#it's a routine at this point

[olasketches]

yuuji and sukuna going for their daily walk

look they're tinyyy

[error-dark]

I love Bloodmoon. I miss Bloodmoon. I wanna draw Bloodmoon more. All I want for Christmas is Bloodmoon...

Congratulations to Bloodmoon from SAMS for out-living rent free in my head for 15 months. That's a whole new record and idk what other fictional character is gonna top that.

[fuckyeahchinesefashion]

Beijing Dance Academy's 60 years old Dunhuang Dance professor leads students in practice

[purplecatghostposts]

You don’t understand, I NEED to see how Adrien would pretend to be Félix for something. I need some sort of situation where Félix needs Adrien to pretend to be him for a few hours so he can get away for a while and for Adrien to at first be like, “You sure? I’m kinda rusty but I think I can pull it off!” And then for Adrien to immediately dial up the dramatics the second he’s in Félix’s clothes.

I need Adrien to exaggerate all of his cousin’s traits, being over the top cryptic, cold, and snarky one moment then a dramatic showman the next. I need Adrien to visibly be having so much fun because he’s helping his cousin by making fun of him a little. I need Félix to witness Adrien’s performance and be like, “Oh no, he’s terrible, this was a mistake—” but then be absolutely wrecked by the knowledge that NOBODY is noticing a difference aside from like, Kagami and have a mini crisis of “Is this how I act?? That’s not how I act?? How are they falling for this??”

And by the end of it Adrien is like, “Y’know, that was really fun! We should do this more often, I see why you do it all the time! :D” And Félix is just sitting there. Head in hands. Grappling with this new information.

Also just:

Adrien, pulling out an absurd amount of stolen rings out of his pockets: Also what do you do with these once you’ve got them? I might’ve committed to the role a little too much.

Kagami, nodding along very seriously: Your method acting is incredible.

Félix, staring in horror: I’m not a kleptomaniac… Am I?

[submersero]

[johnnyshrine]

★ 113 // “Dissociation”

[bklily]

Do you guys ever think, VERY VERY early on, right after baby Adrien was born and Emilie started going down the long painful journey of "deathly motherhood disease". Do you guys think that. That Natalie like. Hated baby Adrien. Like. For a split second. She looked at the sparkling white crib hosting the most tiny golden perfect angel baby, who looked so much like Emelie, who was faded to slowly but surely syphon away her life, and for the tiniest of moments she glared at him. Because who else was she meant to resent? Emilie? Gabriel? The baby? ... probably Gabriel would be the safest bet actually. And then baby Adrien just smiled at her and held her finger and his eyes shone so much like Emilies and she knew she was doomed forever.

Do you guys ever think

[okayprairie]

s2 langdon hoisting mel up by the waist like a figure skater so she can tap the doorframe for luck on the way to the ambulance bay

[poorly-drawn-mdzs]

All cards on the table.

[First] Prev <–-> Next

[starsonablackboard]

it's fascinating to me that every member of the party pre- and during loops treats siffrin with some flavour of alienation. like, bear with me. this post is going to sound like im here to give a hot take that the party are Bad Friends, Actually, but i promise you that's not what i mean. you're with me? okay. let's go.

isa idolises him (in the having a crush on someone type of way).

mira views them almost as a book character (the whole "the aura! the mystique!" conversation).

odile calls them a child to their face multiple times.

bonnie is... well, bonnie. kid is coping how they manage.

in the very beginning of the journey we have isa and mira, who, out of all five, are the most familiar to eachother. they're from the same country, they both actively follow the change religion, they both occupy (or occupied, in isa's case) well-respected positions in society, they're very close in age and i would assume socioeconomic statuses. they share a lot personality wise, too. they're both anxious about not being enough, about not changing enough, they're both open and emotional and affectionate, they even both like romance novels! they are very in eachother's comfort zones. they are very understandable to eachother.

then there's odile. she is as different as it gets – she's ka buan (and well half vaugardian but nobody knows that), she's old, she has different religios beliefs and different history with body craft, she's confident, self-secure, reserved, sarcastic and at times cold and makes it very apparent that she's not into openly displayed affection. but also, she is actively choosing to be seen this way. she is comfortable with being perceived like this.

and then, there's siffrin. a mysterious traveler with mysterious past that doesn't like to be touched and never talks about his feelings. where are they from? what he believes? what did he do prior? why did they join them? noone knows. situation kinda similar to odile's, but kicker is, we know siffrin does not want to be seen this way.

mira, being a somewhat sheltered not very experienced young adult (she's from dormont with population less than a regular highschool class, and has been living in the house for some past years) with more familiarity with books than with real world obviously views them more as a cool character than a person. and i can't blame her! siffrin doesn't help her view them any differently either.

isa i assume catches feeling almost immideately (the whole journey takes less than a year, sif is second to last to join and we know that isa's crush has been going for months) and it's universally hard to not idolise and idealise the person you're having a crush on, so even tho isa is more experienced than mira, i imagine he fails to see siffrin as a whole person too.

odile out of all of them grinds my own personal gears the most. i love you, old wise lady, but oh god. the amount of times she refers to the party and in particular siffrin as kids or children is sure something. and the thing with kids is that you generally don't view them as equals, so, no "seeing siffrin as a person that he is" there either.

that's general dynamics. now to what interactions we actually see in game:

odile mocks siffrin for being forgetful. every time siffrin forgets a word, everyone reacts as if they don't remember that vaugardian isn't siffrin's native language. both isa and mira behave patronisingly towards them (jokingly, but still). the whole party spends some time comparing siffrin to a wild animal in the dictionary conversation, mira saying "what a perfect analogy" with stars in her eyes. one time siffrin desides to open up and tell them about stars, they mock him. when he kills that sadness more violently than usual, they all look at him as if he murdered a baby (i still don't really get why btw. they've been fighting side to side for months). the whole ghost event. ohhh ghost event my beloved.

all of these, for me, point to a very deep yet unacknowledged disconnect between siffrin and the rest of the party. the not-understanding. the unfamiliarity. the alienation. siffrin is other even in their own little ragtag bunch of misfits.

now AM I SAYING that means that the party is bad actually?? no!!! for every interaction i named there's multiple others with them being supportive and warm to sif. also, siffrin, famously, is very bad at telling when something bothers them, so noone whould even know if they were doing anything that upset him. and, on top of everything else, i think it's very natural for a party of very different people traveling in a lot of hurry and discomfort and plain mortal danger for months to develop a bond where "i would die for you, my siblings in arms, but i also will poke fun at your religion when it starts to sound too impossible for my worldview. what do you mean stars are there in the daytime too? don't be silly". i actually really appreciate their friendships being imperfect, because it's so much more interesting and thought provoking this way. like, I've been thinking about this for weeks.

and also, this specific type of imperfection plays into the core themes of siffrin's character. to be welcomed, adored, loved, even, but not understood. not recognised. not known. and to not even try to explain untill the world is literally ending.

[jillchris]

"Nobody knows what promises Chris made in front of Jill's empty grave..." —File No. 04 Resident Evil 5

[hyacinthsdiamonds]

I'm sorry but the irony of Nico calling Max unprofessional is sending me so bad like sir there's an entire garage full of people, who were literally in the trenches trying to survive the Brocedes fallout while just doing their jobs, who might have a few things to say about your (& Lewis') level of professionalism at that time 😭✋️

[nightingaletrash]

I know we all get a giggle out of Dracula playing at being his own staff and running around the castle to do the work of a household by himself but a thought I had during today's entry was that it could be another tactic he uses to make Jonathan more vulnerable to his manipulation.

When the driver disappears, Jonathan is left waiting on the doorstep of the castle, waiting for the Count or a member of the staff to let him inside. All the while, he's stuck standing there in his thoughts, stranded in the mountains of a foreign country that are very much hazardous to him. There are wolves, strange blue flames, and an inescapable feeling of pure dread created by the foreboding scenery and general fear of the people around him. The whole journey to Castle Dracula, Jonathan felt afraid. And now he's alone with no way out, left with only his thoughts as he waits to be let into the 'safety' of the castle. He describes being crowded by his doubts and fears, wondering what on earth he's gotten himself into, but also how he can't turn back because he's a full-blown solicitor, and that this whole situation is starting to feel like a nightmare that he can't wake up from.

And then Dracula arrives, welcoming him inside and insisting on carrying his luggage for him, and Jonathan feels his doubts and fears melt away. Dracula - while strange to him in some ways and already arousing some suspicion with his resemblance to the Driver - immediately becomes a sort of safety from the nightmare. That long wait between the Driver's exit and Dracula's arrival generates an unease that can be taken advantage of.

In dogs, feelings of Fear leads to Seeking, Frustration and Rage behaviours. Whatever makes the Fear go away first becomes super reinforcing and the dog will go with what works: strange man with a big stick stops being scary if I bite him, then I'll bite faster the next time a similar threat appears. Going in my crate means the scary thing stays away from me, then I'll go in my crate when I feel scared. This person makes me feel safe? If a scary thing happens, I'll go to them and they'll either make sure the bad thing doesn't kill me or they'll tell me that I don't need to be scared.

In Jonathan's case, Dracula is the positive association. Scary place, scary circumstances, lots of doubt and fear? Well the Count I've come to visit has arrived to let me inside, away from the scary things, and is treating me to a lovely dinner while being very polite and courteous. I am no longer scared, therefore the Count is someone who makes me feel safe and therefore I am safe around him.

By letting Jonathan wait to be let into the castle and to engage in socialising, Dracula lets that fear build up. Lets it get to Jonathan just enough that he starts to feel it keenly before sweeping it away and becoming a point of refuge and safety. The only refuge and the only safety.

[girasolka]

you don’t understand how much I adore boys being cocky about their jobbed jobs (especially if we remember that almost every shown case they closed was tilting on the edge of complete failure)

yeah Edwin is quick to praise and Charles is always very enthusiastic and they deserve to say nice things to each other and about themselves in general but it looks like they have an established routine of being smug and cocky after cases with all these “great job” “day is officially saved” “we are the Chip and Dale of the supernatural world” (they definitely are) and it’s so so boyish and funny and precious!

I mean that’s how we know that they enjoy themselves and their job and it brings them joy even in 30 years (in contrast with vast majority of “grown” detectives we all are accustomed to see in media who are usually depressed or nonchalant)

(but also the boys are being conceited assholes and I love it about them)

p.s. all that also indicates that when they get together they will be this insufferable couple people don’t want to be around

[panchulien]

Makarov is literally older than Price, he should be the one getting the "old man" treatment. People act as if Price is one second away from dying and he's not even 40 yet. Look at Makarov, 43 something and no one bats an eye LMAO

[rainbow-sunshine-unicorn]

Deeply obsessed with how Anthony Bridgerton will do anything and everything for the vibes, the ambience and to set the mood for his wife

Why did he lift Kate up halfway to the ceiling just to simply set her down on the desk? THE MOOD, THE AMBIENCE, THE VIBES

Why did he scatter the papers after setting her down as opposed to clearing the desk beforehand? THE MOOD, THE AMBIENCE, THE VIBES

Because of course scattered papers are an essential aspect to heir-making on a desk!!!