#joseph rigger

[seashellisinmyheart]

Firebug!

[hessobbingincabo]

i thought u guys might enjoy this

[thingsasbarcodes]

Batman: Caped Crusader 1x04 - The Night of the Hunters

[myramglina]

Porter Robinson - Cheerleader from Hugh Mulhern on Vimeo.

PRODUCTION Production Company: Riff Raff Director: Hugh Mulhern EP/Producer: Precious Mahaga EP: Natalie Arnett Director's Representation: Hands Executive Producer: Porter Robinson Executive Producer: Slush Management (Aaron Greene, Neal O'Connor, Amar Pathak, Samuel Luria, Valerie Maybaum, Ryan Glatt) Creative Director: Pablo Jones Soler

BTS/DIGITAL Paul Mauer

SERVICE COMPANY Solent Film MD: Alex Momchev Solent Film MP: Magdalena Staneva Solent Film Service Producer: Tihomira Temelkova Assistant Producer: Elena Doroshenko Production Manager: Mitko Milushev Production Coordinator: Teodora Naydenova Production Assistants: Eva Taneva, Simona Atanasova, Serafima Deyanova, Dimitar Borisov

CASTING DIRECTOR Veselina Georgieva

AD'S 1st AD: Antony Tanev 2nd AD: Margarita Aneva 3rd AD: Damyan Tanev

CAMERA DOP: Nikita Popkov 1st AC: Vladislav Mateev 2nd AC A camera: Ivaylo Yovchev 2nd AC B camera: Luciano Ivanov Video Control: Borislav Stoyanov Drone Operator: Nikolay Georgiev - Tanera Data Manager: Delyan Kaloyanov

LIGHTING Gaffer: Alexander Trenev Electricians: Vasil Vasilev, Georgi Tsanev, Dimitar Yanev, Boris Vasilev Dimmer Board Operator: Philip Georgiev

GRIP Key Grip: Tsvetan Kostov Grips: Albert Nikolinski, Dimitar Dimitrov, Yulian Gotchev, Mihail Gotsov, Emil Ivelinov Head Technician: Borislav Tanev Crane Technician: Stanimir Vatsov

SOUND Playback: Kostadin Separevski

ART Production Designer: Elena Isolini Production Designer Assistant: Theresa Bates Art Directors: Momchil Tasev, Aleksandar Yanev Construction Manager: Minko Krustev Props Master: Ada Paunova On-Set Dressers: Nedelcho Hazarbasanov, Yavor Milanov Set Dressers: Kostadin Dervenski, Evtim Evtimov

LOCATION Location Manager: Anita Miletieva Assistants: Elena Karadusheva, Lidiya Aleksandrova

STUNTS Stunt Coordinator: Ivan Vodenicharov Stunt Dept. Coordinator: Aneta Ivanova Stunts: Marina Yordanova, Desislava Slavova, Tea Markova, Mariela Kostadinova, Ventsislav Hristov

CHOREOGRAPHY Kosta Karakashyan

SFX Supervisor: Nikolay Fartunkov Senior Technician: Ivan Kazakov Technicians: Vladimir Mitov, Blagoslav Zhenkov

HAIR/MAKE-UP Hair Cut & Color: Miyuki Goto Artist's Hair & Make-up Artist: Yesol Choi Artist's Hair & Make-up Artist Assistant: Gohun Kim Head of Make Up: Gergana Batanova Head of Hair: Veselka Tsekina Hair Stylists: Bilyana Borisova, Gergana Ivanova, Nataliya Kamenova, Gratziela Dimitrova

COSTUME Artist's Stylist: Luca Wowczyna Luca's Assistant: Elliott Lane Assistant Stylists: Maria Petrova, Teodora Marinova, Nadya Dobrikova, Yoana Kusheva, Emiliyan Bonev Tailor: Marieta Duncheva Mask Design: Audrey Mai

ORGANIZATION Set Manager: Georgi Asenov PAs: Lyubomir Tabakov, Ivaylo Tabakov, Vulcho Monkov

STOP MOTION: THE JUNKS Stop Motion Supervisor: Zlatin Radev Animator: Boris Wolf Assistant Animator / Puppet Doctor: Diliana Valcheva Rigger / Assistant Animator: Teodor Ralev Set Dressers: Alex Suninski, Marin Nalbantov

EDITING: TRIM EDITING Editor: Joseph Taylor Edit Assistant: Anders Mills Producer: Noreen Khan

POST PRODUCTION VFX Supervisor: Vasil Galabov VFX: The Mill EP: Saskia Delius Producer: Sam Ashby 2D Lead: Ben Gallagher 2D Assists: Henry Claud N’guetta, Jane Williams, Muhaddissa Hasham Associate Producer: Rushikesh Shelar Production Coordinator: Karishma Verma Compositor Supervisor: Nanda P V Compositor Lead: Ragesh Ramachandran Rotoscoping Supervisor: Kunal Bendke Prep Lead: Jalander Madishetty GABHA Studios: Dafydd Upsdell, Daniel Morris Grade: Andrew Francis Add’l Post Production: Andrzej, Nina Muro, Nick Lane CGI: Alex (chippy) Futtersak, Dom Harwood VFX Artists: David Ochoa

TRANSPORT Coordinator: Vladimir Mashinata Blagoev Prod Vans: Svetoslav Yordanov, Ivo Radkov, Iliya Iliev, Georgi Evstatiev

CATERING Cherry Craft & Catering Manager: Mariela Manolova Cherry Craft & Catering: Petya Kovacheva, Ivan Nalbatski, Borislav Parvanov

SUNWEAVER CREATIVE Shawn Chapman: Producer - Creative Jacqueline Adorni: Producer Garrett Robles: 3D / Previs Lauren Sperling: Project Coordinator Matthew Hunt: Production Assistant

WARDROBE / COSTUME: VENIA Christine Ko: Key Costumer Keeter Ly: Key Costumer

WARDROBE / COSTUME: SUNWEAVER Cybal Hall: Costume Supervisor Annabelle Gerke: Key Costumer Christopher Hall: Costumer (Silkscreening) Daniel Rose: Lead Wig Designer Kieran Smith: Wig Stylist Samantha Michael: Wig Stylist

ART DEPARTMENT Kigarumi Sensei Taiki Nishikawa: Key Artist Paul Nishikawa: Artist

Creative Character Engineering Andrew Clement: Lead Artist Lesley Becerra: Head of Production Brad Palmer: Sr. Project Manager Cory Fisher: 3D print/fabrication Alex Dill: Fabrication Mike Ross: Fabrication

Special Thanks - Venia

[heypetu]

Beardyman ft Joe Rogan - 6am (Ready to Write) from Ian Pons Jewell on Vimeo.

Artist - Beardyman ft. Joe Rogan Label - Sony Music + RCA

CREW

Director - Ian Pons Jewell Executive Producer - Medb Riordan Executive Producer - Simon Cooper Executive Producer - Leah Joyce Founder Radioaktive Film - Darko Skulsky EP Radioaktive Film - Sasha Bevka Commissioner - Elena Argiros Producer - Ash Lockmun Line Producer - Olya Kosenko Director of Photography - Mauro Chiarello Production Designer - Robin Brown Casting Director - Kharmel Cochrane Casting Director - Sergey Ristenko Storyboard Artist - Joseph Strachan Stylist - Staysa Monastyrskaya Location Manager - Dima Mikhailov 1st AD - Gryts Makarenko

Production Manager - Antonia Vickers Production Manager - Julia Sotnikova Production Assistant - Ella Girardot Production Assistant -Volodymyr Altsybeev Directors Assistant - George Daniell Bidding Producer - Georgina Smith Set Runner - Tolik Koval 1st AC - Kirill Shlyamin Steadicam - Max Salo Gaffer - Leo Sidorenko DIT/VTR - Valik Grib aka Mushroom Sound - Dennis Ryskal Art Director - David Kharaishvili Make Up - Marta Skalska Prop Master - Vasya Tkachuk Style Assistant - Dasha Lisyn Style Assistant - Kostya Goncharuk

CAST

Hero Guy - Jack Morris Sofa Guy - Dima Nalivayko Sofa Girl- Vera Koval Girl in Car 1 - Esther Brown Girl in Car 2 - Joana Garcia Guy in Car 1 - Thomas Ngegba Guy in Car 2 - Alex Dubrova Guy in Car 3 - Pasha Gots Work Out Brother 1 - Andrii Ostapenko Work Out Brother 2 - Dmytro Ostapenko Work Out Brother 3 - Yura Ostapenko Coke Devil - Zhenia Skizov Bedroom Girl - Alla Pryadko Pigeon Man - Tsoy Andriy Dandruff Man - Pavel Evchin Screaming Lady - Nina Galena

POST PRODUCTION

Edit - Whitehouse Post Editor - Tobias Suhm Assistant Editor - Steven Waltham Producer - Antonia Porter Executive Producer - Annabel Bennett Post Production - Electric Theatre Collective Producer - Alasdair Patrick, Sam Napper Creative Director - James Sindle  Colourist - Luke Morrison CG Coordinator - Larisa Covaciu Sound Design - Tim Harrison & Seb Bruen at Aumeta Additional Sound Design - Jim Stewart & Lawrence Kendrick at String & Tins 2D Lead - Alex Grey  2D Artists - Adam Woolrich, Adrian Monroy 2D Artists - Alberto Pizzocchero, Alex Kennedy

2D Artists - CJ Gaikwad, Daniel Manning 2D Artists -Nicola Borsari, Ozgur Taparli 2D Artists - Flavio Kawamoto, Ryan Knowles, Stirling Archibald 3D Lead - Nick Turner  3D Artists - Alex Berweck, Dean Robinson, Elpida Kyriacou 3D Artists - Jake Cross, Jeffery Edo-Benson, Marko Mamula 3D Artists - Paul Cousins, Robert Reinschedl, Sergio Moralez 3D Artists - Roly Edwards, Thanos Kousis, Will Preston 3D Artists - James Waterhouse, Felix Chan, George Savvas 3D Artists - Stuart Whelbourn, Tobin Brett, Stuart Turnbull 3D Artists - Eddy Martinez, Adam Ledger, Florian Mounie 3D Artists - Ivan Xavier, Karin Mattson, Mack Knights 3D Artists - Jon Park, Remy Herrise, Toby Williams Ellis Rigger - Greg Martin Concept Artist - Romain Thirion

SPECIAL THANKS TO

Reset Content Jon Adams

[crimechannels]

By • Olalekan Fagbade 500 private Lawyers volunteer to defend Gubernatorial Candidate at Supreme Court No fewer than 500 private legal practitioners have volunteered to defend Alhaji Nasir Gawuna, the Kano governorship candidate of the All Progressives Congress (APC) at the Supreme Court. Mr Joseph Onwudiwe, a spokesperson for the lawyers, under the aegis of the Guardians of Democracy and Rule of Law, stated this at a news conference in Abuja on Tuesday. Onwudiwe said that the gesture was to enhance the country’s democracy. known at a news conference on Tuesday in Abuja. SOME OF THE LAWYERS AT THE NEWS CONFERENCE ON TUESDAY IN ABUJA “Nigerians have observed keenly the situation unfolding in Kano State regarding the March 18 governorship election. “As a group saddled with the onerous responsibility of safe guarding our democratic ethos and values, we are no longer comfortable with the unwarranted attacks on the judiciary. “And certain moves to blackmail the Court into giving backing to wanton electoral malfeasance and vote heist. “We will no longer fold our arms as lawyers and watch the judiciary be continuously harangued and the temple of justice desecrated by a group of people who failed to perfect an electoral heist,” he said. Onwudiwe applauded the sound reasoning that resonated in the judgments of the tribunal and the Court of Appeal. He said that the judgments aligned with the yearnings and aspirations of the majority of Kano people as expressed in the valid number of votes cast in the March 18 Kano Governorship election. He said the group was not surprised that Gov. Abba Yusuf of Kano State and his agents had become insistent in selling propaganda in the name of a contradiction in the CTC of the Appeal Court Judgment. “Nigerians will have nothing but pity for a party in a suit who finds no premise upon which to launch a successful appeal against a judgment backed by law and fact. “May we repeat here that the judgment of the Court of Appeal on this case was a very straight forward one which rightly dismissed the appeal of Abba Yusuf and upheld his sack by the tribunal,” he said. He said that the courts envisaged clerical errors in judgment and therefore embedded in their handbook and rules, enactments that empowered it to vary its judgement to reflect original intentions. Onwudiwe urged Nigerians not to cave into the misleading narrative being pushed by the agents of Yusuf who were grasping at the clerical error on page 67 of the CTC of the Court of Appeal judgment. This, he said, was geared to bring the honourable justices who delivered the sound judgment to public disrepute. He stressed that the importance of the judiciary in keeping the country’s democracy alive and thriving could never be overemphasised. “We are with the judiciary and we assure them of our unflinching support as they move to save Nigeria’s democracy from vote riggers and election fraudsters. “We must sanitise our electoral system now and build a strong democratic wall against vote inflation and other electoral malfeasance,” he said. He called on peace-loving Nigerians to rise in defense of the country’s democracy.(NAN)

[comicsiswild]

Gotham Central (2002) #5

[tomis-safezone]

Inktober- Day 11: Distracted Rigger

[rein-ette]

for @needcake's request, 5 times Engport died and one time they saved each other.

III.

Portugal finds him in the attic. The ceiling of the inn is heavily slanted, and through the drawn curtain hardly any light comes through. The room is musty and damp and smelled of — of rot, of festering wounds, of things falling apart.

England himself is still.

No one had bandaged his wounds, so lying on the bed infested with all manner of pests his body was a rich tapestry of reds and browns and mottled grey. Sickness cradled his spectral figure in its wings, perched on the headboard as it tore into its meal with abandon. For a moment, Portugal thought England was already dead.

Then he coughed, eyelashes fluttering weakly. Gabriel, he mouthed, voice long consumed by the illness — by the war, damn those things — that ravaged his body. Portugal saw the question in his eyes, anyways. Why are you here?

"To take you home," he murmured, brushing his knuckles over one bare cheekbone, rising from his pale skin like the spine of a great beast. "Did you think I could not find you? That I would not come for you?"

England only gazes at him. In the desolate landscape of his face, only his eyes remain a fevered green, too bright. Two jewels, set in clay.

He does not — cannot — protest when Portugal wraps his body in cloth, cradling his frail figure against his chest. Does not protest when Portugal carries him down the stairs, does not protest when he's forced onto the horse and Portugal rests his forehead against his and murmurs. It's not far. Hold on to me.

He does not protest, but oh — oh, how Portugal wishes he had.

England is dead now. Lying on a soft bed, cradled by linen and silk and velvet canopies, he's hidden away like some stolen treasure — an antique sword, a broken childhood doll — stashed in an opulent corner between Lisbon and the sea. This far away from his isles, the sun finally warms his skin, but his eyes are fixed and dark.

Portugal guards his corpse and regrets.

IV.

Tomás was — to say the least — confused.

He began getting a little disoriented when the first Dutch cannon struck their ship, and when the Dutch themselves boarded he was kind of lost — but to be confused in the chaos of battle was normal. Fights with the Dutch were normal. Even losing was pretty normal; their captain may fight like the undead, but the crew was only human, and they had been caught alone without escort.

At least, their captain had fought like the undead, until a tall Dutch sailor put a sword through his belly and a shot in his shoulder. Then he’d really just been dead.

That was when Tomás’ confusion really started. Because after killing their captain, the Dutch soldier had simply waved a hand and left, soldiers straggling behind as they made their way back to their own ship. The cannons fell silent moments later, and Tomás own battered comrades hadn’t tried to pursue. Watching their enemy’s flags disappear into the distance, Tomás had helped drag their barely conscious captain below deck as he pondered over this strange occurrence: in the middle of a war, a Dutch warship had just caught them, trounced them, and simply let them go.

But that had not been all. For just as he was leaving the sick bay, an officer had grabbed him in the hall and rasped, “Tell the navigator to set course for Dover.” Wide-eyed, Tomás had only managed to squeak out an affirmative before he’d been released, leaving him standing there with a bloody cloth with one hand and absolutely no clue why they were about to head into enemy territory after they had, uh, just been utterly destroyed by their enemy.

Still, Tomás had done his job and relayed the message, expecting that to be the end of the madness. He was only a rigger, he reasoned — if he just followed orders surely everything would straighten themselves out with time.

He was wrong. Now, a week later, Tomás still understood nothing. He had orders to find one Sir Kirkland, Lord of Canterbury, but he had no idea if he’s found the right one. When he’d asked the first mate what this Lord Kirkland looked like, the first mate had only shrugged and said, “Never met ‘im. Probably a geezer, since he’s a lord.”

Yet this young man standing in the doorway in front of Tomas, claiming to be Lord Kirkland, could not have been older than twenty.

“Are you or are you not one of Gabriel’s men?” The man demanded impatiently. His Portuguese was heavily accented, but clear.

“Yes. Yes sir.”

“And? What does the bastard want with me?”

“He’s dead, sir. My first mate asked me to come get you. Sir.”

The young man — Lord Kirkland — raised his eyebrows. His gaze seemed to skewer Tomás right through his skull. “Dead.” He repeated. Tomás nodded hesitantly. Lord Kirkland muttered something in his own language under his breath, then rolled his eyes and said, “Fine.” Fine? “Joseph!” He barked to someone in the interior of the manse. “Get this man a horse and ready the carriage. And call the doctor, for god’s sake, Gabriel’s gone and gotten himself killed again.” He whirled around and pinned Tomás with another look. “What’s your name?”

“Tomás Santiago, sir.”

“Thanks for your hard work, Santiago. After we put your captain back together, I’ll tell him to give you a bonus.”

Tomas stared. Put him back together? Bonus? Wasn’t the captain dead?

But this Lord Kirkland guy was still look at him expectantly, so he stuttered out a “Yes, sir” again and thanked him.

A few minutes later, Tomás left on a fine horse more confused than ever.

Notes

Scene 3 is set during the English Civil War (1642–1651). Portugal brings him to the Ribeira Palace, which used to be where the Praça do Comércio is now situated.

Scene 4 is during the Dutch-Portuguese wars. But it’s pretty much crack, so there’s really no need to say more.

[artwalktv]

DIRECTOR Me PRODUCTION COMPANY Love Song AGENCY Wieden + Kennedy, Marc Duran & Jessica Ghersi, Marisa Bursteen, Jordan Leinen ACTORS Jocelyn Liu & Dagen Howard LA CREW: DIRECTOR Justyna Obasi MANAGING PARTNER Kelly Bayett EXECUTIVE PRODUCER Daniel Wolfe EXECUTIVE CREATIVE ASSIST Ja’Lisa Arnold HEAD OF PRODUCTION JP Colombo PRODUCTION SUPERVISOR Matt Rudge ASSIST. PROD. SUPERVISOR Sara Reid, Luis Garcia 1ST AD Gail Shand DP Kate Arizmendi KEY GRIP Steve Forbes GAFFER Jake Lyon PRODUCTION DESIGNER JC Molina ART DIRECTOR Lisa Medina STYLING Astrid G SCRIPT Edye Rice GANG BOSS Rob Harper LOCATION MANAGER Byll Williams NEW YORK CREW: DIRECTOR Justyna Obasi MANAGING PARTNER Kelly Bayett EXECUTIVE PRODUCER Daniel Wolfe EXECUTIVE CREATIVE ASSIST Ja’Lisa Arnold HEAD OF PRODUCTION JP Colombo LINE PRODUCER Jose A. Barrios PRODUCTION SUPERVISOR Holland Kemp COMMERCIAL COORDINATOR Zara Hayden 1ST AD Otis Fung 2nd AD David Ebel DP Kate Arizmendi CAMERA OPERATOR Michelle Marrion 1ST AC Jasmine Chang 2ND AC (FILM) Helen Cassell 2ND AC (DIGITAL) Greg Pace FILM LOADER Jade Williams DIT Kazim Karaismailoglu REMOTE HEAD TECH Jack Rosenfeld GAFFER Charlie McNamara BB ELECTRIC Dave Hammett ELECTRIC Peter Marzulli, John Cardoni, Andy Clarke KEY GRIP Kenny Fundus BB GRIP Jackson Bosworth GRIP Neil O’Malley, Nick Negersmith, Holly Hosman, Chris Cazavilan PRODUCTION DESIGNER Joseph Polacik ART COORDINATOR Darren Maxwell SET DECORATOR Sara Parks PROP MASTER Ben Oshman PROP Jim Wessling, Joe Calderaro ASSIST COORDINATOR John Shashaty STUNT COORDINATOR/DRIVER Blaise Corrigan KEY RIGGER Scott Burik RIGGER Bryce Burke 
WARDROBE STYLIST Jennifer Greene WARDROBE ASSISTANT Gabrielle Ruffino KEY MAKEUP Tina Murgas KEY HAIR Angela Lynn Ware SCRIPT SUPERVISOR Erica Lundberg VTR Reggie Ollen SOUND MIXER Matthew Israel
BOOM OP Jason Todd LOCATION MANAGER Jennifer Quesenberry G&E TRUCK Terry Adams VIDEO VILLAGE VAN Ata Alrafati GANG BOSS / CAMERA TRUCK Oscar Moreira GENERATOR Rich Bundy TALENT MOTORHOME Sean Cummisky CCO Luis Bonilla COVID ASSISTANT Xavier Barker, Danny Grajewski COVID TESTING COORDINATOR Michael Moses SET MEDIC Jeruschka Argenziano SET SECURITY Ricky Ingber, West Rodriguez
CRAFT SERVICE Rich Hoxsey
KEY PA Cha Deberry
PA - DIRECTOR VAN / TALENT Pete Cruz
PA - AGENCY VAN Jeff Javier
PA - PRODUCTION CUBE Jeff Cunningham PA - OFFICE Mark Califra
PA - WITSTRUCK Dwayne Scott
PA Owen Maldonado, Dash Porter, Gabrielle Schlein, Heinz Evander, Lani Roberts, Ryan Goldberg, Adam Rodriguez, Huston Charles 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 


[vm4vm0]

CHARLOTTE CARDIN - THE KIDS (short film) from Kristof Brandl on Vimeo.

YDA Silver Screen @CANNES2018 New Director Showcase by Ridley Scott @CANNES2018 Best Cinematography @LUX AWARD 2018

Shot on Kodak Vision 3 500T Aaton Penelope 2 perf Arri 435 4 perf

With: Francis La Haye, Mylène Mackay, Hubert Proulx, Anthony Riendeau, Anne-Charlotte Côté, Liam Weisman, Ilan Sawan, Daniel Lapierre, Mathieu Lepage and Louise Latraverse.

V.O by Victoria Diamond & Dusan Dukic

Directed & Edited by Kristof Brandl Written by Kristof Brandl & Shane Patrick Cinematographer: Christophe Collette, CSC Additional Cinematography: Kristof Brandl Executive Producer: Alexandre Auray Line Producer: Clara L’Heureux-Garcia Focus Puller: Maxime Boutin 2nd Camera Assistant: Erin Weisgerber Camera Loader: Robin Rigault 8mm & Super 16mm: Benoît Jones-Vallée & Laurent Schrænen Set Photographer: Gaëlle Leroyer Gaffer: Jacques Girard Best boy: Conrad Roy & Louis Cloutier Key Grip: Stéphane Klopp Best Boy: Marcel Bonneville, Camille Bergeron Bégin Sound Man: Laurent Ouellette, Dominic Remiro Grading: Simon Boisx Art Director: Frédérique Ste-Marie & Maxime Normand Art Assistant: Sophie B.Jacques, Geneviève Boiteau, Véronique Perreault, Yann Filly-Paré Costume: Amanda Van Der Siebes Makeup and Hair: Catherine Brunelle Flame Artist & VFX Supervisor: Flore Mounier @MikrosMPC Special Effects: Remy Couture Special Effects Supervisor: Blood Brothers Stunt Coordinator: Jean-François Lachapelle Riggers: Stéphane Julien et Sébastien Peres 1st Assistant Director: Clara L’Heureux-Garcia 2nd Assistant Director: Mathieu Turcotte Production Coordinator: Gabrielle Dussault Unit Manager: Joseph Liane Key Production Assistant: Jeremy Hughes Production Assistant: Patrice Arseneault, Iskouhie Yacoub, Georges Mazraani Film Lab: MELS Sound Design: Jean-David Perron & Theo "Lewis" Porcet @CULT NATION

[goldiers1]

Biden-Harris Report on Earthquakes Impact on Turkey and Syria

  In the aftermath of the earthquakes on February 6, President Joseph R. Biden, Jr. authorized an immediate U.S. response and directed the heads of federal agencies to rapidly mobilize to assist the Government of Türkiye and humanitarian partners in Syria. Across the U.S. government, officials expressed their condolences to the people of Türkiye and Syria as well as their desire to support the humanitarian response. In the hours following the earthquakes, President Biden called President Erdogan to convey the readiness of the U.S. government to provide any and all needed assistance to our NATO Ally Türkiye. Secretary Tony Blinken, Secretary Lloyd Austin, and National Security Advisor Jake Sullivan engaged their Turkish counterparts, and USAID Administrator Samantha Power spoke with the head of the Syrian Civil Defence, also known as the White Helmets. First Lady Jill Biden sent a personal note of condolence to First Lady Emine Erdogan, and National Security Advisor Jake Sullivan visited the Turkish Embassy to express condolences to the Turkish Ambassador and sign the official condolences book. U.S. officials have remained in regular coordination with their Turkish counterparts, with UN agencies, and with partners in Syria on how we can best support their efforts. Finally, the U.S. government affirmed to the Syrian mission to the UN that our humanitarian assistance is available to all Syrians, no matter where they live and that we are ready to provide additional support.  

Life-saving efforts by the U.S. in the impacted region:

- Yesterday, the U.S. announced it will provide $85 million in life-saving assistance to provide shelter to the displaced, as well as food, medicine, and other desperately needed aid. - USAID deployed a Disaster Assistance Response Team (DART) to the earthquake region, which includes experienced emergency managers, construction riggers, hazardous materials technicians, licensed engineers and emergency medicine physicians, logisticians, paramedics, planners, search-and-rescue specialists, and search-and-rescue dogs with handlers. - With transportation support from the Department of Defense, two USAID urban search and rescue teams, composed of 159 members and 12 rescue dogs, quickly deployed from the U.S. to support Turkish search and rescue efforts. - To date, the U.S. has deployed approximately 170,000 pounds of specialized tools and equipment—including hydraulic concrete breaking equipment, saws, torches, and drills, along with advanced medical equipment to assist with search and rescue operations in Türkiye. - The Commander of U.S. European Command has directed the Commander of U.S. Naval Forces Europe to coordinate U.S. military assistance efforts. - U.S. Black Hawk helicopters are supporting airlift operations from Incirlik Airbase in Türkiye, transporting rescue personnel to sites that are most needed for rescue operations and difficult to access given the extent of the destruction. - U.S.-funded humanitarian partners are providing assistance throughout all areas of Syria, including health services, shelter support, food assistance, and access to water, sanitation, and hygiene. Those partners include the White Helmets, who have pulled more than 1,000 survivors from the rubble, and U.S.-supported Syrian medics who have been treating survivors across Idlib, Aleppo, and other affected areas. - U.S. officials have worked with Turkish authorities to ensure operations can resume at Bab al-Hawa crossing, a critical lifeline for UN-provided cross-border assistance into northwestern Syria. - Yesterday, to underscore that U.S. sanctions will not prevent or inhibit providing humanitarian assistance in Syria, the Department of the Treasury issued a broad General License to provide additional authorizations for disaster relief assistance to the Syrian people. This license will be in effect for six months. U.S. humanitarian assistance is delivered directly to the Syrian people, no matter where they live.

Support available to U.S. Citizens in Türkiye:

- U.S. Consular Affairs staff in Türkiye and the United States are working tirelessly to provide consular assistance to American victims their families, and any U.S. citizens in the affected areas. - Individuals in need of immediate, local emergency assistance in Türkiye should call Turkish authorities using the phone number 112. U.S. citizens impacted by the earthquake should contact the U.S. Embassy in Ankara. - Information is available to U.S. citizens in the area through alerts, the U.S. embassy and consulate websites, and travel.state.gov. The Biden-Harris Administration commends the outpouring of support from around the world. USAID’s Center for International Disaster Information (CIDI) has a list of vetted organizations responding to this crisis.   Sources: THX News & The White House. Read the full article

[scotianostra]

At around ten o'clock in the evening of July 6th 1988 the Piper Alpha oil platform in the North Sea was rocked by a huge explosion.

The 30th anniversary of the disaster will be remembered at a special memorial service tonight in Aberdeen at the Piper Alpha Memorial Garden in Hazlehead Park. The names of all 167 men who lost their lives on July 6 1988 will be read out during the ceremony to be attended by their relatives, friends and representatives from the oil and gas sector.

The vast human tragedy of that day sent shockwaves around the world and forced the industry to take a painstaking look at its practices. On that night, there were more than 220 men on board Piper Alpha, with most in the accommodation section and more than 60 working on the night shift.

After a gas leak on the North Sea platform a series of explosions followed and, minutes later, it was engulfed in a fireball. By the time the rescue helicopters arrived, flames were reaching 300ft and could be seen from 70 miles away. The smoke and fire made evacuation by helicopter or lifeboat impossible, and many people gathered in the accommodation area. Remaining there meant certain death. With the platform ablaze and exploding, some men jumped off from 175ft above the North Sea. Others plunged from lower levels or clambered down ropes and hoses before plummeting into the water. Poundland to stop selling kitchen blades because of rise in knife crime

There were only 62 survivors that night in what remains the world’s worst offshore disaster. An inquiry led by Lord Cullen opened in Aberdeen in January 1989, ended in February the following year, and published its report of several hundred pages nine months after that. It led to North Sea safety being shifted from the Department of Energy to the Health and Safety Executive, and meant that automatic shut-down valves were made mandatory on rigs to starve a fire of fuel.

It's not often I would name all those that perished, but on the 3oth anniversary I think it is only fitting to do so, RIP to the 167......

Robert McIntosh Adams, 39, rigger George Alexander J Anderson, 29, baker Ian Geddes Anderson, 33, dual service operator John Anderson, 45, catering manager Mark David Ashton, 19, trainee technician/cleaner Wilson Crawford A Bain, 34, valve technician Barry Charles Barber, 46, diving consultant Craig Alexander Barclay, 24, welder Alan Barr, 37, electrical technician Brian Philip Batchelor, 44, seaman Amabile Alexander Borg, 51, non-destructive tester Hugh Wallace Brackenridge, 47, roustabout Alexander Ross Colvin Bremner, 38, production operator Eric Roland Paul Brianchon, 32, technician Hugh Briston, 40, scaffolder Henry Brown, 27, welder Stephen Brown, 39, assistant chef/baker Gordon Craib Bruce, 42, helicopter landing officer James Bruce, 52, logger Carl William Busse, 31, directional drilling supervisor David Campbell, 23, cleaner David Allen Campbell, 29, scaffolder Alexander Watt Cargill, 39, electrician Robert Carroll, 34, safety operator Alan Carter, 43, lead production operator Robert Cleland, 33, derrickman Stephen Colin Cole, 40, radio officer Hugh Connor, 35, instrument technician/lecturer John Edward Sherry Cooke, 59, plater John Thomas Cooper, 37, instrument technician William Nunn Coutts, 37, chef William John Cowie, 32, steward Michael John Cox, 26, scaffolder Alan Irvin Craddock, 31, drilling supervisor Edward John Crowden, 47, electrical technician Bernard Curtis, 45, deputy production superintendent Jose Hipolito Da Silva, 26, steward John Stephen Dawson, 38, telecom engineer Eric Deverell, 51, production clerk Alexander Duncan, 51, steward Charles Edward Duncan, 29, floorman Eric Duncan, 49, drilling materials man John Duncan, 33, engineer Thomas Irvine Duncan, 39, roustabout William David Duncan, 38, crane operator David Alan Ellis, 28, steward Douglas Newlands Findlay, 38, supervisor mechanic Harold Edward George Flook, 51, production operator George Fowler, 40, electrical technician Alexander Park Frew, 41, plater Samuel Queen Gallacher, 30, pipe fitter Miguel Galvez-Estevez, 36, assistant chef Ernest Gibson, 45, mud engineer Albert Stuart Gill, 32, roustabout Ian Gillanders, 50, instrument pipe fitter Kevin Barry Gilligan, 35, steward Shaun Glendinning, 24, painter John Edward Thomas Goldthorp, 37, motorman Stephen Robert Goodwin, 22, geologist James Edward Gray Gordon, 38, floorman David Lee Gorman, 41, safety operator Kenneth Graham, 40, mechanical technician Peter John Grant, 31, production operator Cyril James Gray, 49, safety operator Harold Eugene Joseph Green, 44, rigger Michael John Groves, 44, production operator John Hackett, 49, electrical technician Ian Hay, 31, steward Thomas Albert Hayes, 39, rigging supervisor James Heggie, 45, production services superintendent David William Henderson, 28, lead floorman Philip Robert Houston, 35, geologist Duncan Jennings, 28, geologist Jeffrey Grant Jones, 37, assistant driller Christopher Kavanagh, 49, plater William Howat Kelly, 43, electrical technician Ian Killington, 33, steward John Brian Kirby, 51, production operator Stuart Gordon Charles Knox, 37, roustabout Alexander Rodger Laing, 38, steward Terence Michael Largue, 34, scaffolder Graham Lawrie, 39, roustabout Findlay Wallace Leggat, 37, scaffolder Brian Lithgow, 34, photographic technician Robert Rodger Littlejohn, 29, pipe fitter Martin George Longstaffe, 22, logger William Raymond Mahoney, 60, steward John Morrison Martin, 33, rigger Sidney Ian McBoyle, 36, motorman Robert Borland McCall, 39, chief electrician James McCulloch, 51, HVAC technician Alistair James McDonald, 33, mechanical technician Alexander McElwee, 45, plater Thomas O’Neil McEwan, 38, electrical chargehand William George McGregor, 48, leading steward Frederick Thomas Summers McGurk, 51, rigger William Hugh McIntosh, 24, floorman Gordon McKay, 33, valve technician Charles Edward McLaughlin, 46, electrician Neil Stuart Ross McLeod, 47, quality assurance inspector Francis McPake, 49, steel erector/rigger David Allison McWhinnie, 36, production operator Dugald McLean McWilliams, 31, welder Carl Mearns, 20, rigger Derek Klement Michael Millar, 32, supervisor Alan David Miller, 31, industrial chemist Frank Miller, 33, scaffolder John Hector Molloy, 32, engineer Leslie James Morris, 38, platform superintendent Bruce Alexander Ferguson Munro, 29, floorman George Fagan Murray, 37, steward James Cowie Niven, 27, roustabout Graham Sim Noble, 37, materials man Michael O’Shea, 30, electrician Robert Rennie Pearston, 25, mechanic Ian Piper, 38, motorman Wasyl Pochrybniak, 37, lead roustabout Raymond Leslie Price, 59, production operator Neil Pyman, 32, engineer Terence Stephen Quinn, 28, service engineer William Wallace Raeburn, 38, maintenance controller Donald Reid, 44, chargehand engineer Robert Welsh Reid, 27, roustabout Gordon MacAlonan Rennie, 52, process operator Robert Miller Richard, 45, production operator Alan Riddoch, 44, steward Adrian Peter Roberts, 28, roughneck Alexander James Robertson, 50, lead production technician Donald Nicholson Robertson, 54, mechanical technician Gary Ross, 29, roustabout Michael Hector Ryan, 23, roustabout Stanley Sangster, 56, foreman scaffolder James John Dearn Savage, 41, electrical technician Michael Hugh Brodie Scorgie, 28, lead foreman William Alexander Scorgie, 46, pipe fitter John Francis Scott, 26, scaffolder Colin Denis Seaton, 51, offshore installation manager Robert Hendry Selbie, 32, turbo drill engineer Michael Jeffrey Serink, 26, logger Michael Bernard Short, 41, foreman rigger Richard Valentine Skinner, 41, assistant driller William Hamilton Smith, 43, maintenance lead hand James Speirs, 42, mechanical technician Kenneth Stuart Stephenson, 37, rigger Thomas Cunningham Boswell Stirling, 27, cleaner Malcolm John Storey, 38, seaman James Campbell Stott, 40, plumber Jurgen Tilo Stwerka, 36, research chemist Stuart Douglas Sutherland, 21, student/cleaner Terrence John Sutton, 28, mechanical fitter Alexander Ronald Taylor, 57, roustabout Alistair Adam Thompson, 45, telecom engineer Robert Argo Vernon, 51, production operator John Edward Wakefield, 35, instrument technician Michael Andrew Walker, 24, technician Bryan Thomas Ward, 48, rigger Gareth Hopson Watkin, 42, offshore medical attendant Francis John Watson, 38, head chef Alexander Whibley, 28, roustabout Kevan Dennis White, 42, maintenance supervisor Robert Whiteley, 39, roustabout Graham Gill Whyte, 42, aerial rigger James Gilbert Whyte, 53, aerial rigger Alan Wicks, 40, safety supervisor Paul Charles Ferguson Williamson, 24, floorman David Wiser, 65, survey technician John Richard Woodcock, 29, technical clerk

[emzeciorrr]

Google - Young Love (Directors Cut) from Justyna Obasi on Vimeo.

DIRECTOR Me PRODUCTION COMPANY Love Song AGENCY Wieden + Kennedy, Marc Duran & Jessica Ghersi, Marisa Bursteen, Jordan Leinen ACTORS Jocelyn Liu & Dagen Howard

LA CREW: DIRECTOR Justyna Obasi MANAGING PARTNER Kelly Bayett EXECUTIVE PRODUCER Daniel Wolfe EXECUTIVE CREATIVE ASSIST Ja’Lisa Arnold HEAD OF PRODUCTION JP Colombo PRODUCTION SUPERVISOR Matt Rudge ASSIST. PROD. SUPERVISOR Sara Reid, Luis Garcia 1ST AD Gail Shand DP Kate Arizmendi KEY GRIP Steve Forbes GAFFER Jake Lyon PRODUCTION DESIGNER JC Molina ART DIRECTOR Lisa Medina STYLING Astrid G SCRIPT Edye Rice GANG BOSS Rob Harper LOCATION MANAGER Byll Williams

NEW YORK CREW: DIRECTOR Justyna Obasi MANAGING PARTNER Kelly Bayett EXECUTIVE PRODUCER Daniel Wolfe EXECUTIVE CREATIVE ASSIST Ja’Lisa Arnold HEAD OF PRODUCTION JP Colombo LINE PRODUCER Jose A. Barrios PRODUCTION SUPERVISOR Holland Kemp COMMERCIAL COORDINATOR Zara Hayden 1ST AD Otis Fung 2nd AD David Ebel DP Kate Arizmendi CAMERA OPERATOR Michelle Marrion 1ST AC Jasmine Chang 2ND AC (FILM) Helen Cassell 2ND AC (DIGITAL) Greg Pace FILM LOADER Jade Williams DIT Kazim Karaismailoglu REMOTE HEAD TECH Jack Rosenfeld GAFFER Charlie McNamara BB ELECTRIC Dave Hammett ELECTRIC Peter Marzulli, John Cardoni, Andy Clarke KEY GRIP Kenny Fundus BB GRIP Jackson Bosworth GRIP Neil O’Malley, Nick Negersmith, Holly Hosman, Chris Cazavilan PRODUCTION DESIGNER Joseph Polacik ART COORDINATOR Darren Maxwell SET DECORATOR Sara Parks PROP MASTER Ben Oshman PROP Jim Wessling, Joe Calderaro ASSIST COORDINATOR John Shashaty STUNT COORDINATOR/DRIVER Blaise Corrigan KEY RIGGER Scott Burik RIGGER Bryce Burke 
WARDROBE STYLIST Jennifer Greene WARDROBE ASSISTANT Gabrielle Ruffino KEY MAKEUP Tina Murgas KEY HAIR Angela Lynn Ware SCRIPT SUPERVISOR Erica Lundberg VTR Reggie Ollen SOUND MIXER Matthew Israel
BOOM OP Jason Todd LOCATION MANAGER Jennifer Quesenberry G&E TRUCK Terry Adams VIDEO VILLAGE VAN Ata Alrafati GANG BOSS / CAMERA TRUCK Oscar Moreira GENERATOR Rich Bundy TALENT MOTORHOME Sean Cummisky CCO Luis Bonilla COVID ASSISTANT Xavier Barker, Danny Grajewski COVID TESTING COORDINATOR Michael Moses SET MEDIC Jeruschka Argenziano SET SECURITY Ricky Ingber, West Rodriguez
CRAFT SERVICE Rich Hoxsey
KEY PA Cha Deberry
PA - DIRECTOR VAN / TALENT Pete Cruz
PA - AGENCY VAN Jeff Javier
PA - PRODUCTION CUBE Jeff Cunningham PA - OFFICE Mark Califra
PA - WITSTRUCK Dwayne Scott
PA Owen Maldonado, Dash Porter, Gabrielle Schlein, Heinz Evander, Lani Roberts, Ryan Goldberg, Adam Rodriguez, Huston Charles 
 



 
 
 






 
 



 
 
 
 

















[cineastua]

Google - Young Love (Directors Cut) from Justyna Obasi on Vimeo.

DIRECTOR Me PRODUCTION COMPANY Love Song AGENCY Wieden + Kennedy, Marc Duran & Jessica Ghersi, Marisa Bursteen, Jordan Leinen ACTORS Jocelyn Liu & Dagen Howard

LA CREW: DIRECTOR Justyna Obasi MANAGING PARTNER Kelly Bayett EXECUTIVE PRODUCER Daniel Wolfe EXECUTIVE CREATIVE ASSIST Ja’Lisa Arnold HEAD OF PRODUCTION JP Colombo PRODUCTION SUPERVISOR Matt Rudge ASSIST. PROD. SUPERVISOR Sara Reid, Luis Garcia 1ST AD Gail Shand DP Kate Arizmendi KEY GRIP Steve Forbes GAFFER Jake Lyon PRODUCTION DESIGNER JC Molina ART DIRECTOR Lisa Medina STYLING Astrid G SCRIPT Edye Rice GANG BOSS Rob Harper LOCATION MANAGER Byll Williams

NEW YORK CREW: DIRECTOR Justyna Obasi MANAGING PARTNER Kelly Bayett EXECUTIVE PRODUCER Daniel Wolfe EXECUTIVE CREATIVE ASSIST Ja’Lisa Arnold HEAD OF PRODUCTION JP Colombo LINE PRODUCER Jose A. Barrios PRODUCTION SUPERVISOR Holland Kemp COMMERCIAL COORDINATOR Zara Hayden 1ST AD Otis Fung 2nd AD David Ebel DP Kate Arizmendi CAMERA OPERATOR Michelle Marrion 1ST AC Jasmine Chang 2ND AC (FILM) Helen Cassell 2ND AC (DIGITAL) Greg Pace FILM LOADER Jade Williams DIT Kazim Karaismailoglu REMOTE HEAD TECH Jack Rosenfeld GAFFER Charlie McNamara BB ELECTRIC Dave Hammett ELECTRIC Peter Marzulli, John Cardoni, Andy Clarke KEY GRIP Kenny Fundus BB GRIP Jackson Bosworth GRIP Neil O’Malley, Nick Negersmith, Holly Hosman, Chris Cazavilan PRODUCTION DESIGNER Joseph Polacik ART COORDINATOR Darren Maxwell SET DECORATOR Sara Parks PROP MASTER Ben Oshman PROP Jim Wessling, Joe Calderaro ASSIST COORDINATOR John Shashaty STUNT COORDINATOR/DRIVER Blaise Corrigan KEY RIGGER Scott Burik RIGGER Bryce Burke 
WARDROBE STYLIST Jennifer Greene WARDROBE ASSISTANT Gabrielle Ruffino KEY MAKEUP Tina Murgas KEY HAIR Angela Lynn Ware SCRIPT SUPERVISOR Erica Lundberg VTR Reggie Ollen SOUND MIXER Matthew Israel
BOOM OP Jason Todd LOCATION MANAGER Jennifer Quesenberry G&E TRUCK Terry Adams VIDEO VILLAGE VAN Ata Alrafati GANG BOSS / CAMERA TRUCK Oscar Moreira GENERATOR Rich Bundy TALENT MOTORHOME Sean Cummisky CCO Luis Bonilla COVID ASSISTANT Xavier Barker, Danny Grajewski COVID TESTING COORDINATOR Michael Moses SET MEDIC Jeruschka Argenziano SET SECURITY Ricky Ingber, West Rodriguez
CRAFT SERVICE Rich Hoxsey
KEY PA Cha Deberry
PA - DIRECTOR VAN / TALENT Pete Cruz
PA - AGENCY VAN Jeff Javier
PA - PRODUCTION CUBE Jeff Cunningham PA - OFFICE Mark Califra
PA - WITSTRUCK Dwayne Scott
PA Owen Maldonado, Dash Porter, Gabrielle Schlein, Heinz Evander, Lani Roberts, Ryan Goldberg, Adam Rodriguez, Huston Charles 
 



 
 
 






 
 



 
 
 
 

















[recopilabot]

DIRECTOR Me PRODUCTION COMPANY Love Song AGENCY Wieden + Kennedy, Marc Duran & Jessica Ghersi, Marisa Bursteen, Jordan Leinen ACTORS Jocelyn Liu & Dagen Howard LA CREW: DIRECTOR Justyna Obasi MANAGING PARTNER Kelly Bayett EXECUTIVE PRODUCER Daniel Wolfe EXECUTIVE CREATIVE ASSIST Ja’Lisa Arnold HEAD OF PRODUCTION JP Colombo PRODUCTION SUPERVISOR Matt Rudge ASSIST. PROD. SUPERVISOR Sara Reid, Luis Garcia 1ST AD Gail Shand DP Kate Arizmendi KEY GRIP Steve Forbes GAFFER Jake Lyon PRODUCTION DESIGNER JC Molina ART DIRECTOR Lisa Medina STYLING Astrid G SCRIPT Edye Rice GANG BOSS Rob Harper LOCATION MANAGER Byll Williams NEW YORK CREW: DIRECTOR Justyna Obasi MANAGING PARTNER Kelly Bayett EXECUTIVE PRODUCER Daniel Wolfe EXECUTIVE CREATIVE ASSIST Ja’Lisa Arnold HEAD OF PRODUCTION JP Colombo LINE PRODUCER Jose A. Barrios PRODUCTION SUPERVISOR Holland Kemp COMMERCIAL COORDINATOR Zara Hayden 1ST AD Otis Fung 2nd AD David Ebel DP Kate Arizmendi CAMERA OPERATOR Michelle Marrion 1ST AC Jasmine Chang 2ND AC (FILM) Helen Cassell 2ND AC (DIGITAL) Greg Pace FILM LOADER Jade Williams DIT Kazim Karaismailoglu REMOTE HEAD TECH Jack Rosenfeld GAFFER Charlie McNamara BB ELECTRIC Dave Hammett ELECTRIC Peter Marzulli, John Cardoni, Andy Clarke KEY GRIP Kenny Fundus BB GRIP Jackson Bosworth GRIP Neil O’Malley, Nick Negersmith, Holly Hosman, Chris Cazavilan PRODUCTION DESIGNER Joseph Polacik ART COORDINATOR Darren Maxwell SET DECORATOR Sara Parks PROP MASTER Ben Oshman PROP Jim Wessling, Joe Calderaro ASSIST COORDINATOR John Shashaty STUNT COORDINATOR/DRIVER Blaise Corrigan KEY RIGGER Scott Burik RIGGER Bryce Burke 
WARDROBE STYLIST Jennifer Greene WARDROBE ASSISTANT Gabrielle Ruffino KEY MAKEUP Tina Murgas KEY HAIR Angela Lynn Ware SCRIPT SUPERVISOR Erica Lundberg VTR Reggie Ollen SOUND MIXER Matthew Israel
BOOM OP Jason Todd LOCATION MANAGER Jennifer Quesenberry G&E TRUCK Terry Adams VIDEO VILLAGE VAN Ata Alrafati GANG BOSS / CAMERA TRUCK Oscar Moreira GENERATOR Rich Bundy TALENT MOTORHOME Sean Cummisky CCO Luis Bonilla COVID ASSISTANT Xavier Barker, Danny Grajewski COVID TESTING COORDINATOR Michael Moses SET MEDIC Jeruschka Argenziano SET SECURITY Ricky Ingber, West Rodriguez
CRAFT SERVICE Rich Hoxsey
KEY PA Cha Deberry
PA - DIRECTOR VAN / TALENT Pete Cruz
PA - AGENCY VAN Jeff Javier
PA - PRODUCTION CUBE Jeff Cunningham PA - OFFICE Mark Califra
PA - WITSTRUCK Dwayne Scott
PA Owen Maldonado, Dash Porter, Gabrielle Schlein, Heinz Evander, Lani Roberts, Ryan Goldberg, Adam Rodriguez, Huston Charles