet. and for this moment he allows himself to believe that they've reached a point in their history where the ends justify the means

and jazz… completely disagrees with him. it is simply doesn't fit his worldview that an autobot could even think of such a thing. and it certainly doesn't fit his worldview that his dear friend prowl would be the leader of such an opinion. these two are old friends. close friends. practically family. yes, they have their quarrels and disagreements, but what's happening now... just think of how hard it must be to watch someone you care about step into the darkness, to watch the decepticon calls being made by them. what it’s like to look at someone you've known for what seems like forever and barely recognize them? well, the fate has decided to introduce jazz to this horrifying sick feeling. a feeling of utter devastation and disappointment

jazz is faced with the most frightening scenario imaginable. he realizes if prowl, prowl of all, goes that far, something truly wrong is starting to happen to them. so many years of fighting for the light, so many sacrifices for a better, fairer world, and where has it gotten them? the autobots are in crisis. darkness is creeping in from beyond their reach. if this continues, it won't be the decepticons causing their downfall. jazz can't let that idea spread. he'll be the one who will root out any attempts by the autobots to get out of their way, the one true way. and if he has to face his friend, if he has to sacrifice their bond, so be it. oh, dear, he wishes he could fight for prowl, but he cannot, he doesn't even try, he knows prowl’s already crossed the line. jazz doesn't appeal to his compassion and kindness, only exposes his cruelty, injustice and foulest words. jazz is straightforward and unstoppable. he is the last line of defence. and this fight is no longer just a confrontation between close friends, it's one of the moments that decides the fate of their faction

of course this story has a happy ending. how could it not? of course prowl admits his wrongs and backs down, of course the autobots stay true to their beliefs, prime leads them and both jazz and prowl follow him faithfully. what had happened would not be enough to destroy the strong friendship and absolute trust between them all, but those days, all those words could never be erased from their memories. perhaps it's for the best. everyone has learnt their lessons and the trial was passed

[lukolabrainrot]

Calm theory anon here.. I wanted a highlight something that I noticed. That I feel is definitely important that most people haven't talked about. Before I do though let's discuss these creators (mostly on Tik tok). There's a lot of creators that say that they are for Lukola but hold Luke up to this unrealistic standard. They openly criticize his decision-making. Decisions made in his personal life so they didn't like who he chose to date so they've criticized him to a point where people felt comfortable going to the man's profile and leaving hate comments on his profile. The man had to leave social media for two months due to all the hate comments he was getting for a personal decision he made in his personal life. The same accounts that have openly discussed his decision in his personal life have said we can't rush judge Nicholas dating JD they're hypocrites. I brought this up because I wanted to set the stage. Luke family, friends, and that girl have all received so much hate online. Luke has actively had his character in question for most of the summer. So much comments left on his profiles that he had to leave social media. Yet not once has spoken up for himself not once has cleared any kind of rumor he's let people think whatever they think. And it all At his expense. I don't blame him because to try to fix peoples narratives in their head. It's impossible like Nicola has said in an interviews no matter what she says people are going to believe what they want to believe so there's no point in addressing rumors. So we have today where he finally returns and post pictures after two months of not seeing him. What is the one thing that he clears up? That Nic was cut off of the picture that he Took of him eating the piece of cake. And he responded to that by posting the cake and people saw that there was no Nicola in the cake to begin with. He's been riddled with hate and rumors he has not once stuck up for him himself yet it bothered him so much that people thought he cut out Nicola that he had to clarify that right away. That alone shows how important Nicola is to Luke. He would never insult her. He left us so many Easter eggs in those photos just Like he use to do. I'm gonna concentrate on what he chose to post. Because what he chose to post is what he wants the world to know about. All this other stuff whether the girl was there or not doesn't matter because he only wants us to know what we see on his profile that is what he's announced to the world. Also I think he paid enough for his decisions

No notes.

[gin-juice-tonic]

Hello. It's me again. I'm sure you've realized by now what this type of introduction to a post is leading into. I'm going to bring up another page in the bill book. This entry is going to be less about "proving" anything, but rather it's just something I'd like to discuss. (Also just a warning, this one ends up a bit long due to how many photos are included!)

As I have said before. I had many many thoughts, and I am liable to talk about them until they're all talked out. I want to focus on a single page again (Or I guess, a single double page).

Sorry for the kinda small image here, but don't worry. I'll point out the part I want to talk about.

What I find strange about these pages in particular, aside from the fact that it starts to become written like some sort of noir novel and that Bill has chosen to speak like a femme-fatale, is the new idea it suggests to us:

Bill at some point told Ford he was from another dimension.

I say "at some point" because Ford doesn't react to the idea like this is new information here. Why do I find that strange? Well, for one thing, there's never anything that would indicate Ford knew this pre-portal.

To start, we know that Bill introduces himself to Ford as "a Muse"

Notice the way Ford speaks about him. "From a higher plane, divine, otherworldly". He makes some guesses on the second page (spirit, alien, dream, etc), but nothing to indicate they've discussed the whole other-dimension thing yet. Of course, this is still early, so let's skip further ahead.

Here's where we start talking about other dimensions.

Bill has told his "weirdness dimension" lie to Ford, but there's no implication that he himself is from this dimension. And not to mention, this dimension hasn't been destroyed, so naturally it cannot be the one he talks about in the Bill Book pages.

Regardless, Bill is still being referred to as a divine thing, unknowable and even possibly not real. Safe to say he isn't inter-dimensional yet, so let's continue.

(this section has been edited from its original wording)

Here Fiddleford and his idiosyncrasies enter the fray, and Ford debates telling him. Fiddleford is aware they're building a portal to another dimension, so it would not be that far of a stretch in that vein for Ford to also explain that Bill himself is from one. But Ford's attitude toward the situation veers towards the less scientific. Ford still considers Bill to be something divine, and is worried Fiddleford would think black magic is happening.

Worrying that Fiddleford would think he's gone mad is one thing, but the emphasis on black magic and fiddlefords superstitions strike me as odd.

I understand there are likely several varying reasons why Ford wouldn't want to tell Fiddleford about Bill, even if Ford DID know he was from a different dimension, however:

If Ford had something to suggest Bill's essence was more scientific in nature, I.E. him being from another dimension himself, I think he would've put that into consideration in that when deciding whether to reveal him to Fiddleford, or at the very least would've given up the emphasis on his superstitious nature.

I'm not trying to say he would've actually fully revealed it to Fiddleford if this were the case, but I think the thought process around the concept of doing so would be different.

.

We're closing in on the portal test now. Ford refers to him here as a "non corporeal entity". He is non corporeal so long as he exists only in the astral plane... but is that what Ford is talking about? Or does he believe Bill has only ever existed in the mindscape? Does he know yet? I don't think this page actually includes much of an answer, I just figured it should be included.

The next-next page does have Ford cheekily refer to him as "imaginary" though...

Fairly soon after this, the portal incident and the betrayal happens. Could it be possible that somewhere within these pages, Bill spilt his home dimension backstory? I'm still inclined to think not.

These questions have no definitive answer, but I am led to wonder:

1) Bill's whole dynamic with Ford is that of a "Muse" inspiring intelligent minds throughout history, wouldn't the reveal of him being from another dimension call this dynamic into question?

2) If Bill is something from another dimension, wouldn't asking Ford to build a portal to a dimension totally-not-at-all-related-to-him become suspicious? Would Ford not question his motives at that point?

(A later edit: As has been pointed out in the reblogs, some of what I have discussed thus far fails to take into account the mental state Ford could be in due to Bill's abuse/manipulations. Expecting perfect logic and reasoning from him like the two questions above are asking for may not be fair. I am leaving them in this post so the aforementioned reblogs continue to make sense, but again, how his prolonged abuse factors into his logic and decision-making should be taken into consideration.)

.

.

I have just a few more post-portal pages to show to continue my long winded discussion with as well.

The pages about Exwhylia read a bit weirdly, admittedly. The first page Ford states he thought this was Bill's birthplace, the second page he states he believes Bill came from somewhere similar but was mysteriously destroyed.

If Ford thought this 2-D dimension had been reduced to an atom before he got there, how could he have planned to go? And I should hardly call being destroyed by a monster a "mysterious" method of destroying. Whatever the explanation for the way these are written is, I don't think they read like Bill has ever spoken to Ford about his home dimension.

Additionally, he mentions his "quest to defeat Bill" is what led him here, which I feel implies he learned of this place after being portaled.

I wish I had a good closer for this mini-essay, but the questions I asked above the Exwhylia section were originally supposed to be it. I don't believe Bill had told Ford about his dimension. That's the end of the sentence.

MAJOR ADDENDUM:

I can't believe I missed this (I can believe it) but.. In the book of Bill, Ford refers to Bill as "extradimensional" after their very first meeting!

Pinpointing the answer to my timeline question supposedly to this exact moment. In my opinion, if you combine this with everything I've mentioned above, no part of this idea from the book of bill makes any sense at all. You might remember at the beginning of this post, Ford guesses at what type of creature Bill is... two years after this last page here was supposed to have been written.

Additionally, if he had known there was an "extradimensional" creature in gravity falls at this point in time, I should hardly think it would've taken him two whole years after that to think of the idea that the Falls' weirdness may come from out of our dimension! (Not to mention in J3 he tells us the idea was told to him directly from Bill. Two years elapsed between these conversations? Knowing Ford, not likely. Again, even if Bill somehow did avoid telling him that whole time, I think Ford very well could've figured it out on his own by then.)

[rei-ismyname]

Let's talk R-LDS

R-LDS or Resurrection-Linked Degenerative Sickness was alluded to in X-Men #4 and the Infinity Comics before being named in X-Men #7. We're told that Magneto has it and it's directly caused by Krakoan resurrection/The Five, kinda.

Here's Beast doing some alluding.

In the panels above, we learn that Hank McCoy is the only one working on the problem - the problem being Magneto's loss of his powers and his body breaking down rapidly - his very chromosomes unraveling. He seems quite sure that it could happen to 'any of us' though the lack of quarantine suggests it's not contagious.

The next bit of information we receive is from Magneto and Scott in conversation, reflecting on The Iron Night. They took down a wild sentinel that was attacking the town and Mags lost control over his powers immediately after, requiring Scott to knock him out for safety's sake. Scott is no scientist, and while Magneto is a genius polymath autodidact (with plenty of experience in genetics) it's not a character trait that's seen focus lately. Thus, I'm assuming they're discussing it as amateurs and as patient zero in Magneto's case.

Magneto confidently names the condition for the first time as well as using an acronym for it, suggesting it's confirmed to exist, he's had a positive diagnosis, and they're using the term enough to require shorthand. He even spells out the subtext for us - it was a hidden flaw in Krakoan resurrection. I'll come back to that notion. Scott says 'we don't know that for sure,' implying that R-LDS is just a theory or speculation, which Mags doesn't directly refute. Instead he lays out the worst case scenario. They can't both be right here, so what's the deal? Magneto's symptoms are obviously confirmed, but how did they get from there to here?

If Magneto is the first and only person affected by his condition, why are he and Beast so sure about its providence and everyone being in danger? How could they possibly link it to Krakoan resurrection? I'm no scientist but I do know that there's only so much you can conclude from a single data point. Magneto was indeed only resurrected by the Five once, but he died again after that on Arakko (X-Men Red #7). The body he's in came out of a portal from Overspace in Adam Brashear's underwater base (Resurrection of Magneto #3.) His body suffering a condition borne of something that happened to a different body doesn't make sense. Considering he's the only person to return to life that way AND the only one allegedly with R-LDS, that would be the place to start for Beast's sciencing.

There he is, good as new.

Word of God

In a recent AIPT interview, Tom Brevoort removed any ambiguity and just straight up confirmed it. With the caveat that his recent X-history knowledge seems pretty poor, he is the de jure ultimate authority on the matter. I don't agree with that, and not just because I don't respect him as a creator. This habit of on-panel ambiguity and editorialising in interviews is vexing.

It's especially vexing when he contradicts himself. He counterpoints his own information with some of what I just pointed out, but the fact that they've made a list of who was and wasn't resurrected suggests R-LDS is a plot point they're committed to. I have to wonder why he bothered giving a detailed answer to this question if it's 'yes,' then 'maybe', then 'it will definitely be a thing you'll see as we progress.' Saying all of that and then ending with 'we know very little so far' really makes me wonder what he's thinking. Tom Brevoort could have given his usual cagey answer about not wanting to spoil anything, but he didn't here. I'm saving most of my Brevoort-specific criticism for a separate piece, but this glib and irreverent tone is typical of his commentary - even managing a light jab at Jordan D White.

Frankly, I think it's a graceless and cynical development. There are so many character beats, mistakes, and conflicts to use from the First Krakoan Age that choosing to create R-LDS feels like a shot at the core of hopefulness and creativity that blew our socks off in 2019.

HoxPoX

House of X/Powers of X was hopeful and magical. After a decade plus of endless misery and genocides, dull stories and bizarre characterisation, for once mutants got a W. The ability to use mutants working together to right the horrendous wrongs they'd suffered was central to that - the power of community and cooperation. What they built wasn't perfect but The Five was something they got right.

What would possess someone to take the cornerstone of the greatest X-Men story of all time (don't @ me) and try to tear it down? Remember, when the dust settled we ended up in Moira X life 10E. In 10A, the original Krakoan experiment, the mutants won! They thrived and protected what was theirs against Dominions. It took a literal apex AI God existing outside of space and time directly opposing them to fail. Enigma, on the back foot, sent Omega Sentinel through time to start ORCHIS years early and ensure Krakoa's collapse. Am I to believe 'no, sorry. That was a dead end?'

Haven't we been here before?

We've had mutants suffer from the Legacy Virus and M-Pox already, and I might even be missing other examples of nebulous diseases that threatened to wipe out all mutants. Obviously it's the prerogative of the X-Office to use whatever plot points they want, but do we really have to do this again? There are plenty of ways to sideline Magneto as a combatant that don't require repackaging old storylines. We've even had Hank McCoy decades behind the curve desperately trying to catch up before - in All-New All-Different X-Men.

Small World

Defenders-era Hank McCoy might be the worst possible 616 scientist to tackle this problem. He's literally decades behind the science curve and doesn't have the experience in dealing with anything like this. He's not the same guy that worked on M-Pox or the Legacy Virus. He never set foot on Krakoa and has never met any of the Five. We don't know how much data was recorded or kept from The Five but Beast may not have access to it.

Why isn't he talking to Cecilia Reyes, Forge, Jean Grey, Reed Richards, Doctor Strange, Adam Brashear, Healer, Doctor Nemesis? Even doctor dickhead that extorted Storm has the ability to instantly diagnose anyone. It makes the world feel tiny, and when you're following an era of interconnectedness that's just so disappointing. Portraying him as supremely concerned about 'all of us being ticking time bombs' rings hollow if he's working on it solo. Hank McCoy has always had a sense of arrogance where his scientific ability is concerned but not to this degree. Look at the guy! He's hating the stress he's under.

Sins of Sinister and the White Hot Room

I have to wonder if the implications of linking Magneto's illness to The Five's resurrection have been fully considered. The Sins of Sinister timeline ran for a millennium with the Five resurrecting on an industrial scale. Rasputin IV would have noticed, or the Quiet Council. The mutants left behind in the White Hot Room in RotPox spent 15 years bringing back ALL the dead mutants. That's 16 million, minimum. 15 years is less than a thousand but it's still longer than the First Krakoan Age, several times over. Nobody noticed anything? Elixir, member of the Five and Omega biokinetic, with his unlimited mastery of DNA didn't notice anything? Destiny didn't see mutants falling apart? Sounds dubious as hell to me.

Towards the end of the era many humans were resurrected too. 5% of the Five's work was set aside for bringing back poor children etc through the Phoenix Foundation. Steve Rogers was resurrected into his current body on Judgement Day. I am extremely skeptical that this has been considered, and in Steve's case whether the X-Office can even use him.

Conclusion

Magneto's physical degradation has been swift. Here he is in Uncanny X-Men #700, implied to be at most 6 months before X-Men #1. I think I've demonstrated that the concept is nonsensical and to reiterate, I think it's a terrible narrative choice. If I'm being generous, it'll be interesting to see if they can explain R-LDS in a way that makes sense - if they can do something new and interesting with a tired concept. There's only been one issue since it was introduced, so perhaps I'm jumping the gun on breaking it down. Let's check back in 6 months.

What do you think of R-LDS? Do you think my reasoning is sound? As always, I'd love to hear what other fans think.

[batmanisagatewaydrug]

Hi, I’m gonna be very upront: I’ve been raped a few years back and since then I’ve had a very strong non-con kink that caused me problems online (mostly being misunderstood by friends in fandom spaces)

My questions are: 1 how common is it to develop such kink in regard of such event, and 2 how would you advise to bring it out into the appropriate discussions? I really had bad experiences with people I trusted, and I wonder if this is something to discuss at all.

hi anon,

I should start out by saying that fantasies about rape, sexual assault, and other sexual acts committed without consent are extremely common among many people, whether they've actually experienced sexual assault or not. there's no singular reason why this happens (what turns us on is hardly an exact science!) and no one's reasons are wrong; nobody needs to justify the existence of a kink.

it's impossible to know what percent of people with those kinks and fantasies are sexual assault survivors, but there are definitely survivors with those fantasies. maybe some had them before, and maybe some began to find non-consent arousing only after their trauma. much is made of sexual assault survivors who use sexual fantasy as a means of reclaiming agency, and I can certainly understand the appeal. as an exercise it seems like a very hands-on form of EMDR (note: I am not any kind of mental healthcare professional, but I am a patient who benefits from EMDR myself) in which a person is able to relive a negative experience on their own terms - in this case, having a violent sexual experience with the knowledge that you have the option to make it stop at any point and have your choice respected, whether by putting down a book or closing out of a fanfic or by pulling out a safeword with their partner(s).

sexual assault survivors who enjoy it for those reasons are fine, of course, but so are survivors who don't feel that their enjoyment stems from anything particularly healing or therapeutic, or just haven't analyzed it that much and don't particularly want to. I don't think forcing that kind of introspection where it's not wanted is particularly helpful or productive for anyone involved. you don't need to be able to prove that you have a pure, morally upright reasoning for your kink.

as for disclosing to others: that's a tricky one, anon, and there's never going to be one answer that applies to everyone. I'm very sorry for the bad experiences you'd had, and I'm equally sorry that I can't provide a guaranteed trick for avoiding them in the future. ultimately it's up to you to decide which spaces feel safe and worthwhile to bring it up in, and that's a judgment call that will vary from one instance to the next.